Michael Wynn's Occult Reference Library
UNDEAD,UN-DEAD

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CHAOS MAGICK AND LUCIFERISM

d explore the very foundations of the demonic and the angelic, as above, so below while the luciferian gnosis is highly approachable through the systems of what is considered chaos magick, the form of the astral body allows a severance of eventual worldly bonds. this allows the luciferian adept to take her or his fill of worldly pleasure and eventually ascend astral in the light of lucifer, as an undead god or completely remain within the astral plane. one would seek to understand the place of the holy guardian angel and the evil genius at this level, in the shedding of flesh could it be considered a part of each is severed and a great union may be achieved, from which the conscious becomes aligned with the subconscious. could this be death itself, another level of waking through the web o

DAVID ICKE CHILDREN OF THE MATRIX

ts, we are told of vast underground cities. gilgamesh was a "demi-god" and "semi-divine (reptilian hybrid) who sought the immortality of the "gods. the stories speak of ki-gal or "the great below, which was ruled serving the dragon: the present (2) 267 by the goddess ereshkigal and the god mergal. in the ki-gal were violent guardians called "scorpion men, reanimated human bodies, spirits and the "undead, and robotic beings known as galatur or gala, which were used to abduct humans from the surface. there were "eagle-headed" reptilians, which were often said to have wings. the accounts describe a race called the pazazu, a dog-faced "human" with reptilian scales and tail. all this sounds remarkably like the scenes described at dulce today. chinese legend claims that an underground world ente

DEMONIC BIBLE

orth, antichrist, and manifest thyself (drink from chalice) invocation of dracula (or ritual to become a vampire) dracula, i invoke thee. dracula, i summon thee. dracula, i conjure thee. come forth, dracula, and manifest thyself within this body, this temple which i have prepared. come forth, dracula, and manifest thyself. drink of my blood that i may become like you, that i may become one of the undead, one with the forces of darkness. come forth, dracula, and manifest thyself. for i have crossed the gates of hell and i have become the devil incarnate. i am satan; i am lucifer; i am belial; and i am leviatan. come forth, dracula, and manifest thyself (drink from chalice) invocation of lycanthrope (or ritual to become a werewolf) lycanthrope, i invoke thee. lycanthrope, i summon thee. lyca

anifest thyself (drink from chalice) invocation of lycanthrope (or ritual to become a werewolf) lycanthrope, i invoke thee. lycanthrope, i summon thee. lycanthrope, i conjure thee. come forth, lycanthrope, and manifest thyself within this body, this temple which i have prepared. come forth, lycanthrope, and manifest thyself. eat of my flesh that i may become like you, that i may become one of the undead, one with the forces of darkness. come forth, lycanthrope, and manifest thyself. for i have crossed the gates of hell and i have become the devil incarnate. i am satan; i am lucifer; i am belial; and i am leviatan. come forth, lycanthrope, and manifest thyself (drink from chalice) invocation of mormo (or ritual to become a ghoul) mormo, i invoke thee. mormo, i summon thee. mormo, i conjure

ycanthrope, and manifest thyself (drink from chalice) invocation of mormo (or ritual to become a ghoul) mormo, i invoke thee. mormo, i summon thee. mormo, i conjure thee. come forth, mormo, and manifest thyself within this body, this temple which i have prepared. come forth, mormo, and manifest thyself. drink of my blood and eat of my flesh that i may become like you, that i may become one of the undead, one with the forces of darkness. come forth, mormo, and manifest thyself. for i have crossed the gates of hell and i have become the devil incarnate. i am satan; i am lucifer; i am belial; and i am leviatan. come forth, mormo, and manifest thyself (drink from chalice) invocation of legion (or ritual to become demonically possessed) legion, i invoke thee. legion, i summon thee. legion, i co

DONALDTYSON VAMPIRES

ation and a silver bullet through the heart. these animated corpses are condemned to wander the night in search of blood. the older version of the modern myth suggests that only human blood is suitable, but in recent vampire stories animal blood is said to be a poor, temporary substitute. despite their ceaseless craving for blood, vampires are immortal- even if they never drink blood, they remain undead, but are maddened and weakened physically by long periods without this nourishment. obvious contradictions exist in the modern versions of the vampire myth. these stem from an underlying confusion over whether the vampire is corporeal or spiritual. dracula exhibits characteristics of both a physical and a spiritual being. he can pass through a keyhole or transform into a bat, yet his body m

