Michael Wynn's Occult Reference Library
*THE ADVERSARY

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ALEISTER CROWLEY SEPHER SEPHIROTH

ons, atonements myrwpk a young mule rpw( spirits of the living nyyxd nyxwr 357 iniquity)#wn 358 shame hn#g shiloh shall come (gn. 49:10) hly )by gmessiach h: the messiah xy#m the serpent that initiated eve #xn (taking the three hehs in hwhyh) as concealing the mothers# m, we get iota: alpha: omega) mw)y) the breastplate of the high priest n#x renewed, restored #dwxm 359 the sacred wind my# satan: the adversary n# 360 shin: a tooth ny# the messiah hy#mh the sinew [of the thigh; the weakening (gn. 32:32& cf. hn#h, below. k.d. p.235) h#nh the change; the teaching; the sleep (see k.d. p.235) hn#h thunders mym(r crimson yn# ophir: earth ryp( 361 the arrangement of the sephiroth: 3-6-1 lord of earth (referred to malkuth; cf. 65& 155) cr)h ynd) folk, people (ar; gimpurities h. from #n, gto be wea

ole; irreproachable; perfect; wholeness; sincerity; perfection *mt 1001 you (masc. pl *mt) 1002 the bank of a stream rw)yh tp# an approach *nbrq 1004 the fruit of a tree yielding seed (rz (rz c( yrp grew fat; anointed *n#d 1006 instructions, glaws h (cf. 611) twrt the crown, summit, point; thorn (cf. 140 *cwq the ankles *mylwsrq 1008 winter *prx the breastplate of the high priest *n#x 1009 satan: the adversary *n# 1010 summer *cyq shin: a tooth *ny# craftiness, cunning *myl# witchcrafts, sorceries *myp#k 1011 foundations (ch *ny) the mountain zion *nwyc rh the essence of man *md)h t) the deep, the abyss (gn. 49:25 *mwht 1013 king of terrors *twhlb klm 1014 pertaining to autumn *prwx satan *n+#h demons *nyd# a seal *mtwx the gholy ones h (consecrated catamites kept by the priesthood *my#dq

ALEISTER CROWLEY THE QABALAH

6, 666, the lord of leo on which babalon should ride. and there were other more intimate considerations, unnecessary to enter upon in this place. note however that the tarot card of leo, strength, bears the number xi, the great number of the magnum opus, and its interchange with justice, viii; and the key of 8 is 418.77 74 364= inter alia, alpwm rua, the hidden light, a title of kether, and fch, the adversary t.s. 75 vide al i. 22 t.s. 76 this may have been wishful thinking on crowley s part. the time and place of birth accompanying ac s birthchart as printed in equinox i (7) and equinox of the gods actually give cancer, not leo, rising, suggesting the figure had been fudged. the editor of the blue brick edition of magick obligingly corrected the time of birth to make leo the ascendent ag

APOCALYPSE MOSES

am this night the blood of my son amilabes who is styled abel being poured into the mouth of cain his brother and he went on drinking it without pity. but he begged him to leave him a little of it. 3 yet he hearkened not to him, but gulped down the whole; nor did it stay in his stomach, but came out of his mouth. 4 and adam said 'let us arise and go and see what has happened to them (i fear) lest the adversary may be assailing them somewhere' chapter 3. 1 and they both went and found abel murdered. i by the hand of cain his brother. 2 and god saith to michael the archangel 'say to adam:reveal not the secret that thou knowest to cain thy son, for he is a son of wrath. but grieve not, for i will give thee another son in his stead; he shall show (to thee) all that thou shalt do. do thou tell

am and said 'i will not suffer thee henceforward to be in paradise" 2 and adam answered and said,grant me, o lord, of the tree of life that i may eat of it, before i be cast out" 3 then the lord spake to adam "thou shalt not take of it now, for i have commanded the cherubim with the flaming sword that turneth (every way) to guard it from thee that thou taste not of it; but thou hast the war which the adversary hath put into thee, yet when thou art gone out of paradise, 4 if thou shouldst keep thyself from all evil, as one about to die, when again the resurrection hath come to pass, i will raise thee up and then there shall be given to thee the tree of life" chapter 29. 1 thus spake the lord and ordered us to be cast out of paradise. 2 but your father adam wept before the angels opposite pa

BEHOLDERS OF NIGHT

che, or kingdom of shadows. the luciferian essence is found within the eyes of cain, the father of witchblood, buried deep within the dark well of the watchers, from which our mind is of the deep. leviathan the serpent guards this gateway of the arcana of sleep, from which the twilight brings the nightside of the immortal, those who pass the veil of the birth caul of lilith through the essence of the adversary. the birth caul itself is a vampyric reference to folklore of europe. called specifically the amniotic membrane, which is a birth caul which almost guarantees in european folk lore that one will return from the dead, is the mark of the vampyric aspect of lilith, the death-mask of awakening towards the nightside. the caul itself as described by adrien cremene gave the following accoun

ies, the skulls and the secrets they contain therein. the black flame itself is illuminated through the work of the left hand path, through the development of ones own self-divinity, through our famulus and servitors, the guardians and angels of our temple, the arcana of self as revealed in essence. each individual is a model of lucifer, whom is the imagination, or self. that we must shadow forth the adversary to rebel against the natural order, to awaken the black flame of self-knowledge. we are thus iblis, the children of the fire djinn whom shall taste from the skulls of the sleeping. ii) the adversary oh moon nourished haunters of dreams, who have tasted the souls blood of life, from the graves of corpse-sleep from which ye emerge, from the pools of blood beneath the fountains of red s

s within and beyond! from nox umbra by michael ford the essence of perpetual revolution, or rebellion from the natural order, is the very concept of the opposer. to oppose one must seek to free the self from the limits set within society s context and rules. this is not an advocating of crime, but rather to work within still societies rules, mastering it all along. the true will is the essence of the adversary, which seeks to break free from the accepted order, an often unfertile result of the dayside world of the humanistic fellowship, which in time, leads to a stasis of being. it is in the solitude of the shadow can then the essence be revealed, to present the endless possibility of becoming. the adversary is called and known by many names and titles. among them are such as shaitan, ibli

to a stasis of being. it is in the solitude of the shadow can then the essence be revealed, to present the endless possibility of becoming. the adversary is called and known by many names and titles. among them are such as shaitan, iblis, satan, lucifer and set. such god forms are masks of the prince of darkness who within ourselves offers freedom and divinity for those willing to strive for it. the adversary itself is the gateway from which we discover our own will, or direction of endless possibility of desire. this is the very conscious gift of the artist austin osman spare, whom of witch blood, gave us the gift of self liberation in the form of the grimoire the book of pleasure. that we may translate the system of the hand and the eye, within our personal universe form this luciferian

sire. this is the very conscious gift of the artist austin osman spare, whom of witch blood, gave us the gift of self liberation in the form of the grimoire the book of pleasure. that we may translate the system of the hand and the eye, within our personal universe form this luciferian doctrine to our own desire of becoming, shall be the greatest distinction from the order of the right hand path. the adversary exists within the 8 pointed sabbat star of chaos, called often algol. the very essence of chaos is disruption and the opening of possibility, that we may destroy that which hinders ourselves and thus creating a new form of order. order exists until the self grows into stasis, thus chaos then grows into a positive self-liberation process. the opposer/adversary thus holds the black fla

in two octaves or rays, is itself a means of psychic isolation from which the psyche is refined to a deified level. the watchers, or fallen angels of ancient lore are the guardians of the path of the wise. such angels dwell within the shadow gardens of twilight, of dreams and the nightside of being. we must listen closely, for their wisdom is that of the gifts of lucifer and lilith, that through the adversary can such beautiful musick be heard! the watchers, as brought forth by shemyaza/azazel, is the divine gift brought down from the sky unto man, whom was a primal sleeper which carried the bestial desires of the planet. the fallen angels thus brought divinity with the abyssic daemon of self, that we were divine in our dual essence. it is through the self-alchemical work of saturn, that

n, that one emerges awakened in unity. saturn is the guardian of death, or daath or the guardian of the threshold[8. in saturn there is a lower and higher octave, which is a passage way of self-exploration and self-perception. in the lower octave is satan or satanus/saturnus, the guardian of the depths and the daemonum of the earth. saturnus is the breaker of cosmic order, the essence of algol or the adversary, as well as death and regeneration. the demiurge saturnus is related to the number 666, being that of sorath, or the sun. satanas is this aspect is one form of the adversary, being rebellion, death and chaos from stasis. the very fire force of the sun is in the eye of satanas/saturnus, misrule and self-liberation through antinomianian awakening of saturn. the higher octave of saturn

f. one of the specific focuses of the sabbatic path is one rising to acknowledge that the only god is the self, from which all other god and goddess find their existence in, it is from the well spring of the abyss (the subconscious) that we nourish our great famulus and demonium of the depths. the individual will then soon realize that there is no god and there is no devil, yet we as the image of the adversary, are both god and the master of the devil, the gifts of the fallen angels themselves. iv) the dragon and vampyrism i come before you, night born as the queen of the dead. behold unto my death mask, the temple of azothoz as a current of the living flame. i shall bless each one of you with the devil s sight, the serpents tongue shall speak of the secret alphabet which ye all shall scri

ith the witchblood of your veins, you are all my children, of lilith-hecate, your father is ahriman, lord of phantoms and darkness. lilith in nox umbra by michael ford the dragon itself holds a significant role within the darker and self-liberating aspects of the sabbatic path, being specifically a evocation of latent forms from which we become. considering the dragon itself is a model or form of the adversary, the symbolism of the red and black dragon are present. the red dragon itself is shaitan or samael, the dual aspects of self-liberation and transformation. as the red dragon is a mirror or exteriorized (viewed as a form outside the self) form of the primal self, the dragon is also a form of ourselves developed and initiated into the luciferian mysteries. the dragon itself as the adve

aaron besson, frater scorpius nokmet, stephen cass, nathan harris (red priory) and the independent initiates of the luciferian path. vox barathrum, michael ford [1] iblis, the black light by peter lamborn wilson. gnosis magazine [2] yatuk dinoih, a grimoire of persian and left hand path witchcraft by michael w. ford [3] lilith, awlraun-lilith, see azothoz by michael w. ford [4] azothoz, a book of the adversary by michael w. ford [5] yatuk dinoih, the ritual of infernal union [6] the black flame is the essence of the isolated divinity of self, the unity of the sethian god form of the individual. see azothoz, lords of the left hand path by stephen flowers and the diabolicon by michael aquino [7] fire and ice and lords of the left hand path by stephen flowers [8] ayn al-qozat explained iblis/

BLACK WITCHCRAFT

foundation and essence of baphomet, the father of wisdom. the sabbatic god is both the union of the beast and the whore, ahriman (satan, samael) and az (lilith, babalon) which beget cain (by the circle of leviathan, the serpent of the depths. an initiatory image of cain as baphomet (by soror lilitu azhdeha) may be found in the book of cain and represents the black lord of the sabbat as a form of the adversary. a representation of this path may be found in my publications, luciferian witchcraft: a book of the serpent which contains the grimoires book of cain, goetic sorcery, yatuk dinoih, nox umbra, the paitisha, azothoz, vox sabbatum and much more. the infamous book of the witch moon also has presented a foundation for the darker aspects of sorcery and vampirism, which aleister crowley al

ral forms of ahriman (samael) and the dreaming body of witches and sorcerers -liber hvhi here we can see that samael or satan/shaitan, is not the all devouring aspect, but also the savior of humanity and the original planter of the seed of light in our being. through cain did his lineage survive and continue on spiritually to this present time. lilith, being the bride of the devil, is one part of the adversary as being the dark instinctual side of man and woman, feminine, yet horrific and loving all within the same breath. lilith is known by the semitic layil which a word is meaning night, but also the name of the demon of the storm. lilith is associated with the screech owl and other beasts of the wild, as it is where she went after she left heaven to wander the earth. she is considered o

both youth, imagination and death. the son is within you and that is cain, the baphometic daemon whose magick is the core essence of the religion of sorcery. the very circle casting rite as written by gerald gardner presents the mother of witchcraft, mother, darksome and divine, mine the scourge and mine the kiss, the five-point star of love and bliss. within the circle there is the very graal of the adversary, that through self-love can the essence of the pentagram be sensed and understood. he refers to hecate or lilith (via diana) as being hell's dark mistress, heaven's queen. this is the dual nature of the devil and his bride, the adversary. that by both sabbat rites does the cup of heaven (aethyr, luciferian sabbat) and hell (infernal, chthonic sabbat) are filled. cain was the son born

may encircle them within his or her own arcana of practice. one may make reference as to foundation by the goetic sorcery grimoire, which presents a left hand path alignment with the 72 daemons of the shemhamforasche, but rather the rituals which prepare the magician for the summoning and encircling of such spirits. an invocation of the holy guardian angel, azal ucel, as well as the invocation of the adversary prepare the mental outlook of the magician, that rather than adopting a christian dogma, the daemonic spirit is illumined within through determined and willed practice. this may also make considerations for the commitment needed for this path and circle of luciferian witchcraft, that even within workings of light, the witch is becoming in the blackened flame of azazel (in a sigillic

abel and whose blood is offered to his own angel-demon, the very essence and representation of the great work itself. the sabbat as being a dual participation of both dreaming and ceremonial/solitary ritual is represented as the fleshing of desire and belief, wherein the arcana of cain is revealed to the intiate, where there is no further difference between the great whore lilith-az and samael as the adversary, all are one through the expanding and deification of the magician. in summary the witch becomes a vessel and expression of ahriman and his bride, thus the circle of lucifer is complete and the casting has brought forth cain, thus the initiate is the first of witch blood and the skir-hand gnosis of shadow and light. the very foundations of the luciferian witchcraft gnosis is found in

BLAVATSKY H P ANTHROPOGENESIS

r god of material, physiological love, but to the divine desire in the gods, as well as in all nature, to create and give life to beings. this, the rays of the one "dark" because invisible and incomprehensible, flame could achieve only by themselves descending into matter. therefore, as continued in the appendix: 12 "many names hath god given him (satan, names of mystery, secret and terrible" 13 "the adversary, because matter opposeth spirit. time accuseth even the saints of the lord" 28, 29, 31 "stand in awe of him, and sin not; speak his name with trembling. for satan is the magistrate of the justice of god (karma; he beareth the balance and the sword. for to him are committed weight and measure and number" compare the last sentence with what the rabbi, who explains the kabala to prince

therefore, curses satan, it curses the cosmic reflection of god; it anathematizes god made manifest in matter or in the objective; it maledicts god, or the ever-incomprehensible wisdom, revealing itself as light and shadow, good and evil in nature, in the only manner comprehensible to the limited intellect of man. this is the true philosophical and metaphysical interpretation of samael, or satan, the adversary in the kabala; the same tenets and spirit being found in the allegorical interpretations of every other ancient religion. this philosophical view does not interfere, however, with the historical records connected with it. we say "historical" because allegory and a mythical ornamentation around the kernel of tradition, in no wise prevent that kernel being a record of real events. thus

dzyan to the eastern. what the former says we have seen; what the zohar tells us is this: b'ne-aleim was a name common to the malachim (the good messengers) and to the ischin("the lower angels (rabbi parcha. we may add for the benefit of the demonologists that their satan[[footnote(s* genesis vi, v. 4* reflections critiques sur l'origine des anciens peuples[[vol. 2, page] 376 the secret doctrine "the adversary" is included in job among the sons of god or b'ne-aleim who visit their father (chapter i) but of this later on. now the zohar says that the ischin, the beautiful b'ne-aleim, were not guilty, but mixed themselves with mortal men because they were sent on earth to do so (book of ruth and schadash; fol. 63, col. 3; amsterdam edition. elsewhere the same volume shows these b'ne-aleim bel

t (intellectual understanding, or manas (the seat of intellect. they diverge, because one (michael) is influenced by neschamah, while the other (samael) remains uninfluenced. this tenet was perverted by the dogmatic spirit of the church; which, loathing independent spirit, uninfluenced by the external form (hence by dogma, forthwith made of samael-satan (the most wise and spiritual spirit of all- the adversary of its anthropomorphic god and sensual physical man, the devil- the origin of the satanic myth. let us then fathom this creation of the patristic fancy still deeper, and find its prototype with the pagans. the origin of the new satanic myth is easy to trace. the tradition of the dragon and the sun is echoed in every part of the world, both in its civilized and semi-savage regions. it

bol of the great or higher god of every other nation- a devil, and their own usurper- the "one god* the appellation sa'tan, in hebrew satan "an adversary (from the verb shatana "to be adverse" to persecute) belongs by right to the first and cruelest "adversary of all the other gods- jehovah, not to the serpent, which spoke only words of sympathy and wisdom, and is at the worst, even in the dogma "the adversary of men" this dogma, based as it is on chapter iii. of genesis, is as illogical and unjust as it is paradoxical. for who was the first to create that original and hence-forward universal tempter of man- the woman? not the serpent surely, but the "lord god" himself, who, saying "it is not good that the man should be alone- made woman, and "brought her unto the man (18-22. if the unplea

the gods, which became, still later, the great dragon tiamat, the sea serpent. its last stage of development was the great struggle of bel with the dragon- the devil! whence the christian idea that god cursed the devil? the god of the jews, whomsoever he was, forbids cursing satan. philo judaeus and josephus both state that the law (the pentateuch and the talmud) undeviatingly forbid one to curse the adversary, as also the gods of the gentiles "thou shalt not revile the gods" quoth the god of moses (exodus xxii. 28, for it is god who "hath divided (them) unto all nations (deut. iv. 19; and those who speak evil of[[vol. 2, page] 478 the secret doctrine "dignities (gods) are called "filthy dreamers" by jude (8. for even michael the archangel durst not bring against him (the devil) a railing

CALLING TO THE FIRST OF WITCH BLOOD

f khep[er, who has emerged from the boat of the sun-god, and below is the "image of af" that is to say, the body of the night sun-god, which has been cast away. end of vol. i. footnotes 256:1 see lanzone, domicile, pl.knthe calling to the first of witch blood an invocation of cain by michael w. ford a short dedication to the luciferian sabbat and those seeking their own light within the gnosis of the adversary. the initiation of the witch into the circle of cain, the living son of satan and lilith, the great harlot and demoness, the adversarial deific force of dark instinctual desire and willed continual existence. with the pen inked in the blood of abel do i scribe of when the blade fell i knew pain and a blinding heat of falling deep into my own created hell, of knowing a heaven of isola

DAVID ICKE CHILDREN OF THE MATRIX

e freemasons and from the merovingian (anunnaki) bloodline. this theme of reptilian-human hybrids can be seen in the story of adam and eve in the garden of eden (edin to the earlier sumerians "the abode of the righteous ones) in jewish lore, eve, who was tempted by the serpent, of course, was the ancestral mother of the nefilim and associated with the hebrew words meaning life and snake.20 satan("the adversary) is described in the old testament and the hebrew torah as the "old serpent" or "dragon" and he was said to be the ruler of the nefilim who fled within the earth after losing a cosmic battle for supremacy. the hebrew name for eve's tempter is nahash, which besides its translation as serpent also reads "he who knows secrets, another theme of the reptilian gods.21 enoch, like noah, was

