Michael Wynn's Occult Reference Library
SYMBOL,SYMBOLS

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d, for by names and images are all powers awakened and re-awakened (hierophant now gives the sign of silence) hierophant "honored hiereus, remind us of the chief officers" hiereus "there are three chief officers, the hierophant, the hiereus, and the hegemon" hierophant "is there any peculiarity in these names" hiereus "they all commence with the letter 'h" hierophant "and of what is this letter a symbol" 26 hiereus "of life, because the letter h is our mode of representing the ancient greek aspirant or breathing, and breath is evidence of life" hierophant "how many lesser officers are there" hiereus "there are three: the kerux, stolistes and dadouchos and in addition, the sentinel. the sentinel, armed with a lethal weapon, guards the temple, keeps out intruders, and prepares the candidate"

ers and to purify the hall and those present with water" hierophant "kerux, your station and duties" kerux "my station is within the portal. my duties are to see that the furniture of the hall is properly arranged at the opening, to guard the inner side of the portal, to admit the fraters and sorors, to watch over the path of the candidate, and to lead all mystical circumambulations. my lamp is a symbol of hidden knowledge and my wand is a symbol of directing power" hierophant "honored hegemon, your station and duties" hegemon "my station is between the two pillars of hermes and solomon. my face is toward the cubical altar of the universe. my duties are to watch over the gateway of hidden knowledge. for i am the reconciler between light and darkness. i immediately follow the kerux in the m

t "conduct the candidate to the foot of the altar (hegemon does so) hierophant "inheritor of a dying world, why dost thou seek admission into our order" hegemon "my soul wanders in darkness and seeks the light of hidden knowledge, and i believe that in this order, knowledge of that light may be obtained" hierophant_ henceforth you shall be known among us by the motto. let this motto and name be a symbol to aid you through the darkness and into the light. share it with no one outside the order. i hold in my hand your signed pledge to keep secret all relating to this order, but to confirm it, i now ask if you are willing, in the presence of the lord of the universe and this assembly, to take a great and solemn obligation to keep inviolate the secrets and mysteries of our order" 30 candidate

ir throne (hierophant advances between the pillars, the hiereus stands on the candidate's left, the hegemon on the candidate's right, the stolistes behind the hiereus, the dadouchos behind the hegemon, the kerux before the throne of the west. all form the hexagram as in diagram below) hierophant "thou will kneel on both knees. give me your right hand which you will place upon this sacred and holy symbol. place your left hand in mine, bow your head, repeat your full earthly name, and say after me (hiereus, hegemon and hierophant form a triangle with tools. the hierophant is in the east, the hegemon is in the southwest, and the hiereus is in the northwest (the obligation is now recited. see the vows unto the order) hierophant "repeat after me. i swear to observe all i have said under penalty

the order, by which i should fall slain or paralysed without visable weapon as if slain by a lightning flash. so help me, the lord of the universe and my own higher soul. 31 rise, newly obligated neophyte of the golden dawn in the outer. i declare you neophyte of the 0=0 grade of the hermetic order of the golden dawn. honored hegemon, place the neophyte in the north part of the hall, the greatest symbol of darkness (hegemon places the initiate in the north facing east. the kerux goes with the lamp and wand to the northeast. the stolistes and dadouchos stand ready to follow in the procession, and the sentinel remains in his place) hierophant "the voice of my undying soul said unto me 'let me enter the path of darkness, and peradventure, there shall i find the light. i am the only being in a

0 0 INITIATION CEREMONY

give the sign of a neophyte. hiereus (salute) very honoured hierophant all present have been so honoured. hiero: very honoured hiereus, how many chief officers are there in this grade? hiereus: three, very honoured hierophant. namely, the hierophant hiereus and hegemon. hiero: is there any peculiarity in these names? hiereus: they all commence with the letter h. hiero: of what is this letter the symbol? hiereus: of life, because the character h is one mode of representing the ancient greek aspirate; breathing and breath, are the evidence of life. hiero: how many assistant officers are there in this grade? hiereus: three, besides the sentinel, namely, the kerux, the stolistes, and dadouchos. hiero: the situation of the sentinel? hiereus: without the portal of the hall. hiero: his duty? hie

ins nothing incompatible with your civil, moral or religious duties. cand: i am. hiero: advances between pillars to eastern side of altar. hiereus: stands on candidate's left. heg: stands on candidate's right. kerux: advances to the altar picks up the triangle and delivers it to the hierophant. hiero: thou wilt kneel on both knees, give me your right hand, which i place on this sacred and sublime symbol. places candidate's right hand on the center of the triangle. place your left hand in mine. bow your head, repeat your full name at length and say after me all rise. the obligation hiero: i (name of aspirant, in the presence of the lord of the universe and of this hall of neophytes of the order of the golden dawn in the outer, regularly assembled under warrant from the greatly honoured chie

r mesmerized, nor will i place myself in such a passive state that any uninitiated person, power, or being may cause me to lose control of my thoughts, words or actions. neither will i use my occult powers for any evil purposes and i further promise to persevere with firmness and courage through the ceremony of my admission, and these points i generally and severally, upon this sacred and sublime symbol swear to observe without evasion, equivocation, or mental reservation of any kind whatsoever; under the no less penalty on the violation of any or either of them of being expelled from this order, as a wilfully perjured wretch, void of ah moral worth, and unfit for the society of all right and true persons, and in addition under the awful penalty of voluntarily submitting myself to a deadly

e thee into the order of the golden dawn. hiero (knocks) khabs. hiereus (knocks) am. heg (knocks) pekht. hiereus (knocks) konx. heg (knocks) om. hiero (knocks) pax. heg (knocks) light hiero (knocks) in. hiereus (knocks) extension. hiero: in all your wanderings through darkness the lamp of the kerux went before you, though you saw it not. kerux: kerux advances and raises his lamp. hiero: it is the symbol of the hidden light of occult science. let the candidate be conducted to the east of the altar. heg: conducts candidates to eastern side of altar. hiero: honoured hiereus, i delegate to you the duty of entrusting the candidate with the secret signs, grip, grand word and present password of the neophyte grade of the order of the golden dawn in the outer, of placing him between the mystic pil

th and faces east. stol: signs a cross on candidate's forehead, bows to hierophant and sprinkles east. stol: frater xyz, i purify thee finally with water. dad: censing as stolistes has done. dad: frater xyz, i consecrate thee finally with fire. hiero: honoured hegemon, the final consecration of the candidate having been performed, i command you to remove the rope from his waist the last remaining symbol of the path of darkness, and to invest him with the distinguishing badge of the grade. heg: picks up the sash badges for the grade of neophyte from the altar and presents them to the candidate. heg: by the command of the very honoured hierophant i invest you with the distinguishing badge of the grade. it symbolizes light dawning in darkness. hiero: let the mystic circumambulation take place

1 10 INITIATION CEREMONY

st that build it. except adonai keep the city, the watchman waketh in vain. frater (sorer) neophyte, by what aid dost thou seek admission to the grade of zelator of the golden dawn? heg (for neophyte) by the guidance of adonai; by the possession of the necessary knowledge; by the dispensation of the greatly honoured chiefs of the second order; by the signs and tokens of the zelator grade. by this symbol of the hermetic cross. kerux: takes cross from him places it on the altar and returns to place. hiero: give the step and signs of a neophyte (neophyte gives them. hiero: frater kerux, receive from the neophyte the token, grand word, and password of the neophyte grade. kerux: places himself in front of neophyte and says: kerux: give me the grip of the neophyte (done) kerux: give me the word

ies of this grade as you are pledged to maintain regarding those of the neophyte grade- never to reveal them to the world, and not even to confer them upon a neophyte without a dispensation from the greatly honoured chiefs of the second order? neo: i will. hiero: then you will kneel on both your knees, lay your right hand on the ground, and say- i swear by the earth whereon i kneel (done) let the symbol of blindness be removed. heg: unbinds neophyte's eyes. sentinel: turns up lights. heg: goes back to his proper place. neophyte: remains kneeling between the pillars with his hand on the ground. kerux: takes the salt from before the tablet of the north, and passing round the altar with sol stands in front of neophyte facing him and holds the salt in front of him. hiero: take salt with your l

about the throne of god (hegemon points out the flaming sword, saying) heg: this drawing of the flaming sword of the kerubim, is a representation of the guardians of the gates of eden, just as the hiereus and hegemon symbolize the two paths of the tree of the knowledge of good and of evil. hiereus: in this grade, the red cross is placed within the white triangle upon the altar, and it is thus the symbol of the banner of the west. the triangle refers to the three paths and the cross to the hidden knowledge. the cross and the triangle together represent life and light. hiero: points out the tablet of the north, saying: hiero: this grade is especially referred to the element of earth, and therefore, one of its principal emblems is the great watch tower or terrestrial tablet of the north. it i

fered the sacrifices of animals, which symbolized the qlippoth or evil demons who inhabit the plane contiguous to and below the material universe. dad: makes cross in air with censer, and censes neophyte in silence with three forward swings. hiero: between the altar and the entrance into the holy place, stood the laver of brass wherein the priests washed before entering the tabernacle. it was the symbol of the waters of creation. stol: makes cross with water on neophyte's forehead and sprinkles thrice in silence. hiero: having made offering at the altar of burnt sacrifice, and having been cleansed at the laver of brass, the priest then entered the holy place. kerux: takes neophyte behind pillars to north and removes the chair. stol: dad: return to their places. hiereus: takes his stand bet

d the heavens, the water, the earth, and the air is the reconciler between them. in the year, they bring forth the hot, the cold, and the temperate seasons, and in man, they are imaged in the head, the chest, and the trunk. i now confer upon you the mystic title of periclinus de faustis, which signifies that on this earth you are in a wilderness, far from the garden of the happy. and give you the symbol of aretz which is the hebrew name for earth, to which the grade of zelator is referred. the word zelator is derived from the ancient egyptian zaruator, signifying searcher of athor, goddess of nature; but others assign to it the meaning of the zealous student whose first duty was to blow the athanor or fire which heated the crucible of the alchemist. hiero: resumes seat on dais. kerux: lead

18276066 GRIMM JACOB TEUTONIC MYTHOLOGY VOL 1

a, graff 2, 296, mhg. lie, liewe. 2 euodolf of fuld (f 863; has incorporated the whole passage, with a few alterations, in his treatise de translatione alexandri (pertz 2, 675, perhaps from some intermediate source. tacitus's words must be taken as they stand. in his day germany possessed no masters who could build temples or chisel statues; so the grove was the dwelling of the gods, and a sacred symbol did instead of a statue. moser 30 takes the passage to mean, that the divinity common to the whole nation was worshipped unseen, so as not to give one district the advantage of possessing the temple; but that sejsarate gods did have their images made. this view is too political, and also ill-suited to the isolation of tribes in those times. no doubt, a region which included a god's hill wou

great hammer strike you! abeles kihistl. imordn. 4, 3. gerichtsh. 1, 673. 2, 79. 299. 382. verhamert diir, kolt, schiitze 2, 96 =verdonnert, verteufelt, bksted, cursed &c. how deeply the worship of the god had taken root among the people, is proved by these abnost ineradicable curses, once solemn protestations: donner! donnerwetter! heiliges gewitter (holy thunderstorm! and, adding the christian symbol: kreuz donnerwetter! then, euphemistically disguised: bim (by the) dummer, potz dummer! dummer auch! slutz 1,123. 2, 161-2. 3, 56. bim dummer hammer 3, 51. bim dumstig, dunnstig! as in hesse: donnerstag! bim /tamer' in flanders: bi vids morkel hamer! willem's vloeken, p. 12. 2 finn magnusen lex. 48 4-5. thunar. 183 one^ we discover in it the same idea of a kind and beneficent, not a hostile

runes of the various races, may be taken as proofs of the antiquity and extent of zio-worship. how comes it that no rune has taken its name from wuotan or osinn, the inventor of writing itself' k= reis, rad' i.e, waggon, may indirectly at least be referred to the god of the thunder-car; and f according to one interpretation signifies freyr. anyhow 't=tyr' appears to have been a supremely honoured symbol, and the name of this god to have been specially sacred: in scratching the runes of victory on the sword, the name of tyr had to be twice inserted, ssem. 194^ the shape of the rune^ has an obvious resemblance to the old-established symbol of the planet mars when set upright, and an as. poem on the runes expressly says: tir bis idcna sum (tir is one of the tokens, is a certain sign; where ag

expressly says: tir bis idcna sum (tir is one of the tokens, is a certain sign; where again the derivative form tir is employed to explain the the simple tiw or ti. occasionally the poets speak of' tire tacnian' to mark with tir (el, 753. jud. 137, 18, and 'tires to tacne' as mark of tir (beow. 3306; we may expound it as' gloria, decore insignire, in gloriae signum' and still think of the heathen symbol of the god, pretty much as we saw it done at the solemn blessing of the alecups (see suppl^ 1 conf. note to elene 155-6. eor. 201 thus far we have dealt with tlie runic name tyr, tiw, zio, and no otlier. but here the same alphabets come out with a sharp distinction between two names of the selfsame god. first, in the as. lists, in addition to^ tir, we come upon a similar arrow with two barb

was equally prominent in the faith of the scythians and that of the goths. the impressive personification of the sword matches well with that of the hammer, and to my thinking each confirms the other. both idea and name of two of the greatest gods pass over into the instrument by which they display their might. herodotus 4, 62 informs us, that the scythians worshipped ares under the semblance or symbol of an ancient iron sword aklvukt, which was elevated on an enormous stack of brushwood' three furlongs in length and breadth, but less in height: evl tovtov orj tov ojkov u k t v d k r (j ihr) fjeo
3 8 INITIATION CEREMONY

fiery flame, and the wheels as burning fire. hiereus: opens door and admits them, returns to his place. heg: conducts theoricus to the north west facing the seat of hiereus. hegemon takes pyramid. hiereus: give me the sign, grip or token, grand word, mystic number and password of the grade of theoricus. theor: word shaddai el chai, no. 45, password mah. hiereus: give me also the mystic title and symbol which you received in that grade. theor: poraios de rejectus. ruach. hiereus: frater xyz do you solemnly pledge yourself to maintain the same strict secrecy regarding the mysteries of the 31st and 30th paths, and of the grade of practicus which you have sworn to maintain respecting those of the preceding grades? theor: i do. hiereus: then you will stretch forth your hands in the position of

the theoricus between the pillars turns to right and circumambulates hall once. hiero: as they approach, takes red lamp in his hand and rises. hegemon and theoricus halt before him. hiero: axieros the first kabir spake to kasmillos the candidate and said i am the apex of the triangle of flame. i am the solar fire pouring forth its beams upon the lower world. life giving. light producing. by what symbol dost thou seek to pass by? heg: by the symbol of the pyramid of flame. hiero: hear thou the voice of axieros the first kabir. the mind of the father whirled forth in re-echoing roar, comprehending by invincible will ideas omniform, which flying forth from that one fountain issued; for the father alike was the will and the end; by which yet are they connected with the father, according to al

xiokersos the second kabir spake to kasmillos the candidate and said: i am the left basal angle of the triangle of flame. i am fire volcanic and terrestrial, flashingly flaming through the abysses of earth; fire rending fire penetrating, tearing asunder the curtain of matter; fire constrained, fire tormenting, raging and whirling in lurid storm. by what sign dost thou seek to pass by? heg: by the symbol of the pyramid of flame. hiereus: hear thou the voice of axiokersos the second kabir: for not in matter did the fire which is the beyond first enclose his power in acts, but in mind; for the former of the fiery world is the mind of mind, who first sprang from mind, clothing the one fire with the other fire, binding them together so that he might mingle the fountainous craters while preservi

resses theoricus. heg: axiokersa the third kabir spake to kasmillos the candidate and said i am the right basal angle of the triangle of flame; i am the fire astral and fluid, winding and coruscating through the firmament. i am the life of beings, the vital heat of existence. by what sign dost thou seek to pass by? hiereus: prompts theoricus and then returns to his. hiereus (for theoricus) by the symbol of the pyramid of flame. heg: hear thou the voice of axiokersa the third kabir. the father hath hastily withdrawn himself, but hath not shut up his own fire in his intellectual power. all things are sprung from that one fire. for all things did the father of all things perfect, and delivered them over unto the second mind, whom all races of men call first. the mind of the father riding on t

sun. hiero: returns to place. heg: leads theoricus to west. hiereus (showing 1st tablet) the astrological symbols of the planets are derived from the 3 primary forms of the circle, the crescent and the cross, either singly or in combination. the circle denotes the sun and gold, the crescent the moon and silver, respectively, analogous to the red and the white alchemical natures. the cross is the symbol of corrosion and the corrosion of metals is usually of the complementary color to that which they naturally approximate. thus, copper which is reddish becomes green in verdigris etc. mercury is the only one which unites these primary forms in one symbol. saturn is composed of the cross and the crescent, showing that lead is corrosive externally and lunar internally. jupiter is the reverse

4 7 INITIATION CEREMONY

returns to his place. heg: conducts practicus to south in front of the tablet of fire, faces him to east and takes from him the calvary cross. hiero: give to the hegemon the sign, grip or token, grand word, mystic number and password of the grade of practicus. pract: sign, general grip of 1st order. grand word elohim tzabaoth, no. 36, password eloah (done) hiero: give me also the mystic title and symbol which you received in that grade. pract: monokeros de astris mayim (done) heg: places practicus before tablet of fire. hiero: frater (xyz) do you solemnly pledge yourself to maintain the same strict secrecy regarding the mysteries of the 29th, 28th and 27th paths and of the grade of philosophus, which you have already sworn to maintain respecting those of the preceding grades? pract: i do

sixteen principal and sixteen secondary rays, which together make 32, the number of the paths of yetzirah. she is the moon at the feet of the woman of the revelation, ruling equally over cold and moist natures, and the passive elements of earth and water. the four hebrew yods refer to the four letters of the holy name reconstituting the destroyed world from the waters. it is to be noted that the symbol of the sign pisces is formed of the two lunar crescents of gedulah and geburah bound together, and thus shows the lunar nature of the sign. the dogs are the jackals of the egyptian anubis, guarding the gates of the east and of the west, shown by the two towers, between which lies the path of all the heavenly bodies ever rising in the east and setting in the west. the crayfish is the sign ca

e same pointing, seraphim, around the middle pillar of the sephiroth, because that is the reconciler between the fires of geburah and severity, and the waters of chesed or mercy, and hence it is said in the new testament, that it is a type of christ, the reconciler. and the serpent is of brass, the metal of venus, whose sphere is called nogah or external splendor, as shown further in the alchemic symbol of the planet venus, wherein the circle of the sun is exalted above the cross of corrosion. and therefore it is said in the zohar, that alone of the shells is the serpent nogah found in holiness, and he is called the bilanx of justice. why then is he called the external or false splendor? because he indeed uniteth the paths but comprehendeth not the sephiroth. nevertheless he is also the ce

urns contain the influences from chokmah and binah. on the right springs the tree of life and on the left the tree of knowledge of good and evil, whereon the bird of hermes alights. and therefore does this key represent the restored world after the formless and the void and the darkness, the new adam, the countenance of the man which falls in the sign aquarius. and therefore doth the astronomical symbol of this sign represent as it were, the waves of water, the ripples of that river going forth out of eden. but therefore, also it is justly attributed unto air and not unto water, because it is the firmament dividing and containing the waters. hierophant and practicus go to east. hiero: before you is shown the manner of writing the holy name in each of the four worlds at length, by giving th

of eden. but therefore, also it is justly attributed unto air and not unto water, because it is the firmament dividing and containing the waters. hierophant and practicus go to east. hiero: before you is shown the manner of writing the holy name in each of the four worlds at length, by giving the spelling of each letter. you will note that the spelling of the letter yod alone alters not. it is a symbol of the unchangeableness of the first cause. the total of the spelling in each world, is then expressed in hebrew letters and makes the secret name of that world. thus, in atziluth the total is 72, and the secret name aub, in binah 63 seg, in yetzirah 45 mah and in assiah 52 ben (indicating the end tablet) in the tablet is shown the method of writing the hebrew words by the yetziratic attrib

A PRACTICAL GUIDE TO WITCHCRAFT AND MAGICK SPELLS

tly tend to learn the same thing more readily all over the world; the more that learn it, the easier it should become for others. so if we carry out positive magick and spread goodwill, then we really can increase the benign energies of the earth and cosmos. even banishing or binding magick can have a creative focus, diverting or transforming redundant or negative energy, for example by burying a symbol of the negativity or casting herbs to the four winds. magick and responsibility true magick is not like a cake in which everybody must vie for a slice or be left with none: it is more akin to a never-emptying pot. like the legendary cauldron of undry in celtic myth, the more goodness that is put in, the more the mixture increases in richness and quantity. the cauldron of undry, one of the f

connected to what is said to be the most ancient order of witches known. at the turn of the twentieth century, my father's family were canal people and my father grew up at a time when the boats were still a major form of transport for coal and iron. some of these midland canal people were known as 'water witches' because they practised a religion based on the sacredness of water and earth. their symbol was the six-spoked sun wheel, painted on their boats. this sign was once thought to be a ship's wheel, but this is improbable, since canal boats have large rudders. unlike the romany gypsies, the midland water witches were descended from the friesian seafarers of the netherlands and 1876 a book entitled oer linda was published, named after the family who had been custodians of the wisdom si

s in a silk, heart-shaped pincushion or a piece of pink silk, also in the shape of a heart, and leave it on the window ledge on the night of the full moon, surrounded by a circle of rose petals. banishing and protective magick this involves driving away negative feelings, fears and influences by casting away or burying a focus of the negativity. for example, you might scratch on a stone a word or symbol representing some bad memories you wished to shed, and cast the stone into fast-flowing water. alternatively, you could bury it, together with quick-growing seeds or seedlings to transform the redundant into new life. binding magick binding magick has two functions, one to bind a person in love or fidelity and the other to bind another from doing harm. this may be done in various ways, usin

ut healing you will receive in return threefold healing in indirect but powerful ways. the four stages of magick although there are many different kinds of magick, in practice all spells and more formal magical rituals tend to follow four stages, though informal spells may combine one or more steps. the focus this defines the purpose of the ritual or spell and is generally represented either by a symbol or a declaration of intent. these could take the form of a candle etched with the name or zodiacal glyph of a desired lover, a little silver key charm or an actual key in a spell to find a new home, a picture of an ideal holiday location, and so on. in a sense, this part of the spell begins before the actual rite and involves verbalising the purpose. as you define it in a few words or a sym

sing the purpose. as you define it in a few words or a symbol, you may realise that what you are really seeking lies beyond the immediate external purpose. spending time at this stage is quite vital as it is said we tend to get what we ask for, so we should take care to ask for what would truly fulfil our potential, rather than what we think we need immediately. if you are working alone, hold the symbol while speaking words that summarise the purpose of the magick. you may be surprised to discover that it is your wise psyche speaking, guiding the intention towards what you truly need or desire- and afterwards you realise it could have been no other way. if you are working in a group, a declaration of intent, created by the group collectively before the ritual, is a good way of focusing the

ABRAMELIN1

ch my son, mayest see them after my death, and thou shalt thus recognise how much respect i have for thee.21 it is true that before my departure i well read and studied them, and when i found anything difficult or obscure i had recourse unto abramelin, who with charity and patience explained it unto me. being thoroughly instructed, i took leave of him, and having received his paternal blessing; a symbol which is not only in use among the christians, but which was also the custom with our forefathers; i also the sacred magic 10 departed, and i took the route to constantinople, whither having arrived i fell sick, and my malady lasted for the space of two months; but the lord in his mercy delivered me therefrom, so that i soon regained my strength, and finding a vessel ready to depart for ven

ABRAMELIN2

se they be all diabolical inventions; also put no trust in books which teach them, though in appearance they may seem reliable to you, for these be nets which the perfidious belial stretcheth out to take you (6) in conversing with spirits good or evil, never employ words which you do not understand, because even so will you have shame and hurt (7) you shall never demand of your guardian angel any symbol wherewith to operate for an evil end, seeing that you would grieve him. you will find only too many persons who will beseech you to do thus; see that you do it not (8) accustom yourself as much as possible to purity of body and cleanliness of raiment, seeing that this is very necessary; for the spirits, both good and evil alike, love purity (9) as far as possible shun the employment of your

o name aloud the name of the spirit, and the, form in which you wish him to appear visibly; because once they117 have taken oath, this sufficeth. these symbols, then, be made for you to avail yourself of them when you be in the company of other persons; also you must have them upon you, so that in touching or handling them simply, they may represent your wish. immediately then he118 unto whom the symbol appertaineth will serve you punctually; but if you should desire something special which is in no way connected with or named in the symbol, it will be necessary to signify the same at least by showing your desire by two or three words. and here it is well to observe, that if you use prudence, you can often reason with those persons who be with you in such a manner that the spirits, having

now will i teach you how all those (symbols) which be in this book, as well as those which you will (hereafter) receive from the spirits (themselves, ought to be written down and acquired. for the number of operations is infinite, and it would be an impossibility to set them all down in this work. if the sacred magic 94 therefore you should wish to perform certain fresh operations by the use of a symbol not set down in any way in the third book [i am speaking of good and permissible operations],119 you shall make the demand thereof from your guardian angel in this manner: fast the day before, and on the following morning you, being well washed, shall enter into the oratory, put on the white tunic, illumine the lamp, and put the perfume in the censer. then lay the lamen of silver upon the a

he lord, rendering unto him grace for the benefits which you have received in general. then shall you supplicate him to be willing to send unto you your holy angel, that he may instruct you in your ignorance, and that he may deign to grant your demand. after this, invoke your holy guardian angel, and pray him to favour you with his vision, and to instruct you how you should design and prepare the symbol of the operation desired. also you shall remain in prayer until you shall see appear in the room the splendour of your angel. then wait to see if he shall expound or command anything touching the form of the symbol demanded. and when you have finished your supplication, arise and go to the plate of silver, whereon you shall find written as it were in drops of dew, like a sweat exuding there

the operation desired. also you shall remain in prayer until you shall see appear in the room the splendour of your angel. then wait to see if he shall expound or command anything touching the form of the symbol demanded. and when you have finished your supplication, arise and go to the plate of silver, whereon you shall find written as it were in drops of dew, like a sweat exuding therefrom, the symbol as you ought to make it, together with the name of the spirit who should serve you for this operation, or else that of his prince. and without touching or moving the lamen, copy at once the symbol just as it appeareth, and leave the plate of metal upon the altar until the even; at the which time, after having made your ordinary orison, and returned your thanks, you shall put it away in a pi

ABRAMELIN3

aced separately in the vacant part of the square. it will be remarked that in nearly all cases these names arranged in the squares represent generally the effect to be produced, or in other words are simply the hebrew or other appellations of the result to which the square is to be applied. at the beginning of each chapter is placed a numbered list of the effects to be obtained by the use of each symbol there given. then follow the squares themselves. the sacred magick 125 in the original ms. these squares have been also numbered to correspond with the list at the beginning of each chapter, but from the evident difference in the ink this has been done later, though the handwriting is the same. i think also that in several cases the numbers to the squares have been misplaced; and though usu

nstances two letters are placed in the same small square, or subdivision, of the larger square. notes to chapter i (a) the symbols of this chapter are manifested only by the angels or by the guardian angel (b) oriens, paymon, ariton, and amaymon execute the operations hereof by means of their common ministers (c) the familiar spirits cannot well execute the operations of this chapter (d) take the symbol in your hand, place it under your hat or cap, upon the top of your head, and you will be secretly answered by the spirit who will execute that which you wish (this mode of operation will evidently be applicable to many of the chapters (e) no. b is a square of c f squares, and is a complete specimen of double acrostic arrangement. milon, though greek-sounding, has here hardly a meaning if de

g a s i l a n a n i d u t a s i l k n u l i d k e of abramelin the mage 130 notes to chapter ii (a) the symbols of this chapter are manifested partly by the angels, and partly by the evil spirits (b) oriens, paymon, ariton, and amaymon execute the operations hereof by the means of their common ministers (c) the familiar spirits can to an extent execute the operations of this chapter (d) take the symbol in your hand, and name what information you require (in the second book, the remarks given concerning this chapter are evidently far more applicable to the third chapter, and i have therefore given them there instead of here (e) no. b is an acrostic of c f squares. allup from hebrew alup= a doctor, teacher, leader, ie, a person who at the same time leads and instructs his following. hence a

e n a t a i v e l (4) s a t a n a d a m a t a b a t a m a d a n a t a s of abramelin the mage 132 notes to chapter iii (a) the symbols of this chapter are manifested only by the ,angel or by the guardian angel (b) oriens, paymon, ariton, and amaymon execute the ,operations hereof by means of their common ministers (c) the familiar spirits do not execute the operations of this chapter (d) take the symbol in the hand, and name the spirit desired, who will appear in the form commanded (e) it will be noticed at once that of the four symbols of this chapter, the first has the name of the archangel uriel, and the three others those of three of the chief princes of the demons, viz. lucifer, leviathan, and satan. no b is an acrostic of c f squares. uriel from hebrew auriel= light of god. ramie fro

three of the chief princes of the demons, viz. lucifer, leviathan, and satan. no b is an acrostic of c f squares. uriel from hebrew auriel= light of god. ramie from hebrew rmih= deceit. imimi is either from imm= the sea, or great waters, or from imim= mules. eimar is probably from amr or imr= to speak. leiru is the reverse of uriel, ie, uriel written backwards. this formula seems to show that the symbol should be numbered c instead of b. no. c is an acrostic of e j squares. lucifer from lucifer (latin= light bearer. this square should probably be numbered d. no. d is an acrostic of g e squares. leviatan from hebrew= the piercing or twisting serpent. this square should probably be numbered b. no. e is an acrostic of c f squares. satan from hebrew shtn= an adversary. adama from hebrew admh=

ADDTLS

and the element of each. since every tablet comprises four distinct divisions, each of these must be considered separately as each produces a different type of pyramid. the rules for analyzing the pyramid based on the squares will be concisely put, thus: great cross: triangle no. 1: sign of zodiac, small card of tarot. triangle no. 2: m. triangle no. 3: planet of decan. triangle no. 4: elemental symbol of the tablet. 22 note that triangle no. 2 on the squares of the great cross is always m, as indicating the operation of the m in the primary element, and is shown white. triangle no. 4 is colored according to the element of the tablet; thus red for c tablet, blue for d, black for b, yellow for a. triangle no. 1 is to be colored according to the triplicity of the sign attributed to it, that

blem of lesser angle. triangle no. 4: sephirah. letter of tetragrammaton. tarot card. coloring: no. 1, color of the element of tablet. no. 2, always white. no. 3 elemental color of lesser angle. no. 4, either white for m, or in color of sephirah. 23 kerubic squares of the lesser angles: triangle no. 1: tarot card of lesser angle. triangle no. 2: elemental emblem of tablet. triangle no. 3: kerubic symbol answering to letter of name. triangle no. 4: elemental emblem of lesser angle. no. 1 will agree with the coloring of no. 3 always. that is, the color will be that of the element of the court card corresponding to the kerub. no. 2 shows the elemental color of tablet. no. 4, elemental color of the lesser angle. servient squares: triangle no. 1: element of great tablet with astrological attrib

s m. triangle no. 3: element of rank. the colors of each of the triangles are clearly indicated. appended below are examples of the above, so that there may be no difficulty at all in understanding how this procedure obtains. 24 diagram q: consider the b lesser angle of the b tablet; the servient square in rank w and column w. the column is ruled by w, attributed to a, therefore, the astrological symbol will be an airy sign. the rank is ruled by w, therefore, the symbol will be mutable a, c. the tarot key for c is the lovers. the hebrew letter attributed to it is u. the geomantic attribution is albus. take the d tablet, a angle, column h, rank y. the astrological symbol will be a watery sign. the rank is ruled by y, therefore, the symbol will be cardinal or fiery c d. the tarot key for c i

ts cross, will refer to the ten sephiroth. and the first three letters of those squares will symbolize the triad of the supernals operating through the quadrangle. table of attributions the following table of attributions, repreated though it is for the most part from earlier knowledge which should be familiar, may be useful for reference in working out the squares: column rank letter tarot trump symbol geomantic figure w h a fool a fort. min. s.c. chokmah b magician b s.c. binah g h. priestess y s.c. chesed d empress c y y h emperor a puer h h w hierophant b amissio w w z lovers c albus h y j chariot d populus y h f strength e fort. maj. h w y hermit f conjunctio s.c. kether k wheel/fort. k w y l justice g puella h h m h. man c via h h n death h rubeus y w s temperance i acquisitio h

g triad of the linea spiritus sancti of each tablet, it may be said that: oro will be symbolical of the voice of the man kerub. mph will be symbolical of the cry of the eagle kerub. mor will be symbolical of the low of the bull kerub. oip will be symbolical of the roar of the lion kerub. there are various ways of looking at the pyramids prior to undertaking the practical work of using them as the symbol for skrying in the spirit-vision. s.r.m.d. suggests a useful mode of meditation which elaborates in a most illuminating way the ordinary attributions. he says: thou mayest regard the upper triangle (no. 2) as representing a force acting downwards. the lower triangle (no. 4) as a force striving upwards. the left hand triangle (no. 1) as acting horizontally from left to right, and the right h

ADEPTUS MINOR INITIATION

mountain of the lamb of the father, and the strength of our race" chief "mighty adeptus major, what is the key to this tomb" second "the rose and the cross, which resume the life of nature and the powers hidden in the word i. n. r. i" chief "associate adeptus minor, what is the emblem that we bear in our left hand" third "it is a form of the rose and the cross, the ancient crux ansata or egyptian symbol of life" chief "mighty adeptus major, what is its meaning" second "it represents the force of the ten sephiroth in nature divided into a hexad and a tetrad. the oval embraces the first six sephiroth and the tau cross, the lower four, that answer unto the four elements" chief "associate adeptus minor, what is the emblem which i bear upon my breast" third "the complete symbol of the rose and

a seven and a twelve. many and great are its mysteries" 6 chief "associate adeptus minor, what is the wand which thou bearest" third "a simple wand having the colors of the 12 signs of the zodiac between light and darkness and surmounted by the lotus flower of isis. it symbolizes the development of creation" chief "mighty adeptus major, thy wand and its meaning" second "a wand terminating in the symbol of the binary and surmounted by the tau cross of life, or the head of the phoenix, sacred to osiris. the seven colors of the rainbow between light and darkness are attributed to the planets. it symbolizes rebirth and resurrection from death" chief "my wand is surmounted by the winged globe, around which the twin serpents of egypt twine. it symbolizes the equilibrated force of m and the four

pride" third "thou knowest the arrangement of the ten sephiroth on the tree of life; now what symbolic weapon doth their natural succession form (aspirant answers unprompted) third "and what symbolic creature is traced by the natural succession of the paths (aspirant answers unprompted) second "oh aspirant, let this be a sign unto thee. for the flaming sword and the serpent of wisdom shall be the symbol which shall produce thee admission. return thou then and divest thyself of these ornaments. they are not humble enough to entitle thee to be received. very honored frater hodos chamelionis, clothe him in the black robe of mourning, bind him with his hands behind his back, symbolic of the binding force of his obligations, and put a chain about his neck, the emblem of repentance and humility"

a chain about his neck, the emblem of repentance and humility" hodos "mighty adeptus major, it shall be done (hodos chamelionis salutes and retires with aspirant, strips him of all ornaments, brings him back to the door in a plain black robe, roped and carrying diagram of sword and serpent. gives one gentle knock. third adept opens door) 10 (serpent on the tree of life) third "by the aid of what symbol do ye seek admission" hodos (shows diagram "by the aid of the flaming sword, and the serpent of wisdom" second "whom bringest thou there" hodos "mighty adeptus major, i bring with me one who has passed the trials of humiliation, and has symbolically chosen to return to the womb. he humbly desireth admission to the tomb of the mystical mountain" second "let the aspirant be assisted to kneel

on this earth, how small and insignificant yet wouldst thou be in the presence of god the vast one" second "rise, then, o aspirant of the rose of ruby and the cross of gold. rise, glorified by suffering. rise, purified by humility (aspirant rises "despise not sadness, and hate not suffering, for they are the initiators of the heart; and the black robe of mourning which thou wearest is at once the symbol of sorrow and of strength. boast not thyself above thy brother if he hath fallen, for how knowest thou that thou couldst have withstood the same temptation? slander not, and revile not. if thou canst not praise, do not condemn. when thou seest another in trouble and humiliation, even though he be thy enemy, remember the time of thine own humiliation when thou didst kneel before the door of

ALEISTER CROWLEY EIGHT LECTURES ON YOGA

moon corresponds to the sun much as venus does to mars. she is more purely passive than venus, and although venus is so universal the moon is also universal in another sense. the moon is the highest and the lowest; the moon is the aspiration, the link of man and god; she is the supreme purity: isis the virgin, isis the virgin mother; but she comes right down at the other end of the scale, to be a symbol of the senses themselves, the mere instrument of the registration of phenomena, incapable of discrimination, incapable of choice. the niyama corresponding to her influence, the first of all, is that quality of aspiration, the positive purity which refuses union with anything less than the all. in greek mythology artemis, the goddess of the moon, is virgin; she yielded only to pan. here is o

nying it, the intense relief and joy afforded by satisfaction. i like rather to think of the fact that all true religion has been the artistic, the dramatic, representation of the sexual process, not merely because of the usefulness of this cult in tribal life, but as the veil of this truer meaning which i am explaining to you tonight. i think that every experience in life should be regarded as a symbol of the truer experience of the deeper life. in the oath of a master of the temple occurs the clause 'i will interpret every phenomenon as a particular dealing of god with my soul' it is not for us to criticise the great order for expressing its idea in terms readily understandable by the ordinary intelligent person. we are to wave aside the metaphysical implications of the phrase, and grasp

he earlier stages of yoga, and it is therefore not surprising that it put my mind in such a state that i was able to use the call of the thirty aethyrs with much greater efficacy than before. 8. am i then supposed to be saying that yoga is merely the hand-maiden of magick, or that magick has no higher function than to supplement yoga? by no means. it is the co-operation of lovers; which is here a symbol of the fact. the practices of yoga are almost essential to success in magick- at least i may say from my own experience that it made all the difference in the world to my magical success, when i had been thoroughly grounded in the hard drill of yoga. but- i feel absolutely certain that i should never have obtained success in yoga in so short a time as i did had i not spent the previous thre

ilable, or even one which is so from a practical standpoint. we admit to ourselves that there are all sorts of snags; but we take our chance of that, and go ahead in the general principles inculcated by our experience of nature. it is, of course, quite easy to prove that experience is impossible. to begin with, our consciousness of any phenomenon is never the thing itself, but only a hieroglyphic symbol of it. our position is rather that of a man with a temperamental motorcar; he has a vague theory that it ought to go, on general principles; but he is not quite sure how it will perform in any given circumstances. now the experience of magick and yoga is quite above all this. the possibility of criticising the other types of experience is based upon the possibility of expressing our impress

ALEISTER CROWLEY AD MEIORUM CTHULHI GLORIAM

rowley was somehow, magickally, responsible for the third reich, for two reasons: one, that the emergence of new world orders generally seems to instigate holocausts and, two, that he is said to have influenced the mind of adolf hitler. while it is almost certain that crowley and hitler never met, it is known that hitler belonged to several occult lodges in the early days after the first war; the symbol of one of these, the thule gesellschaft which preached a doctrine of aryan racial superiority, was the infamous swastika which hitler was later to adopt as the symbol of the forms, however, is evident in many of his writings, notably the essays written in the late 'thirties. crowley seemed to regard the nazi phenomenon as a creature of christianity, in it's anti-semitism and sever moral res

and chinese cultures, the dragon or serpent is said to reside somewhere "below the earth; it is a powerful force, a magickal force, which is identified with mastery over the created world; it is also a power that can be summoned by the few and not the many. however, in china, there did not seem to be a backlash of fear or resentment against this force as was known in europe and palestine, and the symbol of might and kingship in china is still the dragon. in the west, the conjuration, cultivation, or worship of this power was strenuously opposes with the advent of the solar, monotheistic religions and those who clung to the old ways were effectively extinguished. the wholesale slaughter of those called "witches" during the inquisition is an example of this, as well as the solemn and twisted

s. that tiamat was undoubtedly female is to the point; and that the chinese as well as the sumerians perceived of two dragon currents, male and female, gives the researchers a more complex picture. the green dragon and the red dragon of the alchemists are thus identified, as the positive and negative energies that compromise the cosmos of our perception, as manifest in the famous chinese yin-yang symbol. but what of inanna, the single planetary deity having a female manifestation among the sumerians? she is invoked in the necronomicon and identified as the vanquisher of death, for she descended into the underworld and defeated her sister, the goddess of the abyss, queen ereshkigal (possibly another name for tiamat. interestingly enough, the myth has many parallels with the christian concep

a good and an evil nature, and evil gods were banished in the exorcism formulae of that civilisation as well as the lesser forms of demon. the horned moon as mentioned, the god of the moon was called nanna by the sumerians. by the later sumerians and assyrians, he was called sin. in both cases, he was the father of the gods (of the planetary realm, the zonei, and was depicted as wearing horns, a symbol familiar to the witches as representative of their god. the horn shaped crown is illustrative of the crescent phases of the moon, and were symbolic of divinity in many cultures around the world, and were also thought to represent certain animals who were horned, and worshipped for their particular qualities, such as the goat and bull. they also represent sexual power. the fact that, in anci

and were also thought to represent certain animals who were horned, and worshipped for their particular qualities, such as the goat and bull. they also represent sexual power. the fact that, in ancient sumeria and egypt, horns were solely representative of evil gods, but of many different deities, was used by the christian church in their attempt to eradicate pagan faiths. it was a simple enough symbol to identify with the author of evil, satan, which the church depicted as a half-animal, half-human creature with horns, claws, and sometimes a tail. the church's use of the horns as a sort of archetype of evil is quite similar to the feeling many people have today with regards to the swastika used by the nazis, a symbol which has become the archetype of an evil sigil in the west. the fact t

ALEISTER CROWLEY BOOK OF LIES

hape of the figure i suggests the phallus; this chapter is therefore called the sabbath of the goat, the witches' sabbath, in which the phallus is adored. the chapter begins with a repetition of o! referred to in the previous chapter. it is explained that this triad lives in night, the night of pan, which is mystically called n.o.x, and this o is identified with the o in this word. n is the tarot symbol, death; and the x or cross is the sign of the phallus. for a fuller commentary on nox, see liber vii, chapter i. nox adds to 210, which symbolises the reduction of book of lies get any book for free on: www.abika.com 12 duality to unity, and thence to negativity, and is thus a hieroglyph of the great work. the word pan is then explained, pi, the letter of mars, is a hieroglyph of two pillar

se, is bliss. naught is beyond bliss. the man delights in uniting with the woman; the woman in parting from the child. the brothers of a'.a. are women: the aspirants to a'.a. are men. book of lies get any book for free on: www.abika.com 15 [16] commentary( gamma) gimel is the high priestess of the tarot. this chapter gives the initiated feminine point of view; it is therefore called the oyster, a symbol of the yoni. in equinox x, the temple of solomon the king, it is explained how masters of the temple, or brothers of a'.a. have changed the formula of their progress. these two formulae, solve et coagula, are now explained, and the universe is exhibited as the interplay between these two. this also explains the statement in liber legis i, 28-30. note (4) they cause all men to worship it. bo

the holy ghost, the semen; the human form is a non-essential accretion of this quintessence. so far the chapter has followed the sephiroth from kether to chesed, and chesed is united to the supernal triad by virtue of its phallic nature; for not only is amoun a phallic god, and jupiter the father of all, but 4 is daleth, venus, and chesed refers to water, from which venus sprang, and which is the symbol of the mother in the tetragrammaton. see chapter 0 "god the father and mother is concealed in generation. but chesed, in the lower sense, is conjoined to microprosopus. it is the true link between the greater book of lies get any book for free on: www.abika.com 20 and lesser countenances, whereas daath is the false. compare the doctrine of the higher and lower manas in theosophy. the rest o

th in the silence. destroy therefore the eight parts of speech; the ninth is nigh unto truth. this also must be destroyed before thou enterest into the silence. aum. book of lies get any book for free on: www.abika.com 27 [28] commentary( theta) teth is the tarot trump, strength, in which a woman is represented closing the mouth of a lion. this chapter is called "the branks, an even more powerful symbol, for it is the scottish, and only known, apparatus for closing the mouth of a woman. the chapter is formally an attack upon the parts of speech, the interjection, the meaningless utterance of ecstasy, being the only thing worth saying; yet even this is to be regarded as a lapse "aum" represents the entering into the silence, as will observed upon pronouncing it. book of lies get any book fo

without all, there is joy, joy, joy that is but one facet of a diamond, every other facet whereof is more joyful than joy itself [34] book of lies get any book for free on: www.abika.com 33 commentary( iota beta) the dragon-flies were chosen as symbols of joy, because of the author's observation as a naturalist. paragraph 1 mere repeats chapter 4 in quintessence; 1001, being 11 sigma (1-13, is a symbol of the complete unity manifested as the many, for sigma (1-13) gives the whole course of numbers from the simple unity of 1 to the complex unity of 13, impregnated by the magical 11. i may add a further comment on the number 91. 13 (1 plus 3) is a higher form of 4. 4 is amoun, the god of generation, and 13 is 1, the phallic unity. daleth is the yoni. and 91 is amn (amen, a form of the phall

ALEISTER CROWLEY BOOK OF THE LAW

love is the law, love under will. nor let the fools mistake love; for there are love and love. there is the dove, and there is the serpent. choose ye well! he, my prophet, hath chosen, knowing the law of the fortress, and the great mystery of the house of god. all these old letters of my book are aright; but* is not the star. this also is secret: my prophet shall reveal it to the wise* in ms, the symbol found here is usually interpreted as the hebrew letter tzaddi. i,58: i give unimaginable joys on earth: certainty, not faith, while in life, upon death; peace unutterable, rest, ecstasy; nor do i demand aught in sacrifice. i,59: my incense is of resinous woods& gums; and there is no blood therein: because of my hair the trees of eternity. i,60: my number is 11, as all their numbers who are