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

rprises, the vampire institute, vampire pen friends network, and the bram stoker memorial association. young members (age 16 and under) are enrolled in vampires are us, the junior division. there are also werewolf in fact, fiction, and fantasy and international frankenstein society divisions. the 5,000-member club publishes four newsletters: the dracula news-journal, bites& pieces, leterzine, and undead undulations. address: 29 washington square w, penthouse n, new york, ny 10011. sources: polidori, john, et al. the count dracula fan club book of vampire stories. chicago: adams press, 1980. youngson, jeanne, ed. a child s garden of vampires. chicago: adams press, 1980. the count dracula book of classic vampire tales. chicago: adams press, 1981. youngson, jeanne, and shelley leigh hunt, ed

milar aims and fraternal association with the british dracula society. in the united states both the count dracula fan club and the count dracula society carry on the appreciation of dracula and his vampire cousins. most recently, the transylvanian society of dracula, headquartered in bucharest, has brought together a worldwide network of dracula enthusiasts. the modern revival of interest in the undead vampire of bram stoker s famous novel has continued to grow through the twentieth century but has increased since the 1972 publication of a biography of the real dracula by historians raymond t. mcnally and radu florescu. in may 1977, during ceremonies held in bucharest to celebrate the 100th anniversary of romanian independence, president nicolae ceausescu solemnly honored fifteenth-centur

78. florescu, radu& raymond t. mcnally. dracula: a biography of vlad the impaler 1391.1476. new york: hawthorn books, 1973. glut, donald. the dracula book. metuchen, nj: scarecrow press, 1975. mcnally, raymond t& radu florescu. in search of dracula: a true history of dracula and vampire legends. new york: new york graphic society, 1972. melton, j. gordon. the vampire book: the encyclopedia of the undead. detroit: gale research, 1994. miller, elizabeth. dracula: sense and nonsense. westcliff-on- sea, uk: desert island books, 1998. reflection on dracula: ten essays, white rock, bc: transylvanian press, 1997. shepard, leslie, and albert powers, eds. dracula: celebrating 100 years. dublin, ireland: mentor press, 1997. summers, montague. the vampire: his kith and kin. reprint, london: routledge

th america, and china, where it emerged as an antivampire agent. it was also long believed to have aphrodisiac properties and was forbidden in the diet of yogis in higher spiritual development in ancient india. sources: lehrer, ernst, and johanna ernst. folklore and odysseys of food and medicinal plants. new york: tutor publishing, 1962. melton, j. gordon. the vampire book: an encyclopedia of the undead. detroit: visible ink press, 1994. garnet gemstone that was popularly believed to preserve health and promote joy, but in the case of lovers might cause discord. gardner, martin encyclopedia of occultism& parapsychology. 5th ed. 620 garnett, richard (1789.1850) british philologist who maintained a secret interest in astrology. he was born july 26, 1789, in otley, yorkshire, and educated at

the encyclopedia of parapsychology and psychical research. new york: paragon house, 1991. fontenrose, joseph. python: a study of delphic myth and its origins. berkeley, calif: university of california press, 1959. lawson, john c. modern greek folklore and ancient greek religion. 1910. reprint, new hyde park, n.y: university books, 1964. melton, j. gordon. the vampire book: an encyclopedia of the undead. detroit: gale research, 1994. psychognosis center, island of cyprus. http/ www.psychognosis.com. june 6, 2000. schwab, gustav. gods and heroes: myths and epics of ancient greece. new york: pantheon books, 1946. greeley, horace (1811.1872) famous american political writer, editor of the new york tribune, and an important figure in early american spiritualism. he was the first to call upon t

the vampire terror (1981, and shades of dracula (1982. haining edited the complete ghost stories of charles dickens (1982, vampire (1984, the doctor who file (1986, elvis in private (1987, and supernatural tales of sir arthur conan doyle (1987. sources: ashley, mike. who s who in horror and fantasy fiction. london: elm tree books, 1977. melton, j. gordon. the vampire book: the encyclopedia of the undead. detroit: visible ink press, 1994. reginald, robert. science fiction and fantasy literature, 1975.1991. detroit: gale research, 1992. hair hair has had an occult significance since ancient times. it seems to have a life of its own, since it may continue to grow after the death of the body. it has been regarded as a source of strength and sexuality and has played a part in religion and magic

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 2

board of theosophical history. in 1996 he became the senior editor of the multi-volume international directory of the world s religions. melton s avocational study of vampires manifested in 1983 when he served as editor for vampires unearthed by martin riccardo, the first comprehensive bibliography of englishlanguage vampire literature. in 1994 he authored the vampire book: an encyclopedia of the undead (2nd edition, 1999, video hound s vampires on video (1996, and the vampire gallery (1998. encyclopedia of occultism& parapsychology. 5th ed. melton, j(ohn) gordon 1021 sources: melton, j. gordon. a directory of religious bodies in the united states. new york: garland publishing, 1977. directory of religious organizations. detroit: gale research, 1992. encyclopedic handbook of cults in ameri

quer. kenosha, wis: franciscan marytown press, 1976. the mishna a compilation of jewish oral traditions containing the religious legal decisions relating to old testament laws, gathered together at about the end of the second century by rabbi judah, grandson of gamaliel ii. its doctrines are said to be of great antiquity. it forms the framework of the talmud. the miss lucy westenra society of the undead vampire interest organization named for one of the characters in the novel dracula, the first person dracula turned into a vampire upon his arrival in england. the society published a newsletter and assisted penpals in locating each other. last known address: 125 taylor st, jackson, in 38302. miss x pseudonym of psychic researcher ada goodrich-freer, used for her early writings on psychic s

