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YOUR AURA

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ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

y before death to the ghastly tenants of the grave, the wretch, like the mesmerized and living corpse of poe's monsieur valdemar, is a "nearly liquid mass of loathsome, of detestable putrescence" the student of this holy magick is most earnestly warned against frequenting their seances, or even admitting them to his presence. they are contagious as syphilis, and more deadly and disgusting. unless your aura is strong enough to inhibit any manifestation of the loathly larvae that have taken up their habitation in them, shun them as you need not mere lepers<degree of personal purity combined with integrity and force of character provides even the ignorant with a certain natural defence, and attracts into his aura only intelligent and benefi

ALEISTER CROWLEY EQUINOX EQ I 4

ndaries. hb:aleph white light there. hb:dalet (6) having thus formulated the letters, take a deep breath hb:tzaddi hb:resh hb:aleph hb:heh hb:nun hb:yod hb:nun hb:dalet hb:aleph and pronounce the name slowly making the letters flash hb:yod (7) invoke the telesmatic image. let it fill the universe. hb:heh (8) then whilst once again vibrating the name absorb it hb:aleph into yourself; and then will your aura radiate with hb:resh whiteness. hb:tzaddi you should obtain your divine white brilliance before formulating the image. there are two methods, the involving and the expanding whorls respectively. 171 similar to the d. a. mediation practices. 172 similar to fra. i. a.'s ritual of jupiter. 173 this is done by making the telesmata flash by meditation. 174 this is done by projecting a physica

ALEXANDRIAN BOOK OF SHADOWS OCCULT

sword and athame should touch. in any case, when finished the weapon should be handed to new owner with fivefold salute, and should be pressed against the body for a time to get the aura; and it should be in as close connection as possible to the naked body for at least a month, i.e. kept under pillow, etc. do not allow anyone to touch or handle any of your tools until thoroughly impregnated with your aura; say six months or as near as possible. but a pair working together may own the same tools, which will be impregnated with the aura of both. notes l published in janet and stewart farrar's the witches way l they say it comes from gbg's bos (text b/c version) they say that he derived it from the greater key of solomon, but had dropped the hebrew and other magical names by text b (they wer

ALICE A BAILEY12 DISCIPLESHIP IN THE NEW AGE VOLUME I

yet are ever tired. forget not that a weakened etheric body is easily drained by other people though they do this quite unconsciously. therefore, for you, close contact with others is not desirable not only from the standpoint of your health but from the angle of the status which you have reached upon the path of discipleship- 106- discipleship in the new age- volume i copyright 1998 lucis trust your aura requires sealing (if i may use so unusual a term) and the leakage now present can then be stopped. this cannot be done, occultly speaking, until you have made some changes in your life. close inter-mingling with the auras of other people causes in your case a constant seepage of vitality, for you are constantly oriented towards giving. your course is obvious but more i cannot say nor sha

hree times as a personality, achieving alignment; then sound it three times as the soul, conferring inspiration. 2. then, focussing yourself at as high a point as possible and using the creative imagination to your fullest capacity, see the radiation of love as light pouring from the soul and raying forth as a mental influence to others, as an emotional benediction to others, and as vital life in your aura and physical presence. 3. sound the o.m. again three times as an integrated personality and soul, fused and blended into one. my blessing rests upon you. january 1939 you have one glamour, my brother, which to you is well known. i will not give it a name for that is needless, and you will know whereof i speak. it is allied to fear and tunes you in on that potent and well developed world

ly facilitate your- 151- discipleship in the new age- volume i copyright 1998 lucis trust progress on the way. the inhibitions to the free play of the light of the soul through you in your environment are not be found in any particular mental or astral reaction but in the response your entire personality makes to your outer environing conditions. that response produces an outer swirl of forces in your aura wherein comes opportunity for your fourth ray mind to produce harmony through conflict, and skill in action, which is the true significance of the subsidiary names of this ray, called frequently the ray of art or beauty. it is the ray of creative living, and not creative art. creative living produces beauty and harmony in the outer life, so that others can see the achievement. how can th

in a position where you can be of much service to others. your usefulness depends upon your ability to achieve a constant inner growth and progressive realisation and your consequent capacity to meet all who seek your aid in a spirit of love, free from personal criticism and with the intelligent reticence which is so pre-eminently one of your characteristics. the intensification of the potency of your aura (your personality emanation) is most desirable for it is through the right use of the aura that we stimulate others to renewed effort, or slow them down to less potent expression. this intensification is dependent upon the quality, potency and tempo of your subjective life. hence the earlier suggestions i have made to you. as regards your meditation work, i would change it somewhat. for

ciple to continue at this time. to r. v. b. november 1931 to you, my brother, my words are as follows: you have this life stepped out into a greater- 199- discipleship in the new age- volume i copyright 1998 lucis trust measure of release than was anticipated by your soul or by those who watch upon the inner side of life. the day of opportunity opened for you and you took it. i have sought within your aura for that with which i should deal and my message for you is perhaps an unexpected one the message of speed. not hurry nor the rushing forward into experience with undue haste, but the steady, conscious quickening of the vibration which leads to power. your outer demonstration gives not full expression to the pulsating life within; the activity of your soul is limited by your physical pla

a position of trust in relation to their fellowmen. your work is, therefore, the work of training people to be workers and so fit them to be cooperators with the plan. you will contact those who need you not as a leader or teacher. they will be those whom you know and feel require training and help. they have to be taught to work inclusively and to be animated by intelligent love. take them into your aura and hold them in the light. note their increase of capacity and later their individual reaction to you yourself. by this you will arrive at an understanding of your vibratory, magnetic capacity. the soul's nature is love and love is the great attractive force- 200- discipleship in the new age- volume i copyright 1998 lucis trust in reference to my comment anent "accepted disciples" i wou

