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YOG-SOTHOTH

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DONALDTYSON NOMICON

use it desecrates the remains of the departed and causes grief to the families of the disinterred or otherwise disturbed bodies. it is one of the darker and more sinister branches of western magic, best left sleeping in the past beside the shades of the dead. return h hhome resources demons bios fiction tyson the truth about the necronomicon (head and tail of the dragon, used with incantations to yog-sothoth) thenecronomicon is a supposedly ancient book, invented by the fantasy and horror writer h. p. lovecraft (1890-1937) as a plot device for some of his stories. lovecraft first used the title in his story the festival, written in 1923, but two years earlier he had included the name of the imaginary author of the necronomicon, the "mad arab" abdul alhazred, in his story the nameless city

h, moldy and shadowy, and full of dim rumors picked up in caverns beneath forgotten sea-bottoms" connected with the lost city of the old ones is the hideous chant "ph'nglui mglw'nafh cthulhu r'lyeh wgah'nagl fhtagn" which translates into english as "in his house at r'lyeh dead cthulhu waits dreaming" the old ones count among their number the blind idiot god azathoth; the all-in-one and one-in-all yog-sothoth who can travel between time and space; the hideously-piping nyarlathotep who is the unwelcome herald of the old ones; the octopus-like cthulhu who lies dreaming in r'lyeh beneath miles of ocean water; hastur the unspeakable, half-brother to cthulhu who dwells upon the air; and shub-niggureth, the ever-fertile black goat of the woodlands with a thousand young. these dreaded beings are d

FRATER TENEBROUS CULTS OF CTHULHU

d unifying source to the many and diverse strands of occult belief. over the centuries, these ceremonies have been observed and mis-interpreted in terms of black magic and devil worship. a point to note here is that lovecraft never actually used the term cthulhu mythos, which was introduced after his death by his protege, august derleth. cthulhu is only one of a pantheon of deities which includes yog-sothoth, azathoth, nyarlathotep, and shubniggurath, amongst others. the manifestations of these beings varies from story to story sometimes they are described as purely supernatural, while at other times they appear as extraterrestrials with concrete physical existence and sometimes, a particular deity may be referred to in both ways within the same text. by comparing the references to each of

ct their inter-relationship in terms of a hierarchy, and to examine the correspondences between lovecraft s imaginary pantheon and those of pre-existing religious and mythological systems. basically, the gods of the cthulhu mythos fall into two groups, the great old ones and the elder gods, though of the latter, only nodens is mentioned by name. between ultimate chaos and the physical world stand yog-sothoth and azathoth, who share dominion over the lesser deities, pre-human races, and mankind. yog-sothoth is the outer manifestation of the primal chaos, the gate though which those outside must enter. in the dunwich horror, lovecraft writes, the old ones were, the old ones are, and the old ones shall be. not in the spaces we know, but between them, they walk serene and primal, undimensioned

thoth, who share dominion over the lesser deities, pre-human races, and mankind. yog-sothoth is the outer manifestation of the primal chaos, the gate though which those outside must enter. in the dunwich horror, lovecraft writes, the old ones were, the old ones are, and the old ones shall be. not in the spaces we know, but between them, they walk serene and primal, undimensioned and to us unseen. yog-sothoth knows the gate. yog-sothoth is the gate. yag-sothoth is the key and the guardian of the gate. past, present, future, all are one in yog-sothoth. he knows where the old ones broke through of old, and where they shall break through again. his order of existence parallels the concept of the universe as exposited in hindu and oriental mysticism, an all-in-one and one-in-all of limitless be

key and the guardian of the gate. past, present, future, all are one in yog-sothoth. he knows where the old ones broke through of old, and where they shall break through again. his order of existence parallels the concept of the universe as exposited in hindu and oriental mysticism, an all-in-one and one-in-all of limitless being and self. as such, a particular physical from cannot be ascribed to yog-sothoth, though in the dunwich horror, the offspring of his mating with lavinia whateley is compared to an octopus, centipede or spider. the formula of evocation of yog-sothoth is given in the case of charles dexter ward, wherein it forms part of the necromantic workings of the sorcerer, joseph curwen. the british occultist kenneth grant has described yog- sothoth as embodying the supreme and

ntipede or spider. the formula of evocation of yog-sothoth is given in the case of charles dexter ward, wherein it forms part of the necromantic workings of the sorcerer, joseph curwen. the british occultist kenneth grant has described yog- sothoth as embodying the supreme and ultimate blasphemy in the form of the aeon (yog or yuga) of set (sothoth= set+ thoth) 4. on the qabbalistic tree of life, yog-sothoth can be attributed to da ath, the eleventh (or non) sephirah, where the identification is with choronzon, the guardian of the abyss whom crowley called the first and deadliest of the powers of evil, and whose number is 333, that of chaos and dispersion. elementally, yog-sothoth can be considered as the positive manifestation of fire; magically, to active spirit, his cardinal station bei

on. elementally, yog-sothoth can be considered as the positive manifestation of fire; magically, to active spirit, his cardinal station being the immediate south. reigning over the universe is azathoth, the blind idiot god. the lord of all things. encircled by his horde of mindless and amorphous dancers, and lulled by the thin monotonous piping of a demoniac flute held in nameless paws. 5 whereas yog-sothoth embraces the expanse of infinity, azathoth represents the opposing principle in that he rules at the heart of chaos, the central point of a universe permeated by the influence of yog-sothoth. their relationship could be stated as the reconciliation of infinite expansion and infinite contraction. in physical terms, azathoth manifests as the vast destructive energy inherent in the atomic