ALEISTER CROWLEY LIBER 777

wmisa,3 the unnameable and hmuk.4 at sw angle, the lion and horse, and the younger lilith the wife of asmodai. col. ix. the cup of the stolistes has its rim and 2 and 3 and its foot in 10. the cadueceus is (easily) placed on the tree and divided into a, m, and c. the waxing moon in 4; waning in 5; full in 6. col. xi. the elements, of whose nature the signs of the zodiac partake, are shown by the symbol against them. col. xii. let 45 be a straight line. on 45 erect the equilateral bs 451, 459. from 4 and 5 draw straight lines 247, 358^ 45, and the straight lines 25^ 14, 43^ 15, 48^ 59, and 57^ 49, the points 2, 3, 7 and 8 marking the intersections. join 19, 12, 13, 23, 78, 79, 89. let 6 be the point of intersection of 19, 57, 48. on 78 erect an equilateral b with its apex away from 1. prod

lusion in his left hand, but over his right shoulder, and a staff 463 lines long in his right. a lion and a dragon are at his feet, but he seems unaware of their attacks or caresses. line 12. his attitude suggests the shape of the swastika or thunderbolt, the message of god. line 13. she is reading intently in an open book. line 14. she bears a sceptre and a shield, whereon is figured a dove as a symbol of the male and female forces. line 15. his attitude suggests f, and he is seated upon the cubic stone, whose sides show the green lion and white eagle. line 16. he is crowned, sceptred, and blessing all in a threefold manner. four living creatures adore him, the whole suggesting a pentagram by its shape. line 17. he is inspired by apollo to prophesy concerning things sacred and progane: re

editorial preface* the essay on the magical alphabet* the meaning of the primes from 11 to 97* the various arrangements (mostly from the book of thoth* the explanations of the attributions a series of remarks, some developing almost into essays, on columns i-iii, v-viii, x, xi, xiii-xxii, xxxiv, xxxv, xxxviii-xliii, xlv, lvi-lxviii, lxxviilxxxvi, and xcvii* what is qabalah* what is a number or a symbol (an extract from the new comment on al i.4) some of this additional material may later be made available in html format. i have not attempted to preserve the original pagination of the tables of correspondence. for ease of reading, columns are arranged from left to right across a single page. obvious typos have been corrected; other questionable readings are noted below. t.s. 51 endnotes no

names constructed on qabalistic principles by the golden dawn to refer to water and fire; similarly the name tarpesheth (tharpesht) is unknown prior to g.d. material, although she appears to be a hybrid of bast and sekhet. line 24: typhon was a monster in greek myth, probably a personification of destructive forces of nature, who was identified with set in late classical times. add selket, whose symbol was the scorpion. i have no idea what khephra is doing here. line 25: add neith (net) who is traditionally depicted with a bow and arrows. line 26: khem is identified by budge (op. cit, i, 97) with the phallic god min or amsu, and is said to have been the god of apu (panopolis. line 28: ahephi is hapi, one of the children of horus. line 29: add hequet (hekt. line 31: kabeshunt is probably q

es the names and characters of another 24 zodiacal genii, two for each sign. the latter are here omitted. 14 i.e, the author of the heptameron (see note to preface on this point. but much of the following derives from the liber juratus in any case. table of correspondences 57 15 i have reduced this into a single table to save space, representing each day and angel with the corresponding planetary symbol. 16 the names here have been conformed to the version of the heptameron printed in the lyons edition of agrippa s opera. crowley, possibly because he was working from a corrupted copy, stated that none were given for winter; although the names he gave for the sun and moon in autumn were those referred to winter by pseudo-abano. 17 probably in his oedipus gypticus. it is this book (late 17th

ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

ot to exist, we are rebuking that mind. yet we should not refrain altogether from philosophising in the light of the holy qabalah. we should accept the magical hierarchy as a more or less convenient classification of the facts of the universe as they are 20 known to us; and as our knowledge and understanding of those facts increase, so should we endeavour to adjust our idea of what we mean by any symbol. at the same time let us reflect that there is a certain definite consensus of experience as to the correlation of the various beings of the hierarchy with the observed facts of magick. in the simple matter of astral vision, for example, one striking case may be quoted. without telling him what it was, the master therion once recited as an invocation sappho's "ode to venus" before a probati

symptoms of external ideas, cannot find any difficulty in attributing the correspondences of the one to the identities of the other. far be it from any apologist for magick to insist upon the objective validity of these concatenations! it would be childish to cling to the belief that marius de aquila actually existed; it matters no more that it matters to the mathematician whether the use of the symbol x to the 22 power involves the "reality" of 22 dimension of space. the master therion does not care a scrap of yesterday's newspaper whether he was marius de aquila, or whether there ever was such a person, or whether the universe itself is anything more than a nightmare created by his own imprudence in the matter of rum and water. his memory of marius de aquila, of the adventures of that p

nd a wand like a weaver's beam< again, the arrangement of the weapons of the altar must be such that they "look" balanced. nor should the magician have any unbalanced ornament. if he have the wand in his right hand, let him have the ring<symbol of nuit, the totality of the possible ways in which he may represent himself and fulfill himself> on his left, or let him take the ankh, or the bell, or the cup. and however little he move to the right, let him balance it by an equivalent movement to the left; or if forwards, backwards; and let him correct each idea by implying the contradictory contained therein. if he invoke severity, let

ka or disk of jove, as if to fulfil the functions of the sword. 61 the cross is both the death of the "saviour<matter of the individual self, the indivisible point determined by reference to the four quarters. this is the formula which enables it to express its secret self; its dew falling upon the rose is developed into an eidolon of itself, in due season> and the phallic symbol of resurrection. will itself must be ready to culminate in the surrender of that will<lxv and liber vii> the aspiration's arrow that is shot against the holy dove must transmute itself into the wondering virgin that receives in her womb the quickening of that same spirit of god. any idea that is thus in itself positive and negative, active and passive, male and female, is fit to

circle during his whole life. but the consecration, being the application of a positive force, can always be raised to a closer approximation to perfection. complete success in banishing is soon attained; but there can be no completeness in the advance to holiness. 106 the method of consecration is very simple. take the wand, or the holy oil, and draw upon the object to be consecrated the supreme symbol of the force to which you dedicate it. confirm this dedication in words, invoking the appropriate god to indwell that pure temple which you have prepared for him. do this with fervour and love, as if to balance the icy detachment which is the proper mental attitude for banishing<hebrew legends furnish us with the reason for the respective virtues of water and fire. the world was purifi

ALEISTER CROWLEY MAGICK WITHOUT TEARS

he consciousness (it may alter in 1,000 ways in the process) all that really exists is a memory of the point-event. not the point-event itself. what then is this reality of which we are so sure? obviously, it has not got a name, since it never happened before, or can happen again! to discuss it at 33 all we must invent a name, and this name (like all names) cannot possibly be anything more than a symbol. even so, as so often pointed out, all we do is to "record the behaviour magic without tears get any book for free on: www.abika.com 58 of our instruments" nor are we much better off when we've done it; for our symbol, referring as it does to a phenomenon unique in itself, and not to be apprehended by another, can mean nothing to one's neighbors. what happens, of course, is that similar, th

hing. it is not correct to write it simply as 0; for that 0 implies an index 01, or 02, or 0n. and if our nothing is to be absolute nothing, then there is not only no figure, but no index either. so we must write it as 00. what is the value of this expression? we proceed as before; divide. 0n 1 0= 0n-n= 0n 0n- x. of course 0n 1 remains 0; 1 0n but 1 0n= keynote: this last is an elongated infinity symbol. that is, we have a clash of the "infinitely great" with the "infinitely small" that knocks out the "infinity (and advaitism with it) and leaves us with an indeterminate but finite number of utter variety. that is: 00 can only be interpreted as "the universe that we know" r. so much for one demonstration. some people have found fault with magic without tears get any book for free on: www.ab

ion, of which mention will later be made. there is no good purpose, even were there license, to discuss the nature of the basis of scientific attainment which is the core of the doctrines of the society. it is only necessary to point out that its correspondence with alchemy is the one genuine fact on the subject which has been allowed to transpire; for the rosicrucian, as indicated by his central symbol, the barren cross on which he has made a rose to flower, occupies himself primarily with spiritual and physiological alchemy. taking for "the first matter of the work" a neutral or inert substance (it is constantly described as the commonest and least valued thing on earth, and may actually connote any substance whatever) he deliberately poisons it, so to speak, bringing it to a stage of tr

is it. enough of this fooling! out, trusty rapier, and home to the stone heart of the audacious woman that wrote "god within us" i know you thought you knew more or less what you meant when you wrote it; but surely that was a mere slip. an instant's thought would have warned you that the word wouldn't stand even the most superficial analysis you meant "something which seems to me the most perfect symbol of all that i love, worship, admire- all that class of verb. but nobody else will have the same set of qualities in his private museum; you have, as every one has always done, made another god in your own image. magic without tears get any book for free on: www.abika.com 197 then the vedantists define god as "having neither quality nor quantity" and some yogis have a practice of setting up

that we act automatically as if it were "true" and "certain without error" perhaps even "of the essence of truth (browning discusses this in mr. sludge the medium) good: the field is clear for an enquiry into this word "god. we find ourselves in trouble from the start. we must define; and to define is to limit; and to limit is to reduce "god" to "a god" or at best "the god. he must be omniscient( symbol of alchemical mercury) omnipotent( al. sulfur) and omnipresent( al. salt; yet to such a being no purpose would be possible; so that all the apologies for the existence of "evil" crash. if there be opposites of any kind, there can be no consistency. he cannot be two; he must be one; 50 yet, as is obvious, he isn't. how do the hindu philosophers try to get out of this quag "evil" is "illusion

ALEISTER CROWLEY MEDITATION

, the uniting of subject and object which is the great work, and which is symbolized sometimes as this cross and circle, sometimes as the lingam-yoni, sometimes as the ankh or crux ansata, sometimes by the spire and nave of a church or temple, and sometimes as a marriage feast, mystic marriage, spiritual marriage "chymical nuptials" and in a hundred other ways. whatever the form chosen, it is the symbol of the great work. this place of his working therefore declares the nature and object of the work. those persons who have supposed that the use of these symbols implied worship of the generative organs, merely attributed to the sages of every time and country minds of a calibre equal to their own. the tau is composed of ten squares for the ten sephiroth<sephiroth are the

e wand; 2 x 2= 4. so the altar is foursquare, and also its ten squares show 4. 10= 1+ 2+ 3+ 4> of the magician; and the law under which he works. within this altar everything is kept, since everything is subject to law. except the lamp. according to some authorities the altar should be made of oak to represent the stubbornness and rigidity of law; others would make it of acacia, for acacia is the symbol of resurrection. the altar is a double cube, which is a rough way of symbolizing the great work; for the doubling of the cube, like the squaring of the circle, was one of the great problems of antiquity. the surface of this altar is composed of ten squares. the top is kether, and the bottom malkuth. the height of the altar is equal to the height above the ground of the navel of the magician

can hardly be described as a weapon. it is round like the pantacle- not straight like the wand and the dagger. reception, not projection, is its nature<magician is in the position of god towards the spirit that he evokes, he stands in the circle, and the spirit in the triangle; so the magician is in the triangle with respect to his own god> 82 so that which is round is to him a symbol of the influence from the higher. this circle symbolizes the infinite, as every cross or tau represents the finite. that which is four square shows the finite fixed into itself; for this reason the altar is foursquare. it is the solid basis from which all the operation proceeds. one form<form. a better is given in the illustration> of the magical cup has a sphere beneath

danger of being spoilt by it. no two ideas have any real meaning until they are harmonized in a third, and the operation is only perfect when these ideas are contradictory. this is the essence of the hegelian logic. the magick cup, as was shown above, is also the flower. it is the lotus which opens to the sun, and which collects the dew. this lotus is in the hand of isis the great mother. it is a symbol similar to the cup in the hand of our lady babalon. there are also the lotuses in the human body, according to the hindu system of physiology referred to in the chapter on dharana<three channels, sushumna in the middle, ida and pingala on either side("cf" the tree of life. the central channel is compressed at the base

dew is called love. even as in the case of human love, the whole universe appears perfect to the man who is under its control, so is it, and much more, with the divine love of which it is now spoken. for human love is an excitement, and not a stilling, of the mind; and as it is bound to the individual, only leads to greater trouble in the end. this divine love, on the contrary, is attached to no symbol. it abhors limitation, either in its intensity or its scope. and this is the dew of the stars of which it is spoken in the holy books, for nuit the lady of the stars is called "the continuous one of heaven" and it is that dew which bathes the body of the adept "in a sweet-smelling perfume of sweat<equinox vii. sic to the quote, correctly. bathing his whole body i

ALEISTER CROWLEY TAO TEH KING

the tao. 1. the tao is the most exalted of all things. it is the ornament of the good, and the protection and purification of the evil((cf 'soul of goodness in things evil) 2. its words are the fountain of honour, and its deeds the engine of achievement. it is present even in evil. 3. though the son of heaven were enthroned with his three dukes appointed to serve him, and he were offered a round symbol- of-rank as great as might fill the hands, with a team of horses to follow, this gift were not to be matched against the tao, which might be offered by the humblest of men. 4. why did they of old time set such store by the tao? because he that sought it might find it, and because it was the purification from all evil. therefore did all men under heaven esteem it the most exalted of all thin

ALEISTER CROWLEY THE BANNED LECTURE

all the rest amounts to speculation. the real problem of gilles de rais amounts, accordingly, to this. here we have a person who, in almost every respect, was the male equivalent of joan of arc. both of them have gone down in history. but history is somewhat curious. i am still inclined to think that "there aint no sich animile" in the time of shakespeare, joan of arc was accepted in england as a symbol for everything vile. he makes her out not only as a sorceress, but a charlatan and hypocrite; and on tope of that a coward, a liar, and a common slut. i suspect that they began to whitwash here when they decided that she was a virgin, that is a sexually deranged, or at least incomplete, animal, but the idea has always got people going, as any student of religion knows. anyway, her stock wen

ALEISTER CROWLEY THE OLD AND NEW COMMENTARIES TO LIBER AL

ed with north, while had is sad, set, satan, sat (equals "being" in sanskrit, south. he is then the sun, one point concentring space, as also is any other star. the word abrahadabra is from abrasax, father sun, which adds to 365. for the north-south antithesis see fabre d'olivet's "hermeneutic interpretation of the origin of the social state in man. note "sax" also as a rock, or stone, whence the symbol of the cubical stone, the mountain abiegnus, and so forth. nu is also reflected in naus, ship, etc, and that whole symbolism of hollow space which is familiar to all. there is also a question of identifying nu with on, noah, oannes, jonah, john, dianus, diana, and so on. but these identifications are all partial only, different facets of the diamond truth. we may neglect all these questions

ase from the limits of personality than anything else. the scarlet woman and i are peculiarly representative of nuit and hadit by virtue of our attainments in making our consciousness omniform as they re. it must not be supposed that our original individualities can claim any special prerogatives as such. al i,18 "burn upon their brows, o splendrous serpent" the old comment 18. the serpent is the symbol of divinity and royalty. it is also a symbol of hadit, invoked upon them. the new comment for the images in this and the next verse see the stele of revealing, to which they allude. the serpent is the uraeus, with the powers of life and death, wise, ecstatic, immortal; winged and hooded, that he may go as a god swiftly and silently. it refers in this place especially to hadit. al i,19 "o az

is nothing to prevent a man from asserting that "things which are both equal to the same thing are both greater than each other" and constructing a geometry conformable thereto: neither by reasoning nor by experience could it be proved that his system was not the "truth" of nature. more, the word "truth" itself has proved on analysis to contain no intelligible significance, but to be an empirical symbol of what can only be described as symptoms of cerebral inadequacy. still worse, even so far as the conclusions of reason express the relations of an animal with itself, they disclose not the consistency which is the test of the fulfilment of this limited function, but an inherent self-contradition which shatters the validity of the entire process. for the "law of contradiction" is the court

or: theta the- teth, the lion "thou shalt unite all these symbols into the form of a lion" epsilon word- he, the letter of breath, the logos. lambda of- lamed, libra the equilibrium. eta the- cheth, 418, abrahadabra. mu law- mem, the hanged man, or redeemer. alpha is- aleph the 0 (zero, nuit, which is existence. thelema- the sum of all. the new comment by 'the word' one means the magical formula, symbol, or expression. study the whole nature of the number 93, that of ?thelema? in the appendix. weh note: appendix not yet recovered. liber aleph has also much wisdom upon the will. after absorbing "berashith, and seeing that will has come by chance, the question arises, is chance in any way bound by necessity? is there a limit to possibility? could there, for example, be a something which is n

reemen and nobles. the new comment the first section of this verse is connected with the second only by the word 'therefore. it appears to describe an initiation, or perhaps the initiation, in general terms. i would suggest that the palace is the 'holy house' or universe of the initiate of the new law. the four gates are perhaps light, life, love, liberty- see "de lege libellum. lapis lazuli is a symbol of nuit, jasper of hadit. the rare scents are possibly various ecstasies or samadhis. jasmine and rose are hieroglyphs of the two main sacraments, while the emblems of death may refer to certain secrets of a well known exoteric school of initiation whose members, with the rarest exceptions, do not know what it is all about. weh note: probably a slap against freemasonry in decadence. the que

ALEISTER CROWLEY THE QABALAH

elative numerical values of words, as i have before remarked. words of similar numerical values are considerered to be explanatory of each other, and this theory is also extended to phrases. thus the letter shin, c, is 300, and is equivalent to the number obtained by adding up the numerical values of the letters of the words \yhla jwr, ruach elohim, the spirit of the elohim; and it is therefore a symbol of the spirit of the elohim. for r= 200, w= 6, j= 8, a= 1, l= 30, h= 5, i= 10, m= 40; total= 300. similarly the words dja, achad, unity, one and hbha, ahebah, love, each= 13; or a= 1, j= 8, d= 4, total= 13; and a= 1, h= 5, b= 2, h= 5, total= 13. again, the name of the angel wrffm, metatron, and the name of the deity, ydc, shaddai, each make 314; so the one is taken as symbolical of the othe

18; opposed to protestant exotericism. yz. the answer of the oracles is always death. tyj. the chariot of the secret of the universe. tyf. she who rules the secret force of the universe. dwy. the secret of the gate of initiation [k. in the whirlings is war. dml. by equilibrium and self-sacrifice, the gate \ym. the secret is hidden between the waters that are above and the waters that are beneath (symbol, the ark containing the secret of life borne upon the bosom of the deluge beneath the clouds) wn. initiation is guarded on both sides by death ]ms. self-control and self-sacrifice govern the wheel. yu. the secret of generation is death. hp. the fortress of the most high (note p, the lowest reciprocal path. ydx. in the star is the gate of the sanctuary [wq. illusionary is the initiation of d

a, the letters of the elements; and is thus a form of tetragrammaton, a form unveiled. 100. the number of q, the perfect illusion, 10 10. also [k, kaph, the wheel of fortune. the identity is that of matter, fatality, change, illusion. it seems the buddhist view of the samsara-cakkram. 106. wn, nun, a fish. the number of death. death in the tarot bears a cross-handled scythe; hence the fish as the symbol of the redeemer. icqus= jesus christ, son of god, saviour. 108. chiefly interesting because 108= 2 2 3 3 3= the square of 2 playing with the cube of 3. hence the buddhists hailed it with acclamation, and make their rosaries of this number of beads. 111 \yhla awh dja, he is one god [la, aleph, an ox, a thousand. the redeeming bull. by shape the swastika, and so the lightning. as the lightnin

hy, the four inferior elements, we get hwchy jeheshua, the saviour, symbolised by the pentagram. 301. ca, fire. 314. ydc, the almighty, a name of god attributed to yesod. 325. a mystic number of mars. labxrb, the spirit of mars, and layparg, the intelligence of mars. 326. hwchy, jesus see 300. 333. wznwrvj, see liber 418, 10th thyr. it is surprising that this large scale 3 should be so terrible a symbol of dispersion. there is doubtless a venerable arcanum here connoted, possible the evil of matter summ. 333= 37 9 the accurs d. 340 \c the name. 341. the sum of the 3 mothers, aleph, mem, and shin. 345. hcm, moses. note that by transposition we have 543, hyha rca hyha, existence is existence, i am that i am, a sublime title of kether. moses is therefore regarded as the representative of this

which one can prove that any given number is the supreme. it is the case, the many being but veils of the one; and the course of argument leads one to knowledge and worship of each number in turn. for example. thesis. the number nine is the highest and worthiest of the numbers. scholion a. the number nine is sacred, and attains the summits of philosophy, zoroaster.59 scholion b. nine is the best symbol of the unchangeable one, since by whatever number it is multiplied, the sum of the figures is always 9, e.g. 9 487= 4383. 4+ 3+ 8+ 3= 18. 1+ 8= 9. 58 crowley probably means to the story published as the sorrow of search in time and the gods t.s* the complete dictionary, begun by frater i. a, continued by fra. p. and revised by fra. a. e. g. and others, will shortly be published by authority

ALEISTER CROWLEY THE SWORD OF SONG

springs, a lion an anguished flesh and blood, a vulture on ill-omen wings, a cannibal74 on human food. nor do i cry the scoffer s cry 710 that christians live and look the lie their faith has taught them: none of these inspire my life, disturb my peace. i go beneath the outward faith find it a devil or a wraith, 715 just as my mood or temper tends! and thus to-day that christ ascends, i take the symbol, leave the fact decline to make the smallest pact with your creative deity, 720 and say: the christhood-soul in me, risen of late, is now quite clear even of the smallest taint of earth. supplanting god, the man has birth( new birth you ll call the same, i fear) 725 transcends the ordinary sphere and flies in the direction x (there lies the fourth dimension) vex my soul no more with mistran

ape of this eastern commonplace. huxley, however, curiously enough, states the fact in almost these words. a.c. 2 a possible mystic transfiguration of the vedanta system has been suggested to me on the lines of the syllogism god= being (patanjali. being= nothing (hegel. god= nothing (buddhism. or, in the language of religion: every one may admit that monotheism, exalted by the introduction of the symbol, is equivalent to pantheism. pantheism and atheism are really identical, as the opponents of both are the first to admit. if this be really taught, i must tender my apologies, for the reconcilement is of course complete. a.c. an essay in ontology 83 sphere, can the causes, subtle and coarse, the unborn causes whose seed is hardly sown, of continued existence be grasped and annihilated, so t

ALEISTER CROWLEY EQ I 1

y is not due to the presence of one of ourselves. from all time there has been an exterior school based on the interior one, of which it is but the outer expression. from all time, therefore, there has been a hidden assembly, a society of the elect, of those who sought for and had capacity for light, and 7 this interior society was the axle of the r.o.t.a. all that any external order possesses in symbol, ceremony, or rite is the letter expressive outwardly of that spirit of truth which dwelleth in the interior sanctuary. nor is the contradiction of the exterior any bar to the harmony of the interior. hence this sanctuary, composed of members widely scattered indeed but united by the bonds of perfect love, has been occupied from the earliest ages in building the grand temple (through the ev

, both divine and natural. but as men multiplied, the frailty of man necessitated an exterior society which veiled the interior one, and concealed the spirit and the truth in the letter, because many people were not capable of comprehending great interior truth. therefore, interior truths were wrapped in external and perceptible ceremonies, so that men, by the perception of the outer which is the symbol of the interior, might by degrees be enabled safely to approach the interior spiritual truths. 8 but the inner truth has always been confided to him who in his day had the most capacity for illumination, and he became the sole guardian of the original trust, as high priest of the sanctuary. when it became necessary that interior truths should be enfolded in exterior ceremony and symbol, on

im who in his day had the most capacity for illumination, and he became the sole guardian of the original trust, as high priest of the sanctuary. when it became necessary that interior truths should be enfolded in exterior ceremony and symbol, on account of the real weakness of men who were not capable of hearing the light of light, then exterior worship began. it was, however, always the type or symbol of the interior, that is to say, the symbol of the true and secret sacrament. the external worship would never have been separated from interior revel but for the weakness of man, which tends too easily to forget the spirit in the letter; but the masters are vigilant to note in every nation those who are able to receive light, and such persons are employed as agents to spread the light acco

me are separated from the two inner by the fork. a golden dodecagram (twelve pointed star) in a ring is directly below the serpent's head, situated such that the tongue of the serpent frames the upper arc of the ring and the head of the serpent appears in medium coeli like a nemesis above the wheel of fortune. the ring is divided into twelve silver and twelve brown-gold bands, with a red zodiacal symbol over each gold and silver band, gold to widdershins and silver to deosil. the star in the center points to each symbol. aries is at top and the rest proceed deosil around the ring. in center is a star surmounted by the eye in the triangle. the star is in two modes: a large gold star of six narrow points with point to top is on top of a smaller silver star of six narrow points with two point

is disdain, depends but on the value of a name. not so, however, the adept; for as a zoologist does not lose 148 his interest in the simian race because he has learnt to call a long-armed hairy man a gorilla; so he, by learning to explain himself with clearness, and to convey the image of his thoughts with accuracy to the brain of another, is winnowing the wheat from the chaff, the truth from the symbol of truth. now when st. john of the cross tells us that a single vision of god may reward us for all the labours of this life, we are at perfect liberty, in these tolerant days, to cry "yea" or "nay" we may go further: we may extol st. john to the position of a second george washington, or we may call him "a damned liar" or, again, if we do not wish to be considered rude, a "neuropath" or so

ALEISTER CROWLEY EQ I 5

on iota alpha. it is based on the relative numerical values of words. words of similar numerical values are considered to be explanatory of each other, and this theory is extended to phrases. thus the letter shin, sh, is 300, and is equivalent to the number obtained by adding up the numerical values of the letters of the words rvch alhim, ruach elohim, the spirit of elohim; and it is there fore a symbol of the spirit of elohim. for= 200, v= 6, ch= 8, a= 1, l= 30, h= 5, i= 10, m= 40; total= 300. similarly, the words achd, achad, unity, one, and ahbh, ahebah, love, each= 13; for a =1, ch= 8, d= 4, total= 13; and a= 1, h= 5, b= 2, h= 5, total= 13. again, the name of the angel mttrvn, metatron or methraton, and the name of the deity, shdi, shaddai, each make 314;3 so the one is taken as symbol

posed to protestant exotericism) zin. the answer of the oracles is always death. chith. the chariot of the secret of the universe. tith. she who rules the secret force of the universe. ivd. the secret of the gate of initiation. kp. in the whirlings is war. lmd. by equilibrium and self-sacrifice, the gate! mim. the secret is hidden between the waters that are above and the waters that are beneath (symbol, the ark containing the secret of life borne upon the bosom of the deluge beneath the clouds) nvn. initiation is guarded on both sides by death. smk. self-control and self-sacrifice govern the wheel. oin. the secret of generation is death. ph. the fortress of the most high (note p, the lowest reciprocal path. tzdi. in the star is the gate of the sanctuary. qvp. illusionary is the initiation

ents; and is thus a form of tetragrammaton, a form unveiled. 100. the number of hb:qof, the perfect illusion, 10 x 10. also hb:peh-final hb:koph, kaph, the wheel of fortune. the identity is that of matter, fatality, change, illusion. it seems the buddhist view of the samsara-cakkram. 106. nvn, nun, a fish. the number of death. death in the tarot bears a cross-handled scythe; hence the fish as the symbol of the redeemer. iota chi theta upsilon sigma= jesus christ, son of god, saviour. 108. chiefly interesting because 108= 2 x 2 x 3 x 3 x 3= the square of 2 playing with the cube of 3. hence the buddhists hailed it with acclamation, and make their rosaries of this number of beads. 111. achd hva alhim "he is one god" alp, aleph, and ox, a thousand. the redeeming bull. by shape the swastika, an

nferior elements, we get ihshvh jeheshua, the saviour, symbolised by the pentagram. 301. ash, fire. 314. shdi, the almighty, a name of god attributed to yesod. 103 325. a mystic number of mars. brtzbal, the spirit of mars, and grapial, the intelligence of mars. 326. ihshvh, jesus- see 300. 333. chvrvnzvn, see liber 418, 10th aethry. it is surprising that this large scale 3 should be so terrible a symbol of dispersion. there is doubtless a venerable arcanum here connoted, possibly the evil of matter summ. 333= 37 x 9 the accurs d. 340. shm- the name. 341. the sum of the "3 mothers" aleph, mem, and shin. 345. mshh, moses. note that by transposition we have 543, ahih ashr ahieh "existence is existence "i am that i am" a sublime title of kether. moses is therefore regarded as the representativ

h one can prove that any given number is the supreme. it is the case, the many being but veils of the one; and the course of argument leads one to knowledge and worship of each number in turn. for example. thesis. the number nine is the highest and worthiest of the numbers. scholion alpha "the number nine is sacred, and attains the summits of philosophy" zoroaster. scholion beta. nine is the best symbol of the unchangeable one, since by whatever number it is multiplied,the sum of the figures is always 9 "e.g" 9 x 487= 4383. 4+ 3+ 8+ 3= 18. 1+ 8= 9. scholion gamma. 9= hb:tet, a serpent. and the serpent is the holy uraeus, upon the crown of the gods. scholion delta. 9= ix= the hermit of the tarot, the ancient one with lamp (giver of light) and staff (the middle pillar of the sephiroth. this

ALEISTER CROWLEY EQ I 5

ing white brilliance of the wheel. the figures on the wheel are darker than the wheel itself; in fact, they are stains upon the purity of the wheel, and for that reason, and because of the whirling of the wheel, i cannot see them. but at the top seems to be the lamb and flag, such as one sees on some christian medals, and one of the lower things is a wolf, and the other a raven. the lamb and flag symbol is much brighter than the other two. it keeps on growing brighter, until now it is brighter than the wheel itself, and occupies more space than it did. it speaks: i am the greatest of the deceivers, for my purity and innocence shall seduce the pure and innocent, who but for me should come to the centre of the wheel. the wolf betrayeth only the greedy and the treacherous; the raven betrayeth

ert between bou-saada and biskra "december" 8, 1909. 7.10-9.10 p.m. the cry of the 7th aethyr, which is called deo the stone is divided, the left half dark, the right half light, and at the bottom thereof is a certain blackness, of three divergent columns. and it seems as if the black and white halves are the halves of a door, and in the door is a little key-hole, in the shape of the astrological symbol of venus. and from the key-hole issue flames, blue and green and 116 violet, but without any touch of yellow or red in them. it seems as if there were a wind beyond the door, that is blowing the flame out. and a voice comes "who is he that hath the key to the gate of the evening star" and now an angel cometh and seeketh to open the door by trying many keys. and they are none of any avail. a

ny, and to the nameless horror, cover us, cover us, cover us from the rod of destiny; for cosmos must come, and the balance be set up where there was no need of balance, because there was no injustice, but only truth. but when the balances are equal, scale matched with scale, then will chaos return. yea, as in a looking-glass, so in thy mind, that is backed with the false metal of lying, is every symbol read averse. lo! everything wherein thou hast trusted must confound thee, and that thou didst flee from was thy saviour. so therefore didst thou shriek in the black sabbath when thou didst kiss the hairy buttocks of the goat, when the gnarled god tore thee asunder, when the icy cataract of death swept thee away. shriek, therefore, shriek aloud; mingle the roar of the 139 gored lion and the

23 weh note: see g.r.s.mead's "fragments of a faith forgot" there is nothing whatever visible. but i asked of the angel that is at my side if the ceremony hath been duly performed. and he says: yes, the aethyr is present. it is thou that canst not perceive it, even as i cannot perceive it, because it is so entirely beyond thy conception that there is nothing in thy mind on to which it can cast a symbol, even as the emptiness of space is not heated by the fire of the sun. and so pure is the light that it preventeth the formation of images, and therefore have men called it darkness. for with any lesser light, the mind responds, and makes for itself divers palaces. it is that which is written "in my father's house there are many mansions; and if the house be destroyed, how much more the mans

he two curves of pisces are thus: illustration on page 156 described: the pisces sign without the cross-line. in essence, but larger with thick curves. they are the same curves as the curves of vesica piscis, but turned round. and a voice comes: how can that which is buried in the pyramids behold that which descendeth unto its apex? again it comes to me, without voice: therefore is motherhood the symbol of the masters. for first they must give up their virginity to be destroyed, and the seed must lie hidden in them until the nine moons wax and wane, and they must surround it with the universal fluid. and they must feed it with blood for fire. then is the child a living thing. and afterwards is much suffering and much joy, and after that are they torn asunder, and this is all their thank, t

ALEISTER CROWLEY EQUINOX EQ I 1 2

posture, to invoke the angel, within the pyramid already duly prepared by dclxxi. 12.57. alas! in vain have i tried even the supreme ritual of awaiting the beloved, although once i thought ah! give unto thy beloved in sleep! how ashamed i should be, though! for an earthly lover one would be on tiptoe of excitement, trembling at every sound, eager, afraid i will, however, rise and open (as for a symbol) the door and the window. oh that the door of my heart were ever open! for he is always there, and always eager to come in. 1.0. i rise and open unto my beloved. may it be granted unto me in the daylight of this day to construct from dclxxi a perfect ritual of self-initiation, so as to avoid the constant difficulty of assuming various god-forms. then let that ritual be a constant and perfec

but to-night i am too poor in spirit to hope. lo! i was travelling on the paths of lamed and of mem, of justice and the hanged man, and i fell into both the pitfalls thereof. instead of the great balance firmly held, i found only libra, the house of venus and of the exaltation of saturn; and these evil planets, smiling and frowning, overcame me. and so for the sublime path of man; instead of that symbol of the adept, his foot set firmly upon heaven, his whole figure showing forth the reconciler with the invisible, i found but the stagnant and bitter water of selfishness, the dead sea of the soul. for all is illusion. who saith "i" denieth adonai, save only if he mean adonai. and daleth the door of the pylon, is that tree whereon the adept of man hangeth, and daleth is love supernal, that i

secret ring that hath been committed unto him by the masters; for from that he cannot part, even if he would. that is his password into the ritual itself; and on his finger it shall be put at the moment when all else is gone. 11.5. ceremony works admirably. magical images strong. at reception behold! the sigil of the supreme order itself in a blaze of glory not to be spoken of. and the half-seen symbol of my lord adonai therewith as a mighty angel glittering with infinite light. 108 according the the ritual, o.m. withdrew himself from the vision; the vision of the universe, a whirling abyss of coruscating suns in all the colours, yet informed and dominated by that supernal brilliance. yet o. m. refused the vision; and a conflict began and was waged through many ages so it seemed. and now

e name of the great enemy, the dweller upon the threshold. it was that mighty spirit whose formless horror beat him back, for it was he! so now to return to concentration and the will toward adonai. 10.20. one thing is well; the vow of "interpreting every phenomenon as a particular dealing of god with my soul" is keeping itself. whatever impression reaches the consciousness is turned by it into a symbol or a simile of the work. 115 11.18. the pose over; recited ritual, now known by heart; then willed adonai; hopelessly unconcentrated. to interpret this record aright, it must, however, be understood that the "standard of living" goes up at an incredible rate. the same achievement would, say five days ago, have been entered as "high degree of concentration; unhoped-for success. the phenomena

e old mystics were right who saw in every phenomenon a dog-faced demon apt only to seduce the soul from the sacred mystery. yes, but the phenomenon shall it be as another sacred mystery; the force of attraction still to be interpreted in terms of god and the psyche? we shall reward you by befoulment, by cant, by misunderstanding, and by understanding. this to you who wear the phrygian cap, not as symbol of liberty, o ribald ones, but of sacrifice and victory, of inmost enlightenment, of the soul's deliverance from the fetters of the very soul itself fear not; you are not 'replacing truth of thought by mere expertness of mechanical skill."you who hold more skill and more power than your great english predecessor, robertus de fluctibus, you have not feared to reveal 'the arcana which are in

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the background is an inverted solid black pentagram. superimposed on the black pentagram is an upright white pentagram, so arranged as to obscure all but the points of the black pentagram which emerge behind the inner angles of the white. these two pentagrams form a perfectly symmetrical ten-pointed star or decagram with alternating white and black points. in the center of the white pentagram, a symbol of alchemical salt is located, more for it's shape of a black ring with single horizontal bar than for its alchemical significance. this barred ring is centered within but not touching the inner angles of the white pentagram. in the lower space defined by the barred ring is a solid black upright sans-serif letter "t. in the upper space of the barred ring is a white inverted sans-serif lette

den in the blackness the four colours of the earth, in their appropriate positions on the sides. the base only is wholly black; whilst the summit will be of a brilliant whiteness although invisible to the material eye "the symbols upon the altar represent the forces and manifestations of divine light concentrated in the white triangle of the three supernals. wherefore upon this sacred and sublime symbol is the obligation of the neophyte taken as calling therein to witness the operations of the divine light. the red cross of tiphereth representing 5 =6 is placed above the white triangle; not as dominating it, but as bringing it down and manifesting it unto the outer order: as though the crucified one having raised the symbol of self-sacrifice had thus touched and brought into action in matt

light. the red cross of tiphereth representing 5 =6 is placed above the white triangle; not as dominating it, but as bringing it down and manifesting it unto the outer order: as though the crucified one having raised the symbol of self-sacrifice had thus touched and brought into action in matter the divine triad of light. illustration at this point. an approximation follows\ diagram 4. the altar symbol in the 0 =0 ritual "around the cross are the symbols of the four letters of tetragrammaton, the hb:shin of jeheshua being only implied and not "expressed" in the outer. and these are placed according to the winds" the door should be situated behind and to the west of the throne of the hiereus; it is called "the gate of the declarers of judgment" and its symbolic form is that of a straight a

, and the incense of the temple. his ensign is the svastika.14 "goddess of the scale of the balance at the white pillar" is the name of the dadouchos, and she is thoum-aesh-neith, or perfection through fire manifesting upon the earth. the grade of neophyte "the opening" the officers and members being assembled the kerux proceeds to the right of the hierophant and facing west raises his wand, as a symbol of the ray of divine light from the white triangle of the three supernals, and cries "hekas, hekas, este, bebeloi!"15 250 in order to warn the evil and uninitiated to retire so that the triangle may be formulated upon the altar. the hierophant then calls upon all present to assist him in opening the hall of the neophytes, and bids the kerux see that the hall is properly guarded. 12 more flu

mysteries" then follows the purification of the hall and the members by water and by fire, after which the hierophant orders the mystic circumambulation to take place in the path of light. the procession of officers and members is then formed in the north, in readiness for the mystic circumambulation in the path of light. it is formed in the north beginning from the station of the stolistes, the symbol of the waters of creation attracting the divine spirit, and therefore alluding to the creation of the world. whilst the "reverse circumambulation" has its rise from the station of the dadouchos, symbolic of the ending and judging of the world by fire. but also the circumambulation commences with the paths hb:shin and hb:resh, as though bringing into action the solar fire; whilst the reverse

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gh, and i am afraid that the very great majority of mystics live all their lives wandering about in this vain world of shadows and of shells. all this, too, is the pleasant aspect of the affair. here belong the awful shapes of delirium and madness, which obsess and destroy the soul that fails to control and dismiss them. here lives the dweller of the threshold, that concentration 62 into a single symbol of the despair and terror of the universe and of the self. yet on all the paths is he, ready to smite whoso falters or swerves, though he have attained almost the last height. how many have i known, like childe roland and his peers, who have come to that dark tower! one young, one brave, one pure- lost! lost! penned in the hells of matter, swept away in the whirling waters of insane vision

n some 72 region of pure thought. in the case of the god osiris, for example, he will no longer express his vision by the name osiris or by the green face, by the white robes starred with the three active colours, by the crown and by the crook and scourge; nor will he chant wondrous hymns of the descent into amennti, the death and resurrection of the god; but he will express all this by some pure symbol, such as the cross, the hexagram, or even the number 6. and those upon his plane will understand him. here, too, we must class the revelations of the pure qabalah, and the discovery of the relations between symbols. so exalted in truth are the states upon this san n a grade that the rational man will almost always fail to understand them. of the rupa visions he has some experience, if only

end of the room, a figure conceived by a giant of old time, one might have thought, and now covered with a dry, green lichenous rot, so that the limbs were swollen and distorted. it gave an incredibly strong impression of loathsome disease, entirely overpowering the intention of picturing inflicted pain. roderic, who, far from being a good man, was actually a freethinker, thought it a grimly apt symbol of the religion of our day. on his right stood a plaster muse, with a lyre, the effect being decidedly improved by some one who had affixed a comic mask with a grinning mouth and a long pink nose; on his left a stone plaque of lakshmi, the hindu venus, a really very fine piece of work, clean and dignified, in a way the one sanity in the room, except an exquisite pencil sketch of a child, do

. the evolution of the numbers is the evolution of the worlds, for as it is written in the clavicula salomonis "the numbers are ideas; and the ideas are the powers, and the powers are the holy elohim of life" that which is behind and beyond all number and all thought (even as the ain soph with its mighty veils depending back from kether is behind and beyond all manifestation) is the number 0. its symbol is the very emblem of infinite space and infinite time<"hidden behind my magic veil of shows, i am not seen at all- name not my name> multiply by it any active and manifested number; and that number vanishes- sinks into the ocean of eternity. so also is the ain soph. from it proceed all things: unto it all will return, when the age of brahman is over and done, and the day of peace-be-with-u

d the total numeration of its numbers is the perfect number, even the decade of the sephiroth (1+ 2+ 3+ 4= 10) thus can our science teach us wherefore the door<holy qabalah that alone amongst the shells is nogah, the sphere of venus, exalted unto holiness (venus is the goddess of love> of venus, hb:dalet, is the gateway of initiation: that one planet whose symbol alone embraceth the 10 sephiroth; the entrance to the shrine of our father c.r.c, the tomb of osiris; the god revealer, coming, moreover, by the central path of hb:samekh through the midst of the triangle of light. and the lock which guards that door is as the four gates of the universe. and the key is the ankh, immortal life- the rose and cross of life; and the symbol of venus venus. the f

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give thee body and form. herein are blended the magical elements of thy body, the symbols of thy mighty being. for the sweet scent of the mace is that which shall purify thee finally from the bondage of evil. and the heat of the magical fire is my will which volatilises the gross matter of thy chaos, enabling thee to manifest thyself in pleasing form before us. and the flesh of the serpent is the symbol of thy body, which we destroy by water and fire, that it may be renewed before us. and the blood of the serpent is the symbol of the magic of the word messiah, whereby we triumph over nahash. and the all-binding milk is the magical water of thy purification. 182 and the fire which flames over all [assistant lights hell-broth] is the utter power of our sacred rites! come forth! come forth! c

us therefore, o taphthartharath, taphthartharath, and appear thou in visible and material form before us in the great magical triangle without this circle of art! and if any other magus of art, or any other school than ours, is now invoking thee by potent spells; or if thou art bound by thy vow, or thy duties, or the terrible bonds of the magic of hell; then i let shine upon thee the glory of the symbol of the rose and the cross; and i tell thee by that symbol that thou art free of all vows, of all bonds, for what time thou comest hither to obey my will! or if any other master or masters of the magic of light of the order of the rose of ruby and the cross of gold is now binding and invoking thee by the supreme, absolute and fearful power of this our art: then i command and conjure thee by

t mocked by thy disobedience at their god-born knowledge_ by that order which riseth even unto the white throne of god himself do i curse thy life and blast thy being; and consign thee unto the lowermost hell of abaddon! in the names of iahdonhi, elohim tzebaoth, michael, raphael, beni elohim and tiriel: i curse thy life and blast thy being! down! sink down to the depths of horror. by every name, symbol, sign and rite that has this day been practised in this magic circle: by every power of my soul, of the gods, of the mighty order to which we all belong! i curse thy life and blast thy being! fall, fall down to torment unspeakable! if thou dost not appear then will i complete the fearful sentence of this curse. 188 god will not help thee. thou, thou hast mocked his name [taking the slip of

e and faithful servant of the mighty ones, to the glory of thine ineffable name, amen [now rise: lift up both hands and eyes towards heaven; and concentrate upon the glory and splendour of him that sitteth upon the holy throne for ever and ever, and say] khabs am pekht! konx om pax! light in extension! in all my wanderings in darkness the light of anubist went before me, yet i saw it not. it is a symbol of the hidden light of occult science [pass to between the pillars, and standing thus concentrate upon the highest divinity; and there standing in the sign of the enterer, say] o glory of the godhead unspeakable! eternal master! ancient of days! thee, thee, i invoke in my need! dark is all the world; without, within; there is light alone in thee! rend asunder, lord of the universe, tear asi

length have i been permitted to comprehend the form of my higher self! adoration be unto thee, lord of my life, for thou hast permitted me to enter thus 204 far into the sanctuary of thine ineffable mystery: and hast vouchsafed to manifest unto me some little fragment of the glory of thy being. hear me, angel of god the vast one: hear me, and grant my prayer! grant that i may ever uphold the the symbol of self-sacrifice: and grant unto me the comprehension of aught that may bring me nearer unto thee! teach me, starry spirit, more and more of thy mystery and thy mastery: let each day and hour bring me nearer, nearer unto thee! let me aid thee in thy suffering that i may one day become partaker of thy glory: in that day when the son of man is invoked before the lord of spirits, and his name

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here is blake. blake is more obscure than you are; but we have this guarantee, based on experience, that when we do attain to his meaning, it starts up 329 luminous, titanic, splendid. with you, we discover only commonplace_ the commonplace of a maudlin undertaker replying to the toast of the ladies at the annual dinner of the antique order of arch-druids. blake fashioned his intricate caskets of symbol to conceal pearls; you pile up dead leaves to cover rotten apples. you are attis with a barren fig-leaf. it is true that a sort of dreary music runs monotonously through your verses, only jarred by the occasional discords. it is as if an eternal funeral passed along, and the motor-hearse had something wrong with the ignition_ and the exhaust. it is as if a man were lost upon a lonely marsh

m slow to fast, until he can no more. 5. this also shall be sung in open places, as heaths, mountains, woods, and by streams and upon islands. 6. moreover, ye shall build you fortified places in great cities; caverns and tombs shall be made glad with your praise. 7. amen. 5 the treasure-house of images here beginneth the book of the meditations on the twelvefold adora- tion, and the unity of god. symbol of the the chapter known as crescent moon, the perception of god horns to right that is revealed unto man for a snare i adore thee by the twelvefold snare and by the unity thereof. 000. in the beginning there was naught, and naught spake unto naught saying: let us beget on the nakedness of our nothingness the limitless, eternal, identical, and united: and without will, intention, thought, w

f life! i adore thee, evoe! i adore thee, iao! o thou glimmering tongue of day, that art sucked into the blue lips of night! i adore thee, evoe! i adore thee, iao! o thou queen-bee of heaven's hive, that smearest thy thighs with honey of hell! i adore thee, evoe! i adore thee, iao! o thou scarlet dragon of flame, enmeshed in the web of a spider! i adore thee, evoe! i adore thee, iao! o thou magic symbol of light, that art frozen on the black book of blood! i adore thee, evoe! i adore thee, iao! o thou swathed image of death, that art hidden in the coffin of joy! i adore thee, evoe! i adore thee, iao! o thou red breast of the sunset, that pantest for the ravishment of night! i adore thee, evoe! i adore thee, iao! o thou serpent of malachite, that baskest in a desert of turquoise! i adore th

hell! i adore thee, evoe! i adore thee, iao! o thou primal birth-ring of thought, that dost encircle the thumb of the soul! i adore thee, evoe! i adore thee, iao! 69 o thou blind flame of nothingness, as a crown upon my brow! i adore thee, evoe! i adore thee, iao! o glory be unto thee through all time and through all space: glory, and glory upon glory, everlastingly. amen, and amen, and amen. 70 symbol of the the chapter known as crescent moon, the unconsciousness of god horns to left that is hidden from man for a sign i adore thee by the twelvefold sign and by the unity thereof. 12. the light of my life is as the light of two moons, one rising and the other setting, one increasing and the other waning; the one growing fat as the other groweth lean, like a paunchy thief sucking dry a skin

d mystics were right who saw in every phenomenon a dog-faced demon apt only to seduce the soul from the sacred mystery' yes, but the phenomenon shall it not be as another sacred mystery; the force of attraction still to be interpreted in terms of god and the psyche? we shall reward you by befoulment, by cant, by misunderstanding, and by understanding. this to you who wear the phrygian cap, not as symbol of liberty, o ribald ones, but of sacrifice and victory, of inmost enlightenment, of the soul's deliverance from the fetters of the very soul itself_ fear not; you are not 'replacing truth of thought by mere expertness of mechanical skill "you who hold more skill and more power than your great english predecessor, robertus de fluctibus, you have not feared to reveal 'the arcana which are in