a, ca 93190.1611 (see also fiction, english occult) sources: dalby, richard. bram stoker: a bibliography of first editions. london, 1983. farson, daniel. the man who wrote dracula: a biography of bram stoker. new york: st. martin s, 1976. ludlam, harry. a biography of dracula: the life story of bram stoker. london: fireside press, 1962. melton, j. gordon. the vampire book: the encyclopedia of the undead. detroit: visible ink press, 1994. roth, phyllis a. bram stoker. boston: twayne, 1982. stoker, bram. dracula. london: constable, 1897. dracula s guest and other weird stories. london: george routledge& sons, 1914. stokes, doris (1920.1987) british psychic who established a worldwide reputation for her clairaudience. born doris sutton, january 6, 1920, in grantham, lincolnshire, she grew up

it was believed to attack infants and drain their blood. the strix appears across southern europe, where it is known variously as strega (italy, striges (greece, and strigoi (romania. the striges differed from other vampire creatures in that they were thought of as living members of the community rather than the returning dead. sources: melton, j. gordon. the vampire book: the encyclopedia of the undead. detroit: visible ink press, 1994. strioporta frankish name for a witch (see also france) stroboscopes devices that create light pulsations at intervals varying from one flash every few seconds to several flashes per second. they have become a familiar part of the atmosphere of excitement at some dance halls and discotheques, but in different situations they have proved of some assistance i

olic theologian thomas aquinas argued for the objective existence of the incubus/succubus and believed that such intercourse could lead to the pregnancy of a woman. twentieth- century psychology tends to see such creatures as dream symbols of repressed sexual feelings. sources: jones, ernest. on the nightmare. new york: liveright, 1951. melton, j. gordon. the vampire book: the encyclopedia of the undead. 2nd edition. detroit: visible ink press, 1999. robbins, rossell hope. the encyclopedia of witchcraft and demonology. new york: crown publishers, 1959. sudre, rene (1880) scientific writer and parapsychologist. sudre was born april 19, 1880, at angouleme, france. he received degrees from poitiers academy and the university of paris. as a writer and teacher he held a variety of positions bet

23240, churchill p.o, st. john s, nf, canada a1b 4j9; the american chapter at p.o. box 91611, santa barbara, ca 93190-1611; and the italian chapter at via bertola 86, 10122 torino, italy. sources: introvigne, massimo. la stripe de dracula: indagine sul vampirismpo dall antichita ai nostro giorni. milan: arnoldo mondadari editore, 1997. melton, j. gordon. the vampire book: the encyclopedia of the undead. 2nd ed. detroit: visible ink press, 1999. the vampire gallery. detroit: visible ink press, 1998. videohound s vampires on video. detroit: visible ink press, 1996. miller, elizabeth. dracula: sense and nonsense. westcliff-on- sea, uk: desert island books, 1998. dracula: the shade and the shadow. westcliff-on-sea, uk: desert island books, 1998. reflection on dracula: ten essays. white rock

r. stoker and vambery met at the beefsteak club on april 30, 1890, after a performance of henry irving in the play the dead heart, and also two years later at trinity college, dublin, where vambery was presented with an honorary degree. sources: adler, lory, and richard dalby. the dervish of windsor castle. london: bachman& turner, 1979. melton, j. gordon. the vampire book: an encyclopedia of the undead. detroit: gale research, 1994. vambery, arminius. the story of my struggles: the memoirs of arminius vambery. 2 vols. new york, 1904; london: t. f. unwin, 1905. vampire russian vampir, south russian upuir, probably from the root pi, to drain, with the prefix va, or av. a dead person who returns in spirit form from the grave for the purpose of sucking the blood of living persons, or a living

istory of dracula and vampire legends. new york: new york graphic society, 1972. boston: houghton mifflin, 1994. mannhardt, w. uber vampirismus (see vol. 4 of zeitschrift fur deutsche mythologie und sittenkunde) gottingen, 1858. masters, anthony. the natural history of the vampire. london: ruper hart-davis, 1972; london: mayflower 1974. melton, j. gordon. the vampire book: the encyclopedia of the undead. 2nd edition. detroit: visible ink press, 1999. the vampire gallery. detroit: visible ink press, 1998. video hound s vampires on video. detroit, visible ink press, 1996. miller, elizabeth. dracula: sense and nonsense. westcliffe-on- sea, uk: desert island books, 1998. dracula: the shade and the shadow. westcliffe-on-sea, uk: desert island books, 1998. reflection on dracula: ten essays. whit

of vampire books for its members. for information on membership, write to eric held, dir, p.o. box 290328, brooklyn, ny 11229-0328. sources: held, eric. the vampire bibliography of fiction and nonfiction. brooklyn, n.y: vampire information exchange, 1992. 1993 calendar of vampire events. brooklyn, n.y: vampire information exchange, 1992. melton, j. gordon. the vampire book: an encyclopedia of the undead. 2nd edition. detroit: gale research, 1999. the vampire journal former publication devoted to the subject of vampires that served as the organ of the now defunct dracula and company, a vampire interest group headquartered in the new orleans suburb of metairie, louisiana. vampire quarterly (magazine) magazine devoted to the subject of vampires formerly published from toms river, new jersey