HINE PHIL ASPECTS OF EVOCATION

he full resolution of your printer the aim being to experiment with various approaches to the evocation of spirits, beginning with the lesser key of solomon the king. some observations on our results with the entities of the lesser key of solomon are enclosed. during this project, i found my interests returning to a recurrent obsession- the entities of the cthulhu mythos. the final essay, evoking yog-sothoth (originally written for the journal of the esoteric order of dagon) is an attempt to pull together a 6 theoretical model relating to mythos entities, earth lights, and other factors. at the time of writing this, i was very much into creating .theoretical models. prior to embarking on practical projects. in a way, i was prompted to .specialise. in methods of evocation by virtue of the f

ugh into the triangle. incidents such as these led us to postulate that the lk spirits tended to a certain degree of conservatism over the parameters within which they could he cal led forth. the visions that they imparted to us concerning the optimum environment for conjuration definitely belonged to the .baroque. school of magic- cellars, clouds of incense, lots of paraphernalia etc. 27 evoking yog-sothoth introduction one of the aims of the esoteric order of dagon is to develop effective magical techniques with which to interact with the great old ones. as a member of the pylon of yog-sothoth lodge, i have become increasingly interested in the possibility of ritually evoking this entity as a tangible phenomena. the aim of this article is to expound a possible methodology by which entiti

introduction one of the aims of the esoteric order of dagon is to develop effective magical techniques with which to interact with the great old ones. as a member of the pylon of yog-sothoth lodge, i have become increasingly interested in the possibility of ritually evoking this entity as a tangible phenomena. the aim of this article is to expound a possible methodology by which entities such as yog-sothoth can be contacted, drawing together research in different fields of enquiry, and exploring how they relate to the cthulhu mythos. i feel that, rather than exploring lovecraftian themes using traditional magical systems such as the qabalah (though obviously, it may provide a useful parallel, the most obvious place to look for guidelines is lovecraft.s fiction itself. from this, we find t

g traditional magical systems such as the qabalah (though obviously, it may provide a useful parallel, the most obvious place to look for guidelines is lovecraft.s fiction itself. from this, we find that for example, in the dunwich horror, lovecraft clearly illustrates that .hilltop rites, associated with stone circles and strange geophysical phenomena, are a key when approaching entities such as yog-sothoth. bringing the great old ones into our dimension requires some form of .gate, which in mythos tales, is often a wild outdoor site, a stone circle, tower, or a similar type of power spot. lovecraft is also careful to point out that such sites have, in historical terms, a long history of strange manifestations associated with them. again and again, he places great emphasis on the folklore

d hallucinogenic substances. earth mysteries researcher paul bennett has noted that in britain, as in many other places, a variety of plants which have hallucinogenic properties can be found growing near to sacred sites. the magical dynamics of sound are also a factor, in terms of both the psycho-physical effects upon the participants, and the effect upon external energy sources. as to the entity yog-sothoth, who.s appearance in the mythos triggered this lengthy chain of synthesis; some modern magicians, notably those drawing heavily upon the ideas of kenneth grant, have drawn a parallel between yog-sothoth and the demon choronzon, evoked by aleister crowley and victor neuburg in the gobi desert. again, the dunwich horror provides us with a key passage: 39 .the old ones were, the old ones

rant, have drawn a parallel between yog-sothoth and the demon choronzon, evoked by aleister crowley and victor neuburg in the gobi desert. again, the dunwich horror provides us with a key passage: 39 .the old ones were, the old ones are, and the old ones shall be, not in the spaces we know, but between them. they walk serene and primal, undimensioned, and to us unseen. yog sothoth knows the gate. yog-sothoth is the gate. yog-sothoth is the key and guardian of the gate. past, present, future, all are one in yog-sothoth. he knows where the old ones broke through of old, and where they shall break through again..they walk unseen and foul in lonely places where the words have been spoken and the rites howled through at their seasons. the wind gibbers with their voices and the earth mutters wit

walk unseen and foul in lonely places where the words have been spoken and the rites howled through at their seasons. the wind gibbers with their voices and the earth mutters with their consciousness. this passage brings to mind the .timeslip. phenomena discussed above. what is equally, if not more interesting in the light (no pun intended) of the present discussion is that in other mythos tales, yog-sothoth is described as a conglomerate of iridescent globes- in other words, a light form phenomena! the entity is also associated with strange atmospheric effects such as freak winds and storms (lovecraft is known to have carefully related some of his fictional events with floods, earthquakes, and other such occurrence)s. to me, this stresses further the validity of lovecraft.s dream-inspired

er words, a light form phenomena! the entity is also associated with strange atmospheric effects such as freak winds and storms (lovecraft is known to have carefully related some of his fictional events with floods, earthquakes, and other such occurrence)s. to me, this stresses further the validity of lovecraft.s dream-inspired fiction as a valid source of magical ideas. the guidelines to evoking yog-sothoth appear, at least as far as the dunwich horror sets them forth, to be quite clear and operationally valid. investigation of the entity has (in my view) suffered from the negative connotations of association with choronzon as an entity of dispersal, or .negative. chaos. the emerging science of chaos dynamics can perhaps afford us a more positive viewpoint, and the link between mythos ent

valid. investigation of the entity has (in my view) suffered from the negative connotations of association with choronzon as an entity of dispersal, or .negative. chaos. the emerging science of chaos dynamics can perhaps afford us a more positive viewpoint, and the link between mythos entities and the mandelbrot set has already been noted by eod initiates. from the foregoing, i would suggest that yog-sothoth is quite possible a kind of .guide. entity that appears in many cultures as the .guardian. of the underworld entered through ascs, though one which is capable of manifesting as a series, perhaps, of electro- magnetic phenomena. the entity which coheres in the form we understand as yog-sothoth is a .window. into the darkness of the unknown, and perhaps by creating 40 interfaces, or pers