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ne. by arthur f. grimble 129 the temple of solomon the king (book ii "continued) 133 the coming of apollo. by victor b. neuburg 281 the brighton mystery. by george raffalovich 287 reviews 113, 285, 304 the shadowy dill-waters. by a. quiller, jr. 327 "special supplement" liber dcccclxiii_ the treasure-house of images illustrations the slopes of abiegnus "facing page" 4 the student" 10 the complete symbol of the rose and cross" 210 the elemental tablets and cherubic emblems" 212 the lid of the pastos" 218 the ceiling of the vault the floor of the vault" 222 the circular altar the rose and cross "special supplement" the triangle of the universe" 4 the greek cross of the zodiac" 70 weh note: two different versions of this editorial exist in separate marketings of the 1st edition. both will be

ah! marsyas. but the mind, that mothers mists, abides not there. the adept must fall exhausted. olympas. there's an end of all? marsyas. but not an end of this! above all life as is the pulse of love, so this transcends all love. olympas. ah me! who may attain? marsyas. rare souls. olympas. i see imaged a shadow of this light. marsyas. such is its sacramental might that to recall it radiates its symbol. the priest elevates the host, and instant blessing stirs the hushed awaiting worshippers. olympas. then how secure the soul's defence? how baffle the besieger, sense? marsyas. see the beleagured city, hurt by hideous engines, sore begirt and gripped by lines of death, well scored with shell, nigh open to the sword! now comes the leader; courage, run 21 contagious through the garrison! repa

of the lines is a definitely intelligible language where you read the sorrowing and the passion of their souls. nevertheless a mysterious but only temporary state of the mind develops itself; the profoundness of life, hedged by its multiple problems, reveals itself entirely in the sight, however natural and trivial it may be, that one has under one's eyes; the first-come object becomes a speaking symbol. fourier and swedenborg, one with his analogies, the other with his correspondences, have incarnated themselves in all things vegetable and animal which fall under your glance, and instead of touching by voice they indoctrinate you by form and colour. the understanding of the allegory takes within you proportions unknown to yourself. we shall note in passing that allegory, that so spiritual

is a strong ingredient of sensuality; and, moreover, it may usefully be remarked_ and this will suffice to establish upon this ground the immorality of hashish_ that a sect of ishmaelites (it is from the ishmaelites that the assassins are sprung) allowed its adoration to stray far beyond the lingam-yoni; that is to say, to the absolute worship of the lingam, exclusive of the feminine half of the symbol. there would be nothing unnatural, every man being the symbolic representation of history, in seeing an obscene heresy, a monstrous religion, arise in a mind which has cowardly given itself up to the mercy of a hellish drug and which smiles at the degradation of its own faculties. since we have seen manifest itself in hashish intoxication a strange goodwill toward men, applied even to stran

t round and receives the crown of victory, or if not that, is ever ready to race again. 142 to learn how to will is the key to the kingdom, the door of which as we have seen contains two locks, or rather two bolts in one lock, one turning to the right and the other to the left. either pile up the imagination with image upon image until the very kingdom of god is taken by assault; or withdrawn one symbol after another until the walls are undermined and the "cloud-capped towers" come tumbling to the ground. in either case the end is the same_ the city is taken. or perchance if you are a great captain, and your army is filled with warlike men, and you are in possession of all the engines suitable to this promethean struggle_ at one and the same time scale the bastions and undermine the rampar

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hat the strict letter of the law of chastity had no more to do with the ultimate success of attainment than refusing to work on a sabbath had to do with a free pass to the celestial regions, unless every act of chastity was computed and performed in a magical manner, each act becoming as it were a link in one great chain, a formula in one great operation, an operation not leading to chastity, the symbol, but beyond chastity to the essence itself- namely the atman- adonai. further he proved to his own satisfaction that, though absolute chastity might mean salvation to one man, inducing in the lecherous a speedy concentration, it might be the greatest 284 "shiva sanhita" chap. v, 155. 285 atman, pan, harpocrates, whose sign is silence, etc, etc. see "777. 286 the vision of the holy guardian

gutless; puritanic, pharisaical and "suburban" as any seventeenth century presbyter, as biliously narrow-minded as any of the present day bethelites, baptists, and bible-beer brewers.292 290 the reason for this is very simple. take for example a glutton who lives for his palate and his stomach; he is always longing for tasty foods and spends his whole life seeking them. let us now substitute the symbol of the augoeides or atman for that of food and drink, let him every time he thinks of food and drink push the thought aside and in its place contemplate his higher self, and the result is a natural invocation of the atman, augoeides, or higher self. if the aspirant be an artist let him do the same with his art; if a musician, with his music; if a poet, with his verses and rhymes. for the be

i grew intensely wicked merely by hearing it. i still remember the meaning of the song they sand, although there is no language yet coined which will convey it, and far be it from me event to suggest its nature, lest i should seem to perpetuate in any degree such profanity as beyond the abodes of the lost no pips are capable of uttering. every note of the music itself accorded with the thought as symbol represents essence, and with its clangour mixed the maddening creak of the for ever oscillating cradle, until i felt driven into a ferocious despair. suddenly the nearest fiend, snatching up a pitchfork (also of white-hot iron, thrust it into my writing side, and hurled me shrieking into the fiery cradle. i sought in my torture to scale the bars; they slipped from my grasp and under my feet

tanders thought ineffably puerile, have i recongised the landmark of a field of wonders wherein i have travelled in perfect ravishment. i understood the symbolisation, which they did not. though as perfectly conscious as in his natural state, and capable of apprehending all outer realities without hallucination, he still perceived every word which was spoken to him 270 in the form of some visible symbol which most exquisitely embodied it. for hours every sound had its colour and its form to him as truly as scenery could have them. the fact, never witnessed by me before, of a mind in that state being able to give its phenomena to another and philosophise about them calmly, afforded me the means of a most clear investigation. i found that his case was exactly analogous to those of b. and mys

our, when from the dark bosom of hell sprang a fair felon flower. ethel archer. 326 the big stick counterparts. vol. xvi of the brotherhood of the new life. an epitome of the work and teaching of thomas lake harris. by respiro. 2"s. 6"d. net. a new edition. c. w. pearce and co, 139, west regent street, glasgow. if we are in any way to shadow forth the ineffable, it must be by a degradation. every symbol is a blasphemy against the truth that it indicates. a painter to remind us of the sunlight has no better material than dull ochre. so we need not be surprised if the unity of subject and object in consciousness which is samadhi, the uniting of the bride and the lamb which is heaven, the uniting of the magus and the god which is evocation, the uniting of the man and his holy guardian angel w

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mystics were right who saw in every phenomenon a dog-faced demon apt only to seduce the soul from the sacred mystery' yes, but the phenomenon shall it not be as another sacred mystery; the force of attraction still to be interpreted in terms of god and the psyche? we shall reward you by befoulment, by cant, but misunderstanding, and by understanding. this to you who wear the phrygian cap, not as symbol of liberty, o ribald ones, but of sacrifice and victory, of inmost enlightenment, of the soul's deliverance from the fetters of the very soul itself- fear not; you are not 'replacing truth of thought by mere expertness of mechanical skill "you who hold more skill and more power than your great english predecessor, robertus de fluctibus, you have not feared to reveal 'the arcana which are in

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forearms, right above left, the elbows and a bit of the upper arms with some rolled up sleeves. there are many scratches visible in the second photo. liber iii vel jvgorvm. 0 0. behold the yoke upon the neck of the oxen! is it not thereby that the field shall be ploughed? the yoke is heavy, but joineth together them that are separate- glory to nuit and to hadit, and to him that hath given us the symbol of the rosy cross! glory unto the lord of the word abrahadabra, and glory unto him that hath given us the symbol of the ankh, and of the cross within the circle! 1. three are the beasts wherewith thou must plough the field; the unicorn, the horse, and the ox. and these shalt thou yoke in a triple yoke that is governed by one whip. 2. now these beasts run wildly upon the earth and are not ea

tor n.s.f. 5= 6 cancellarius liber a vel armorvm svb figvra ccccxii. the obeah and the wanga; the work of the wand and the work of the sword; these he shall learn and teach "liber l, i, 37 "the pentacle" take pure wax, or a plate of gold, silver-gilt or electrum magicum. the diameter shall be eight inches, and the thickness half an inch. let the neophyte by his understanding and ingenium devise a symbol to represent the universe. let his zelator approve thereof. let the neophyte engrave the same upon the plate with his own hand and weapon. let it when finished be consecrated as he hath skill to perform, and kept wrapped in silk of emerald green "the dagger" let the zelator take a piece of pure steel, and beat it, grind it, sharpen it, and polish it, according to the art of the swordsmith

beginning, i did meditate twice daily, three mediations morning and evening, upon such simple objects as- a white triangle; a red cross; isis; the simple tatwas; a wand; and the like. i remained after some three weeks for 59 1/2 minutes at one time, wherein my thought wandered 25 times. now i began also to consider more complex things: my little rose cross;4 the 46 complex tatwas; the golden dan symbol, and so on. also i began the exercise of the pendulum and other simple regular motions. wherefore to-day of venus, the 22nd of february 1901, i being in the city of guadalajara, in the hotel cosmopolita, i do begin to set down all that i accomplish in this work: and may the peace of god, which passeth all understanding, keep my heart and mind through christ jesus our lord. let my mind be op

; and anything which has the slightest odour of reality about it you pronounce an illusion. but, as my brother the magician has told you "he 51 who denies anything asserts something" now let me disclose to you this "something" so hat you may find behind the pairs of opposites what this something is in itself and not in its appearance. it has been pointed out in a past chapter how that in the west symbol has been added to symbol, and how that in the east symbol has been subtracted from symbol. how in the west the magician has said "as all came from god so must all proceed to god" the motion being a forward one, and acceleration of the one already existing. now let us analyze what is meant by the worlds of the yogi when he says "as all came from god so must all return to god" the motion bein

philosophers have fallen into this snare, and not only once but an hundred times; the reason being that they have not remained silent12 about that which can only be "known" and not "believed in" and that which can never be names without begetting a duality (an untruth, and consequently a whole world of illusions. it is the crucifixion of every world-be saviour, this teaching of a truth under the symbol of a lie, this would-be explanation to the multitude of the unexplainable, this passing off on the "canaille" the strumpet of language (the consciously known) in the place of the virgin of the world (the consciously unknown).13 no philosophy has ever grasped this terrible limitation so firmly as the ved nta "all experimental knowledge, the four vedas and the whole series of empirical scienc

ALEISTER CROWLEY EQUINOX EQ I 6 2

tant, o profane! children of the hurricane! lest the sword of fire destroy, lest the ways of death be plain! so depart, and so be wise, lest your perishable eyes look upon the formless fire, see the maiden sacrifice! so depart, and secret flame burn upon the stone of shame, that the holy ones may hear music of the sleepless name! holy, holy, holy spouse of the sun-engirdled house, with the secret symbol burning on thy multiscient brows. even as the traitor's breath goeth forth, he perisheth by the secret sibilant word that is spoken unto death. capricornus. brethren, let us awaken the master of the temple [the leader of the chorus "beats the tom-tom, and the other brethren clap and stamp their feet. no result] 6 silence- it is in vain! brethren, let us invoke the assistance of the mother o

thebes never knew. another athens shall arise, and to remoter time bequeath, like sunset to the skies, the splendour of its prime; and leave, if nought so bright may live, all earth can take or heaven can give. saturn and love their long repose shall burst, more bright and good than all who fell, than one who rose, than many unsubdued. not gold, not blood, their altar dowers, but votive tears and symbol flowers. oh, cease! must hate and death return? cease! must men kill and die? cease! drain not to its dregs the urn of bitter prophecy. the world is weary of the past. oh, might it die or rest at last! bro. aries. 1-4444. the battle is indeed fought. sol. in aries. 333-333. the victory is indeed won. bro. aries. brethren, the sun is arisen. let us depart in joy. 61 sor. scorpio. let us depa

d mystics were right who saw in every phenomenon a dog-faced demon apt only to seduce the soul from the sacred mystery' yes, but the phenomenon shall it not be as another sacred mystery; the force of attraction still to be interpreted in terms of god and the psyche? we shall reward you by befoulment, by cant, by misunderstanding, and by understanding. this to you who wear the phrygian cap, not as symbol of liberty, o ribald ones, but of sacrifice and victory, of inmost enlightenment, of the soul's deliverance from the fetters of the very soul itself- fear not; you are not 'replacing truth of thought by mere expertness of mechanical skill "you who hold more skill and more power than your great english predecessor, robertus de fluctibus, you have not feared to reveal 'the arcana which are in

e learned from books "g.c.j" william northam "robemaker" 9 henrietta street, southampton street, strand telephone- 5400 central= mr. northam begs to announce that he has been entrusted with the manufacture of all robes and other ceremonial apparel of members of the a. a. and its adepts and aspirants. no. 0. probationer's robe. pounds5 0 0 1" superior quality. 7 0 0 2. neophyte's. 6 0 0 3. zelator symbol added to no. 2. 1 0 0 4. practicus" 3. 1 0 0 5. philosophus" 4. 1 0 0 6. dominus liminis" 5. 1 0 0 7. adeptus (without" 0 or 1. 3 0 0 8 (within. 10 0 0 9. adeptus major. 10 0 0 10. adeptus exemptus. 10 0 0 11. magister templi. 50 0 0 the probationer's robe is fitted for performance of all general invocations and especially for the i. of the h. g. a; a white and gold nemmes may be worn. thes

ALEISTER CROWLEY EQUINOX EQ I 6

and rooted deeper than the no-thing-tree in the land of no-thing. 33. now therefore thou knowest when i am within thee, when my hood is spread over thy skull, when my might is more than the penned indus, and resistless as the giant glacier. 34. for as thou art before a lewd woman in thy nakedness in the bazaar, sucked up by her slyness and smiles, so art thou wholly and no more in part before the symbol of the beloved, though it be but a pisacha or a yantra or a deva. 35. and in all shalt thou create the infinite bliss, and the next link of the infinite chain. 36. this chain reaches from eternity to eternity, ever in triangles- is not my symbol a triangle- ever in circles- is not the symbol of the beloved a circle? therein is all progress base illusion, for every circle is alike and every

e in your eye. you see it as a picture "it is a hieroglyph "but it is a fight "i do not believe in fights. i only believe in beauty "oh how true, how right your are! how noble" she hid her face in her hands and began to cry to herself "i see! i see! that is how god must see the universe, or he could never tolerate such cruelty, such idiotcy, ineptitude "exactly. suppose now that the world is only symbol- i had rather say sacrament- suppose for example that all these stars swimming in boundless aether are but corpuscles in the blood of some toy terrier of the creator "you frighten me. i don't want to suppose "think of the eternal battles of haemoglobin, oxyhaemoglobin, carboxyhaemoglobin in our blood. it is the same idea. do we express sympathy for the fallen? have we a stop-the-war party?

he explains more clearly what he sees. but what does he see? he is the priest of a false god. form has no importance except in this sense; we must not be revolted by the extravagance of new symbolic systems. gauguin and matisse may live to be understood. we acquiesce in the eccentricities of raphael" ida gave a little laugh of pleased scorn of him "my good girl, perspective is an eccentricity, a symbol; no more. how can one ever represent a three-dimensional world in two dimensions? only by symbolism. we have acquiesced in the method of the primitives- do you think men and women are really like fra angelico's pictures look to the eye of the untaught? we may one day acquiesce in all the noughts and crosses of nadelmann! it's the same everywhere. i draw a curve and a circle and a waggle up

ALEX SANDERS THE KING OF THE WITCHES

ago as the stone age the wise man of the tribe was dressed in an animal skin; he was called 'devil, which meant 'little god, and was worshipped by his followers as the chief god's representative. the earliest record of this custom is a palaeolithic painting found in a cave in the ariege district of southern france. it depicts a man clad in a stag's skin, with antlers on his head-the horned god, a symbol of benevolent power in primitive times. another, a man disguised as a jackal, carved on slate, dates back to archaic egypt. in about 1100 b.c. women and officers of the harem of rameses iii were brought to trial for making wax images of the pharaoh to the accompaniment of magic incantations. these images were fith-faths, still used by witches today against their enemies. history shows that

climax of sexual orgy. it is important to note at this point that although we have few historical records of 'white' witches at this time and must include them under the general term 'witches, modem white witches, who are the subject ofthis book, believe that they are descended from, and adhere to, a separate tradition embracing the worship not of satan, but of the homed god and the earth mother-symbol of fertility, the oldest goddess known to man. certain aspects of white-witch dogma can be traced in ancient religions all over the world, in druidical beliefs, for instance, and the incantations in runic have been passed from generation to generation. white witchcraft is invariably confmed to doing good, restraining evil and promoting fertility. but although some attempt was made in the mi

e thing, but raising evil forces in all sincerity was quite another. 44 over-indulgence did nothing to dim alex's powers of clairvoyance and he had no compunction in sharing his visions 'you'll be in prison this time next year' he once told a wealthy suffolk landowner who was highly amused. in less than a year the man had begun a six-year sentence for fraudulent conversion. even when alex saw the symbol of death he spoke out, and his hosts and guests alike begged him to tell them more. during this time his native sympathy had deserted him, however; he was wealthy and independent-to hell with the weak, especially if they were women. some of the girls he took as mistresses were genuinely fond of him, but he treated them all as gold-diggers or prostitutes. to voyeurs of his acquaintance who e

as a. receptacle for the dead was exhausting, and offered none of the stimulation of playing host to one's own created familiars 'we've got it' the shout echoed through the hills. alex: rushed over to have a look. it was a miserable weapon, mottled green and pitted with corrosion; the handle disintegrated as soon as they touched it. he scraped away some of the fungus with his nail and revealed a symbol, more secret than the pentacle, deeply engraved in the metal. there was no doubt but that this was a witch's athame, shaken by the discovery and .by the potentiality of having a genuine seventeenth-century witch as .an informant, they drove back to manchester bearing their precious relic. later, alex.overcame his reluctance and agreed he should go into trance again so that nick might speak

or..during the performance, the witches 'wished' his tyres down jagain. which was the last that they heard of him. he pumped his tyresup again and drove off at full speed. he.preferred to let maxine go.to the devil than risk his car in that neighbourhood again. maxine returned to her mother of her own free will one morning. she had awoken to see, on the bedroom wall, a sword pointing downwards, a symbol of death. it vanished almost 'immediately but not before she had resolved to be by her mother until her death. it came four days later, and while maxine's little sister went to live with relatives, maxine tried to put the family affairs in order. her efforts were not helped by neighbours who, having heard ofthe girl's allegiance to witchcraft, slandered. her in the street and threw bricks t

ALEXANDRIAN BOOK OF SHADOWS OCCULT

f us that is not of the gods. descend, we pray thee, upon thy servant and priest. any initiations to be done are done at this point. the ceremony of cakes and wine follows. the great rite is done if at all possible. feasting, dancing and games follow the closing of the ritual. notes l from stewart farrar what witches do; he derived it from alex sanders' bos. vernal equinox (eostar) preparation: a symbol of the wheel is on the altar, flanked with burning candles, or with fire in some form- torches, or small tripods with fire in their cups. the symbol of the wheel may be a plain disc, or an eight spoked wheel, or the pentacle. alex and maxine sanders used a circular mirror with a broad frame, also circular, decorated as a twelve-pointed star. in the centre of the circle is either a cauldron

ALICE A BAILEY01 THE CONSCIOUSNESS OF THE ATOM

ds. nevertheless, we can, i believe, look to science to make tremendous strides in the comprehension of atomic energy. then paralleling the evolution of the human being again, we can look for man to dominate the air. there is a great vibratory sphere, or plane, in the solar system, called in some occult books the intuitional plane; it is called in the eastern literature the buddhic plane, and its symbol is the air. just as man is beginning to find his way through the development of the intuition on to that plane now, so science is beginning to discover how to dominate the air, and as the intuition in man develops and grows, so will his control of the air be developed and grow. another thing we can look for (and it is already being recognised somewhat) is the development of the ability to

ALICE A BAILEY02 INITIATION HUMAN AND SOLAR

ystem at this time. it is instituted during every fourth round, and its peculiar interest lies in the fact that the emphasis for the fourth creative hierarchy in every fourth chain and globe during the fourth round is laid upon the fourth initiation, that of the crucifixion. the fourth creative hierarchy is the great expression of the conscious will and sacrifice of the solar logos, and the great symbol of the intelligent union of spirit and matter. hence the fourth initiation, with its presentation of these cosmic truths, and its epitomising of the purpose of this fundamental sacrifice, has a pre-eminent place. the student needs to remind himself that the other planetary schemes, though fundamentally the same as our fourth scheme, yet have their profound differences in manifestation, due

of mantric value, such as in the case of the sacred word, but of a mathematical nature, precisely worded so as to convey the exact intent of the speaker. to the uninitiated they would look and sound like algebraical formulas, except that each is composed (when seen clairvoyantly) of an oval of a specific hue, according to the secret imparted, containing five peculiar hieroglyphics or symbols. one symbol contains the formula of the law concerned, another gives the planetary key and tone, a third deals with vibration, whilst the fourth shows the number and department under which the ray concerned falls. the last hieroglyph gives one of the seven hierarchical keys by means of which the members of our planetary hierarchy can link up with the solar. this is evidently very vague and ambiguous in

ion of mental matter and currents. these three points will bear careful consideration, and much may be learnt by occidental students from the study of the life of christ, and a consideration of his methods in using his hands. more cannot be said here, as the subject is too vast to be enlarged upon in this brief commentary. the "mark of the messenger" in the feet, is a reference to that well-known symbol of the wings on the heels of mercury. much upon this subject will be revealed to students in occult schools who will gather together all that can be found concerning the messenger of the gods, and who also will study with care information which astrological students have gleaned anent the planet mercury, and which occult students have gathered concerning the inner round. on the surface, the

i. the first; the primeval; the atomic plane of the solar system; the highest of the seven planes. agni. the lord of fire in the vedas. the oldest and most revered of the gods in india. one of the three great deities agni, vayu and surya, and also all the three, as he is the triple aspect of fire; fire is the essence of the solar system. the bible says "our god is a consuming fire" it is also the symbol of the mental plane of which agni is paramountly lord. agnichaitans. a group of fire devas. atlantis. the continent that was submerged in the atlantic ocean, according to the occult teaching and plato. atlantis was the home of the fourth root race, whom we now call the atlanteans- 125- initiation, human and solar copyright 1998 lucis trust antahkarana. the path, or bridge, between higher an

ALICE A BAILEY04 A TREATISE ON COSMIC FIRE

(1) students are recommended to study them carefully; in this way their understanding of the treatise will be greatly aided. i. there is one boundless immutable principle; one absolute reality which, antecedes all manifested conditioned being. it is beyond the range and reach of any human thought or expression. the manifested universe is contained within this absolute reality and is a conditioned symbol of it. in the totality of this manifested universe, three aspects are to be conceived. 1. the first cosmic logos, impersonal and unmanifested, the precursor of the manifested. 2. the second cosmic logos, spirit-matter, life, the spirit of the universe- 9- a treatise on cosmic fire copyright 1998 lucis trust 3. the third cosmic logos, cosmic ideation, the universal world-soul. from these bas

t touches the periphery it contacts the influence of the atoms in its environment; radiation is set up and the point of depression makes its appearance, marking the inflow and outflow of force or heat. we are here only showing the application of cosmic symbols to matter, and are not dealing with manifestation from any other angle than that of the purely material. for instance, we are applying the symbol of the point within the circle to the sphere of matter, and the point of latent heat. we are not handling at this point matter as informed by an entity who is to matter, when so informing, a point of conscious life. we are dealing only with matter and latent heat, with the result produced by rotary movement of radiatory heat and the consequent interplay of bodies atomic. we are therefore de

not meant the ability of any atom to make four revolutions, but the fourth dimensional quality of the revolution which is the goal aimed at, and which is even now becoming known in matter during this fourth round, and in this fourth chain. as the fifth spirilla or fifth stream of force in an atom becomes developed, and man can conceive of a fourth-dimensional rotary movement, the accuracy of this symbol will be recognised. it will then be seen that all sheaths in their progress from inertia to rhythm, via mobility, pass through all stages, whether they are logoic sheaths, the rays in which the heavenly men veil themselves, the planes which form the bodies of certain solar entities, the causal body (or the sheath of the ego on the mental plane, the human physical body in its etheric constit

ion in the buddhic vehicle must build between higher and lower mind; hence the necessity for the use of the imagination (which is the astral equivalent to mental discrimination, and its ultimate transmutation into intuition. all teachers, who have taken pupils in hand for training, and who seek to use them in world service, follow the method of imparting a fact (oft veiled in words and blinded by symbol) and then of leaving the pupil to follow his own deductions. discrimination is thereby developed, and discrimination is the main method whereby the spirit effects its liberation from the trammels of matter, and discerns between illusion and that which is veiled by it. not much can be here imparted, as the subject, if dealt with at all fully, would convey too much information to those liable

of the fires is the prerogative of man when he has reached a certain point in his evolution; the unconscious realisation of this has led naturally to the attempts of the alchemist to transmute in the mineral kingdom. a few of the older students right through the ages have comprehended the vastness of the endeavour of which the transmutation of the baser metals into gold was but preliminary and a symbol, a pictorial, allegorical, concrete step. the whole subject of transmutation is covered by the work of the hierarchy in all its three departments on this planet, and we might get some idea of the matters involved if we studied this- 285- a treatise on cosmic fire copyright 1998 lucis trust vast hierarchical standpoint, getting thereby a concept of the work done in aiding the evolutionary pr

ALICE A BAILEY05 THE LIGHT OF THE SOUL

hatha yoga, the yoga of the physical body, that yoga which brings into conscious use and manipulation the various organs, muscles and parts of the physical frame. the problem before the adepts of that time was to teach human beings, who were then little more than animals, the purpose, significance and use of their various organs, so that they could consciously control them, and the meaning of the symbol of the human figure. therefore, in those early days, through the practice of hatha yoga, the human being reached the portal of initiation. at that time the attainment of the third initiation, resulting in the transfiguration of the personality, was the highest initiation that man was capable of achieving. in atlantean days, the progress of the sons of men was procured through the imposition

st "let the one who looks out take care that the window through which he gazes transmits the light of the sun. if he use it in the early dawn (of his endeavor. a. b) let him remember that the orb is not yet risen. the clear cut outlines cannot be perceived, and wraiths and shadows, gloomy spaces and areas full of darkness as yet confuse his vision" at the close of this sentence is found a curious symbol, which conveys to the disciple's mind the thought of "keep silent and reserve your opinion" 8. incorrect knowledge is based upon perception of the form and not upon the state of being. this sutra is somewhat difficult to paraphrase. its significance consists in this: knowledge, deduction and a decision which is based upon externals, and upon the form through which any life in any kingdom of

the time will come when the student will know consciously and increasingly what is the meaning of restraint of the modifications. 15. non-attachment is freedom from longing for all objects of desire, either earthly or traditional, either here or hereafter. non-attachment can also be described as thirstlessness. this is the most correct occult term to use as it involves the dual idea of water, the symbol of material existence, and desire, the quality of the astral plane, whose symbol is also water. the idea of man being the "fish" is curiously complete here. this symbol (as is the case with all symbols) has seven meanings; two are of use in this place: 1. the fish is the symbol of the vishnu aspect, the christ principle, the second aspect of divinity, the christ in incarnation, whether it i

ly the meditative attitude of the soul, the brain becomes also increasingly subjugated to the mind as the mind is to the soul. thus is the lower man gradually identified with the spiritual man who is omniscient and omnipresent. this meditative attitude is assumed through a fourfold process: 1. meditation on the nature of a particular form, realising, as the form is pondered upon, that it is but a symbol of an inner reality, our whole tangible objective world being built up of form, of some kind (human, subhuman and superhuman, which expresses the life of hosts of sentient beings. 2. meditation upon the quality of any particular form, so that an appreciation of its subjective energy may be gained. it should be borne in mind that the energy of an object may be regarded as the colour of that

sed on the physical plane and in the physical body. patanjali says that three things will bring this about, coupled with the following of certain methods and rules, and these three are: 1. fiery aspiration, the domination of the physical man so that every atom of his body is afire with zeal and endeavor, 2. spiritual reading, which has reference to the capacity of the mental body to see back of a symbol or to touch the subject lying back of the object, 3. devotion to ishvara, which relates to the astral or emotional body, the whole heart poured out in love to god god in his own heart, god in the heart of his brother, and god as seen in every form. fiery aspiration is the sublimation of karma yoga. devotion to ishvara is the sublimation of bhakti yoga, whilst spiritual reading is the first

ALICE A BAILEY07 FROM INTELLECT TO INTUITION

left behind. the great adventure of religion begins "there must somewhere be a point of certainty. a growing universe may provide for open futures, but whoso declares that the universe is growing states an unalterable fact about its structure, which fact is the eternal guarantee of the possibility and validity of experiment "man is a bridge. even the superman, once we perceive that he is only the symbol of the strenuous ideal, turns out to be a bridge too. our only assurance is that the gates of the future are always open."7(7) perhaps the problem consists in this: that the gates of the future seem to open upon an immaterial world, and upon a realm that is intangible, metaphysical, supersensuous. we have well-nigh exhausted the resources of the material world, but we have not yet learned t

en and the mystical. but science arrives at the same point by working from the seen to the unseen and from the objective to the subjective. thus, as has been said, by the process of investigation and of passing inwards from form to form, the mystic arrives eventually at the glory of the unveiled self. it seems to be unalterably true that all paths lead to god viewing god as the ultimate goal, the symbol of man's search for reality. it is no longer a sign of superstition to believe in a higher dimension and in another world of being. even the word "supernatural" has become deeply and profoundly respectable, and it seems possible that some day our educational systems may regard the preparation of the individual to transcend his natural limitations as an entirely legitimate part of its affair

rocure its opening. it is here that meditation plays its part and the mind steps in to fulfil its new function of revelation. through meditation, the union for which the mystic yearns, and which he senses, and of which he has brief and fleeting experience, becomes definite and is known past all controversy, being recoverable at will. father joseph mar chal in his notable book points out that..the symbol vanishes, imagery fades, space disappears, multiplicity is reduced, reasoning is silent, the feeling of extension gathers itself together and then breaks down; intellectual activity- 30- from intellect to intuition copyright 1998 lucis trust is entirely concentrated in its intensity; it seizes without intermediary, with the sovereign certitude of intuition, being, god "the human mind, then

onsciousness and being and into another dimension. the goal of achievement has shifted into higher realms of thought and realization. what are the definite results of this reorientation? it might be stated first of all that meditation is the science which enables us to arrive at direct experience of god. that in which we live and move and have our being is no longer the object of aspiration, or a symbol to us of a divine possibility. we know god as the eternal cause and the source of all that is, including ourselves. we recognize the whole. we become one with god by becoming one with our own immortal soul, and when that tremendous event takes place we find that the consciousness of the individual soul is the consciousness of the whole, and that separativeness and division, distinctions and

the quality of a particular form. 3. meditation upon the purpose of a particular form. 4. meditation upon the life animating a particular form. all forms are symbols of an indwelling life, and it is through meditation with seed that we arrive at the life aspect. in a treatise on cosmic fire the following words occur "the wise student regards all forms of expression as in the nature of symbols. a symbol has three interpretations; it is itself the expression of an idea, and that idea has behind it, in its turn, a purpose or impulse inconceivable as yet. the three interpretations of a symbol might be dealt with as follows "1. the exoteric interpretation of a symbol is based largely upon its objective utility, and upon the nature of the form. that which is exoteric and substantial serves two

ALICE A BAILEY08 A TREATISE ON WHITE MAGIC

nciple, which withdraws mysteriously at death, partially withdraws in the hours of sleep or of unconsciousness, and which seems to use the brain as its main seat of activity and from there to direct the functioning of the organism. this energy has a primary direct relation with the three parts of the organism which we call the brain, the heart, and the breathing apparatus. this is the microcosmic symbol of spirit. 2. the nervous system, with its complexities of nerves, nerve centres and that multiplicity of interrelated and sensitive parts which serve to coordinate the organism, to produce the sensitive response which exists between the many organs and parts which form the organism as a whole, and which serve also to make the man aware of, and sensitive to, his environment. this entire sen

motivated by and controlled by two factors- 13- a treatise on white magic copyright 1998 lucis trust a. the sum total of the energy which is the individual quota of vital energy. b. the energy of the environment in which the individual finds himself and within which he has to function and to play his part. this coordinating nervous system, this network of interrelating and sensitive nerves is the symbol in man of the soul, and an outer and visible form of an inner spiritual reality. 3. there is finally what might be described as the body, the sum total of flesh, of muscle, and of bone which the man carries around, correlated by the nervous system and energised by what we vaguely call his "life. in these three, the life, the nervous system and the body mass we find the reflection and the sy

that planetary life. this has been touched upon in the treatise on cosmic fire. to all of these the planetary web of life is responsive, and, when astrologers work in the occult way and consider the planetary horoscope, they will arrive more quickly at an understanding of the zodiacal and cosmic influences. the anima mundi is that which lies back of the web of life. the latter is but the physical symbol of that universal soul; it is the outer and visible sign of the inner reality, the concretion of the sensitive responsive entity which links spirit and matter together. this entity we call the universal soul, the middle principle from the standpoint of the planetary life. when we narrow the concept down to the human family, and consider the individual man, we call it the mediating principle

gher remains unknown, but that which links them (and at the same time reveals the nature of the higher) is on the verge of discovery. the structure, the mechanism, is now ready and developed to its point of usefulness; the vital life that can guide and motivate the machine is likewise present, and man now can intelligently use and control, not only the machine, but the active principle. the great symbol of the soul in man is his vital or etheric body and for the following reasons: 1. it is the physical correspondence to the inner light body we call the soul body, the spiritual body. it is called the "golden bowl" in the bible and is distinguished by: a. its light quality. b. its rate of vibration, which synchronises always with the development of the soul. c. its coherent force, linking an

magic copyright 1998 lucis trust glory which will make of each human being a centre of activity for the distribution of light and attractive energy to others in the human kingdom, and through the human kingdom, to the subhuman kingdoms. this is a part of the plan of the planetary logos for the vitalising and renewing of the vibration of those forms which we designate subhuman. 3. this microcosmic symbol of the soul not only underlies the entire physical structure and thus is a symbol of the anima mundi, or the world soul, but is indivisible, coherent and a unified entity, thereby symbolising the unity and homogeneity of god. there are no separated organisms in it, but it is simply a body of freely flowing force, that force being a blend or unification of two types of energy in varying quan

ALICE A BAILEY09 A TREATISE ON THE SEVEN RAYS VOLUME I ESOTERIC PSYCHOLOGY I

aled. the "noble eightfold path" was not known, and only seven steps into the temple were seen. with the coming in of the aryan race, the purpose and the plan began to be revealed. only when the appearance is beginning to be dominated by quality, and consciousness is expressing itself in directed awareness through the form, is the purpose dimly sensed. i seek in various ways to convey through the symbol of words the significance of the soul. the soul is therefore the son of god, the product of the marriage of spirit and matter. the soul is an expression of the mind of god, for mind and intellect are terms expressing the cosmic principle of intelligent love, a love which produces an appearance through the nature of mind and thus is the builder of the separate forms or appearances. the soul

lectric light, reveal the past, destroy the form that is, and open up the golden door. this door reveals the way which leads towards the centre where dwells the one whose name cannot be heard within the confines of our solar sphere. his robe of blue veils his eternal purpose, but in the rising and the setting sun his orb of red is seen. his word is power. his light, electric. the lightning is his symbol. his will is hidden in the- 44- a treatise on the seven rays- volume i: esoteric psychology i copyright 1998 lucis trust counsel of his thought. nought is revealed. his power is felt. the sons of men, reacting to his power, send to the utmost bounds of light a question: why this blind power? why death? why this decay of forms? why the negation of the power to hold? why death, oh mighty son

from a central point of love. that word is love itself. divine desire colours all that life of love. within the human hierarchy, the affirmation gathers power and sound. the word in the beginning was. the word hath dwelt and dwells with god. in him was light. in him was life. within his light we walk- 46- a treatise on the seven rays- volume i: esoteric psychology i copyright 1998 lucis trust his symbol is the thunder, the word that cycles down the ages. some of the names of this ray lord which convey his purpose are as follows: the displayer of glory the lord of eternal love the cosmic magnet the giver of wisdom the radiance in the form the master builder the conferrer of names the great geometrician the one who hides the life the cosmic mystery the light bringer the son of god incarnate

ay enter into rest. naught must arrest the progress of the workers with the plan. they enter upon the work assigned with paean and with song. the cross is reared on high; the form is laid thereon, and on that cross must render up its life. each builds a cross which forms the cross. they mount upon the cross. through war, through work, through pain and toil, the purpose is achieved. thus saith the symbol. it will be noted how this purpose, when applied by man to himself, works his release. when applied by man to man, it has produced the corrupt and awful story of man's cruelty to man. in the above mantram you will find the clue to the sixth ray purpose as it appears in the human kingdom, and a close expansive study (note that paradoxical phrase) of the underlying ideas will reveal a little

treatise on the seven rays- volume i: esoteric psychology i copyright 1998 lucis trust also the lord of the fourth ray of harmony, beauty and art will add his share to the great creative work, and it will be found that, in the elusive following to its source of that mysterious revelation which we call beauty, there will be expressed that subtle quality of which "smell" in the animal sense, is the symbol. the great search and the esoteric "following of the scent" will come to an end. this fourth ray is pre-eminently the way of the seeker, the searcher and the sensitive reflector of beauty. the jewish nation has a close relation to this fourth ray and to the fourth root race, and hence their eminence at this time in the world of art, and hence the magnitude of their endless symbolic wanderin

ALICE A BAILEY10 FROM BETHLEHEM TO CALVARY

be re-applied by us. there is dynamic and divinity in the message of jesus. christianity is, for us today, a culminating religion. it is the greatest of the later divine revelations. much of it, since its inception two thousand years ago, has come to be regarded as myth, and the clear outlines of the story have dimmed and have come frequently to be regarded as symbolic in their nature. yet behind symbol and myth stands reality an essential, dramatic and practical truth. our attention has been engrossed by the symbol and by the outer form, whilst the meaning has remained obscured and fails sufficiently to affect our lives. in our myopic study of the letter we have lost the significance of the word itself. we need to get behind the symbol to that which it embodies, and to shift our attention

ch it embodies, and to shift our attention away from the world of outer forms to that of inner realities. keyserling points this out in these words "the process of shifting levels from the letter to the inner meaning in the matter of spiritual attitudes can be clearly set forth by one single proposition. it consists in `seeing through' the phenomenon. every living phenomenon is, first and last, a symbol; for the essence of life is meaning. but every symbol which is the ultimate expression of a state of consciousness is in itself transparent for another deeper one, and so on into eternity; for all things in the sense-connexion of life are inwardly connected, and their depths have their roots in god "therefore, no spiritual form can ever be an ultimate expression; every meaning, when it has

of future world unity and world peace. he came at the- 13- from bethlehem to calvary copyright 1998 lucis trust beginning of that astronomical age which we call "the piscean age" because, during this period of approximately two thousand years, our sun is passing through that sign in the zodiac which we call pisces, or the fishes. hence the frequent references to fishes, and the appearance of the symbol of the fish in christian literature, including the new testament. this piscean age comes between the previous jewish dispensation (the two thousand years wherein the sun was passing through the sign aries, the ram) and the aquarian age into which our sun is now in process of transiting. these are astronomical facts, for i am not here speaking of astrological conclusions. in the period when

ge into which our sun is now in process of transiting. these are astronomical facts, for i am not here speaking of astrological conclusions. in the period when the sun was in aries, we find the frequent appearance of the ram or the scapegoat in the old testament teaching, and the keeping of the passover feast. in the christian age we use the fish symbology, even to eating fish on good friday. the symbol of the aquarian age, as it appears in all the ancient zodiacs, is that of a man bearing a jar of water. the message of that age is one of unity, communion and our relationship as brothers, because we are all the children of the one father. to this age christ pointed in his instructions to his disciples when he told them to go into the city, and said "when ye are entered into the city, there

ne with another. the christian dispensation comes between the two great world cycles, and just as christ consummated in himself the message of the past, and gave the teaching for the present, so he also pointed to that future of unity and understanding which is our inevitable goal. we are today at the end of the age, and entering the period of aquarian unity, as he foretold. the "upper room" is a symbol of that high point of achievement towards which we are, as a race, rapidly moving. some day the great communion service will be held, of which every communion service is the forecast. we are slowly passing into this new sign. for more than two thousand years its potencies and forces will play upon the race and will establish the new types, foster the new expansions of consciousness, and lea

ALICE A BAILEY11 A TREATISE ON THE SEVEN RAYS VOLUME II ESOTERIC PSYCHOLOGY II

ay of the soul steadily assumes prominence. eventually it will be the soul ray that will be expressed, and not the form ray. this personality or form ray then becomes simply the medium of expression through which the quality of the soul can make its presence felt in full power. something of this idea is conveyed in the ancient occult phrase "the lesser fire must be put out by the greater light. a symbol of this can be seen in the power of the sun apparently to put out a little fire when it can pour its heat right into it. it was earlier pointed out that we can profitably use the words, life, quality, appearance in lieu of spirit, soul and body, for they express the same truth. the quality of matter, built up into human form and indwelt by the soul or solar angel, is that which normally col

fore the angel, knows. he grasps the meaning of the painted sign which the angel holds aloft [then follows a phrase which is incapable of translation into modern language. it signifies that complete merging which the mystic endeavours to express in terms of the "marriage in the heavens, and which has been wrongly twisted into the false teaching anent sex magic. this phrase, expressed by a painted symbol, symbolises complete unity between the outer and the inner, the objective and the subjective, between spirit and matter, and between the physical and the essential] the two are one. naught more remains to grasp. the word is manifest. the work is seen complete. the whole is visioned. the magic work is wrought. again the two are one. the plan is served. no word need then be said" these phrase

, their objectives simple and their potencies understandable. 1. the law of sacrifice the section upon which we now enter in our studies will be difficult and controversial. the thread which will guide us out of the bewildering maze of thought into which we must perforce enter, is the golden one of group love, group understanding, group relations and group conduct. no. exoteric esoteric name name symbol ray energy 1. the law of the law of those a rosy cross outpouring fourth sacrifice. who choose to die. with a golden ray, at-one-ing bird. energy. this law of sacrifice, which is the first of the laws to be grasped by the human intelligence, and is therefore the easiest for man to understand (because he is already governed by it and, therefore- 55- a treatise on the seven rays- volume ii: e

ntails, is correctly understood and applied. those who thus sacrifice are: the solar deity who gave his life to the universe, to the solar system, to the planet, and the manifested worlds consequently appeared. the cosmic deity has likewise done the same. but- 56- a treatise on the seven rays- volume ii: esoteric psychology ii copyright 1998 lucis trust what does this mean to us? naught, except a symbol. it was his impulse, his will, his desire, his incentive, his idea and purpose to appear. the creative act then took place, and the process of manifestation began its cyclic evolutionary existence. the cosmic christ was crucified upon the cross of matter, and by that great sacrifice opportunity was offered to all evolving lives in all kingdoms of nature and in all created worlds. thus they

e and to reveal my power. light there is none. peace is not found. let me return' but he who sat upon the throne turned not his head. he seemed not e'en to listen nor to hear. but from the lower sphere of darkness and of pain a voice came forth and cried 'we suffer here. we seek the light. we need the glory of an entering god [i can find no other words except these last two to express the ancient symbol from which i am translating] lift us to heaven. enter, o lord, the tomb. raise us into the light and make the sacrifice. break down for us the prison wall and enter into pain' the lord of life returned. he liked it not, and hence the pain" the same conditions which blend the law of sacrifice with pain and sorrow and difficulty are found also on the planet mars and on the planet saturn. they

ALICE A BAILEY12 DISCIPLESHIP IN THE NEW AGE VOLUME I

nsible for the offering of opportunity and for the right enunciation of the truth but for no more than that. in these more enlightened days, no such position is assumed by the teacher as in the past, and i do not assume it. i shall with frankness speak. i know my disciples, for no disciple is admitted into an ashram without deep consideration on the part of the teacher. i shall convey by hint and symbol that which should be apprehended and it will be noted and understood by those among my disciples who have the opened, inner ear and true humility of heart. if it is not recognised, time will pursue its onward course and revelation will ultimately come. i exact, therefore, no blind obedience. but, however, if advice and suggestion are accepted and you choose of your own free will to follow m

future become initiates, it will not affect your relation to your fellow-disciples in these groups. the knowledges of initiation cannot be passed on by word of mouth within the initiate ranks, for they are not communicated in speech or by letters. only those who possess certain transcendental senses can take initiation and should they try to communicate the secrets and mysteries of initiation in symbol or form, you would fail to react to or to understand their meaning. so, in this group of my disciples, let there be the recognition of unity of thought. experience, thought, difficulties and problems can be shared, and the cultivation of a sympathetic understanding and of mutual aid in the spiritual life can be developed. disciples are people of mature years from the standpoint of the soul

pond intelligently to the need. have i not had to study all of you this- 50- discipleship in the new age- volume i copyright 1998 lucis trust way? think this out and ponder upon the implications. 3. this telepathic sensitivity will also lead to the new science of inter-communication which, in the new age, will reach general use and comprehension. of this condition, the radio is the outer physical symbol. certain questions now arise and it might be well to formulate the answers to some of them. it could be wisely asked if anyone has the right to work telepathically upon the mind of any person? the answer is that you are doing it all the time, consciously or unconsciously, and without skill or purpose or if there is a purpose it is usually a personality purpose. it is through telepathy that

any structure which you may build for the great ones. they are not yet ready and would constitute poor stones in the building and weak links in your work. you must build for the future. i have spoken to you thus at length because your work as a building cooperator can now begin. symbolically, i say to you: look for those who have blended head and heart and above whose foreheads shines the mystic symbol of the builder. that you may integrate more freely and more fully in the work of the great white lodge and enter into a closer fellowship and relationship with the builders of the new age is the earnest wish and prayer of your friend, your brother and your teacher. july 1935 brother of old: there has been for you lately (as for so many) a time of testing; yet it has been at the same time a

le. each month, write a simple summation of your thoughts and service as you work with the monthly seed thoughts. endeavour to make these six papers of real mental value to others, and also see, if possible, that they have a magnetic value and that they breathe out, not only mental understanding, but also an emotional appeal. attend likewise to the form in which you cast them for that will be the symbol on the physical plane of your inner alignment. january 1936 i have very little to say to you this half year, my brother. the meditation work and the exercises assigned to you in your last papers were intended to cover your work for the period of one year. i would ask you to study your last instructions with exceeding care. all i intend to do is to give you a new series of seed thoughts. you