and vampire studies now exists as a correspondence network and information clearinghouse for people interested in all aspects of vampire lore. those interested may contact riccardo at p.o. box 151, berwyn, il 60402-0151. sources: the lure of martin v. riccardo. special issue of the vampire information exchange newsletter 53 (april 1991. melton, j. gordon. the vampire book: an encyclopedia of the undead. 2nd edition. detroit: gale research, 1999. riccardo, martin v. liquid dreams of vampires. st. paul: llewellyn publications, 1997. the lure of the vampire. chicago: adams press, 1983. vampires unearthed. new york: garland, 1983. van bruhesen, peter (d. 1571) a dutch doctor and astrologer who died at bruges. he published in that town in 1550 a grand and perpetual almanack in which he scrupul

LUCIFERIAN SORCERY

tral shades spirits, atavisms or familiars of the dead which return to us from our initiation into magick and witchcraft. ancestral shades may not always be past family, rather those who have been on the path before us who have gained immortality who for whatever reason decide to assist us. in the black order of the dragon, such spirits are closely connected with the concepts of varcolaci and the undead gods. anubis lord of jackals and the opener of the way. anubis is the funerary god that is represented as having the head of a jackal or dog. according to charles pace, the bastard son of set-an& aset (isis. atavistic resurgence the return to consciousness the powers of the dead or subconscious energies or powers from the pre-human aspects. atavisms are evoked through intense nostalgia and

MAGIC AND SPELLS

someone you touch a resistance bonus on her next will saving throw equal to your level +2. activating this power is a standard action. the mental ward is an abjuration effect with a duration of 1 hour that is usable once per day. nobility domain' deities: eilistraee, hathor, malar, sehanine moonbow, sel ne, sharindlar. granted power: turn or destroy lycanthropes as a good cleric turns or destroys undead. you can use this ability a total number of times. per day equal to three+ your charisma modifier. deities: horus-re, lathander, milil, nobanion, red knight, siamorphe. granted power: you have the spell-like ability to inspire allies, giving them a +2 morale bonus on saving throws, attack rolls, ability checks, skill checks, and weapon damage rolls. allies must be able to hear you speak for

supernatural ability once per day. retribution domain spells 1 shield of faith 6 banishment 2 endurance 3 speak with dead 4 fire shield 5 mark of justice 7 spell turning 8 discern location 9 storm of vengeance scalykind domain deities: finder wyvernspur, sebek, set, tiamat, ubtao. granted power: rebuke or command animals (reptilian creatures and snakes only) as an evil cleric rebukes or commands undead. use this ability a total number of times per day equal to three+ your charisma modifier. scalykind domain spells 1 magic fang 6 eyebite 2 animal trance* 3 greater magic fang 4 poison f animal growth *affects ophidian and reptilian creatures only. 7 greater restoration 8 polyrnorph any object 9 freedom slime domain 7 creeping doom (composed of tiny snakes) 8 animal shapes* 9 shapechange dei

er. scalykind domain spells 1 magic fang 6 eyebite 2 animal trance* 3 greater magic fang 4 poison f animal growth *affects ophidian and reptilian creatures only. 7 greater restoration 8 polyrnorph any object 9 freedom slime domain 7 creeping doom (composed of tiny snakes) 8 animal shapes* 9 shapechange deity: ghaunadaur. granted power: rebuke or command oozes as an evil cleric rebukes or commands undead. use this ability a total number of times per day equal to three+ your charisma modifier. magic spell domain deities: azuth, mystra, savras, thoth. granted power: you get a +2 bonus on concentration and spellcraft checks. 1 mage armor 2 silence 3 anyspell 4 rary's mnemonic enhancer 5 break enchantment spell domain spells 6789 spider domain deities: lolth, selvetarm. granted power: rebuke or

y equal to three+ your charisma modifier. magic spell domain deities: azuth, mystra, savras, thoth. granted power: you get a +2 bonus on concentration and spellcraft checks. 1 mage armor 2 silence 3 anyspell 4 rary's mnemonic enhancer 5 break enchantment spell domain spells 6789 spider domain deities: lolth, selvetarm. granted power: rebuke or command spiders as an evil cleric rebukes or commands undead. use this ability a total number of times per day equal to three+ your charisma modifier. 1 spider climb 2 summon swarm 3 phantom steed (has a vermin shape) 4 giant vermin spider domain spells 5 insect plague 6 spider curse 7 stone spiders 8 creeping doom 9 spider shapes storm domain strength domain deities: anhur, bahgtru, clangeddin, garagos, gruumsh, helm, ilmater, lathander, loviatar, m