HP LOVECRAFT A DARK LORE

of brilliancy; there being something almost goatish or animalistic about his thick lips, large-pored, yellowish skin, coarse crinkly hair, and oddly elongated ears. he was soon disliked even more decidedly than his mother and grandsire, and all conjectures about him were spiced with references to the bygone magic of old whateley, and how the hills once shook when he shrieked the dreadful name of yog-sothoth in the midst of a circle of stones with a great book open in his arms before him. dogs abhorred the boy, and he was always obliged to take various defensive measures against their barking menace. iii. meanwhile old whateley continued to buy cattle without measurably increasing the size of his herd. he also cut timber and began to repair the unused parts of his house- a spacious, peak-r

uncanny and unnatural- too much, thought dr houghton, like the whole of the region he had entered so reluctantly in response to the urgent call. towards one o'clock old whateley gained consciousness, and interrupted his wheezing to choke out a few words to his grandson 'more space, willy, more space soon. yew grows- an' that grows faster. it'll be ready to serve ye soon, boy. open up the gates to yog-sothoth with the long chant that ye'll find on page 751 of the complete edition, an' then put a match to the prison. fire from airth can't burn it nohaow' he was obviously quite mad. after a pause, during which the flock of whippoorwills outside adjusted their cries to the altered tempo while some indications of the strange hill noises came from afar off, he added another sentence or two 'feed

rn it nohaow' he was obviously quite mad. after a pause, during which the flock of whippoorwills outside adjusted their cries to the altered tempo while some indications of the strange hill noises came from afar off, he added another sentence or two 'feed it reg'lar, willy, an' mind the quantity; but dun't let it grow too fast fer the place, fer ef it busts quarters or gits aout afore ye opens to yog-sothoth, it's all over an' no use. only them from beyont kin make it multiply an' work. only them, the old uns as wants to come back' but speech gave place to gasps again, and lavinia screamed at the way the whippoorwills followed the change. it was the same for more than an hour, when the final throaty rattle came. dr houghton drew shrunken lids over the glazing grey eyes as the tumult of bir

would have come on the 751st page of his own defective volume. this much he could not civilly refrain from telling the librarian- the same erudite henry armitage (a.m. miskatonic, ph.d. princeton, litt.d. johns hopkins) who had once called at the farm, and who now politely plied him with questions. he was looking, he had to admit, for a kind of formula or incantation containing the frightful name yog-sothoth, and it puzzled him to find discrepancies, duplications, and ambiguities which made the matter of determination far from easy. as he copied the formula he finally chose, dr armitage looked involuntarily over his shoulder at the open pages; the left-hand one of which, in the latin version, contained such monstrous threats to the peace and sanity of the world. nor is it to be thought (ra

the peace and sanity of the world. nor is it to be thought (ran the text as armitage mentally translated it) that man is either the oldest or the last of earth's masters, or that the common bulk of life and substance walks alone. the old ones were, the old ones are, and the old ones shall be. not in the spaces we know, but between them, they walk serene and primal, undimensioned and to us unseen. yog-sothoth knows the gate. yog-sothoth is the gate. yog-sothoth is the key and guardian of the gate. past, present, future, all are one in yog-sothoth. he knows where the old ones broke through of old, and where they shall break through again. he knows where they had trod earth's fields, and where they still tread them, and why no one can behold them as they tread. by their smell can men sometime

e sunken isles of ocean hold stones whereon their seal is engraver, but who bath seen the deep frozen city or the sealed tower long garlanded with seaweed and barnacles? great cthulhu is their cousin, yet can he spy them only dimly. i! shub-niggurath! as a foulness shall ye know them. their hand is at your throats, yet ye see them not; and their habitation is even one with your guarded threshold. yog-sothoth is the key to the gate, whereby the spheres meet. man rules now where they ruled once; they shall soon rule where man rules now. after summer is winter, after winter summer. they wait patient and potent, for here shall they reign again. dr. annitage, associating what he was reading with what he had heard of dunwich and its brooding presences, and of wilbur whateley and his dim, hideous

but asserts confidently that nothing in english was uttered. at first the syllables defied all correlation with any speech of earth, but towards the last there came some disjointed fragments evidently taken from the necronomicon, that monstrous blasphemy in quest of which the thing had perished. these fragments, as armitage recalls them, ran something like 'n'gai, n'gha'ghaa, bugg-shoggog, y'hah: yog-sothoth, yog-sothoth' they trailed off into nothingness as the whippoorwills shrieked in rhythmical crescendos of unholy anticipation. then came a halt in the gasping, and the dog raised its head in a long, lugubrious howl. a change came over the yellow, goatish face of the prostrate thing, and the great black eyes fell in appallingly. outside the window the shrilling of the whippoorwills had

though vaguely that of half-articulate words. they were loud- loud as the rumblings and the thunder above which they echoed- yet did they come from no visible being. and because imagination might suggest a conjectural source in the world of non-visible beings, the huddled crowd at the mountain's base huddled still closer, and winced as if in expectation of a blow 'ygnailh. ygnaiih. thflthkh'ngha. yog-sothoth' rang the hideous croaking out of space 'y'bthnk. h'ehye- n'grkdl'lh' the speaking impulse seemed to falter here, as if some frightful psychic struggle were going on. henry wheeler strained his eye at the telescope, but saw only the three grotesquely silhouetted human figures on the peak, all moving their arms furiously in strange gestures as their incantation drew near its culmination

at black wells of acherontic fear or feeling, from what unplumbed gulfs of extra-cosmic consciousness or obscure, long-latent heredity, were those half-articulate thunder-croakings drawn? presently they began to gather renewed force and coherence as they grew in stark, utter, ultimate frenzy 'eh-y-ya-ya-yahaah- e'yayayaaaa. ngh'aaaaa. ngh'aaa. h'yuh. h'yuh. help! help..ff- ff- ff- father! father! yog-sothoth' but that was all. the pallid group in the road, still reeling at the indisputably english syllables that had poured thickly and thunderously down from the frantic vacancy beside that shocking altar-stone, were never to hear such syllables again. instead, they jumped violently at the terrific report which seemed to rend the hills; the deafening, cataclysmic peal whose source, be it inn