DIABOLUS

derived from various sources should you wish to consult further works on mythology and demonology. each name possesses a power in itself. it is not necessary for you to research a spirit before invoking it. there are countless other spirits which may be invoked and their names may be found in other books and grimoire l1 d i a b o l u s the dragon within the triangle of darkness an exploration of the adversary within magick michael w. ford 2004 michael w. ford for the order of phosphorus members only. succubus publishing website http//algol.chaosmagic.com psychonaut 75 website http//www.psychonaut75.com e-mail: keteb75@psychonaut75.com 2 contents introduction i. set the egyptian god of darkness ii. ahriman the persian devil and the whore of darkness iii. the adversary and the bride of the

il: keteb75@psychonaut75.com 2 contents introduction i. set the egyptian god of darkness ii. ahriman the persian devil and the whore of darkness iii. the adversary and the bride of the devil, cain the son iv. the gnostic yaltabaoth, child of chaos v. the path of the crooked serpent leviathan and beelzebub end introduction the very intent and purpose of this essay is to bring to light the roots of the adversary in magick from a historical and mythological standpoint. as a practitioner of magick from a satanic and luciferian viewpoint, many often inquire on my sources and inspirations from which i form my sorcerous work. it was because of this need for a crystallization of the form and function of the praxis of sorcery that i began, to present a concise view of the practice of left hand path

a, the sorcerer-dragon king from persian mythology called zohak, an original son of satan. the black triangle by more common knowledge is related to the concentration of will to evoke the daemon of man and woman, to uplift and envenom their spirit with the adversarial gnosis (an illustration is found in the paitisha. it must be considered appropriate that we explore the traits and descriptions of the adversary or opposer from a historical and mythological standpoint as well as from a practitioners own viewpoint. this will present the very need of imagination within magick itself, an essential ingredient to successful sorcery. while i am limited to encircling and crystallizing the finer points of the various forms of the adversary, i by no means have presented the entire spectrum of the opp

adversary, i by no means have presented the entire spectrum of the opposer in praxis of the path. it is however, desired to offer a collective comment and study on the exhaustive sources of lucifer and lilith in their various forms throughout time, with inclusion to modern magicians such as charles pace, aleister crowley, nathaniel harris, anton szandor lavey, myself and others within the fire of the adversary. it must be understood that what is firstly considered the devil is only a cipher towards which lies within; that looks are deceiving and thus a test to the nature of both the opposer and the sorcerer within the context of relation. by passing through the darkness is a light revealed brighter than all others. beginning with the foundations of the adversary in the form of the egyptian

traditional right hand path religions. sorcery is a religion, and its doctrines are written in the will and works of the magician his or herself. the evil eye itself holds a precedence and importance within the practice of yatuk-dinoih, there are specific demons of the evil eye. this may be considered in the context of powerful consciousness, the will in consistent motion; thus therein a part of the adversary. consider also the nature of the other demons, savar, who is the leader and may be corresponded to the hebrew belial, the angel of lucifer, as well as taromat who is a demon of disobedience, thus antinomian in purpose and practice. in the context of the presented essay, the reader or practitioner of magick may by this find the associations to the grimoires of the luciferian path1 and

he angel of lucifer, as well as taromat who is a demon of disobedience, thus antinomian in purpose and practice. in the context of the presented essay, the reader or practitioner of magick may by this find the associations to the grimoires of the luciferian path1 and how this form of practice manifests from mythological and historical sources. another question may be asked, what is the purpose of the adversary? in my years of practice and development of the art on a personal level, i feel and understand the nature of the adversary to be dual in its nature. satan is a tester, who by illuminating the self of the initiate asks and poses many questions and challenges; it is up to the individual to answer these by action and balanced thought. the devil has always given the greatest gifts, howev

ns and challenges; it is up to the individual to answer these by action and balanced thought. the devil has always given the greatest gifts, however the cost is the test itself. you may be led into the darkness and feel as if you cannot go on therein is a test, to rise up through that trouble in your life to emerge as a bringer of light this is only a mere glimpse of the fall under the shadows of the adversary. the nature of lucifer is movement and motion; storms, chaos and order which arises from it. to drink the venom of this cup is cursing and blessing be prepared to change and mutate into something greater; or seal your fate to a mindless death. 1 see the suggested reading list at the end. 4 i. set the egyptian god of darkness i am set, the father of the gods. i shall never come to an

h and health, thus although considered often a devil and a most feared god, this power could be used in a positive aspect as well. set was also friendly to the shades of the dead as well, set was said to purify and horus strengthen. the backbone of the dead was considered the backbone of set. another title of set is smai, the egyptian name associated with set as the archfiend and devil. it was as the adversary becoming the mastering force over apep, thus slowly apep became a form of set and vise versa. the demonic beasts, serpents and such located and dwelling deep in the waters were considered of set and therefore part of his essence. similarly anything with red was often considered to be of set, as red was the color commonly associated with fire and aggression. apep and his/its brood hav

various shades of the dead who were sent there. it is written in the book of the dead that seker s throne is pyramidal in form, filled with darkness. he appears commonly in the tuat as a mummified man but has a hawk s head and a pair of wings, which come forth from the back of a two headed serpent. the symbolism of the hawk and the twin serpents are later presented in the persian descriptions of the adversary, firstly a symbol of ahriman was a hawk attacking a sparrow and the twin serpents appearing from an ahrimanic kiss on the shoulders of the king zohak, who later became azi dahaka, the storm demon. while these similarities cannot be assumed to be directly related, they are by all instances interesting. the constellation of the bull or bull s thigh is related to set. often called bull

it to its owner- from the papyrus of ani here we see that set was a sorcerer god, throwing filth and then thunder clouds, he controlled the elements of earth and the air. set although being injured, arose in might again after the battle, and later reached into obscurity to appear again in other cults outside of egypt under different names, all the while possessing the essence of which he created the adversary. set opened the paths of the two eyes (the sun and the moon- from the papyrus of ani the formula mentioned in the book of the dead refers to a magical formula which held associations to set s hostility against horus, but also their connection therein. within the luciferian witch cults set represents the magician which beheld and brought forth the possibilities within, by the unknown

entioned in the book of the dead refers to a magical formula which held associations to set s hostility against horus, but also their connection therein. within the luciferian witch cults set represents the magician which beheld and brought forth the possibilities within, by the unknown and darkened places does he grow strong and reside. 7 the opposing god of horus set are early manifestations of the adversary; that is to say horus represents day or the purity of fire, while set represents night and strengthening the self, and also the opposite which set purifies and horus strengthens. set is also considered in the egyptian book of the dead, to be the greatest of all the gods, as it is sethan who has mastered the dragon of chaos apep and it now serves him and became part of his essence. se

he sethian test if you will, from testing the essence of yourself does your ability to become something better manifest into something greater. observe the illustration by aos entitled the death posture, here the skull masked individual ascends from the sigil itself, on the very left hailed by set who stands upon the alpha and omega, called also azoth and azothoz7, a dualistic sigillic formula of the adversary. here set is the lord of sorcery, by his nature of opposition does the self grow stronger through the rebellion of stasis and the fall into darkness the face becomes a skull through self-love. modern sorcery and magick is very much driven by the gnosis of set, while hidden, one who has the eyes to recognize it obtains the luciferian and sethian potential. the witch cult in the 60 s w

y could decree otherwise. worship me, and i shall give you the stars. reject me, and i shall give the depths of the abyss, for i lie within your own being from the book of hermes from the alex sanders lectures in the manuscript of the book of tahuti by charles pace, he writes that hermes was anubis who is death hermanubis or heru-em-anpu, who is the son of set. it is said 7 azothoz, a grimoire of the adversary by michael w. ford, succubus publishing 9 that anubis is very similar to the grecian hecate, as they are deific forces over both the celestial and infernal realms and like dogs, were able to see in the night. as alexander sanders wrote, the inverted triangle was the symbol of the left hand path- after the great flood, the ancient egyptians used these triangles to represent a triad of

serts, darkness and high places. crowley makes similar connections between shaitan and satan, all being forms of set. incidentally, the master therion draws 8 egyptian magic, e.a. wallis budge 9 demonologie, in forme of one dialogue, london 1603 found in egyptian magic, e.a. budge 10 connections between shabbathai, the sphere of saturn being the witches sabbat10. here we find the manifestation of the adversary in a universal and initiatory role. the modern magician and sorcerer must be willing to focus on the beneficial and useful aspects of sethian magick within a now type of context, in other words utilize the will to invigorate and empower the rituals of sethan, which by you set is made great within. ii. ahriman the persian devil and the whore of darkness pondering on the end, zurvan de

vitude and conformity. aeshma is the original form of asmodeus, a daeva of ahriman. this demon is known as the one of the wounding spear and was a patron of war and strife. asmodeus along with savar, who is called the leader of devs, both are the controllers under ahriman of the dryvants, who are known as storm fiends. here 10 the book of thoth, aleister crowley 11 we once again find reference to the adversary through sorcerous will controlling storms and the more unfriendly aspects of nature. andar according to luciferian lore is a demon of the black flame, or isolate consciousness. zairich is a poisoning or testing demon, all of which are featured with invocations in the paitisha and yatuk dinoih. herein beyond the zoroastrian religion, acting outside of any connections with it, the sorc

olling storms and the more unfriendly aspects of nature. andar according to luciferian lore is a demon of the black flame, or isolate consciousness. zairich is a poisoning or testing demon, all of which are featured with invocations in the paitisha and yatuk dinoih. herein beyond the zoroastrian religion, acting outside of any connections with it, the sorcerer may choose this gnosis or current of the adversary in that he or she may seek the dangerous elements to strengthen their own will and separate themselves from those around them. in this act of antinomian rebellion, the sorcerer becomes a daeva or druj. the daeva known as akoman or aka manah is the evil mind, a personified demon of intellect which conspires against the vohu manah or good mind. herein presents a cipher to the reader; t

it is not the case that i am unable to do anything good myself, but that i do not wish it; and to make this thing certain, i have produced the peacock. offerings to ahriman (arimanius) were made by magi who sought to make beneficial sacrifices to darkness. according to plutarch12 magicians would ground up in a mortar a rare herb called omomi while invoking hades and darkness, the very essence of the adversary. they would then mix the blood of a wolf with the ground up herb and toss it in an area where the sun did not reach. this was conducted as a means of appeasing darkness, as report ably the magi would also perform white light rituals to ohrmazd as well. a modern form of practice of summoning darkness is practiced by certain luciferian covens in the united states, instead of wolf blood

ve kinds of devils, two-legged, four-legged, winged, swimmings and crawling. each kind is divided into two sexes, and lives in perpetual lust and strife. the devil, or prince of darkness, king over all, combines in himself features of all five species of devil, namely demon, lion, eagle fish and dragon. here we find a significant and organizational pattern of demon lore, with as much attention on the adversary as with the god of light. as ahriman has combined himself with each of the demons, he carries the attributes to relate to different forms and techniques of being. he understands flight and how such demons see in such a capacity, as a fish to swimming and moving much differently and as a dragon, a serpent which is both cunning and instinctually in tune with its surroundings. it seems

makes further sense that the religious masters of this faith considered the worshippers of demons to be an abomination and that they sought infernal power makes them polluted with nasa, or the druj-nasa, which is a demon who takes the form of a fly to enter the corpse and steal the spirit. this demon is said to come forth from azrezura, the cold mountain of the north which leads to hell. 20 iii. the adversary and the bride of the devil, cain the son the hebrew samael, satan and islamic shaitan and the great dragon was cast out, that old serpent, called the devil, and satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him (revelation 12:9) the spirit of diabolus is one which remains timeless and extensive. this sorcerous daemon has wal

to become like satan, by antinomian methods of separating the self from the natural or mundane world. one may seek to ask how this works, and why would you want to do it? luciferians do not consider satan to be a completely malefic spirit, rather a balanced force of both dark and light. many luciferian rites involve the symbolism of black21, red22 white23 and green24 as being different points of the adversary. it must be understood that working with the deific power of iblis or shaitan is not a safe route. it matters not if you are looking at the aforementioned force as an actual spirit or as a symbol of the dark recesses of the mind. what must be carefully adhered to is that which is unseen, that when the imagination can adapt consciousness (through the subconscious) with the image of sa

d fallen, which presents a connection of the vajra rune which anton szandor lavey made a part of his personal sigil within an inverted pentagram. the vajra rune is almost an s type shape, falling downwards. it represents health, vitality and strength. 22 i saw satan like lightning falling from heaven luke 10:18 the dragon itself is a symbol of the collective independence and intelligence of satan the adversary, while his angelic nature granted him the higher faculties of all the angels of heaven, lucifer sought more and wished to be more godlike. this was considered a great sin and thus a war in heaven occurred. and there was a great battle in heaven, michael and his angels fought with the dragon, and the draghon fought his angels: they prevailed not, neither was their place found any more

DICTIONARY GLOSSARY OF OCCULT TERMINOLOGY

tus wand aries is represented by the color blue. keywords include: wide rangingly, boisterously, bluntly, expansively, optimistically, wisely, freely. sanders, alex: the founder of a tradition of wicca (q.v) known as alexandrian wicca (q.v. called by his followers "the king of the witches" satan: in the christian, jewish, and islamic religions, the supreme arch-foe of god. the prince of darkness, the adversary of god. in modern thought, the lord of evil. satanism: a religion that basis it's beliefs on reverse and backward principles of christianity. the worship of satan, the arch-foe of christ, through such practices as the black mass, sexual perversion, drug taking, violence, mutilation, killing, and sacrilege. in reality, most people who call themselves satanists are simply neoeppicurian

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

f god, and in attendance with them before the throne of jehovah. he is the cynical critic of job s actions, and in that character he accuses him of insincerity and instability; and receives permission from jehovah to test the justice of this accusation, by afflicting job in everything he holds dear. we have here the spy, the informer, the public prosecutor, the executioner; all embodied in satan, the adversary: these attributes are not amiable ones, but the writer does not suggest the absolute antagonism between jehovah and satan, which is a fundamental dogma of modern christianity. in later judaism the concept of satan is strongly colored by persian dualism, and it has been supposed that asmodeus of the book of tobit is the same as aeshara daewa of the ancient persians. both satan and sat

it does not see itself as a cyberspace organization. prospective members are asked to make contact via more traditional means. firman, mr. and mrs. a. h. encyclopedia of occultism& parapsychology. 5th ed. 568 the church teaches that satanism is not the inverse of christianity, nor is it concerned with popular images of animal mutilation and other grisly crimes. rather it is centered upon satan as the adversary, the opposition. it thus emphasizes virtues of individualism and rational self-interest. among the projects supported by the church is the 600 club (a parody of the 700 club, the television talk show hosted by christian evangelist pat robertson, a cybernet presence to provoke thought among satanists (both inside and outside the first satanic church, to emphasize individuality within

FLY THE LIGHT

f lucifer, thus a connected force of rebellion and self- liberation. contained on fly the light are 14 tracks, with a running time slightly over 70 minutes. seven tracks symbolize the beast of the apocalypse, being the 7 headed dragon. the remaining seven ascend in a crooked pattern around the tree of daath, or the qlippoth. this movement is thus symbolized as the fly god, beelzebub, as a form of the adversary. fly the light begins with alone and divided, an atmosphere of post-industrial chaos and the machinery of a new religion- luciferian youth. this album does not move in the clean and shiny future as we so often visualize, but a past of when machinery and mankind were at odds with each other, when one wished to become another by the subconscious desire of mankind. pounding rhythm, abra

FREEMASONS SATANISM AND SYMBOLISM

r- the good god- with the one point upward and two down; the right-hand pentagram, again surrounded by the magic circle, is satan- the evil god- with the two points up and the one down. these symbols depict exactly what albert pike is talking about in the paragraph above. he says that the evil god, whom he calls seth or typhon [typhon is listed in the satanic bible as infernal names for satan] is the adversary of the good god, osiris; therefore, pike is saying osiris is lucifer, a finding consistent with the rest of the occult realm [above symbols taken from: arthur edward waite, the mysteries of ma, gic: a digest of the writings of eliphas levi, chicagodelaurence, scott, and company, inc, 1966 edition, 1909, p. 223- note: waite is a freemason author; also shown in d. duane winters, a sear

GILBERT THE SORCERER AND HIS APPRENTICE

he has four; and 15 pointsifhe have all five.ifthe player hasanyten trumps in his hand they will score 10 points,any74 the sorcerer and his apprenticethirteen trumps 15 points. it does not matter if greater or lesser trumps, which have been already scored, form part of such ten or thirteen;allscores ate independent of other combinations. furthermore, for any cards to be scored they mustbeshown to the adversaryatthetime of scoring; this rule holds good in all cases. the non-dealer scores and leads first.ifthree play, the player on the dealer's left hand begins. seven cards bear the distinguishing title of tarot trumps; they are. the universe, 21; the mat,267 or foolish man, 0;thepagad,juggler, or magician, 1; the king of sceptres; the kingofcups; the king of swords; and the king of pentacle

hird it must be given up to the asker, who then does not score,butgives him some card of small value in exchange. for every three tarot trumps actually held in thehandy.theholder marksispoints. sequencesoftrumps. or of cards of the same suit count; for every four cards in sequence,s points; for every seven cards, 10 points; for ten cards, 15 points. all cards forming these scores must be shown to the adversary.0, the foolishman,is the lowest card in the pack in playing the hand; can take no card of any suit, and may be played to a card of anysuit,for instance, if the adversary leads a king, and you have only the queen of that suit remaining in your hand, but have also the 0, you can play this instead of the queen, and thus save her from being taken. a king cut counts 5 points to whosoever

hen come queen, knight, knave, ten, nine, etc, down to ace, which is lowest,andeanonly take theo.the trumps reckon from21,which is highest, to 1, which is lowest. you must follow suit if you can;ifnot, you may trump. each trick should be kept separate for counting afterwards. of course, the principal care of the player should be directed towards saving his own important cards, and taking those of the adversary. the player who takes a trick leads next. when all the hand is played out, the tricks on either side are counted as follows: for every trick in which there is a tarottrump,spoints (the 0 counts to itsoriginalpossessor, while the pagad,1,counts to the player who takes it. for every trick with a queen, 4 points; with a knight,225.points; with a knave, 2 points; for every other trici, 1

GLOBAL FREEMASONRY

lished, this is owing to freemasonry and to the discipline learned in the lodges "we need vigilance and above all mutual confidence, if we are to accomplish our work, as yet unfinished. this work, you know. the anti-clerical combat, is going on. the republic must rid itself of the religious congregations, sweeping them off by a vigorous stroke. the system of half measures is everywhere dangerous; the adversary must be crushed with a single blow."124 the catholic encyclopedia continues its account of french masonry's struggle against religion: in truth all the "anti-clerical" masonic reforms carried out in france since 1877, such as the secularization of education, measures against private christian schools and charitable establishments, the suppression of the religious orders and the spoli

GOETIA LUCIFERIAN

t observe the nature of goetic spirits, which generally may be harmful or beneficial depending on how may approach them. in a modern context, the magician is now able to step out of the medieval mode of summoning separately rather the sorcerer now moves forward into the point between the summoner and the summoned. this is the axis of which all change, self-deification and the widdershins dance of the adversary is accomplished and developed. one may perform rites based around the princes of the infernal realm or the sub-princes accordingly. much of this useful information may be found in the s.l. macgregor mathers translated the book of the sacred magic of abramelin the mage. 10 the four infernal princes are- lucifer east (from lux fero, light bearer. a common shadow association is lucifuge

princes accordingly. much of this useful information may be found in the s.l. macgregor mathers translated the book of the sacred magic of abramelin the mage. 10 the four infernal princes are- lucifer east (from lux fero, light bearer. a common shadow association is lucifuge, latin for fly the light and may have close associations with mephistopheles. lucifer in this aspect is the angel of light, the adversary. lucifer is a title which is beheld by the fire djinn azazel being the first angel, fallen from the stasis of light. by this manner, lucifer is the liberator and developer of humanity with his gift of the black flame, or individualized self-perception. leviathan- west (from lvthn, the crooked serpent/dragon of the sea. leviathan is the daemon of immortality and initiation, that the b

he beast and scarlet whore moves through to arise from the oceans as the beast 666, the solar spirit of manifestation and creativity) satan south (from the root shtn, meaning adversary. satan is the name associated with azazel the fire djinn, who is also lucifer and samael. the goat with one thousand names by form. satan= set-an, the ancient egyptian god of darkness, chaos and isolation) satan is the adversary, whose symbol can be viewed as a forked stave which rises in the noon-tide sun. belial north (from bliol, a wicked one. belial is the spirit of the earth, created second after lucifer/azazel as a powerful angel. belial is a powerful daemonic and angelick spirit and initiator, and is associated with both the infernal and celestial) the sub-princes are (and should be considered shadow

meaning goat and devil, sexual force) mahazael north (associated with earth, being cain or the egyptian set as the lord of the earth in typhonian lore. mahazael comes from the root mhzal, meaning to consume and devour and is associated with amaimon, a grand daemon) 11 the rite of the coiling dragon (leviathan, the crooked serpent) the darokin walk of the coiling dragon is the averse trance-way of the adversary, thus the initiate becomes as the image and essence of shaitan through the invocation of the four powers under the infernal princes. in the coiling of this black light and cunning fire, may the sorcerer become isolated and strong against the natural order. the individual is separate, yet a fire made vessel of azazel-lucifer, known as azal ucel, the daemonic angel of adversarial awake

ed intent and desire. why are you summoning the spirit? what do you wish to accomplish? how will you learn from this spirit? how will you implement the knowledge obtained from this act? how does this sharpen and define your being further? two aspects of the self may be crystallized in the development of the body of light and the body of the shadow; this is by a simplified comparison, the heart of the adversary. the adversary is perpetual evolution, storm and chaos. the light aspect of the adversary is the order within the self which comes through this changing and evolving chaos of self. the body of light/body of shadow is directly tied in with the holy guardian angel/angelic familiar/higher self. the ritual of the holy guardian angel, azal ucel and the invocation of the adversary may be e