should i gain this released perspective? you think ever in terms of service, my brother, which- 294- discipleship in the new age- volume i copyright 1998 lucis trust was one of the reasons (apart from karmic suitability) prompting my choice of you for work in this group. my answer may surprise you, for i give it in terms which are somewhat unusual. your main usefulness consists in the potency of your aura that field of magnetic life which surrounds everyone on all sides, and which in your case is of unusual extent. little is known as yet anent the aura. i would define it simply as the sum total of the attractive forces in the field of individual activity. it is through the aura that an individual effect makes itself felt in a man's surroundings. my message, therefore, to you is to use you

ew hidden seeds of self-satisfaction, which still remain in your subconscious mind. i am speaking plainly for you are a worthwhile chela and capable of much service in the world and, for you, individual sensitivity to correction and to suggestion, should have no place. i realise that this is also your point of view and that hence i can speak with frankness. as i look at you, my brother, and study your aura, i ask myself, what are the two things which you most need at this time? by this i mean: what two things, dealt with at this time, would give you the maximum measure of release and so increase your power in service? there is, first of- 322- discipleship in the new age- volume i copyright 1998 lucis trust all, an increased reticence in thought anent your environing conditions. this involv

ht. march 1936 my friend of old: for such you are and have been and such i trust you will remain. i say this for your strengthening and encouragement. you have made a real effort, and progress has resulted during the past few months. today, you walk not all the time in the darkness of self-pity and of self-interest. you are freer from the thoughtforms of the past. i can look towards you and catch your aura with greater ease and with not too great a vibratory shock. forget not, any of you, that for senior disciples upon the path (and such am i, it is relatively as unpleasant from the vibratory angle to contact you or spend some time within the radius of your aura as it would be for you to enter the sleeping room of those of soiled environment and- 370- discipleship in the new age- volume i

es upon the path (and such am i, it is relatively as unpleasant from the vibratory angle to contact you or spend some time within the radius of your aura as it would be for you to enter the sleeping room of those of soiled environment and- 370- discipleship in the new age- volume i copyright 1998 lucis trust persons. disciples are apt to forget this. the way for all of us is the way of sacrifice. your aura is much clearer and the impediments to contact are twenty per cent less. for this, i can and do commend you and, in commending, urge you to proceed with the task of purification and cleansing. i ask this for the sake of your own soul and for that of your fellow disciples. there is real need for this group to work as a group. but this will only be possible when unity of purpose, steadines

ted self and may the blessing of your master rest upon you. july 1935 my brother: if i were to ask you to measure your success or failure during the past twelve months, do you know for yourself what your measurement would be? would you say: real success with occasional brief relapses through old habits of thought not yet completely transcended? your success is real and there is much more light in your aura. one of the things which i seek to take up with you in this instruction is the subject of glamour. glamour is the powerful enemy of all who tread the path of discipleship. the whole world is- 394- discipleship in the new age- volume i copyright 1998 lucis trust subject to glamour, as well you know, but when a man becomes a disciple, he contacts so much force (especially in the early stag

idually. experiment with that which has been suggested and to which i make no new indicative reference because the matter lies between yourself and me. give expression to the thoughts which i gave in my first instruction to you. and that is all, my brother. january 1940 brother of mine: the coming three years will be those in which you will have to fight glamour with care, preparatory to clearing your aura for increased service. you must seek to walk with accuracy in the light, for the path of the mediator cannot be trodden until the glamour of the mystic vision has been dissipated and the vision itself has been lost to sight in accomplishment and identification. you will note how frequently i am using the word identification in my various instructions. the reason is that it connotes the g

ALICE A BAILEY16 GLAMOUR A WORLD PROBLEM

22- glamour: a world problem copyright 1998 lucis trust intensified? 3. have you noticed what is the effect which your own individual aura is making upon your environment and how can you improve that effect? this will enable you to make practical application of that which i seek to teach you. forget not that as you look out upon the world and your immediate environment, that you look out through your aura and have, therefore, to deal with glamour and illusion. there are three further questions which you might put to yourself, facing the issue in the light of your soul: 1. do i suffer primarily from glamour or from illusion? 2. do i know which quality or characteristic in my nature facilitates my tuning in on the world glamour or the world illusion? 3. have i reached the point where i can

ALICE A BAILEY20 A TREATISE ON THE SEVEN RAYS VOLUME IV ESOTERIC HEALING

nd then with their emotional natures. do this by the use of the imagination, realising that energy follows thought and that the linking process is inevitable, if correctly done. you can then function as a group. then forget about the group relation and concentrate upon the work to be done. 2. within yourself, then, link soul and brain and gather together the forces of love that are to be found in your aura and focus yourself and all that you have to offer within the head, picturing yourself as a radiant centre of energy or a point of vivid light. this light is to be projected upon the patient through the ajna centre between the eyes. 3. then say the following group mantram "with purity of motive, inspired by a loving heart, we offer ourselves for this work of healing. this offer we make as