gon's head" and used in almanacs to indicate the ascending node, and the right-hand one headed by a corresponding sign of "dragon's tail" or descending node. the appearance of the whole was something like this, and almost unconsciously the doctor realised that the second half was no more than the first written syllabically backward with the exception of the final monosyllables and of the odd name yog-sothoth, which he had come to recognise under various spellings from other things he had seen in connexion with this horrible matter. the formulae were as follows- exactly so, as willett is abundantly able to testify- and the first one struck an odd note of uncomfortable latent memory in his brain, which he recognised later when reviewing the events of that horrible good friday of the previous

had come to recognise under various spellings from other things he had seen in connexion with this horrible matter. the formulae were as follows- exactly so, as willett is abundantly able to testify- and the first one struck an odd note of uncomfortable latent memory in his brain, which he recognised later when reviewing the events of that horrible good friday of the previous year. y'ai 'ng'ngah, yog-sothoth h'ee-l'geb f'ai throdog uaaah ogthrod ai'f geb'l-ee'h yog-sothoth 'ngah'ng ai'y zhro so haunting were these formulae, and so frequently did he come upon them, that before the doctor knew it he was repeating them under his breath. eventually, however, he felt he had secured all the papers he could digest to advantage for the present; hence resolved to examine no more till he could bring

these words hummed in the doctor's mind as he rocked to and fro, squatting on the nitrous stone floor. he tried to drive them out, and repeated the lord's prayer to himself; eventually trailing off into a mnemonic hodge-podge like the modernistic waste land of mr. t. s. eliot, and finally reverting to the oft-repeated dual formula he had lately found in ward's underground library 'y'ai 'ng'ngah, yog-sothoth' and so on till the final underlined zhro. it seemed to soothe him, and he staggered to his feet after a time; lamenting bitterly his fright-lost torch and looking wildly about for any gleam of light in the clutching inkiness of the chilly air. think he would not; but he strained his eyes in every direction for some faint glint or reflection of the bright illumination he had left in th

te. willett lighted the lamp and looked carefully at the pad, to see what notes ward might have been jotting down when interrupted; but found nothing more intelligible than the following disjointed fragments in that crabbed curwen chirography, which shed no light on the case as a whole 'b. dy'd not. escap'd into walls and founde place below 'sawe olde v. saye ye sabaoth and learnt yee way 'rais'd yog-sothoth thrice and was ye nexte day deliver'd 'f. soughte to wipe out all know'g howe to raise those from outside' as the strong argand blaze lit up the entire chamber the doctor saw that the wall opposite the door, between the two groups of torturing appliances in the corners, was covered with pegs from which hung a set of shapeless-looking robes of a rather dismal yellowish-white. but far mo

d quite widely from that of the modern versions, as if old curwen had had a different way of recording sound, or as if later study had evolved more powerful and perfected variants of the invocations in question. the doctor tried to reconcile the chiselled version with the one which still ran persistently in his head, and found it hard to do. where the script he had memorised began "y'ai 'ng'ngah, yog-sothoth, this epigraph started out as "aye, engengah, yogge-sothotha; which to his mind would seriously interfere with the syllabification of the second word. ground as the later text was into his consciousness, the discrepancy disturbed him; and he found himself chanting the first of the formulae aloud in an effort to square the sound he conceived with the letters he found carved. weird and m

conceived with the letters he found carved. weird and menacing in that abyss of antique blasphemy rang his voice; its accents keyed to a droning sing-song either through the spell of the past and the unknown, or through the hellish example of that dull, godless wail from the pits whose inhuman cadences rose and fell rhythmically in the distance through the stench and the darkness. y'ai 'ng'ngah, yog-sothoth h'ee-l'geb f'ai throdog uaaah! but what was this cold wind which had sprung into life at the very outset of the chant? the lamps were sputtering woefully, and the gloom grew so dense that the letters on the wall nearly faded from sight. there was smoke, too, and an acrid odour which quite drowned out the stench from the far-away wells; an odour like that he had smelt before, yet infini

ch he had meant all along to recite. an eye for an eye- magic for magic- let the outcome shew how well the lesson of the abyss had been learned! so in a clear voice marinus bicknell willett began the second of that pair of formulae whose first had raised the writer of those minuscules- the cryptic invocation whose heading was the dragon's tail, sign of the descending node- ogthrod ai'f geb'l-ee'h yog-sothoth 'ngah'ng ai'y zhro! at the very first word from willett's mouth the previously commenced formula of the patient stopped short. unable to speak, the monster made wild motions with his arms until they too were arrested. when the awful name of yog-sothoth was uttered, the hideous change began. it was not merely a dissolution, but rather a transformation or recapitulation; and willett shut

very few here as yet, and they are clumsy in getting about. as i have said, their wings are not much use for short flights on earth. i am on the very brink of deciphering that stone- in a very terrible way- and with your knowledge of folklore you may be able to supply the missing links enough to help me. i suppose you know all about the fearful myths antedating the coming of man to the earth- the yog-sothoth and cthulhu cycles- which are hinted at in the necronomicon. i had access to a copy of that once, and hear that you have one in your college library under lock and key. to conclude, mr. wilmarth, i think that with our respective studies we can be very useful to each other. i don't wish to put you in any peril, and suppose i ought to warn you that possession of the stone and the record

HP LOVECRAFT AT THE MOUNTAINS OF MADNESS

gh, and of the actual though unrecognized mirage of the dead transmontane city experienced near lake s camp the day before; but it was so real to danforth that he suffers from it still. he has on rare occasions whispered disjointed and irresponsible things about "the black pit "the carven rim "the protoshoggoths "the windowless solids with five dimensions "the nameless cylinder "the elder pharos "yog-sothoth "the primal white jelly "the color out of space "the wings "the eyes in darkness "the moon-ladder "the original, the eternal, the undying" and other bizarre conceptions; but when he is fully himself he repudiates all this and attributes it to his curious and macabre reading of earlier years. danforth, indeed, is known to be among the few who have ever dared go completely through that w