ALICE A BAILEY13 PROBLEMS OF HUMANITY

t be done to prevent the monied interests from again mobilizing for the exploitation of the world? 8. what really lies at the very heart of the modern materialistic difficulty? this last question can be answered in the well known words "the love of money is the root of all evil. this throws us back on the fundamental weakness of humanity the quality of desire. of this, money is the result and the symbol- 46- problems of humanity copyright 1998 lucis trust from the simple process of barter and exchange (as practised by the primeval savage) to the intricate and formidable financial and economic structure of the modern world, desire is the underlying cause. it demands the satisfaction of sensed need, the desire for goods and possessions, the desire for material comfort, for the acquisition an

mply what men think is in the mind of god. the more ancient the scripture, the greater, necessarily, the distortion. the doctrine of a vengeful god, the doctrine of retribution in some mythical hell, the teaching that god only loves those who interpret him in terms of some particular school of theological thought, the symbolism of the blood sacrifice, the appropriation of the cross as a christian symbol, the teaching about the virgin birth and the picture of an angry deity only appeased by death are the unhappy results of man's own thinking, of his own lower nature, of his sectarian isolationism (fostered by the jewish old testament, but not generally found in the oriental faiths) and of his sense of fear, inherited from the animal side of his nature all these are fostered and inculcated b

nsed because it is a larger truth than any hitherto presented to the consciousness of mankind. it is larger because it is related to the whole and not to individual man alone and his personal salvation. it is an extension of the individual approach to truth. let us call it the truth concerning the great cyclic approaches of the divine to the human; of these all world saviours and teachers are the symbol and the guarantee. at certain great moments down the ages, god drew nearer to his people and humanity at the same time made great, though oft unconscious efforts to draw near to god. from one angle, it might be regarded as god transcendent recognizing god immanent, and god in man reaching out to god in the whole and greater than the whole. on the part of god, working through the head of the

ALICE A BAILEY14 THE REAPPEARANCE OF THE CHRIST

all the many groups which are seeking to aid and lift humanity, to rebuild the world, to restore stability and the sense of security and thus (consciously or unconsciously) prepare the way for the coming of the christ. there is also a unique revival of the ancient teaching of the buddha and it is penetrating into the western countries and finding devoted adherents in every land. the buddha is the symbol of enlightenment and there is everywhere today a unique emphasis upon light. countless millions down the ages have recognised the buddha as the light bearer from on high. his four noble truths exposed the causes of human trouble and pointed to the cure. he taught: cease to identify yourselves with material things or with your desires; gain a proper sense of value; cease- 9- the reappearance

the temple "wist ye not that i must be about my father's business" we should note here that he was twelve years old at the time and, therefore, the work with which he had been occupied (as a soul) was finished; twelve is the number of completed work, as witness the twelve labours of hercules, another son of god. the symbolism of his twelve years is now replaced by that of the twelve apostles, the symbol of service and sacrifice. he was also in the temple of solomon, which is the symbol of the perfect life of the soul, just as the tabernacle in the wilderness is the symbol of the imperfect ephemeral life of the transient personality; christ was, therefore, speaking on soul levels and not only as the spiritual man on earth. he was also serving, when he spoke these words, as a working member

person of the christ in a manner hitherto unknown. this is the potency, latent in every human heart which was described by st. paul as "christ in you, the hope of glory (col. i.27, and is that which, under evolutionary law, brings a man eventually into the kingdom of god and "unto the measure of the stature of the fullness of christ (eph. iv.13) of this potency and glory, christ has ever been the symbol. during the present period of hierarchical tension and as a result of his decision to reappear, christ became the embodiment of this energy and thus entered into a closer relation to humanity. other great sons of god are channels for this energy in relation to the subhuman kingdoms, but the christ holds a unique place in relation to humanity. to express the idea symbolically, this energy cr

orshipped the golden calf and forgot the new teaching of the age of aries, the ram, into which they were entering, the teaching of the scapegoat which colours jewish history. the fact that christ was the teacher of the new period into which the sun was entering, the period of pisces, is forgotten, but is clearly evidenced in the fish symbology which runs consistently through all four gospels; the symbol of the fish is the astrological symbol for the sign pisces, and has been for untold ages. but christ also looked ahead to the work he would have to do in the aquarian age, in the next sign into which the sun would enter. prior to his "disappearance" he referred to the symbol of the aquarian age and to the task he would then perform. with his twelve disciples, he enacted a dramatic episode w

h he would later undertake when the two thousand years of the piscean era would have passed away. he told his disciples to go into the city and that there they would meet a man, carrying a pitcher of water, that they should follow him to the upper room and there make ready the communion feast in which he and they would share (luke xxii.10) this they did and the last supper took place. the ancient symbol for the sign aquarius (into which our sun is now entering) is that of the water-carrier, the man with a pitcher of water. this passing of the sun- 42- the reappearance of the christ copyright 1998 lucis trust into the sign aquarius is an astronomical fact, as any one can ascertain by writing to any observatory; it is not an astrological prognostication. the great spiritual achievement and e

ALICE A BAILEY15 THE DESTINY OF THE NATIONS

e, actively displayed in creative activity. the creative ability of the future will emerge on a relatively large scale in the realm of creative living and not so much in the realm of creative art. this creative living will express itself through a new world of beauty and of recognised divine expression; through the outer form, the "light of livingness (as it is esoterically called) will show. the symbol and that for which it stands will be known and seen. this is the energy of the third ray of active intelligence, working towards the manifestation of beauty. 5. the energy of the will aspect of divinity. this has been but little expressed and understood by humanity up to the present, but the time has now come when it must be better comprehended. the demand from our innumerable planetary for

ndividual is not yet controlled by soul impulse. such cases can frequently be seen. an instance of this can be noted in the history of the jews as found in the old testament. when the first ray was in control and passing through one of its rare cycles of activity we read that they butchered and slaughtered all their enemies men, women and children, putting them to the sword. the sword is ever the symbol of the first ray force just as the pen is of the second ray influence. i wish to remind you that i use the word "energy" in reference to the spiritual expression of any ray and the word "force" to denote the use to which men make of spiritual energy as they seek to employ it and usually, as yet, misapply it. i would point out that ataturk, the turkish dictator, within certain personality li

gone over into the shamballa centre, but still works in a basic association with the buddha who is one of the forces linking shamballa and the hierarchy. pure religion, undefiled and spiritually focussed, is the higher expression of the sixth ray (working as is ever the case under the influence and potency of the second ray) and for us christianity in its earlier days was the great and inspiring symbol. in the same connection, among the lower aspects of the sixth ray are to be found all forms of dogmatic, authoritative religion as expressed by the organised and orthodox churches. all formulated theologies are the lower expression of the higher spiritual truths because they embody the mind reactions of the religious man, his confidence in his own personal mind deductions and the surety tha

at this time active. see table (page 50) a close analysis of the following will reveal certain lines of racial understanding. there is a natural rapport indicated between the present personality rays of germany and great britain, yet a relationship can be seen also between france and great britain through their esoteric national mottoes and also between the two symbols which are also theirs. the symbol for france is the fleur de lys, which she adopted centuries ago under divine guidance, which symbol stands for the three divine aspects in manifestation. the symbol for great britain, under the same divine apportioning, is the three feathers, carried as the arms of the prince of wales. the scintillating and brilliant french intellect with its scientific bent is accounted for by the interpla

rance, the united states of america, russia and brazil are all feminine and constitute the nurturing mother aspect. they are feminine in their psychology intuitive, mystical, alluring, beautiful, fond of display and colour, and with the faults also of the feminine aspect, such as over emphasis upon the material aspects of life, upon pageantry, upon possession and upon money or its equivalent as a symbol of the form side of existence. they mother and nurture civilisation and ideas. china, germany, great britain and italy are masculine and positive; they are mental, political, governing, standardising, group-conscious, occult by inclination, aggressive, full of grandeur, interest in law and in laying the emphasis upon race and empire. but they are more inclusive and think in wider terms than

ALICE A BAILEY16 GLAMOUR A WORLD PROBLEM

ntre between the eyebrows is awakened, whilst the centre at the top of the head is vibrating very gently, but is not in full functioning activity. this higher centre must be awakened more fully before aspirants can measure up to their full opportunity. in the study of symbols, i would urge upon you the necessity always to put before yourselves the goal of arriving at the underlying concept of any symbol studied. this concept will ever be synthetic. it will not be detailed and in sections. you may have to arrive at this concept through a study of detail and through arriving at the significance of various sections or parts of the symbol under consideration. when, however, your analysis is completed, you must not rest satisfied until you have summed up the meaning of the symbol in some synthe

mind. this study, rightly undertaken, would lead to the unfoldment of the intuition, with its consequent manifestation on the physical plane as illumination, understanding and love. in the first instance, the objective of the study of symbolism is to enable the student to sense its quality and to contact that vibrant something which lies behind that aggregate of line, colour and form of which the symbol is composed. to some types of people this study is relatively easy; to the majority it is not easy at all, thereby indicating a lack that must be supplied by the use of those faculties at the present dormant. it is always distasteful to arouse the latent faculties and requires an effort and a determination not to be swayed by personality reactions. to many it is not easily apparent how the

of people this study is relatively easy; to the majority it is not easy at all, thereby indicating a lack that must be supplied by the use of those faculties at the present dormant. it is always distasteful to arouse the latent faculties and requires an effort and a determination not to be swayed by personality reactions. to many it is not easily apparent how the penetration into the meaning of a symbol can provide a means whereby the dormant buddhic or intuitional faculty can be brought into functioning activity. it is a delicate art, this art of symbol reading, of "spiritual reading" as our ancient master, patanjali, calls it. this power to interpret symbols ever precedes true revelation. the comprehension of a truth for which a line or a series of lines composing a symbolic form may sta

ne. this plane is the higher correspondence of the astral or emotional plane, the plane of sensitive awareness through a felt identification with the object of attention or attraction. it becomes evident therefore that if the intuitional faculty is to be brought into activity through the study of symbols, the student must feel with, or be in some way identified with, the qualitative nature of the symbol, with the nature of that reality which the symbolic form veils. it is this aspect of symbolic reading that you are asked to study. students should ascertain, therefore, after due study of the form aspect, what the symbol is doing to them, what feeling it evokes, what aspirations it arouses, and what dreams, illusions, and reactions are consciously registered. this stage is an intermediate o

ty which the symbolic form veils. it is this aspect of symbolic reading that you are asked to study. students should ascertain, therefore, after due study of the form aspect, what the symbol is doing to them, what feeling it evokes, what aspirations it arouses, and what dreams, illusions, and reactions are consciously registered. this stage is an intermediate one between the exoteric reading of a symbol and the conceptual understanding. there is later another intermediate stage between conceptual understanding and esoteric comprehension and application. this latter stage is called "synthetic recognition" having studied the form and become aware of its emotional significance, you pass to the stage of grasping the basic idea of the symbol, and from thence to a- 7- glamour: a world problem co

ALICE A BAILEY17 TELEPATHY AND THE ETHERIC VEHICLE

p appreciation and contact, also group thought and group life-activity. unless, however, the head centre is also awakened and active, the soul is not able to control, and this heart activity need not necessarily be what we call good or spiritual- 14- telepathy and the etheric vehicle copyright 1998 lucis trust activity. it is quite impersonal, like the sun, of which the heart is, as you know, the symbol. it shines alike upon the good and the bad; and group activity, as a result of heart awakening, can include the bad groups as well as the good groups. therefore you can see the necessity of awakening the head centre and bringing in the control of the soul aspect; and hence the emphasis laid upon character building and the need for meditation. 10. telepathic work between the hierarchy of mas

controls their- 16- telepathy and the etheric vehicle copyright 1998 lucis trust activity (which is as ceaseless as the thoughtform-making propensities of the chitta) that the brain becomes responsive in two ways: a. it is rendered passive by the impact of the three types of energy, blended and fused into one stream of force. b. it becomes actively responsive to the idea, impression, thoughtform, symbol, words, etc, which are being swept into the area of its conscious activity. let me attempt to reduce the above information to practical simplicity, thus showing how these three types of energy can be used in practical work: 1. by the use of the energy of love in three ways: a. by sending out love (not sentiment) to your brothers at the time of transmission or reception. b. by capitalising o

i would like to point out that successful telepathic work is dependent upon the following factors- 17- telepathy and the etheric vehicle copyright 1998 lucis trust first, that there are no barriers existing between the receiver and the broadcaster. such barriers would be lack of love or of sympathy, criticism and suspicion. secondly, that the broadcaster is mainly occupied with the clarity of his symbol, with the word or thought, and not with the receiver. a quick glance toward the receiver, a momentary sending forth of love and understanding is sufficient to set up the rapport, and then attention must be paid to the clarity of the symbol. thirdly, let the receivers think with love and affection of the broadcaster for a minute or two. then let them forget the personality. a thread of energ

caster, has been established and exists. then forget it. fourthly, let the receivers work with detachment. most receivers are so anxious to receive correctly that through their very intensity they counteract their own efforts. a casual and "don't care" spirit and a close attentiveness to the inner "picturing faculty" will net better results than any violent and strong desire and effort to see the symbol and to contact the mind of the sender. the brain should register a reflection of the mind content. if a ray of light is met by an outgoing force from the receiver's mind or a powerfully emitted thoughtform, it can be prevented from reaching the mind. however, a transmitter with more expert training can overcome this barrier. much of the trouble will be found to be based on the emitted thoug

ing- 37- telepathy and the etheric vehicle copyright 1998 lucis trust them in the consciousness of thinking humanity relationship and ideas. still others will be rapidly added as the consciousness of man is more effectively employed. the science of contact will not only reveal quality, but is revealing the lines of relationship which underlie all manifestation and of which the etheric body is the symbol. it is also rendering man sensitive to ideas as the unfolding intellect of man permits it. the reaction of humanity to these two revelations (which come, if you could but realise it, as the result, the reward, of contact and of the impact of life-reason upon that manifestation which has always been present though unrealised) will bring about vast changes and more far-reaching results than h

ALICE A BAILEY18 A TREATISE ON THE SEVEN RAYS VOLUME III ESOTERIC ASTROLOGY

" in the cosmic sense, because involved in the building process, or the occupiers of forms of some degree of density or another. hierarchy i. the first great hierarchy is emanated from the heart of the central spiritual sun. it is the son of god himself, the first born in a cosmic sense, even as the christ was the "eldest in a vast family of brothers" and the "first flower on the human plant" the symbol of this hierarchy is the golden lotus with its twelve petals folded. the secret doctrine i. 233-250. iii. 565. it should be remembered that this hierarchy is literally the sixth, for five hierarchies have passed on, being the product of the earlier system, that wherein intelligence or manas was the goal. the five liberated hierarchies are in their totality the sum total of manas. it is the

n libra. 6. the two parallel lines of force in aquarius. 7. the two fishes in pisces- 34- a treatise on the seven rays- volume iii: esoteric astrology copyright 1998 lucis trust these seven constellations are, therefore, closely related to six of the seven sacred planets and to one non-sacred planet. there are two signs which are simple figures and have no significance of duality. they are 8. the symbol for leo, which is simply the lion's tail. 9. the arrow in the symbol depicting sagittarius. they embody the idea of isolated separation and one-pointed desire. two signs are definitely triple in construction and this has a clear meaning to the esotericist. 10. virgo is a triple sign. 11. scorpio is also a triple sign, closely resembling the symbol of virgo. these two signs are crucial in th

triple sign. 11. scorpio is also a triple sign, closely resembling the symbol of virgo. these two signs are crucial in the experience of the human being, indicating as they do the function of the triple form and the liberation of the man imprisoned in the form, through the tests in scorpio wherein he proves to himself and to the world the reality of that which virgo has veiled or hidden. 12. the symbol for the sign capricorn is most mysterious. it conceals the mystery of the crocodiles, or makara. it is constructed in an inaccurate and definitely misleading manner and should be regarded as a mystery and therefore not to be defined. these signs and their relationship to the sacred and non-sacred planets will be considered later. to sum up: man will, therefore, have to be studied as a three

ulate the forms of life upon our planet. sagittarius, however, governed the period of the subjective approach. the sun was in leo when physical plane individualisation took place as a result of the applied stimulation. the sun was in gemini when this approach was consummated by the founding of the hierarchy upon the earth. this is one of the great secrets which the masonic rituals typify, for the symbol of the sign, gemini, is the source of the concept of the two pillars, so familiar to masons. it- 39- a treatise on the seven rays- volume iii: esoteric astrology copyright 1998 lucis trust might therefore be stated that, symbolically speaking, 1. leo governs the e\ a\ degree. 2. gemini governs the f\ c\ degree. 3. sagittarius governs the degree of m\ m\ up to the episode of the raising of t

he personality, being the messenger of the gods. this mediatorship, in the first instance, produces an inevitable opposition between the pairs of opposites and a long drawn out conflict. this conflict finally works out into victory and the dispelling of illusion through the illumination of the lower mind. mercury and the sun are one, we are frequently told in the occult literature. the sun is the symbol of the son of god, who is the mediator between father-spirit and mother-matter. mercury, therefore, leads aries to virgo (again speaking symbolically) where the idea or word of god begins to take form, and consequently the latent life in aries comes to the "crisis of the birth hour" prior to the birth of the christ, cosmically considered, though the birth of the individual christ takes plac

ALICE A BAILEY19 THE UNFINISHED AUTOBIOGRAPHY

of esoteric symbolism, extraordinarily significant. i know nothing of heraldry or the correct terms in which to describe it. it consists of a rod with a wing at each end and between the wings are to be seen the five-pointed star and the crescent moon. the latter harks back, of course, to the crusades in which some of my forebears must have apparently participated but i like to think of the whole symbol as typifying the wings of aspiration, the rod of initiation and as portraying the goal and the means, the objective of evolution and the incentive which drives us all on towards perfection a perfection which eventually receives the accolade of recognition by means of the rod. in the language of symbolism the five-pointed star has always signified perfected man and the crescent moon is suppo

ll the rest was largely useless or undesirable, and much that was left fed the pride and nationalism of the people. that which stands between the orthodox jew and the mass of the gentiles are his religious taboos, for the jewish faith is largely a religion of "thou shalt not" that which conditions gentile thinking concerning the unorthodox and younger jew is his materialism, of which shylock is a symbol. as i write these words i am conscious of their inadequacy and lack of complete fairness and yet from the standpoint of a broad generalisation, they are absolutely true although from the standpoint of an individual jew they are in many, many cases grossly unfair. there is much in the jew and the german which is alike. the german regards himself as a member of the "super race" whilst the ort

ions were not as good as somebody else's. i remember pondering one day on the verse in the bible "the very hairs of your head are all numbered" it seemed to me that god was keeping a lot of statistics. i consulted a theologian in the seminary and found that his answer was that this biblical statement proved that god was not conditioned by time. i discovered next that the cross was not a christian symbol but that it long antedated christianity and this was a final blow- 72- the unfinished autobiography copyright 1998 lucis trust i was, therefore, completely disillusioned by life, by religion with its orthodox presentation and by people, particularly my own husband whom i had idealised. no one needed me, except three babies, and i used to be needed by hundreds and thousands. only a small han

en. he performed the miracles with fishes and sent his apostles out after his death under the leadership of st. peter with the injunction to be fishers of men. it is for this reason that the mitre which the pope wears is the mouth of the fish. now, according to astronomy we are transitting into the sign of aquarius, the sign of the water-carrier, the sign of universality, for water is a universal symbol. prior to his death christ sent his disciples out to find the water-carrier who led them to an upper room where the communion service was instituted. all this was indicative of the recognition by the christ of the coming new era which would succeed his dispensation and into which we are at this time entering. leonardo da vinci's great picture of the communion in the upper room is the great

nd the water-carrier who led them to an upper room where the communion service was instituted. all this was indicative of the recognition by the christ of the coming new era which would succeed his dispensation and into which we are at this time entering. leonardo da vinci's great picture of the communion in the upper room is the great- 132- the unfinished autobiography copyright 1998 lucis trust symbol of the aquarian age, for we shall sit down together under the loving direction of christ when brotherhood will be established and men will be banded together in the bonds of divine relationship. the old barriers between man and man and nation and nation will, during the next 2,000 years slowly disappear. it was to inaugurate and institute this work that the hierarchy announced the emergence

ALICE A BAILEY20 A TREATISE ON THE SEVEN RAYS VOLUME IV ESOTERIC HEALING

hose above. the physical body (etheric and dense) can be pictured as a house with two telephonic installations one bringing in energies from without the house and the other being in the nature of a house telephone from room to room. the analogy is far more accurate than appears to the casual thinker. in every modern house, light and water and gas and telephonic interchange are brought. light, the symbol of the soul; water, the symbol of the emotions; telephonic interchange, the symbol of mind with its intercommunication of knowledges; and gas, the symbol of the etheric nature- 24- a treatise on the seven rays- volume iv: esoteric healing copyright 1998 lucis trust it is interesting and saddening to note that that which at present goes out of the average house is the refuse that is undesira

th its stages of inhalation, the interlude, and exhalation, works out in connection with both aspects of force, mental and physical. 2. the desire nature and the stomach. here again is the process of intake, of assimilation, and of elimination. 3. the etheric body itself and the kidneys, with the processes clearly defined in both cases of absorption, chemicalisation, and transmission. there is no symbol so relatively accurate to the whole creative process as the human frame. congestion in the etheric body, producing much distress in the physical body, can exist. therefore, at the point of intake from the astral body or from the astral plane (note the phrasing and the difference) or at the point of outlet, in relation to the centre to which the particular type- 47- a treatise on the seven r

ingness of all expression upon the physical plane, are the five races of men, beginning with the lemurian race, the five planes of human and superhuman expression, the five stages of consciousness and the various other groupings of five with which you meet in the esoteric philosophy. incidentally it might be of value and of interest to point out that the five-pointed star is not only the sign and symbol of initiation and finally perfected man, but it is also the basic symbol of the etheric body and of the five centres which control perfected man the two head centres, the heart centre, the throat centre and the centre at the base of the spine. when these centres are fully awakened and functioning in right rhythm with each other, the various quintuplets to which i have referred above form an

of deepest moment to the individual and to the race. once the individual disciple, and humanity as well, symbolising the world disciple, have mastered the process of transference in this respect, we shall see the new order of individual service and of world service established, and therefore the coming in of the awaited new order. of all these processes, the circulation of the blood stream is the symbol, and the clue to the establishment of the world order lies hid in this symbology free circulation of all that is needed to all parts of the great framework of humanity. the blood is the life, and free interchange, free sharing, free circulation of all that is required for right human living will characterise the world to be. today these conditions do not exist, the body of humanity is disea

anus (ruling the head centre) and mercury (ruling the ajna centre. this is only where the disciple is concerned; the rulership changes after the third initiation or before the first. these three planets constitute a most interesting triangle of forces and in the following triplicities and their inevitable inter-relations you have again only in the case of disciples a most amazing picture story or symbol of the ninefold of initiation: 1. the head centre the ajna centre the throat centre 2. the third eye the right eye the left eye 3. the pineal gland the pituitary body the carotid gland thus presenting the mechanism through which the spiritual triad, the soul and the personality work. the key to a right understanding of process lies in the relation of the three planets: uranus, mercury and s

ALICE A BAILEY21 EDUCATION IN THE NEW AGE

nd of right standards is thus established. he is taught the distinction between memory training and thinking; between bodies of facts, ascertained by thinkers and tabulated in books, and their application to the events of objective existence, plus (and here lies a thought of real importance) their subjective cause and their relation to the world of reality of which the phenomenal world is but the symbol. at the age of seventeen the study of psychology will be added to the rest of the curriculum and the nature of the soul and its relation to the world soul will be investigated. meditation along suitable lines will be part of the curriculum. it should be noted here, however, that the religious implications of meditation are needless. meditation is the process whereby the objective tendencies

head. this you already know, but this i feel the need constantly to reiterate. in the work of the evolutionary cycle, however, man has to repeat what god has already done. he must himself create, in both the world of consciousness and of life. like a spider, man spins connecting threads, and thus bridges and makes contact with his environment, thereby gaining experience and sustenance. the spider symbol is often used in the ancient occult books and the scriptures of india in connection with this activity of the human being. the threads which man creates are triple and with the two basic threads which have been created by the soul, constitute the five types of energy which make man a conscious human being. the triple threads created by man are anchored in the solar plexus, the head and the

principles which are seeking expression through those forms and, incidentally, to redeem, salvage and purify them so that the substance of the next solar system will be of a higher order than that of the present one, and consequently more responsive to the will aspect of the logos. viewed from this angle, esotericism is the science of redemption, and of this all world saviours are the everlasting symbol and exponents. it was to redeem substance and its forms that the planetary logos came into manifestation, and the entire hierarchy with its great leader, the christ (the present world symbol, might be regarded as a hierarchy of redeemers, skilled in the science of redemption. once they have mastered this science, they can then pass on to the science of life and deal with the energies which

en principled substance and forms. it is the redemption of unprincipled substance, its creative restoration and spiritual integration, which is their goal; the fruits of their labour will be seen in the third and final solar system. their activity will produce a great spiritual and planetary fusion, of which the fusion of personality and soul (at a certain point upon the path of evolution) is the symbol in the microcosmic sense. you can see by this the close relation between the work of the individual aspirant or disciple as he redeems, salvages and purifies his threefold body of manifestation and the work of the planetary logos as he performs a similar task in connection with the "three periodical vehicles" through which he works: his personality vehicle, his soul expression and his monad

aning; he then learns to incorporate his little personal problems into the problem of the larger whole, thus losing sight of the little self and discovering the larger self. the true esoteric viewpoint is always that of the larger whole. he finds the world of meaning spread like an intricate network over all activity and every aspect of the phenomenal world. of this network the etheric web is the symbol and design; and the etheric web to be found between the centres up the individual spinal column is its microcosmic correspondence, like a series of doors of entrance into the larger world of meaning. this, in reality, concerns the true science of the centres to which i have frequently referred. they are modes of conscious entry (when developed and functioning) into a world of subjective rea

ALICE A BAILEY22 DISCIPLESHIP IN THE NEW AGE VOLUME II

these "foci of significance" carry a note, a vibration and a symbolic aspect which conveys to the trained mind of the esotericist far more than does the outer form of words convey meaning to the trained mind of the exoteric reader. one glance in the direction of the disciple with the thought in mind of ascertaining the value of his contribution in words, serves to bring into my line of vision the symbol which is the product of his written thought. this symbol may be and probably is distorted a symbol without true balance; it will find its place upon some level of consciousness astral, mental or spiritual and its vibratory note will depend upon its "occult location" forget not that the world of meaning and the world of outer forms express in essentiality the world in which multiplicity is r

re of indigo blue, a deep electric blue. in the centre of that disk imagine that i, your tibetan brother, am standing. my appearance and personality matter not- 12- discipleship in the new age- volume ii copyright 1998 lucis trust 4. when you have visualised me thus standing waiting, then endeavour to see stretching between yourself, the group and me a band of golden light and know this to be the symbol of the path which we are all treading. see this path gradually shortening, thus bringing us closer together, slowly and steadily, until you enter into the heart of the blue disk. whilst doing this, hold the mind positive and attentive, using simultaneously the faculties of imagination and of visualisation. this triple activity will test and tax your powers but will be good training in activ

ults and with what they, as individuals, sensed, and have neglected to pay due attention to the inner group relation which is the only thing of major importance. it is the only thing which will release the stored up energy on the subjective side. 2. the second factor of importance is deep recognition of the subjective reality of the spiritual world. i, in myself, as you thought of me, am only the symbol of that world, as are other masters, focussed as channels of contact and service in the hierarchy. you, as a group, unitedly and together, were asked to approach me and to contact me just as, in the coming new age, the churches of the future will (at the full moon period) make a definite approach to the hierarchy in order to a. intensify their spiritual life by the bringing in of spiritual

r you the spiritual vision, and to the establishing of a pathway of approach, symbolised in the ritual i gave you as a golden band of light. this you- 36- discipleship in the new age- volume ii copyright 1998 lucis trust were to visualise as extending between yourselves, as a group, to your tibetan brother. this pathway of approach is the path which it is planned should constitute a more familiar symbol than has hitherto been the case in the religious life of the race. 4. this pathway of light leads to the heart of a dark blue disk at the very centre of which you were told i could be contacted. those of you who are in any way adept at meditation work know well that the light in the head when seen and recognised passes usually through three stages of intensification: a. it is, first of all

head, discovered later within the head and producing an inner radiance, which is the rudimentary halo. b. this diffused light then consolidates and becomes an inner radiant sun. c. finally, at the centre of that sun, a point of dark blue, or a small indigo disk, appears. this is, in reality, the exit in the head through which the soul passes out of the world of phenomenal existence, and it is the symbol of the path or the door into the kingdom of god. this is the symbolical interpretation of the phenomena. as the group approaches nearer and nearer to reality, the pathway or the band of light shortens (symbolically) and in time, when you are expert in this work and when your spiritual nature is truly intensified, you will enter almost immediately into, or through, the disk of blue and becom

ALICE A BAILEY23 THE EXTERNALISATION OF THE HIERARCHY

is that they represent the energy and the life of the previous solar system. you have often been told how, at the close of this solar system, a certain percentage of the human family will fail to make the grade and will then be held in pralaya, or in solution, until the time for the manifestation of the next and third solar system comes around. then they will constitute the advanced guard and the symbol of the coming humanity of that system. the same thing occurred in the system before this one and those whom we now call the jews (a purely modern name and distinction, as i tried to show in the last few pages of a treatise on the seven rays, vol. i, esoteric psychology, are the descendants of that earlier group which was held in pralaya between the first and second solar systems. if you wil

ther do they reach. upon the lot of each, nine points of light appear, reflected in the heavens; they brought to seeding point that human seed which has within it that which is not of man. the light produced the germination and thus the new and better forms of life. and yet the form remains and yet its quality is changed (i can find no better word than `quality' wherewith to translate the ancient symbol. some things are lost and disappear and rightly so. some newer modes of life and what life builds appear, and thus the fifth is seen on earth like to the second and nurtured by the fourth. within it are the one, the two, the three and then the fifth. and thus the glory of the one is seen" one meaning is obvious if you study with care the implications and relate it to the kingdoms of nature

tupendous struggle. the first is that humanity is today and on a large scale aware that what is happening is entirely its own doing and the result of humanity's own mistakes. men either feel responsible for what is occurring or they are shifting the responsibility openly and deliberately on to shoulders other than their own. of these endless and age-old mistakes, the versailles treaty is only the symbol and the practical focal point. the second fact is that in spite of war and separation, of cruelty and of passions and selfishness running wild, there is nevertheless, today, more true understanding, more goodwill and more outgoing love than at any previous time in the history of the race. i say this with deliberation and because i have the hierarchical knowledge available to my hand. be not

sacrifice in order again that all lesser lives (such as those embodied in the personality of man) may rise to the "resurrection which is in christ" through the crucifixion or sacrifice of the soul upon the cross of matter. it is this thought again which gives significance to the life of christ on earth for he re-enacted for us an eternal process, externalising it in such a way that it became the symbol of the motive of the entire manifested universe and the impulse which should direct each of us crucifixion and death, resurrection and life, and the consequent salvation of the whole. it is this thought which is embodied in the challenge of this fourth phrase of the great invocation, and means literally "may all men everywhere respond to the keynote of the universe and give themselves for o

ration a fact in their outer experience. the attitude of the masses in the present conflict is the guarantee of this and the proof also of the success of christ's mission. the result of what is happening today must, sooner or later, produce an at-one-ment between all nations and peoples. at-one-ment is ever (under evolutionary law) the consequence of sacrifice. of this, christ's sacrifice was the symbol and the guarantee, impulsed as his life and activities were by the spirit of peace. as he made "of twain, one new man, so making peace (ephesians 2:15) so today out of the duality of soul and body, humanity is achieving the same ends and the result of this final stage of the piscean age will be the fusion in consciousness of soul and body. the aquarian age will demonstrate an increasing exp

ALICE A BAILEY24 A TREATISE ON THE SEVEN RAYS VOLUME V THE RAYS AND THE INITIATIONS

learning the meaning of the o.m, which is not the word made flesh, but the word released from form, and expressing itself as soul-spirit and not as body-soul-spirit. it might, therefore, be said that: 1. the a.u.m (note that i separate each aspect of this triple sound) brings the soul-spirit aspect down on to the physical plane and anchors it there by the force of its outgoing vibration. using a symbol to make my meaning clear, it is like "a strong wind that pins a man against a wall and makes free effort difficult" it vivifies form; it intensifies the hold of matter upon the soul; it builds around the soul a confining prison a prison of the senses. it is the "sound of enchantment" the sound that is the source of glamour and of maya; it is the great beguiling and deceptive energy, the not

something from which they seek release. the aspirants and disciples of the world are hearing the o.m. and in their personal lives the a.u.m. and the o.m. are in conflict. this may represent a new idea to you, but it conveys an idea of an eternal fact. it may help you to gain an understanding of this phase if i point out for you that for this first group the o.m. can be portrayed in the following symbol as expressing the material m nature whereas the second group can be portrayed by the symbol m expressive of the soul enveloped in matter. you will see, therefore, how the teaching leads man progressively onward and how the occult science brings man in touch with great mental reversals and divine paradoxes. for aeons the word of the soul and the sound of spiritual reality are lost. today, th

u could not if you would; but add to it three great demands and forward move are a living command conditioning him whether he will or not. the inability to withdraw from the position taken is one of the first true results of hearing the word spoken after passing the two tests. there is an inevitability in living the life of the spirit which is at once its horror and its joy. i mean just that. the symbol or first expression of this (for all in the three worlds is but the symbol of an inner reality) is the driving urge to betterment which is the outstanding characteristic of the human animal. from discontent to discontent he passes, driven by an inner something which constantly reveals to him an enticing vision of that which is more desirable than his present state and experience. at first t

anet venus and the central spiritual sun. the function of the custodians of the will is to relate the council, the hierarchy and humanity, thus creating a basic triangle of force between the three major centres of the planetary life. this is the higher expression (symbolic, if you like) of the six-pointed star, formed of two interlaced triangles. a replica of this fundamental triangle and of this symbol of energy, with its inflow and distribution, is to be found in the relation of the three higher centres in the human being head, heart and throat to the three lower centres solar plexus, sacral centre and the centre at the base of the spine. the science of invocation and evocation is also seen to be symbolically proceeding along evolutionary lines. worship, the attitude of the mystic, must

wer and to thoughtform building. only initiates of the highest degree such as the three great lords have the right to invoke alone and unaccompanied by any protective agency, such as a group, and the reason for that is that they themselves are members of the council at shamballa and are individually registrants of the purpose. the annual appearance of the lord buddha is the outer demonstration or symbol of the emergence of this science of invocation and evocation in the waking consciousness of humanity. prayer is the dim, faint and inadequate expression of this; affirmation of divinity in order to gain material well-being is a distortion of this truth. this needs to be remembered. the true significance of this emerging science is that, in the early or first stages, it embodies the seed con

ALICE BAILEY THE LABOURS OF HERCULES

alice bailey labor viii destroying the lernaean hydra the myth introduction psychological analysis of the myth the nine heads of the hydra fighting the hydra: modern version applications to life what is death scorpio, the sign of magic the constellations and the stars labor ix killing the stymphalian birds the myth interpretation of the labor silence two gates, three constellations the chrysalis symbol the spirit of truth the spirit of right three gifts three constellations- 3- the labours of hercules details of the story labor x the slaying of cerberus, guardian of hades the myth prologue interpretations of the labor in capricorn meanings of the sign constellations the climbing of the mountain preparation for the descent into hades the symbol of cerberus epilogue labor xi cleansing the a

es through visible forms" back of the objective world of phenomena, human or solar, small or great, organic or inorganic, lies a subjective world of forces which is responsible for the outer form. behind the outer material shell is to be found a vast empire of being, and it is into this world of living energies that both religion and science are now penetrating. everything outer and tangible is a symbol of inner creative forces and it is this idea that underlies all symbology. a symbol is an outer and visible form of an inner and spiritual reality. it is with this interplay of the outer form and the inner life [11] that hercules wrestles. he knew himself to be the form, the symbol, for the dominance of the lower material nature made its presence felt with the facility of agelong expression

read of his wearing it, we can infer that something symbolic is intended. there are many cases- 18- the labours of hercules in history where a robe is given: joseph received a many-colored garment from his father; the mantle of elijah descended upon elisha, and the robe of christ was divided up and quarrelled over by the soldiers at the crucifixion. it is the general opinion that the robe is the symbol of vocation. the vocation of elijah had passed on to elisha; the vocation of the christ, the world savior, came to an end at the crucifixion [25] when he entered upon greater and more important work. the wisdom that was now realized by hercules because he had made the at-onement with the soul, impressed upon him a sense of vocation. he was pledged to the spiritual life and nothing could det

ation of the christ, the world savior, came to an end at the crucifixion [25] when he entered upon greater and more important work. the wisdom that was now realized by hercules because he had made the at-onement with the soul, impressed upon him a sense of vocation. he was pledged to the spiritual life and nothing could deter him. vulcan gave him a golden breastplate, magnetic and protective, the symbol of energy, emanating from high sources of spiritual power, which will enable the aspirant to undertake the twelve labors and go forward unafraid. from neptune, the god of the waters, he received horses. the symbology underlying this gift is very interesting. horses, as well as neptune, the god of the waters and the deity of the watery, emotional nature, stand for the capacity to be carried

hercules could be en rapport with the most distant sphere in which his labors could be cast. through emotional sensitivity and response, we, too, can be en rapport with the world in which our labors are cast. equipped, therefore, with vocation, spiritual energy and sensitivity, the gift of a sword that came from mercury, the messenger of the gods, is of profound significance, for the sword is the symbol of the mind which divides asunder, separates and cuts off. through its use, mercury added to the other gifts bestowed upon hercules that of mental analysis and discrimination. we are told that apollo, the sun god himself, became interested in hercules and pondered what he could give him that would serve him. finally he gave him a bow and arrow, symbolizing the capacity to go straight to the

AN INTRO TO STUDY OF THE KABALAH

manifested godhead: also named adm oilah, adam oilah, the heavenly man, and autik yomin, the ancient of days. the devout rabbi bows his head and adores the sublime conception. he is represented in the hebrew old testament by the divine name ahih, aheieh "i am (exodus iii. v. 4. the conscious god having arisen in his energy, there follow immediately two further emanations, the trio shining in the symbol of a radiant triangle. chkmh, chokmah, wisdom, the king, with the divine name ih, jah is the second sephira; binh, binah, understanding, the queen, and the divine name ihvh jehovah is the third sephira--the supernal triad" is demonstrated. then follow gdulh, gedulah, also called chsd, chesed, mercy, with the divine name al, el; and its contrast gburh, geburah, severity, also called pachad

ANALYSIS OF THE 5 6 INITIATION

number twenty-one, the number of hyha. this is, the divine name of rtk. the descent of the light from rtk to twklm formulates the flaming sword and descendeth from the above to the below. in that trapt is a reflection of rtk and that which is in rtk is reflected in trapt, the rose and cross exists in rtk as a beam of brilliance and is made manifest and pronounced in trapt. the rose and cross is a symbol of the crux ansata and is the key to the opening of the seven-sided vault of the adepti. the vault is a mystical symbol of that which is truly alive and yet buried and beyond the range and comprehension of animal man. the vault cannot be approached by the candidate unless, first, he be scourged and his physical body be likened to christ. second, he must be crucified and die with christ "for

ansata) held by the chief officers are held by the rtk band. this alludes that it is to rtk alone we must hold fast, and that only in total surrender unto the light will the light descend (the left hand is the hand in which the ankh is held, the passive hand. with the right hand we project the light and the chiefs hold symbols of the projection of light which is symbolic of their wands. complete symbol of r.c. on the breast is the symbol of balance and equilibrium. it is the lamen of the rose and cross. it consists of twenty-two petals (2+ 2= 4= the tetragrammaton. seven planets, five elements, and three alchemical principles are all formed on the symbol of the perfected self, the cross. 22 paths+ 9 planets (seven ancient plus caput and cauda draconis+ 5 elements+ 3 alchemical principles=

uilibrium. it is the lamen of the rose and cross. it consists of twenty-two petals (2+ 2= 4= the tetragrammaton. seven planets, five elements, and three alchemical principles are all formed on the symbol of the perfected self, the cross. 22 paths+ 9 planets (seven ancient plus caput and cauda draconis+ 5 elements+ 3 alchemical principles= 39= 12, 1+ 2= 3, the number of the supernals. it is also a symbol of the triangle, the two con-dividing, the one reconciling. it is the reconciled one that in a mystical sense is buried and alive in the vault. thirty-nine also equals i h v h+ a ch d. in all three are sixty-one symbols of the rose cross lamen, the number of ain. in addition, 6+1=7, the sides of he vault. the rose and cross united bring down into the center of all the divine white brillianc

the second order. together they are one, working in perfect harmony. the lotus wand expresses the development of all creation, regenerated by rebirth, the phoenix wand, rules over by the kerubic workings under the everlasting wings of the divine, the chief adept's wand. one hundred and twenty one hundred and twenty is highly symbolic of the pentagram formula. it is 1x2x3x4x5=120. this then is the symbol of man "and his days shall be one hundred and twenty" it expresses that only the purified man, who having undergone study in the outer and initiated into the inner can enter the center of the sacred mountain; this purified man is hwchy. one hundred and twenty is h v a, multiplied by ten, the number of sephiroths. thus the above formula creates a rainbow and the new initiate is amoun. 5 as t

nds the lower nine. it is a most sacred oath, never to be forgotten. next, themis commemorates the life and death of osiris. the symbolic archetype of christian rosenkruetz, the founder of our order, is now that of osiris. the aspirant is now in a state of mourning. it is the mourning of isis. recall that the aspirant is dead, having been crucified on the cross. the rose cross is pointed out as a symbol of the completion of the great work, though it may be several years before the aspirant fully understands the mysteries of the sublime and sacred symbol. next, the tomb is discovered. this is the tomb of the initiate. l the sign of "l" is the swastika and hidden within is the cross. it is a symbol of the whirling force of m. v the sign of "v" is that of typhon and apophis. it is horus of th

ARADIA GOSPEL OF THE WITCHES

ne i need not speak. but it is to be remarkedthat in the invocation the witch goes forth in the earliest morning to seekfor verbena or verbain. theancient persian magi, or rather their daughters, worshipped the sun as it rose by waving freshlyplucked verbena, 32 which was one of the seven most powerful plants in magic. these persianpriestesses were naked while they thus worshipped, nudity being a symbol of truth and sincerity.the extinguishing the lights, nakedness, and the orgie, were regarded as symbolical of the bodybeing laid in the ground, the grain being planted, or of entering into darkness and death, to berevived in new forms, or regeneration and light. it was the laying aside of daily life. page 63 n r r r r r the perception of this drove vast numbers of the discontented into rebe

ARTHUR E WAITE TEMPLAR ORDERS IN FREEMASONRY

ntained their faith against the infidel, and also of the seven deadly sins which they trampled under their feet. the blazing star inscribed with the letter yod, being the initial letter of the name of god in hebrew, signified the divine light which enlightened the chivairies and was ever before their eyes, as it must be also present for ever before the mind's eye of the masonic templars, a sacred symbol placed in the centre of the building. in french freemasonry the pillar b belonged to the second degree and was marked with this letter, which had reference to baldwin, king of jerusalem, who provided a house for the templars in the holy city. the traditional history of the master grade is that of the martyrdom of jacques de molay, the last grand master of the temple. the three assassins ans

BALANCE J

present this faculty in his art. and look for the occurrence of the tree in his work. arboreal energies abound. in several of his works there is the appearance of hybrid ectoplasmic columns that snake and writhe in a semi-solid flux. there is a definite sense that these might represent orgasmic energies, the sexual charged stuff with which the magickian makes his magick. this stuff is a recurrent symbol in his work. in the illustrations to the powerful book of ugly ecstasy, this plasma is seen forming and reconstituting into winged serpents and tiny dragons and connecting the ground with the air. in the later more colourful pastels, the symbol of the tree seems to be linked in some way to ancestor worship. pictures such as trees present the viewer with a dark glimpse of plant forms as pers

BALANONES TEMPLE OF SET FAQ

ed ideas whose path leads towards the genesis of self being. you'll find another comment or two concerning xeper in the ref document. 2.2 initiation- what do those necklaces and medallions mean? the temple of set is an initiatory organization, dedicated to the initiation and growth of its members. that dedication to initiation, to the philosophy of xeper, and to set, is represented by our primary symbol, the pentagram of set (a point-down pentagram within a circle. to help our members identify each other so we can work together, and to help them identify which level of initiation has been achieved by each other, we wear this symbol on different colored medallions, normally worn on necklaces of some kind, at formal gatherings. there are six levels of initiation recognized within the temple

: ft> i know some satanists would like to think they are pagan, but if this is the case, why the need to desacrate the pentagram as they did the cross? i know the pentagram is not central to all pagan beliefs, but there is still no need for this. all pagan faiths that i know of respect the symbols of other religions. agreed. so why do you turn the holy and glorious pentagram wrong side up? it's a symbol of dynamic balance, resting actively on one point. why do you have to turn it over with its all-important balance point pointing meaninglessly up into the air? there is additional discussion of initiation and the temple's degree system in the ref document. 2.3 satanism is the temple of set a satanic organization? the temple of set as an organization was founded in 1975 by dr. michael aquino

d other religions also paid their fair taxes. but as long as they are tax exempt, we'll save our money this way also) yes, setian priests are able to perform legally binding marriage ceremonies. 3.2 set set is the most ancient name for the prince of darkness, given to the prince of darkness in ancient (pre-dynastic) egypt. whether set exists as an independent metaphysical being, or whether he's a symbol for man's most individualistic attributes, is a topic always under discussion somewhere in the temple of set. you may also be interested in essays concerning the prince of darkness provided by balanone (http//www.bigfoot.com/ balanone/pod.html) and "concerning our patron" by high priest don webb (http//www.bigfoot.com/ balanone/patron.html. 3.3 the gift of set the gift of set means so many

BANISHING THE SLAVE GODS

l imagine this inverse pentagram slightly between your eyebrows at the center of your forehead. in the same manner that said pentagram is projected out during the rite, you may project this onto the center of the forehead of the person you are cursing/blessing. the key to the efficacy of this attack lies in the ability to open ones own "third eye chakra" which provides the force behind the actual symbol. here is a brief sex magical rite to open the "third eye. obtain crowley's book of thoth: tarot take out the devil and tower cards. you can: a. masturbate while gazing upon the tower card equating its symbology with the procreative force you are generating through arousal, then while holding back orgasm karezza switch attention to the devil card. focus on the "third eye" that is depicted on

BELL CHRISTOPHER PAUL TSIU MARPO THE CAREER OF A TIBETAN PROTECTOR DEITY

unt meru at its center acting as the axis mundi. this central mountain is surrounded by four major continents and eight subcontinents. india, as well as tibet and surrounding countries like khotan and mongolia, form the southern continent of jambudv.pa( dzam bu gling).15 this structure, along with the multiple overlapping realms full of various entities, is mimicked in the powerful representative symbol of the ma..ala, which will be explored more fully in chapter 3. tibetans further attribute a great deal of sacred significance to the landscape and the necessity for its constant taming; this concept and its personification in tibetan religious history will also be examined in chapter 3 and discussed further below. the divine hierarchy because of the numerous deities, demons, and various ot

retinues of each of these buddhas are depicted further outward. central to snellgrove s interpretation is that the ma..ala is a sacred space in contrast to and separate from the profane space around it.107 however, ronald davidson advances the understanding of the ma..ala not only by placing its development within the historical context of medieval india but also by stressing its importance as a symbol of ultimate place. davidson theorizes that the ma..ala took on greater political significance during the sixth and seventh century in north india as complex feudal relationships developed between various kingships. the fluctuating political alliances at this time were represented by ma..alas. the king of a particular dominion stood as the central figure of the ma..ala. the vassal lords of t