on. the body of light may be developed by meditation, yoga and other acts that you may visualize a white or fiery essence which rises from your flesh; it is a beautiful brilliance of white light, the luciferian spirit from the sun. some will this light to change into a purple brilliance or blackened flame within the center, from which an eye arises. the eye would represent the eye of set/shaitan, the adversary and immortal genius of self. the azal ucel ritual and the rite of the adversary is a tool which is aimed at willed practice to achieve contact with this higher self. it is used to also clear the mind and focus the self on the work of which you will undertake. 14 the body of light is brought forth not through dreaming, but the waking plane/conscious mind. find a comfortable place to m

nic feminine, as lilith hecate or babalon, the crimson mother of succubi and the beasts of the earth. some view ahriman as correctly the initiatic and sorcerous daimon of the shadow. the shadow is the vampyric guide, the shape shifting and phantom body of self. the luciferian path works with such demonic forces as initiatic guides, and is related directly to the self. the shadow is significant as the adversary as it is the dreamin body with sloughs off the waking physical body for the dreaming or astral plane to go forth to the sabbat, or the darkness of night. this is the immortal and fiery eye of shadow, 15 which aligned with the body of light, grows eternal and is able to separate from the physical body. when working with goetic demons or angels, allow the shadow and light aspects of th

he infernal sabbat. drink deep and know the vampyric reawakening to the shadow. when you go forth to the sabbat or seek dreaming consultation with the goetic spirits, always remember this union with both aspects of the shadow, and the light. this is a mirror of yourself, that by magick you become god-like, welcome to the awakening and become! 17 an invocation to the holy guardian angel, spirit of the adversary who resides in darkness and light azal ucel the name azal ucel is a sigillic word manipulation of two words, azazel and lucifer. as this is the initiator and god form of the path of sorcery, lucifer is the illuminator of the soul, the one who allows the magician to bask in the light of self and view ones own reflection in the emerald crown, the very lucifer-stone which fell to earth

ent shall come forth with the birthing knife shedding into storm of seth! spirit of which the fallen have taken strength, isolate and beautiful, angelic essence, azal ucel, from which came into being cain i do invoke thee! south- devil-djinn of the burning desert sands and the sun, sortha n-din thy stave and fork unto the flame that is my soul shall be illuminated in this blackened light. shaitan the adversary, my soul enflamed! arogogoruabrao thiaf! east- lucifer revealed as azazel, bringer of illumination and love, who resides in shadow and light, cover and cloak my spirit with thy twelve wings, serpent skin covered from the shedding of the dragon, bring now forth the serpent essence of my soul! melek tau us, beautiful spirit of fire, i summon thee forth! photeth north- set-an, isolator

to join with the ahrimanic shadow, that angel and daemon are joined! i walk unto the umbrarum rex, the kingdom of shades and the ghost roads open the gates unto me! guardian of flaming sword and corpse-king of the scepter open forth the leviathanic way to me! i behold the center of the eight rayed black sun my essence unto seth! azal ucel! i invoke the baphometic spirit of fire! 19 invocation of the adversary the following is a ritual which may be conducted when the sun is at its full light, or when the moon is full or dark, as the essence of iblis be finally revealed. the purpose of the ritual is invoking the spirit of the adversary, known as shaitan/iblis, satan, lucifer, set, azazel. the sorcerer shall seek the fire-spirit of change, rebellion and progression. the symbol of set the adv

be finally revealed. the purpose of the ritual is invoking the spirit of the adversary, known as shaitan/iblis, satan, lucifer, set, azazel. the sorcerer shall seek the fire-spirit of change, rebellion and progression. the symbol of set the adversary shall take the earthen form of the devil, the solar creative (and destructive) force of change and self-deification. there are two primary faces of the adversary. the celebrant may construct as mask of two sides, which shall be placed upon the center of the altar. a phallic symbol or stone god may be near the mask as well, symbolizing the solar creative force of the beast 666- one- the fallen seraph lucifer, the angelick essence of the black flame, the very source of our wisdom, being and becoming. two the seraph of flame, the djinn iblis of

f spirits you are in the arena of anon, the spirits which have existed between the aethyr and the earth for timeless ages the take the flesh of our desires, therefore posing a dangerous tight rope walk of obsession/possession. consider the strength of will as the guide in the working, thus the reason for one being in direct contact with the hga/angel-serpent and envenomed with the light of set or the adversary. the names within the tetragrammaton represent the power of will that the magicians holds in the working, thus within the pentagram which ascends towards the luciferian realm of air. tetragrammaton is the formula of the holy guardian angel or higher self/daimon (genius. 26 soluzen in the center represents the shade or spirit which is summoned to come forth in the point, the very meet

ions- cover azazel sigil by elda isela ford pg. 1 lucifer cube abramelin accented by elda isela ford pg.4 sigils pg 7 from the crowley edition with accents by e.i. ford demonic servitor pg. 12 adversary-opposer shadow form by e.i. ford pg.19 the luciferian goetic circle by e.i. ford pg. 22 the tetragrammation pentagram by e.i. ford pg.25 the vessel of shadow and light by e.i. ford pg.26 vessel of the adversary by e.i. ford pg.27 the formula of the devil the solar oz 77 sexual formula by e.i. ford/michael ford pg. 34 sigils from the crowley edition pg.35 bael by e.i. ford pg.36 amon by e.i. ford pg.39 paimon by e.i. ford pg.40 astaroth by e.i. ford pg.49 asmodeus by e.i. ford pg.51 gaap by e.i. ford pg.52 andrealphus by e.i. ford pg. 68 belial by e.i. ford pg.70 sigils of crowley edition wi

GRIMM TEUTONIC MYTHOLOGY VOL 2 1883 COMPLETE

eidank ixxi. ixxii. s no stronger argument do i know for the theory that voluspa is an echo of our scriptures, than the agreement of the edda and the bible in this particular; if only the rest would correspond! 812 time and world. antichristo took the place of to bavarians and alamanns, it must have been one similar to the norse surtr. antichristo plays the fiendish hypocrite, surtr is painted as the adversary of the ases, as a giant, and his fire consumes the world. the muspells-synir are all drawn up in squadrons of light, they and surtr by their fighting bring about a higher order of things, while antichrist is but transiently victorious, and is finally overthrown by a mightier power (see suppl. what adds new weight to the whole comparison is the affinity between donar and elias, which

INFERNAL SABBAT LIVE

chetype of selfliberation was means of release, of seeking knowledge and freedom within the self to have the choice of free thought, action and deed. this is why the serpent is considered an aspect of satan or lilith, the serpent is long viewed as a symbol of wisdom and fertility. the christian satan was taken from the early mythological folklore of islam, from which satan s (meaning to oppose or the adversary) name was azazel. in the koran and accepted traditions such as the ahadith, azazel is said to be made of fire similar to the djinn, yet not of light as other angels. it is this fire which makes azazel the brightest angel among the others. azazel was the preacher to all angels in pre-eternity, seated beside the throne in glory. god created man and demanded all angels bow to his creati

INVOCATION OF THE ADVERSARY

al-cain, by the horns of the bull, the harp of the minstrel, and the hammer-knell s hymn to fire. hail to the king held high on the elder tree, to the lords and ladies of the meadow, to the good folk of the blood-acre. hail to the thrice-great wanderer, whose faith doth lie beneath his heel. thrice blessed, thrice cursed, thrice cunning be! in the name of our lady. so mote it be! aotinvocation of the adversary by akhtya seker arimanius (michael ford) october 2002 the following is a ritual which may be conducted when the sun is at its full light, or when the moon is full or dark, as the essence of iblis be finally revealed. the purpose of the ritual is invoking the spirit of the adversary, known as shaitan/iblis, satan, lucifer, set, azazel. the sorcerer shall seek the fire-spirit of change

l ford) october 2002 the following is a ritual which may be conducted when the sun is at its full light, or when the moon is full or dark, as the essence of iblis be finally revealed. the purpose of the ritual is invoking the spirit of the adversary, known as shaitan/iblis, satan, lucifer, set, azazel. the sorcerer shall seek the fire-spirit of change, rebellion and progression. the symbol of set the adversary shall take the earthen form of the devil, the solar creative (and destructive) force of change and self-deification. there are two primary faces of the adversary. the celebrant may construct as mask of two sides, which shall be placed upon the center of the altar. one- the fallen seraph lucifer, the angelick essence of the black flame, the very source of our wisdom, being and becomin

become by the flame i do emerge i am by form the peacock angel beauty revealed unto those who may see as the black sun rises, i become in this emerald stone i am the imagination, the seed of fallen angel in darkness exists my light my will gives birth to the kingdom of incubi and succubi, the nourish their desires in the blood of the moon, lilitu az drakul so it is done! commentary the ritual of the adversary is a dual rite which explores, encircles and announces command over the entire approximation of self. while the rite is called for as one being conducted at both noon and midnight, the sorcerer may choose to conduct both the noon (light) and midnight (darkness) points at both hours, as an further focused point of ensorcelled energy may be raised. this is considering the embodiment of

al mastery of the psyche in reference to the model of shaitan. it is essential that the magician looses all perception of anything outside of the circle, that being enflamed and submerged in gnosis, the circle is the circumference of the sorcerers' world. that the ritual is a success is the subjected 'turning the knife towards oneself' in the area of self-directed and willed energy. the ritual of the adversary, in conjunction with the lord's prayer averse (used in certain luciferian covens to summon the devil-cain) provides a powerful foundation for self-deification in the witches sabbat gnossiirish witchcraft and demonology by st. john d. seymour, b.d [1913] this is a survey of the witch persecution in ireland, as well as a wide array of other paranormal events such as poltergeists, ghost

ISRAEL REGARDIE A PRACTICAL GUIDE TO GEOMANTIC DIVINATION

on? 8. will the lover succeed in getting his girl (or vice versa? 38 a practical guide to geomantic divination 9. will the inheritance he ohtained? 10. will the lawsuit come to a satisfactory end for me? 11. will i (or he) obtain the desired position? 12. what kind of death may he expected? 13. will the expected letters arrive? 14. will the voyage be fortunate? 15. will good news arrive? 16. will the adversary be conquered? even these should be edited more closely to avoid even the slightest taint of ambiguity. chapter five the house once the precise wording of the question has been settled, and one is satisfied that it is clear and concise, write it down at the top of the form. then consult the list of houses and their definitions. decide upon the house on the chart where one should look

JENNINGS HARGRAVE ROSICRUCIANS RITES MYSTERIES

on, mortal and spiritual both. is not the devil the deep darkness or matter? the terra damnata et maledicta, which is left at the bottom of the process of the supreme distiller, who condenses and evokes the light from out of it? is not lucifer the lord of the false light and the splendours of the visible world? can the prince and ruler of this relegate or lower world soar with his imitations? can the adversary pass into the region of god's light? can he rise anew to combat in that heaven where he has already encountered the mighty ones who have driven him down; and can he there spread again, like a cloud, his concentrate darkness? the cabalists and talmudists aver that scripture, history, fable, and nature, are alike obscure and unintelligible without their interpretation. they aver that t

KETAB E SIYAH

aimed michael's false counsel for their own malice ruled their ears and governed the intent of their hearts. from the throng, crying out for vengeance for the uncommitted crime that i had done, came the voice of auriel, the fourth of the brothers for they were my brethren no more "what proof" he inquired "what proof shall we bring to make firm our prosecution so that with cunning and clever words the adversary cannot escaped his deserved fate? what arguments can we devise that can thwart his and overthrow him and give us victory in god's judicious court? how shall we bring testament to his evil and thus stem its monstrous tide? if we cannot bring proof of his sin then how can we deliver our father from the serpent's tongue? yet what proof is there of his guilt that we can show before our l

aimed michael's false counsel for their own malice ruled their ears and governed the intent of their hearts. from the throng, crying out for vengeance for the uncommitted crime that i had done, came the voice of auriel, the fourth of the brothers for they were my brethren no more "what proof" he inquired "what proof shall we bring to make firm our prosecution so that with cunning and clever words the adversary cannot escaped his deserved fate? what arguments can we devise that can thwart his and overthrow him and give us victory in god's judicious court? how shall we bring testament to his evil and thus stem its monstrous tide? if we cannot bring proof of his sin then how can we deliver our father from the serpent's tongue? yet what proof is there of his guilt 71 that we can show before ou

also do we know what your hand has wreaked upon those agents that did but obey your mandate in punishment for that which should be avenged on you. why should we not then treat you with that mercy that you did show your agents? but we are more noble than you by much and, despite your faults, love you yet if you would perform just penitence for your misdeeds. in your vigilance did you perceive that the adversary removed from the valley his children that you failed to win for us, bearing them to the kingdom between two rivers? you did not and this too did we learn of. you would think us fools indeed to trust your guidance. then counsel no more, raphael, but heed our orders. take with you no great number of our knights and by some means put torch to the garden that the fruit of eternal youth m

nted and tested now in battle, became yet stronger against the elohim's dominion. their plagues and famines killed many but taught the living the lessons of medicine and agriculture and made my children stronger by the suffering they wrought. thus the adversity that heaven set against mankind did not avail the cause of heaven but the cause espoused by me, strengthening by their efforts the arm of the adversary. thus was the greatness of the nephilim to find new power even in that set against them. sorely vexed indeed were heaven's princes by their deeds that effected not the outcome that they desired. again and again they sought some plot or ploy that would gain them advantage over man and thus preserve the kingdom that they stood within when their wiser brothers forsook its high spires, d

LIBER LVII

aths stink. 543. good, but only carries us back to the mother. 666. chosen by myself as my symbol, partly for the reasons given in part i, partly for the reasons given in the apocalypse. i took the beast to be the 78 [victor neuburg, according to a note by crowley in a copy of equinox i (5, as transcribed by yorke. t.s] 79 [364= inter alia, alpwm roa, the hidden light, a title of kether, and fch, the adversary. t.s] 80 [vide al i. 22. t.s] 52 liber lviii lion (leo my rising sign81) and sol, 6, 666, the lord of leo on which babalon should ride. and there were other more intimate considerations, unnecessary to enter upon in this place. note however that the tarot card of leo, strength, bears the number xi, the great number of the magnum opus, and its interchange with justice, viii; and the k

LUCIFERIAN SORCERY

published by succubus publishing p.o. box 926344 houston, tx 77292 usa e-mail: nachttoter@aol.com michael w. ford 2002-2003 all rights reserved. no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, without permission in writing from the publisher. reviewers may quote brief passages. cover illustration- the mask of the adversary, by elda isela ford. the mask itself is a sigil of self-transformation into the essence of iblis, known as shaitan the adversary. this is the union of light and shadow, from which side are objectively opposite. the left-hand side is the pure and beautiful face of lucifer as flesh, sun and empowerment through the perception of self; the black flame. the right hand side is the shadow o

tself is defined as ascending. lucifer is prometheus, the one who brought the fire of imagination to mankind. lucifer is known in the witches sabbat covens as the egyptian god set, the lord of storms and chaos and the bearer of the black flame. thus, lucifer revealed, is the initiator by fire and the creator of the left hand path. lucifer, as being the shadow form of our imagination, thus shaitan the adversary, gives us the ability to open the gates of self-initiation through the witches sabbat mysteries. 4 we are required to have the individual love of self, strength and determination to pass through the long winding path of the sorcerer. our goal is to become and achieve through the process of self-deification and self-transformation through this luciferian gnosis. shaitan, as it is call

sabbat of the order of phosphorus respects all paths that lead to human advancement and knowledge, including those of the white light persuasion. we consider that every individual has the right to believe and practice what he or she wills, unless it harms another unjustifiably. the order of phosphorus is against bigotry and racism, considering such as the filth of non-human advancement (above set the adversary based from aos illustrations) the order of phosphorus as a whole considers itself as a manifestation of lucifer itself, those who join are literally doing the devils work by bettering themselves. thought dictates advancement by positive practice of magick and sorcery. ones own darkside must be explored in areas not normally embraced by occult orders. the qlippoth as described in mich

is important ritual is found within the headless one article by jake stratton-kent and is highly suggested to anyone interested in magick and witchcraft. use the headless one ritual before any working, and be able to vibrate and allow the words of power to roll of the tongue, but also recite mentally. as aleister crowley suggested, invoke often! an invocation to the holy guardian angel, spirit of the adversary who resides in darkness and light azal ucel i am the daimon who speaks the words of the immortal fire, the holy flame which emerges from the lightning flash and storm of chaos bred, so this the angel-serpent shall come forth with the birthing knife shedding into storm of seth! 30 spirit of which the fallen have taken strength, isolate and beautiful, angelic essence, azal ucel, from w

shall come forth with the birthing knife shedding into storm of seth! 30 spirit of which the fallen have taken strength, isolate and beautiful, angelic essence, azal ucel, from which came into being cain i do invoke thee! south- devil-djinn of the burning desert sands and the sun, sortha n-din thy stave and fork unto the flame that is my soul shall be illuminated in this blackened light. shaitan the adversary, my soul enflamed! arogogoruabrao thiaf! east- lucifer revealed as azazel, bringer of illumination and love, who resides in shadow and light, cover and cloak my spirit with thy twelve wings, serpent skin covered from the shedding of the dragon, bring now forth the serpent essence of my soul! melek tau us, beautiful spirit of fire, i summon thee forth! photeth north- set-heh, isolator

and the ghost roads open the gates unto me! guardian of flaming sword and corpse-king of the scepter open forth the anubian way to me! i behold the center of the eight rayed black sun my essence unto seth! azal ucel! i invoke the bornless baphometic spirit of fire! commentary to invocation of the holy guardian angel, azal'ucel with regard to an invocation to the holy guardian angel, the spirit of the adversary who resides in darkness and light, azal ucel, the system employed is one of 31 summoning up the angelic and daemonic spirit within the self the true will by means of a mask of luciferian witchcraft. the very methods themselves are contained in the calling of the four directions each a component of higher illumination of self; which is combined with the bestial/demonic with the angeli

of the sethanic path of witchcraft. east lucifer as azazel in the earthbound form, the mentioning of twelve wings in reference to the serpent angel. lucifer is the freedom of will from which the individual may seek to strengthen and illuminate the self in ones own discovered light, or black flame. north the cold north is the direction of not only cain as the lord of horsemen, but also of set-heh the adversary. set is the egyptian god of chaos, storms and darkness. the isolator, set is the adversarial god of change, strength and sufficiency through the will. set is the mask of azazel, the lord of flame. within witchcraft cain is considered the offspring of samael and lilith, thus being the same as baphomet. the angelic/demon higher spirit of cain is azal ucel, which is reflected in this ve

LUCIFERIAN SORCERY AND SET TYPHON

an sorcery and set- typhon by michael w. ford first written in 2003 and updated january 2006 suti (set) and the devil-forms of ancient egypt i am the crocodile-god (sebak) who dwelleth amid his terrors. i am the crocodile-god and i seize (my prey) like a ravening beast transformation into the crocodile-god from the egyptian book of the dead set is considered in the developing luciferian gnosis as the adversary, an early form of the adversary. the crocodile god sebak in the egyptian book of the dead draws some aspects similar in nature to set, such as the forms he would take. seemingly, it is considered by the initiatory focus into the symbol and traits of set, verily the greatest of the gods embodied many different aspects and forms in egyptian mythology. seker seems to also be a god assoc

hat his spirit was against the natural laws and went forth upon its own course. in the luciferian path, the common element of practice is to forge with your own identification of mythology, your own path against others. that is, by antinomian practice from a spiritual foundation, the adept becomes like set or ahriman, not in any western evil definition, rather in the spiritual sense. the names of the adversary in ancient egypt (as set and apophis) were many, a few examples are: nak, sabau, apophis, suti, baba, smy, hemhemti, pakerbeth, saatet-ta, qerneru, tutu, nesht, hau-hra, iubani, amam, sebaent- seba, khak-ab, khan-ru,uai sau, beteshu, kharubu the four times wicked the smaiu and mesu betshet were the children of rebellion, those who were shape shifters and cult members who venerated th

f a giant serpent who held the power of the evil eye. this serpent would seduce his prey and then devour their spirits. know that the forms of set are many, the god of darkness and war is also a creative god of progression and shape shifting. he survives by transformation. the path of sorcerous arte known as luciferian witchcraft, is perhaps becoming a clearer subject under the sethian concept of the adversary as a dual and necessary force. just as chaos magick is a development of primal sorcery, without limitations, the luciferian path is a further and refined development of primal sorcery with a defined path towards the sethian becoming, and the ongoing process of self-transformation. luciferian witchcraft presents a gateway to gnosis of what our culture has called satan, specifically re

nd necessary force. just as chaos magick is a development of primal sorcery, without limitations, the luciferian path is a further and refined development of primal sorcery with a defined path towards the sethian becoming, and the ongoing process of self-transformation. luciferian witchcraft presents a gateway to gnosis of what our culture has called satan, specifically reaching into the roots of the adversary to discover the various cultural traits of the luciferian spirit. ahriman is a primary source of this fountain of gnosis, however set or sutekh as the god of darkness is equally as fascinating if one may find a semblance of interest there. consider the ideals of the luciferian path. in luciferian witchcraft, by michael w. ford, the very foundation of the adversary is presented as a m

sary is presented as a multicultural force, thus existing within the universe and not a creation of mankind. while man had created anthropomorphic attributes, this spirit if you will pre-existed human consciousness. to practice luciferian witchcraft and sorcery, one essentially prepares the mind and body to be a vessel for this force, not joining in union with it, rather encircling the essence of the adversary and allowing the self to shape chaos into self-willed order within the self. this, by definition alone is chaos magick. what transfers the title is a result of what transformed the gnosis itself, the intent of the work. be cautious in the terms of chaos magick, you are not simply paradigm shifting, rather utilizing chaotic forces to utilize temporary order in the self to grow stronge

actice is symbolized in luciferian witchcraft s "azothoz. in this work, i used the method of poem and prose to write a cipher of ensorcelling the self, or spiritual awareness through a luciferian and sethian mirror. in this work, my position was to clearly draw the connection and becoming process of self-initiation through the lore of the watchers, the nephilim, the black eagle and the essence of the adversary. the combination of art and text invoke the very spirit of shaitan and lilith to those who may embrace it. azothoz reaches into the current of magick to manifest itself in the initiate who may be of this essence, born by the spark of djinn fire to witch blood. this is a luciferian process of self- liberation which invites a deeper understanding of daemon and angel, their union outsid

in it the powers that such the darkness would bring. iblis, a title of shaitan is described in ancient texts as a spirit of fire, one whose eternal flame would bow before no one, not even a god force. iblis/shaitan understood he was unique and powerful within his being, and that by separating himself from the natural order, would become as a god. azothoz presents a cipher in poem on the nature of the adversary and becoming. lilith-az-babalon- hecate the daemonic feminine is the fountain of the witch cult, in it's dreaming and waking aspect. while wicca has taken a more sterile approach to the goddess, a luciferian sorcerer acknowledges the beauty of the daemonic goddess as a well of power and selfdeification. through babalon we drink the blood of saints and emerge as god itself. lilith is

