Michael Wynn's Occult Reference Library
ZONEI

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ALEISTER CROWLEY AD MEIORUM CTHULHI GLORIAM

s book would have been impossible. blessed be! table of contents introduction introductory essay prefatory notes chart of comparisons supplementary material to 777 notes on pronunciation the spells (translated) common sumerian words and phrases in english a word concerning the original manuscript banishings bibliography& suggested reading list the necronomicon the testimony of the mad arab of the zonei and their attributes the book of entrance, and of the walking the incantations of the gates the conjuration of the fire god the conjuration of the watcher the maklu text the book of calling the book of fifty names the magan text the urilia text the testimony of the mad arab, the second part preface to the second edition there are three major individuals who must share the credit for the asto

esses with reference to the craft is the naming of the goddess as a deity, not of the moon (as the craft would have it, but of the planet venus. the moon was governed by a male divinity, nanna (like inanna but minus the initial 'i, and was considered the father of the gods by the earliest sumerian religion. it should be noted, however, that all of the planetary deities, termed "the zoned ones" or zonei in greek, and indeed all of the sumerian deities, had both male and female manifestations, showing that the sumerians definitely recognised a yin-yang composition if the universe (the "male moon" idea is, the editor is given to understand, common to so-called aryan mythologies. there is also evidence to show that every god and goddess also had both a good and an evil nature, and evil gods we

how that every god and goddess also had both a good and an evil nature, and evil gods were banished in the exorcism formulae of that civilisation as well as the lesser forms of demon. the horned moon as mentioned, the god of the moon was called nanna by the sumerians. by the later sumerians and assyrians, he was called sin. in both cases, he was the father of the gods (of the planetary realm, the zonei, and was depicted as wearing horns, a symbol familiar to the witches as representative of their god. the horn shaped crown is illustrative of the crescent phases of the moon, and were symbolic of divinity in many cultures around the world, and were also thought to represent certain animals who were horned, and worshipped for their particular qualities, such as the goat and bull. they also re

man. ecce qui tollit peccata mundi. and a rock group from england, home of the anglican heresy, sings of "sympathy" for the devil. pazuzu. tiamat. the seven deadly sins. the fear of lovecraft. the pride of crowley. the lunar landing was the symbolic manifestation of man's newly acquired potential power to alter the nature- and perhaps, via nuclear weapons, the course- of the heavenly bodies, the zonei, the elder gods. it has a power the ancient ones have been waiting for, for millennia, and it is now within their grasp. the next century may deliver unto mankind this awesome power and responsibility, and will leave him knocking on the dread doors of the azonei, the igigi, approaching the barrier that keeps out the absu. and one day, without the benefit of necronomicon, the race of man will

s book would have been impossible. blessed be! table of contents introduction introductory essay prefatory notes chart of comparisons supplementary material to 777 notes on pronunciation the spells (translated) common sumerian words and phrases in english a word concerning the original manuscript banishings bibliography& suggested reading list the necronomicon the testimony of the mad arab of the zonei and their attributes the book of entrance, and of the walking the incantations of the gates the conjuration of the fire god the conjuration of the watcher the maklu text the book of calling the book of fifty names the magan text the urilia text the testimony of the mad arab, the second part preface to the second edition there are three major individuals who must share the credit for the asto

known to the hindus. it is a sacred word, and pertains to the lord of magicians, enki. further, the greek spelling of enki was ea, by which he is most commonly known in the european texts which treat of sumeriology. in the greek alphabet, ea would appear as ha. q.e.d: aum.ha betrays the essential sumerian character of that book. after the initial testimony, we come to the chapter entitles "of the zonei and their attributes, zonei is, of course a greek word and refers to the planetary, or heavenly bodies; for they are "zoned, i.e, having set courses and spheres. they are also known as such in the chaldean oracles. the 'spirits' or bodies that exist beyond the zonei are called the azonei, meaning "un-zoned. whether this refers to the so-called "fixed" stars (having no sphere ascertainable to

avenly bodies; for they are "zoned, i.e, having set courses and spheres. they are also known as such in the chaldean oracles. the 'spirits' or bodies that exist beyond the zonei are called the azonei, meaning "un-zoned. whether this refers to the so-called "fixed" stars (having no sphere ascertainable to the early astronomers) or the comets, is unknown to the editor. whatever the case may be, the zonei seem to include the seven philosophical planets, i.e, including the sun and moon as planetary bodies, along with mercury, venus, mars, jupiter and saturn. each has their own seal and their own number. kenneth grant, author of aleister crowley and the hidden god, may be interested to know (or may already know) that the number of the sumerian goddess of venus, hence of love and war, is fifteen

teen. in many of the ancient tablets of that period, she is actually referred to as "the fifteen, as a shortcut to spelling out the whole name in cuneiform, was assume. grant made much of "the goddess fifteen" in his study of crowley's system as related to tantricism, without mentioning the name by which this goddess is quite well-known, or even mentioning her native country! after the chapter on zonei, we come to the "book of entrance" which is really a system of self-initiation into the planetary spheres and may have something to do with the planetary arrangement of the steps of the ziggurats of mesopotamia, which were seven storeyed mountains. not much is revealed to the potential candidate for initiation as to how these "gates" work, or what he might find there, save to say that the ke