BLACK SERPENT1

nd this issue educational as well as enjoyable. and since it s free (unless you bought a paper copy off of lulu) we hope you ll enjoy it. we welcome reader comments and articles, artwork, fiction, poetry, and even games for the daemonic games section from fellow practitioners. with that i give you our first issue! may lucifer light your way. adrianna, the editor http//www.ofs-demonolatry.org this symbol 2000-2006 c. ortiz 4 rite to lucifer basic rite to lucifer this rite is from the book modern demonolatry by s. connolly( 1999) and may not be reproduced in any form without prior written consent from the author. it has been reproduced here with permission. the altar must face the east most point of the ritual chamber. a candle is set at each elemental point. the elemental demons are invoked

wear amulets and talismans under your clothing or not at all. if caught with an amulet and asked about it (what's that and what does it mean) be vague "oh, it's a baphomet. it has a variety of symbolism" you're technically not lying you're not proclaiming you worship satan and if you don't act like it's a big deal, chances are the other person won't either. now if the other person knows what the symbol signifies you might not be able to easily avoid that discussion. but if you find you must discuss it, be sure to tell the person you have no desire for your private religious beliefs to go beyond the conversation. 3. do not share your religion with the christians no matter how much fun you think it would be to scare them. 4. when people bring up religion or ask you about religion, politely

BLACK WITCHCRAFT

choreography and instruments of ritual are merely self-empowered tools to aide in the process of becoming 'skir-hand' witchcraft within has been inspired from the family lines of nathaniel harris and family 'skir' meaning "left hand" or "sinister. the circle within luciferian witchcraft represents the very binding space of the sorcerers body, both of spirit/celestial and flesh/infernal. it is the symbol of both the sun and the moon, the sphere which begets strength and the very focus of the magician. adamu forbidden sexual magick by michael w. ford the ritual tools within the black tradition are as various as the witches themselves. some create fetish servitors, embodied and often created demonic familiars bound to objects, created from animal remains, blood or sexual fluids to form a visu

ing abel, the expounder of the opposite doctrine (ib. 11. the jewish encyclopedia, compiled by kaufmann kohler, w. h. bennett, louis ginzberg herein we can see that cain is thus a flesh and blood embodiment of the luciferian path itself, he is the son of satan and lilith, the dark essence which is deeply connected with eve, the wife of adam. cain is not only the patron father of witches, also the symbol of the initiate upon the antinomian path. nathaniel harris, an hereditary british witch, whose long involvement in various magical circles and authorship of grimoires not only within the black tradition, but also that of the traditional witcha path, is bold enough to present ideas of our spiritual lineage found in the dreaming minds of the cunning brothers and sisters. the symbolic mark of

BLAVATSKY H P ANTHROPOGENESIS

hed to them in trans- himalayan esotericism they are correct. in every case the writer takes any blame upon herself. having never claimed personal infallibility, that which is given on her own authority may leave much to be desired, in the very abstruse cases where too deep metaphysics is involved. the teaching is offered as it is understood; and as there are seven keys of interpretation to every symbol and allegory, that which may not fit a meaning, say from the psychological or astronomical aspect, will be found quite correct from the physical or metaphysical[[vol. 2, page] 23 the action of the great breath. reckoned according to the enumeration devised later by people who had forgotten, or who had an inadequate notion of, the real mysteries, and included neither the sun, the moon, nor t

of objectivity and physics, primordial substance and force (centripetal and centrifugal, positive and negative, male and female, etc, etc (2) in the world of metaphysics, the spirit of the universe, or cosmic ideation, called by some the logos. this logos is the apex of the pythagorean triangle. when the triangle is complete it becomes the tetraktis, or the triangle in the square, and is the dual symbol of the four-lettered tetragrammaton in the manifested kosmos, and of its radical triple ray in the unmanifested, or its noumenon. put more metaphysically, the classification given here of cosmic ultimates, is more one of convenience than of absolute philosophical accuracy. at the commencement of a great manvantara, parabrahm manifests as mulaprakriti and then as the logos. this logos is equ

. the cosmic ultimates. force succeeds mulaprakriti; but, minus force, mulaprakriti is for all practical intents and purposes non-existent* the "heavenly man (tetragrammaton) who is the protogonos, tikkoun, the firstborn from the passive deity and the first manifestation of that deity's shadow, is the universal form and idea, which engenders the manifested logos, adam kadmon, or the four-lettered symbol, in the kabala, of the universe itself, also called the second logos. the second springs from the first and develops the third triangle (see the sephirothal tree; from the last of which (the lower host of angels) men are generated. it is with this third aspect that we shall deal at present. the reader must bear in mind that there is a great difference between the logos and the demiurgos, fo

nt ages, words his ancestors had taught him (d) in china the men of fohi (or the "heavenly man) are called the twelve tien-hoang, the twelve hierarchies of dhyanis or angels, with human faces, and dragon bodies; the dragon standing for divine wisdom or spirit; and they create men by incarnating themselves in[[footnote(s* j. w. alden, new york* it has been repeatedly stated that the serpent is the symbol of wisdom and of occult knowledge "the serpent has been connected with the god of wisdom from the earliest times of which we have any historical notice" writes staniland wake "this animal was the especial symbol of thot or taut. and of all those gods, such as hermes) and seth who can be connected with him. this is also the primitive chaldean triad hea or hoa" according to sir henry rawlinso

us, who receives a triple supply, and gives one-third of it to the earth. therefore the two are called 'twin-sisters' but the spirit of the earth is subservient to the 'lord' of sukra. our wise men represent the two globes, one over, the other under the double sign (the primeval svastica bereft of its four arms, or the cross[[diagram* the "double sign" is, as every student of occultism knows, the symbol of the male and the female principles in nature, of the positive and the negative, for the svastica or[[diagram] is all that and much more. all antiquity, ever since the birth of astronomy- imparted to the fourth race by one of its divine kings of the divine dynasty- and[[footnote(s* science teaches that venus receives from the sun twice as much light and heat as the earth. thus the planet

BLAVATSKY H P COSMOGENESIS

lace before the world. these truths are in no sense put forward as a revelation; nor does the author claim the position of a revealer of mystic lore, now made public for the first time in the world's history. for what is contained in this work is to be found scattered throughout thousands of volumes embodying the scriptures of the great asiatic and early european religions, hidden under glyph and symbol, and hitherto left unnoticed because of this veil. what is now attempted is to gather the oldest tenets together and to make of them one harmonious and unbroken whole. the sole advantage which the writer has over her predecessors, is that she need not resort to personal speculations and theories. for this work is a partial statement of what she herself has been taught by more advanced stude

bacteriology. 261[[vol. 1, page] xii contents. page. the watcher and his shadow. 265 earth peopled by the shadows of the gods. 267- summing up. 269 the pith and marrow of the secret doctrine. 273 hermes in christian garb. 285 some occult aphorisms. 289 the seven powers of nature. 293- book i- part ii. the evolution of symbolism in its approximate order. i. symbolism and ideographs. 303 emblem and symbol differ. 305 magic potency of sound. 307 mystery language. 309- ii. the mystery language and its keys. 310 egypt's many religions. 311 the jews and their system. 313 moses copied from sargon. 319 identity of ancient symbols. 323- iii. primordial substance and divine thought. 325 divine thought, or cineritious matter. 327 ether and intelligence. 330 the seven prakritis. 335 the mystic fire. 3

it. 343 the birth of mind. 345- v. the hidden deity, its symbols and glyphs. 349 the gnostic idea. 351 international correlation of gods. 355[[vol. 1, page] xiii contents. page. vi. the mundane egg. 359 egg-born logoi. 363 the winged globe. 365- vii. the days and nights of brahma. 368 human gods and divine men. 369 the rebirth of gods. 371 the puranic prophecy. 377- viii. the lotus as a universal symbol. 379 exoteric and esoteric. 381 the purity of early phallicism. 383 the egyptian lotus. 385- ix. deus lunus. 386 a glance at the lunar myth. 387 a key-note to the moon. 389 copies and originals. 393 the moon bi-sexual. 397- x. tree and serpent and crocodile worship. 403 degeneration of the symbol. 405 the seven-headed dragons. 407 dragon and crocodile. 409- xi. demon est deus inversus. 411

with their too indiscreet inscriptions and pictorial symbols, pulverised to dust; of the bands of early hermits and ascetics roaming about among the ruined cities of upper and lower egypt, in desert and[[vol. 1, page] xli introductory. mountain, valleys and highlands, seeking for and eager to destroy every obelisk and pillar, scroll or parchment they could lay their hands on, if it only bore the symbol of the tau, or any other sign borrowed and appropriated by the new faith; and he will then see plainly how it is that so little has remained of the records of the past. verily, the fiendish spirits of fanaticism, of early and mediaeval christianity and of islam, have from the first loved to dwell in darkness and ignorance; and both have made- the sun like blood, the earth a tomb, the tomb a

nity in pralaya, denotes the dawn of differentiation. it is the point in the mundane egg (see part ii "the mundane egg, the germ within the latter which will become the universe, the all, the boundless, periodical kosmos, this germ being latent and active, periodically and by turns. the one circle is divine unity, from which all proceeds, whither all returns. its circumference- a forcibly limited symbol, in view of the limitation of the human mind- indicates the abstract, ever incognisable presence, and its plane, the universal soul, although the two are one. only the face of the disk being white and the ground all around black, shows clearly that its plane is the only knowledge, dim and hazy though it still is, that is attainable by man. it is on this plane that the manvantaric manifestat

BLUE EQUINOX

lutes in the market-place of the great city, the city of the violets and the roses. 22. the night fell, and the music of the lutes was stilled. 23. the tempest arose, and the music of the lutes was stilled. 24. the hour passed, and the music of the lutes was stilled. 25. but thou art eternity and space; thou art matter and motion; and thou art the negation of all these things. 26. for there is no symbol of thee. liber lxv 79 27. if i say, come up upon the mountains! the celestial waters flow at my word.but thou art the water beyond the waters. 28. the red three-angled heart hath been set up in thy shrine; for the priests despised equally the shrine and the god. 29. yet all the whie thou wast hidden therein, as the lord of silence is hidden in the buds of the lotus. 30. thou art sebek the c

he choice of one formula or the other is automatic, being the work of that inmost will which is alive within you. seek not then to determine consciously this decision, for herein true instinct is not liable to err. but now i end, without further words: for in our holy books are written many details of the actual practices of love. and those are the best and truest which are most subtly written in symbol and image, especially in tragedy and comedy, for the whole nature of these things is in this kind, life itself being but the fruit of the flower of love. it is then of life that i must needs now write to you, seein that by every act of will in love you are creating it, a quintessence more mysterious and joyous than you deem, for this which men call life is but a shadow of that true life, yo

an hour before your breakfast hour. 4. if possible set apart a room wherein to carry out your exercises; keep it clean, and only keep in it objects which please you; burn a little incense in the room before beginning an exercise; keep the room holy to yourself, and do not allow yourself or another to do anything unbalanced in thought or action in it. in will and deed make this room a temple and a symbol of that greater temple which is your higher self. the exercises the first exercise rise to time, and without undue haste, wash and dress, robe yourself and enter the room you have set apart; burn a little incense and turning to the east repeat some simple orison such as .may the light of adonai arise within me, may it guide me through this day and be as a lamp to lighten my darkness. then m

se as the rush of daily work tends to undo what the morning exercise has done, try your utmost to turn every item of your professional work into a magical exercise. do all, even the smallest work, in honour and glory of adonai: excel in your special duties in life, because he is of you, and you of him; do not think of him as adonai, but think of adonai as the work; and of your daily work create a symbol of the symbol of .the great work which is to be. the third exercise. as the rush of your daily work tends to unbalance you, so do the pleasures you indulge in. cultivate joyfulness in all your amusements; and, when joyful, break out into silent and inward praise of the joy within you. do not make a prudish exercise of it, work silently and joyously, and do not discuss your results with casu

easures you indulge in. cultivate joyfulness in all your amusements; and, when joyful, break out into silent and inward praise of the joy within you. do not make a prudish exercise of it, work silently and joyously, and do not discuss your results with casual friends. and above all do everything liber clxv 133 for the honour and glory of adonai, so that of your daily pleasures you may construct a symbol of that unchanging joy that is. these instructions were accompanied by a letter from which i quote the following .the enclosed exercises perform regularly, say to yourself .i will do these for three months; even if i get no benefit from them, yet i am determined to do them. write to me whenever you like, but don.t consider any result that you may get as worth much; for these little exercise

BOOK T

celestial crown; from which depend, on the right, the olive branch of peace; and on the left, the palm branch of suffering. six vaus fall from its point. it symbolizes "invoked" as contrasted with natural force: for it is the invocation of the sword. raised upward, it invokes the divine crown of spiritual brightness, but reversed it is the invocation of demonic force; and becomes a fearfully evil symbol. it represents, therefore, very great power for good or evil, but invoked; and it also represents whirling force, and strength through trouble. it is the affirmation of justice upholding divine authority; and it may become the sword of wrath, punishment, and affliction. iv. the root of the powers of the earth ace of pentacles a white radiant angelic hand, holding a branch of a rose tree, wh

e horse itself is not winged. the rider wears a winged helmet (like the old scandinavian and gaulish helmet) with a rayed crown, a corslet of scale-mail and buskins of the same, and a flowing scarlet mantle. above his helmet, upon his curass, and on the shoulder-pieces and buskins, he wears as a crest a winged black horse's head. he grasps a club with flaming ends, somewhat similar to that in the symbol of the ace of wands, but not so heavy, and also the sigil of his scale is shown; beneath the rushing feet of his steed are waving flames and fire. he is active- generous- fierce- sudden- impetuous. if ill dignified, he is evil-minded- cruel- bigoted- brutal. he rules the celestial heavens from above the twentieth degree of scorpio to the first two decans of sagittarius: and this includes a

(hercules is always represented with a club) fire of fire king of the salamanders. vi. the queen of the thrones of flame queen of wands a crowned queen with long red-golden hair, seated upon a throne, with steady flames beneath. she wears a corslet and buskins of scale-mail, which latter her robe discloses. her arms are almost bare. on cuirass and buskins are leopard's heads winged, and the same symbol surmounteth her crown. at her side is a couchant leopard on which her hands rest. she bears a long wand with a very heavy conical head. the face is beautiful and resolute. adaptability, steady force applied to an object, steady rule, great attractive power, power of command, book t page 5 of 26 http//www.private.org.il/gd/book-t.html 13/10/2002 yet liked notwithstanding. kind and generous w

e last decan of pisces to above the 20 degree of aries: including thus a part of andromeda. water of fire queen of the salamanders. vii. the prince of the chariot of fire king of wands a kingly figure with a golden, winged crown, seated on a chariot. he has large white wings. one wheel of his chariot is shewn. he wears corslet and buskins of scale armour decorated with a winged lion's head, which symbol also surmounts his crown. his chariot is drawn by a lion. his arms are bare, save for the shoulder-pieces of the corslet, and he bears a torch or fire-wand, somewhat similar to that of the zelator adeptus minor. beneath the chariot are flames, some waved, some salient. swift, strong, hasty; rather violent, yet just and generous; noble and scorning meanness. if ill dignified- cruel, intolera

th flowing red-gold hair, attired like an amazon. her shoulders, arms, bosom and knees are bare. she wears a short kilt reaching to the knee. round her waist is a broad belt of scale-mail; narrow at the sides; broader in front and back; and having a winged tiger's head in front. she wears a corinthian-shaped helmet and crown with a long plume. it also is surmounted by a tiger's head, and the same symbol forms the buckle of her scale-mail buskins. a mantle lined with tiger's skin falls back from her shoulders. her right hand rests on a small golden or brazen altar ornamented with ram's heads and with flames of fire leaping from it. her left hand leans on a long and heavy club, swelling at the lower end, where the sigil is placed; and it has flames of fire leaping from it the whole way down;

BOOK OF BLACK SERPENT

al life. and when, like our master, thou art extended on that tree, through suffering and through pain, let thy countenance be raised up towards the light of the holy one to invoke the divine brightness, not for thyself, but for those who have not yet attained to the pathways, even though they be thy tormentors. balanced between the spiritual and the material, the type of reconciler, remember the symbol of the brazen serpent. mark thou well the difference between the two serpents, for before the serpent of brass of numbers, the serpent of fire could not stand. but at the fall, the serpent of evil arising in the tree surrounded malkuth, and linked her thus into the outer and the qliphoth, for this is the sin of the fall, even the separation of the material plane from the sephiroth through t

- the it of destruction 5. tzelmoth- the shadow of death 6. shaari moth- the gates of death 7. gehinnom- hell the evil and averse powers beneath the feet of the four cherubim lilith babel machaloth jonia samael media rehab edom 'splendour on every side fire endfolding whirlwind' these are from cherubic expressions of force and the evil and averse powers broken beneath their feet are: rahab, whose symbol is a terrible demon leaping upon an ox; machaloth, a form compounded of a serpent and a woman, and she rideth upon a serpent scorpion; and lilith, a woman outwardly beautiful but inwardly corrupt and putrefying, riding upon a strange and terrible beast. to these four (babel, jonia, media, edom) are attributed four kingdoms. 1. bairiron- so called because they are derived from the fourth evi

everchanging and distorted countenance. at the north-east angle is aggerath, the daughter of machalath, a fiendish witch with serpent hair enthroned in a chariot drawn by an ox and an ass. at the north-west angle is a gigantic scorpion with a fearful countenance, but standing upright as it were, and formed of putrefying water. after him cometh the un-nameable one (abaddon) and his appearance and symbol is that of a closelyveiled black gigantic figure, covered with whirling wheels and in his hand is a vast wheel whence issue as it whirls, multitudes of cat-like demons. behind cometh maamah like a crouching woman with an animal s body, crawling along the ground and eating the earth. and at the south-east angle are the winged lion and a winged horse drawing in a chariot the younger lilith, t

BOOK OF PLEASURE

y be called the negation of my doctrine, they obtain tolerable satisfaction, whereas mine is complete. let him tarry here, who is not strong for the great work. in freedom he might be lost. so fledge your wings fearlessly, ye humble ones*(1) all means of locomotion, machinery, governments, institutions, and everything essentially modern, is vital symbolism of the workings of our mind, etc*(2) the symbol of justice known to the romans is not symbolic of divine, or our justice, at least not necessarily or usually. the vitality is not exactly like water-nor are we trees; more like ourselves, which might incidentally include trees somewhere unlearnt-much more obvious in our workings at present. others say knowledge only is eternal, it is the eternal illusion of learning-the ukase of learning w

BUCKLAND RAYMOND COMPLETE BOOK OF WITCHCRAFT

lying within that which is naturally potential to all. 4. we conceive of the creative power in the universe as manifesting through polarity as masculine and feminine and that this same creative power lies in all people, and functions through the interaction of the masculine and feminine. we value neither above the other, knowing each to be supportive to the other. we value sex as pleasure, as the symbol and embodiment of life, and as one of the sources of energies used in magickal practice and religious worship. 5. we recognize both outer worlds and inner, or psychological, worlds sometimes known as the spiritual world, the collective unconscious, inner planes, etc. and we see in the inter-action of these two dimensions the basis for paranormal phenomena and magickal exercises. we neglect

many ways, supplement the power raised and also create harmony among those present. choose a small hand-bell with a note that is pleasant. some bells especially cheaply produced ones can have a harsh note to them; avoid these. if you wish to engrave the bell, do so. or, if it has a wooden handle, you might want to work on that. the burin is simply an engraving tool used to mark the name or sigil (symbol, ritually, on your magickal topis. some traditions (e.g. gardnerian) borrow from ceremonial magick and use a whtte-hilted knife in the same way. i personally do not see the need to regard this instrument as a ritual tool, in the craft, any more than i would a file or hacksaw. however, if you feel you want this as part of your complement, by all means include it. a burin is simply an engravi

s of summer. we thank thee for all thy bounty; the fruits, the crops, the harvest. return again as the wheel turns and be with us once more. even as our lord accepts the mantle, walk with him through the darkness, to come again into the light" priest stands and faces priestess. she holds helmet high over his head. a covener stands by the cauldron, with fire ready. priestess "here do i display the symbol of our lord: he who rules death and that which comes after; the dweller in the darkness; the husband/brother of the light. may he guard us and guide us in all that we do, within and without this circle. with our lady at his side, may he lead us through hardship and bring us, with hope, into the light" priestess places horned helmet on priest's head. as she does, covener lights the cauldron

onal physical life are called personal symbolism. lesson seven: meditation, dreams and the minor sabbats 185 universal symbolism includes those things that remain true for all humankind throughout the ages. included are colors, numbers, form and sexual identity (i.e. male and female. they come from the super-consciousness and therefore are timeless. a case in point is transportation the universal symbol of spiritual advancement. as material technology has advanced, the application of symbology has kept pace. so transportation may take one of the modern forms of conveyance, such as rockets, planes, steamships, trains or automobiles, or one of the timeless modes of riding on the back of an animal or walking. it would be impossible to list all the universal symbols here, but a general samplin

n may take one of the modern forms of conveyance, such as rockets, planes, steamships, trains or automobiles, or one of the timeless modes of riding on the back of an animal or walking. it would be impossible to list all the universal symbols here, but a general sampling is given in the section on universal symbols. interpreting your dreams the eminent psychologist carl jung once stated "no dream symbol can be separated from the individual who dreams it" keep this thought in mind as you study the following concepts. notice that almost all of the universal symbols have various shades of meaning. in fact, some even have contradictory meanings. the interpretation of such symbols can only be done by you, the dreamer, through consideration of your own feelings towards the dream, the symbol and

BUDGE E

the gods of the tuat" p. 24 the hieroglyphics above the full moon read, and those above the stern of the boat read "field of him that beareth up urnes" the ends of the second boat likewise terminate in click to view the boat of the goddess hathor. bearded human heads, but each is surmounted by a pair of plumes. in the centre of the boat, between two goddesses, stands a huge sistrum, which is the symbol of the goddess hathor, and indicates that the boat is that of hathor, or of hathor-isis. in the fore part of the boat is a beetle, which is described as "this great god neper" p. 25 [paragraph continues] above the goddess to the left of the sistrum are written the words "their boats send forth their words" over the plumed head in front is written and over that at the other end of the boat "

9-15. 14. the two-headed god (horus-set) called hra-f-a-f. 15. the god heru-hen. 16, 17. two gods, each holding in his left hand the sign of life inverted; their names are hun and hetchetchtu. p. 33 18-20. three gods, each holding a palm branch; their names are neha (or nareh, makhi, and renpiti. 21. a god, who holds a knife in his left hand, and is called afau, 22. a god, holding in his hand the symbol of "year" who is called fa-ar-tru. click to view second hour. lower register. gods nos. 16-22. the text referring to the gods in the upper register reads- p. 34"[those who are in this picture] praise this great god after he hath come forth to them, and behold, it is their words which lead him to them; they lament when he hath passed onwards, having spoken words to them. behold, these gods a

your slaughtering knives, fetter and bind with your hands [this] figure which is with you, so that i may journey past you in peace. whosoever knoweth this shall pass by the goddess in peace" the entrance into the sixth division of the tuat is made through a door in the lower register, which is guarded by a serpent "who openeth it himself" here, too, appears the large five-rayed star which is the symbol of the planet venus, and is described as the "living god which journeyeth, and journeyeth, and travelleth" next: chapter vi. the sixth division of the tuat, which is called metchet-mu-nebt-tuat. sacred texts egypt ehh index index previous next p. 116 chapter vi. the sixth division of the tuat, which is called metchet-mu-nebt-tuat. in the scene which illustrates the sixth division of the tua

he four heteptiu gods. click to view the four kings of the north. click to view the four "spirits" p. 120 khu, i.e "spirits" immediately in front of these gods is an enormous serpent with five heads, which is called ash-hrau, i.e, the "many-faced" the body of this serpent is bent round to form an oval, and within it lies on his back the god afu, who is holding upon his head a beetle, which is the symbol of the god khepera. the text written above reads- click to view the serpent ash-hrau. p. 121 "saith the majesty of this great god to the kings of the south, to the heteptiu, to the kings of the north, and to the spirits who are in this city--may your royal state and condition be with you, may ye receive p. 122 your white crowns, and ye heteptiu [may ye receive] your offerings, and ye kings

of ra every day, and they have their life through his voice. the work which they have to do in the tuat is to convey along souls, and to accompany the shades of the dead click to view "the serpent am-khu and the heads of the four children of horus" p. 135 and to make provisions for spirits [and to find for them] water" 13. the monster serpent am-khu, with his head raised from the ground, and the symbol of "life" under his head. out of the crest of each of the four undulations of his body springs a bearded head, and the four heads are those of the children of horus--mestha, hapi, tuamutef, and qebh-sennu-f, the text which refers to the serpent reads "this serpent is himself invisible to this great god, but these forms (i.e, the heads of the four children of horus) have their being in his f

CASE PAUL F THE BOOK OF TOKENS

paragraphs of the meditation should be compared with the symbolism of the first tarot key. the magician is obviously the on-looker, and he corresponds to the "superior nature. the four subtle principles mentioned in the sixth section are also shown in the symbolism of this key, as the implements on the table. the wand is the element of fire. the cup stands for the element of water. the sword is a symbol of air. the coin or pentacle represents the element of earth. note well that the text says "the wise conceal" the true "principles" under the names of the elements of ancient physics. the meditation on gimel* 1. thou hast seen, o israel, how, for the sake of creation, the one life that i am seemeth to divide itself, becoming two. of these two, i have made known to thee my superior nature, t

elf to the subtle principle of life eternal. 8 mine inferior nature is the bond of union between myself and all created beings. hence it is likened to gimel, the camel, which bringeth a man safe through desert wastes from city to city. again it is likened to gimel because the camel beareth rich and costly merchandise. and again, for that the camel betokeneth travel and communication, being thus a symbol of change, and of the flux and mingling of ideas borne upon the stream of memory. happy is he who bestrideth this camel of mine inferior nature which bringeth them who learn the secret of its mastery unto me, their lord. a task most difficult and laborious is the conquest of the power of recollection. strength and courage and patience must they have w'ho would gain this victory; but these s

ut 1 in the alphabet is the original one without a second. in our numerals this absolute unity is expressed by the sign 0. our figure 1 stands for the first emanation, which implies the duad and also the triad. kether, 1, is beth, the house of en soph aur, and beth is 2 in the alphabet; but beth is also assigned to the magician, or 1, which is the first of the tarot sequence, because 0, the fool, symbol of pure spirit and the nonumber, really precedes the idea of relative unity represented by 1. yet the no-number, or 0, also follows every number, just as the hindus say that ether, or akasha, intervenes between each two manifested elements. the logical place for 0 in a definite series is before 1, but it is also the reality manifested as 1, or as any other number [46] c o m m e n t ox d a l

mber of letters in the alphabet. thus the book of formation says "twenty-two basal letters: he designed them, he formed them, he purified them, he weighed them, and he exchanged them, each one with all: he formed by means of them the whole creation and everything that should be created (subsequently" book of formation, 1: 2, stenring's translation. hence d l th, 434. is held by our author to be a symbol of division, just as a door divides what is outside a house from what is within, because 434 digits to 11, the half of 22. the letter-name, d l th, is concealed in the saying "the lord is a man of war, because the hebrew for "man of war, used in exodus 15: 3, is ish milkhamah, a i sh m l ch m h, which has the value 434, the same as the letter-name. atziluth is the highest of the four qabali

even as to moses "thou shalt see my back parts, but my face shall not be seen" no matter how far thou goest, i have already passed that way. thou shalt never see me as i am, but thou mayest know me in what i have done. the wise discover me in my works. 9 no man perceiveth me as father, until as mother i have brought forth creatures. the following of heh after daleth in the alphabet is a sign and symbol of this truth. even as aima, the mother, concealeth the yod of ab, the father, so doth heh, though the wise call it "the mother, wherewith creation took place" conceal that same paternal yod, since heh in its plentitude is the number ten. therefore the letter heh belongeth to my paternal mercy, since in the number four, which appertaineth unto chesed, mercy, is the number ten concealed, eve

CASSANDRA EASON A PRACTICAL GUIDE TO WITCHCRAFT AND MAGIC

tly tend to learn the same thing more readily all over the world; the more that learn it, the easier it should become for others. so if we carry out positive magick and spread goodwill, then we really can increase the benign energies of the earth and cosmos. even banishing or binding magick can have a creative focus, diverting or transforming redundant or negative energy, for example by burying a symbol of the negativity or casting herbs to the four winds. magick and responsibility true magick is not like a cake in which everybody must vie for a slice or be left with none: it is more akin to a never-emptying pot. like the legendary cauldron of undry in celtic myth, the more goodness that is put in, the more the mixture increases in richness and quantity. the cauldron of undry, one of the f

connected to what is said to be the most ancient order of witches known. at the turn of the twentieth century, my father's family were canal people and my father grew up at a time when the boats were still a major form of transport for coal and iron. some of these midland canal people were known as 'water witches' because they practised a religion based on the sacredness of water and earth. their symbol was the six-spoked sun wheel, painted on their boats. this sign was once thought to be a ship's wheel, but this is improbable, since canal boats have large rudders. unlike the romany gypsies, the midland water witches were descended from the friesian seafarers of the netherlands and 1876 a book entitled oer linda was published, named after the family who had been custodians of the wisdom si

s in a silk, heart-shaped pincushion or a piece of pink silk, also in the shape of a heart, and leave it on the window ledge on the night of the full moon, surrounded by a circle of rose petals. banishing and protective magick this involves driving away negative feelings, fears and influences by casting away or burying a focus of the negativity. for example, you might scratch on a stone a word or symbol representing some bad memories you wished to shed, and cast the stone into fast-flowing water. alternatively, you could bury it, together with quick-growing seeds or seedlings to transform the redundant into new life. binding magick binding magick has two functions, one to bind a person in love or fidelity and the other to bind another from doing harm. this may be done in various ways, usin

ut healing you will receive in return threefold healing in indirect but powerful ways. the four stages of magick although there are many different kinds of magick, in practice all spells and more formal magical rituals tend to follow four stages, though informal spells may combine one or more steps. the focus this defines the purpose of the ritual or spell and is generally represented either by a symbol or a declaration of intent. these could take the form of a candle etched with the name or zodiacal glyph of a desired lover, a little silver key charm or an actual key in a spell to find a new home, a picture of an ideal holiday location, and so on. in a sense, this part of the spell begins before the actual rite and involves verbalising the purpose. as you define it in a few words or a sym

sing the purpose. as you define it in a few words or a symbol, you may realise that what you are really seeking lies beyond the immediate external purpose. spending time at this stage is quite vital as it is said we tend to get what we ask for, so we should take care to ask for what would truly fulfil our potential, rather than what we think we need immediately. if you are working alone, hold the symbol while speaking words that summarise the purpose of the magick. you may be surprised to discover that it is your wise psyche speaking, guiding the intention towards what you truly need or desire- and afterwards you realise it could have been no other way. if you are working in a group, a declaration of intent, created by the group collectively before the ritual, is a good way of focusing the

CHIREAU YVONNE BLACK MAGIC RELIGION AND THE AFRICAN AMERICAN CONJURING TRADITION

ght be read as an allegory of the religious sojourn of blacks in america, with nana's charm as a metaphor for a legacy that some have chosen to preserve, and others to reject. rather than dismissing the hand as an object of superstition, i want to black magic page 4 of 144 http//content.cdlib.org/xtf/view?docid=kt600020q0&chunk.id=0&doc.view=print 7/14/2006 argue for its deeper significance, as a symbol of the survival of a kind of magical spirituality in the african american experience. this book is about the creations that black people have woven into their quest for spiritual empowerment and meaning. it is about magic, as that term refers to the beliefs and actions by which human beings interact with an invisible reality. but it is also about religion, which may be defined as a viable s

what the body of his clothes was made of c he carried a real snake in his hand. c he whipped that snake around his head, cracking it like one of those big whips that you have for horses.[19] other descriptions focus on the apparel of african american conjure practitioners. some specialists adopted accessories that they claimed had supernatural significance. tinted or dark glasses, for example, a symbol of second sight that "blocked a man's view" of the conjurer's "eyes and thoughts" were a noted item among some practitioners. to enhance their status as the descendants of africans, some conjurers acquired exotic paraphernalia, such as wells brown's dinkie, who wore a shed snakeskin about his shoulders. others carried elaborate carved walking staffs and canes as the trademarks of their prof

goes duh devil" and dorsey later recovered. sarah handy noted that one doctor's treatment included the burning of "various black magic page 66 of 144 http//content.cdlib.org/xtf/view?docid=kt600020q0&chunk.id=0&doc.view=print 7/14/2006 vile-smelling powders" in a patient's room, followed by his opening a window "to let the devil out" the devil was incarnated in the form of a snake, an archetypal symbol for evil in the biblical tradition.[33] these accounts offer numerous possibilities for understanding physical affliction among african americans. some patients and practitioners balanced multiple ideas in order to interpret the causes of sickness and misfortune in their lives. a late-nineteenth-century exslave narrative shows how individuals might propose a variety of reasons for their vic

of the critical concerns of his african american contemporaries. enduring the scourges of poverty and marginalization, blacks urgently sought opportunities for education and representative leadership. but what conveyed joplin's bleak assessment of african american culture was the three crude and shameless conjurers, who epitomized the slave tradition. for joplin, conjure was the most conspicuous symbol of the moral impoverishment and backwardness of black people. his contempt for supernatural traditions was shared by other african americans who aspired to racial advancement. thus, even as it integrated african american experiences into musical theater, treemonisha frankly depicted the rival forces that engaged.and divided.many black americans as well. this chapter explores some of the pub

e a new system of accommodative education for african americans in the south that would redirect the culture and consciousness of the african american black magic page 81 of 144 http//content.cdlib.org/xtf/view?docid=kt600020q0&chunk.id=0&doc.view=print 7/14/2006 masses.[17] it was therefore fitting that hampton, one of the most prominent of the new black colleges in the south, would seize on the symbol of conjure in its attempt to reorient african americans and their cultural traditions.[18] hampton's founder, the former union general samuel chapman armstrong, tirelessly promoted this mandate. slave culture, armstrong believed, was the dual product of social and environmental forces. having worked among the freedpersons, armstrong had determined that many of the traditions that blacks adh

COLLIER IRENE CHINESE MYTHOLOGY

ffering, panku sobbed tears of gratitude which fell and created glittering, vast bodies of water that became the oceans. finally his work was over, and panku, the creator, was dead. in his place, he left a world that sparkled and twinkled with splashes of bright blues, vibrant greens, dusky browns, and clear, cold rushing waters. chinese mythology 20 questions and answers q: why was an egg a good symbol for the beginning of the world? a: many creatures are born from eggs, a symbol of life. each egg is round like the world, and contains all the nutrients essential for developing life. q: what were panku s first feelings about chaos, and how did they change? a: initially, he was fascinated by the noise and exploding gases, but later the noise and disorder irritated him, and he longed to retu

. yang is male, dry, hot, the sun, the spring and summer, the bright and the dry land. they struggle with each other for supremacy. from their struggle comes the dynamic which drives the whole of life. for they are found locked together in every being, every situation. as one seems to be gaining the ascendancy, the other arises for they each carry the seed of the other within them as the yin yang symbol so clearly illustrates.3 22 2 nuwa creates people introduction whereas panku, the creator of the universe was male, the creator of people was a female goddess named nuwa. nuwa is briefly mentioned in several ancient chinese texts, a classic of history (eighth century b.c, a classic of mountains and seas (third century b.c, and questions of heaven (fourth century b.c).1 in addition, many ima

een 2436 2255 b.c.1 myths about him are linked to the people of the southwestern part of china. plants and herbs often appear in the background of chinese stories. the mythical fusang tree is reputed to be over ten thousand feet tall and spreads its leaves out over two thousand feet. because the tree appears in many ancient tombs, paintings, and sculptures, it once must have been a very important symbol. although some versions of the story depict the fusang as a hibiscus, the mulberry tree is probably its basis. one variety of the mulberry, morus alba, is native to china. growing more than fifty feet tall, its leaves are used to feed silkworms. strands from the silkworms cocoons are woven together to create silk, the strongest of all natural fibers. the cloth is lightweight and cool to the

CONCERNING THE CEREMONY OF THE CONSECRATING THE VAULT

ds of the third adept to perform the opening banishing using the lotus wand. he, of course, will hold the wand by the white band as he draws the pentagrams (in this instance banishing with the black end symbolized of over matter. the connection and synthesis of the symbolism between the pentagram and the altar is unmistakable. g.h. frater s.r.m.d. writes the following "the pentagram is a powerful symbol representing the operation of the eternal spirit and the four elements under the divine proceedings of the letters of the name hwchy. the elements themselves in the symbol of the cross are governed by hwhy, but the letter c representing the \yhla jwr, the divine spirit, being added thereto, the name becometh hwchy or hcwhy, the latter when the letter c placed between ruling l and the other

the other three letters of the tetragrammaton" it is apparent that the symbology is also directly connected to the round altar. see the diagram below: c q n w hwchy the second adept now purifies with the lesser banishing ritual of the hexagram. this is performed with the planetary wand of the second adept. this wand is ruled under the governance of the head of the phoenix, this being the mystical symbol of osiris. let us never forget that the phoenix rose from the ashes, the symbol of the resurrected self from the physical pull of the mundane. this wand displays the 4 seven rainbow colors of the planetary forces that vibrates between the light and the darkness. this wand is a vibrant symbol of death and of resurrection. in the examination of the hexagram, we see the operation of the planet

ower. all four watchtowers are activated through the four enochian tablets. this relates directly to the sun's cycle through the heavens and through the four elements which are held together by the tablet of union. this is the fifth principle, the element of. tools on the altar there are five tools on the altar. they are the air dagger (m, crucifix (o, chalice (n, chain (l, and the censer for the symbol of sitting on the letter c. as the tools are replaced on the altar after their use in the invocation of the watchtower, it begins the first magnetic re-charging of the ceremony. door of the vault the four kerubs on the door of the vault are also re-activated through the tablets of the watchtower and the invocation. this symbol, being placed on the doorway to the vault, also charges and acti

should be apparent. each knock also alludes to the pentagrammaton as well. 5 hwchy forms the grand word of the 5=6 grade. the reference to the river called phrath shows the physical world, the outer order, and its hidden and secret link to the true order of the r.r. et a.c. the qabalistic cross is done in unison. this indicates our unity as one body of christ under the light divine. it is also a symbol of bringing forth and invoking the higher genius. there is a much more hidden meaning in the symbology of the cross as it relates to corpus cristi and the solstice. the cross is a symbol of the invisible middle pillar. this is covered in early order documents "the law of the convoluted revolution of the forces" the cross relates to the central axis of the l that receives the rays of the a

he words vibrated tkrp. this spells the word paroketh. paroketh is the veil of the vault of tiphareth and the hidden tabernacle. here, we begin to see our ancient light with our more ancient fraters and sorors as well as our rosicrucian link. the third adept is asked "what does the mystic name of our founder signify" he replies "the rose and cross of christ" this connects us to a strong christian symbol. let us, however, remember that one does not need to be christian to realize the invoking power of the word christ. is not christ within all of us? pagans and christians find a common ground in that osiris and christ are interchanged as symbolical archetypes of self sacrifice unto the higher. the next main point to highlight is the meaning, in mystical terms, of the one hundred and twenty y

DAVID ICKE AND THE TRUTH SHALL SET YOU FREE

earth, and by that, i don't only mean the re-emergence of women into areas of decision-making. i mean the reawakening of female energy within the male form also, and a softening of the indoctrinated desire of so many men to dominate and to follow the macho man programming. this reemergence of female energy is symbolised as 'the return of the goddess. it is highly appropriate that the obelisk (the symbol of male energy) should be so important to the brotherhood over the centuries, because it is, after all, a brotherhood, not a brother-and-sisterhood. the secret societies are almost entirely male-dominated with women excluded from the knowledge and decision making. look at the freemasons as an example. it is a male preserve, with their wives wheeled out for the annual dinner like a piece of

t. they devoted themselves to maritime activity. the explorer, vasco de gama, was a knight of 30..and the truth shall set you free christ, as was prince henry the navigator, a grand master of the order. columbus's father-in-law was one of prince henry's captains, and inherited maps and charts from him which columbus used to 'find' the americas. the red cross on a white background was the templars symbol. it was outlawed by the pope at the time of the purge. columbus's ships sailed with the red cross on a white background!3 his historic journey was funded by king ferdinand of aragon, spain and queen isabella of castile, spain, whose marriage helped to unify spain. these were 'catholic' monarchs funding a trip by a man flying the flag of the knights templar. more than that, other support cam

the new united states of america. they, and other brotherhood groups, have never conceded that control to this day. how appropriate, then, that when the founding fathers commissioned a design for the great seal of the united states, it included the classic brotherhood (prison warder) symbols which go back to ancient egypt and beyond, including the pyramid and all-seeing eye. above and below this symbol are two latin phrases, annuit coeptis and novus ordo seclorum. these translate as "announcing the birth, creation, or arrival" of "a new order of ages. in other words, announcing the creation of the new world order. the founding of the united states was a massive step forward in the plan for centralised global power. today this part of the seal can be found on every dollar bill (see figure

in other words, announcing the creation of the new world order. the founding of the united states was a massive step forward in the plan for centralised global power. today this part of the seal can be found on every dollar bill (see figure 4, and again this is very appropriate, given that the elite controls the american economy and everyone else's. the decision to put the pyramid/new world order symbol on the dollar was made by the 33rd degree freemason, franklin d. roosevelt, in 1935, with the full support and the birth of the brotherhood 35 encouragement of his vice president, henry wallace, another 33rd degree mason.11 mr roosevelt will be making many appearances in the text of the next few chapters. the american flag, the stars and stripes, was also designed to reflect brotherhood sym

e advanced even more quickly than before. 36..and the truth shall set you free sources 1 professor g.r.s. mead, fragments of a faith forgotten (the theosophical publishing society, london, 1906) 2 manly p. hall, america's assignment with destiny: the adepts in the western esoteric tradition, part five (philosophical research society, los angeles, 1979) p58 3 it is interesting to look at where the symbol of the red cross is used today. not all of them will be signs of templar control, maybe, but many certainly will 4 letter by lt. colonel harold z. onlmeyer, commander, 8 reconnaissance technical squadron (sac, united states airforce, westover airforce base, massachusetts, to professor charles h. hapgood, of keene college, new hampshire, on july 6th, 1960. quoted by graham hancock in fingerp

DAVID ICKE CHILDREN OF THE MATRIX

ta reticuli, arcturus, aldebaran, and elsewhere. australian aborigines, african tribes, the babylonians, and south american indians are just some of the diverse peoples who claim ancient connections with such places. the reptilians are a tall, mostly humanoid-type race, with snake-like eyes and skin and they are connected to the classic "greys" with the big black "eyes, which have become the very symbol of the "et. often these various extraterrestrial factions battled for supremacy in the legendary "wars of the gods. these technologically advanced beings were believed to be gods by the human races because of the apparently miraculous feats they could achieve with their technology and flying craft. by the way, for those who find it impossible to conceive of "intelligent" life forms and huma

anunnaki of the sumerian tablets could be these beings from sirius. he further proposes that the body of the sphinx is that of a dog and not a lion, thus symbolising the dog star, sirius,9 and some researchers also suggest that the face of the sphinx is that of a woman, not a pharaoh. the egyptians certainly depicted their lion bodies very differently to that of the sphinx and the dog is a common symbol in ancient mythology.10 in fact, ancient egyptians revered the dog and their dog symbol was a code for sirius" the sirius system was symbolised as feminine and so a dog's body with a woman's face would make* it is the reptilian bloodline that most concerns us in this book, but there are others of extraterrestrial origin, also. cherokee and mayan records in north and central america and the

als under a 40-foot stone owl, as detailed in the biggest secret. i will mention more about this later on. the freemasons and other secret societies within the illuminati web have sirius as their focus. it is known as the eastern star- the very name for the freemasonic organisation that allows women to become initiates.23 sirius is the first star to rise in the east in the latitudes of egypt. the symbol of the eastern star is the symbol of satanism, the inverted pentagram, and that is their symbol for sirius (figure 2. the pentagram within a circle is used by satanists in their rituals to draw other dimensional demonic entities into this world or to "draw down the kingdom of satan into manifestation on earth, as one writer put it. the pentagram is symbolised by the goat head known as the "

ce after 1307. the goat head is also associated with the sirius system. the ancients designed massive temples to point directly at the spot on the horizon where sirius appeared at the "rising" and their key rituals were focused on sirius, just as many of the illuminati's are today. one example of these sirius-aligned structures is the temple of isis at denderah in egypt.24 the goddess, isis, is a symbol of sirius in egyptian myth. robert temple suggests in the sirius mystery that isis is sirius and the "sister-goddess" of isis, nephthys, represents sirius b. isis was said to be visible and nephthys invisible, just like sirius a and b. another sirius symbol was anubis (anpu to the egyptians, the one portrayed as the dog or jackal-headed god and associated with osiris, the "sun god" of egypt

sirius a and b. another sirius symbol was anubis (anpu to the egyptians, the one portrayed as the dog or jackal-headed god and associated with osiris, the "sun god" of egypt.25 there was also a goddess called anukis who sails in a celestial boat with sothis and satis, again the three stars of sirius perhaps because they are associated with goddesses, and sottis was the greek term for sirius. the symbol of the dog or wolf is often found in cults that worship the serpent or reptilians. credo mutwa, the zulu shaman, says that their legends call sirius the "star of the wolf. the leader of the reptilian "gods" known as the anunnaki is named in the sumerian tablets as an (later anu. he was represented by the jackal or dog. associated with sirius in egyptian belief was orion and, interestingly