ility to reveal unusualproperties of portals, as follows: random portals: the spell reveals only that the portal is random; and whether it can be activated now. it does not reveal when the portal starts or stops functioning. 1 message 6 true seeing 2 gembomb 7 mordenkainen's magnificent 3 eagle's splendor mansion 4 sending 8 mind blank 5 fabricate 9 discern location undeath domain spells 1 detect undead 6 create undead 2 desecrate 7 control undead animate dead 8 create greater undead 4 death ward 9 energy drain 5 circle of doom variable portals: the spell reveals only that the portal is variable. if the caster studies the portal's destination, the spell reveals only the destination to which the portal is currently set. creature only portals: the spell reveals this property. if the caster s

ires, conceal the wearer's features. in any case, it grants the subject a +3 deflection bonus to armor class plus an additional +1 for every four caster levels (maximum bonus +8. the subject can see through the armor as if it did not exist and is also afforded darkvision with a range of 60 feet. finally, the subject gains a +2 saving throw bonus against any holy, good, or light spells or effects. undead creatures that are subjects of armor of darkness also gain +4 turn resistance. you create an area of total darkness. the darkness is impenetrable to normal vision and darkvision, but you can see normally within the blacklit area. creatures outside the spell's area, even you, cannot see through it. you can cast the spel on a point in space, but the effect is stationary unless you cast it cas

you were entitled to that round, it is lost. if you hurl all the bolts at once, all your targets must be within 60 feet of each other. a darkbolt deals 2d8 points of damage to a living creature, and the creature is dazed for 1 round unless it makes a will save (a creature struck by multiple-bolts during the same round is dazed for a maximum of 1 round, no matter how many times it fails its save. undead take no damage, but are dazed if they fail their saves. eagle's splendor transmutation level: brd 2, hrp 2, sor/wiz 2, trade 3 components: v, s, m/df casting time: 1 action range: touch target: creature touched duration: 1 hour/level saving throw: will negates (harmless) spell resistance: yes (harmless) the transmuted creature becomes more poised, articulate, and personally forceful. the sp

pe of sword, you can wield the beam as if it were any type of sword and thus gain the benefits of any special sword skill you might have, such as weapon focus. attacks with the moon blade are melee touch attacks. its strike saps vitality or life force, causing no visible wounds but dealing 1d8 points of damage plus 1 point per two caster levels (to a maximum of +15) to any type of creature except undead. undead are visibly wounded by a moon blade. their substance boils away from its touch, and they take 2d8 points of damage plus 1 point per caster level (to a maximum of +30) per blow. the blade is immaterial, and your strength- modifier does not apply to the damage. a successful moon blade strike temporarily scrambles magic. on the target's next turn after a hit from a moon blade, the crea

ht] level: moon 9 components: v, s, df casting lime: 1 action range: close (25 ft+ s -ft./2 levels) area: cone duration: instantaneous (see text) saving throw: reflex half (see text) spell resistance: yes magic '73 a cone of fiery. white moonlight springs from your hand. living creatures in the area feel an unnatural chill and take 1d8 points of damage per two caster levels, to a maximum of 10d8. undead and shapechangers take double damage. this application of the spell allows a reflex save for half damage. all magical auras within the cone glow .with a faint blue light for 1 round per caster level. disguised, shapechanged, or polymorphed creatures and objects in the spell's area at the time the spell is cast must make will saves or immediately return to their normal forms. even if the sav

MICHAEL FORD WITCHMOON

e varcolaci await. vampirism, lycanthropy and european folklore for thousands of years there have been tales of beasts haunting the countryside by night, demons which stalk the roads and pathways of the forests. corpses who enter the chambers of the sleeping for sexual congress. the wild hunt which rides the northern skies in the autumn, searching for souls to join their ghastly celebrations. the undead in european folklore are immensely strong and colorful in their legend. walking corpses known as draugr, which is described as an animated corpse which crawls from its own grave mound to haunt the night and its prudent folk. draugr was one of the main undead that existed in icelandic folklore, the creature would always incarnate in it's old flesh or the flesh of some dead near it. the term

s of vampires, being varcolaci (of which coven nachttoter and the coven maleficia derived inspiration, dracul, strigoi and moroii. varcolaci is a romanian vampire spirit. this particular vampire spirit is generally a living individual, going forth in a presumably normal life. in the night however this vampire would physically enter sleep and its spirit would rise as what was called varcolaci. the undead spirit is able to rise towards the night sky, in the form of a small dragon or wolf with many heads, to drink blood from the moon. the varcolaci are also able to haunt villages and drain astral life force and blood from the sleeping. the varcolaci vampire is quite powerful on the astral plane, being able to haunt the night in many forms, depending on the primal urge and desire. further expl

use of impalement and torture. his modern tactics of war and subterfuge proved him to be a successful war lord and prince. his war with the turks lasted his life and gave birth to many tales of his vampiric actions and violence. an order he belonged to, the order of the dragon, was a defense against the turkish offensive that was rumored to involve magical activities. strigoi is represented as an undead vampire spirit, sometimes female and also a kin to the word strigoica, meaning "witch. it is the moroii, who are often varcolaci themselves, who meet the strigoi in the night and give communion of blood and other lustful unions of demonic passion. the individual, who seeks to explore and envelop the self within the shadows of vampiric sorcery, must be willing to become as those nocturnal ar