DION FORTUNE PSYCHIC SELF DEFENSE

o charges 300 for one of the initiations he confers; and he will give it to anyone who has got 300. in my opinion, the person who pays out 300 for such a purpose deserves the kind of initiation he is going to get. it is also a bad sign when an occultist makes free with signs and wonders before the uninitiated. no genuine adept ever does this. the person who reads your past incarnations, describes your aura, rolls up his eyes, twitches, and gives you a message from your master as soon as he is introduced, is a person to be avoided. the more i see of the occult movement, the more i am amazed at the things people can say and do and "get away with" the average person is out of his depth when he deals with psychic matters. he usually goes through three phases. firstly, he thinks it is all super

GOLDEN DAWN RITUALS ZAM10

y name, and concealment. i am the great one invisible of the paths of the shades. i am without fear, though veiled in darkness, for within me, though unseen, is the magic of the light divine" go round, knock as before, halt in north, formulate pillars, and the blueblack egg between them. then pass to east. step 19 do the rose cross, keeping your hands close to your body. dedicate it to containing your aura within the black egg. say "invisible, i cannot pass by the gate of the invisible, save by the virtue of the name of light" step 20 formulate the shroud forcibly. say" i am the light shrouded in darkness. i am the wielder of the forces of the balance" 9 step 21 concentrate the shroud mentally. go to the west of the altar, and remain standing. say "o thou divine creature of the creative da

GOLDEN DAWN RITUALS ZAM11

nding upon a lonely hill, the light of the red rose upon the golden cross. oh thou beautiful one, thou red rose of life and light, teach me of death, teach me of life, teach me of self sacrifice, so that i may not shrink in my hour of trial, but that my name may be written upon high and my genius stand in the presence of the holy one, blessed be he" step 5 standing in the east facing west, expand your aura and create an animated shell of yourself from your own nephesch through your ruach. vibrate your power name (motto) into the creation of this form. step out of it and then go to the altar in the west facing east and look at yourself. 4 invocation of hru "i invoke thee by the divine name of iao, thou great angel hru, who art set over the operations of secret wisdom as the sphinx is set ov

GOLDEN DAWN RITUALS ZAM5

far. concentrate now on the power rather than the color; the power and energy that you are circulating should now remain brilliant white. step 2 in the circulation of this geyser fountain of white light, the power and energy should, by force of will, be drawn up through center of your body, and then with an exhalation, the energy should be directed down the left side and so on until all areas of your aura have been expanded to its maximum potential. as the aura expands, begin forming it into the god form of osiris. step 3 when the god form becomes extremely strong, make the lvx symbols with your arms, and vibrate hcwhy hwchy. feel the energy expand from your heart center until it encompasses your whole body. concentrate, now, only on the divine white brilliance above you, and vibrate iao

GRERALD SCHUELER AN ADVANCED GUIDE TO ENOCHIAN MAGICK

oint in the center as shown in the figure on the following page. the cirde's center is a geometric point of consciousness often called a "consciousness center" the surrounding circumference in the microcosm is called the "aura" while in the macrocosm it is called the "magical universe" a well-known axiom of occultism is that the aura of man is a magical mirror of the universe. in enochian magick, your aura is your personal replica of the magical universe. 18 man is like a circle whose center is nowhere (microscopic) and whose circumference is everywhere (infinite. enochian magick represents this center by the god hadit. the circumference is represented by the goddess nuit. 19 the five elements "the earth is an element, and whatever is produced from it. so is the water and all produced ther

imary article of magical clothing is the robe. there are two main types: black with a hood, and white without a hood. appropriate symbols can be used to decorate the robe according to your wat. the chief function of the black robe is to protect you by concealing. lt offers both silence and secrecy. xt symbolizes your temporary withdrawal from the everyday bustle of iife. the white robe symbolizes your aura. your aura is the invisible sheath or sphere of light that surrounds your physical body. because of its shining nature it is often called the body of light. the magical nature of the' white robe is shining, elastic, and impenetrable. the nature of your specific magical operation will determine which robe you should wear. 58 enochian words for magical instruments all powerful magic is wit

ry urn of maz floating unsuspended before you. visualize the urn clearly. let it be made of fixed mercury. hold your cup toward the mystic urn and say, behold, the urn of guilt and grace at the very center of infinite space. part 5. the cloud. let a dark cloud form above the urn/ create this cloud using all of your past karma. let your guilts and your failures and your wrongs-done-to-others leave your aura and lodge in this cloud. let the dark cloud be seeped full with your karma. continue until your body is completely empty even as your cup is empty. with the power of your magical will, let the loud which is your karma, slowly descend into the urn. part 6. the consumption of karma. hold the talisman of iao before you in your right hand and hold your talisman of lahalasa in your left hand

MASTERING WITCHCRAFT

e eyes to see! even as a beginner, you should try to restrict yourself to carrying not more than one amulet at a time (excluding your witch jewel. this will allow you to experiment with its effectiveness. as your powers develop, you should learn to rely less and less on portable "batteries" of this sort, however. finally, you will be able to discard all such artificial aids, relying completely on your aura of witch power to ward off any bad vibration or hostile current. portable amulets the cross-stone, also known as staurotides, is, in fact, a crystal of ferrous aluminium silicate or staurolite, which occurs naturally in orthorhombic form (a crystal possessing three planes set at right angles to each other. in fact, the crystal is formed in the shape of a three-dimensional greek cross or