DAVID ICKE THE BIGGEST SECRET

aohs were often pictured withserpents; the phoenicians had agathodemon, another serpent figure; the voodoo peoplehave a god they call damballah wedo, who is depicted as a serpent; and the hebrewshad nakhustan, the brazen serpent. the ancient british god, known as the dragon-ruler of the world, was called hu and from this, very appropriately i would suggest,we get the term, hu-man. the winged-disc symbol of the sumerians, which is found allover the ancient world, was normally featured with two serpents. the symbolism of theserpent and its association with ancient gods abounds throughout the world. thereverend john bathhurst deane in his book the worship of the serpent,3 wrote..one of (the) five builders of thebes (in egypt) was named after the serpent-god of thephoenicians, ofhion. the firs

sness would have survivedbecause consciousness is energy and energy is indestructible. it can only be transmutedinto a different form. what happened to that dinosaur consciousness that dominated theearth for 150 million years? as weve seen, the earliest accounts of assyria, babylon,old testament history, china, rome, america, africa, india and elsewhere, featurestories of the dragons. the serpent symbol has also been found in ancient britain,greece, malta, egypt, new mexico, peru and all over the pacific islands. there is anunmistakable resemblance between some dinosaurs and ancient depictions of dragons.several species of small indo-malayan lizards with webbed wings look so much likedragons that they have been given the name draco after the star constellation fromwhich the reptilian hiera

hort teeth and yellow slanted eyes. the things that stick in my mind are thebeings that look like reptiles, or the velcoci-rapters. they are the cruellest beings youcould ever imagine and they even smell hideous.41on the ship she remembers seeing the germans and americans wearing an insignia, ablue triangle with a red-eyed dragon and circle around it. a contact later told her that shesaw the same symbol at fort walden in the united states. a winged serpent symbol couldalso be seen on the sleeve of an israeli soldier as he comforted the daughter of theassassinated prime minister, yitzhak rabin, at her fathers funeral in 1995 (see newsweek,november 20th 1995) one of alex christophers specialities is the new denver airportwhich is reputed to be a cover for a deep underground reptilian-human b

re built by the brotherhoodnetwork. there are also gargoyles on a building in dealey plaza where presidentkennedy was assassinated and now they turn up again in a modern airport built on analleged underground reptilian base. gargoyles are symbols of the reptilians and that iswhy you will find them at denver airport. the capstone or dedication stone at the airportis marked with the classic compass symbol of the freemasons and it stands in part of theterminal called the great hall, another freemasonic term. on a wall is a grotesquemural full of malevolent symbolism, including three caskets with dead females in them:a jewish girl, a native american and a black woman. another girl is holding a mayantablet that tells of the destruction of civilisation. a huge character, described as a greendart

into europe. even the british title of sir,conferred by the queen on her selected subjects, comes from an ancient snake-goddess(reptilian) called sir, which relates to the anunnaki goddess, ninlil or ninkharsag, in thesumerian tablets. her husband, enlil, was called the splendid serpent of the shining eyes.his brother, enki, was also known as a serpent and his emblem was two entwined serpents,the symbol of his cult centre at eridu, and of the modern medical profession. the symbolis known as the caduceus (see figure 5. this information comes from the sumeriantablets as translated by zecharia sitchin and described in his books. therefore i found itstaggering that sitchin personally told me there was no evidence of a serpent race and figure 5: the ancient caduceus,symbol of the modern medical

DAVID ICKE RELATED THE HIDDEN GEARS OF FREEMASONRY

have listed at the very bottom of their home page, noting the extremely satanic, anti-christian subjects of which the invisible fraternity is comprised. below are a few of these subjects as kessinger's has listed them: this is the heart and soul of the invisible, inner fraternity. the absolute darkest part of this heart is phallicism, worshipping the erect male sex organ. the obelisk is the major symbol for this worship, which is why you see obelisks everywhere associated with freemasonry! it is time to stop being deceived, don't you think! listen to albert pike speak of the obelisk "hence the significancy of the phallus, or of its inoffensive substitute, the obelisk, rising as an emblem of the resurrection by the tomb of buried deity [morals and dogma, p. 393] now, you know why you see so

of antichrist from the beginning. the capital is washington, d.c. in 1791, pierre charles l'enfante(the designer, who was a freemason, laid out governmental center of washington, d.c, he planned more than just streets, roads, and buildings. he hid certain occultic magical symbols in the layout of u.s. governmental center. when these symbols are united they become one large luciferic, or occultic, symbol. washington d.c. an untrained eye might not see the luciferic connection in this map. the upper four points of the goathead represent the four elements of the world, fire, water, earth, and air. the bottom fifth point represents the spirit of lucifer. all of which are represented in washington d.c (the united states capital) many people have natural tendencies to want to disbelieve unpleasa

f the biblical great tribulation. our leaders are currently calling this system the new world order! the u.s. capital building once they are hidden, these occultic symbols are thought to possess great power. the snake basilisk is "said to have the power to destroy all upon whom it looks. to a person who is not an occultist, they will have no concept of the true hidden meaning contained within the symbol. and that hidden purpose is to communicate certain meanings to other occultists while hiding this meaning from all non-occultists. the symbols that were interwoven into the design of governmental center, communicate tremendous power to the occultist while at the same time they hide the true meaning from nonoccultist. these symbols take on a life of their own, in the mind of the occultist, p

our points of the goathead(left) represent the four elements of the world, fire, water, earth, and air. the bottom fifth point represents the spirit of lucifer. in the above photocopy of the goathead pentagram, the fifth point extends down into the mind of the goat, who represents lucifer. with all that as background, let us now begin our study of governmental center, washington, d.c. the satanic symbol& the masonic layout of washington d.c. in the street layout of washington d.c, the fifth point is the white house, a symbol placement which represents the intention that the spirit and the mind of lucifer will be permanently residing in the white house. the map i found isn't all that accurate as far as the streets are concerned, but it will have to do. the white house makes up the southern

h outlined luciferic design. but, there is much more symbolism expressed by the circle in occultic thought. the circle has also been used as a halo above a person's head, denoting that "he or she is in direct communication with the spiritual world. the circle has also been utilized to represent the sun, especially in spiritual terms, denoting spiritual light. but, the circle also is utilized as a symbol of the all-seeing eye. remember the all- seeing eye atop the pyramid on the american one-dollar bill? this eye is within a triangle, but the important factor to realize is that the eye is atop a pyramid. of course, a pyramid is nothing more than a triangle. look again at the triangles formed by the goathead pentagram. four out of five triangles of the goathead has a circle, representing the

DAVIDSON DAN SHAPE POWER

n manifestation has been in the use of amulets, ceremonial magic, and occult practices. symbols such as the square, cross, and triangle occur regularly in occult symbols. the cross has an uncountable number of permutations and its association with christianity is a recent phenomenon in known history. in this modern day, most people do not associate symbols as foci of energy and power. for them, a symbol is nothing more than an artistic or common figure which may or may not have any meaning and if they do have any association of power with respect to a symbol, it is merely the idea of possible power associated with an organization or activity that uses the symbol. for example, a company logo would have no intrinsic power in itself; however, the company may be a powerful organization. the us

e, a five pointed star) in both white (i.e, constructive with center point up) and black (i.e, destructive with center point down) ceremonial magic is well known to those who have dabbled in the occult sciences. the christian cross and the jewish star of david are common religious symbols with certain mystic power associated with them. when first studying shape power and symbols, i wondered how a symbol could be used for both constructive and destructive purposes even to the point of questioning if the symbol really had anything at all to do with the magical processes. i have long since learned differently, and i invite you to learn some of these exciting things about simple shapes, which, if you apply them, can enhance your life and understanding of the universe in which we live. in order

ship of an aetheric stress wave to an em wave is the premise that when two em waves which are 180 degrees out of phase are combined, the energy of the two waves do not collapse to zero as today's accepted mathematics of em phenomenon would argue; but instead, create an aetheric stress wave which contains the combined energy of the two em waves. stated mathematically, e(-e= s, where s> 0 where the symbol" is read "is not equal. this mathematics of converting em to an aetheric wave is akin to examining the forces when a block of steel is compressed in a powerful vice. the net external force on the steel is zero; however, internally the steel's atomic crystalline lattice structure experiences stress. the most interesting aspect of this energy combining is the fact that the converse is also tr

sented as an infinite series of intersecting tangent lines. the focus point is the center of the circle. the intersecting lines actually cross energy fields in the center of the circle. therefore, aether will be concentrated in the center of the circle. this means the circle acts as an aetheric pump to draw in energy and concentrate it at the center. figure 1.4.9-1. shape power of a circle 1.4.10 symbol from mary a healing energy symbol given to a healer from beloved mary, mother of jesus, was tested as a shape power device. the symbol is shown in figure 1.4.10-1. when i drew the symbol for clairvoyant tests, we found that aetheric energy immediately streamed into the top spiral and its associated triangle contained it. then the aetheric energy flowed into the bottom triangle and shot out

, mother of jesus, was tested as a shape power device. the symbol is shown in figure 1.4.10-1. when i drew the symbol for clairvoyant tests, we found that aetheric energy immediately streamed into the top spiral and its associated triangle contained it. then the aetheric energy flowed into the bottom triangle and shot out the bottom spiral, transformed and improved, brightening the room where the symbol was drawn. figure 1.4.10-1. shape power of healing symbol 1.5 natural enorgy flows in section 1.4, a few simple geometric shapes were examined to show how simple patterns mold, shape, intensify and direct aether; even to the point of changing aetheric frequency relationships in the 12-tesseract to yield color modifications in the aetheric field around the tesseract. however, there is still

DEITUS

been said that man creates god in the image of himself and the devil in the image of his enemy. god is, it is remarked, a projection of man s ego. the satanist says, why worship a god someone else has created, and which represents someone else s ego, when you can recognize a god of your own creation a god which has your best interests at heart. the satanic view considers satan as an archetype, a symbol of carnality as opposed to spirituality. the satanist realizes that it is the overpowering fear of death which causes man to create heaven and hell, reincarnation, and all of the other fairy stories which deal with life beyond death. there is only the flesh. satanists, therefore, delight in the pleasures of the flesh and in the joys that this world has to offer, and scoff at those who rejec

DEMONIC BIBLE

iests, was not a literal being with tail, horns, and pitchfork, but a metaphoric representation, a jungian archetype, a product of the subconscious mind. like the 18th century hellfire club of sir francis dashwood, the church of satan made satanism fun while maintaining that there was nothing occult or sinister in its philosophy or practice. satan, to the church of satan was a miltonian figure, a symbol of defiance against tyranny. it is satan who says, i would rather rule in hell than serve in heaven. this combined with the philosophy of nietzche, who says plainly, god is dead, made the philosophy of the church of satan attractive to the rebel and the outcast. the second beast in 1975, michael aquino, a magister templi in the church of satan, along with several other members, resigned fro

he "i am" of my being is. i am lucifer. i am satan. there is one thing common to all gods man has created. every man-made god is static and unchanging. yahweh resides in heaven, unchanging, unbending, the creator of the universe and all that it contains. christ sits at the right hand of god ready to judge the living and the dead. zeus resides in mount olympus holding aloft the lightning bolt, his symbol of divine power. the values of society and the structure of its institutions are defined as "good" that which threatens society is defined as "evil" the definitions of good or evil change from nation to nation and from century to century. god is defined by that which is "static" and unchanging. that which is "dynamic, a potential threat to the status-quo such as war, revolution, political u

, etc) 2 silver-plated chalices (in purple-velvet boxed set, some form of elixir, iron sword, dagger or athame, bell, gong, plate containing unholy bread, bowl containing unholy water, libation dish (for pouring out drink offerings, jar containing unholy anointing oil, trapezoidal altar (waist height, large enough to support one person, black altar cloth (with inverted pentagram etched in silver, symbol of baphomet or setian pentagram wall plaque above altar, upside-down cross (on front of altar or below wall plaque, black hooded robes (worn by all participants, baphomet amulets or pentagram amulets (worn by all participants) group ritual 1. make any preliminary preparations for the ritual. 2. participants dress in hooded black robes and wait outside the ritual chamber. 3. light 2 black ca

DIABOLUS

ad who were sent there. it is written in the book of the dead that seker s throne is pyramidal in form, filled with darkness. he appears commonly in the tuat as a mummified man but has a hawk s head and a pair of wings, which come forth from the back of a two headed serpent. the symbolism of the hawk and the twin serpents are later presented in the persian descriptions of the adversary, firstly a symbol of ahriman was a hawk attacking a sparrow and the twin serpents appearing from an ahrimanic kiss on the shoulders of the king zohak, who later became azi dahaka, the storm demon. while these similarities cannot be assumed to be directly related, they are by all instances interesting. the constellation of the bull or bull s thigh is related to set. often called bull of double brilliance, thi

hermes was anubis who is death hermanubis or heru-em-anpu, who is the son of set. it is said 7 azothoz, a grimoire of the adversary by michael w. ford, succubus publishing 9 that anubis is very similar to the grecian hecate, as they are deific forces over both the celestial and infernal realms and like dogs, were able to see in the night. as alexander sanders wrote, the inverted triangle was the symbol of the left hand path- after the great flood, the ancient egyptians used these triangles to represent a triad of deities. the people of neph-kam, the black lands of lower egypt used the triangle of darkness, led by sethan and supported by anubis and sekhmet. alex sanders lectures magick and sorcery within egyptian cults survived long beyond the death of that culture. consider the graeco-rom

an to be a completely malefic spirit, rather a balanced force of both dark and light. many luciferian rites involve the symbolism of black21, red22 white23 and green24 as being different points of the adversary. it must be understood that working with the deific power of iblis or shaitan is not a safe route. it matters not if you are looking at the aforementioned force as an actual spirit or as a symbol of the dark recesses of the mind. what must be carefully adhered to is that which is unseen, that when the imagination can adapt consciousness (through the subconscious) with the image of satan then the transformation begins. once the initiate has embraced the path, there is no turning back. one may fall from the path; such is a kiss of death to the individual in question based on their own

source of being. the bible further describes satan as how he had fallen, which presents a connection of the vajra rune which anton szandor lavey made a part of his personal sigil within an inverted pentagram. the vajra rune is almost an s type shape, falling downwards. it represents health, vitality and strength. 22 i saw satan like lightning falling from heaven luke 10:18 the dragon itself is a symbol of the collective independence and intelligence of satan the adversary, while his angelic nature granted him the higher faculties of all the angels of heaven, lucifer sought more and wished to be more godlike. this was considered a great sin and thus a war in heaven occurred. and there was a great battle in heaven, michael and his angels fought with the dragon, and the draghon fought his an

s are manifested from an idea which emerges from the imagination inspiration guides and brings that which we desire spiritually and physically. as shaitan states that he is presently at hand and trust in me and call upon me in time of need indicates the very nature of the holy guardian angel, you must recognize this force as a part of yourself by the opposing formula which is mirrored as satan, a symbol and force of rebellion. it is once you have gone forth through the gates of the hidden27 that you begin to ascend into the psychological state of lucifer, the adversary. the essence of shaitan is flame, and continual motion. to understand this beyond any coherent or sinister symbolism is the result of passing the test of appearance. the student of magick must be willing to trespass the laws

DICTIONARY GLOSSARY OF OCCULT TERMINOLOGY

t last to rest upon the neither shore" aurum solis, order of the [o.s.v: the order of the shining sun. also called by it's latin name, the order of the sacred word. a well known and still existing english/british occult order which has been the primary promulgator of the teachings of melita denning and osbourne phillips. an order whose teachings are strongly in the western esoteric tradition. the symbol of this order is a plain, unadorned eight rayed star in the form of an octagram, on it's side (to look like a cross, and a red equilateral cross in the center of a golden octagon. azoth: a word composed of the first and last letters of the hebrew and greek alphabets. it is also called the akasha (q.v) or astral light. it appears as brightness and is changeable according to the person's will

y. banishing rituals clear your working area of unwanted entities and influences. one classification of abjuration (q.v. binah: hebrew for "understanding. the third (3rd) sephirah (q.v) on the tree of life (q.v. it is the top of the left or feminine pillar. binding: to secure a spirit or entity and obtain it's obedience through the authority of divine names and the threat of punishment. an occult symbol may act as a seal upon the binding, and the spirit may be confined to a certain place, within a specific object, and for a specific time, in order to perform a specific action or to accomplish a specific task. biorhythms: the regular rhythmic cycles of the physical body, which may have an amplitude of days, weeks, or even months, and which vary in intensity from individual to individual. bi

the society whose station is at the white pillar in regular working, or at the middle of the hall during initiations to symbolize a balance and reconciliation of forces. heh-cha-loht: hebrew for "accent" see merkabah. heptagram: a star of seven (7) points drawn with a straight, single, unbroken, reflecting line. it's points are related to the seven traditional planets of astrology. the principle symbol of the argentium astrum [a.a,(q.v. hermetic order of the golden dawn, the [g.d: a secret society organized in the late 1880's. it was able to unite several forms of magick and occult philosophy. most books on magick written in this century have been written by people who were members of that order, or who were directly or indirectly influenced by that organization. hexagram: a star of six (

zed in the late 1880's. it was able to unite several forms of magick and occult philosophy. most books on magick written in this century have been written by people who were members of that order, or who were directly or indirectly influenced by that organization. hexagram: a star of six (6) points formed by two overlapping equilateral triangles. also called the star or shield of david, it is the symbol of modern day jewish faith. in modern magick, it is used to evoke (q.v, invoke (q.v) and banish (q.v) the spirits and powers of the seven ancient planets. a celestial symbol of the macrocosm (q.v) in the greater and lesser rituals of the hexagram. see lbrh (q.v. this figure is used by members of the order of the astral star when a figure involving planetary operation requiring the applicati

spine, ready to rise through the spine to the top of the head and bring down enlightenment. actually, this was an allegory. in reality, the energy is controlled by the mind- l- lamen: originally a plate of metal upon which occult names or symbols were inscribed. the personal or group identifying consecrated charm (q.v) of a magician or group of magicians. in modern times, it has come to mean the symbol of occult authority worn by the magician about the neck during rituals. inscribed on it are the most potent words and signs of the magical current followed by the magician. larvae: non-physical psychic vampires said to "feed" on the energies of the sick and the injured. lbrh: the lesser banishing ritual of the hexagram. a powerful ritual technique popularized by the hermetic order of the go

DION FORTUNE CEREMONIAL MAGIC UNVEILED

atever system i use is a means to an end and nothing more. i value tradition, however, because i find it to possess a psychic efficacy which is lacking in original systems, however theoretically correct or aesthetically beautiful they may be. it is my belief that mathers got the keys to his system from the mysterious manuscripts, and that these connect up with the genuine european tradition whose symbol is the rose on the cross, and concerning which so little is known. i cannot prove this statement on the physical plane, because i have never been allowed a sight of those manuscripts or any opportunity to test the statements that are current in the order concerning its origin; but from the psychic experiences i have had in connection with the "golden dawn" i have formed the above opinion, f

DION FORTUNE MYSTICAL QABALA

e spiritual culture was due. the mystical qabala page 5 christian races owe their religion to the jewish culture as surely as the buddhist races of the east owe theirs to the hindu culture. 4. the mysticism of israel supplies the foundation of modern western occultism. it forms the theoretical basis upon which all ceremonial is developed. its famous glyph, the tree of life, is the best meditation-symbol we possess because it is the most comprehensive. 5. it is not my intention to write a historical study of the sources of the qabalah, but rather to show the uses that are made of it by modern students of the mysteries. for although the roots of our system are in tradition, there is no reason why we should be hidebound by tradition. a technique that is being actually practised is a growing t

could be handed on from generation to generation, their explanation being communicated verbally, and the true interpretation would never be lost. when in doubt as to the explanation of some abstruse point, reference would be made to the sacred glyph, and meditation thereon would unfold what generations of meditation had ensouled therein. it is well known to mystics that if a man meditates upon a symbol around which certain ideas have been associated by past meditation, he will obtain access to those ideas, even if the glyph has never been elucidated to him by those who have received the oral tradition "by mouth to ear" 16. the organised temporal force of the church availed to drive all rivals from the field and destroy their traces. we little know what seeds of mystical tradition sprang u

formula of the tree of life which makes that glyph such an admirable one for the meditations that exalt consciousness and justify us in calling the qabalah the yoga of the west. chapter iii the method of the qabalah 1. speaking of the method of the qabalah, one of the ancient rabbis says that an angel coming down to earth would have to take on human form in order to converse with men. the curious symbol-system known to us as the tree of life is an attempt to reduce to diagrammatic form every force and factor in the manifested universe and the soul of man; to correlate them one to another and reveal them spread out as on a map so that the relative positions of each unit can be seen and the relations between them traced. in brief, the tree of life is a compendium of science, psychology, phil

cience, psychology, philosophy, and theology. 2. the student of the qabalah goes to work in exactly the opposite way to the student of natural science; the latter builds up synthetic concepts; the former analyses abstract concepts. it goes without saying, however, that before a concept can be analysed it must first be assembled. someone must have thought out the principles that are resumed in the symbol which is the object of meditation of the qabalist. who then were the first qabalists who built up the whole scheme? the rabbis are unanimdus upon this point, they were angels. in other words, it was beings of another order of creation than humanity who gave the chosen people their qabalah. 3. to the modern mind this may seem as absurd a statement as the doctrine that babies are found under

ns ef seers have given their lives to the task, the concepts still remain so abstract that it is only after a long course of discipline, called yoga in the east, that the mind is able to apprehend them at all. 6. the qabalist goes to work in a different way. he does not attempt to make the mind rise up on the wings of metaphysics into the rarefied air of abstract reality; he formulates a concrete symbol that the eye can see, and lets it represent the abstract reality that no untrained human mind can grasp. 7. it is exactly the same principle as algebra. let x represent the unknown quantity, let y represent the half of x, and let z represent something we know. if we begin to experiment with y; to find out its relation to z, and in what proportions, it soon ceases to be entirely unknown; we

DION FORTUNE PSYCHIC SELF DEFENSE

roposed to strip the graveclothes from the body of someone's wife or mother and photograph it stark naked. when it comes to the question of a mummy's curse, i am afraid that my sympathies are entirely with the mummy. the initiate is strictly counselled that he should never blaspheme the name by which another knoweth his god, for it is the same force that he himself worships represented by another symbol "the ways to god are as many as the breaths of the sons of men" says the old arab proverb. we should have enough sympathy with the struggles of another soul towards the light not to desecrate the things that are sanctified by his hopes and endeavours, even if by nothing else. the father of us all may understand their significance better than we do, and by his acceptance consecrate them for

me nine inches high, and its owner had dug it up herself on the site of a burmese city that had fallen in ruin and been swallowed by the jungle. it was placed on the floor in an angle of the stairs, and served as a doorstop upon occasion. i had a flat on the top floor, and had to pass the melancholy little buddha each time i came in or went out, and to me it seemed a desecration to see the sacred symbol of another faith treated thus. i tried to point this out to her, and asked her how she would feel if she saw a crucifix thus utilised, but without result. meanwhile the little buddha sat there patiently, getting the carpet-sweeper pushed in his face and receiving libations of slops. one day, passing upstairs bearing a bunch of flowers, i was prompted to throw before him one of the tradition

ed from the psychic. upon either hand the path is flanked by the spheres of hermetic wisdom and elemental beauty. these spheres, which have to do with the grades of initiation, need not concern us in the present pages. we shall only have to do with the sphere of the moon, luna, the mistress of the luna-tic. now luna was represented by the ancients under diverse forms as diana the chaste huntress, symbol of sublimation, and hecate, patroness of witchcraft and childbirth. we have already noted that the qlippoth of the sphere of luna are called the obscene ones. hence it is that when the unstable soul advances by the path of saturn that bridges the astral and enters the sphere of luna, he touches her hecate aspect and finds himself en rappart with the gamaliel, the obscene ones, whose chief i

ceremony of the planet mars. he would therefore gather together in his temple all that was appropriate to mars. he would drape his altar with a scarlet cloth; he would himself wear a scarlet robe. all his magical implements would be 61 of 103 of iron and his rod of power would be a naked sword. upon his altar he would place five lights, five being the number of mars. upon his breast would be the symbol of mars engraved upon a steel pentagon. on his hand would be a ruby ring. he would burn sulphur and saltpetre in his thurible. then, according to the work in hand, he would call upon the angelic or demonic aspect of the fifth sephira, geburah, the sphere of mars. he would invoke either the deity-name in geburah, calling upon the god of battles to hear him, or the arch-devil of the fifth inf

nal. the old device of making a wax image and melting it before a fire, or driving nails into a wooden statue, baptised with the name of the victim, are frequently met with in the records of witch-trials. the actual driving of the nail has no conceivable effect upon the victim, but it helps the concentration of the operator. the talismanic method in various forms is also employed. a talisman is a symbol representing a certain force, or combination of forces, depicted upon a suitable substance and magnetised by ritual. it can be made from anything which will retain magnetism; metals, precious stones or parchment are usually employed; paper is less effective unless it be enclosed in a metal case. water and oil can be effectually magnetised but soon lose their potency. a talisman is made by i

DONALDTYSON PENTA

the writer and magician kenneth grant (and perhaps i should not exclude myself from this list) read the essay "dr. john dee, the necronomicon, and the cleansing of the world- a gnostic trail" by colin low, to be found at a miscellany of essays. return h ahome resources demons bios fiction tyson the truth about pentagrams (eliphas levi's interpretation of the pentagram) the pentagram is a graphic symbol composed of five interlocking line segments in the shape of a five-pointed star. it was also known as the pentalpha because it resembles the uppercase letter a repeated five times and arranged radially so that the legs of the letter overlap (pente is the greek word for five, and alpha is the name for the first greek letter, which is shaped like the english a. it is also sometimes called a p

gram is that it have five points, and can be drawn with a single continuous line that reflects from point to point until it joins back on itself. this makes it very useful in practical magic. the five points are associated with the five occult elements. because the pentagram can be drawn with a single line, it is simple and elegant to inscribe upon the air during ritual magic. the origins of this symbol are lost in prehistory. it is found on neolithic rock carvings, and was probably always regarded as a symbol of mystical power, along with a limited number of other simple symbols such as the circle, the cross, the spiral, the square, the zigzag, and so on. it was one of the earliest magic symbols for the jews- the seal of solomon in its earliest form was a pentagram. given its ancient hist

neolithic rock carvings, and was probably always regarded as a symbol of mystical power, along with a limited number of other simple symbols such as the circle, the cross, the spiral, the square, the zigzag, and so on. it was one of the earliest magic symbols for the jews- the seal of solomon in its earliest form was a pentagram. given its ancient history, the modern use and understanding of the symbol are surprisingly recent. it was not until the 19th century that the pentagram assumed the prominent place it now occupies in western practical magic. it was popularized by french occultists such as eliphas levi, and from this venue found its way into the system of magic used by the hermetic order of the golden dawn. the technique for using the pentagram in golden dawn magic has become almos

olent purposes. it represents the body of man standing with arms and legs spread apart. the points of the upright pentagram fall upon the head, two hands, and two feet, of the human figure. by contrast, an inverted pentagram has two points at its top. it is used in black magic- magic worked for destructive, evil purposes. the inverted pentagram represents the head of a goat, regarded as a satanic symbol by levi. the points of the inverted pentagram fall on the goat's two horns, two lowered ears, and beard. an upright pentagram can be made into an inverted pentagram, and vice versa, merely by rotating the pentagram slightly, or by reflecting it from top to bottom- upright and inverted pentagrams have the same shape, but a different orientation. usually it is stated that the inverted pentagr

DONALDTYSON SIGIL

t. return hy home resources demons bios fiction tyson the truth about sigils (seal of the demon astaroth, showing his sigil, as drawn by s. l. macgregor mathers) sigils are graphic symbols that identify and represent spiritual beings. often, but not always, they are generated from the names of spirits using mechanical methods, so that each letter in the name gives rise to a particular part of the symbol. they are usually simple, two-dimensional abstract designs, and may be either black and white or colored. the sigil is the design itself, not the surface or thing upon which it is drawn, painted or inscribed. in magic, a sigil is employed to summon and control the spirit it represents during rituals, or to infuse the presence or influence of the spirit into a specific power object. the word

o a specific power object. the word "sigil" is from the latin sigillum, meaning a little seal or signet. from ancient times until a few centuries ago, identity and authority were verified in largely illiterate cultures by means of personal, family or state seals that took the forms of small cylinders, blocks, stamps or rings. these were impressed into clay, and later into wax, to leave a distinct symbol by which the legitimacy of the bearer or the object impressed with the seal were confirmed. it seems to me probable that the use of sigils to identify spirits has its origins in this familiar and widespread practice. in magic, the name of a spirit embodies the identity and power of the spirit. by knowing and controlling the name, the magician is able to control the spirit. this is the basis

seal is a more polished graphic representation of the spirit. it is often circular or oval in shape, and usually contains the sigil of the spirit inscribed in its center. it may also bear the name of the spirit in latin, greek or hebrew letters around it edge, and other occult symbols such as glyphs of the planets, zodiac signs or elements. by connotative usage, a physical object bearing a spirit symbol, such as a medallion, is more likely to be referred to as the spirit's seal, whereas the drawing of a spirit symbol in a manuscript is more apt to be called the spirit's sigil (occult characters associated with ophiel, spirit of mercury, from the nigromancia of roger bacon) confusion arises because the terms "sigil" and "seal" are often used indiscriminately. compounding this perplexity, bo

mes referred to as signatures or characters. this is understandable, when we consider that in past ages, when few common persons could read or write, names were often signed by means of personal marks such as a simple x. the graphic mark and the signature of an illiterate individual were the same (ouroboros, ancient emblem of eternity, from speculum veritatis, 17th century) an emblem is a graphic symbol employed in magic and alchemy to express an abstract idea or principle. an example of an emblem is john dee's famous hieroglyphic monad. other example are the representation of a serpent nailed to a cross, or a green lion devouring the sun. personal symbols of gods, angels, spirits and demons are usually not called emblems (lamen of the golden dawn office of kerux, from israel regardie's go

nciple. an example of an emblem is john dee's famous hieroglyphic monad. other example are the representation of a serpent nailed to a cross, or a green lion devouring the sun. personal symbols of gods, angels, spirits and demons are usually not called emblems (lamen of the golden dawn office of kerux, from israel regardie's golden dawn) in the western tradition, the magician often has a personal symbol known as a lamen that expresses his or her higher or magical identity. when constructed correctly, it links the magic name of the magician with the supreme name of divine authority recognized by the magician, allowing the magician in his higher persona to channel the power of the divine name. often it bears the sigil of the magician's magic name along with the sigil or signature of the divi

EGYPTIAN BOOK OF THE DEAD PAPYRUS OF ANI MALESTROM

y osiris was a form of the sun-god, and, speaking generally, he may be said to have represented the sun after he had set, and as such was the emblem of the motionless dead; later texts identify him with the moon. the egyptians asserted that he was the father of the gods who had given him birth, and, as he was the god both of yesterday and of to-day, he became the type of eternal existence and the symbol of immortality; as such he usurped not only the attributes of ra, but those of every other god, and at length he was both the god of the dead and the god of the living. as judge of the dead he was believed to exercise functions similar to those attributed to god. alone among all the many gods of egypt, osiris was chosen as the type of what the deceased hoped to become when, his body having

s claimed to be the resting place of the body of osiris. 3. a name of osiris when his scattered limbs had been brought together and built up again into a body by isis and nephthys: see lanzone, dizionario, p. 714. the name means "lord of entirety" 4. i.e, the one who draws the world. 5. seker is, like ptah, osiris, and tenen, a form of the night sun. at the festival of this god, the hennu boat, a symbol of the god seker of memphis, was drawn round the sanctuary at dawn at the moment when the sun casts its golden rays upon the earth. for a list of seker's shrines, see lanzone, dizionario, pp. 1117-1119. see also wiedemann, religion, p. 75; pierret, panth on, p. 66. 6. a name of osiris which, as an important name, is written at times in a cartouche, e.g. it is usually explained to mean "the

he deceased, kneeling in adoration before the lions supporting the horizon, takes the place of the table of offerings. here the artist probably intended to represent the souls of ani and his wife making these offerings to the lion-gods. 2 the name of the sanctuary in which the bennu bird was worshipped was het-bennu. greek writers called this bird the phoenix, and the egyptians considered it as a symbol of osiris. in a text quoted by brugsch (w rterbuch, p. 397, it is said plates vii.-x. http//www.sacred-texts.com/egy/ebod/ebod18.htm (1 of 14 [8/10/2001 11:27:39 am] to have created itself. the bennu was also worshipped at diospolis parva in upper egypt; and it was asserted that the thigh of osiris was preserved in one of its sanctuaries, and his phallus in another. 3 for examples of such v

efore the god khepera, beetle-headed, who is seated in the boat of the rising sun (to illustrate lines 116 ff. 4. two apes, emblematic of isis and nephthys (to illustrate lines 124, 125. 5. the god tmu, seated within the sun-disk in the boat of the setting sun, facing a table of offerings. 6. the god rehu, in the form of a lion (to illustrate line 133. 7. the serpent uatchit, the lady of flame, a symbol of the eye of ra, coiled round a lotus flower. above is the emblem of fire. text [chapter xvii (1) here begin the praises and glorifyings[2] of coming out from and going into (2) the glorious neter-khert in the beautiful amenta, of coming out by day[3] in all the forms of existence which [1. compare the following variant from a papyrus in dublin. in the papyrus of hunefer, before the scene

had not come into being (6) in visible forms.[2] i am penti, i, osiris the scribe ani, triumphant, am the heir of the great gods" next: plate xvii. plate xvi. http//www.sacred-texts.com/egy/ebod/ebod23.htm (4 of 4 [8/10/2001 11:28:17 am] sacred texts egypt index previous next plate xvii. vignette: ani standing in adoration before three gods, each of whom holds a sceptre in his left hand, and the symbol of life in his right [1. adding thest ftu, from the papyrus of nebseni. 2. var# axemu. this word see brugsch, w rterbuch (suppl, p. 279] p. 317 text [chapter xciii (i) the chapter of not letting a man pass over to the east in the underworld. saith osiris ani "hail, manhood of (2) ra, which advanceth and beateth down opposition; things which have been without movement for millions of years c

EMPERORS NEW RELIGION CHURCH OF SATAN

lasts. this is a recurring theme in the second section of the satanic bible. followers of the church of satan are encouraged to make that of satanism which suits each individual follower s best needs: as far as satanists are concerned, taking the way things are and taking what suits you best and dwelling on it that s what it is all about [10, p. 234] the church of satan generally uses satan as a symbol of man s nature as that of any other animal, and rejects the belief in satan as an anthropomorphic being. some of anton lavey s closer associates, however, seem to have been told a different story. for example, michael aquino, who resigned from the church of satan and formed a new organization, the temple of set in 1975, explains that the belief in a literal devil: was axiomatic to all of o

ower does not accept other views as satanic that the church of satan administration typically responds with an explanation that the follower s one true way attitude is not appreciated. such enforced dogmalessness ensures that dabblers will not defect to another religion. the periphery does not travel that far in their quests for insight. these individuals read the satanic bible or wear a baphomet symbol and consider themselves satanists, but have only very limited insight and interest in their religion and can better be described as identity satanists than philosophical, ideological, or religious satanists. they are somewhat comparable to people wearing hip hop pants to display a sense of belonging. 3. active recruiting the church of satan states that it does not solicit memberships [1, bu

mples that the church of satan s administration has divulged personal membership information about followers who turned on the church of satan [44, despite the organization s claim in the affiliation information that: an individual s membership is held in strictest confidence by the church of satan [1] other attempts to keep a monopoly on satanism include the church of satan s use of the baphomet symbol (figure 6. reportedly, the church of satan originally used an exact copy of the baphomet symbol displayed on the front cover of magic and the supernatural [45] on membership cards and other material, but has later produced a cleaned-up rendition [46. the church of satan does not own the original symbol, but the church of satan has attempted to prevent other organizations from using any rend

e 6. reportedly, the church of satan originally used an exact copy of the baphomet symbol displayed on the front cover of magic and the supernatural [45] on membership cards and other material, but has later produced a cleaned-up rendition [46. the church of satan does not own the original symbol, but the church of satan has attempted to prevent other organizations from using any rendition of the symbol claiming it to be a copyright violation against the church of satan [23. because the precise rendition is less important than symbolism when it comes to religious symbols, the church of satan s aggressive trademark protection indicates that there is something else at stake than the use of the religious symbol. the church of satan often argues that if not for anton lavey, other organizations

s something else at stake than the use of the religious symbol. the church of satan often argues that if not for anton lavey, other organizations would never have thought of referring to themselves as satanic. this argument is questionable, however, because it is based on the improbable premise that no-one else would have designed an organization and called it satanism dur- figure 6. the baphomet symbol was copied by the church of satan from the front cover of maurice bessy s book, magic and the supernatural (left. the current edition of the satanic bible uses the same symbol (right, but with several clean-ups compensating for the somewhat blurred rendition on bessy s book. although the precise rendition is less important than symbolism when it comes to religious symbols, the church of sat

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

ubsequently passing into the hands of a succession of patriarchs. an apocryphal christian legend states that the rod was cut from the tree of knowledge, eventually came into the possession of judas, and was the beam of the cross on which christ was crucified. the hazel wand used by water diviners in dowsing echoes the water finding by aaron s rod in the desert. some form of wand has always been a symbol of authority. the wand also survives as the magical staff of modern conjuring magicians. aasc newsletter see anthropology of consciousness ab semitic magical month. crossing a river on the twentieth of that month was supposed to bring sickness. ancient texts state that if a man should eat the flesh of swine on the thirtieth day of ab, he will be plagued with boils. ab is also an ancient egy

hus: a ab abr abra abrac abraca abracad abracada abracadab abracadabr abracadabra or the reverse way. the pronunciation of this word, according to julius africanus, was equally efficacious either way. according to serenus sammonicus, it was used as a spell to cure asthma. abracalan, or aracalan, another form of the word, is said to have been regarded as the name of a god in syria and as a magical symbol by the jews. it seems doubtful whether the abracadabra, or its synonyms, was really the name of a deity. sources: levi, eliphas. transcendental magic. london: rider, 1896. reprint, new york: samuel weiser, 1970. abraham the jew (ca. 1362.ca. 1460) little biographical information exists concerning this german jew, who was an alchemist, magician, and philosopher, ca. 1400. what is known is mo

f alchemy the grand objects of the alchemical art were (1) the discovery of a process by which the baser metals might be transmuted into gold and silver (2) the discovery of an elixir by which life might be prolonged indefinitely; and there is sometimes added (3) the manufacture of an artificial process of human life (see homunculus. religiously, the transmutation of metals can be thought of as a symbol of the transmutation of the self to a higher consciousness and the discovery of the elixir as an affirmation of eternal life. the transmutation of metals was to be accomplished by a powder, stone, or elixir often called the philosophers stone, the application of which would effect the transmutation of the baser metals into gold or silver, depending on the length of time of its application

popular library, 1967. amandinus a variously colored stone, said to enable the wearer of it to solve any question concerning dreams or enigmas. amaranth a flower that is one of the symbols of immortality. it has been said by occult magicians that a crown made with this flower has supernatural properties and will bring fame and favor to those who wear it. it was also regarded in ancient times as a symbol of immortality and was used to decorate images of gods and tombs. in ancient greece, the flower was sacred to the goddess artemis of ephesus, and the name amaranth derives from amarynthos, a hunter of artemis and king of euboea. there are many species of amaranth, some with poetic folk names such as prince s feather and love-lies-bleeding. the amazing randi stage name of professional conjur

l to western angelic and magical lore appear: uriel, who angel of north america encyclopedia of occultism& parapsychology. 5th ed. 52 reigns over clamor and terror; and gabriel, who reigns over paradise, and over the cherubims. as the roman catholic mass evolved, michael, now a saint, was invoked as a most glorious and warlike prince, the receiver of souls, and the vanquisher of evil spirits. his symbol is a banner hanging on a cross; he is armed and represents victory, with a dart in one hand and a cross on his forehead. it may be noted that god himself is called the angel of the covenant, because he embodied in his own person the whole power and representation of the angelic kingdom, as the messenger, not of separate and temporary commands, but of the whole word in its fullness. dionysiu

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 2

e studies intuition. tomorrow (may 1950. when is healing psychic? tomorrow (spring 1955. where is bridey murphy? tomorrow (spring 1956. pleasants, helene, ed. biographical dictionary of parapsychology. new york: helix press, 1964. the macrocosm the whole universe.from the greek words macros (long) and kosmos (the world).symbolized by a six-pointed star, formed of two triangles. this is the sacred symbol of solomon s seal. it represents the infinite and the absolute.that is, the most simple and complete abridgment of the science of all things. paracelsus stated that all magical figures may be reduced to two: the macrocosm and the microcosm (world in miniature (see also magical diagrams) encyclopedia of occultism& parapsychology. 5th ed. the macrocosm 953 macro-pk term used to denote the eff

successively at the north, south, east, west, and center of the astronomical cross, while the letters of the sacred tetragram and various kabalistic names were prounced over it (see kabala. it was believed to be of great efficacy in terrifying phantoms if engraved upon glass, and the magicians traced it on their doorsteps to prevent evil spirits from entering and good spirits from departing. this symbol was used by many secret and occult societies, by the rosicrucians, the illuminati, down to the freemasons of modern times. modern occultists translate the meaning of the pentagram as symbolic of the human soul and its relation to god. the pentagram is placed with one point in the ascendant. that point represents the great spirit, god. a line drawn from there to the left-hand angle at the ba

ciences. the real numerals of the universe were the primaries one to ten, and in their combination the reason of all else might be found. magical blend magazine encyclopedia of occultism& parapsychology. 5th ed. 960 to the pythagoreans, one represented unity, therefore god; two was duality, the devil; four was sacred and holy, the number on which they swore their most solemn oaths; five was their symbol of marriage. they also attributed certain numbers to the gods, planets and elements; one represented the sun, two the moon; while five was fire, six the earth, eight the air, and twelve water (see also magic square) cornelius agrippa, in his work occult philosophy first published in latin (1531.33, discourses upon numbers as those characters by whose proportion all things are formed. he enu

avenly bodies, dividing each day into seven parts, each of which was distinguished by the arabic name for the sun, moon, and principal planets. the astrology proper of the malays is purely arabic in origin, but a system of hindu invocation was in vogue by which the lunar month was divided into parts called rejang, which resembles the nacshatras or lunar houses of the hindus. each division had its symbol, usually an animal. each day was propitious for something, and the whole system was committed to verse for mnemonic purposes. demonology the demonic form common to malaysia was that of the jinn, 190 in number. these were sometimes subdivided into faithful and infidel, and further into the jinns of the royal musical instruments, of the state, and of the royal weapons. the afrit was also know

e clairvoyant erik jan hanussen, who combined extraordinary talents with blatant trickery. marion warned hanussen that his growing preoccupation with black magic would have disastrous consequences, but the warning was not heeded. according to marion, it was hanussen who instructed the inner circle of the young nazi party in the power of signs and words and first proposed the swastika as the party symbol. hanussen was murdered by nazi thugs in 1933, for disclosures that were embarrassing to the party. in his later years marion appeared less frequently at music halls and confined his talents chiefly to lecture demonstrations and private consultations. in 1934 he visited england and gave impressive demonstrations of his psychic talents. during a lecture at the aeolian hall, new bond street, l

ESOTERISM AND THE LEFT HAND PATH

e luciferian light or the promethean flame which can turn men into gods if it is found inside. man and his soul corresponds to principles in the universe outside us. in draconian philosophy the thought about the living nature is important since this philosophy turns against an atomistic and materialistic view of man and nature. especially in old norse and celtic magic can we found the dragon as a symbol of the spirit of nature. but also in the chinese tradition of feng shui. all esoteric knowledge exits in nature, but is hidden from the civilized modern man. the tree of knowledge is more than a metaphor. the middle levels that faivre mentions are represents the astral worlds and the different levels that the magician passes during the alchemical initiation. the magical system of dragon rou

EVIL AND UNCLEAN SPIRITS

. and when, like our master, thou art extended upon the tree through suffering and through pain, let thy countenance be raised up towards the light of the holy one, to invoke the divine brightness, not for thyself, but for those who have not yet attained unto the pathway, even though they may be your tormentors. balanced between the spiritual and the material, the type of reconciler, remember the symbol of the brazen serpent. mark thou well the difference betwixt the serpent of evil and the serpent of good, for before the serpent of brass, the serpent of fire could not stand. but at the fall, the serpent of evil, arising in the tree, surrounded twklm and linked her thus to the outer and to the twpylq, for this is the sin of the fall; even the separation of the material plane from the sephi

nom- hell the mercavah in the mercavah vision of ezekiel it is written "and i beheld a whirlwind come forth out of the north; a great cloud and a fire enfolding itself, and a splendour on every side, and the brilliance of the innermost flame in the midst of the fire" 4 there are the four kerubic expressions of force, and the evil and adverse powers broken beneath their feet 1. rahab (bahar) whose symbol is a woman riding upon an ass. 2. samael (lams) whose symbol is a terrible demon leaping upon an ox. 3. macholoth (twlwjam) a form compounded of a woman and a serpent, and she rideth upon a serpent scorpion. 4. lilith (tylyl, a woman outward beautiful but inwardly corrupt and putrefying, riding upon a strange and terrible beast. j bwlwg wryrgt qrz bru laylmg lams k b j laymwat layrts laygwu

changing and distorted countenance. at the northeast angle is trga (aggerath) the daughter of twlwjam, a fiendish wretch with serpent hair, enthroned in a chariot drawn by an ox and an ass. at the northwest angle is a gigantic scorpion with a fearful countenance but standing upright, as it were, and formed of putrefying n. after him cometh the unnamable one, wmysa (asimon) and his appearance and symbol is that of a cloudy, veiled, black, gigantic figure covered with whirling wheels and in his hand is a vast wheel which issues, as it whirls, multitudes of cat-like demons. behind him cometh hmun, nahimah, like a crouching woman with an animal's body, crawling along the ground and eating l. lmcj twklm jxn dwh d wsy hlwd g hrwb g trapt rtk hm kj hnyb lb b wy ydm \wda hwyj brqycjn ruc rwmj tyl

EXTRAORDINARY ENCOUNTERS AN ENCYCLOPEDIA OF EXTRATERRESTRIALS AND OTHERWORLDY BEINGS

am shut up and i cannot come forth (psalms 88:8) and how long, lord? wilt thou hide thyself forever (psalms 89:46. isaiah 4:2 states that when the messiah comes, in that day shall the branch [messiah] of the lord be beautiful and glorious. godfrey remarks, now, picture elvis at his aloha from hawaii concert, resplendent in his jeweled american eagle jumpsuit. curiously enough, the eagle is also a symbol for christ (godfrey, 2000. according to godfrey (as well as more mainstream presley biographers such as peter guralnick, presley had a religious vision in the arizona desert in march 1965. just outside flagstaff, as presley was driving his bus with his spiritual advisor larry geller sitting next to him, he saw a cloud in a clear sky and swore that he could see the face of the late soviet di

carpenter, john s, 1993. abduction notes: reptilians and other unmentionables. mufon ufo journal 300 (april: 10 11, 1994. other types of aliens: patterns emerging. in andrea pritchard, david e. pritchard, john e. mack, pam kasey, and claudia yapp, eds. alien discussions: proceedings of the 214 reptoids 215 a painting of madame helene blavatsky, who proposed the theory of five root races, with the symbol of the theosophical society above her head (fortean picture library) abduction study conference, 91 95. cambridge, ma: north cambridge press. coleman, loren, 1988. other lizard people revisited. strange magazine 3: 34. d light, joy, and elliemiser, 1999. the reptilians and king leo. http//www.greatdreams.com/ reptlan/repleo.htm. mcclure, kevin, 1999. dark ages. fortean times 129 (december:

alt lake city ufo buff, mary sewall, in early 1982. he told her that earth is overloaded with negative vibrations. humans cannot join the federation of intelligent worlds until they learn to cast positive vibrations. if they stop conflict and immoral behavior, their collective vibratory rate will rise. ulkt signed each communication with what looked like an h on its side. sewall took this to be a symbol of infinity. further reading sprinkle, r. leo, ed, 1982. proceedings: rocky mountain conference on ufo investigation. laramie, wy: school of extended studies, university of wyoming. ultraterrestrials ul t r a t e r restrials dwell in the superspectrum, a field of intelligent energy capable of manipulating matter. ul t r a t e r restrials are among the m a t e r i a l i zed manifestations fr

me of a planet that revolves around a star known to ummites as iumma, 14.6 light years from the earth. it is also the focus of one of the most complex, enigmatic hoaxes in the history of the contactee movement. the episode began in february 1966 in a madrid suburb, where witnesses allegedly saw a ufo hovering close to the ground. one u 249 witness, jose luis jordan pena, reported seeing a strange symbol on the bottom of the craft. it resembled two reverse parentheses, with a vertical bar between them. only jordan pena told of seeing such a symbol (in fact quite similar to the stylized h used sometimes to represent the planet uranus, which he described in a letter to prominent spanish ufologist antonio ribera. on june 1, 1967, the same man claimed to have investigated another close encounte

l bar between them. only jordan pena told of seeing such a symbol (in fact quite similar to the stylized h used sometimes to represent the planet uranus, which he described in a letter to prominent spanish ufologist antonio ribera. on june 1, 1967, the same man claimed to have investigated another close encounter at san jose de valderas, near madrid. he said witnesses had told him that they saw a symbol on the ufo s bottom. it was like the earlier one, except that now a horizontal bar crossed the vertical and linked the two reverse parentheses. the following day, antonio san antonio, a newspaper photographer, took a phone call from an anonymous young man. the caller said he had taken pictures of the ufo, and san antonio could pick them up at a certain photographic laboratory. one of the pi