HP LOVECRAFT HISTORY OF THE NECRONOMICON

abdul alhazred! it seems that this shocking blasphemy was produced by a native of sana, in yemen, who flourished about 700 a.d& made many mysterious pilgrimages to babylon's ruins, memphis's catacombs& the devil-haunted& untrodden wastes of the great southern deserts of arabia- the roba el khaliyeh, where he claimed to have found records of things older than mankind& to have learnt the worship of yog-sothoth& cthulhu. the book was a product of abdul's old age, which was spent in damascus& the original title was al azif- azif (cf. henley's notes to vathek) being the name applied to those strange night noises (of insects) which the arabs attribute to the howling of daemons. alhazred died- or disappeared- under terrible circumstances in the year 738. in 950 al azif was translated into greek b

library in 1692 (13) again, simon claims to have translated a greek edition. kkc an english translation made by dr. dee was never printed, and exists only in fragments recovered from the original manuscript (14) an internal lovecraft inconsistency. in his short story "the dunwich horror, the old wizard called whately utilizes a dee translation of the necronomicon in order to produce children for yog-sothoth. a complete listing of john dee's books reveals none titled necronomicon. kkc this is not an inconsistency, as old wizard whateley uses an incomplete manuscript of the dee translation. wilbur whateley, yog-sothoth's son, requires the complete edition housed in the miskatonic university library to fill in the gaps in the fragmentary dee version. of the latin texts now existing one (15th

HP LOVECRAFT THROUGH THE GATES OF THE SILVER KEY

horror of destroyed individuality. it was an all-in-one and one-an-all of limitless being and self-not merely a thing of one space-tune continuum, but allied to the ultimate animating essence of existence's whole unbounded sweep- the last, utter sweep which has no confines and which outreaches fancy and mathematics alike. it was perhaps that which certain secret cults of earth had whispered of as yog-sothoth, and which has been a deity under other names; that which the crustaceans of yuggoth worship as the beyond-one, and which the vaporous brains of the spiral nebulae know by an untranslatable sign- yet in a flash the carter-facet realized how slight and fractional all these conceptions are. and now the being was addressing the carter-facet in prodigious waves that smote and burned and th

MICHAEL WYNN THE SOUL TRAVELERS

ovecraft mythos he is azag-thoth, and to many occults he is called coronzon; just like hades, who is considered both a character and a location, coronzon is also considered a character and a location. the egyptians call this demon apep. the greeks and christians know the location of hades as sheol, or the land of the dead, but the hebrews knew it as da ath, and the author h.p. lovecraft called it yog-sothoth. hades is an incredibly powerful being, and is always described as formless. he is known as the guardian of the underworld and is said to hold the key to the qliphoth. this guardian of the abyss is considered mentally unstable and evil even by the worst magicians. this spirit is regarded as a devouring demon who seeks to steal the life-force and sanity from all who cross his path. this

NAGEL CARL AMAZING SECRETS OF OCCULT POWER

rts secrets of the spirit world secret of the golden light how to recognize signs and omens how one man used visions to receive $300 how to make a spirit communication device between the living and the dead getting answers from your pendulum how to ensure the spirit force will not lead you astray advanced pendulum work a secret code of communication your psychic legacy from the past the ritual of yog-sothoth how to use your dice to foretell the future the magic of goetia the spirits of goetia wins $1000 with the magic of goetia the ritual of goetia using the magic of goetia to draw money to you thank you letter #9 occult power points< chapter 1 the witching circle the first full moon after midsummer s night hangs in the night sky above a wooded hollow. a naked young girl lays outstretched

heir other name of lots. in the words of st thomas, if there is need, it is lawful with all due reverence to seek judgement of god by lots. dice have remained unchanged over the centuries since the arrangement of the dots we still use today was developed around 1,400 bc. and it is the secret arrangement of the dots upon the dice that allows you to see what fate has in store for you. the ritual of yog-sothoth you need three dice to foretell the future. the three dice can be purchased from any toy store. the material that they are constructed of makes no difference in fortune telling power. to charge your dice with prophetic power, take them into your personal witching circle on a day when you are feeling particularly good. place the dice upon a small table at the center of your circle, and

should always be sunwise, or clockwise. continue stirring for approximately two minutes. the remainder of the ritual is very important, and it is absolutely essential that it be followed exactly in the manner that i will reveal to you. after the dice have been stirred thoroughly, pick up one of the dice with your right hand. hold it in the palm of your hand, and speak these words: i invoke thee, yog-sothoth, guardian of the mysteries, to hear and accept this offering. i hold in my hand the instrument through which< thy power, virtue and authority shall manifest. it will forever reveal the truth of what shall come to pass in future times. so mote it be. recite this invocation with each dice, placing them in a neat stack on your left. when the ritual has been completed, you have made a very

NECRONOMICON ALAZIF

time yet to come. and the old ones hold foul and formless azathoth for their master abd abide with him in the black cavern at the centre of all infinity, where he gnaws ravenously in ultimate chaos amid the mad beating of hidden drums, the tuneless piping of hideous flutes and the ceaseless bellowing of blind idiot gods that shamble and gesture aimlessly for ever. the soul of azathoth dwelleth in yog-sothoth and he shall beckon unto the old ones when the stars mark the time of their coming; for yog-sothoth is the gate through which those of the void will re-enter. yog-sothoth knowest the mazes of of time, for all time is one unto him. he knowest where the old ones came forth in time along long past and where they shall come forth again when the cycle returneth. after day cometh night; man'