tion "zazas, zazas natsatanda zazas (3) i evoke thee, shadows of darkness, from the world of shells shall you manifest within this circle and triangle ye shall come in a controlled manner, no act of aggression shall be made unto any of us. by choronzon, guardian of the abyss, thy essence i evoke! send forth thy spawn, which haunts the worlds of shadows. i hereby evoke thee from the tunnels of the undead, the specter, the vampire, the succubus and incubus, move and appear! the gates are open! for my charge is made. manifest within this plane of existence. i offer my blood as a gift to enflesh this belief" you may wish to repeat this evocation several times to assure the mind has aligned with the callings, in order to activate the manifestation. enochian keys, callings and the use of the oth

MICHAEL WYNN THE SOUL TRAVELERS

o come into astral congregation with each other. i m sure vampire nation doesn t like me calling them out like this. and i have received many veiled death threats in the past, so if something happens to me, you know why. too many secrets. i can t believe it s not fiction: the "others" among us blade (1998) underworld (2003) they live (1988--michael wynn's "the soul travelers" 65 worshipers of the undead [4.2] in ancient times the gods of men, those undead vampires, ruled mankind in the light; it is also said that these very same gods created man genetically. ancient people served the undead, not only out of fear, but out of loyalty, because it was common knowledge among ancient man that they too had the option of rising out of the human condition an becoming vampires themselves. daily cont

MICHAEL W FORD NOX UMBRA

s "i walk in the twilight, i am the beast noble and strong, in this the wolfs skin i am shadow and darknes! am as ahriman, the form of the abyss! moyset, herren come forth unto my being, for we are as one "sah umpesha zrazza masehaka hekas" so it is done. the ritual of entering of black eden a vampyric samhain ritual of becoming "as the circle is cast, we who partake of the varcolac cultus of the undead shall become something beyond, who shall embrace the animals of the earth as our sacred companions, whom in the twilight of dreaming shall assume forms which please us, and taste the elixir of the skull- cup of az, dragon goddess of the abyss "i summon thee by the many names of thy calling- drakul, lamiae, empusae, lilitu, naamah, nachtzehrer, from the many names of your palace in the corps

NAGEL CARL AMAZING SECRETS OF OCCULT POWER

baron samedi, the voodoo god of the dead, to summon the zombies into their presence. zombies< were afraid of fire and were destroyed when their master died. the mediaeval vampires living in the remote regions of transylvania who, in order to sustain their monstrous existence, would leave their tombs at midnight to drink the blood of young virgins. a girl, once bitten, would become a virgin of the undead and, her eyes burning with a dark desire, was forever more drawn back to the vampire s embrace. the only way to kill a vampire was to drive a sharp, pointed stake through its heart. the werewolf, a man who was transformed into a gigantic wolf under the influence of the full moon; tearing out the throats of his victims, and feasting on their blood. another name for this was lycanthropy. the

RUBY TABLET OF SET

ate for very large groups. there should be a mirror on or near the altar. it is preferable that the performer of each element bring his own materials for that element. the priest should provide the chalice. the ritual elements are: priest, bell-ringer, censer, greeter of set, candle-lighter and/or -extinguisher, summoners of the north/south/east/west, masters of lust, compassion, destruction, the undead, etc. note that this can be expanded or contracted as may be appropriate for the participants involved. each, the priest included, must conceive his own working, preferably focusing it upon principles pertinent to his own life and/or a relevant neter. the actual words of the priest as given below are intended as guidelines to illustrate the intent of the ritual, rather than as a required sc

ot known" here. i feel certain that the next stage of my quest lies with the element of air, though i do not yet know in what way this will come about (save through lots of work and work, but you already know that one, i'm sure) don't worry. i'm not switching magickal names or anything. the flame of the night sun i am and shall be.(3) i suspect that something may come about during the rite of the undead when we "perform" it this hallowe'en. i saw a great bat, and realized that there is yet more in the vampire than i have yet seen, that in his forms of the bat and of gas he represents the triumph of the air over the earth (and yet there is balance, and he must return to the soil each day. it is in quest of the nature of the undead where i now proceed, and i suspect that i will find more of

or brother, i tried to place matching emphasis on an aspect of that setian. for amn, i thought of myself as running with the ram. when considering priestess vandenbussche, i gazed at the moon and said aloud something to the effect that "you see sister, that's the light i was telling you about all this time. the vastness of open space and all the possibilities" i addressed magistra sinclair as one undead(6) to another. i spoke to her, telling her that we had stopped travelling in time just long enough to be conscious in the realm of manifestation. one distinct impression i had while transmitting kept recurring- it was the sound and feel of the waves as they crashed against the shore. i recorded this thought afterwards "they hit the beach, and they swished. and there was a ringing. every tim