REGARDIE ISRAEL THE COMPLETE GOLDEN DAWN

nwardly in the breath vibrating it as much as possible and feeling that the whole body throbs with the sound and sends out a wave of vibration directed to the ends of the quarter. 2. as a protection against impure magnetism, the banishing ritual can be used to get rid of obsessing or disturbing thoughts. give a mental image to your obsession and imagine it formulated before you. project it out of your aura with the saluting sign of a neophyte, and when it is about three feet away, prevent its return with the sign of silence. now imagine the form in the east before you and do the banishing ritual of the pentagram to disintegrate it, seeing it, in your mind's eye, dissolving on the further side of your ring of flame. 3. it can be used as an exercise in concentration. seated in meditation or

psychoanalysis for normal people by geraldine coster. psycho-synthesis by the dean of chester cathedral. machinery o the mind by violet firth. having bui it up some idea of the mechanism of your mental processes, you should now try to make yourself negative or positive at will towards people or ideas. if you are likely to meet someone who always makes you argumentative and irritable, decide that your aura is closed to their power of irritating you and that your mind will not be disturbed by what the say. it is good sometimes to listen to views with which you disagree to teac h you not only to make no verbal response, but to keep your feelings in abeyance also. in this way you come to learn how much of your disagreement is due to prejudice or personal factors, and how much to your regard f

and that your mind will not be disturbed by what the say. it is good sometimes to listen to views with which you disagree to teac h you not only to make no verbal response, but to keep your feelings in abeyance also. in this way you come to learn how much of your disagreement is due to prejudice or personal factors, and how much to your regard for abstract truth. again, sometimes practise opening your aura to people or ideas in an endeavour to see things from another's point of view. the practice of deep breathing is also of help in establishing poise and in controlling nervousness. it is good to expand the chest to its fullest extent and then to expand the diaphragm below the ribs as well and then to let the breath out slowly and steadily on a vowel sound such as ah or '0. if you are nerv

ur consciousness to your kether above your head and vibrate the name eheieh-which means i am. imagine the light flowing down through daath (at the nape of your neck) to tiphareth. 4. in the same manner, establish yesod in the name shaddai el chai, and malkuth in the name adonai ha-aretz. 5. make the qabalistic cross to indicate that you have called down the light of your kether and balanced it in your aura. then let your imagination dwell on the aura and see it oval and clear, pulsating with the glow from tiphareth. if you are called to see anyone who is ill, who is depressed, or who has a depressing effect on you, you should do this exercise beforehand. in the case of the person who has a depressing effect on you, you may also imagine that your aura is hardened at the edge so that they ar

ete you of vitality (which is generally what such sensations mean. in all these practices it is well to remember that 'strength is in silence.'if you talk about them, save to your chief, or if you try to analyse their <182> effects, you will not benefit by them. try them with simple faith and fifth knowledge lecture 91 in silence for a year before rationalising them. it is better at first to keep your aura to yourself, rather than to try to flow out towards others. unless you are particularly vital and well-balanced, you will only waste energy. so-called modes of healing and of 'doing good to others' should be eschewed for a time. such methods have a technique of their own and required trained and balanced minds and bodies to carry them out. get yourself right first before you attempt to i

one sitting, because it is begun under certain conditions and it may be difficult to put yourself in the same frame of mind at another time. another point that beginners are apt to run away with, is that talismans can be made wholesale. suppose a dozen talismans were made to do good to as many different people, a ray from yourself must charge each talisman. you have sent out a sort of spiral from your aura which goes on to the talisman and attracts a like force from the atmosphere- that is, if you have learned to excite the like force in yourself at the moment of consecra <54> tion. so that, in the case supposed, you would have a dozen links connecting with you, like so many wires in a telegraph office, and whenever the force which any of these talismans was designed to combat becomes too

letters of the name. flashing brilliant white light should hover round them. this is the expanding whirl in the aura. having gained the whiteness, then. form the telesmatic image, not in your heart but before you, extending it and encouraging the ideal figure to expand and fill the universe. then immerse yourself in its rays- and absorbing, also be absorbed by, the brightness of that light, until your aura radiates with its brightness. these, then, are two processes: the invoking whirl related to the heart. the expanding whirl related to the aura. adni makes the figure from head to waist; ha artz from waist to feet. the whole name is related to makuth, matter, and zelatorship. aleph. winged, white, brilliant, radiant crown. daleth. head and neck of woman, beautiful but firm, hair long, dar

TELESMATA AND FLASHING TABLETS

h lower and earthy love. in fact, what many claim to be love is actually "need" and the fulfillment of the nephesch. danger of making mass talismans making a large supply of talismans on a wholesale basis may not be in the best interest of the adept or the people he/she is making them for. a ray from yourself must charge each talisman. in the charging of a talisman, you have sent forth a ray from your aura which goes onto the talisman and attracts a like force from the atmosphere. thus, if you made a dozen talismans, you would have a dozen likes connecting with you. this places you in a kind of sympathetic communication with the talismans you have created. if opposing forces were coming up against a talisman that you have created, it would mean a loss of vitality in you as it would pull or

THE MIDDLE PILLAR

pentagram in addition to its psychotherapeutic uses, this simple yet powerful cleansing ritual can be used as a protection against the impure magnetism of others. it is also a method for getting rid of negative thoughts or emotional distress. as a magician, you can make a mental image of a particular thought or disturbance and visualize it before you. one way of doing this is to project it out of your aura with the projection sign of a neophyte (also called the the attacking sign; see figure 14, p. 198. when the unwanted energy is away from you, you can prevent its return with the sign of silence (or the sign of protection. then imagine the negative form in the east and perform the lesser banishing ritual of the pentagram. see the form dissolving on the outside of your ring of flaming pent