ave only if it catch the light of the moon upon its surface for, in the dark days of the moon, or in cloud, there can be little protection against the fiends from the ancient lands should they break the barrier, or be let in by their servants upon the face of the earth. in such a case, no recourse is to be had until the light of the moon shines upon the earth, for the moon is the eldest among the zonei, and is the starry symbol of our pact. nanna, father of the gods, remember! wherefore, the amulet must be engraved upon pure silver in the full light of the moon, that the moon shine upon it at its working, and the essence of the moon incantations must be performed, and the prescribed rituals as given forth in this book. and the amulet must never be exposed to the light of the sun, for shamm

tes, or to the formulae, or to the sacrifices, for now it appears as if the entire host of ereshkigal lies waiting, dreaming, drooling for my departure. i pray the gods that i am saved, and not perish as did the priest, abdul ben-martu, in jerusalem (the gods remember and have mercy upon him. my fate is no longer writ in the stars, for i have broken the chaldean covenant by seeking power over the zonei. i have set foot on the moon, and the moon no longer has power over me. the lines of my life have been oblitered by my wanderings in the waste, over the letters writ in the heavens by the gods. and even now i can hear the wolves howling in the mountains as they did that fateful night, and they are calling my name, and the names of others. i fear for my flesh, but i fear for my spirit more. r

ite the incantations as they are written here, in the manner this prescribed. prepare the rituals without erring, and in the proper places and times render the sacrifices. may the gods be ever merciful unto thee! may thou escape the jaws of the maskim, and vanquish the power of the ancient ones! and the gods grant thee death before the ancient ones rule the earth once more! kakammu! selah! of the zonei and their attributes the gods of the stars are seven. they have seven seals, each of which may be used in their turn. they are approached by seven gates, each of which may be opened in their turn. they have seven colours, seven essences, and each a separate step on the ladder of lights. the chaldeans were but imperfect in their knowledge, although they had understanding of the ladder, and ce

e not equipped to deal with the attack from without that must surely come, and their people will cry unto them for safety, and it will not come forth. therefore, set thy face towards the ultimate goal and strive ever onward to the furthest reaches of the stars, though it mean thine own death; for such a death is as a sacrifice to the gods, and pleasing, that they will not forget their people. the zonei and their attributes, then, are as follows: the god of the moon is the god nanna. he is father of the zonei, and the eldest of the wanderers. he is long of beard, and bears a wand of lapis lazuli in his palm, and possesses the secret of the tides of blood. his colour is silver. his essence is to be found in silver, and in camphor, and in those things bearing the sign of the moon. he is somet

powerful and his anger fierce. when thou hast need of the power of the star jupiter, call instead one of the appropriate powers listed within these pages, and they will surely come. the number of marduk is ten and this is his seal: the god of saturn is ninib called adar, the lord of hunters and of strength. he appears with a crown of horns and a long sword, wearing a lion's skin. he is the final zonei before the terrible igigi. his colour is the darkest black. his essence is to be found in lead, in the burnt embers of the fire, and in things of death and of antiquity. the horns of a stag are his symbol. his gate is the last you will come upon in the rites that follow. his step on the ladder of lights is black. this is his seal, which you must engrave on a leaden plate or bowl, keeping it


THE NECRONOMICON SIMON VERSION

esses with reference to the craft is the naming of the goddess as a deity, not of the moon (as the craft would have it, but of the planet venus. the moon was governed by a male divinity, nanna (like inanna but minus the initial 'i, and was considered the father of the gods by the earliest sumerian religion. it should be noted, however, that all of the planetary deities, termed "the zoned ones" or zonei in greek, and indeed all of the sumerian deities, had both male and female manifestations, showing that the sumerians definitely recognised a yin-yang composition if the universe (the "male moon" idea is, the editor is given to understand, common to so-called aryan mythologies. there is also evidence to show that every god and goddess also had both a good and an evil nature, and evil gods we

how that every god and goddess also had both a good and an evil nature, and evil gods were banished in the exorcism formulae of that civilisation as well as the lesser forms of demon. the horned moon as mentioned, the god of the moon was called nanna by the sumerians. by the later sumerians and assyrians, he was called sin. in both cases, he was the father of the gods (of the planetary realm, the zonei, and was depicted as wearing horns, a symbol familiar to the witches as representative of their god. the horn shaped crown is illustrative of the crescent phases of the moon, and were symbolic of divinity in many cultures around the world, and were also thought to represent certain animals who were horned, and worshipped for their particular qualities, such as the goat and bull. they also re