ons proper to them, these be: at candlemas (on the second day of the second month, at beltane (on the eve of may, at lammas (on the first day of the eighth month, at roodmas (on the fourteenth day of the ninth month, and at hallowmas (on november eve. call out to dread azathoth when the sun is in the sign of the ram, the lion, or the archer; the moon decreasing and mars and saturn conjoin. mighty yog-sothoth shall rise to ye incantations when sol has entered the fiery house of leo and the hour of lammas be upon ye. evoke ye terrible hastur on candlemas night, when sol is in aquarius and mercury in trine. supplicate great cthulhu only at hallowmas eve when the sun abides within the house of the scorpion and orion riseth. when all hallows falls within the cycle of the new moon the power shal

ablished. in ye north beyond the stone of great coldness set ye first ye stone of saturn at a space of three paces. this being done proceed thou widdershins placing at like distances apart ye stones of jupiter, mercury, mars, venus, sul and luna marking each with their rightful sign. at ye center of the so completed configuration set ye the alter of ye great old ones and seal it with ye symbol of yog-sothoth and ye mighty names of azathoth, cthulhu, hastur, shub- niggurath and nyarlathotep. and ye stones shall be ye gates through which thou shalt call them forth from outside man's time and space. entreat ye of ye stones by night and when the moon decreasetth in her light, turning thy face to ye direction of their coming, speaking ye words and making ye gestures that bringeth forth ye old o

htily compel ye forth o barbuelis, attend me! aid me! give power unto my spell that this weapon that bearest the runes of fire recieveth such vertue that it shall strike fear into the hearts of all spirits that would disobey my commands, and that it shall assist me to form all manner of circles, figures and mystic sigils necessary in the operations of magickal art. in the name of great and mighty yog-sothoth and in the invincible sign of voor (give sign) give power! give power! give power! when the flames turn blue it shall be a sure sign that the spirits obey your demands whereupon thou shalt quench the blade in an afore prepared mixture of brine and cock-gall. burn the incense of zkauba as an offering to the spirits thou hast called forth, then dismiss them to their abodes with these wor

sign of voor (give sign) give power! give power! give power! when the flames turn blue it shall be a sure sign that the spirits obey your demands whereupon thou shalt quench the blade in an afore prepared mixture of brine and cock-gall. burn the incense of zkauba as an offering to the spirits thou hast called forth, then dismiss them to their abodes with these words: in the names of azathoth and yog-sothoth, their servant nyarlathotep and by the power of this sign (make ye the elder sign, i discharge thee; go forth from this place in peace and return ye not until i calleth thee (seal ye portals with the sign of koth. wrap the scimitar in a cloth of black silk and setit aside until thou wouldst make use of it; but mark ye well that no other shall lay his hand upon the scimitar lest its ver

roud the mighty peak that gleams 'neath ancient stars where silent brood the titan towers and rear forbidden walls. curse-runes guard the nighted gate carved by forgotten hands, and woe to he that dare pass within those dreadful doors. earth's gods revel where others once walked in mystic timeless halls, which some have glimpst in sleeps dim vault through strange and sightless eyes. to call forth yog-sothoth for yog-sothoth is the gate. he knoweth where the old ones came forth in times past and where they came forth again when the cycle returneth when thou would call forth yog-sothoth thou must waite until the sun is in the fifth house with al azif page 10 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 saturn in trine. then enter within the stones and draw ab

ne the conjuration that openeth the gate: ye conjuration o thou that dwelleth in the darkness of the outer void, come forth unto the earth once more i entreat thee. o thou who abideth beyond the spheres of time, hear my supplication (make the sign of caput draconis) o thou who art the gate and the way come forth come forth thy servant calleth thee (make the sign of kish) benatir! cararkau! dedos! yog-sothoth! come forth! come forth! i speak the words, i break thy bonds, the seal is cast aside, pass through the gate and enter the world i maketh thy mighty sign (make the sign of the voor) trace the pentagram of fire and say the incantation that causeth the great one to manifest before the gate: ye incantation zyweso, wecato, keoso, xunewe-rurom xeverator. menhatoy, zywethorosto zuy, zururogo

g-sothoth! come forth! come forth! i speak the words, i break thy bonds, the seal is cast aside, pass through the gate and enter the world i maketh thy mighty sign (make the sign of the voor) trace the pentagram of fire and say the incantation that causeth the great one to manifest before the gate: ye incantation zyweso, wecato, keoso, xunewe-rurom xeverator. menhatoy, zywethorosto zuy, zururogos yog-sothoth! orary ysgewot, homor athanatos nywe zumquros, ysechyroroseth xoneozebethoos azathoth! xono, zuwezet, quyhet kesos ysgeboth nyarlathotep; zuy rumoy quano duzy xeuerator, ysheto, thyym, quaowe xeuerator phoe nagoo, hastur! hagathowos yachyros gaba sub-niggurath! meweth, xosoy vzewoth (make the sign of cauda draconis) al azif page 11 of 18 http//www.chaosmatrix.org/library/books/al_azif/

roroseth xoneozebethoos azathoth! xono, zuwezet, quyhet kesos ysgeboth nyarlathotep; zuy rumoy quano duzy xeuerator, ysheto, thyym, quaowe xeuerator phoe nagoo, hastur! hagathowos yachyros gaba sub-niggurath! meweth, xosoy vzewoth (make the sign of cauda draconis) al azif page 11 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 talubsi! adula! ulu! baachur! come forth yog-sothoth! come forth* and then he will come unto thee and bring his globes and he will give true answer to all you desire to know. and he shall reveal unto you the secret of his seal by which you may gain favour in the sight of the old ones when they once more walk the earth* and when his hour be past the curse of the elder lords shall be upon him and draw him forth beyond the gate where he sha

luded on this page are a number of sigils and a magic circle. these illustrations are not in the manuscript but were referenced from other texts, including, but not limited to; key of solomon (see additional ms. 36,674, british museum library) and three books of occult philosophy- cornelius agrippa. they are therefor not included in this version. to conjure of ye globes know ye that the globes of yog-sothoth be thirteen in number, and they be the powers of the parasite-hoard which are his servitors and doeth his bidding in ye world. call them forth whenever thou shall have need of anything and they shall grant their powers unto ye when ye shall call them with the incantations and make their sign. al azif page 12 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003