hese, plus variations from other countries, all point to the same thing: the presence of a non-natural being possessed of a strange and frightening life where none should be. the generally accepted definition of the vampire is that of a reanimated corpse ready and able to leave its grave, usually during the night hours, to batten on blood. immunologists would find themselves at wits' end with the undead: few beyond andy warhol have allowed their vampires to become ill from ingestion. we know, from looking at this world and the data available regarding the universe, that life is not the norm. the norm is the non-living mechanical physical science of the consistent cosmos. early man could not know this as he struggled with his newly awakening senses to classification: v2- c5v- 1 author: jame

f max schreck, humorous in the way yvonne decarlo beautifully did her parts, or mysterious in the style of some of the outstanding presentations of carmilla have been shown] as montague summers wrote "it is curious to note that the ancient ideas of the physiognomy of amorous persons is not at all unlike the distinctive marks of the vampire" there is an eroticism which pervades encounters with the undead, and many a wistful person has hoped for the gratification which stems from the vampire's unique kiss. again quoting from montague summers' the vampire, his kith and kin "it has long since been recognized by medico-psychologists that there exists a definite connexion [sic] between the fascination of blood and sexual excitation" imagery is a powerful tool in anyone's hands; it is particularl

e a tragic and driven soul. whichever, he usually offers an ecstasy not often available and therefore of the most desired kind. while there is a certain missing element of the rare and forbidden which is corrected by a vampire's visit, it should not be thought that only the sex-starved yearn for them. those terrified by the thought of death may find themselves driven to a desperate search for the undead. after all, the reasoning behind the search is that the vampire may have died once, but then arose and mastered death. he is pale, but not pallid like the risen christ of story. the choice would be between an eternal life in heaven where nothing is familiar, or an eternal life on the old and well-known earth. those who have an abiding fear of death and its unknown lands would be more likely

idual make a change, begin to breathe, and look about, and you can easily imagine the effect on the bystanders of an earlier age. other symptoms of porphyria are psychological alterations. personality changes, hysteria, confusion, and psychoses have all been documented. compare these also with descriptions of some of the vampire cases of history, and again we can suspect porphyria rather than the undead. to offer further support for this alternate possibility, one of the most striking symptoms occurring in some classifications of porphyria is that of erythrodontia. in this condition the teeth are stained grossly red or brown, and the body is frequently feverish. the one unfortunate enough to have this may also exhibit hemolytic anemia, a disorder characterized by the short life of the red

families] more than sensitivity to sunlight, more than comatose states, more than any other thing, we associate a mouth red-stained with the vampire. take combinations of erythrodontia, confused states, lethargy, coma, anemia, and personality changes, and then place them amid a largely uneducated and superstitious society, and you may well have happened on the basis for more than one tale of the undead. the medical cannot be the only etiology to account for all the cases of vampirism recorded, but i feel they may account for a certain number. but just as one begins to feel that reports of the undead are naught but old wives' tales, some old wife is sure to be found dead, bloodless, and punctured with wounds suggestive of "animal bites" charles fort, in wild talents, deals with several sus

ake the concepts of essence, the force, and immortality and work with them that they may become personal actualization "the blood is the life" will be more than just a catch-phrase; for ov members it will be an edict. using the word of set's aeon, xeper, as a fulcrum and as the original starting point, setians who are members of this order will breathe life into what was formerly considered to be undead. the ov derives its impetus for being from the prince of darkness and from his gift to us: the great black magic. members of this order will return portions of their discoveries and essence to set and his collective aeon. aims, goals, and objectives of the order shall be directed by the two grand masters. yet the input for the same will arrive from all members of the order. while looking at

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ghoul the ghoul is linked with both the vampire and the werewolf in traditional folklore, but there are a number of obvious reasons why the entity has never attained the popularity achieved by the frankenstein monsters, draculas, and wolfmen of the horror films. the category of ghoul encompasses a number of different entities. one type of ghoul, like the vampire, is a member of the family of the undead, continually on the nocturnal prowl for new victims. unlike the vampire, however, this ghoul feasts upon the flesh of the deceased, taking the corpses from cemeteries and morgues. the ghoul more common to the waking world is that of the mentally unbalanced individual who engages in eating or otherwise desecrating the flesh of deceased humans. yet a third type of ghoul would be those native

, fairies, fallen angels, and other subversive spirits. new york: henry holt, 1998. unterman, alan. dictionary of jewish lore and legend. london and new york: thames and hudson, 1991. vampire contrary to the glamorous image popularized by motion pictures depicting handsome vampires and their beautiful brides, the appearance of a true vampire in folklore is grotesque, a nightmarish creature of the undead with twisted fangs and grasping talons. after bram stoker s novel dracula (1897) became a popular stage play, and, in 1931, a classic horror film, the image of the vampire as a hideous demon was transformed into an attractive stranger who possesses a bite that, while fatal, also promises eternal life. the vampire of legend, a demonic presence, wrapped in a rotting burial shroud, intent only