eral times as before. visualize the shaft of light descending from yesod into your malkuth center at the feet and ankles. vibrate the name "adonai ha-aretz (pronounced "ah-doe-nye ha-ah-retz" meaning "lord of earth) a number of times as before. imagine the middle pillar complete. then circulate the light you have brought down through the middle pillar around the outside of your body to strengthen your aura (perform each circulation a number of times) circulation one: side to side using the cycles of rhythmic breathing, bring the light down one side of the body and up the other, from kether to malkuth and back to kether. exhale and visualize the light descending the lefi the middle pillar exercise 211 side of the body. inhale and imagine the light ascending the right side of the body back t

ulation four: the ascending spiral then see the light rise again in a ribbon that spirals around the outside of your body from malkuth to kether. closing finally focus some of the energy back into your tiphareth center, the seat of equilibrium and balance. you may decide to end the exercise with the qabalistic cross to indicate that you have called down the light of your kether and balanced it in your aura. then let your imagination dwell on the aura and see it oval and clear, pulsating with the glow from tiphareth.6 this simple exercise of middle pillar is the basis for many complex formulas of magic. if you are called to see anyone who is ill, depressed, or who has a depressing effect on you, you should perform ths exercise beforehand. you may also imagine that your aura is hardened at t

anyone who is ill, depressed, or who has a depressing effect on you, you should perform ths exercise beforehand. you may also imagine that your aura is hardened at the edge, so that a person is unable to penetrate it and deplete you of vitality. when you have practiced the exercise of the middle pillar for some time and can visualize the spheres easily, you can establish the other sephroth withn your aura by vibrating the deity names. the exercise of the middle pillar can be done as an alternative to the pentagram ritual as a preparation for meditation. the middle pillar ritual (revised version for@=m) by israel regardie copyright o 1996 by darcy kiintz part i: spirit@ 1. relax soul, mind, and body. 2. perform the lesser banishng ritual of the pentagram. 3. formulate a flaming sphere of w

sualize the shaft of light descending straight down from yesod into your malkuth center at the feet and ankles. imagine a sphere of light formed there. vibrate the name "adonai ha-aretz("ah-doe-nye ha-ah-retz" meaning "lord of earth) a number of times as before. imagine the tree complete. then circulate the light you have brought down throughout all the spheres of the tree. move the energy around your aura using the four circulations of light described earlier. finally focus some of the energy back into your tiphareth center, the seat of equilibrium and balance. the rite of five pillars the following exercise is a very simplified method for exploring the idea of a three-dimensional tree of life.8 using this method, a total of five pillars are formed within the student's sphere of sensation

6 below).g many more complex variations of the five pillar exercise are possible. this exercise is best performed either standing or sitting. after a few minutes of relaxation, vibrate the divine names of the middle pillar sephiroth, one time each, establishing the central column within your sphere of sensation. then use the four circulations of light mentioned earlier to visualize and strengthen your aura, which extends several feet out from your physical body-a sphere of oval-shaped light. pillar (backing into the tree \the a\ura figure 16: the five pillars. the middle pillar exercise 223 once you have visualized the sphere of sensation, establish the four outer pillars which curve around the outer edges of your aura as follows. return to your topmost center, kether. imagine a sphere of

e name until both hod spheres are radiating with light. now, imagine a sphere of white light at your yesod center in the genital region. intone the name "shaddai el chai" several times as before. visualize a sphere of light at your malkuth center at the feet and ankles. vibrate the name "adonai ha-aretz" a number of times as before. imagine that the five pillars have now been fully established in your aura. then circulate the light you have brought down throughout all the spheres of the tree. circulate the light and energy using the same breathingjvisualization techniques of the standard middle pillar exercise. finally focus some of the energy back into your tiphareth center, the sphere of harmony and equipoise. an egyptian middle pillar exercise imagine a sphere of white light just above

re of light formed there. intone the phrase "neb ankh (pronounced "neb ah-nk" meaning "lord of life. do this several times. visualize the shaft of light descending from yesod into your malkuth center at the feet and ankles. vibrate the phrase "nudjer ta (pronounced "nud-jeh-r tah" meaning "god of earth. intone a number of times as before. imagine the middle pillar complete. move the energy around your aura using the four circulations of light described earlier. using the cycles of breathing, bring the light down one side of the body and up the other, from kether to malkuth and back again. after performing ths for a short period of time, imagine the ribbon of light descending down the front of your body and rising up your back. still employing rhythmic breathng, visualize the shaft of light

nital region. imagine a sphere of light formed there. intone the word "zoe (zoq pronounced "zaw-ay" meaning "life. 11 do ths several times. visualize the shaft of light descending from yesod into your malkuth center at the feet and ankles. vibrate the word "naos (naoq pronounced "na-os" meaning "temple. intone a number of times as before. imagine the middle pillar complete. move the energy around your aura using the four circulations of light described earlier. using the cycles of breathmg, bring the light down one side of the body and up the other, from kether to malkuth and back again. after performing ths for a short period of time, imagine the ribbon of light descending down the front of your body and rising up your back. still employing rhythmic breathing, visualize the shaft of light

ed there. intone the name "bunait (pronounced "boo-nuhch" meaning "foundation. do this several times. visualize the shaft of light descending from yesod into your malkuth center at the feet and ankles. vibrate the name: the middle pillar exercise 231 "rioghachd (pronounced "ree-uhch-k" meaning "kingdom. intone a number of times as before. imagine the middle pillar complete. move the energy around your aura using the four circulations of light described earlier. using the cycles of breathmg, bring the light down one side of the body and up the other, from kether to malkuth and back again. after performing ths for a short period of time, imagine the ribbon of light descending down the front of your body and rising up your back. still employing rhythmic breathing, visualize the shaft of light