n nigromancy, he can drive away any devil that would hinder ye and tell of strange and hidden things* when thou wouldst call up ye globes thou must first make upon the earth this sign: al azif page 13 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 and evoke of them thus: ezphares, olyaram, irion-esytion, eryona, orea, orasym, mozim! by these words and in the name of yog-sothoth who is thy master, i do most powerfuliy summon and call ye up o. n. that thou mayest aid me in my hour of need. come forth i command ye by the sign of power (make the sign of voor* and then the spirit shall appear unto thee and grant thy requests. but if he remaineth invisible to thine eye, blow the dust of ibn ghazi and he will immediately take his proper form. when thou wouldst banis

me: abyssus-d aconrsus, zexowe-azathoth) nrrgo, iaa! nyar-lathotep! follow the third path to the pinnacle of the west and there perform the obeisances in silence (bow low thrice and give the gesture of voor. turn and tread the path of transfiguration leading to ye ultimate angle. open up the abyss gate by the ninefold affirmation (thus: zenoxese, pioth, oxas zaegos, mavoc nigorsus, bayar! heecho! yog-sothoth! yogsothoth! yog-sothoth! al azif page 17 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 make ye the sigil of transformation and step thou forth into ye grgnew world order or occult secret destiny? terry melanson (conspiracyarchive.com) the new age movement and service to the plan the new world order as envisioned by the elite is hardly a recent undertaki

RUBY TABLET OF SET

mphasize that the actual structure of reality is so fantastic, there is no reason to rely on old fables and old tales to reveal the strangeness and otherness of things. anyone who actually looked into it would find the cosmos unimaginably vast and alien. lovecraft certainly portrayed this as an element of horror. setians experience almost an exaltation in considering this- to us the dimensions of yog-sothoth and the revels of shub-niggurath, these are not things of fear and dread, they are us- this is the field of our play. but to the readership lovecraft was aiming at, they were concepts of repugnance. now i don't have time to get into any depth on how the realm of art was inspired by what lovecraft did. it is a sign of the power of these images, perhaps, that straightaway his corresponde

can then be taken home and used in private meditative and introspective work- where the quest for one's true will really begins in earnest. true will working [the bell is rung 9 times] the litany of the nine angles celebrant: gwe honor the bond upon the world of horrors unto the beginning and ending of dimensions. h ghonor to azathoth, without whose laughter this world should not be. h ghonor to yog-sothoth, without whose sign we ourselves should not be. h ghonor to nyarlathotep, prince of the abyss. h ghonor to shub-niggurath, father of the world of horrors. h gfrom the first angle is the infinite, wherein the laughing one doth cry and the flutes wail unto the ending of time. h gfrom the second angle is the master who ordereth the planes and the angle, and hath conceived the world of hor

haos from the sith, gaze approvingly upon the matrix of a hornless one, for tainted yods and infernal blood flow through the being from the plains of yuggoth. through the essence of the old ones, so shall my own will be actualized, and my words be as a solid form. i secure my bond and consecrate my pact through the ebony visage that my eyes have beheld, for the way is nyarlothotep, and the key is yog-sothoth. by the angles of 4, 5, and 9, i command the deathless hordes to make your presence manifest, even unto me, each one in turn, and according to my will, such are the names [call of the abominations] azazal- buzrael beelzebub- balial azag-thoth- azmodius pazuzu [partake of the grail [the magician responsible for guiding the ritual now forms the cornu over the chalice, and intones] nos po

akers with rotten tongues. the spiked and boned vault of the great barrier is the resting place for vile images that i exalt before the world. the abomination of desolation hath taken form on the plains of satan's asylum, and presented its command unto the will of a daemon. in the shapes that i have wrought for them do the old ones render the profane forever constrained to the realm of death. i'a yog-sothoth. the sith bell has been cracked, and the yellow sign seen within the eye of the star of wrath. yea! moving unseen upon the laird of mentu, the fiends without faces have welcomed me, and within the ebon keep the horrors in yellow hold council, seeking to devour the souls of the profane. from an angular matrix born of the asylum, my voice blasts forth unto my soul image, nyarlathotep, an

sk not the whys and wherefores of the laws of trembling men and their dead gods. in the power of thine own mind, taste of the joys of creative genius [the sorcerer intones each of the following names, striking the phi-gong after each name. upon completion, the synthesizer is retuned to the bells of chaos, and the purification is played while the black flame is extinguished] ki'o azathoth n'kgnath yog-sothoth i'a nyralathotep i'a shub-niggurath ki'clthya cthulhu so it is done! cthulian neter forms, and the angles of the trapezoid azathoth: lord of the first angle. he who laughs and screams. a life force affirmation. satan's tricks, the universal joke (a la crowley. the revelry of life, and the german's "strength through joy. the noetically perceived assurance of ones' unique existence. blac

one! cthulian neter forms, and the angles of the trapezoid azathoth: lord of the first angle. he who laughs and screams. a life force affirmation. satan's tricks, the universal joke (a la crowley. the revelry of life, and the german's "strength through joy. the noetically perceived assurance of ones' unique existence. black magical collateral to lucifer as a maestro of sonic (musical) dimensions. yog-sothoth: lord of the second angle. bio-mechanical architect of the trapezoid. responsible for the angular chemistry constituting the flesh vehicle of man's objective experience. master of dimensions, known and unknown. patron daemon of the yellow sign, who extends the promise of his will and word, immortality, unto the hornless ones. nyarlathotep: the black herald, who brings forth visions of