FAUST

ape! escape who can!fall back, fall back, thou hindmost man! hot sparks are flying in my face.i stagger from the glowing mace!lost are we all, we all are lost!back, back, ye masquerading host! back, senseless mob, don t come so nigh! had i but wings, away i d fly!plutus. backward the circle round us shrinks, and no one has been scorched, methinks. scattered by fright, the crowd takes flight. yet, symbol of the reign of law, a ring invisible i ll draw. herald. a glorious deed hast done tonight. how can i thank thy sapient might? plutus my noble friend, be patient yet; many a tumult still doth threat. avaritia here, if we like, we can look on and view this circle at our leisure; to stand in front always gives women pleasure where gaping or where nibbling s to be done. not yet so wholly rusty

orn day. mater gloriosa. come, rise to higher spheres! conduct him! if he feels thee, he ll go thy way. doctor marianus [prostrate, adoring. penitents, look up, elate, where ye see salvation; grateful, to you blessed fate grow through re-creation. may each better sense be keen in thy service precious; o thou virgin, mother, queen, goddess, be thou gracious! chorus mysticus. all earth comprises is symbol alone; what there ne er suffices as fact here is known; all past the humanly wrought here in love; the eternal-womanly draws us above. fi wthis chart shows the correlations between the sinatic hebrew, ezra hebrew, and rashi aramaic alphabets. the numerical value assigned to each letter by the qabalah, and the english equivalents are also listed. my wonderful mother and father, may the lord

FELDMAN DANIEL QABALAH THE MYSTICAL HERITAGE OF THE CHILDREN OF ABRAHAM

of persia, which opens with the story of the reed that has become separated from its reed bed.26 the sufis are also known for the exquisite spiritual love poetry of hafiz, kabir, ra bia, and others.27 the conference of the birds (mantiq at-ta ir) by farid ad-din attar, yusuf and zulaika by jami, and the rose garden (galistan) by sa adi are masterful works of mystical allegory.28 all sufis use the symbol of the rose as an allusion to contemplative practice.29 sufism has also been enriched by numerous mystical commentaries, such as the niche for lights (mishkat al anwar) by al ghazzali (d.1111, and the recorded teachings of sufi masters such as rumi, ibn arabi, al- suhrawardi, ibn ata allah, al bayazid al bistami, al junaid of bagdad, abdul qadir al jilani, al hallaj and others.30 western al

irah is the first mystical manual on, and possibly the source text for, the original hebrew alphabet. its chapters explain the significance of the twenty-two letters and ascribe various attributes to them. it is second only to the sefer hashmoth as the most prolific source of distinct forms of the tree of life. the first chapter of the book is the earliest known textual source for the six-pointed symbol known as the star of david. the six-pointed star has come to be seen as a flat, twodimensional symbol of two interlocking triangles. the sefer yetzirah, however, presents the star as a three-dimensional, sixpointed form of the tree of life comprised of two interfacing pyramids. the sefer yetzirah provides one of the two vastly different sets of names commonly found in the qabalah for the sp

vpk ibs, shevah kuhfoolote) and twelve simple letters (tvuvsp hrsi, esrae puhshootote. 2 the verses beginning with ten intangible sefiroth generally allude to various forms of the tree of life, some of which are unique to this book. we mentioned earlier that the sefer yetzirah is the textual source for the six-pointed star, commonly known as the star of david. the star of david, a two-dimensional symbol composed of two interlocking triangles, is easily the most recognizable symbol of the jewish religion. this way of viewing the star certainly presents a wealth of interpretative possibilities. the sefer yetzirah yields two forms of the six-pointed star as trees of perfection. the first is a flat, circular form (see figure 4.9 on page 127. the second presents the star as two interfacing pyra

tzirah yields two forms of the six-pointed star as trees of perfection. the first is a flat, circular form (see figure 4.9 on page 127. the second presents the star as two interfacing pyramids containing the ten sefiroth 3' 8: h" 2: 2 2:e 8% and the letter-gates (see figure 4.10 on page 128. by way of comparison, it is interesting to note that the six-pointed star is also an ancient and important symbol in the north indian tantric tradition, dating back to the second millennium bce. in the tantric tradition, it is associated with the anahata chakra in the heart center. the sefer yetzirah also describes a flat, vertical version of the tree of perfection. as with other flat trees, two of the inner court sefiroth (water/good and fire/evil) are moved into the side columns, with the gates adjus

, synonymous with ayn; first word in the affirmation of unity in the qur an. latifa (arabic: series of seven centers on the sufi tree. corresponds to the sefiroth on the qabalistic tree of life and the chakras of the tantric tree. leviathan (hebrew: behemoth: fence of vast face portrayed as a snake-devouring-its-tail around the circumference of the tzimtzum. lingam (sanskrit: the erect penis as a symbol of shiva and the potency of vast face. lo (hebrew: not: a synonym for the ayn, referring to the negatively-existent mysterious unknown at the roots of all things. ma aseh b reshith (hebrew: work of creation: qabalistic secrets regarding the generation of the creation by the divine. ma aseh merkabah (hebrew: work of the chariot: qabalistic secrets regarding the tree of life as the divine cha

FLY THE LIGHT

e. the line of i am no longer abel to conceal what i have become, cain is revered in hereditary and independent luciferian witchcraft covens as the first witch and satanist who had joined in a covenant with the devil in nod. in addition some initiatory grimoires present cain as being the son of samael (satan) and lilith (through possession of eve via the fruit given by the serpent. cain is thus a symbol of the self which transforms itself through dissatisfaction. fly the light is in part a symbol of the transformation through the seven heads of the dragon of the apocalypse via the angel of prostitution who rides the beast. the son of satan is also represented as a serpent. the dragon itself holds significance in that it is a relation to diabolism, in zoroastrian lore, the avestan word deva

FOCUS OF LIFE

nched with a cold perspiration, he allowed the ague to exhaust itself and thought thus "verily, i have nothing to forgive or repent. alas! what fears this i but its own conditions? man will create the faster moving body outside himself-always prefering compulsion to the infinite possibilities of freedom "a os was watching the waters" alas! alas! that which is ornamental reacts its uselessness-the symbol 'i was' the necrologue of love-is utility" then rising from his couch and taking an ecstatic inbreath "again would i die violently and jest at god" the operation having exhausted him he suffered this daydream "the waters became murky, then muddy, and movement began. going nearer, he observed-a phosphorescent morass crowded with restless abortions of humanity and creatures-like struggling mu

FRANCIS A YATES GIORDANO BRUNO AND THE HERMETIC TRADITION

is moses) to the lawgiver of the egyptians to revive egyptian piety and morality. the mosaics of hermes trismegistus and the sibyls were laid down in the duomo of siena during the fourteen-eighties.4 the representation of hermes trismegistus in this christian edifice, so prominently displayed near its entrance and giving him so lofty a spiritual position, is not an isolated local phenomenon but a symbol of how the italian renaissance regarded him and a prophecy of what was to be his extraordinary career throughout europe in the sixteenth century and well on into the seventeenth century. 1 lactantius, div. inst, iv, vi; fletcher's english translation, i, p. 221; c.h, ii, pp. 304-5; see above, p. 7. 2 c.h, i, p. 8; ficino p. 1837. lactantius, div. inst, iv, viii, ix; fletcher's translation

ther passages he accepts it. unquestioning belief in the ptolemaic position of the sun was nevertheless somewhat shaken by the prisci theologi, but more important than this in fixing attention on the sun was the immense religious importance attached to it by the earliest (so ficino believed) of the prisci theologi, hermes trismegistus, the egyptian moses. the sun, of course, is always a religious symbol and has always been so used in christianity; but in some passages in the hermetic writings the sun is called the demiurge, the "second god. in the asclepius, hermes says: the sun illuminates the other stars not so much by the power of its light, as by its divinity and holiness, and you should hold him, o 1 see above, pp. 14-15. 2 "plato followed the egyptians, the authors of all branches of

phs of horapollo, of the rage for them in the renaissance, and of their development into the emblem, one of the most characteristic of renaissance phenomena, is the aspect of renaissance egyptology which has been the most fully studied and explored.1 the hieroglyphica of horapollo2 was another of these supposedly ancient but really hellenistic works; it explains the egyptian hieroglyph as being a symbol with hidden moral and religious meanings, of course a misunderstanding of its true nature. the hieroglyph fashion is an offshoot of prisca theologia, for it owed much of its vogue to the deep respect for egyptian wisdom as exemplified in hermes trismegistus. in the argnmentum before his pimander, ficino attributes the invention of the hieroglyph to hermes.3 as compared with the talisman, th

associated in some way the opinion of copernicus.2 in short, it was as a ficinian magus that bruno presented himself at oxford. this most valuable discovery, and its connection with what will be the theme of later chapters of this book that bruno's philosophy is basically hermetic, and that he was a hermetic magus of a most extreme kind with a magicoreligious mission of which copernicanism was a symbol will be analysed much more fully later. i have anticipated the argument at this point, because the elucidation of the historical situation in which bruno must be placed in order to understand him is so extremely complex that i have thought it better to prepare the reader for the future as we go along. at the end of chapter viii we saw that copernicus himself associated his discovery with he

f the sacred role of the ass an ass with a statue of isis on its back. the ass is being ignorantly worshipped by those who mistake the bearers of holy things for the holy things themselves. the emblem is interpreted by mignault and whitney as a satire on the presumption of the clergy. it is not, however, in this sense, that bruno is using the ass, though there may be a double entendre. on the ass symbol, including its use by bruno and agrippa, see john m. steadman "una and the clergy: the ass symbol in the faerie queene",j.w.c.l, xxi (1958, pp. 134-6. 259 giordano bruno and the cabala tremely strange religion which he expounds under extremely strange allegories. the hebrews, continues bruno after his exposition of the cabalist system, derived their wisdom from the egyptians, and he then ta

FRATER ELIJAH ANGELS OF CHAOS

pe destructive energies here. the number of babylon is 156 which is also the number of chaos. with binah we have links to set, which was integral with the rite of god-hood. 76=7+6=13 and we have a ton of links here, but check out the relations to gargophias and the 13'th tunnel of set, in the outer spaces (this comes later) side note on the second sigil: inverse libra) absolute chaos. 7 is also a symbol of set as an ax. sept is seven the sixth and central cosmic power zone: beauty--tiphareth--sun/son. the number 6(sex):vau- sexual union zain: the number 7--twins set/ horus (gemini, 6'th and 7'th months gemini- cancer. sexual polarity. lovers of the tarot. the letter zain spelled in full equal's 67 (reverse 76) which symbolizes the womb of the mother (binah=67. in reversal, the dark) mother

unterpart bast, sekhet is solar. from sekhet derives the indian word shakti, meaning power. special reference to the fire snake (creative power. 76-15=61 (kali-first divider) 15 is the first digital sum of 393. today is 11/10/98. my birthday (tuesday sacred to kali) i'm 24 years old (i feel like i am 90. i got another tattoo today, on my left shoulder blade. an eye surrounded by a flaming sun (a 'symbol' of kia/ chaos& self. i channeled all the pain while getting it into a prayer to amorphous kia and hga. i may develop this in the future as another possible working) today is 11/11/98. a vision of the third sigil of the three (sigil omitted call [3, this ritual was performed astrally [1] is my will in heaven [2] is a gateway/ transition, and [3] is my will on earth [3]'s letter is j. i do n

ness and interacting, opening up a gateway, some outer beings take notice. this no longer becomes play, but takes on a more serious edge. godz. i/10a: a number of binah (t3. the author wishes to collect his selves. duality. letters. the 2 lines turn 3 times. i/10b: how we come into life? an enigmatic reference to a specific flower with chrnzn s gateway (as well as a picture. i/11a: the wheel is a symbol of existence, obviously being insane. honor is given to one of the best magicians around today. 1 automatically gives rise to 2, a forward fall. if the wheel were complete, it would not rotate. references of different methods employed by spell-casters. i/11b: oh you successful egotistical sorcerers! what we know is nothing. let us clap ourselves on the back and rot in the fetid stench of br

FRATER U D PRACTICAL SIGIL MAGIC

l method and in some respects touches the word method, it may nevertheless be considered the center of his magical achievement. unfortunately, his own comments about it are rather poor. therefore, most writers, being familiar with the subject on a theoretical level only, have caused much confusion rather than clarity when discussing it. yet, it seems to me that the basic principle of this magical symbol language is amazingly simple if viewed in relation to spare's system as a whole. the chapter gthe alphabet of desire' therefore, will not only offer a cursory comment on fragments from spare's rather chaotic legacy but introduce a mature system of symbol.logic, accessible to everyone. this certainly would have been spare's intent had he ever finished what has become known as the legendary g

rcise and control. this procedure may be supported by repeating the sentence of desire rhythmically and monotonously like a mantra, becoming faster and faster; in doing so, one must stare fixedly at the sigil (in our example of looking into the mirror [a magical mirror may be used, too, it is useful to draw the sigil onto the mirror with water-soluble paint) after spasmodical internalization, the symbol must be destroyed and deleted from the conscious mind. as mentioned before, from now on it will be the unconscious which has to do the work. in my own practical work i have discovered that it may even be useful to keep the sigil on you, such as wearing a ring engraved with it, etc. but this will depend upon the magician fs individual predilection, and everybody should find his/her own way

ow i will discuss a sigil language, a canon of symbols, the particular use of which we will come to later. one possibility is to develop the chosen sigil, perhaps by applying the word method (whereby the chosen word itself serves as raw material) and combining it with the glyph of the major category. the four xamples of figure 23 clarify this process. you will observe that we are taking the basic symbol and combining it with the letters of the term. of course, these relationships are open to argument. for example, one could assign pain to the element of fire, which would imply a strong, nearly spastic feeling; pain within the element of earth would tend to be dull and lethargic, etc. one may also work with sub-elements such as earth of water, air of water, fire of water, etc. use your own

he alphabet of desire lies in are can be explained only to a point in veryday language, which is why i must beg you to ore than a ntative ap h towards something essentially to start with, we should keep in mind that s the nconsci s, vide the effects of positive thinking, antra usage. our antric sigils work he same principle. by the eloped the sigil for the desire. this m here described. moreover, symbol-logical thinking is of importance in any magician fs work, regardless which system s/he uses12 by working with images instead of intellectual concepts (even if our glyphs might stand for these concepts, we activate our unconscious and the source of our personal magis. two different qualities of energy that exist while weusing it. both e accept the following remarks as nothing mte proac inef

FREEMASON BLUEBOOK

ut prudently, and. if occasion require, firmly, to the end that good order and harmony be preserved [the symbolic colors of your station are white, and are emblematic of innocence, of peace, and of wisdom. in its application to humanity the color white denotes purity, good reputation, and happiness. in its sacred language it signifies the regeneration of the soul, and in divine language it is the symbol of divine wisdom of the supreme grand architect of the universe "wisdom" says solomon" is the glorious emanation of the allpowerful divine, the purity of eternal light, the spotless mirror of the operations of god, and the image of his goodness; it is a one, yet it is capable of becoming a plurality. the prophets saw the divinity clothed in a garment white as snow, and his hair white, like

f his goodness; it is a one, yet it is capable of becoming a plurality. the prophets saw the divinity clothed in a garment white as snow, and his hair white, like unto wool "god created the universe from his love, and he sustains it by his wisdom. in every system of cosmogony, the divine wisdom, the eternal light dissipates the primitive darkness, and fashions the world in the womb of chaos" this symbol is also represented by a white taper, which at the opening of the lodge you are (presumed) to light at the altar, thereby reminding you that before entering upon the important duties of your station you should first seek to be enlightened by the divine wisdom,which can only be obtained by diligently searching the revealed word of him "who is without beginning of days or end of years* i now

y necessary. in the absence of the master, you are to govern the lodge. i firmly rely on your knowledge of masonry and attachment to the lodge, for the faithful discharge of the duties of this important trust [your station in the west denotes the affection of, or the love of, truth. the symbolic colors of your station are red, which is emblematic of strength, of zeal, of virtue, and of love. this symbol is represented by the red taper, which at the opening of the lodge you are (presumed) to light at the altar, there6y reminding you that before entering upon the duties of your station, you should first seek an endowment of that strength and divine love which is requisite for the faithful discharge of the duties of your office* look well to the west. the senior warijen is conducted to the we

convert the means of refreshment into intemperance and excess. your regular and punctual attendance is particularly requested; and i have no doubt that you will faithfully execute the duty which you owe to your present position. your station in the south signifies truth in light. the symbolic colors ofyour station are blue, and denote beauty, fidelity, eternity, friendship and divine truth. this symbol is also represented by a blue taper, which at the opening of the lodge you are (presumed) to light at the altar, thereby reminding you that as it is your province to first direct the minds of the uninformed in their search after truth, so should you seek to be endowed with that divine truth which is so essential to the faithful discharge of the duties of your station* look well to the south

FREEMASONRY AND CATHOLICISM BY MAX HEINDEL 2

d naja, which means serpent, is used at least once in the hebrew bible in the 58th psalm. in ancient egypt the pharaohs were kings and priests, holding a double office, and they therefore wore a double crown with a uraeus or serpent head so placed that when wearing this crown the uraeus seemed to protrude from the emperor's forehead between the eyebrows. the serpentine uraeus was therefore an apt symbol of the wisdom of the wearer. it will be remembered that according to the bible story the lucifer spirit appeared to eve as a serpent, a son of wisdom. cain according to the masonic legend, was born from this union with eve. it is also stated that the lucifer spirit then left eve, who thus became a widow, and cain was thus the son of the lucifer spirit, the serpent of wisdom, and eve, the wi

emembered that according to the bible story the lucifer spirit appeared to eve as a serpent, a son of wisdom. cain according to the masonic legend, was born from this union with eve. it is also stated that the lucifer spirit then left eve, who thus became a widow, and cain was thus the son of the lucifer spirit, the serpent of wisdom, and eve, the widow. every initiate to this day has the serpent symbol on his brow and is known to his fellows by that token as a son of the widow and the lucifer spirit. therefore we shall trace hiram abiff to his next embodiment by that mark, and as evidence given by a party against his own interest is particularly valuable according to law, we call special attention to the following points gained from the catholic latin testament: in 1st samuel 19, king jam

jehovah. at that time he was given a new hammer and a new word. the hammer was in the form of a cross. the word was written upon a disc, before he was finally slain by his adversaries. and so he slept until as lazarus, the widow's son of nain, he was raised by the strong grip of the lion's paw, the lion of judah. then the disc was found, also the new cruciform hammer, and upon the disc the mystic symbol, the rose. in these two symbols lie hidden the great secret of life, the blending of water and fire, as symbolized by the earthborn fluidic sap ascending through the stem and calyx of the flower to the fire tinted petals, born in the purity of the sun, but still guarded by the thorns of the martial lucifer spirits. exoteric masonry, which is only the husks of the mystic order formed by the

FREEMASONRY AND CATHOLICISM BY MAX HEINDEL

the father "whom no man hath seen at any time" but who is revealed in "the light of the world" the son, who is the highest initiate of the sun period. as the unseen fire is revealed in the flame, so also the fullness of the father dwelt in the son, and they are one as fire is one with the flame in which it manifests. this is the root of all true sun and fire worship. all look beyond the physical symbol and adore "our father who art in heaven" the mystic masons of today hold this faith in fire as firmly as ever. thus it will be seen that the unity which prevailed in the saturn period continued in the sun period. the ordinary humanity of that time has now evolved to the glory of archangels; some were more advanced than others, but there was no antagonism among them. our present humanity had

spirits, samael, focuses the forces of the fiery sign, aries, where mars is positively polarized, so that under the impulse of their dynamic energy the waters of the womb are voided, and the imprisoned spirit is liberated into the physical world, to fight the battle of life. it may blindly butt its head against the cosmic forces typified by the first of the fiery signs, aries, the ram, which is a symbol of the brute strength brought to bear upon the problems of life by the most primitive races; or it may adopt the more modern method of cunning, as a means of attaining mastery over others, which characteristic is indicated in the second of the fiery signs, leo, the lion, the king of beasts; or perchance it may rise above the animal nature, and aim at the stars with the bow of spiritual aspi

perform the creative act and that eve instructed adam. therefore, christ designated the serpents as harmful while admitting their wisdom. to get at the identity of the serpent it is necessary to invoke the esoteric teaching, which points them out as the martial lucifer spirits, rulers of the serpentine sign scorpio. their initiates, even so late as the egyptian dynasty, wore the uraeus or serpent symbol in the forehead as a sign of the source of their wisdom. as a consequence of this unauthorized use of the creative force, humanity ceased to be ethereal and crystallized into the coats of skin or physical body which now hides from them the gods who dwell in the invisible realms; and great was their sorrow at this loss. generation had been originally established by the angels under jehovah

tless seeds slumbering in the ground causes them to germinate and fill the earth with luxuriant vegetation while the group spirit mate the beasts and birds in their charge so that they may bring forth and increase sufficiently to keep the fauna of our planet at normal. according to the masonic legend, hiram abiff, the grand master, used a hammer to call his workmen, and it is significant that the symbol of the sign aries, where this wonderful creative activity commences, is shaped like a double ram's horn, which also resembles a hammer. it is also worthy of notice that in the ancient norse mythology, the vanir or water deities are said to have been conquered by the assir, or fire gods. the hammer wherewith the norse god thor struck fire from the sky finds its counterpart in the thunderbolt

FREEMASONS SATANISM AND SYMBOLISM

[universal agent] composed the igneous [pertaining to fire] body of the holy spirit, and it was adored in the secret rites of the sabbat or the temple under the hieroglyphic figure of baphomet or the hermaphroditic goat of mendes [pike, op. cit, p. 734, teaching of the 28th degree; emphasis added] we find it absolutely incredible that the freemasons should portray the holy spirit with the satanic symbol, baphomet. eliphas levi created this symbol, one of the foremost satanists and freemasons of all time. the baphomet is one of the most evil of all symbols. looking closely at the baphomet(left) you will see that the emphasis is on sex. this being is androgynous- both male and female- you can see it has the breasts of a woman, and an erect phallus. you'll notice that the erect phallus has tw

as the breasts of a woman, and an erect phallus. you'll notice that the erect phallus has two serpents coiled around it. the baphomet has the head of a "horned goat" another title for satan. masonic and occult symbols illustrated is a book in which dr. burns says "in a book on witchcraft, the complete book of witchcraft and demonology. the caption states that he is 'the horned god of the witches, symbol of sex incarnate [p. 51] and if you look at his right hand you will see baphomet making the sign of the devil's triad "baphomet is also known as the sabbatic goat, in whose form satan is to be worshipped at the witches' sabbath [frank gaynor, dictionary of mysticism, new york, philosophical library, 1953, p. 24] then, we discovered that baphomet is officially approved as a symbol of the chu

s' sabbath [frank gaynor, dictionary of mysticism, new york, philosophical library, 1953, p. 24] then, we discovered that baphomet is officially approved as a symbol of the church of satan [the occult emporium, winter, 1993-1994, p. 54] and that it is worn by the priest of satan [ibid, 1990-1991, p. 26] since albert pike linked baphomet with the goat of mendes, we will show this obviously satanic symbol, as well. it should also be noted that from the way a pentagram is normally seen(one point up, two down, rotating the pentagram 33 degrees you get a satanic pentagram. 33 is the highest degree there is in freemasonry. freemasonry makes use of the pentagram quite a bit. you can see the similarity between the eastern star and and the satanic pentagram above. the eastern star is a freemason di

ram is normally seen(one point up, two down, rotating the pentagram 33 degrees you get a satanic pentagram. 33 is the highest degree there is in freemasonry. freemasonry makes use of the pentagram quite a bit. you can see the similarity between the eastern star and and the satanic pentagram above. the eastern star is a freemason division for women. once again, masonry utilizes a very evil satanic symbol for the order that trains its young, impressionable girls. why didn't masonry at least utilize the "good star" with one point up, rather than the most evil 5-pointed star, this goats head of mendes? truly, their use of this symbol tells us exactly that they are evil through and through, even to their own young girls. eastern sta above is a picture of a typical masonic ring symbol (compass

didn't masonry at least utilize the "good star" with one point up, rather than the most evil 5-pointed star, this goats head of mendes? truly, their use of this symbol tells us exactly that they are evil through and through, even to their own young girls. eastern sta above is a picture of a typical masonic ring symbol (compass, square, and rule. on the right is the full figure from which the ring symbol was taken. looking closely you can see two 5-pointed pentagrams. one of which is colored darker than the other. the one depicting satan is the one which has two points up and one down. and the other with one point up and two down, depicting lucifer [see the lucifer-satan pentagram explanation, below. the masonic ring symbol is just a disguised pentagram with both the "good" and "evil" stars

FULLER J F C SECRET WISDOM OF THE QABALAH

ranscends the reason, as the infinite transcends the finite, the relationship between them can only be expressed in symbols; that is in finite, or rational, terms. if in the place of god we write greality h, gnature h, gunknowable h, or gzero h, it matters not one whit; the equation is just as obscure; for all we have done is to replace a by b, c, d, or e, not knowing what these letters mean. the symbol has changed, but what it symbolizes remains as inscrutable. granted that this is so, then it follows that our intellectual lives are purely symbolical existences. all our thoughts are nothing more than symbols of a mystery, whether it embraces god- the ultimate source of all things- or reality- the tangible world in which we live. all are, in fact, equidistant from what they represent and a

long as they maintain their place they maintain their attractive power by bringing the mind into contact with the mystery; and so long as this contact endures an equilibrium is established between the mystery and the intelligence, and the mind is held, as it were in a state of wonder- that is of love or attraction. so long as this equilibrium lasts- that is so long as faith in the potency of the symbol is overwhelming- contentedness monopolizes the life of man; but directly this faith declines, discontent intervenes, and it is in discontent that must be sought the origins of all world revolutions. why is this so? because the finite can only find succour in the infinite, the potent in the omnipotent, the limited in the unlimited, the mortal in the immortal, the child in the mother. cut awa

h is sometimes placed second and sometimes third, and it is generally called the understanding. it is feminine and negative- the matter, as it were, in which kether can take form and propagates itself. binah is often called the heavenly mother or holy spirit. her letter is h (heh, the numerical value of which is 5. binah possesses 50 gates, which is symbolical of the heh multiplied by the od; her symbol is the dove; her dimension is depth, whilst kether's is length (compare the lingam and yoni in hindu mythology; and her colour is sky blue, the colour of the virgin mary. from the union between kether and binah emanates 'hokmah (3) hmkc 'hokmah, wisdom. the third sephirah is the son or logos and the firstborn. it represents abstract ideas, the fruit of the gi am h forming in the mind. in th

ng and sentiment (5) dhp, pahad, rigour, punishment, fear, or severity. this sephirah is the left arm of macrocosmos. it is feminine and passive, as 'hesed is masculine and active. as 'hesed symbolizes life, so does pahad symbolize death (6) urapu tiphereth, beauty. this sephirah is the common centre or harmony of 'hesed and pahad, of life and death, the active and passive in the moral world. its symbol is the sun, the heart of the universe and also the heart of adam qadmon- the supernal adam. tiphereth is the seat of sentiment and the ethical qualities; it is inhabited by the rua'h- the reasoning soul (7) cxn netzah, triumph, firmness, or victory. this is the first of the three energetic principles. it represents the right leg and thigh of macrocosmos (8) dvh hod, splendour, or glory. thi

he most mysterious in the hebrew alphabet. its sound is like the hiss of a serpent, its appearance that of the open mouth of a snake (jaws and tongue, and its numerical value clearly shows its triadic nature; further still, 300, its value, esoterically symbolizes the 300 sephiroth of the three worlds which preceded the creation of the world of matter. though as spiritual fire, or glory, it is the symbol of the shekinah, the sepher yetzirah hints that it also represents transmutation and the devil.23 usually the thirty-first path of the tree of life is referred to it, and according to the 32 paths of wisdom, this path gis called the perpetual intelligence. because it rules the movement of the sun and the moon according to their constitution, and causes each to gravitate in its respective or

GAMBLE ELIZA BURT THE GOD IDEA OF THE ANCIENTS OR SEX IN RELIGION

ignification of the tree, like that of all other religious emblems, became considerably changed. through its energies, or life-giving properties, existence had long been maintained, and for this reason, as has already been observed, it became an object of veneration; but, after the reproductive power in man had risen to the dignity of a supreme god, the tree, to the masses of the people, became a symbol of the physical, life-giving energy in mortals and in animals. in other words, it became a phallic emblem representing the continuation of existence, or the power to reproduce or continue life on the earth. as a religious symbol it became the traditional tree of life. the tree, like nearly every other object in nature, was and still is, in various parts of the world, either female or male

to be little understood, and there are doubtless few persons, at the present time, who would willingly believe that all along the religious stream, from its source to its latest developed branches, are to be observed traces of this ancient worship, which, in its earliest stages, was simply a recognition of nature's bounties. barlow, in his work on symbolism, says that "the most generally received symbol of life is a tree--as also the most appropriate" again the same writer observes "besides the monumental evidence thus furnished of a sacred tree, or tree of life, there is an historical and traditional evidence of the same thing, found in the early literature of various nations, in the customs, and popular usages"[6] as tree- and sun-worship, or the adoration of nature's processes, finally

xixth dynasty, or about the time of rameses ii, 1400 years b.c. there is also in the berlin museum another representation of the egyptian tree of life, in which the trunk has given place to the entire body of a woman. this, also, is netpe, who is still spiritual wisdom or the maternal principle. we are informed by forlong that diana was worshipped by the amazons under a sacred tree.[12] from this symbol the tree, which grew first into the figure of a divine woman, and later assumed the form of a divine man, arose the emblem of the cross [12] rivers of life, vol. i, p. 70. on the nineveh tablets is pictured a tree of life which is surrounded by winged spirits, bearing in their hands the pine cone, a symbol indicating life, and which is said to have the same significance as the crux-ansata

blets and monuments"[13] christ's body was the "bread of life" and his blood was the "wine from the tree of life" of which to partake was life eternal. the cross, as in earlier religions, represented completeness of life. the jambu tree, the buddhist god-tree, is in the shape of a cross.[14 [13] essays on symbolism, p. 74 [14] wilford, asiatic researches. among the kelti a tall oak was not only a symbol of the deity, but it was jupiter himself, while the earth from which it sprang was the great mother. throughout europe, in all ages, the oak has received divine honors. the fact that under its branches jew, pagan, and christian alike swore their most solemn oaths, shows that its veneration was not confined to any particular nation or locality. the sacredness of the oak among the druids is w

belonging exclusively to christianity, their birthplace was the far east, and their origin long anterior to our present era. this subject will be referred to later in these pages. the palm, which in course of time became the most sacred tree of egypt, is said to have put forth a shoot every month during the year. at christmas tide, or at the winter solstice, a branch from this tree was used as a symbol of the renewal of time or of the birth of the new year. on the zodiac of dendera, preserved in the national library at paris, are two trees, the one representing the east, or india and china, the other, the west, or egypt. the former of these trees is putting forth a pair of leaves and is topped by the emblems of siva, emblems which indicate the fructifying powers of nature, whilst the egyp

GILBERT AE WAITE A MAGICIAN OF MANY PARTS

unified. these are represented within the interior sanctuary bytheministry of a man and a woman.(e)theliturgy, or devotionalservice,by which it is sought to unite the three principles of man in a common aspiration and outreaching towards the divine) thehigh. priest, also within the sanctuary,whois the chiefcelebrant, the 'sign of the possibility which exists, the type of communication, the living symbol of the bridge between the seen and the unseen, the representative of god, the speaker who, symbolically, is commissioned from the other side of life. in the order of mysticalideas,the priest ministersto the three principles, butespeciallyto the spirit; the spirit ministers to the two inferior principles,butespecially to the soul; the soul ministers to the whole body.ourmystic service will b

inscribedwiththe letter he, being the he finalofthe divine name. he bears a wand, surmounted by a calvary cross, having acrownuponthe upper arms.thefrater zelator is in symbolical correspondencewiththe guide of the paths and grades. 5. the fraterthurificanswears a red surplice and a collarofgreen silk, fromwhichdepends a circular lamina, inscribedwithan equilateral6, having the apex upward, as a symbol of fire. he is in symbolical correspondencewiththe master.6.thefrateraquariuswears a blue surplice and a collar of orange silk, fromwhichdepends a circular lamina, inscribedwithan equilateral'\h having the apex downward, as a symbolofwater.heis in symbolical correspondencewiththe warden. 7. thefraterostiarius,whois not strictly an officer, has no special vestments. he carries a wand, surmou

GILBERT THE GOLDEN DAWN TWILIGHT OF THE MAGICIANS

aken its degrees is to loosen the structure, to dislimn, to disembody, to dematerialize an actual being; and to sever the link between one degree and another, above all between the degrees that- are in the heart, in thetiphereth,in the 5= 6, is to cut this being in two, and to confine the magical lifeofitsvisible adepti to the lower substances of this being.todo this last thingisto create an evil symbol, to make the most evilofall symbols, to awake the energy of an evil sorcery. on the other hand, to create within this order, within this actual being formal 'groups, centresofastral activity, which are not the degrees of this order, the organs of this being, is to create centres oflife, which are centresofdeath, to this greater life; astral diseases sapping up, as it were, its vitalfluids,'

erophant proceeds to the e. of the altar,thehiereus to the n.w, and the hegemon to the s.w, thethreeofficers thus forming a triangle.thecandidate is close to the altar on the w. members of all grades rise and remain standing while the obligation is taken.hierophant(to candidate 'you will kneel on both knees (the candidate is assisted accordingly 'give me your right hand which i place on this holy symbol; put your left hand in mine; bowyour head; repeat your full name and say after me:hierophant(followed by candidate 'i, a.b, in the presence of the lord of heaven and earth and in the presence of this hall of the neophytesofthe order of them. r.267.,regularly assembled under warrant from the second order, do, of my own free will, most solemnly promise to keep this order. secret, its name, th

.i will neither copy nor allow to be copied any manuscripts of them. r..until i have obtained a written permission from the second order, lest our secret knowledge become revealed through my neglect. i will not sufferii2thegoldendawnmyself to be placed in such a stateofpassivitythat any uninitiated person or power may cause me to lose controlofmy words, thoughts or actions. i swear upon this holy symbol to observe all these points without evasion, equivocation or mental reservation,underthe penaltyofbeing expelled from the order for my offence and perjury, and furthermoreofsubmitting myselfby this my own act, to a hostile current of will set in motion by the divine guardians of the order, livinginthe light of their perfect justice, who can, as tradition and experience affirm, strike the br

onsofthe sun, it is true, but some special teaching was evidently to be given us by this abrupt transition from mars, the planetofoutward expulsion and destruction, to the sun, who symbolizes the all-attracting, inward-drawing centre, and who is the planet of life and resurrection.thetarotsymbol of mars is very suggestive in this connection, also the alchemical meaning of iron, which has the same symbol as mars, and is said to be corrosive externally,butsolarinternally.(note.i think it was at this point that we asked for information concerning the hiltofthe sword, which is like a reversed cross when the point is raised. all i can remember is that the cross bar was a guard against the higher forces, preventing the escape into spiritofthe material before it had finished its career in the out

y.(note.i think it was at this point that we asked for information concerning the hiltofthe sword, which is like a reversed cross when the point is raised. all i can remember is that the cross bar was a guard against the higher forces, preventing the escape into spiritofthe material before it had finished its career in the outer. so that the sword held point downwards cannot be altogether an evil symbol; for thoughitinvokes the evildemons, it does so by the power of the spirit, which it seems to be the office of mars to project to the outward confines of matter. its path is one of enlightenment as well as destruction. christ (the hierophant) came not to bring peace,buta sword upon earth) written out by soror servio liberaliterappendixgthemanifestoof24july1903we, the undersigned, membersoft

GILBERT THE MAGICAL MASON

s us, of the great master who taught his immediate disciples the true keys, but to others he spake only in parables 'and without a parable spake he not unto them. such, my fratres, are suitable subjects for the attention of your members,butthere are many allied topics which might form suitable centres of interest and instruction, for example: the whole range of church architecture as crystallized symbol255 ism, the dogmas of the gnostics, the several systems of philosophy of the hindoos, the parallelism between rosi255 crucian doctrine and eastern theosophy, for which read max heindel'srosicrucian cosmo-conception,and that enticing subject, the origin and meaning of the 22 trumps or symbolic designs of the 'tarocchi' or pack of tarot cards, which eliphaz levi says form a group of keys whic

together of the rays of this illumination into a crown of glorified radiance, and we recognisekether- the first sephira, first emanation of deity, the first conceivable attribute of immanent manifested godhead. the devout rabbi bows his head and adores the sublime conception.theconscious god having arisen in his energy, there follow immediately two further emanations, the trio subsiding into the symbol of a radiant triangle.chokmah,wisdom, is the name of the second sephira;binah,understanding, is the third sephira- the supernal triad is demonstrated. then followchesed,mercy; and its contrastgeburah,severity; and the reflected triangle is completed by the sixth sephiratiphereth,beauty: considered as a triangle of reflection with the apex below. the third triangle may be considered as a sec

ow; it is formed of the seventh, eighth, and ninth sephirothnetsach,victory; hod, splendour; andyesod,foundation. finally, all these ideals are resumed in a single form, the tenth sephiramalkuth,the kingdom- also sometimes calledtzedek- righteousness. almost as old as the kabalistic doctrine of the sephiroth, or emanations, is the peculiar form in which i have combined them, it is the form of the symbol of the heavenly man in one aspect- or of the tree of life in another aspect.90themagical masonkelh(;r"wnoo",hocud'iil""l'!1j,:r-oo.)l<.i"m(;cl>li,u ho01: 11..1,,0om""0 0lieam;,11,"0on""hsr l' j' li, roov",0 0l''i,rnj.li"n0 0\\alk'llh<.o-0 0--0 0 01-'0 0 00o"00>r>"00this diagram resumes all kabalistic ideas, and is an emblem of their views on every subject. every deific conception can be the

they do in fact exist in constantly varying proportions. the highest principle overshadows the others, and the central ones may reach up to the higher, or, by neglect of opportunities or by vicious actions, may fall lower and lower, so as to approximatetothe seeming matter of the body. as the n eshamah draws one to spiritual excellence, so the nephesh leads down to physical enjoyment. in another symbol the kabalist tells you a man has two companions, or guides; one on the right, yetzer ha tob, to good acts; and one on the left, yetzer ha ra, offering temptationstoevil. the kabalistic view of man's constitution, origin, and destiny differs from the theosophic, then, more in manner of presentation than in principle, and these two schemes may be firstly studied side by side, and each will il

f our time has been much influenced by the works of milton, notably by hisparadise lost,in which the devil appearsundera newname-lucifer;and by goethe in hisfaust,in which mephist255 opheles appears in a german town as a fiend in human form, tempting faust to sin for pleasure.themost modern tendency, however, is to cast doubts on the ideal satan as a being, and to consider him rather as a type or symbol of the evil tendencies which arise in the mind, and are displayed in the actions of men.theoccult students of the middle ages recognized devils in general, and also personal chieftains among them, and so do the more modern rosicrucian students.thetheosophists do not give very clear opinions as to the personality of great evil forces,the devil, and evil spirits133but rather postulate the doc

GILBERT THE SORCERER AND HIS APPRENTICE

r systemofours, whichisbut a mere spot intheshore1essocean of the universe. the term,-elders (or ancient ones) is also usedin.the fourth chapter of the apocalypseofst john, describing the twenty-four thrones before the throne of the majesty divine. the word 'antient',as usedinthe time of shakespeare, meant20 the sorcererand his apprenticea banner-bearer, or ensign, or he who is worthy to bear the symbol under which men go forth to war; and we shall see presently, of what and how important occult symbols our 'ancients' or 'antients' are the guardians. the egyptian royal cartouche is, probably, the origin of the armorial bearings of heraldry, the hieroglyphics being the charges; and this cartouche borne upon a pole, formed a banner or symbol, whichever you like to call it. now the seats of t

anged in a column,as inleadingthe candidate from the west to the east.in the second point, however,asifthey had then finished their officein thisrespect,they are placed at the cardinal points, apparently to mark still further, yet in a secret manner, some particular relations of thearmsofacrossto the aspirant, who standsin thecentreafthatcross,with his arms extended in the form of the same mystic symbol, and is made to say at the same time that he is then standing in the 'centre of the earth; just as the greeks were told thatforthemdelphi represented<>o(lepot'ao,.tljt;yij'.alsothe 4 ancients preside over the four elements of air, fire, water and earth; or as the teaching of occultism would say, over air, fire, water, andtheir synthesis;and, therefore, are their robes of the 2673 primary co

hou art extended on that tree, through suffering and through pain, let thy countenance be raised up towards the light of the holy one to invoke the divine brightness, not for thyself,butfor those who have not yet attained unto the pathways, even though they be thy tormentors.24 the sorcerer and his apprenticebalanced between the spiritual and the material, the type of the reconciler, remember the symbol of the brazen serpent. mark thou well the difference between the two serpents, for before the serpent of brass of numbers, the serpent of fire could not stand. but at the fall, the serpent of evil arising in the tree surrounded malkuth, and linked her thus into the outer and the qliphoth, for this is the sin of the fall, even the separation of the material plane from the sephiroth through t

ionia media edomthemercavah in the mercavah vision of ezekiel it is written 'and i looked and behold a whirlwind came out of the north, a great cloud, and a fire enfolding itself and a splendour on every side, and hashmal the brilliance of the innermost flame in the midst of fire' these are from cherubic expressions of force and the evil and averse powers broken beneath their feet are:rahab,whose symbol is a terrible demon leaping upon an ox;machaloth,a form compounded of a serpent and a woman, and she rideth upon a serpent scorpion; andlilith,a woman outwardly beautiful but inwardly corrupt and putrefying, riding upon a strange and terrible beast. to these four (babel, ionia, media, edom) are attributed four kingdoms, and they are also classed under the sephiroth as shewn.thetwelve prince

ver-changing and distorted countenance. at the north-east angle is aggerath,thedaughter of machalath, a fiendish witch with serpent hair enthroned in a chariot drawn by an ox and an ass. at the north-west angle is a gigantic scorpion with a fearful countenance,butstanding upright as it were, and formed of putrefying water. after .267him cometh. the un-nameable one (abaddon) and his appearance and symbol is that of a closely-veiled black gigantic figure, covered with whirling wheels and in his hand is avast wheel whence issue asitwhirls, multitudesofcal-like demons. behind comethmaamahlikeacrouching. woman with an animal's body, crawling along thegtoundandeating the earth. and at .the south-west angleare'a winged lion and a winged horse drawing in a chariotthe younger lilith, the wife of as

GILBERT R A CHAOS OUT OF ORDER THE RISE AND FALL OF THE SWEDENBORGIAN RITE

the candidate is said to be in masonic darkness, and at the 43[43] beswick to stuart, 3 may 1871 same time (b) in search of greater light, which is pure paradox. he is supposed to receive the light and to enter the temple, which is called that of the creator. at a later stage the plan-of the building are presented to the candidate and it is then described as (a) god s temple in nature, and (b) a symbol of the moral temple that is within. the east is goodness rising into life; the west is goodness setting into death; the south is truth ir. light; the north is truth in oblivion. it is. the story of earthly life and the story of the soul. the temple, finally, represents the garden of god. about the 3rd grade, of perfect phremason, or red brother, waite says scarcely any-thing, because of its

GLOBAL FREEMASONRY

onry is a continuation of the templars. though, in addition to this, the authors also examined the origins of the templars. dl the magazine mimar sinan, a private turkish masonic publication intended for its own members. from the templars to ancient egypt global freemasonry ec a templar-mason temple: rosslyn chapel the church known as "rosslyn chapel" near edinburgh in scotland is recognized as a symbol of the heretical pagan beliefs of the templars. in the course of the construction of this edifice, masons and rosicrucians, the successors of the templars, were employed, and decorated the whole chapel with symbols representative of their pagan philosophy. in a publication of turkish masonry, the magazine mimar sinan, the masonic origins and the pagan elements of the chapel are described in

ancient egyptian symbols in masonic lodges one of the most important things that establishes the relation between ancient egypt and the masons is their symbols. symbols are very important in masonry. masons reveal the true meaning of their philosophy to their members through allegory. amason, who advances stage by stage through the 33 degrees of the masonic hierarchy, learns new meanings for each symbol at every stage. in this way, members descend step by step into the depths of masonic philosophy. an article in mimar sinan magazine describes this function of their symbols: we all know that masonry expresses its ideas and ideals by means of symbols and stories, that is, allegories. these stories go back to the first ages of history. we can even say that they stretch back to legends of preh

ght" global freemasonry kk kl materialism revisited in ancient times in egypt, the initiation ceremonies in the temple of memphis lasted a long time, were performed with the greatest attention and splendor, and showed many similarities to masonic ceremonies.67 let us examine a few examples of the relationship between ancient egypt and masonry: the pyramid under the eye the most well known masonic symbol is found on the seal of the united states of america, also found on the one-dollar bill. on this seal there is a half pyramid above which sits an eye within a triangle. this eye within the triangle is a symbol constantly found in masonic lodges and all masonic publications. a great number of the writings that deal with the subject of masonry stress this fact. the pyramid below the eye in th

t is symbolized by the pyramid placed in the center of the seal. this pyramid is a representation of the pyramid of cheops, the largest of the pharaoh's tombs.68 the eye and the pyramid among the most important masonic symbols taken from ancient egypt is the pyramid with an eye within a triangle. the pyramid on the great seal of the usa (left) is the great pyramid of cheops. the eye is a frequent symbol on ancient egyptian engravings (bottom) lc global freemasonry the masonic meaning of the six pointed star another well-known symbol of masonry is the six pointed star, formed by the imposition of one triangle over another. this is also a traditional symbol of the jews, and today appears on the flag of israel. it is known that the prophet solomon used it as a seal for the first time. therefo

freemasonry the masonic meaning of the six pointed star another well-known symbol of masonry is the six pointed star, formed by the imposition of one triangle over another. this is also a traditional symbol of the jews, and today appears on the flag of israel. it is known that the prophet solomon used it as a seal for the first time. therefore the six-pointed star is a seal of a prophet, a sacred symbol. but, masons have a different conception. they do not accept the sixpointed star as a symbol of the prophet solomon, but as a symbol of ancient egyptian paganism. an article in mimar sinan entitled "allegory and symbols in our rituals" relates a number of interesting facts about this matter: an equilateral triangle with three points equidistant from one another show that these values are eq