dracula theme park was being abandoned due to the efforts of opposing critics, and he requested that all groups support the effort to attract more tourists to the medieval town. sources: ghostbuster believes dracula s ghost is haunting theme park site, ananova, june 26, 2002 [online] http//www.ananova.com/news/story/sm_616089.html?men u=news.scienceanddiscovery.p. marinas, radu. dracula park plan undead. reuters.com, july 1, 2002 [online] http//reuters.com/jhtml?type= entertainmentnews&storyid=1151684. count dracula theme park with his long, blood-stained talons, his eggshaped head, and his pasty white complexion, schreck s nosferatu looks more like the creature of the undead as seen in the collective nightmares of humankind throughout the centuries. e. elias merhige s shadow of the vampir

vampyr; the latin, sanguisuga; serbian, vampir; russian, upyr; polish, upirs; and the greek, brucolacas. from the villages of uganda, haiti, to the upper amazon, all indigenous people know the vampire in its many guises. traditional native american medicine priests, arctic eskimo shamen, and polynesian kahuna all know the vampire and take precautions against those who were once human who are now undead and seek blood by night to sustain their dark energies. with each succeeding generation, the dark powers of the vampire have grown. his hypnotic powers have become irresistible, and his strength is that of a dozen men. he can transform himself into the form of a bat, a rat, an owl, a fox, and a wolf. he is able to see in the dark and to travel on moonbeams and mist. sometimes, he has the po

task to estimate the current population of those who define themselves as some facet of the term vampire, or to establish any but the most approximate demographics. millions of readers and viewers have agreed with rice that the vampire is a romantic, enthralling figure. the author s major vampire character, lestat de lioncourt, and her series of books in the vampire chronicles series, portray the undead as far from grotesque, shroud-wrapped monsters. rice has stated that she perceives the vampire as an individual who never dies, who exerts a charm over people, then accepts their blood as a sacrifice that he might live. in her opinion, the image of the vampire is alluring, attractive, seductive, and the idea of being sacrificed to keep such an entity alive becomes rather romantic. in the no

entity alive becomes rather romantic. in the november 24, 2000, issue of the new york times, margaret mittelbach and michael crewdson reported on the city s vampire scene that has been going strong since the mid-1990s and the many nightclubs that cater to the daylight-challenged in their article, vampires: painting the town red. the journalists describe the activities in dens where as many as 300 undead heads dance, drink, and make merry late into the night. the dress code in such establishments is gothic, darkfetish, faerie, wiccan, or celtic and the overwhelmingly predominant color of the clothing is black. on the rare occasion when a patron of these vampire havens smiles, mittelbach and crewdson noted, one can make out the glint of white fangs. other researchers have discovered that the

border on the supernatural that are accentuated with the ingestion of human blood. most often the vital fluid is obtained from willing donors who permit the vampires to make small cuts or punctures in their flesh and lick or suck the blood. the vast majority of those enthralled by the vampire lifestyle are those young people who find dressing the part of an attractive and seductive member of the undead appeals to their romantic sensibilities. for them it is like being able to dress up for halloween at least one night per week all year long. while role-playing as vampires and victims may be considered quite harmless as long as the participants know when to draw the line between fantasy and reality, those who cross the boundaries of mental abnormality into blood fetishism and obsessive bloo

mind: a psychoanalyst looks at the supernatural. new york: new american library, 1968. t h e g a l e e n c y c l o p e d i a o f t h e u n u s u a l a n d u n e x p l a i n e d 82 mysterious creatures mack, carol k, and dinah mack. a field guide to demons, fairies, fallen angels, and other subversive spirits. new york: henry holt, 1998. melton, j. gordon. the vampire book: the encyclopedia of the undead. farmington hills, mich: visible ink press, 1998. self-styled vampire reveals british link. the guardian, february 1, 2002 [online] http//www. guardian.co.uk/international/story/0,3604,642870, 00. html. werewolf unlike the vampire, werewolves are not members of the undead who promise everlasting life in exchange for a little bite on the neck. when werewolves are in their human form, they ca

ne of those phobias that has its roots in humankind s earliest taboos and reflects such commonsense reasoning as the danger of contracting diseases from the deceased. all of the world s religions have strict rules about how the dead should be handled and how a proper burial should be conducted. and all world cultures have superstitions and legends about vampires, zombies, and other members of the undead who seek the blood of the living. tales of the dead returning to communicate with their relatives or exact revenge on their enemies are known to every society. with such a heritage of fear of the dead lurking in the unconscious, it is to be expected that some individuals would develop such a crippling dread of a deceased person that therapy or medications must be prescribed. the word comes

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on samedi, guardian of the grave; dambala, the serpent; ezli, the female spirit of love; ogou balanjo, spirit of healing; and mawu lisa, spirit of creation. each follower of vodun has his or her own gmet tet, h a guardian spirit that corresponds to a catholic fs special saint. vodun has a supernatural entity that is unique among the practitioners of sorcery.the zombi, those dread creatures of the undead who prowl about at night doing the bidding of those magicians who follow the left-hand path. vodun lore actually has two types of zombi: the undead and those who died by violence. a haitian is most cautious in his or her approach to a cemetery for it is there that one is most likely to meet one of the unfortunate wraiths who died without time for proper ritual. for the t h e g a l e e n c y

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