MANLY P HALL THE SECRET TEACHINGS OF ALL AGES

s. the five extra days were gathered together by the god of cosmic intelligence to serve as the birthdays of the five gods and goddesses who are called the sons and daughters of ham. upon the first of these special days osiris was born and upon the fourth of them isis (the number four shows the relation that this goddess bears to the earth and its elements) typhon, the egyptian demon or spirit of the adversary, was born upon the third day. typhon is often symbolized by a crocodile; sometimes his body is a combination of crocodile and hog. isis stands for knowledge and wisdom, and according to plutarch the word typhon means insolence and pride. egotism, selfcenteredness, and pride are the deadly enemies of understanding and truth. this part of the allegory is revealed. after osiris, here sy

a false process--artificial fermentation. the rational faculties are clouded by strong drink, and the animal nature, liberated from bondage, controls the individual--facts which necessarily were of the greatest spiritual significance. as the lower nature is the eternal tempter seeking co lead man into excesses which inhibit the spiritual faculties, the grape and its product were used to symbolize the adversary. the juice of the grape was thought by the egyptians to resemble human blood more closely than did any other substance. in fact, they believed that the grape secured its life from the blood of the dead who had been buried in the earth. according to plutarch "the priests of the sun at heliopolis never carry any wine into their temples* and if they made use of it at any time in their l

f demons to correspond with the good spirits in each of the higher worlds. in all the ancient mysteries, matter was regarded as the source of all evil and spirit the source of all good, for matter inhibits and limits, often so clogging the inner perceptions that man is unable to recognize his own divine potentialities. since matter thus prevents humanity from claiming its birthright, it is called the adversary, the power of evil. the fourth world, d, is the world of solar systems, click to enlarge the plan of divine activity. according to the qabbalists, the life of the supreme creator permeates all substance, all space, and all time, but for diagrammatic purposes the supreme, all-inclusive life is limited by circle 3, which may be called "the boundary line of divine existence" the divine

" and the voice replies "he who is aware, is! behold" gazing about him, adam finds himself in a radiant place, in the midst of which stands a tree with flashing jewels for fruit and entwined about its trunk a flaming, winged serpent crowned with a diadem of stars. it was the voice of the serpent that had spoken "who art thou" demands the adam "i" the serpent answers "am satan who was stoned; i am the adversary--the lord who is against you, the one who pleads for your destruction before the eternal tribunal. i was your enemy upon the day that you were formed; i have led you into temptation; i have delivered you into the hands of evil; i have maligned you; i have striven ever to achieve your undoing. i am the guardian of the tree of knowledge and i have sworn that none whom i can lead astray

ttomless pitcher, it is the inexhaustible fountain of natural re source. from the evidence at hand it would indeed be erroneous to ascribe a purely christian origin to the grail symbolism. in the arthurian cycle appears a strange and mysterious figure--merlin, the magician. in one of the legends concerning him it is declared that when jesus was sent to liberate the world from the bondage of evil, the adversary determined to send an antichrist to undo his labors. the devil therefore in the form of a horrible dragon overshadowed a young woman who had taken refuge in sanctuary to escape the evil which had dcstroyed her family. when merlin, her child, was born he partook of the characteristics of his human mother and demon father. merlin, however, did not serve the powers of darkness but, bein

MICHAEL FORD A RITE OF THE WEREWOLF

d be called luciferian witchcraft. the ritual contained here is but one example of some of the initiatory focus of this so-called sethianic 8 school. 6 the warlock s book by peter haining, 1970 7 16 lines which signify transformation in the wilderness to the shape of the wolf 8 a term used to define the left hand path alignment with the egyptian god set or set-an, a early form of satan or shaitan the adversary. 5 as a point of focus, the initiate who takes the flesh of the werewolf does so via the imagination. this would require a certain amount of privacy in which the witch would not be bothered by anyone else, to ensure a self-fascination and the visualized transformation to occur. the initiate would prepare his or her chamber accordingly, having a belt made of wolf skin or possibly even

sessapsert ruo su evigrof dna. daerd yliad ruo yad siht su evig. nevaeh ni ti sa htrae ni enod eb lliw yht. emoc modgnik yht. eman yht ed dewollah, neveah ni tra hcihw rehtaf ruo. the chant of becoming a werewolf (inspired by the sloane ms. british museum manuscript, as given to me by the skratte) under the gleam of the moon, be it full or dark i stand in the crossroads of cain under the horns of the adversary and beast lord as the gray shadow which ensorcels my being as with who drinks water from the prints of the wolf to he who has taken the wolf belt of the devil by satanadar i summon thee, by the devil i become thee i shall become the werewolf, man and beast to go forth this night to feast none shall capture my gray form by the binding words, nasatanda so it is done! i am indebted to:

masculine, thus is represented by the phallus or source of creative life. in the tarot, the devil is attributed to capricornus, and the hebrew letter ayin, being an eye. the symbolism of the devil as the initiator may be best understood by the tarot as presented in the book of thoth. satan/set is the ass headed god of the desert, the lord of storms and desolate places. set is the tester of self, the adversary and 9 luciferian is also relevant to the egyptian god set, sethanic= of set. 10 see iblis, the black light by peter lamborn wilson. the flame of isolate consciousness and being is the black light/black flame. this is defined as the fire and perception of being, antinomianism. 11 the book of thoth weiser publications 8 opposer. set is also related to saturn. this planet, called also s

e, who venerated shaitan in the form of malak tauus, the peacock angel. in the meshaf resh18 it presents azazel as the angel created before all others, thus the brightest star. in the jilwa, lucifer is presented as malak tauus existed before all other creatures and was then and now .there is no place devoid of me thus presenting the unnatural concept of self-illumination and intellect, lucifer is the adversary, who is full of life. as lucifer/shaitan is light, he does indeed hold a shadowside. this is present in the god forms or masks of shaitan, being seker, set and ahriman. the egyptian god set19 is a model and neter20 for self-deification, isolation and the adversary. the adversary or opposer is the shadow which reveals light, called the black light of iblis or shaitan. this light is in

ter20 for self-deification, isolation and the adversary. the adversary or opposer is the shadow which reveals light, called the black light of iblis or shaitan. this light is inspired intellect and creative imagination. set represents self-imposed challenge and individual development, a tester of self. an adept uses this model for self-control and a becoming through the left hand path approach of the adversary, the antichrist which awakens the pscyhe in both light and darkness. set is noted for being a god which was different from all other egyptian gods. he was the neter over storms, chaos and the darkness. set, being a god of the north, was a sender of nightmares who was identical to the greek daemon typhon. set was viewed as a god of such dangerous and desolate places of the earth, but

MICHAEL FORD BOOK OF CAIN

ur mother and sister tomorrow, then you shall walk the path of night. by the noon tide sun you have walked, and with the scorpions and serpents of the desert sands have you come forth as god. your sign which is my sign on earth is the pitch fork within the fiery sun, that is our aged mark of being and becoming. cain, my son, our kin is ever deep and eternal. you are blessed in the fire of sathan, the adversary. much will be taught to you when the moment is right. i thanked my father and fell to sleep. my dreams were pleasant and filled with sorcerous images which i understood came from the gates i opened forth. i woke in the feeling of sweat and filth from the previous day, i was refreshed yet unclean. i killed a small animal with ease and ate in the morning light. i then took to the deser

th forever. i am the wandered, and many forms i will take. that even that i have left flesh shall my spirit dwell on, that i who have embraced the black flame just as set-an of egypt, that i shall dwell in the places of the earth lest seen, but in this path one may find me. by forest or desert some may call me, and i may answer calls of initiation into the circle of the witch born. in the fire of the adversary do i walk for eternity, my father s soul illuminating those who seek me. i am vampyre and i am the sorcerer of light from the serpent s tongue. the invocation of cain -the blackened fires of the forge- cain is the earthen initiator of magick, the sorcerous enfleshed spirit of lucifer and lilith, cain is also the one who walks with the dragon the path of the nightside. in one hand is

n and animal bones, his familiars. cain is sought in the hidden places of the earth, for he is the ancient and knows the unknown secrets of the earth. cain also appears as the wizened old man, robed and hooded who walks the path of old oak ways within the fog. he carries a book of art, given with the belt of the devil by those rites cain became the witch father, born of azazel and lilith. cain is the adversary of flesh, who causes storms and chaos just as set himself. cain tests those upon the path and blesses those who may answer his riddles. it is indeed cain who would feed ones soul to the wolves of the shadows, when the will is weak. invoke cain in isolation and within the circle of those who are of the mark. isolation is a silent wisdom from which the fountain is never dry seek with t

MICHAEL FORD WITCHMOON

e spirit is absorbed by the i or self, in a luciferian/sethian sense, the sorcerer becomes or develops from the spirit called inward. invocation is the direct subconscious communication with the forces of outer and inner planes of being. as with the sabbat, both infernal and celestial, one enters the ecstasy trance of the inbetween (inbetween the dreaming and waking world) to emerge eventually as the adversary, that godform of both sides. evocation to summon or call spirits outward, often projected into a circle or area from which you may bind such forces or spirits to a specific area. in goetic sorcery, the individual summons or evokes a spirit or energy into a circle, when the sorcerer is satisfied; they banish/release the spirit so it may leave. evocation can be the sorcerer summoning o

gs of witchcraft are presented and often hinted at. witch blood is the gateway to the magickal current within each individual. witch blood is not an actual hereditary stream or genetic code, but a mental gateway and gift bestowed by one who conceals the nature of the self and self-love, the discipline needed to conquer the state of being. some christian based beliefs describe those of the path of the adversary, or shaitan (lucifer) as demon-possessed. they state that we are conversing with demons and harbor relations with the devil. this is completely true! we are of the adversary, the devil, or shaitan. its voice speaks to us through our dreams, through our very lives according to our will. this is witch blood. anyone who has dedicated the self to evolution and the path of sorcery may bec

gave me yet further inspiration. the woven web of night is one that can guide your every movement, to every urge the web will respond. the spider and serpent that exist in the night side are of symbolic nature, being of reversion and double senses, of speed and accuracy. i focused upon my star, the inverted pentagram, meaning life and mind and made proclamations to the lord of the sabbath, being the adversary or the shadow form of lucifer. candle lit, burning black in the darkness of the chamber i whispered before the flame: by the embrace of death s sleep in life, thanatos hearken my swift flight. of the devil s sight, which views the webs of night to come and the freedom of the fields, may thy 41 41 beauty be as my gift. by the thorns which tear the waking flesh and guards our great hid

. asmodeus in the doctrine of the witches sabbat or witch cult is the lord of the circle, within which full attainment and union occurs. the lord of the circle is also the lord of sorcery. asmodeus can be a powerful guide from the gate of the flesh, or earth, to that of choronzon. approach this daemon with caution, for there can be hell to pay if any spirit is invoked without care. 73 73 shaitan -the adversary which developed from the lord of storms and prince of darkness, set. in the islamic tradition (ahadith, shaitan/satan is azazel, the lord of djinn whom is made from fire, thus a source of light unto itself. azazel/shaitan is a fallen angel, the first angel who preached to the other angels in preeternity. shaitan is also melek ta aus, the peacock angel. samael samael in hebrew texts i

mpyric congress and lycanthropic transformation. it is the forbidden mysteries of the kingdom of shadows, the very gateway of the abyss, of anubis. the infernal sabbat may be performed and experienced on two levels simultaneously; in the spirit and dreaming aspect from which the shades of the dead join with the living, as well as in waking as a form of the liberating black mass or similar rite of the adversary. it is the crossroads of which we meet in spirit infernum sabbati. the chant of going unto the infernal sabbat- i do seek the flesh of the wolf and toad in the devil s skin do i transform. i summon forth the flesh of the dreaming sabbbat that i become in the fires of hell. by the northern quarter of night do i summon thee hecate, by three and turn of the dark moon, widdershins about

ented. by controlling the thoughts and intakes of the body may one later indulge and enjoy the pleasures of the earth. two: control by developing the will that the body shall become still. yoga and similar methods of obtainment be practiced until the self is still in the body. envision the self in present and direction or path from which you may become. three: the binding to the luciferic path of the adversary, the dedication to the great work of becoming. this may be conducted by ones own initiatory ritual, and the bornless one ritual of ascension. conduct these workings of high magick until the flaming swords of the seraphim reveal the path of the emerald crown of lucifer, that in holy light of the cunning fire shall you become in the illumination of seth. four: the earthly journey of th

ation to the great work of becoming. this may be conducted by ones own initiatory ritual, and the bornless one ritual of ascension. conduct these workings of high magick until the flaming swords of the seraphim reveal the path of the emerald crown of lucifer, that in holy light of the cunning fire shall you become in the illumination of seth. four: the earthly journey of the sorcerer, the path of the adversary and devil in flesh. the individual shall move through the dual ecstasies to work with both shadow and light. this is the development of the bestial and angelic familiar; the holy guardian angel and evil genius-congressus cum daemone. five: this is the initiation by magickal retirement for a period, from which one observes sethian isolation and the various aspects of self. the initiat

through a period of 12 months. keep a journal of both dreams and workings to monitor your results. the infernal luciferian path- one: path of infernal congress: goetic and low sorcery brought in union with high sorcery. summoning and binding atavistic and earth bound forces, substance from shadow. the initiate will visualize each aspect of the daemon/spirit as a path of self. two: path of shaitan the adversary: this is the self-invoked transformation of the devil of the earth the fire djinn-seraph iblis/azazel who brought the black flame unto humanity. shaitan is the path of luciferian self-liberation from which we grow and expand consciousness, from this path we develop in the darkness and shadow of self. three: path of lycanthropic transformation -meditation unto the transformative state

MICHAEL TSARION ATLANTIS ALIEN VISITATION AND GENETIC MANIPULATION

e to change the road youre on132atlantis, alien visitation, and genetic manipulation despite the evidence, people still find the story of the nephilim and the hidden histo-ries of our planet hard to accept, and futility is the general reaction, because the so-called good have rarely accessed the strength implicit in the word. nor have theybeen operating according to their own rules of engagement. the adversary has dictatedthe game plan almost from the outset, giving themselves a headstart toward the real-ization of their goals, by insinuating, with consummate artifice, a fallacy in the mindsof the good about the very nature and operation of evil. questioning what this fallacyis, how it works, and what to do about it, is crucial to our personal and collective re-empowerment and to the attai

are not only counterproductive but auto-destructive.he who fights too long against dragons, becomes a dragon himself (fredrick nietzsche)most people reluctantly accept that evil is operative in the world for the simple reasonthat no one can live and not know this. some cling to the belief of a disincarnateadversary somewhere up in the clouds or down in hell. some get to the point of identi-fying the adversary as more corporeal. when one becomes aware of the level of cor-ruption around them and successfully deduces its source, phrases like our hiddenmasters are evil become vogue. actually, this tells us next to nothing for we have lit-tle concept of what evil really is, or how it operates, in the context we are addressing.evil is, to us, the bad things which happen to good people. if such

high places without the correct dis-cernment. perhaps, we should heed the advice of christ when he said resist not evil.now that we are more aware of the reasons for our collective anomie and personalennui, what kind of positive action can we take? what does an analysis of the dialec-tics tell us about ourselves and about good and evil?the first thing we realize is the incredible intelligence of the adversary. over centu-ries, they have amassed immense knowledge of us.a web is not made from one thread (frank herbert)you cannot manipulate a marionette with just one string (ibid)the next thing we can glean is perfectly enunciated by frank herbert who wrote:merely choosing the good, does not make one good..we have to do more than pay lip service to the truth. we have permitted conditions tog

he tendency of the graduated ponderous academeis to become a legend in his own mind. he is utterly fixated on personal interests andpeer recognition. is this not the scenario we often encounter and are frequentlyseduced into accolading? has our access to the corridors of learning helped the planet?does it not give us chains of gold to replace those of iron? are we not again playingby the rules of the adversary? whose books are we reading? whose biographies are wememorizing? whose sciences are we mastering? whose trophies are we coveting?true meaning of graduation- gradual indoctrination (jordan maxwell)if a man has merit, what is the use of decorating him (charles baudelaire)if a man guards a book night and day, what is more important, the man or the book (thesilent flute by bruce lee and

movies:man in the iron mask, with richard chamberlain; the silent flute (also called circle ofiron) with david carradine and christopher lee; local hero with burt lancaster; the sor-ceress; being there, with peter sellers; and once upon a time in the west by sergio leone.epilogue: time to change the road youre on140atlantis, alien visitation, and genetic manipulation now that we are aware of how the adversary has siphoned off mankind's preciousvitality and what to do about it, we can begin to address what needs to occur during theintermediate stages leading up to the denouement of the fourth outcome.v ery importantly, those who are good must work in unison. but what kind of work isthe individual to do? is there something that each person regardless of their status cando to bring swift cha