man. ecce qui tollit peccata mundi. and a rock group from england, home of the anglican heresy, sings of "sympathy" for the devil. pazuzu. tiamat. the seven deadly sins. the fear of lovecraft. the pride of crowley. the lunar landing was the symbolic manifestation of man's newly acquired potential power to alter the nature- and perhaps, via nuclear weapons, the course- of the heavenly bodies, the zonei, the elder gods. it has a power the ancient ones have been waiting for, for millennia, and it is now within their grasp. the next century may deliver unto mankind this awesome power and responsibility, and will leave him knocking on the dread doors of the azonei, the igigi, approaching the barrier that keeps out the absu. and one day, without the benefit of necronomicon, the race of man will

known to the hindus. it is a sacred word, and pertains to the lord of magicians, enki. further, the greek spelling of enki was ea, by which he is most commonly known in the european texts which treat of sumeriology. in the greek alphabet, ea would appear as ha. q.e.d: aum.ha betrays the essential sumerian character of that book. after the initial testimony, we come to the chapter entitles "of the zonei and their attributes, zonei is, of course a greek word and refers to the planetary, or heavenly bodies; for they are "zoned, i.e, having set courses and spheres. they are also known as such in the chaldean oracles. the 'spirits' or bodies that exist beyond the zonei are called the azonei, meaning "un-zoned. whether this refers to the so-called "fixed" stars (having no sphere ascertainable to

avenly bodies; for they are "zoned, i.e, having set courses and spheres. they are also known as such in the chaldean oracles. the 'spirits' or bodies that exist beyond the zonei are called the azonei, meaning "un-zoned. whether this refers to the so-called "fixed" stars (having no sphere ascertainable to the early astronomers) or the comets, is unknown to the editor. whatever the case may be, the zonei seem to include the seven philosophical planets, i.e, including the sun and moon as planetary bodies, along with mercury, venus, mars, jupiter and saturn. each has their own seal and their own number. kenneth grant, author of aleister crowley and the hidden god, may be interested to know (or may already know) that the number of the sumerian goddess of venus, hence of love and war, is fifteen

teen. in many of the ancient tablets of that period, she is actually referred to as "the fifteen, as a shortcut to spelling out the whole name in cuneiform, was assume. grant made much of "the goddess fifteen" in his study of crowley's system as related to tantricism, without mentioning the name by which this goddess is quite well-known, or even mentioning her native country! after the chapter on zonei, we come to the "book of entrance" which is really a system of self-initiation into the planetary spheres and may have something to do with the planetary arrangement of the steps of the ziggurats of mesopotamia, which were seven storeyed mountains. not much is revealed to the potential candidate for initiation as to how these "gates" work, or what he might find there, save to say that the ke

ave only if it catch the light of the moon upon its surface for, in the dark days of the moon, or in cloud, there can be little protection against the fiends from the ancient lands should they break the barrier, or be let in by their servants upon the face of the earth. in such a case, no recourse is to be had until the light of the moon shines upon the earth, for the moon is the eldest among the zonei, and is the starry symbol of our pact. nanna, father of the gods, remember! wherefore, the amulet must be engraved upon pure silver in the full light of the moon, that the moon shine upon it at its working, and the essence of the moon incantations must be performed, and the prescribed rituals as given forth in this book. and the amulet must never be exposed to the light of the sun, for shamm

tes, or to the formulae, or to the sacrifices, for now it appears as if the entire host of ereshkigal lies waiting, dreaming, drooling for my departure. i pray the gods that i am saved, and not perish as did the priest, abdul ben-martu, in jerusalem (the gods remember and have mercy upon him. my fate is no longer writ in the stars, for i have broken the chaldean covenant by seeking power over the zonei. i have set foot on the moon, and the moon no longer has power over me. the lines of my life have been oblitered by my wanderings in the waste, over the letters writ in the heavens by the gods. and even now i can hear the wolves howling in the mountains as they did that fateful night, and they are calling my name, and the names of others. i fear for my flesh, but i fear for my spirit more. r

ite the incantations as they are written here, in the manner this prescribed. prepare the rituals without erring, and in the proper places and times render the sacrifices. may the gods be ever merciful unto thee! may thou escape the jaws of the maskim, and vanquish the power of the ancient ones! and the gods grant thee death before the ancient ones rule the earth once more! kakammu! selah! of the zonei and their attributes the gods of the stars are seven. they have seven seals, each of which may be used in their turn. they are approached by seven gates, each of which may be opened in their turn. they have seven colours, seven essences, and each a separate step on the ladder of lights. the chaldeans were but imperfect in their knowledge, although they had understanding of the ladder, and ce

e not equipped to deal with the attack from without that must surely come, and their people will cry unto them for safety, and it will not come forth. therefore, set thy face towards the ultimate goal and strive ever onward to the furthest reaches of the stars, though it mean thine own death; for such a death is as a sacrifice to the gods, and pleasing, that they will not forget their people. the zonei and their attributes, then, are as follows: the god of the moon is the god nanna. he is father of the zonei, and the eldest of the wanderers. he is long of beard, and bears a wand of lapis lazuli in his palm, and possesses the secret of the tides of blood. his colour is silver. his essence is to be found in silver, and in camphor, and in those things bearing the sign of the moon. he is somet

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