m tiphareth into the yesod center in the genital region. imagine a sphere of light formed there. intone the name "amala("one who supports the world).l5 do this several times. visualize the shaft of light descending from yesod into your malkuth center at the feet and ankles. vibrate the name "nokomis."l6 intone a number of times as before. imagine the middle pillar complete. move the energy around your aura using the four circulations of light described earlier. using the cycles of breathing, bring the light down one side of the body and up the other, from kether to malkuth and back again. after performing this for a short period of time, imagine the ribbon of light descending down the front of your body and rising up your back. still employing rhythmic breathng, visualize the shaft of ligh

people-his or her own and that of the recipient. therefore it is crucial that the practitioner be psychically sound and balanced. if not, there is a danger that 1) the healer will absorb the psychic "ailment" of the recipient, or 2) the healer's own imbalanced energies will be absorbed by the recipient, making matters worse. in the golden dawn, magicians were warned: it is better at first to keep your aura to yourse2f, rather than to try to flow out towards others. unless you are particularly vital and well-balanced, you will only waste energy. so-called modes of healing and of 'doing good to others' should be eschewed for a time. such methods have a technique of their own and require trained and balanced minds and bodies to carry them out. get yourse2fright before you attempt to interfere

TYSON DONALD NEW MILLENNIUM MAGIC

down to the sphere that envelopes and warms your feet, with three more spheres set at intervals like great glowing beads at your neck, heart-center, and pelvis, imagine that your entire body is surrounded by a glowing egg of soft white light. further imagine that the light is circulating downward from the sphere of kether to the sphere of makuth, then flowing out and up along the pearly shell of your aura like a shimmering curtain that completely surrounds you, until it reaches the sphere of kether once again. continue to circulate the light in this fashion for several minutes while shifting your awareness from the spheres to the descending col- umn of light to the ascending curtain on the outer skin of your aura. feel your entire being washed and cleansed by the light. 13. perform the ka

TYSON DONALD THE MAGICAL WORKBOOK

ghs, knees, and shins, around the tips of your toes to the underside of the balls of your feet. complete this orbit several times. feel your skin tingling and radiating with subtle energy. the sensation is similar to the static-electric attraction you experience when you rub the surface of a balloon with a silk scarf. imagine all the tiny hairs on your skin stirring. this tingling on your skin is your aura. with your astral perception see and feel it all around you like a softly glowing second skin that lies within several inches of your physical skin. it is sustained by tiny jets of astral light that stream outward through your pores. imagine a bright blue-white star blazing in the heavens directly above the top of your skull, but far away in the distant darkness of space. raise your poin

ur arms and legs, even to the tips of your fingers and toes, until you are filled with light. feel the radiance press against the inside of your skin, seeking escape. aura awareness 83 allow this light to radiate out through the pores of your skin by deliberately willing your pores to open. feel it stream through your skin in a million tiny filaments of brightness. the outflow of radiance expands your aura the way air pressure expands a balloon. continue to expel light from the golden sphere in the tenter of your chest with your will until your aura has been pushed out from your body into a perfect globe. it extends a foot or so above your head and a foot or so through the floor beneath your feet-physical objects cannot contain it. spend at least three minutes contemplating this expanded a

plating this expanded aura of golden light. strive to feel its gentle warmth, and to see its glow. it is transparent and exceedingly pale. its shape ripples and moves in response to your thoughts, like the flame of a candle swaying on faint currents of air. from time to time colors flare across its surface, triggered by different emotions. keep your emotions calm and balanced, and if you perceive your aura disturbed by color, use the power of your will to make it resume its uniform pale yellow. after you have contemplated your expanded aura, allow the outward flow of energy from the blazing yellow ball of light in your chest to lessen, so that your aura begins to shrink back in upon itself visualize the intensity of the sphere in your heart-center becoming less and less. it reduces to a fa

aps, just as when you squeeze a balloon it will expand between your fingers. balance the energy of your will over the entire surface of the aura and compress it until it floats less than an inch above the skin of your body. maintain this compression for a minute or two, and contemplate the sensation of this concentrated aura as a subtle pressure of energy against your skin, then release it. allow your aura to resume its natural shape and distance from your body. contemplate your natural aura for several minutes by observing the sensations it produces in various places within your body and on the surface of your skin. 84 standing exercises close your eyes for a few seconds and take a deep breath. press your hands over your face and slide them down. open your eyes, relax from your standing p

over your face and slide them down. open your eyes, relax from your standing pose, and continue on with your day. commentary the auras of other individuals are seen as colored, radiant envelopes around their bodies, but seldom felt. you are able to experience your own aura tactually. active visualization can help you to become aware of its existence. at first you produce the tactile sensations of your aura on the astral level through visualization. with practice it is possible to become sensitive enough to feel your aura without deliberately visualizing it. it is difficult to see the colors of your own aura from the perspective of your physical sight because it lies so close to your face, but you can perceive them by projecting your point of view out from your body astrally, and looking ba

from your body astrally, and looking back upon yourself from a distance. this projection can be physically simulated through the use of a mirror. try performing this exercise in dim light while standing about six feet away from a floor-length mirror. imagine that the image in the mirror is your physical body, and that you are watching yourself astrally from a distance. when you perceive colors in your aura, use your will to return it to a pale, transparent gold. this yellow color is so pale that it is almost invisible. not everyone can see color in auras, even in the auras of others. seeing auras at all requires latent psychic ability. however most persons are able to tactually sense their own aura with practice. the ability to expand or contract the aura at will is useful in practical mag