MICHAEL W FORD THE VAMPIRE GATE

has for long been a fascination and desire sought by many. no doubt you have considered what it would be like to fly in the night, drain another of energy and live like a god or goddess. if applied, this grimoire may help you. i strongly advise that you be of sound mind and to have begun a basic study or practice as defined in book of the witch moon, luciferian witchcraft and liber hvhi magick of the adversary as these books will prepare you. the vampyre magickian is indeed one who has stepped beyond the foundations of the luciferian path. the model of this path is based in more advanced magick and sorcery techniques, which may be dangerous as well. i caution the use of this tome and suggest you not misuse it it can cause many issues if responsibility is not practiced. the vampyre magickia

ication (godhood. tiamat is the first power of draconian darkness, the vampire which is the primal union of lilith and samael, guided by leviathan. she is before all others. tiamat was in the form of a giant dragon, a sea dragon who had the head of a griffin or tiger, wings, claws and a scaly tale. she appears also as a giant serpent. tiamat resembles the legends of ahriman as the dragon. here is the adversary, she is the night and the abyss. tiamat can give life and create what she wishes, much like ahriman created the archdaevas to counter creation. tiamat was a sorceress, a powerful first witch who was both vampire and goddess to all. the demonic feminine is equally important to the adversarial formula in luciferian witchcraft as it is the balance which acknowledges the female generativ

several, varcolaci (a form of demonic bat-wolf and dragon resemblance, to wolf and bat. this is a mental discipline of utilizing the imagination according to ones desire, thus a high potential for magical development. please refer to the foundations of the luciferian path as the gateway to 46 the mind the imagination being considered iblis or satan, thus angra mainyu. angra mainyu the doctrine of the adversary within the luciferian doctrines of predatory spirituality, the nature of the adept is to master this world in which we live in. there is no desire for the other which detracts from the mastery of the physical, rather a careful balance. luciferians are by all account spiritual in nature, by sorcery we encircle our desire and belief through gnosis, utilize meditation techniques and aet

se, where there sleeps an ancient dragon. seven heads dwell there, yet through the seven the eight arises. this power is essential to the development and empowerment of the vampyre magickian. 53 the qlipphoth and their servitors: neptune kether satan or moloch thamiel (thamal: thadekiel+ abraxsiel+ mahaziel+ azaza l +lufugiel dual giants, bestial atavistic demons with bat wings. this is a form of the adversary. these spirits seek to continually join their bodies with other spirits and forces both sexual vampires, draining energy through the heat and desire built energy and by possession. working as a vampyre in this sphere represents that you must seek to understand the sexual desires within yourself, the fire of being and what your drives are. satan is the fiery aspect of the adversary, u

an/pahlavi] from the avestan akha meaning evil, akho is mentioned in the denkard as a word representing a current of averse energy or evil, through which one aligning their thoughts in possessing spiritual independence, antinomianism and self-deification one may reach into the spirit of ahriman. this supports the initatory foundation of the luciferian path itself the adept prepares to become like the adversary his or her self, based on their own unique path. akht [avestan/pahlavi] the sorcerer who was the embodiment of the yatus, the demonic forces of ahriman. akht-jadu or kabed-us-spae as he was called was mentioned in matigan-i yosht-i fryan. akhtya was the founder and member of the yatus, a coven of demons and sorcerers who wandered persia, practicing and developing sorcery. the name ak

he embodiment of the yatus, the demonic forces of ahriman. akht-jadu or kabed-us-spae as he was called was mentioned in matigan-i yosht-i fryan. akhtya was the founder and member of the yatus, a coven of demons and sorcerers who wandered persia, practicing and developing sorcery. the name akht itself means evil, filth and pestilence, thus relates to the initiatory nature of akhti as a sorcerer of the adversary, by the darkness shall he come into light. akhtya or azyta is thus considered a symbol of the zanda, which is an apostle or priest of ahriman. algol a word which derives from the arabic al ra s al ghul, al-ghul, or ri b al ohill, which is translated the demon s head. algol was in hebrew known as rosh ha shaitan, or satan s head, as some traditions have referred to algol as the head o

an king or shah, who according to zoroastrian mythology, was transformed into the immortal storm fiend by a pact with ahriman. azhi dahaka is said to be filled with serpents, scorpions, toads and other insects and reptiles. azothoz a sigillic word formula which represent the golden dawn definition of the beginning and end, alpha and omega. azothoz is a reversed form which is a symbol and glyph of the adversary, shaitan/set and lilith. this is a word which signifies self-initiation and the power which is illuminated by the black flame within. bevarasp [avestan/pahlavi] myraid of horses, meaning also ten plagues on humanity. this is a name of azhi dahaka or zohak. black flame the gift of shaitan/set, being individual perception and deific consciousness. the 80 black flame or black light of i

ting, to focus the will itself on the desired goal, to achieve a result. many daevas are directly related to the evil eye, thus is as well a symbol of ahriman. ghanamino [avestan/pahlavi] name of ahriman or angra mainyu, spelling from the denkard. occuring also as ganamino and akundag (from manichaean texts. hvhi reverse of ihvh, the name of god in cabalism. hvhi is the name of samael and lilith, the adversary the very name of darkness manifest. jahi [avestan/pahlavi] the companions/concubines of the yatu. an alternative spelling of jeh. jeh [avestan/pahlavi] a manifestation of the whore, az in zoroastrian lore. jeh is a consort of ahriman, the sorcerous daemon of shadow and darkness. it was she who awoke ahriman from his great slumber, that which no other sorcerer, wizard, witch or demon

g light and darkness through magickal development, not an abstract concept, but to manifest the will in both the spiritual and physical world. magick- to ascend and become. in a luciferian sense, magick is to strengthen, develop and initiate the self through balanced forms of willed change. ovlm hqlipvth- olahm ha-qliphoth [hebrew] the world of matter in which we live in, created by the desire of the adversary being samael and lilith. the elements of this book if found and utilized in the context of its writing, displays possibilities via initiation to encircle, control and manifest the desire of the luciferian. paitisha/paityara [avestan/pahlavi] a daeva/druj which is counteraction, antinomianism and opposition. this spirit is a manifestation of the luciferian current of both ahriman and

definition that the qlippoth is indeed inherent of the concept of the black flame, or gift of samael. between two separate things, there is a concept of separation which essentially is the concept of shells or peels being the aspects the sorcerer must fill and in turn devour in the process of becoming like samael and lilith. the qlippoth and tree of death (da ath) is the pathway to becoming like the adversary, as the tree of life is the path to joining with god (becoming one with. sabbat the gathering and conclave of sorcerers. there are in a conceptual sense, two types of sabbats the luciferian and the infernal. the infernal is a bestial and earth-bound journey, similar to those shown in woodcuts and gathering points. the infernal sabbat is sometimes sexual, where the sorcerer may shape

he shocking rituals and bizarre initiation rites of black magick that have established ford as the most cutting-edge exponent of the left hand path tradition in america today. the book begins with a lengthy and highly scholarly exposition of the place of the draconic adversary within historical magick. set typhon, the egyptian god of darkness, ahriman, the persian devil and his whore of darkness, the adversary and the bride of the devil, cain the son, the gnostic yaldabaoth "child of chaos, the path of the crooked serpent- leviathan and beelzebub and tiamat, pazuzu, and moloch are only some of the topics and figures covered. the second part of the book,the grimoires of luciferian witchcraft, includes several of his most infamous graveyard workings, together with the complete version of the

king. part three covers yatukan and ahrimanic persian sorcery. as i have mentioned before, it is the willingness and creativity of ford to look beyond worn-out christian- and hebrew-based demonology in search of black magick inspiration that marks his work as unique. here, forbidden heresies of millenia-old zoroastrian thought reveal their diabolic secrets to the sorceror. 91 liber hvhi magick of the adversary by michael w. ford succubus publishing 2005 isbn: 1411660862 198 pages, 8.5 x 11.0 in, perfect-bound, 60# white interior paper, black and white interior ink, 100# white exterior paper, fullcolor exterior liber hvhi, the awaited grimoire of the luciferian path is now published containing the infernal rites of the qlippoth, an extensive ideological and magical system presenting a groun

ic inversions of the avestan texts and the forbidden path of predatory spiritualism. liber hvhi contains the 22 spheres of the infernal qlippoth, the methods of filling and draining those shells and the luciferian rites of the supper of cain, symbolic of the first satanist from the ancient hebrew texts relating to the devouring process from a symbolic and ritualistic approach. no matter what name the adversary has been called by, from the ancient persian cult of yatukih sorcerers ahriman or angra mainyu, his bride jahi or az, to the hebrew samael and lilith, the luciferian current has remained strong beneath those ancient cultures. liber hvhi is a grimoire written from ancient religious texts such as the avesta and various cabbalistic writings. the result is a powerful luciferian ideology

angra mainyu, his bride jahi or az, to the hebrew samael and lilith, the luciferian current has remained strong beneath those ancient cultures. liber hvhi is a grimoire written from ancient religious texts such as the avesta and various cabbalistic writings. the result is a powerful luciferian ideology and methodology of ritual and daily-life practice which transforms the mind into the spirit of the adversary. liber hvhi: magick of the adversary liber hvhi explores the qlippothic spheres, ritual sorcery based on the ancient cults mentioned in the avesta of yatuvidah, daeva-yasna (demonworshippers) persecuted by the zoroastrians. the roots of the adversary as the masculine and demonic feminine are explored from hebrew and ancient persian sources, to a living and potent left-hand-path initi

MICHAEL W FORD NOX UMBRA

es into contact with a vampyre female named countess dolingen for the sorcerer interested in developing the vampyric path, literary and folklore is highly suggested. it is through inspired magickal lore that one may develop their own form of becoming, something which may add to their own arcana of belief. in the yatuk dinoih, the lines of persian sorcery and vampyrism are close, as connected with the adversary form of ahriman. an early ritual described in "sacrifices in greek and roman religion and early judaism" by royden keith yeikes describes a persian blood ritual known as 'taurobolium, which holds a connection to mithris and the lore of the bull. in this ritual, the practitioner slays a bull on a platform, which has many holes in the wood. the blood then pours upon the individual. sym

night. approach the tomb "gate of black earth, nephilimic tomb in the sunless palace of azrail, open forth the dreaming fields of night, from thy vessel, born of lilith's womb shall the vampyre shade awaken hekak vozath ka-sath-ompos shu-seth-evoi-zrazza (by the magic of secret names shall set strengthen the shadow tongue of the serpent) by the blackened fire of my spirit, born in the shadows of the adversary, shall the dragon coil in my being! let the moon be born again in the darkness, from which my desires arise from the grave.the arcane of my self is great, such is the being of which i am! emerge again, awaken from yours sleep of thanatos" the binding of chains the vampyre rite of transformation the sorcerer who has developed the lesser and greater familiar, the very spirit and shadow

productive god and goddess. the luciferian essence is found within the eyes of cain, the father of witchblood, buried deep within the dark well of the watchers, from which our mind is of the deep. leviathan the serpent guards this gateway of the arcana of sleep, from which the twilight brings the nightside of the immortal, those who pass the veil of the birth caul of lilith through the essence of the adversary. the birth caul itseif is a vampyric reference to folklore of europe. called specifically the amniotic membrane, which is a birth caul which almost guarantees in european folk lore that one will return from the dead, is the mark of the vampyric aspect of lilith, the death-mask of awakening towards the nightside. the caul itself as described by adrien cremene gave the following accoun

s of belial and marchosias, you're your temple area with an x, representing the crossroads. unto those who come to the crossroads (known also as the ghostroads) are inbetween the sun and the moon, from the living and the dead. face the altar "sekah, sekah, zrazza umpesha "by the hidden light known under the black sun, by the prayers whispered in silence unto the blood dripping moon i summon forth the adversary, noctulia- hecate, goddess before me this night. i call forth my lord, the devil, whom is a shadow of my self, just as i, isolate and individual between the dual essence of azoth, from which the toad awaits, shall the secret gates be opened "i call upon thee, satandar and asentacer, i summon thee forth phantom of darkness, i call forth the spirit of the werewolf, beast of darkness an

ilith is necessary for strengthening man's ego, the shadow of the self. it is lilith who inspires sexual dreams, creative inspiration and sensuality. the daemonic feminine is therefore essential to the development of man and woman. it is also the gateway to the sabbat- the dreaming conclave of the luciferian (empyrean, of the light) and infernal. lilith in her dark and fiery aspect is one part of the adversary, the opposing force which initiates through antinomianism and self-deification. in a work which pre-dates the zohar, it is suggested that lilith and samael were born by an emanation beneath the throne of god. their shape was an androgynous being, double-faced and thus revealed as a part of the adversary (the opposer, shaitan. samael, in hebrew legend has twelve wings, which integrate

ggested that lilith and samael were born by an emanation beneath the throne of god. their shape was an androgynous being, double-faced and thus revealed as a part of the adversary (the opposer, shaitan. samael, in hebrew legend has twelve wings, which integrates azazel (the djinn of fire, shaitan) and samael as lucifer, the force related to the noon-tide sun. samael is thus the devil, one half of the adversary and the creative/solar force of the sun. lilith joined with samael through leviathan, the great dragon. ashmodai was said to be another mate of lilith, whom was said in some hebrew legends to be two aspects of the same goddess. the son of lilith and ashmodai was called sariel, the sword of ashmodai. his face flames with fire. sariel had kept a sealed book of secrets, a grimoire with

assumption of identity. akhtya was considered an "evil" sorcerer, the founder of yatus, or yatuk-dinoih (witchcraft- a guild of sorcerers who practiced black magic or adversarial rites under the direction or path of ahriman in ancient persia. yatuk/yatus is considered now a left hand path approach to witchcraft, that is by encircling the self one may achieve self-initiation into the mysteries of the adversary, the opposition of self against the natural order. the image or archetype through which self is in awakening is the image of ahriman, refer to the khorda avesta (book of common prayer) translated by james darmesteter, from "sacred books of the east, american edition, 1898. the ideal mind set of this ritual and any in the yatuk dinoih is one working with the most primordial forces of

rezura this is a ritual from which the initiate opens the gates of hell, that is the meeting place of sorcerers and witches- those who travel into the darkness and flame of the sabbat. the gates of arezura is the initiatory point of which "i" is revealed and may become. you will realize your goals, your potentials and weaknesses to emerge to one who is becoming as ahriman. as ahriman is a form of the adversary in a primal sense, the darkness of being is to be explored and perceived as an extension of self. the aspect of ahriman is as half-beast, werewolf type vampyre from. ahriman is a spirit of darkness, whom resides in the depths of the subconscious- the gates of arezura. one should focus on encircling the self in these shadows, which are revealed by the work itself. the essence of yatus

is a spirit of darkness, whom resides in the depths of the subconscious- the gates of arezura. one should focus on encircling the self in these shadows, which are revealed by the work itself. the essence of yatus/yatuk is the mysteries of sorcery within the self, the keys to the spirit of man. one works this type of considered dangerous black magick as the self-transformation through the image of the adversary. akhtya is the sorcerer on earth who drinks of the graal of ahriman and az, serpent and wolf. this inversion leads to the strengthening of self under the activity of encircling belief into tangible form. one should prepare for the ritual of arezura by a deep introspection, becoming aware of what you wish to achieve and become. you master the self through the entry and exploration of

nitiator of the shadow path -the sigil ofbabalon lilith, the sigillic creative formula ofsuccubi and dreaming servitors -the triple hermetic circle ofhamara 't, by charles pace, redesigned by elda isela ford shaitan of midnight, unto which the grave thy spirit shall rise all who read this book, and envision the tracing of this sigil of entry, shall then all open the gates to the dreaming place by the adversary of noon and midnight, who drinks of the golden chalice and blood filled skull, so it isspmidnight s circle a commentary of azothoz a book of the adversary presented by the night ravener (akhtya seker arimanius michael w. ford- a brother in the pact of witchblood azothoz presents in poetic form the antinomian concept of separation from the natural order. this is clear throughout the v

MIDNIGHTS CIRCLE A COMMENTARY OF AZOTHOZ

uciferian witchcraft lore as among other names, azal ucel, being a sigillic word-manipulation of azazel and lucifer. the face of the dragon-serpent is indeed an angel (angels are described as higher articulations in man) who brings the gift of the black flame to us, spirit and intelligence. it is the ecstasy of the in-between that led to the path unseen -azothoz by michael w. ford in working with the adversary, one must be focused on the great work of becoming like lucifer, thus keeping by will developing in the higher octave, being the luciferian sabbat the ecstasy of the light of iblis, the very knowledge and communication of the holy guardian angel or angelic familiar. this is the essence of the great work, the bare root or essence of what the focus of black magick and luciferian witchc

k magick and luciferian witchcraft/sorcery entails. a study of the janus-headed adversary is essential in the context of the sabbatic/luciferian path as well as others. in the brotherhood of saturn the god of the saturnian sphere is baphomet temohpab, being a angel-demon of both a positive and negative side. in azothoz, lucifer is the baphometic spirit which presents in lyrical prose the sides of the adversary, in terms of sethanic (of set) witchcraft and the left hand path. set is presented in azothoz as the egyptian godform of chaos, darkness and storms. he is in this sigillic mask the initiator and tester, the opposer and flame giver. it is indeed the mask of set which was given unto his bride, lilith, to spawn cain, the first sorcerer and initiator of witchblood. as written in azothoz

d sea is the point of the ocean from which leviathan arises, thus leviathan the coiling dragon (the circle) brings the lucifer and lilith in sexual congress, by will they create the first born of witchblood= cain. this is mirrored by the initiate who is able by the solitary act to bring in union both the masculine (lucifer/samael) and the daemonic feminine (lilith) to spawn cain (the united self, the adversary in flesh, baphomet. in the circle of midnight does the self invoke the shadow of the adversary; it is the union of the daemonic spirit or true will with the sorcerer. in this process, the passing and invocation of power brings the initiate in the passing of witchblood. azothoz is the word which brings the self to the fall and then to discover in the darkness the black flame within, t

of making to become as a god himself; cain is born from the union of the dragon and harlot. the illustrations of azothoz provide a powerful interplay between the invocations and the placement of the actual drawings in the tome. there are 13 illustrations of the grimoire, each holding a focus of the luciferian gnosis is some way or another. the spirit of azothoz beholds the eye of set or saturnus, the adversary. this eye is surrounded by flame, and is at first glance a serpent s eye. this is the wisdom driving sigil of the discovery of dreaming and waking knowledge, that which lies hidden. iblis is a powerful sigillic drawing which interplays with the 6th section of the poem, the descending dragon-angel which is azazel, or lucifer. this adversarial spirit is shown with angelic traits (the u

aming and waking knowledge, that which lies hidden. iblis is a powerful sigillic drawing which interplays with the 6th section of the poem, the descending dragon-angel which is azazel, or lucifer. this adversarial spirit is shown with angelic traits (the upper which falls from the sun) to the demonic (which descends but then reaches towards the light again. it is a process of coming into being as the adversary, horned and crowned in the midnight sun, thus emerging shaitan of midnight.[4] the 17th and 18th section of the poem displays the alphabet of desire which presents the language of making and the subconscious spells made flesh. the sigils are aligned within two trapezoids crowned by cain the adversary and the apep demon of chaos, surrounded by sigillic formulas of antinomian self-deif

al formula of the sun entering the moon, thus shaitan s direction is south and east, depending on his representation, being of wisdom or fire (two octaves of saturn, the higher and lower. the other illustrations are equally important and play a direct correlation between text and image, thus being a grimoire which plants a seed in the reader, as one widdershins[6] forward via magickal development the adversary awakens via the black flame. a section in the throne of twilight mentions an atavistic resurgence concept which was propagated to some extent by austin osman spare. humanity carried the knowledge of the beast which angels sought to possess this refers to the fall and how lucifer sought to invoke the dragon and beast within his being, thus joining in union the sun with the moon. the p

f lilith az, the emotional, instinctual and sorcerous path. it is the direct transition and embodiment of the adept in the antinomian left hand path concept. it is essential to balance both, as one feeds the other, be it masculine and feminine qualities. the union of the sun and the moon defines the essence of being, thus separates by will the isolate consciousness of the adept. azothoz a book of the adversary by michael w. ford illustrated by elda isela ford published by succubus publishing http//algol.chaosmagic.com azothoz is a formula used specifically in the golden dawn and is a work combined from the first and final letters of the latin, hebrew and greek alphabet alpha& omega, aleph and tau. this work symbolizes the beginning and the end, the dawn and twilight, thus as azothoz is a r

. ford illustrated by elda isela ford published by succubus publishing http//algol.chaosmagic.com azothoz is a formula used specifically in the golden dawn and is a work combined from the first and final letters of the latin, hebrew and greek alphabet alpha& omega, aleph and tau. this work symbolizes the beginning and the end, the dawn and twilight, thus as azothoz is a reverse partly, signifying the adversary. azothoz is a poetic grimoire which sigillizes in lyric and image the essence of set/shaitan the adversary, lilith and the sorcerous path of luciferian witchcraft. azothoz contains an essay on sethanic witchcraft and the development inspired from various correspondences around azazel, the middle eastern fire djinn who is regarded by practice as the initiatic spirit of sorcery. the ad

rom spirit to spirit. the spirit-familiar of austin osman spare, known as the black eagle is presented here as a guide by a sinistral (left way) sigillic formula, including an invocation chant and essay upon the shadow of this vampyric shade. two formulas of the sun and the moon are given, which is a sigillized text of the watchers of the book of enoch. the grimoire ends with an invocation of set the adversary. azothoz is beautifully illustrated by elda isela ford, who captures the pictorial symbolization of the darker aspects of the sorcerous path. all material copyright (c) michael w. ford 2003 http//algol.chaosmagic.com [1] the book of thoth, aleister crowley, the thoth tarot [2] fire and ice by stephen e. flowers [3] the throne of twilight is the awakening undertaken by the initiate, b