processor to the desired frequency, and activates the tesla coil and stroboscopic lighting [invocation to the nine angles] we move our swords with the first angle, and therein summon asathoth, the screaming chaos from the pit of space, whose flutes wail unto the ending of time. he who broke the sonic sleep that we may be. ia asathoth. we move our swords within the second angle, and therein summon yog-sothoth, master of the angles and dimensions, faceless abomination who bestows his yellow sign unto the hornless ones. ia yog-sothoth. we move our swords within the third angle, and therein summon nyarlathotep, the black herald and unsleeping one, dark prince of the abyss who through sinister images gives knowledge of the world of horrors. ia nyarlathotep. we move our swords within the fourth

i pronounce, and beware the ka which now comes into being through that art which is mine to command [summoning of the elements] rise nyarlathotep, bringer of strange joy, herald of the barrier! move and appear to join me in this great working, and celebrate the rekindling of that flame which you delivered on behalf of all the great old ones to this world of horrors in the aeons of the past! rise yog-sothoth, all-in-one, one-in-all, faceless master who doth order the planes and angles! move and appear to join me in this great working, and celebrate the coming of the night of thy creation and the bond of the angles nine! rise shub-niggurath, black goat of the thousand young, father of the hornless ones! move and appear to join me in this great working, and celebrate again as your copper tem

rom beneath the abysmal waters in which it has lain for so long. your barnacled tower shall once again pierce the surface of this world of horrors, that you may reign in terror and glory! awaken from your sleep of dreams, for the stars are aright and your time is come! rise great r'lyeh; this portal shall serve as barrier no longer by decree of your priest manifest on earth! ia! nyarlathotep! ia! yog-sothoth! ia! shub-niggurath! ia! azathoth! ia! ia! ia! cthulhu fhtagn [graal sequence. fill the graal as these words are spoken over and into the liquid used. i have chosen a darkly colored fruit juice, apple/grape/raspberry to be specific] behold this brother, a child of darkness, who once again lifts this graal of truth in the continuance of my pact with the powers of darkness, that i shall

hearts and minds of men. shub-niggurath, black goat of the thousand young, shall come forth from the primal core of being to spawn and multiply and witness the raising of his great copper temple, as it was before the reign of the elder gods of death [k'bhal'dysngha. the dark messenger, nyarlathotep, shall again carry the word and speak with men, granting them knowledge of all the great old ones. yog-sothoth, being the key and the way, master who doth order the planes and angles, shall once again give form to the ancient dreams which the cylth[elect of humankind] shall glimpse with renewed vigor of curiosity. then great cthulhu, still dreaming in his house, will wait as all his minions and brothers swim and strive against all manner of obstacles, and arrange themselves to harken his awaken

something i must ponder for a time. not to reassure myself, but to prove that i am what i am. have i lost that which i gained in the past two years? this record has been typed in exactly the form in which it was handwritten, as first impressions are most likely the truest, and any editing on my part would alter the sincerity of my original wording. appendix 3- the symbols of the old ones azathoth yog-sothoth shub-niggurath footnotes 1. my own working differs somewhat from the outline composed by adept and gatekeeper darrell gilliam (v2- d15.01r- 2) for reasons that will become apparent as the reader of this treatise progresses. 2. elect saturnian lodge rite classification: v2- d15.02r- 1 author: don webb iii, roger whitaker iii date: march 30, xxvi html revision: nov. 26, 1998 ce this rite

SATANIC RITUALS

ed by a rejection of the carnal and an obedience to morality. lovecraft recorded bis aversion to conventional religious dogma in the silver key, and he regarded with a similar scorn those who, rejecting religion, succumbed to a controversial substitute, i.e. the popular notion of witchcraft. the concept of worship per se is strikingly absent from the cthulhu mythos. nyarlathotep, shub- niggurath, yog-sothoth and cthulhu are all honored through bizarre festivals, but their relationship to their followers is invariably that of teacher to students. compare the description of a lovecraftian ceremony to that of a christian mass or a voodoo rite, and it is clear that the element of servility is definitely lacking in the first. lovecraft, like the miltonian satan, chose to reign in hell rather th

ejoice in the world of horrors in thy name. participants: ki'q az-athoth r'jyarh wh'fagh zhasa phr-tga nyena phragn'glu. honor to azathoth, without whose laughter this world should not be [celebrant lowers hand, then renders the sign of the horns with his right hand. all participants echo the gesture] celebrant: n'kgnath ki'q y'gs-othoth r'jyarh fer'gryp'h-nza ke'ru phragn'glu. let us do honor to yog-sothoth, without whose sign we ourselves should not be. participants: ki'q y'gs-othoth r'jyarh fergryp'h- nza ke'ru phragn'glu. honor to yog-sothoth, without whose sign we ourselves should not be. celebrant: kh'run-mnu kai y'gs-othoth hrn-nji qua-resvn xha drug'bis pw-nga s'jens ni'ka quraas-ti kno'g nwreh sbo-j rgy-namanth el-aka gryenn'h. ky'rh han'treh zmah-gron't k'renb phronyeh fha'gni y'

rselves should not be. participants: ki'q y'gs-othoth r'jyarh fergryp'h- nza ke'ru phragn'glu. honor to yog-sothoth, without whose sign we ourselves should not be. celebrant: kh'run-mnu kai y'gs-othoth hrn-nji qua-resvn xha drug'bis pw-nga s'jens ni'ka quraas-ti kno'g nwreh sbo-j rgy-namanth el-aka gryenn'h. ky'rh han'treh zmah-gron't k'renb phronyeh fha'gni y'g zyb'nos vuy-kin'eh kson wr'g kyno. yog-sothoth, master of dimensions, through thy will are we set upon the world of horrors. faceless one, guide us through the night of thy creation, that we may behold the bond of the angles and the promise of thy will. participants: ki'q y'gs-othoth r'jyarh fergryp'h- nza ke'ru phragn'glu. honor to yog-sothoth, without whose sign we ourselves should not be [celebrant raises both arms away from him

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