g, further upward into the sky above the level of the clouds, until you find yourself balancing on the sphere of the earth with almost all of your body projected above the atmosphere into the starry midnight of space. retain your breath with your lungs filled for four slow beats. during the retention visualize the warm white light from your heart-center radiating outward to expand the envelope of your aura into a sphere that surrounds your entire gigantic form. sound the four hebrew letters of the name lhvh individually so that the resonance of your voice sets every part of your body vibrating in sympathetic response. the letters are vibrated with a regular rhythm, their sounds of equal duration and drawn out upon the breath. the vibration of the name empties most of the air from your lung

rt of your body vibrating in sympathetic response. the letters are vibrated with a regular rhythm, their sounds of equal duration and drawn out upon the breath. the vibration of the name empties most of the air from your lungs but does not leave you gasping "yod-heh-vav-heh" this resonant sound-force expands to fill your transparent golden aura and sets it vibrating in sympathy. the vibrations of your aura send the air issuing from between your lips outward in all directions, expanding at an exponential rate until the vibration ofyour voice fills the entire universe to its uttermost limits. feel with your astral awareness the entire universe humming with this vibration as though it were a giant crystal bell. 92 standing exercises draw several normal breaths and allow the expanded balloon o

ur aura send the air issuing from between your lips outward in all directions, expanding at an exponential rate until the vibration ofyour voice fills the entire universe to its uttermost limits. feel with your astral awareness the entire universe humming with this vibration as though it were a giant crystal bell. 92 standing exercises draw several normal breaths and allow the expanded balloon of your aura to contract to its normal shape nearer to the limits of your form. allow your giant form to shrink back into your physical body within your practice chamber. turn one quarter of a revolution clockwise on the spot where you stand and assume the standing pose facing the south. continue to maintain the awareness of the glowing ball of your heart-center. look straight ahead and focus your ph

letters blaze with blinding blue-white intensity against the softer yellow-white of the sphere. draw in a deep breath. as you inhale imagine your body enlarging to gigantic proportions so that your upper body leaves the atmosphere of the earth and projects into space. hold the breath for four slow beats, and visualize the warm light from your heart-center radiating out through your skin to expand your aura into a complete sphere that surrounds your magnified form. voice the name adondi in four separate sounds that correspond with the four individual hebrew letters of the name, so that the vibrations set your entire body resonating in sympathetic response. this resonance expands outward to fill your transparent golden aura, and sets it vibrating in sympathetic response to your body. the air

me adondi in four separate sounds that correspond with the four individual hebrew letters of the name, so that the vibrations set your entire body resonating in sympathetic response. this resonance expands outward to fill your transparent golden aura, and sets it vibrating in sympathetic response to your body. the air issuing from your lips is driven outward in all directions by the vibrations of your aura with rapidly increasing force until the vibrations of the name fill every part of the universe, and cause a sympathetic vibration in the universe itself. take several normal breaths. allow your aura to resume its usual shape and your visualized astral body to shrink to it physical size. turn a quarter-revolution clockwise to face the west. gaze westward at the distant, unseen horizon bey

your inner sight with their blue-white intensity. draw in a deep breath and imagine as you do so that your body enlarges through the ceiling of your ritual chamber, past the level of the clouds, until it projects gigantically into the darkness of space. hold the breath for four slow beats as you visualize the light from your heart-center shining outward in all directions to expand the envelope of your aura into a perfect sphere that is colored a transparent pale gold. sound the name eheieh with four separate sounds that correspond with the four individual hebrew letters in the name, so that your entire physical body vibrates with their force. the sound energy expands outward from its source in your heart-center and sets the sphere of your aura resonating in sympathy. the breath that issues

th their force. the sound energy expands outward from its source in your heart-center and sets the sphere of your aura resonating in sympathy. the breath that issues from between your lips is driven away in all directions by your energized aura so that it fills the entire universe. the universe itself begins to vibrate with the combined sounds of the letters. draw in several normal breaths. allow your aura to contract to its ordinary shape, and your astral body to shrink and fit itself to your physical body. turn a quarter-revolution clockwise to face the north. let your physical eyes focus on the distant, unseen horizon beyond the wall of your room, while you maintain your inner concentration on your glowing heart-center. visualize written from right to left within this warmly glowing orb

a- h, g- i, l= 5, a= w. these letters scintillate with blazing blue-white intensity against the softer radiance of your heart-center. 94 standing exercises draw a long, deep inhalation. as you do so, visualize the air filling your body and expanding it to gigantic stature. hold the breath for four slow beats and visualize the light from your heart-center shining outward to enlarge the envelope of your aura into a perfect transparent sphere of palest gold. voice four separate sounds that correspond with the four individual hebrew letters of the name, so that your entire body tingles with the vibrations resonating within your expanded chest. the force of the sound expands outward from your heart-center and causes your aura to tremble and vibrate in sympathetic resonance. simultaneously, the

ounds that correspond with the four individual hebrew letters of the name, so that your entire body tingles with the vibrations resonating within your expanded chest. the force of the sound expands outward from your heart-center and causes your aura to tremble and vibrate in sympathetic resonance. simultaneously, the air issuing from your lungs is energized and driven outward in all directions by your aura the way sound expands from the vibrating diaphragm of a stereo speaker. it fills the universe and sets the universe vibrating in harmony. take several normal breaths. allow your aura to slowly fall inward until it has its usual form and distance away from your body. draw your visualized astral body in upon itself to reduce it to the dimensions of your physical body. turn a quarterrevolut