MORALS AND DOGMA

ngs it is [hebrew _debar iahavah, the word of god. it is by his uttered word that god reveals himself to us; not alone in the visible and invisible but intellectual creation, but also in our convictions, consciousness, and instincts. hence it is that certain beliefs are universal. the conviction of all men that god is good led to a belief in a devil, the fallen _lucifer_ or _light-bearer, shaitan the adversary, ahriman and tuphon, as an attempt to explain the existence of evil, and make it consistent with the infinite power, wisdom, and benevolence of god. nothing surpasses and nothing equals, as a summary of all the doctrines of the old world, those brief words engraven by hermes on a stone, and known under the name of"_the tablet of emerald" the unity of being and the unity of the harmon

chained, as a signal proof of god's power and justice. god, it is said "stirs the sea with his might--by his understanding he smote rahab--his breath clears the face of heaven--his hand pierced the crooked serpent. god withdraws not his anger; beneath him bow the confederates of rahab" rahab always means a sea-monster: probably some such legendary monstrous dragon, as in almost all mythologies is the adversary of heaven and demon of eclipse, in whose belly, significantly called the belly of hell, hercules, like jonah, passed three days, ultimately escaping with the loss of his hair or rays. chesil, the rebellious giant orion, represented in job as riveted to the sky, was compared to ninus or nimrod, the mythical founder of nineveh (city of fish) the mighty hunter, who slew lions and panthe

tten. it is even said, in the gemara of abodah zara, that god permitted a celebrated hebrew scholar to be burned by a roman emperor, because he had been heard to pronounce the sacred name with points. the jews feared that the heathen would get possession of the name: and therefore, in their copies of the scriptures, they wrote it in the samaritan character, instead of the hebrew or chaldaic, that the adversary might not make an improper use of it: for they believed it capable of working miracles; and held that the wonders in egypt were performed by moses, in virtue of this name being engraved on his rod: and that any person who knew the true pronunciation would be able to do as much as he did. josephus says it was unknown until god communicated it to moses in the wilderness: and that it wa

of the nature of light, the other of that of darkness. the egyptians called the former osiris, and the latter typhon, his eternal enemy. the hebrews, at least after their return from the persian captivity, had their good deity, and the devil, a bad and malicious spirit, ever opposing god, and chief of the angels of darkness, as god was of those of light. the word "satan" means, in hebrew, simply "the adversary" the chaldeans, plutarch says, had their good and evil stars. the greeks had their jupiter and pluto, and their giants and titans, to whom were assigned the attributes of the serpent with which pluto or serapis was encircled, and the shape whereof was assumed by typhon, ahriman, and the satan of the hebrews. every people had something equivalent to this. the people of pegu believe in

PHOSPHORUS

the center, then the magistrate may then allow a passing unto the next gate of learning. some initiates who are natural at this gnosis will pass through quickly, while some will require a more detailed and refined purpose in this grade. the circles of initiation as grades are a magickal transformation of self. they are dynamic as they are essentially the individual becoming as lucifer and lilith the adversary. some will find the plethora and multi-cultural symbolism something they resonate with, from ancient egyptian, hebrew, persian, european and english focuses of symbolism from set as the luciferian initiator, hecate, ahriman or lilith. the path is long; the road thorn covered yet the emerald grail filled with the elixir of gold and silver. initiates are able to join the black order of

the self both male and female -the very basics of magick the differences of high and low sorcery. developing the will as the center of work. 1. study of the luciferian path in base, the definition of magick and sorcery, lucifer as an archetype from sufi lore (azazel iblis) to the middle ages to modern times. what is the essence of lucifer and how is it recognized in you. study of shaitan (satan) the adversary and how the adversary relates to our own self-initiation. the forms of shaitan and how we commune with this force. a minimum two page essay (with or without artwork) on the essence of shaitan including magickal records resulting from the invocation of shaitan. 6 2. vox sabbatum the book of the witches sabbat. this is a grimoire which simplifies and lays a foundation for the witches s

tails on how you are becoming through working with goetic spirits. see goetia luciferian edition. 10. from the work of goetia, the initiate will work through a specific spirit which will be an intiatic guide, that which will assist in the communication of the holy guardian angel/higher self/luciferian famulus. 11 ii the witches sabbat becoming in the dark light color blue- symbol algol the eye of the adversary -initiation of the witches sabbat, the development of astral projection and dreaming sorcery -the self-transformative benefits of the celestial sabbat and solar/twilight rebirth -the self-deification process of the infernal sabbat shape shifting and sexual congress via dreaming and astral projection -shape shifting and vampyric sorcery purpose and practice -the black eagle as the ini

ght. 1. mephistopheles, how this daemon represents both earth and spirit and the unity within. the evocation and invocation of mephistopheles to absorb a hidden atavistic knowledge of the daemonum of the earth. see mephistopheles conjuration by michael w. ford 2. the assumption of the flesh of the devil, the power of initiation and the mark of the devil as a rite of passage. the god form of satan the adversary is to understand the fallen aspect of darkness to the 12 rise into the dark light, thus a balanced initiation of flesh and spirit. see book of the witch moon. 3. the astral sabbath, dedication to, preparation and emergence into the astral plane. complete records and insight through including if famulus attends the self. 4. averse tree of life (daath) and the spheres of the qlippoth

ds and insight through including if famulus attends the self. 4. averse tree of life (daath) and the spheres of the qlippoth. devotion to the essence of each sphere and its daemonic attributes to be used in a positive way. 5. a working of the black eagle as the initiator unto the path of shadow, records in a detail of 2 pages on successful contact with the black eagle. examples, records, etc. iii the adversary ascending into the noon-tide sun 13 -color red symbol shaitan of midnight -adversary in flesh the egyptian godform of set-an -mastery over spiritual and material planes -isolated and perfected strength of will and independence -the self as a gateway to vampyric and necromantical transformation -the work of the holy guardian angel advanced self-transformation and deification through w

f midnight -adversary in flesh the egyptian godform of set-an -mastery over spiritual and material planes -isolated and perfected strength of will and independence -the self as a gateway to vampyric and necromantical transformation -the work of the holy guardian angel advanced self-transformation and deification through working with the initiatic guide or genius. 1. study and introduction to seth the adversary, a dedication to invoking and communicating with the prince of darkness in its many forms, ala azothoz. set in relation to the luciferian sorcery and ones own self-initiation into the doctrine of shadow. an essay of relation between the two forces and how they are similar and different. 2. magickal assumption of the vampyre as a point of selftransformation, shape shifting and astral

ich is symbolic of the light of lucifer before the fall. the virgin initiate shall enter the light of phosphorus to be born in the darkness of the initiator of the path, azal ucel. let the altar be decorated in the manner of which the sorcerer chooses, but with the algol sigil of standing above it on the wall. the black mirror should be below a larger mirror, symbolizing the opposing 14 gnosis of the adversary. this is the waking initiation into the path of the witch, the devil s kiss of awakening. you may in turn use the caul to cover your head (see nox umbra) and dance widdershins in a circle. as you do this, your pulse rate will increase, you will sweat and grow very hot. as you move and envision the luciferian path opening before you, a religious ecstasy will take you and guide your vi

roaching you, she casts a red cloth over your head, the very mark of her children born in the night waking caves of the red sea. lilith now shines in a crimson light, a fire which burns with lust and demonic strength of spirit. i shall seek thy guidance in dreams, open now the way before me! i thank you spirits of the witch-path and nephillimic way! so it is done! rites of focus- 1. invocation of the adversary 2. an invocation to the holy guardian angel, spirit of the adversary who resides in darkness and light azal ucel the ritual of algol 16 (veneficium rite) phosphorus opening of the eye rite the veneficus and initiate shall have the algol sigil above their altar; they shall be robed in black representing wisdom. the algol sigil is a mirror of the self and the possibilities of becoming

wisdom. the algol sigil is a mirror of the self and the possibilities of becoming. the complete symbolism of algol is revealed to initiates of the black order of the dragon. face the algol sigil- i behold the circle of timeless existence, guarded by leviathan i call to the four quarters to witness my rite of darkness and flame, and the light which illuminates within. before me, the algol star of the adversary, the corpses piled and devoured by flame that which arises from death reborn, al ghul, rosh ha shaitan, phantom star, daemon of my night born illumination. i dive now from the heavens of light with emerald wings, i fall into the darkness to become as a dragon, to know the ecstasies of light and shadow. al ghul, serpent tongue which arouses perception i invoke thee! i do affirm hecate

RUBY TABLET OF SET

the soul must pass through all experiences over the course of many lifetimes. this was based on jesus saying "while you are on the road with your adversary, try to get rid of him so that he does not hand you over to the judge, and the judge to the law officer, and he send you to prison; verily i say unto you that you will not get out of there until you have paid back the last penny (luke 12:5859) the adversary was one of the dark angels who hands the soul over to another to be put into new body, which they considered to be the "prison. they believed that we will only be free when we have committed all sins "paid back the last penny. we must sin to be saved. antiarchal gnostics honored the rebels of the bible; cain, esau, judas, the sodomites, and of course, the serpent. there is an entire

SABBATIC KABALA OF THE CROOKED PATH

re the joining in secret and sacred matrimony are performed. this will include the absolute readiness of the senses. the totality of the body must be brought to a state of reception for the forces to descend upon the mage. he ritual of the opposer will be performed in such occasion and the mage who strives to reach the highest ladders will gladly forsake all for the sake of naught! the joining of the adversary within the mage constitutes the hierophant, the high priest of the ages. the mouth peh is connected to mars and the power of the tower in the arcane of the tarot. this is significant due to the disruptive nature of the joining of the external within the internal in these kinds of operations. mysteries connected to the luchiferian gnosis are inherent and implicit in this cell and will

SALMANRUSHDIE THESATANICVERSES

his "dark age, that is to say the period during which he had unaccountably come to disbelieve in his angelhood, he was faced with a thick bank of clouds, through which, peer and blink as he might, he could make out little more than shadows- or could it be that the material now filling his thoughts, the echo, to give but a single example, of how his lieutenant-angels ithuriel and zephon had found the adversary _squat like a toad_ by eve's ear in eden, using his wiles "to reach/the organs of her fancy, and with them forge/illusions as he list, phantasms and dreams, had in fact been planted in his head by that same ambiguous creature, that upstairs-downstairs thing, who had confronted him in alleluia's boudoir, and awoken him from his long waking sleep- then rekha, too, was perhaps an emissa

up wherever you come from, well! you wouldn't like _that" o o o punched in the nose, taunted by phantoms, given alms instead of reverence, and in divers ways shewn the depths to wihich the denizens of the city had sunk, the intransigence of "the evil manifest there, gibreel became more determined than ever to commence the doing of good, to initiate the great work of rolling back the frontiers of the adversary's dominion. the atlas in his pocket was his master-plan. he would redeem the city square by square, from hockley farm in the north-west cornerr of the charted area to chance wood in the south-east; after which, perhaps. he would celebrate the conclusion of his labours by playing a round of golf at the aptly named course situated at the very edge of the map: wildernesse. and somewhere

dominion. the atlas in his pocket was his master-plan. he would redeem the city square by square, from hockley farm in the north-west cornerr of the charted area to chance wood in the south-east; after which, perhaps. he would celebrate the conclusion of his labours by playing a round of golf at the aptly named course situated at the very edge of the map: wildernesse. and somewhere along the way the adversary himself would be waiting. shaitan, iblis, or whatever name he had adopted- and in point of fact that name was on the tip of gibreel's tongue- just as the face of the adversary, horned and malevolent, was still somewhat out of focus. well, it would take shape soon enough, and the name would come back, gibreel was sure of it, for were not his powers growing every day, was he not the on

haitan, iblis, or whatever name he had adopted- and in point of fact that name was on the tip of gibreel's tongue- just as the face of the adversary, horned and malevolent, was still somewhat out of focus. well, it would take shape soon enough, and the name would come back, gibreel was sure of it, for were not his powers growing every day, was he not the one who, restored to his glory, would hurl the adversary down, once more, into the darkest deeps- that name: what was it? tchsomething? tchu tch tchin tchow. no matter. all in good time. o o o but the city in its corruption refused to submit to the dominion of the cartographers, changing shape at will and without warning, making it impossible for gibreel to approach his quest in the systematic manner he would have preferred. some days he w

raight and the rough places plain- but then he had been dragged away, and the security guards were around gibreel _they're out of control, it's a fucking riot, you'll have to- but he wouldn't go, because he'd seen that at least half the crowd were wearing bizarre headgear, rubber horns to make them look like demons, as if they were badges of belonging and defiance- and in that instant when he saw the adversary's sign he felt the universe fork and he stepped down the left-hand path. the official version of what followed, and the one accepted by all the news media, was that gibreel farishta had been lifted out of the danger area in the same winch-operated chariot in which he'd descended, and from which he hadn't had time to emerge- and that it would therefore have been easy for him to make h

larity. he would show them- yes- his _power- these powerless english- did they not think their history would return to haunt them "the native is an oppressed person whose permanent dream is to become the persecutor (fanon. english women no longer bound him; the conspiracy stood exposed- then away with all fogs. he would make this land anew. he was the archangel, gibreel _and i'm back_ the face of the adversary hung before him once again, sharpening, clarifying. moony with a sardonic curl to the lips: but the name still eluded _tcha, like tea _shah, a king? or like a (royal? tea) dance _shatchacha- nearly there- and the nature of the adversary: self--hating, constructing a false ego, auto--destructive. fanon again "in this way the individual- the fanonian _native "accepts the disintegration

. fanon again "in this way the individual- the fanonian _native "accepts the disintegration ordained by god, bows down before the settler and his lot, and by a kind of interior restabilization acquires a stony calm _i'll give him stony calm- native and settler, that old dispute, continuing now upon these soggy streets, with reversed categories- it occurred to him now that he was forever joined to the adversary, their arms locked around one another's bodies, mouth to mouth, head to tail, as when they fell to earth: when they settled- as things begin so they continue- yes, he was coming closer- chichi? sasa _my other, my love. no- he floated over parkland and cried out, frightening the birds- no more of these england-induced ambiguities, these biblical--satanic confusions- clarity, clarity

ir _embodiment, he was temporarily overcome by a warm, spinning heaviness, a soporific churning (not at all unpleasant) that made him close, just for an instant, his eyes. the second was that the moment his eyes were shut the horned and goaty features of mr. saladin chamcha appeared, on the screen of his mind, as sharp and well-defined as could be; accompanied, as if it were sub--titled there, by the adversary's name. and the third thing was that gibreel farishta opened his eyes to find himself collapsed, once again, on alleluia cone's doorstep, begging her forgiveness, weeping _o god, it happened, it really happened again. o o o she put him to bed; he found himself escaping into sleep, diving headlong into it, away from proper london and towards jahilia, because the real terror had crosse

at omnipresence must be like, because he is moving through several stories at once, there is a gibreel who mourns his betrayal by alleluia cone, and a gibreel hovering over the death-bed of a prophet, and a gibreel watching in secret over the progress of a pilgrimage to the sea, waiting for the moment at which he will reveal himself, and a gibreel who feels, more powerfully every day, the will of the adversary, drawing him ever closer, leading him towards their final embrace: the subtle, deceiving adversary, who has taken the face of his friend, of saladin his truest friend, in order to lull him into lowering his guard. and there is a gibreel who walks down the streets of london, trying to understand the will of god. is he to be the agent of god's wrath? or of his love? is he vengeance or

screen, a famous "presenter, being interviewed by an equally famous, twinkling irish "host- what would be the worst thing you could imagine- oh, i think, i'm sure, it would be, oh _yes: to be alone on christmas eve. you'd really have to face yourself, wouldn't you, you'd look into a harsh mirror and ask yourself _is this all there is- gibreel, alone, not knowing the date, walks on. in the mirror, the adversary approaches at the same pace as his own, beckoning, stretching out his arms. the city sends him messages. here, it says, is where the dutch king decided to live when he came over three centuries ago. in those days this was out of town, a village, set in green english fields. but when the king arrived to set up house, london squares sprang up amid the fields, red-brick buildings with d

ains hanging at the windows- and there are men and women with fiery skins strolling, running, milling around him, dressed in coats of fire. the street has become red hot, molten, a river the colour of blood- all, all is ablaze as he toots his merry horn _giving the people what they want, the hair and teeth of the citizenry are smoking and red, glass burns, and birds fly overhead on blazing wings. the adversary is very close. the adversary is a magnet, is a whirlpool's eye, is the irresistible centre of a black hole, his gravitational force creating an event horizon from which neither gibreel, nor light, can escape _this way, the adversary calls _i'm over here. not a palace, but only a caf. and in the rooms above, a bed and breakfast joint. no sleeping princess, but a disappointed woman, ov

s above, a bed and breakfast joint. no sleeping princess, but a disappointed woman, overpowered by smoke, lies unconscious here; and beside her, on the floor beside their bed, and likewise unconscious, her husband, the mecca-returned ex-schoolteacher, sufyan- while, elsewhere in the burning shaandaar, faceless persons stand at windows waving piteously for help, being unable (no mouths) to scream. the adversary: there he blows! silhouetted against the backdrop of the ignited shaandaar caf, see, that's the very fellow! azraeel leaps unbidden into farishta's hand. even an archangel may experience a revelation, and when gibreel catches, for the most fleeting of instants, saladin chamcha's eye- then in that fractional and infinite moment the veils are ripped away from his sight- he sees himself

ye- then in that fractional and infinite moment the veils are ripped away from his sight- he sees himself walking with chamcha in brickhall fields, lost in a rhapsody, revealing the most intimate secrets of his lovemaking with alleluia cone- those same secrets which afterwards were whispered into telephones by a host of evil voices- beneath all of which gibreel now discerns the unifying talent of the adversary, who could be guttural and high, who insulted and ingratiated, who was both insistent and shy, who was prosaic- yes- and versifying, too- and now, at last, gibreel farishta recognizes for the first time that the adversary has not simply adopted chamcha's features as a disguise- nor is this any case of paranormal possession, of body-snatching by an invader up from hell; that, in short

iously to spread- and now, no doubt, it has filled him up; now there is nothing left of saladin but this, the dark fire of evil in his soul, consuming him as wholly as the other fire, multicoloured and engulfing, is devouring the screaming city. truly these are "most horrid, malicious, bloody flames, not like the fine flame of an ordinary fire. the fire is an arch across the sky. saladin chamcha, the adversary, who is also _spoono, my old chumch, has disappeared into the doorway of the shaandaar caf. this is the maw of the black hole; the horizon closes around it, all other possibilities fade, the universe shrinks to this solitary and irresistible point. blowing a great blast on his trumpet, gibreel plunges through the open door. o o o the building occupied by the brickhall community relat

SATANISM AN EXAMINATION OF SATANIC BLACK MAGIC

that organization/'teacher. lhp organizations and masters/mistresses only offer adviceand guidance, based on their own experience. satanism: as mentioned above, satanism is a particular lhp. conventionally, and incorrectly, satanism is described as 'worship of satan/the devil. the word 'satan' originally derived from the greek word for 'an accusation. that is, satan is an archetype of disruption- the adversary who challenges the accepted, who defies- who desires to know. in essence, satan is a symbol of dynamic motion: the generative or moving force behind evolution, change. in reality, satan is both symbolic or archetypal, and real. that is, he exists within the psyche of individuals, and beyond individuals. satanism is, in part, the acceptance of the necessity of change- of the reality o

SCHLAGER NEIL WORLD RELIGIONS REFERENCE LIBRARY

rother without a cause shall be in danger of the judgment. 5:23 therefore if thou bring thy gift to the altar, and there rememberest that thy brother hath ought against thee; 5:24 leave there thy gift before the altar, and go thy way; first be reconciled to thy brother, and then come and offer thy gift. 5:25 agree with thine adversary quickly, whiles thou art in the way with him; lest at any time the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison. 5:26 verily i say unto thee, thou shalt by no means come out thence, till thou hast paid the uttermost farthing. 5:27 ye have heard that it was said by them of old time, thou shalt not commit adultery: 5:28 but i say unto you, that whosoever looketh on a woman to lust after her hath co

TEXE MARRS CODEX MAGICA SECRET SIGNS MYSTERIOUS SYMBOLS AND HIDDEN CODES OF THE ILLUMINATI

a rose by any other name is still a rose. and no matter how reluctant or tentative are the magicians of the illuminati to come right out and identify the one whom they serve, we who have long studied these maladjusted rulers and their psychophants need not dodge the issue. without question, a great many of the illuminati know without a doubt whom they serve: satan, also called lucifer, the devil, the adversary. their secret hand signs and grips, their symbols and their logos, indisputably prove this is so. invocation that demon principalities are invoked in the rendering of masonic signs and other magical operations by the elite is a clear indication that these men are involved in witchcraft. it is not believed that the universe is some neutral machine, operating in a non-theological, pure

ptures, is god of the dead. indeed, god says "all they that hate me love death (proverbs 8:36. he is lord alright, but only of death, of the underworld, and of planet earth for a season (ii thessalonians 2. he is graphically pictured in the occult world as a serpent biting his own tail; how appropriate: a devourer of himself! and that is what actually happens when a person defies god and worships the adversary. he or she is "biting his own tail" tragically and pathetically devouring himself. the oroboros the oroboros, or serpent biting its own tail, is pictured on the cover of codex magica. this book unmasks the illuminati worship of this detestable creature, a worship of which virtually every person on earth is dangerously and hopelessly unaware. since the illuminati, masons, and fellow c

THE BOOK OF PLEASURE

n the art and writings of austin osman spare. zos vel thanatos, his name within the witch cult according to kenneth grant presents the significance spare had on formulating a modern approach to magic and dream control. within the book of pleasure you will find methods of achieving contact with your holy guardian angel/luciferian angel which may further empower the rites of azal ucel and ritual of the adversary by michael w. ford. i have included the introduction by kenneth grant from the 93 publishing edition of the book of pleasure. this grimoire is a powerful tool to illuminate the torch of the witches sabbat. for many years have i entered the gates of the opposer to drink from the graal of the devil, the very cup of ensorcelled venom few may taste. spare s art holds a gateway into this

THE LUCIFERIAN PATH THE WITCHES SABBAT MICHAEL W FORD

in isolation, power through facing the unknown- symbolically, the averse pentagram represents the essence of the egyptian god of darkness and storms, set. set or set-an (shaitan) is the opposing force of darkness but intelligence and isolate consciousness. to be set-like is to be individual, willdriven and balanced. the center of the averse pentagram is called the eye of set or the eye of satan, the adversary. this symbol also represents the union of the empyrean (in this context that which fell from heaven) and the infernal (earth based. this is sigillized and explored via the god form cain or tubal-cain, who has been illustrated with horns and cloven hooves, the awakened sorcerer. the algol sigil is an 8-pointed chaos star with an averse pentagram in the center. this is explained in the

tubal-cain, who has been illustrated with horns and cloven hooves, the awakened sorcerer. the algol sigil is an 8-pointed chaos star with an averse pentagram in the center. this is explained in the glossary section and beholds a powerful but dangerous magical formula. algol is a mirror which causes madness or wisdom, depending on the force of will of the magickian who stares into it. the sigil of the adversary is an image of the egyptian god set with two heads, as he faces darkness and light. this is a two fold state of the sorcerer who is balanced between darkness and light. he has tasted both ecstasies and has grown in wisdom from that experience. the alphabet of desire 5 sigils around the circle are focused forms of power which may arise in the conscious (by results of the will-desire-b

ming body taking the shape of whatever night form he or she wills. the illustrations of nox umbra are equally as a part of the grimoire as the text. each drawing by soror davcina (elda isela ford) presents an adversarial sigil of isolated obtainment, that each embodies a staota (see yatuk dinoih- second illustrated edition) which empowers the mind of the witch or sorcerer. a z o t h o z a book of the adversary by michael w. ford illustrated by elda isela ford azothoz is a formula used specifically in the golden dawn and is a work combined from the first and final letters of the latin, hebrew and greek alphabet alpha& omega, aleph and tau. this work symbolizes the beginning and the end, the dawn and twilight, thus as azothoz is a reverse partly, signifying the adversary. azothoz is a poetic

s a formula used specifically in the golden dawn and is a work combined from the first and final letters of the latin, hebrew and greek alphabet alpha& omega, aleph and tau. this work symbolizes the beginning and the end, the dawn and twilight, thus as azothoz is a reverse partly, signifying the adversary. azothoz is a poetic grimoire which sigillizes in lyric and image the essence of set/shaitan the adversary, lilith and the sorcerous path of luciferian witchcraft. azothoz contains an essay on sethanic witchcraft and the development inspired from various correspondences around azazel, the middle eastern fire djinn who is regarded by practice as the initiatic spirit of sorcery. the adversary in an initiatory context as it pertains to the left hand path, the path of non-union with the subje

rom spirit to spirit. the spirit-familiar of austin osman spare, known as the black eagle is presented here as a guide by a sinistral (left way) sigillic formula, including an invocation chant and essay upon the shadow of this vampyric shade. two formulas of the sun and the moon are given, which is a sigillized text of the watchers of the book of enoch. the grimoire ends with an invocation of set the adversary. azothoz is beautifully illustrated by elda isela ford, who captures the pictorial symbolization of the darker aspects of the sorcerous path. azothoz is a grimoire of lyric, that by recitation does the essence make itself known. what is united is the archetypes of old and various cultures, set cain lilith ahriman azazel. the watchers are made flesh in the body of the sorcerer, thus t

hat systems may be adapted based on the predilection of the individual, that certain aspects may be altered for better results. the luciferian edition of the goetia, by michael w. ford is based on his own individual practice of goetic magick without the christian dogma of earlier versions. the luciferian edition of the goetia is a grimoire of both high and low sorcery, it unites by the formula of the adversary, the shadow and the light. while the individual seeks to become and initiate self-development, his or her own goals may be achieved by a unity of sorcerous practice and self-deification. the goetia was refined in a luciferian sense by the practices developed partially by aleister crowley, francis barrett, s.l. 10 macgregor mathers and other sources. the invocations of this edition we

ork with angelic (meaning the higher facilities of man) and demonic (representing carnal, earth based and shadowed) spirits opens a doorway in the self that which will either empower the individual or destroy him or her completely. magick is a blessing and a curse depending on the individual and should be approached cautiously. the ritual of the holy guardian angel azal ucel and the invocation of the adversary are solitary rites to bring the sorcerer in communication with his or her holy guardian angel, the congressus cum daemone, the intercourse with the daemon. this rite was designed from aleister crowley s bornless one, it is essentially a slightly different language with respect to the older rite. these rituals are to prepare the initiate to begin the path of summoning the goetic daemo

with chants given to charge the toadbone after the ritual. for the road through the rite is through the darkness, it leads towards the light of the sun. illustrated with old grimoire sigils and toadwitch sigils by elda isela ford, the toad rite presents an independent record of 12 the toad rite on the antinomian way of the left hand path and luciferian witchcraft. yatuk dinoih persian sorcery of the adversary- second edition- new version, contents and illustrations by michael w. ford illustrated by elda isela ford the path of persian sorcery has long been overlooked and unknown since middle eastern and arabic grimoires emerged in western culture. the path of yatus (demons who wander the earth as nomads) as revealed through the yatuk dinoih (witchcraft and sorcery) is a lesser known and ev

(demons who wander the earth as nomads) as revealed through the yatuk dinoih (witchcraft and sorcery) is a lesser known and even lesser understood religion. the original first edition of yatuk dinoih by michael ford presented only a glimpse at this system of averse shadow sorcery. in the terms of sabbatic or luciferian sorcery, the yatuk dinoih provides a powerful model for initiatory practice of the adversary, the perpetual opposition of the universal order. the yatuk dinoih is a system of persian sorcery, developed by practice of a sabbatic/luciferian guild in houston, texas, who were working through zoroastrian symbolism and brought the western left hand path focus to its fold. ultimately, the yatuk dinoih is a dangerous grimoire which can build or destroy the self, depending on the wil

r destroy the self, depending on the will and the control of the sorcerer. the left hand path is a lonely road of non-union with the natural order, that is by the antinomian path of individual strength. rewritten, reworked and encompassing the persian system of sorcery the yatuk dinoih presents the background and idea of ahriman, the prince of darkness, a sorcerous spirit who is made of darkness (the adversary, who takes the shape and shadow form of a toad, serpent, wolf and dragon. ahriman represents the sabbatic and luciferian adversary formula, the 13 initiatory state of transforming and becoming something other than being dissolved in the natural order. this grimoire presents systems of personal sorcery, in which through the individual works through the godforms of ahriman and az. pres

masculine, thus is represented by the phallus or source of creative life. in the tarot, the devil is attributed to capricornus, and the hebrew letter ayin, being an eye. the symbolism of the devil as the initiator may be best understood by the tarot as presented in the book of thoth. satan/set is the ass headed god of the desert, the lord of storms and desolate places. set is the tester of self, the adversary and opposer. set is also related to saturn. this planet, called also shabbathai, is the sphere of saturn and is considered a meeting place of the witches sabbat. the image of those leaving the flesh, to go forth in the name of the devil by flying with familiars and other demons is not too far from realistic workings in the present time. 1 luciferian is also relevant to the egyptian g

e, who venerated shaitan in the form of malak tauus, the peacock angel. in the meshaf resh10 it presents azazel as the angel created before all others, thus the brightest star. in the jilwa, lucifer is presented as malak tauus existed before all other creatures and was then and now .there is no place devoid of me thus presenting the unnatural concept of self-illumination and intellect, lucifer is the adversary, who is full of life. as lucifer/shaitan is light, he does indeed hold a shadowside. this is present in the god forms or masks of shaitan, being seker, set and ahriman. the egyptian god set11 is a model and neter12 for self-deification, isolation and the adversary. the adversary or opposer is the shadow which reveals light, called the black light of iblis or shaitan. this light is in

ter12 for self-deification, isolation and the adversary. the adversary or opposer is the shadow which reveals light, called the black light of iblis or shaitan. this light is inspired intellect and creative imagination. set represents self-imposed challenge and individual development, a tester of self. an adept uses this model for self-control and a becoming through the left hand path approach of the adversary, the antichrist which awakens the pscyhe in both light and darkness. set is noted for being a god which was different from all other egyptian gods. he was the neter over storms, chaos and the darkness. set, being a god of the north, was a sender of nightmares who was identical to the greek daemon typhon. set was viewed as a god of such dangerous and desolate places of the earth, but

THE SHADOWED ONES

l a dragon of both darkness and light. by balance of the mind and heart can you seek to become like azazel, who came forth from the void of chaos and created a form of order. that order is always torn asunder by the chaos willed of azazel, just as fire consumes to create anew. azazel tests and confronts, yet strengthens and blesses that which withstands or falls in honesty. this is the essence of the adversary who is two who may be sought by light or shadow. azazel may be known in various forms as shaitan the adversary, set, ahriman a shadow form of this fallen angel, lucifer and azal ucel. seek the daemon by invocation and instinct, seek his essence by the will itself. belial a watcher who fell with azazel, who was given lordship of the gates of the hidden place, called hades or hell by s

mmons forth the sun. so it is done the widdershins dance of the circle -of the watchers and their times- let the initiate seek in the circle of azazel the angelick watchers, those who shower witch blood in the eyes of the brave and faithful bodies of man and woman. by noon when the sun is in its height does one seek shaitan called iblis in the south with the blade of cain do summon with thy heart the adversary who shall be met in the mirrored adobe of hades, of darkness and shadow gleam by midnight let the sun envenom your spirit, naked in spirit you are left to cloth yourself in serpent skin, to see as the eye of the adversary before all. let the angelick red dragon ascend through your spine and open your senses about you. by the south east does shamsiel carry forth the weapons of the sun

THE SIGIL OF ADVERSARY

h the initiatory guild of the order of phosphorus and the luciferian path. mr. ford is the author of numerous grimoires and works on the draconian shadow path such as yatuk dinoih, azothoz, nox umbra, book of cain and many others. michael ford is also the founding musician of psychonaut 75. www.psychonaut75.com succubus publishing http//algol.chaosmagic.uta description and purpose of the sigil of the adversary, set-heh by akhtya seker arimanius iv, botd/toph sigil illustrated by soror azhdeha iii, botd/toph the twelfth is when the demon of the noon tide sun comes forth from the desert, shaitan. this sigil is the empowerment of the fiery will and that of the other demon of the noon hour, keteb. used in daylight initiation rites focusing towards the eye of set-heh, the fire of iblis, shaitan

of another or self love. use while envisioning the object of your desire chant a mantra form of erbeth while doing so while facing a mirror. the sixth is the god of the night sun, seker (he who is shut in, a god of darkness who has a close connection to set in his beginning. use this sigil to invoke the power of death and to isolate the psyche, emerge and begin transforming in the midnight sun of the adversary. the fifth is lerthex, a name of typhon the serpent. this is the body and mind of the magician as he spirals his or her spells as a dragon. use lerthex to visualize a goal and then recite the name as a mantra to manifest the desire. may be used for protection, by imagining a great typhonic dragon to encircle your dwelling. the fourth is saatet-ta, the darkener of the earth. this is t

her desires. this sigil may be used in dream sorcery, haunting or copulating as the vampire and incubi/succubi with your chosen .the third of the devourer, amam. use this sigil to encircle 9 times around the name of your enemy, to bring the serpent-devils of seba to bring storms against them. burn the sigil in the fire of the noon tide sun while invoking keteb of the twelfth. the second sigil of the adversary, being hau-hra, the backward face. this is one name of apep, the crocodile-demon shadow of set-heh, that which devours and causes destruction. the purpose of the setanic magician is to master apep within the self and master this demon by the will through the seba, the lesser devils of set. used for controlling the shadow familiars of seba into a form of organization. the first sigil

he lesser devils of set. used for controlling the shadow familiars of seba into a form of organization. the first sigil of set-an, being of kolchoi tontonon, a name considered secret of set. by the first shall the ladder of darkness led up towards the light. this sigil represents the continuation of life in a cycle of rebirth and manifestation, the mind strengthened and free. invocation of set-an the adversary (at noon or midnight) before working with the sigils- i conjure thee, bringer of storms and chaos! i summon thee, isolator and winter bringer! lord of deserts and barren places of devils mighty typhon arise to encircle me i speak the words of seth which manifest my possibilities! i shall become! abraoth, athorebalo, kolchoi tontonon, beteshu, sekhem-hra, becobe star in the west a cri

THE WITCH CULT OF ZOS VEL THANATOS

any magickal act was possible. gnosis is a state of closing but is fully aligned with the object or system sought. a gnosis state is possible to manifest desires through sigil methods outlined in the book of pleasure and briefly outlined here. it must be understand also the truth is by all contents a lie, the lie is the word of the serpent, lie indicates constant change, thus all magicians are as the adversary/opposer: constant change. the importance of sigils is that such can be any pertinent method of envisioning. sigils can be letters, signs or symbols. sigils can also be something, which cause a matter of focus for the mind. to invariably forget and absorb the ideas sought. personally, i have used musick (the act of creating) as various sigils, art (much contact and initiation with spi

and coils in your rising shades and energy of the self. in essence, self love allows growth and discovery, as well as compassion towards others and utter hunger and destruction for those who have wronged you. evil genius herein the fetish of the sorcery, the holy guardian angel/evil genius or luciferian angel within the black tradition. when the initiate has uplifted his own being by the rite of the adversary and the ritual of the holy guardian angel, azal ucel, the essence of the true will may then be understood. incident at the witches sabbath when the circle is cast and the shadow is uplifted, the cunning shall gather as one. here is the great orgy of the horned one, when the luciferic angel and the daemon or akoman is joined, the black adepts astral body is unleashed within the aethyr

THE ABYSS AND TABAET

ck by michael w. ford introduction the purpose of the following essay is to not only examine masks worn by the fallen angels throughout history as well as to examine the etymology of the spirit of self-liberation and opposition from the praxis of occult thought. the very passing of power in the circle of witchcraft and sorcery is the averse way of bringing into union daemon and man, the intent of the adversary is life and the immortality of the spirit. as luciferian witchcraft and liber hvhi provide a foundation of sorcery which incorporates an interwoven praxis of antinomianism and self-deification, the essential origins of the daemonic feminine and masculine should be further understood by its origins. what is regarded as common knowledge depicts that the luciferian spirit, what is found

lity of the spirit. as luciferian witchcraft and liber hvhi provide a foundation of sorcery which incorporates an interwoven praxis of antinomianism and self-deification, the essential origins of the daemonic feminine and masculine should be further understood by its origins. what is regarded as common knowledge depicts that the luciferian spirit, what is found are the associative traits and that the adversary has existed long before christianity. the avestan texts as well as the denkard provide a wealth of knowledge of ahriman from a right hand path point of view, consider as such a veil which can only be passed through by the great work of initiation. the names and cultural expressions of the adversary are briefly explored as an introduction, from the ancient persian, hebraic and even no

dversary has existed long before christianity. the avestan texts as well as the denkard provide a wealth of knowledge of ahriman from a right hand path point of view, consider as such a veil which can only be passed through by the great work of initiation. the names and cultural expressions of the adversary are briefly explored as an introduction, from the ancient persian, hebraic and even norse, the adversary appears in each. as tempter, war maker, wisdom bringer and devouring predatory spirit. look to the common aspects which make the opposer as a force of initiation. lucifer/ahriman/samael is a spirit which is made viable through the adept his/herself, this force is expressive of the individual, thus each manifestation unique as the initiate in question. the primal abyss she filled thei

those beasts which prey upon others is the desire of tiamat. what she gave to humanity was never cleansed from the ancient darkness in the subconscious, there is still a coiling serpent within. the ancient dragon which personified the primal sea was tiamat, according to george barton the name tiamat was equivalent to the same stem which meant tamtu, being the primal waters of the abyss. tiamat is the adversary from a atavistic viewpoint, her form too terrible to comprehend. an interesting concept of the demonic feminine as a motivational factor in all life can be found in the archetype of tiamat. the adversary, long hidden away in a morass of filth by those who would hate the darkness, those who would commit greater crimes on humanity and veil such in the words of god. they are indeed old

form too terrible to comprehend. an interesting concept of the demonic feminine as a motivational factor in all life can be found in the archetype of tiamat. the adversary, long hidden away in a morass of filth by those who would hate the darkness, those who would commit greater crimes on humanity and veil such in the words of god. they are indeed old, the two-fold principle of darkness, known as the adversary, call it samael and lilith or the older ahriman and jeh, the very isolate god of darkness. tiamat is the very first manifestation of this force, from a time when darkness held in its arms hideous monsters, the very demonic shapes which still seek our thoughts in the darkest hours of our mind. in times of stress and turmoil, these atavistic beasts seek to escape from the barbed wire

he name of tiamat, the book of enoch mentions this serpent to not just an abyssic demon, rather a fallen angel who beholds power in the noon tide sun. the serpent later with the use of seduction, tempted mankind to accept the gift of the black flame in the form of an apple, leading to the possibility of mankind being as gods if they chose to. tiamat may be a etymological form of what would become the adversary as ahriman/jahi or samael/lilith, the name itself being the enemy of the so-called righteous, depending on whoever associates with the term at that time. the origins of the adversary ahriman was first within the womb along with his brother, ohrmazd. ohrmazd had overheard zurvan whisper 'whichever of the two shall come to me first, him will i make king. upon hearing this ohrmazd told

ial sense (if desired) or a spiritual one. az or jeh, the whore or demonic feminine, was the 'weapon of concupiscence' which ahriman chooses it of his own free will 'as his very essence. the lightening which emerges from the abyss manifests upon earth, the storm bringing shadow called daemon can be only comprehended once the seeker enters the circle, wherein all gods and demons meet in the flesh! the adversary opens forth serpent eyes, finding all in the primal darkness and with an inner fire awakening the clay on man! yet it is the compliment of the masculine in lilith or az or the earlier jahi who is the fiery compliment which rouses her mate to manifest upon earth! the feminine which is the essence of lilith is just as her mate samael, in the form of leviathan does she inspire his mind

me of the father of serpents. there is the immortal spirit which exists in the depths of the mind, guided up through the darkness with an inner fire of rahab, the angel of violence, whose breath is the lightening of inspiration and self-deification. this ancient spirit rises up from the oceans in our bodies and envenoms our spirit to the possibilities of our deification! from the great sleep does the adversary come forth as the balance of the feminine and masculine, the primal path of the black and red serpent. rahab, who makes the orbs of light dark with its presence, a shadow cast upon the self-righteous and weak. as ahriman did he first create the predators of the earth, wolves, serpents, flies, scorpions, did his fire of darkness create the six archdaevas who bring wisdom and power to

serpents, flies, scorpions, did his fire of darkness create the six archdaevas who bring wisdom and power to mankind, against the mindnumbing arch-angels of ahura mazda. was it not jahi whose voice of inspiration rouse the dragon from his slumber, bringing chaos and motion into this world? yet ahriman brings order as well, knowing that stasis is death and the spirit must continually move forward. the adversary s origins are found in both the feminine and masculine, that balance must bring the lively intelligence of existence. here is the sacred cup made from the human skull, to drink of it s elixir is to taste the lifeforce which illuminates and makes free the spirit! one may refer to the name of ahriman or angra-mainyu for a source of the adversary on earth. the root of the word mainyu is

darkness. material based daevas such as druj nasu, came in the form of a fly and transformed the body into dark matter and the spirit into a type of spiritual predator. the names and etymology of ahriman (satan) in rabbinical, which is old jewish religious text and apocryphal writings, the names of satan (adversary) are many. just as his forms are different, so is the source of him, remember that the adversary is both of darkness and light and uses elements of both in accordance with his will. belial as the name of the adversary in recent times been considered different from satan, old grimoire texts mention belial was the angel created after lucifer. belial is considered by hebrew texts to be the father of idolatrous nations, which if you relate the context of the early rabbinical writing