hold in your mind two realities-your enormous astral body in front of the enlarged astral object, and your physical body in front of the physical object on the table. charging an object 99 hold this pose and stop your breath for four slow beats. during the retention of air, send the golden-white radiance of your heart-center outward through the opened pores of your skin to expand the envelope of your aura into a perfect globe that completely surrounds you. the object you intend to charge lies beyond the limit of your expanded aura-be aware of it outside this shining balloon of light. harden the shell of your aura by the power of your will and make its inner surface like transparent glass. as you step forward with your right foot a &stance of twelve inches or so to shift your center of bal

n angle; the arms pointing stiffly to the front with the hands extended palm down and the thumbs and index fingers touching along their lengths; the head inclined forward and down, so that the rays projected from under the lowered eyebrows extend from the eyes along the forearms and over the backs of the hands to focus upon the object. the resonant sound of the name expands from your lips to fill your aura, and sets it vibrating in sympathy. your hardened aura acts like a reflector, and concentrates the energy of the sound back into your heart-center, where it rebounds along the ray of your will outward from your body through your eyes and fingertips to the object on the table. visualize the hebrew name transferred by the act of projection from your heart-center through your hands and eyes

areness from the charged object. make your mind tranquil, like the smooth surface of a lake at twilight. hold your breath with your lungs full for a heartbeat. exhale smoothly and lower your arms to your sides so that once again you occupy the basic standing posture. lift your head so that it is level. continue to breathe normally for several minutes with eyes closed. allow the expanded sphere of your aura to soften and contract to its normal shape near your skin. let your godlike astral form shrink back into your physical body within the practice room. press the heels of your palms over your eyes and draw your hands downward as though sliding off a mask. open your eyes, relax from your standing pose, and wrap the charged object in clean white cloth. place it where it will remain secure an

in your heart-center. take a deep breath. as you inhale, your body expands to godlike proportions. your head and shoulders rise through the ceiling of your practice chamber, continuing upward above the level of the clouds, until your body projects into starry space. retain the air in your lungs for four slow beats as you visualize the warm light from your heart-center radiating outward to expand your aura into a sphere. touch your right index finger to your forehead between your eyebrows. using a portion of the air in your lungs, vibrate the syllables of the hebrew word ateh briefly but with power and authority "ah-teh" feel the resonance in your chest energize your aura, and the vibrations of your aura propel your articulated breath outward to fill the universe. touch your right index fi

resonance in your chest energize your aura, and the vibrations of your aura propel your articulated breath outward to fill the universe. touch your right index finger to the end of your breastbone, in the region of your solar plexus. vibrate the syllables of the hebrew word malkuth briefly but with authority, using a little more of the air in your lungs. feel the vibrations in your chest energize your aura, and sense that your aura propels your breath outward to fill the universe. visualize a white ray extending from the glowing sphere of your heart-center vertically up and down, so that it passes through the top of your skull and between your feet. conceive this ray to be a laser beam of infinite length. touch your right index finger to your right shoulder and with another portion of the

er vertically up and down, so that it passes through the top of your skull and between your feet. conceive this ray to be a laser beam of infinite length. touch your right index finger to your right shoulder and with another portion of the air in your lungs vibrate the syllables of the hebrew words ue-geburah briefly with force. the kabbalistic cross 107 feel the vibrations in your chest energize your aura, and sense that your aura propels your breath outward to fill the universe. touch your right index finger to your left shoulder and vibrate the syllables of the hebrew words ve-gedulah briefly with force, expelling a bit more of the air you have retained. feel the vibrations in your chest energize your aura, and sense that your aura propels your breath outward to fill the universe. visua

WESTERN MANDALAS OF TRANSFORMATION SR AL

heir meanings become personally verified. figure 13-0 chapter 14 using tattwas for healing and balancing the next time you see a flashing point of light on a television advertisement, or a point of light that scintillates accompanied by a single pinging note of music, please remember that the advertiser has just implanted what amounts to a directive in your subconscious mind; he has just polluted your aura with junk energy .david tansley, the rainment of light the principles of using sound and color, both for healing and for maintaining emotional and physical health are ancient and are the foundation upon which the modern use of tattwas employed by dr. case and others is based. chapter one examined the variety of techniques that tattwas.or any systematized method of colored talismanic mand

may actually draw it or mark it in a part of the room, perhaps using three stones. close your eyes and try to cease your thoughts, clearing your mind of anything except your present purpose (to consecrate) and intention (relating to the talisman. take several deep breaths to cleanse your thought field, and when sufficiently relaxed, begin to imagine the color you are charging the talisman with in your aura. the color corresponding to the talisman is determined by the particular planetary seal, or else by the color most appropriate to the angel or vibration you are working with, if doing a talisman of a name (as explained in chapter thirteen. determine the numerical vibration in harmony with your purpose.for example, six, yellow, and the sun. breathe in deeply and steadily for a count of si

(as explained in chapter thirteen. determine the numerical vibration in harmony with your purpose.for example, six, yellow, and the sun. breathe in deeply and steadily for a count of six and visualize yourself gathering the color you need. hold for a count of six, and while you do, see the color yellow flooding through your whole being. then, when breathing out, visualize the color yellow filling your aura and the aura of the talisman you are infusing with your power. after doing this for an appropriate number of breaths, in this case, six or a multiple of six (twelve, if you wish to do it longer, then perform the second part of the exercise, specifically done to charge the talisman. open your eyes and with outstretched hands, gather in an imaginary ball of yellow light with one sweeping g

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