explained by numerous etymological studies as meaning wicked but also one who is the opposer of established authorities. belial was suggested as meaning in samuel as the rivers of the underworld, then as a force than a specific person. the orthography of the luciferian path as defined in michael w. ford s luciferian witchcraft and liber hvhi is based inpart on the trans-cultural manifestation of the adversary throughout time. belial is held in hasidic traditions as being identified as a manifestation of satan, specifically in the ascension of isaiah belial is called beliar and is considered the same as samael, called malkira or malak ra the angel of lawlessness or angel of evil. this name is sammal malchira and is a manifestation of angro mainyush or ahriman. in the ascension of isaiah, b

ho has thrown off the yoke of heaven and is thus without a master. the luciferian finds connections in the path of history and mythology and seeks to make them work for he or she in the modern world. the spirit of belial is of the mastery of the earth, identified with the element of earth and the north, from which ahriman is identical. consider the four elements however and their association with the adversary as a spirit of self-deification and self-mastery. samael is known in the talmudic texts as being the same as satan, the chief of evil spirits who is known as the venom of god. samael is said to have twelve wings rather than the six of normal angels, a favored assumption. as the angel of death, samael was the angel of poison which is sain ha-mawet, along with ashmodai, is the lord of

testament with regards to him holding the title of prince of demons. the name beelzebub or beelzebuth actually can be derived from baal zebub, baal meaning lord and zebub which holds reference in hebrew as hostility, thus baal zebub is the lord of hostility or they enemy, a title of the opposer. dominus muscarum is also a translation of the title of beelzebub, meaning lord of flies and relates to the adversary being in part a spirit of the air. baal-zebub as the name of a god worshipped in the philistine city of ekron around 850 b.c. and was considered a controller of flies and perhaps plague. if the initiate of the luciferian path looks deep within the history of the adversary, little of christianity may be needed. the adversary is no christian creation, nor does it need the concept of go

e adversary, little of christianity may be needed. the adversary is no christian creation, nor does it need the concept of god as so many have decried. in the west, all gods and demons have been transformed to suit whatever they need it for, such is known as a mild case of chaos magick and thus may be useful. the luciferian knows the importance of discipline, if you build yourself in the image of the adversary with the traits associated with, the adept will truly be a god upon this earth. lilith, known as the queen of demons, a bestial body with a sometimes beautiful appearance, was called mother of ahriman and is related to blood sucking vampiric demons and other night spirits. lilith is one half of the adversary is there were, is truly a satanic or luciferian source of self-mastery and s

es related baphomet as the bride of satan. the dark feminine energies were recognized as a valid magical practice in certain texts, azanigin being a name of the dark goddess and which such satanic magick was practiced. what is underlying is not what order practices what, rather that the demonic feminine or the fiery inspiration itself is central to initiatory development. my grimoires or books of the adversary, luciferian witchcraft and liber hvhi deal exclusively with the dark feminine and masculine as equal forms of the adversary and luciferian practice, something which requires more discipline to work with in terms of initiation as it requires balance and the application of reason to achieve magical results. one may consider the demon of the void mentioned in john dee s diaries who is c

terial. the hebraic of choronzon is chvrvnvn and according to kenneth grant relates to 333, one half of 666 with the other being shugal, the desert howler. as coronzom is the original name written by dee, this would add to 323 which represents the qlippoth of aquarius which in liber hvhi is represented as behemiron, shadows and demonic fragments which the sorcerer may utilize to draw energy from. the adversary from a left hand path perspective "our way is all about, in its beginnings, and for those daring individual who join us, liberating the dark or shadow aspect of the personality. to achieve this, we sometimes encourage individuals to undergo formative experiences of a kind which more conventional societies and individuals frown upon or are afraid of but the strong survive, the weak pe

ventional societies and individuals frown upon or are afraid of but the strong survive, the weak perish. all this- and the other directly magickal experiences like those you yourself have experienced- develop both the character of the individual and their magickal abilities. in short, from the satanic novice, the satanic adept is produced- falcifer order of nine angles consider the very nature of the adversary, the wicked dragon whose very essence was continual change, self-mastery and power. his and her forms are many, from masculine to feminine to the effeminate. the barbarian and violence embodied soldier to the diplomatic statesman, the psychologist to the murderer. the adversary is made great in this world by the individuals who manifest it in our material world. the children of the l

aterial world. the children of the lie are many, legion, our visual appearance is often bold to even normal or bland. many of our kind are those who go unnoticed in society, yet master and control our personal lives in such a way to which much good luck befalls us. some are avatars of darkness, appearing as what society fears and hates most. the beast headed god has taken many masks in our world, the adversary has also mastered the elements as well. the adversary is anything but mysticism. when you discover something you destroy mysticism, within the circle of azothoz, you banish mysticism by obtaining knowledge of the self. during pathworkings, camping away from anyone for a period of time, joining the military, doing something which captivates and awakens the senses, you destroy mysticis

ted from the whole world; since so long as in the body of any one whatever in this world a dwelling is made by a (druj, ahriman (will be) in the world. the denkard, book 6: wisdom of the sages thus it may be seen that ahriman is manifest through the sorcerers and initiates of the path. this is the center of the conceptual foundation of the work of luciferian witchcraft and liber hvhi, to manifest the adversary in the individual within their own unique visage. sorcery and ahriman the literary foundations of liber hvhi and the yatuk dinoih and paitisha found in luciferian witchcraft are found partially in the avesta, this is perhaps one of the most significant and powerful methods described in magical practice. while ignored, the avesta holds in its obscure texts right hand path teachings of

tudy the techniques of yoga while concealing the intention of becoming a yatus or a practitioner of the left hand path. while the buddhist seeks to kill consciousness, the daeva buiti seeks to master it, to strengthen and expand the concept of i. use the techniques of yoga: discipline, attainment and self-control to begin a crystallization of the psyche. summary tabaet is just one of the names of the adversary, his forms are many, just as his bride, yet the blackened fire is imperishable. sorcery and the adversary are an interconnected fire, both are from the earliest legends and myths of rebellion. as ahriman first entered the creation of the world as a serpent and toad, his words defined the very essence of all sorcery and magick, i will seduce all material life into disaffection to thee

into disaffection to thee and affection to myself. initiation into the path of magick is that of the illumination of clay by the gods of the leviathanic path, when dreaming and desired spirit enter flesh and manifest their own journey upon the path of the dragon. in the circle of evocation does the devil embodied awaken, it is the mirror of the creation of the initiate. no matter of which name is the adversary invoked, the shadow encircles the body and soul to reveal the blackened fire of life itself, the very essence illuminated. to walk upon the left hand path is to sip from the venom d cup of the serpent, to move against the sun by the way of lilith and hecate, to listen to the ancient lore of the watchers, to empower their fall and rise through the body of the initiate. the left hand p

THE HOLY BIBLE KING JAMES VERSION

y people at my request: 7:4 for we are sold, i and my people, to be destroyed, to be slain, and to perish. but if we had been sold for bondmen and bondwomen, i had held my tongue, although the enemy could not countervail the king s damage. 7:5 then the king ahasuerus answered and said unto esther the queen, who is he, and where is he, that durst presume in his heart to do so? 7:6 and esther said, the adversary and enemy [is] this wicked haman. then haman was afraid before the king and the queen. 7:7 and the king arising from the banquet of wine in his wrath [went] into the palace garden: and haman stood up to make request for his life to esther the queen; for he saw that there was evil determined against him by the king. 7:8 then the king returned out of the palace garden into the place of

d hammers. 74:7 they have cast fire into thy sanctuary, they have defiled [by casting down] the dwelling place of thy name to the ground. 74:8 they said in their hearts, let us destroy them together: they have burned up all the synagogues of god in the land. 74:9 we see not our signs [there is] no more any prophet: neither [is there] among us any that knoweth how long. 74:10 o god, how long shall the adversary reproach? shall the enemy blaspheme thy name for ever? 74:11 why withdrawest thou thy hand, even thy right hand? pluck [it] out of thy bosom. 74:12 for god [is] my king of old, working salvation in the midst of the earth. 74:13 thou didst divide the sea by thy strength: thou brakest the heads of the dragons in the waters. 74:14 thou brakest the heads of leviathan in pieces [and] gave

at her sabbaths. 1:8 jerusalem hath grievously sinned; therefore she is removed: all that honoured her despise her, because they have seen her nakedness: yea, she sigheth, and turneth backward. 1:9 her filthiness [is] in her skirts; she remembereth not her last end; therefore she came down wonderfully: she had no comforter. o lord, behold my affliction: for the enemy hath magnified [himself] 1:10 the adversary hath spread out his hand upon all her pleasant things: for she hath seen [that] the heathen entered into her sanctuary, whom thou didst command [that] they should not enter into thy congregation. 1:11 all her people sigh, they seek bread; they have given their pleasant things for meat to relieve the soul: see, o lord, and consider; for i am become vile. 1:12 [is it] nothing to you, a

field. 4:10 the hands of the pitiful women have sodden their own children: they were their meat in the destruction of the daughter of my people. 4:11 the lord hath accomplished his fury; he hath poured out his fierce anger, and hath kindled a fire in zion, and it hath devoured the foundations thereof. 4:12 the kings of the earth, and all the inhabitants of the world, would not have believed that the adversary and the enemy should have entered into the gates of jerusalem. 4:13 for the sins of her prophets [and] the iniquities of her priests, that have shed the blood of the just in the midst of her, 4:14 they have wandered [as] blind [men] in the streets, they have polluted themselves with blood, so that men could not touch their garments. 4:15 they cried unto them, depart ye [it is] unclea

ou fool, shall be in danger of hell fire. 5:23 therefore if thou bring thy gift to the altar, and there rememberest that thy brother hath ought against thee; page 561 matthew 5:24 leave there thy gift before the altar, and go thy way; first be reconciled to thy brother, and then come and offer thy gift. 5:25 agree with thine adversary quickly, whiles thou art in the way with him; lest at any time the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison. 5:26 verily i say unto thee, thou shalt by no means come out thence, till thou hast paid the uttermost farthing. 5:27 ye have heard that it was said by them of old time, thou shalt not commit adultery: 5:28 but i say unto you, that whosoever looketh on a woman to lust after her hath co

ve begun to wax wanton against christ, they will marry; 5:12 having damnation, because they have cast off their first faith. 5:13 and withal they learn [to be] idle, wandering about from house to house; and not only idle, but tattlers also and busybodies, speaking things which they ought not. 5:14 i will therefore that the younger women marry, bear children, guide the house, give none occasion to the adversary to speak reproachfully. 5:15 for some are already turned aside after satan. 5:16 if any man or woman that believeth have widows, let them relieve them, and let not the church be charged; that it may relieve them that are widows indeed. 5:17 let the elders that rule well be counted worthy of double honour, especially they who labour in the word and doctrine. 5:18 for the scripture sai

VOX SABBATUM

lose he is not sure of himself or what he has done with his life. the will grows broken through years of having the safety net of jesus. the left hand path however in modern times questions and tests, it offers a treasure upon treasure of knowledge and wisdom through experience, it builds and summons forth hidden gods and sleeping beasts, it challenges and destroys those who flinch in the face of the adversary in short it is dangerous. the left hand path is indeed dangerous because it can destroy the perceptions of the condition of human belief structures it can free the psyche but the shock of this liberation is sometimes too much to bear. sorcery can destroy as it is rather simple to abuse, and invoke the demons of your extreme desires to devour you. the left hand path is not an easy one

masses. modern times have different measures of practice; however the luciferian must never sacrifice the deep values of the beauty of life and the search for intelligence and self-excellence. keep in mind, violence has always been the christian way when they cannot intellectually force their will upon others. thus rituals such as the ritual of the holy guardian angel, azal ucel or the ritual of the adversary are designed black magickal or high sorcery dealing 6 in islamic and sufic satanology, azazel or shaitan is considered the divine imagination. 7 by supporting such, you confirm every individual has a life given right to do their will as long as it does not adjure or step over another s. christians ignore and put themselves above the right of to each his own or do what thou wilt, inst

olate being, whose spirit remains potent for another century, has perfect memory of his life and can manifest through various forms while attached to the earth. the sabbat as it was described in spain indicates that the middle eastern and moroccan practices of the az-zabbat survived throughout europe. the black man appeared as a large he-goat, who had a face on his buttocks and was thus a form of the adversary-opposer. witches would kiss both sides, thus receiving initiation by a mark given by the devil. in scotland the black man of the sabbat would appear as a black robed figure, with a hat or often in a grotesque form, a 10 the sufis, anchor books and the history of secret societies by arkon daraul. vox sabbatum the witches sabbat 7 nose of a beak, burning eyes, long nails on the hands a

miliar spirits have as such a wizard who hath a familiar spirit is blessed with the mark of cain, that he or she is wise among his people. vox sabbatum the witches sabbat 19 life is an abomination to god, and our life is sacred unto our lord the devil, satanadar, antecessor! to the abominations come life and joy, that a necromancer, a wizard, a witch, a charmer and observer of times is blessed by the adversary opposer, that the son or daughter is blessed to pass through the fire and use divination witchcraft and sin is the liberation which derives from rebellion, as the whoredoms of thy mother jezebel are many, joy and life is ours! in the name of cain, in the name of lilith az! lucifer triumphans! you may now all begin focusing on the purpose of the rite, with mantras and ravenous and bar

ed as azothoz, yaltabaoth is the deific force with a mask of a beast and an angel. let this invocation be most holy and the solar logos shall manifest through the baphometic wisdom of darkness. this calling should be conducted in the high rite of the celestial or luciferian sabbat, called often empyrean or of the highest aethyr or heavens. this is the self-focused rite of the magician becoming as the adversary, the dragon-angel awakening of the isolate intellect. you are essentially becoming as the prince of darkness through the highest rites of theurgy and magick. invoke with your entire essence, with every fiber of your being. the chthonic conjuration that which raises the self towards the aethyric realms as i rise above the earth, i conjure the circle of ageless being, leviathan to be a

rough this dance of the beast and the harlot, through unity in the sun shall the flesh manifest from thy will. vox sabbatum the witches sabbat 28 behold! my names are many, each gives power of both darkness and light! upon the earth my astral body is the toad, in the aethyr my form is that of a dragon! i am yaltabaoth! i am saklas! i am samael! i am arimanius! i am azal ucel! i am set-an, shaitan the adversary! i am lucifer! highest angel-djinn of light! my word is i am god and there is not another beside me! so shall i create through my desire, my will and my belief. the whore upon the beast is my sign upon earth, my flesh lives through cain! with these words i encircle and bind this spell, that none other shall know the words of my secret fire pronounced in the highest heavens! so it is

, however the pole or axis of the ritual is based around the sabbatic goat, called the black man or the devil of the infernal sabbat. this god form in flesh is always portrayed by the master or magister of the coven, a chosen individual who will wear robes and the mask of sathan. cain is considered a form of the black man in the sabbat as well, the book of cain presents an illustration of cain as the adversary and the sabbatic goat a point of initiation and an enfleshed avatar of the witch cult. the black man of the sabbat is a symbol for the enfleshed power of darkness, that by will-desire-belief may that come to be. the master of the circle who undertakes the role of the nyarlathotep (as h.p. lovecraft calls it) is the horned daemon of self-liberation. the witch hunting writer guazzo des

n podicem osculantur. having committed these and vox sabbatum the witches sabbat 31 similar execrable abominations, they proceed to other infamies. 18 the black man or sabbatic goat is the image of desire, which circles about his self are the shades and spirits which dance from the aethyr to the chthonic realms of the earth. the mask of the devil is the anthropomorphic image of darkness absolute, the adversary, the recipient of the osculum infame, the bestower of the witches mark. cain and the earth gods are beholders of this force, it has become through them just as it shall become through he or she who assumes the mask of the black man. the black riders of poligny, by one named moyset, was known to have initiated pierre bourgot into a coven of werewolves and sorcerers he began a point of

WHO ARE THE DRACONIANS

ynous beings of spirit. so imagine this creature, refusing in his insatiable and egotistical self-conceit to humble himself before an almighty creator and seek forgiveness, but rather he/it instead tries to save face by enticing the rest of creation into joining in the rebellion. of course, being a creature of darkness- once dis-connecting himself/itself from the light/life of the creator- satan["the adversary, formerly "lucifer] would use deception to try and down-play the importance of the creator and thus deceive others into believing that he himself had almighty power and thus deserved to rule the universe. and in fact lucifer did acquire great power when other angels joined him, but only the type of power that a black hole might acquire by devouring everything around it, in this case

WORKBOOK FOR GRADE 0 VOID AND THE ABYSS

ge, which i spark the cunning fire of becoming! my eyes hold the desert tales of ages forgotten, while my flesh fades my spirit is immortal! i wear the crimson caul of my mother, lilith, who speaks with me through dreams! i carry the serpent's skin of azal'ucel, my holy spirit! i am cain, loner and witch soul of the immortal fire! so it is done_ an invocation to the holy guardian angel, spirit of the adversary who resides in darkness and light- azal'ucel by michael w. ford i am the daimon who speaks the words of the immortal fire, the holy flame which emerges from the lightning flash and storm of chaos bred, so this the angel-serpent shall come forth with the birthing knife shedding into storm of seth! spirit of which the fallen have taken strength, isolate and beautiful, angelic essence

nt shall come forth with the birthing knife shedding into storm of seth! spirit of which the fallen have taken strength, isolate and beautiful, angelic essence, azal'ucel, from which came into being cain i do invoke thee! south- devil-djinn of the burning desert sands and the sun, sortha'n-din- thy stave and fork unto the flame that is my soul shall be illuminated in this blackened light. shaitan the adversary, my soul enflamed! arogogoruabrao- thiaf! 5 east- lucifer revealed as azazel, bringer of illumination and love, who resides in shadow and light, cover and cloak my spirit with thy twelve wings, serpent skin covered from the shedding of the dragon, bring now forth the serpent essence of my soul! melek tau'us, beautiful spirit of fire, i summon thee forth! photeth north- set-heh, isola

e holy guardian angel should be performed with ecstasy and excitement, as crowley wrote "enflame thyself in invocation. allow the sight of this exteriorized shadow demon and solar angel to unite within yourself, thus embarking clearly on the path of cain -note by fra. akhtya commentary to the rite of azal'ucel by michael ford with regard to 'an invocation to the holy guardian angel, the spirit of the adversary who resides in darkness and light, azal'ucel, the system employed is one of summoning up the angelic and daemonic spirit within the self- the "true will" by means of a mask of luciferian witchcraft. the very methods themselves are contained in the calling of the four directions- each a component of higher illumination of self; which is combined with the bestial/demonic with the angel

f the sethanic path of witchcraft. east- lucifer as azazel in the earthbound form, the mentioning of twelve wings in reference to the serpent angel. lucifer is the freedom of will from which the individual may seek to strengthen and illuminate the self in ones own discovered light, or black flame. north- the cold north is the direction of not only cain as the lord of horsemen, but also of set-heh the adversary. set is the egyptian god of chaos, storms and darkness. the isolator, set is the adversarial god of change, strength and sufficiency through the will. set is the mask of azazel, the lord of flame. within witchcraft cain is considered the offspring of samael and lilith, thus being the same as baphomet. the angelic/demon higher spirit of cain is azal'ucel, which is reflected in this ve

ects of self, the light and the darkness. task #1: study the luciferian path in base, the difference of sorcery and magick, black magick (lesser and greater. a two page minimum on the foundations of the sabbatic path to the initiate in question. ok for this task you will need read and study both sabbatic sorcery and shades of algol from cover to cover both books. task #2: study of shaitan (satan) the adversary and how the opposer relates to our own self-initiation. the forms of shaitan and how we coommune with this force. a minimum two page essay (with or without artwork) on the essence of shaitan including magickal records resulting from the invocation of shaitan invocation of the adversary by azyta seker arimanius (michael ford) october 2002 the following is a ritual which may be conduct

artwork) on the essence of shaitan including magickal records resulting from the invocation of shaitan invocation of the adversary by azyta seker arimanius (michael ford) october 2002 the following is a ritual which may be conducted when the sun is at its full light, or when the moon is full or dark, as the essence of iblis be finally revealed. the purpose of the ritual is invoking the spirit of the adversary, known as shaitan/iblis, satan, lucifer, set, azazel. the sorcerer shall seek the fire-spirit of change, rebellion and progression. the symbol of set the adversary shall take the earthen form of the devil, the solar creative (and destructive) force of change and self-deification. there are two primary faces of the adversary. the celebrant may construct as mask of two sides, which sha

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