GNOSTIC HANDBOOK

ality uses symbols to stand for realities, it uses images to represent things that cannot be easily imagined or explained. the problem is that algebra is an academic form of mathematics and has little effect on everyday life while spirituality controls and influences us more than we would care to admit. only be removing religious iconography from the realm of the emotions and appreciating it as a symbol system, as a form of divine algebra can we really understand its nature. the gnostic handbook is one application, one representational system for the ancient gnosis. it can be seen in many forms and using many symbol systems. accordingly, it is important to realise the difference between the representational letter and the thing that is represented, between the essence and the form. the ins

ntre and a continually moving periphery has many illustrations. it is like a wheel turning on an axle, a rope swung round a vertical pole, a compass making a circle. a grander cosmological image is of a spherical universe, with the spherical earth at its centre, both revolving upon the same unmoving pivot, the world pole. in all traditional systems of religion this image has provided the dominant symbol" at the center of the world john michell, thames and hudson 1994 working from this model, we can go further and delineate the characteristic of the axis mundi or cosmic tree. the cosmic tree can be imaged in two different manners organic and emanation. the organic model is found in most pagan and heathen traditions, it emphasizes the change some nature of the worlds and planes. the emanatio

this ability to show the origins of the symbols of many systems is a unique characteristic of gnosticism. rather than there being conflicts between pagan and so called christian, theism and non theism and related contradictions, we find that all alternatives are reconciled within an all encompassing system. this is the insight which gnosticism gives, it shows the esoteric meaning behind religious symbol systems and in some sense bypasses them by divining their true meaning. this does not degrade the role of myth, legend, tales and scriptures but places them in the real position, that is, as the outer flesh or form of the mysteries. scriptures cannot stand alone, within the gnosis at their heart, they become as stone. impersonal to personal as part of the gnostic worldview is the understand

ing characters and forms, each unique. none are absolutely good and evil but there are variations in their attitude towards man. while these spirits have their own unique essence and expression, the form they manifest in is due to us, not to them. they are clothed by the language and mythology of our cultures, heritage and traditions. we should always keep this in mind when dealing with different symbol systems, it is not the letter that is the most relevant, but the spirit. it is too easy to confuse the images of the divine as found in literature and myth with the reality and become locked in forms which only partially represent the unique characteristics of a spirit, god or form. in some sense we must transcend the gods to understand them. the gnostic handbook page 35 the solar logos chr

at in some detail if you want further information. the classic gnostic position is to align isis with taurus, taurus being the earth goddess, osiris is assigned to aries and it the imagery of the sacrifice of rams to the father god are throughout that period. horus is pisces, the imagery is related to jesus as the fisherman, the ocean of mankind, the fish as christian symbols is also founder as a symbol of horus as fisherman. horus as a semi-solar image is found throughout religions of that period, christianity representing the misapplication of horus to become a violent martial force. maat is aquarius, the outpouring of truth and gnosis. the first date in our heraldic cycle is 1844, it is the initiation whereby the process of change from pisces to aquarius began. there are many other hidd

GNOSTIC STUDIES THE GNOSTIC HANDBOOK II GNOSTIC THEURGY

r starting point for how we understand the gnostic system, because how we perceive matter and the development of matter, influences our whole view of life and the world. the nature of myth one of the major problems with comprehending the truth of the alpha event is that in the many diverse gnostic and religious traditions this event is presented in so many different ways and via so many different symbol-systems. on one level we may read the high-browed philosophical approach of the greek mysteries, and on the other, we may read about the bloody battle between "the forces of light and darkness" or the literal expulsion of satan from heaven. at first these traditions may seem disparate and it may seem advantageous to jettison one or the other depending on your own level of comprehension. how

seven days of creation etc. they may be related to the mesoteric or intermediate teachings. the multitudes who are symbolic of the exoteric or outer teachings. to understand the alpha event we need to consider the various myths, legends and religious stories and deduce the essential event from behind them. due consideration should be given to the way in which myth and legend form the language or symbol system of the mysteries (see fig 2. myths and legends of cosmic error in the biblical account we read of an archangel who rebels against the cosmic order and is thrown from the heavens. his angelic nature is lost and he becomes a fallen being. his name lucifer means light bearer and accordingly, we have a light bearer who is transformed into a dark force. this is followed by a second fall

model of the universe and man. the scientific basis for this understanding is found in what we call the refraction model of reality. the refraction model of reality the refraction model is based on the simple observation of what occurs when light is refracted through a prism. if a light is shone through a prism the result is a spectrum of colour (fig 4. the ancient gnostics used the rainbow as a symbol for the multi-faceted nature of the universe, and when we consider the refraction model we can see why. in simple terms, the earthly image of the refraction of light glyphs or symbolises something more refined. on a spiritual level, we can contemplate the primal light shining through the prism or matrix of manifestation to create the various dimensions of the scheme of things which now exis

ing revolution, j.van rijckenborgh. to further appreciate this model we need to consider the multi-dimensional nature of both the earth and man- these are the subjects of our next study. x gnostic theurgy page 41 there are many different ways we can understand the universe and man. the refraction and holographic models are one series of analogies which prove of value. while certainly not the only symbol systems (science is as much a symbol system as religion, they certainly prove effective when used to explain complex spiritual realities. it is intriguing to note that the refraction model becomes more and more meaningful as we move from the higher realms to the lower, when we apply it to the nature of earth and man it is particularly expressive. the nature of earth in the refraction model

so believed in conditional immortality, and taught that only the warrior aristocracy could survive death. others simply returned to the earth, a form of immortality to be sure, but only as a dead body disintegrates into the soil, as nutrients return to the earth, not as a discrete and aware being. in thus spake zarathustra fredrich nietzsche discuses the struggle to go beyond using evolution as a symbol of this battle. in one memorable passage he states. all beings so far have created something beyond themselves; and do you want to be the ebb of this great flood and even go back to the beasts rather than overcome man? humanity is a species in transition created by the individualisation of the mould or psychic memory. the only hope for humanity exists within the individual overcoming the wa

GOETIA LUCIFERIAN

ack magick. one often views black magic (k) in the perception of aleister crowley, being the malicious workings of sorcery. a modern or should i say realistic perception is 9 that black magick is the arte of ensorcelling the self, building and isolating the psyche. the goal is specifically a higher articulation of the soul and the will of the individual. it is considered black because this is the symbol of the unknown, such is a large part of the psyche and subconscious. the black magician is therefore one who works on the self, building and defining the character of i or being. the sorcerer is thus one who encircles energy and the spirits of the dead and the subconscious around the self; to strengthen and explore the avenues of a strong and open mind. the black magician also understands t

whore moves through to arise from the oceans as the beast 666, the solar spirit of manifestation and creativity) satan south (from the root shtn, meaning adversary. satan is the name associated with azazel the fire djinn, who is also lucifer and samael. the goat with one thousand names by form. satan= set-an, the ancient egyptian god of darkness, chaos and isolation) satan is the adversary, whose symbol can be viewed as a forked stave which rises in the noon-tide sun. belial north (from bliol, a wicked one. belial is the spirit of the earth, created second after lucifer/azazel as a powerful angel. belial is a powerful daemonic and angelick spirit and initiator, and is associated with both the infernal and celestial) the sub-princes are (and should be considered shadow forms of the infernal

re! 19 invocation of the adversary the following is a ritual which may be conducted when the sun is at its full light, or when the moon is full or dark, as the essence of iblis be finally revealed. the purpose of the ritual is invoking the spirit of the adversary, known as shaitan/iblis, satan, lucifer, set, azazel. the sorcerer shall seek the fire-spirit of change, rebellion and progression. the symbol of set the adversary shall take the earthen form of the devil, the solar creative (and destructive) force of change and self-deification. there are two primary faces of the adversary. the celebrant may construct as mask of two sides, which shall be placed upon the center of the altar. a phallic symbol or stone god may be near the mask as well, symbolizing the solar creative force of the bea

raph lucifer, the angelick essence of the black flame, the very source of our wisdom, being and becoming. two the seraph of flame, the djinn iblis of fire, daemon of the blackened flame, serpent beast dragon wolf goat. satanas is the devil-cloaked initiator of the path of the wise, those who laugh at the warnings of a cringing society. robe thyself in crimson, the color of flame and movement. the symbol of the averse pentagram, being downward pointing to indicate the union of the fallen angels with humanity to create divinity. in the sethian witchcraft current the sorcerer becomes as set him/herself, thus in the circle the first of witchblood unto the path. 20 upon the hour of noon- invocation of the djinn of fire ya! zat-i-shaitan! o ring of flame, scorching sun of the sun s height scorpi

ent the higher articulation of the self. the luciferian will which is self-immolated unto perfection. the wand should be cut, painted and decorated with the specific sigils from ones alphabet and done so in the noon tide sun, sacred to shaitan, the djinn of fire. the wand corresponds also to the phallus, the solar vessel which spills forth the elixir of the sun. the pentacle of tetragrammaton the symbol of strength and conceptual imagery of the pentacle of solomon, the magus who bound the djinn of this book. the pentacle may be worn as a method of encircling 25 the self in the mask of purity, thus remaining a symbol of the mind in unity with the will. often in evocation/invocation, spirits become points of obsessional belief which seem to speak or send impulses and desires to the sorcerer

GOLDEN DAWN LESSER BANISHING RITUAL OF THE PENTAGRAM LBRP

north. trace the banishing hexagram of water. vibrate ararita. turn to the east. perform the analysis of the keyword. perform the rdthe sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 1 of 3 6/27/2004 7:51 am lesser banishing ritual of the pentagram (lbrp) introduction to the ritual there is a much employed ritual which utilizes the symbol of the pentagram as a general means to banish and invoke the elemental forces. this ritual is called the lesser ritual of the pentagram. however, it should not simply be regarded as a mere device to invoke or banish, for it is really the stone of the wise and incorporates within its structure a high magical formula of self-initiation. it is, to all intents and purposes, a ritual of self-ini

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL AURIEL

emain in the north and say "in the divine name adonai ha-aretz, i open this temple in the element of earth. may the archangel uriel look with favor upon this ceremony! may the angel phorlakh and the ruler kerub be also in attendance! i have gained admission in this temple through the badge of the hermetic cross. hear me! i arn one who has received the mystic title of periclinus de faustis and the symbol of aretz. as a wanderer in the wilderness, i invoke the powers of earth to bear witness to my spiritual endeavor. grant me the knowledge of the element of earth and the active realm, so that i may obtain greater understanding of hidden things and thereby advance in the great work" circumambulate the temple three times, saluting with the neophyte signs when passing the east. go to the west a

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL GABRIEL

ain in the east and say "in the divine name elohim tzabaoth, i open this temple in the element of water. may the archangel gabriel look with favor upon this ceremony! may the angel taliahad and the ruler tharsis be also in attendance! i have gained admission to this temple through the badge of the cup of stolistes. hear me! i arn one who has received the mystic title of monocris de astris and the symbol of maim. as a unicorn of the stars i invoke the powers of water to bear witness to my spiritual endeavor. grant me the knowledge of the element of water and the creative realm, so that i may obtain greater understanding of hidden things and thereby advance in the great work" circumambulate the temple three times, saluting with the neophyte signs when passing the east. go to the west and fac

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL RAPHAEL

ain in the east and say "in the divine name shaddai el chai, i open this temple in the element of earth. may the archangel raphael look with favor upon this ceremony! may the angel chassan and the ruler aral be also in attendance! i have gained admission in this temple through the badge of the caduceus of hermes. hear me! i arn one who has received the mystic title of poraios de rejecttis and the symbol of ruach. i have been brought from amoung rejected. as a lord/lady of the 32nd path, i invoke the powers of air to bear witness to my spiritual endeavor. grant me the knowledge of the element of air and the astral realm, so that i may obtain greater understanding of hidden things and thereby advance in the great work" circumambulate the temple three times, saluting with the neophyte signs w

GOLDEN DAWN RITUALS A

on. there is also a greater likelihood that a deeper understanding is acquired when one must earn his or her wings with such efforts. let the adepti of this era therefore develop the courage to patiently learn and understand the material given to him or her. do not just learn the material on a memory basis, but allow it to penetrate deep within your heart so that each letter, each color, and each symbol gives life to a profound meaning and a deeper experience. g.h. frater p.c.a. 7=4 chief of the second order r.r. et. a.c. 1995 3 issued by the chief adepts 'britannia' revised 1895 (additional notes 1995) g.h. frater p.c.a. v.h. soror r.d. v.h. frater b.h. every member has been admitted by the permission of the chief adepts. every member only retains his membership by the continued approval

GOLDEN DAWN RITUALS B

ulwer lytton 16. history- sword of wisdom- by ithell colquhon it is not required that the z.a.m. read each book, but the z.a.m. must furnish a report of at least two pages on at least five of the books suggested. the books which have an asterisk) are required readie b the pentagram rituals and complete symbolism of the pentagram r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 the complete symbol of the pentagram is given to the z.a.m. as a tool and symbol for traveling and skrying in the spirit vision. this complete symbol should be constructed by the z.a.m. and each portion of it studied and committed to a deep understanding. the instruction on the complete pentagram diagram remains unpublished and available only to our order. first, you will observe that the portion (the top poin

he arm is attributed to twklm. twklm is of the center pillar of which all the above sephiroth are of the sephirotic element of m. in addition, the top portion of twklm is attributed to m. this is represented by the top portion being of a citrine color. this alludes to a deep and profound mystery. the mystery is that the macroprosopus is represented by hyha and is contained, yet hidden, within the symbol of the microprosopus. the symbol of the microprosopus is the pentagram, while the symbol of the macroprosopus is the hexagram. the pentagram is a most potent symbol and is the signet star of the microprosopus. it represents the operation of the eternal and divine spirit and the four elements under the divine presidency of the name, hwchy. to understand this profound mystery is of the greate

oint is a bright scarlet. the two lines drawn at an angle to 3 formulate this point are attributed to the sephiroth of hrwbg and trapt. it is here that the o and m dependency is revealed. the pentagram under the presidency of the name hwchy is formulated in two ways in the hexagonal center. these letters should be painted in the white color of on the black background on which the entire pentagram symbol is painted. the top portion of the pentagram is symbolized by the scepter of hermes, the letter c, and the rays which issue forth from the five corner angles of the pentagram. the scepter of zeus, or jupiter, is emblematic of the left side, while the scepter of neptune and poseidon is emblematic of the right side of the pentagram. beyond the bottom two feet of the pentagram are the scepter

et the z.a.m. construct his own full color diagram on a black background. this way, each corridor of the pentagram may be explored by methods of traveling and skrying in the spirit vision. 4 the pentagram ritual 5 (s.b.r.p. and s.i.r.p) the pentagram is under the presidence of hwchy. the four elements form a cross in the pentagram and are governed by hwhy with the point uppermost. it is a fitting symbol of the microprosopic man stretched out in perfect balance and harmony before the divine. the letter c is the symbol of the "fires of life" the \yhla jwr, the divine spirit that hovered over the waters of creation. when the letter c is added to the tetragrammaton, it forms the name hwchy, hcwhy. the latter name is the formation when the letter c is placed between the three letters of the tet

the letter c is placed between the three letters of the tetragrammaton and ruling l. as one can observe from the diagram of the complete pentagram, a ray representing the divine issueth forth from each angle. therefore, the true name of the pentagram is called the "flaming pentagram" or "star of great light" this affirms the power and force of the divine light to be found within this most sacred symbol. the pentagram must be traced with the single point upward. it is a symbol of spirit ruling over matter. when it is traced in an adverse fashion with the single point down, it becomes an "evil" symbol affirming the empire of the mundane and matter over the divine spirit. see that thou dost not trace it adversely except in rare circumstances when it is absolutely necessary for the working an

GOLDEN DAWN RITUALS C C1

russet. vibrate the names "mor dial hctga (ee-more dee-ahl heck-tay-gah. stab it on the last syllable. d) draw the sign of b in the center of the pentagram, visualizing it olive. vibrate the name "ynda" stab it on the last syllable. perform the zelator grade sign. step 6 perform the evocation of the archangels and finish with the qabalistic crofoc-c1 the hexagram ritual and the complete hexagram symbol r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 as in the manuscript on the pentagram, let the z.a.m. study well the complete symbol of the hexagram. as of the time of this writing, the complete symbol of the hexagram, as taught by our order, remains unpublished and unavailable to the uninitiated. let the z.a.m. study well this lesson and not confuse the material herein with the cur

s in the manuscript on the pentagram, let the z.a.m. study well the complete symbol of the hexagram. as of the time of this writing, the complete symbol of the hexagram, as taught by our order, remains unpublished and unavailable to the uninitiated. let the z.a.m. study well this lesson and not confuse the material herein with the current published material available. the z.a.m. should create the symbol in its various colors on a black background. this symbol then should be studied and utilized for "skrying in the spirit vision" it should also be utilized in all important magical operations in which the hexagram must be employed. the hexagram is a potent magical symbol that represents the operation of the seven planets under the presidency of the sephiroth and the letters of the seven lett

" observe the diagram on the following page and you will notice, that like the pentagram, each re-entering angle of the hexagram issueth a ray. these rays are the radiation from the divine. therefore, like the pentagram, the hexagram is called the "flaming hexagram" and also the six rayed signet star. in most cases, the hexagram is traced with a single point uppermost. the hexagram is not an evil symbol when traced with the two points upward. the diagram of the complete hexagram should be traced on a black background. thou shall make it in the colours already taught in earlier grades. uppermost point l indigo lowermost point y violet right upperhand k blue right lowerhand c green 3 left upperhand f scarlet left lowerhand b orange center of hexagram a golden yellow 4 5 the uppermost arm is

the line from left to right. banishing hexagrams are traced contrary to the course of the sun. when the adept is invoking a planet using the hexagram, it is traced in two triangles. the first triangle commences from the angle of the planet. put simply, begin from the sephira the planet is assigned to. the second triangle of the hexagram commences from the opposite angle of the first triangle. the symbol of the planet is traced in the center. the order has a very specific way of tracing the planetary symbols. this information appears in unpublished material written by s.l. macgregor mathers, g.h. frater s.r.m.d. l k f a c b y y q p as stated earlier, the two triangles are traced from opposite angles on the tree. 8 for the first triangle begin with: for the second triangle begin with: saturn

luna y jupiter k mercury b mars f venus c venus c mars f mercury b jupiter k luna y saturn l note: l takes the place of the tud on the tree. a and the supernals are treated differently. method of invoking or banishing a the sun is treated in a different manner. when thou wishes to invoke the sun, all of the six invoking hexagrams of the planets must be traced in their regular planetary order. the symbol of a shall be traced in the center. for banishing a draw the banishing hexagrams of each planet in the regular order (not reverse order, and trace the symbol of a therein (see diagrams on pages 12 and 13) special consideration when invoking 5 the primary method of invoking and banishing 5 is the same with some important considerations. luna changes, so let the adept be certain to invoke or

GOLDEN DAWN RITUALS D

. let us emphasize that the white portion of the lotus wand is generally for invoking, and the black portion is used for banishing, but this is not always the case and many immature adepts believe that the white end is always used for invoking and the black end is always used for banishing. a general rule, this will stand fast. the white end may be used to banish by tracing the opposing banishing symbol of the force of which you are trying to banish. so, for example, when banishing a tough elemental of o, the opposing elemental force would be that of n. let the adept also realize that the white portion is always pointed toward the direction or quarter that you are invoking from. so, if you are invoking, for example, element of o, and you are holding a or e, you then face their particular d

GOLDEN DAWN RITUALS E

ember, going in reverse breaks up the vortex. step 9 place your lotus wand just outside the precincts of your magical circle and perform the l.b.r.p. and b.r.h. placing the wand outside of the circle ensures that the newly bestowed energies are not discharged. 9 10 a b c d e f g h i j ere the rose cross lamen r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 the rose cross lamen is a sacred symbol of our rosicrucian fraternity. it must be made and consecrated by each individual adept alone. it must never be touched by any other person, and it should be wrapped up in white silk or linen. the adept motto is to be painted on the reverse side. this lamen must be worn at all adept meetings, but never worn before the outer order or non-members. the lamen is a complete synthesis of the masc

our order, the rosea rubea et aurea crucis. combined together, they are the symbols of the "receiving force" just below the rose and above the bottom l arm is a white section. on it is placed a hexagram with the symbols of the planets. they are placed in the order of the supreme ritual of the hexagram. each arm has an appropriate colored pentagram on it. at the apex of the pentagram is drawn the symbol of, followed by the four kerubic symbols on the lower arms. these are in the order as in the supreme ritual of the pentagram. on each of the floriated ends of the crop are the three alchemical principles. they are in different orders for each element. this shows their different operations within each element. the upper arm is allotted to the element of m, the lowest arm to l, the right arm

petals allude to the three mother letters. these relate to the three elements of m (a, o (c, n (m. notice that o and n are counter changed with m as the reconciler. this gaurantees that the forces of the arms should not over ride the planetary and zodiacal forces in the rose of creation. in other words, the petals of the elements are on the opposite side of the arm elements. the rose is a perfect symbol. the hermetic rose is a fitting symbol of the entire, manifested universe. in another adept manuscript, we will cover the proper method of extracting sigils from the rose. it is a perfect emblem to extract sigils in that it represents the entire universe. back of the rose cross lamen the back bears the inscription in latin "the master jesus christ, god and man" this is written between four

to becoming "more than human" this is an impossible task without the aid of the divine will and assistance from rtk. this now explains why on the face of the cross, the portion above twklm is white. it is a reminder that the must be rescued from the material. in the center on the back side, written in latin, and between the alchemical symbols is "blessed be the lord our god who hath given us the symbol signum" both the words "symbol" and "signum" consist of six letters which relate to trapt, where the rose cross hangs on the body, and to the six creative periods in the universe. also, if we add the six letters of each word together, we end up with twelve, 1+2=3, the supernals from which the light shineth. the lamen may be made of heavy cardboard or wood that has been cut. the colors must

letters which relate to trapt, where the rose cross hangs on the body, and to the six creative periods in the universe. also, if we add the six letters of each word together, we end up with twelve, 1+2=3, the supernals from which the light shineth. the lamen may be made of heavy cardboard or wood that has been cut. the colors must be bright, clear and vivid, but do not use florescent paints. the symbol must always be clean and bright, and adepts attending corpus christi will have their lamens inspected before the ceremony as they enter the temple. we suggest acrylic paints for vividness and the use of a white undercoating before applying the colors. if you make your lamen out of wood, apply gesso before painting. petals of the rose colors 6 background letter a yellow violet b yellow viole

GOLDEN DAWN RITUALS F

ools up to a hundred times and even more. it only makes sense that the more you empower a tool, the more effective it will be for you in your magical workings. the adept should have an altar that is draped in black. upon the altar is the red cross and the white triangle as in the neophyte grade in the hall of the neophyte. in addition to the cross and triangle upon the altar a rose is placed as a symbol of m, a lamp or small censer as a symbol of o a chalice to symbolize n, and bread and salt to represent types of l. the chalice filled with wine representing the element of n should be placed between the triangle and the cross as the mystical repast of the four elements of the 0=0 initiation. the adept should be dressed in the regalia of the second order. in addition to the implements that

the lotus wand, to hold it by the white portion when performing the qabalistic cross, and in addition, holding the kerubic bands that apply to each of the elements. 4 step 8 upon completion of the s.i.r.p, let the adept move to the west of the altar and face east, holding the lotus wand by the white band. trace in the air over the rose cross, as if one was standing in the center of the rose, the symbol of the circle and the cross (this is a solar cross with a circle around it. at the same time, invoke all of the divine and angelic names of trapt, saying the following (while reciting the prayer, raise your hands and eyes skyward, and lower them as you finish "o thou most sublime majesty on high, who art at certain seasons worthily represented by the glorious sun of trapt, i beseech thee to

le and the cross (this is a solar cross with a circle around it. at the same time, invoke all of the divine and angelic names of trapt, saying the following (while reciting the prayer, raise your hands and eyes skyward, and lower them as you finish "o thou most sublime majesty on high, who art at certain seasons worthily represented by the glorious sun of trapt, i beseech thee to bestow upon this symbol of the rose and the cross, which i have formed to thy honor, and for the furtherance of the great work, in a spirit of purity and love, the most excellent virtues, by the divine name of hwhy, and the great name of tudw hwla hwhy. deign, i beseech thee, to grant that the great archangel lapr, and thy mighty angel lakym may, with their power, strengthen this emblem, and through the sphere of

GOLDEN DAWN RITUALS G

aaozaif adoeoet saiinou ahmlicv avtotar anodoin soniznt lzinopo htmorda alndvod laoaxrp liiansa hipotga arinnap ligdisa (please see pronunciation guide for the seniors at the end of this lesson) be this day present with me. bestow upon me (name the element, the strength and purity whereof ye are masters in the elemental forces which ye control, that its outward and material form may remain a true symbol of the inward and spiritual force" fire wand empowering the lesser angle of o let the adept take up the magical sword of the art and recite the following "o thou mighty angel bziza who art ruler and president over the four angels of the fiery lesser quadrangle of o, i invocate thee to impress into this weapon the force and fiery energy of thy kingdom and servants, that by it, i may control

GOLDEN DAWN RITUALS J

, from this day forward, apply myself to the great work, which is to purify and exalt my spiritual nature so that with the divine aid i may at length attain to be more than human, and thus gradually raise and unite myself to my higher and divine genius, and that in this event i will not abuse the great power entrusted to me. jxn: i furthermore solemnly pledge myself never to work at any important symbol without first invocating the highest divine names connected therewith, and especially not to debase my knowledge of practical magic to purposes of evil and self-seeking and low material gain or pleasure. if i do this, notwithstanding this my oath, i invoke the avenging angel hua, that the evil and material may react on me. dwh: i further promise to support the admission of both sexes to our

GOLDEN DAWN RITUALS K

y. such are the words (all salute with 5=6 signs) chief adept "mighty adeptus major, what is the key to this vault" second adept "the rose and cross, which resume the life of nature and the powers hidden in the word i.n.r.i" chief adept "associate adeptus minor, what is the emblem which we bear in our left hands" third adept "it is a form of the rose and cross, the ancient crux ansata or egyptian symbol of life" chief adept "mighty adeptus major, what is its meaning" second adept "it represents the force of the ten sephiroth in nature, divided into a hexad and a tetrad. the oval embraces the first six sephiroth and the tav cross, the lower four, answering to the four elements" 8 chief adept "associate adeptus minor, what is the emblem which i bear upon my breast" third adept "the complete

at are its mysteries" chief adept "associate adeptus minor, what is the wand which thou bearest" third adept "a simple wand having the colors of the twelve signs of the zodiac between the light and the darkness, and surmounted by the lotus flower of isis. it symbolizes the development of creation" chief adept "mighty adeptus major, thy wand and its meaning" second adept "a wand terminating in the symbol of the binary and surmounted by the tav cross of life, or the head of the phoenix, sacred to osiris. the seven colors between light and darkness are attributed to the planets. it symbolizes rebirth and resurrection from death" chief adept "my wand is surmounted by the winged globe, around which the twin serpents of egypt twine. it symbolizes the equilibrated forces of the spirit and the fou

om this day forward, apply myself to the great work, which is to purify and exalt my spiritual nature so that with the divine aid i may at length attain to be more than human, and thus gradually raise and unite myself to my higher and divine genius, and that in this event i will not abuse the great power entrusted to me. netzach: i furthermore solemnly pledge myself never to work at any important symbol without first invocating the highest divine names connected therewith, and especially not to debase my knowledge of practical magic to purposes of evil and self seeking and low material gain or pleasure. if i do this, notwithstanding this my oath, i invoke the avenging angel hua, that the evil and material may react on me. hod: i further promise to support the admission of both sexes to our

GOLDEN DAWN RITUALS SADD

uinoxes and solstices occur when a is in these signs. the kerubic or fixed signs are attributed to h and are considered watery because they are the most shining and glittery in nature. the remaining four mutable signs are considered the most airy because they are the most subtle in nature. the four elements are most earthy, their operation being mainly terrestial in nature. note: the reason the l symbol is used in place of the b symbol is as follows "though one of the seven lords who wander, l is yet classed with those who abide because it is the heaviest of the seven and thus formeth a link between the wanderers and the abiders" this should explain why l is not included with the rest of the wanderers (planets) in the sephirotic cross. example (shaded areas are blue) b angle of water table

thou must consider each of these independently so as to produce a specific type of pyramid akin to the nature of that section. here be the rules for analyzing a pyramid. the rules are concise and direct and should be memorized. truncated pyramid great cross 24 triangle no. 1 sign of the zodiac, small card of the tarot. triangle no. 2 m triangle no. 3 the planet of the decan triangle no. 4 element symbol of the tablet the no. 2 square of the great cross is always m and painted white, indicating the operation of m within the element. triangle no. 4 is to be colored in the element of the tablet, thus we have yellow for a, blue for c red for d, and black for b. thou shall color triangle no. 1 according to the triplicity of the sign attributed to it. in other words, earthy, firey, watery, or ai

er than the prescribed manner. sephirotic cross 25 triangle no. 1 elemental emblem of the tablet. triangle no. 2 emblem of m. triangle no. 3 elemental emblem of the lesser angle. triangle no. 4 sephiroth, letter of the tetragrammaton, tarot card. kerubic squares of the lesser angle triangle no. 1 tarot card of the lesser angle. triangle no. 2 elemental emblem of the tablet. triangle no. 3 kerubic symbol answering to letter of the name. triangle no. 4 elemental emblem of lesser angle. thou will note that no. 1 and no. 3 always match in color in the kerubic square. no. 2 showeth us the elemental color of the tablet, while no. 4 showeth the elemental color of the lesser angle. servient squares: triangle no. 1 element of the great tablet with astrological attributions. triangle no. 2 elemental

otency of the nature of that square. tablet of union 26 triangle no. 1 element of the vertical column (m in the 1st column) triangle no. 2 m. triangle no. 3 element of the horizontal column. triangle no. 4 m. below is a sample illustration derived from the lesser angle of the earth tablet. in the servientsquare in rank w and column w, the column w is attributed to a and therefore the astrological symbol will be an airy sign. the rank is ruled by w therefore the symbol will be mutable a, c. the tarot key for c is the lovers. the hebrew letter attributed to it is z. the geomantic attribution is albus. take the water tablet, a angle, column h, rank y. the column is ruled by h which is attributed to c. therefore the astrological symbol will be a watery sign. the rank is ruled by y, therefore t

bol will be an airy sign. the rank is ruled by w therefore the symbol will be mutable a, c. the tarot key for c is the lovers. the hebrew letter attributed to it is z. the geomantic attribution is albus. take the water tablet, a angle, column h, rank y. the column is ruled by h which is attributed to c. therefore the astrological symbol will be a watery sign. the rank is ruled by y, therefore the symbol will be cardinal or fiery c- d. the tarot key for d is the chariot. the hebrew letter for d is j. the geomantic attribution is populus. summarized pronunciation guide briefly, regarding the pronunciation of the angelical language, thou shalt pronounce the consonants with the vowel following in the nomenclature of the same letter in the hebrew alphabet. for example, in b, the vowel following

GOLDEN DAWN RITUALS SAPPENDA

o codify "document s" with other documents of enochian study, both of the z.a.m. grade and t.h.a.m. and above. advanced workings are taught in t.h.ant30 appendix a: table of attributions the following table of attributions, repeated though it is for the most part from earlier knowledge which should be familiar, may be useful for reference in working out the squares: column rank letter tarot trump symbol geomantic figure w h a fool a fort. min. s.c. hmkh b magician b- s.c. hnyb g h. priestess y- s.c. dsj d empress c- y y h emperor a puer h h w hierophant b amissio w w z lovers c albus h y j chariot d populus y h f strength e fort. maj. h w y hermit f conjunctio s.c. rtk k wheel/fort. k- w y l justice g puella h h m h. man c via h h n death h rubeus y w s temperance i acquisitio h y u devil

GOLDEN DAWN RITUALS SCONTINUED

distinct divisions. thou must consider each of these independently so as to produce a specific type of pyramid akin to the nature of that section. here be the rules for analyzing a pyramid. the rules are concise and direct and should be memorized. great cross triangle no. 1 sign of the zodiac, small card of the tarot. triangle no. 2 m triangle no. 3 the planet of the decan triangle no. 4 element symbol of the tablet the no. 2 square of the great cross is always m and painted white, indicating the operation of m within the element. triangle no. 4 is to be colored in the element of the tablet, thus we have yellow for a, blue for c red for d, and black for b. thou shall color triangle no. 1 according to the triplicity of the sign attributed to it. in other words, earthy, firey, watery, or ai

other than the prescribed manner. sephirotic cross triangle no. 1 elemental emblem of the tablet. triangle no. 2 emblem of m. triangle no. 3 elemental emblem of the lesser angle. triangle no. 4 sephiroth, letter of the tetragrammaton, tarot card. kerubic squares of the lesser angle triangle no. 1 tarot card of the lesser angle. triangle no. 2 elemental emblem of the tablet. triangle no. 3 kerubic symbol answering to letter of the name. triangle no. 4 elemental emblem of lesser angle. thou will note that no. 1 and no. 3 always match in color in the kerubic square. no. 2 showeth us the elemental color of the tablet, while no. 4 showeth the elemental color of the lesser angle. servient squares: triangle no. 1 element of the great tablet with astrological attributions. triangle no. 2 elemental

hat square is attracted, allowing for maximum potency of the nature of that square. tablet of union triangle no. 1 element of column (m in the 1st column) triangle no. 2 m. triangle no. 3 below triangle no. 4 m. below is a sample illustration derived from the lesser angle of the b tablet. in the servient square in rank w and column w, the column w is attributed to a and therefore the astrological symbol will be an airy sign. the rank is ruled by w therefore the symbol will be mutable a, c. the tarot key for c is the lovers. the hebrew letter attributed to it is z. the geomantic attribution is albus. take the c tablet, a angle, column h, rank y. the column is ruled by h which is attributed to c. therefore the astrological symbol will be a watery sign. the rank is ruled by y, therefore the s

GOLDEN DAWN RITUALS U1

dered apart from obsession (thought obsession is frequently the accompanying of mania, and still more frequently, its cause, the thought and lower will are very strongly exercised to the detriment of the reasoning faculty. that 7 is, there is an alliance between the two former which overpowereth the action of hmkj and hnyb in the latter. monomania is shown in the consideration of only one certain symbol which is too attractive to the will. a chain of thought is, therefore, simply a graduated vibration arising from the contact of a ray of thought with a symbol. if controlled by the reasoning power and licensed by the will, such vibrations will be balanced and of equal length. but if uncontrolled by the lower will and the reason, they will be unbalanced and inharmonious (that is, of uneven l

, of uneven length. in the case of the drunkard, the equilibrium of the sphere of sensation and consequently that of the nephesch, is disturbed. in consequence, the thought rays are shaken at each vibration so that the sphere of sensation of the nephesch is caused to rock and waver at the extremities of the physical body where the ruach action is bounded. the thought, therefore, is dazzled by the symbol of the sphere of sensation in the same way as the eyes can be dazzled in front of a mirror if the latter is shaken or waved. the sensation, therefore, then conveyed by the thoughts is that the sphere of sensation oscillating and almost revolving around the physical body, bringing giddiness, sickness, vertigo and the loss of idea of place and position. nearly the same may be said of sea-sick

GOLDEN DAWN RITUALS U3

lic names, so that thy lower will may willingly receive the influx of the higher will, which is also the lower genius behind which are the allpotent forces. this, therefore, is the magical manner of operation of the initiate when "skrying" in the spirit vision. through his own arcane wisdom, he knows the disposition and correspondences of the forces of the macrocosmos. selecting not many, but one symbol, and that balanced and with its correlatives, then sendeth he a thought-ray from his spiritual consciousness, illuminated by his higher will, directly unto the part of his sphere of sensation which is consonant with the symbol employed. there, as in a mirror, doth he perceive its properties as reflected from the macrocosmos, shining forth into the infinite abyss of the heavens. thence can h

elf with the ray of his thought so as to make one continuous ray from the corresponding point of the macrocosmos unto the center of his consciousness. if, instead of concentrating at that actual point of the sphere of sensation he shall retain the thought-ray only touching the sphere of sensation at that point, he shall, it is true, perceive the reflection of the macrocosmic ray answering to that symbol in the sphere of his consciousness. but he shall receive this reflection tinctured much by his own nature, and therefore to an extent untrue, because his united consciousnesses have not been able to focus along the thought ray at the circumference at the sphere of sensation. and this is the reason why there are so many and multifarious errors in untrained spirit visions. for the untrained s

GOLDEN DAWN RITUALS U4

be understood. remember, as an adeptus minor our task is to become more than human and to gradually raise ourselves up to the illuminated divine within us. at the same time, the higher genius shall descend, thus, bringing about our highest potential and true angelic and divine naturee u4 skrying in the spirit vision g.h. frater d.d.c.f. r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 the symbol, place, direction or plane being known whereon it is desired to act, a thought ray is sent unto the corresponding part of the sphere of sensation, and thence by drawing a basis of action from the refined astral light of the sphere of sensation of the nephesch, the thought ray is sent like an arrow from a bow right through the circumference of the sphere of sensation directly into the place

GOLDEN DAWN RITUALS U7

, h and these are also called the order of blessed souls, or of the souls of the just made perfect. 7 notes by g.h. frater n.o.e.l: although the following is not classically part of the hodos document, its relevance to the document is apparent. addendum 1 reveals to the z.a.m. the five elements in the four scales of the king, queen, prince, and princess. this document also provides an appropriate symbol as it relates to the court cards in its appropriate color. the active adept will have no trouble in finding a myriad of uses for these potent symbols. in addition to providing the above mentioned, addendum1 also provides the z.a.m. with the complete color scales for the sephiroth, planets, and zodiac in all four scales as related to the name, hwhy. addendum ii provides the z.a.m. with the c

GOLDEN DAWN RITUALS VENUSZAM16

oath lord of hosts, and by the name of haniel whose throne and seat ye are.elohim, come unto me now. manifest yourselves through me, and fill my sphere with your magic power to accomplish this work of the art" step 11 draw the sigil of elohim, and vibrate the name "command unto me the presence of haniel, the angel of venus, and his intelligence, hagiel, that they may consecrate this most powerful symbol. hagiel(vibrate 7 times, i conjure ye potently to make manifest your presence within my soul that this talisman of venus may be charged. come now, o all ye powers and forces of the realm of nogah, obey ye now the name of yhvh tzboath, the divine ruler of your kingdom, and haniel, your archangelic ruler, and the mighty powers of the elohim. step 12 place the talisman outside the circle, in t

the choir of angels, those lesser gods, the elohim, that they may consecrate with power this talismatic bowl which lieth before thee. o ye gods of netzach, command unto me the angel of haniel, that he may cause hagiel, his intelligence, to come unto me. haniel thou great angel of venus, thou divine intelligence of nogah, i invoke thee by the knowledge of thy name. i call thee by thy sigil and the symbol of venus which i bear upon my breast. come unto me now, i conjure thee to give to me of thy substance so that this creature of talismans may have power, life and love to make a divine link with all those powers of attraction, passion and desire summed up in the holy name of netzach. i invoke thee powerfully by the name of yhvh tzboath a (vibrate by formula of middle pillar and mystical circ

GOLDEN DAWN RITUALS Z1

is governed by a triad, one in intention but having different functions: the imperator to command, the praemonstrator to instruct, and the cancellarius to record. the proper mantle of office of the imperator is the flame, scarlet robe of o and severity, as on him do the energy and stability of the temple depend. if he has subofficers to assist him, they partake of his symbolism. his mantle is the symbol of unflinching authority, compelling the obedience of the temple to all commands issued by the second order. upon the left breast thereof, is the cross and triangle of the golden dawn, both white, representing the purification of the temple in the outer order by o. he may wear a lamen similar to that of hierophant. his place in the temple is at the extreme right of the dais, and at the equi

deptus minor, its blackness will veil on the east, citrine, on the south, olive, on the north, russet, while the west side and the base will be black, while the summit is of a brilliant whiteness. the symbols upon the altar represent the forces and manifestation of the divine light, concentrated in the white triangle of the three supernals as the synthesis. wherefore, upon this sacred and sublime symbol, is the obligation of the neophyte taken as calling therein to witness the forces of the divine light. the red cross of trapt (is here placed above the white triangle, not as dominating it, but as bringing it down and manifesting it unto the outer order as though the crucified one, having raised the symbol of self-sacrifice, had thus touched and brought into action in matter the divine tria

ing energy of the divine light, shining forth into infinite worlds. upon the left breast is a white cross to represent purification unto the light, and this cross may be one of the following forms: in which case it alludes either to the cross of six squares of trapt or to the cross of the rivers. the cross of the elements, to represent the descent of the divine and angelic forces into the pyramid symbol. 7 a cross of the elements, symbolising their purification through the light of the four lettered name hwhy in trapt. the cross of four arrowheads, representing the keen and swift impact of the light, coming from behind the veil through the elements symbolised by the arrow of i in the path s. it is indifferent which of the crosses be employed, seeing that each represents the operation of th

llow cross of gold, and the cubical stone, bearing in its center the sacred t of life, and having bound together upon it the form of the macrocosmic hexagram, the red triangle of o and the blue triangle of n, the \yhla jwr and the waters of creation" in addition to this explanation, it affirms the mode of action employed by the divine light in its operation by the forces of nature. upon it is the symbol of the macrocosm so colored as to affirm the action of the o of the through the waters of creation under the harmony of the golden cross of the reconciler. within the center of the hexagram is a t cross in white to represent its action as a triad, and the whole is placed on a white field representing the ocean of the rwa [ws ya. the banner is suspended from a gold colored bar by red cords

self, the perfect law of the universe, and the red cords and tassels, the divine self-renunciation whose trials and sufferings form as it were the ornament of the completed work. the whole represents the ascent of the initiate into perfect knowledge of the light. therefore, in the address of the hiereus, the neophyte hears "even the banner of the east sinks in adoration before him" as though that symbol, great and potent though it be, were yet but an inferior presentment of the higher, fitted to our comprehension "expounder of the sacred mysteries" is the name of the hierophant, and he is "osiris (aeshoorist) in the nether world (st added as a suffix to a name indicates the influence from rtk. 9 the station of hiereus is at the extreme west of the temple and in the lowest point of twklm wh

GOLDEN DAWN RITUALS Z2

blood produced. speech of kerux. hiereus final caution. 24. x the closing takes place. y evocation a. the magic circle. b. the magician, wearing the lamen of the hierophant and his scarlet robe. pentacle, whereon is engraved the sigil of the spirit to be invoked, has painted on the back of it the circle and cross as shown on the hierophant s lamen. c. the names and formulae to be employed. d. the symbol of the whole evocation. e. the construction of the circle and the placing of all the symbols, etc, employed in the places properly allotted to them so as to represent the interior of a g.d. temple, and the purification and consecration of the actual piece of ground or place selected for the performance of the evocation. f. the invocation of the higher powers. pentacle formed of three concen

black. if from its nature the mixture will not admit of entire blackness, examine it astrally till there is the astral appearance of the thickest possible darkness, and thou mayest also evoke an elemental form to tell thee if the blackness be sufficient. but be thou sure that in this latter thou art not deceived, seeing that the nature of such an elemental will be deceptive from the nature of the symbol of darkness, wherefore ask thou of him nothing further concerning the working at this stage but only concerning the blackness, and this can be further tested by the elemental itself, which should be either black or clad in an intensely black robe (note, for this evocation, use the names, of l. l. then, let the alchemist distill with a gentle heat until nothing remaineth to come over. let hi

refore let the lunar and the solar invocations and exposures be repeated when without doubt. if these be done with care (and more especially those of p and q with those of the 4 as taught, for these have great force materially, then without doubt shall that flashing light manifest itself in the curcurbite. r. holding the lotus wand by the white end, the alchemist now draws over the curcurbite the symbol of the flaming sword as if descending into the mixture. then, let him place the curcurbite to the east of the solemn invocation of the forces of f to act therein. the curcurbite is then to be placed between the pillars (or the drawn symbols of these same) for seven days, upon a flashing tablet of f. after this period, fit on the alembic head, and distill first in balneum mariae, then in bal

e vessels in the same relative positions, but removing the tablets of the elements from the altar, then substitutes one of rtk. this must be white with golden charges, and is to be placed on or within the white triangle between the vessels. he then addresses a most solemn invocation to the forces of rtk to render the result of the working that which he shall desire, and makes over each vessel the symbol of the flaming sword. this is the most important of all the invocations. it will only succeed if the alchemist keepeth himself closely allied unto his higher self during the working of the invocation and of making the tablet. at the end of it, if it has been successful, a keen and translucent flash will take the place of the slightly colored flashes in the receiver of the curcurbite so that

GOLDEN DAWN RITUALS Z3

ncluded. he advances by the invisible station of harpocrates to that of the evil triad, which he symbolically treads down, so that as aroueris, he stands upon the opposer. he then comes to the east of the altar, interposing between the place of the evil triad and the candidate. at the same time, the hiereus advances on the candidate s left, the hegemon on his right, thus formulating about him the symbol of the higher triad before he places his hand upon the symbol of the three supernals upon the altar. again, before doing so, he has been bidden to kneel in adoration of that symbol, as if the natural man abrogated his will before that of the divine consciousness. as he kneels in the presence of the triad of aroueris, thmaa-est and horus, he places his left hand in that of his initiator as a

r self remains in the station of harpocrates. at this point, the spiritvision should see a gleaming white triangle formulated over the candidate s head. the hierophant now calls forward the kerux, cautioning the candidate that the light has preceded him without his knowledge. it represents to him here, a vague formulation of ideas which as yet he can neither grasp nor analyze. this light is not a symbol of his higher self, but a ray from the gods to lead him thereto. only after having thus been brought to the light is the candidate led to the east of the altar, the place of the station of the evil triad- to affirm that with this light he will be able to cast out and trample on his own evil persona which, when it has been put in its place, will then become a support to him. it is to the hie

over osiris to restore him again to life. the mystic circumambulation follows in the path of light to represent the rising of light in the candidate, through the operation of self-sacrifice. as he passes the hierophant s throne, the red calvary cross is astrally formed above the astral white triangle on his forehead, so that so long as he belongs to the order, he may bear that potent and sublime symbol as a link with his higher self and as an aid in searching out the forces of the divine light, if he will. the higher soul or genius now returns to the invisible station of harpocrates, the place of the hidden center, yet continuing to retain the link formed with the candidate. the address of the hierophant is intended simply to affect the distinct formulation of the symbols of the 0= 0 grad

extended, fingers straight, palms downwards, and the hands directed towards the object it 10 is wished to charge or to affect. at the same time, sink the head until the eyes look exactly between the thumbs. in this way, the rays from the eyes, from each finger and from the thumbs, must all converge upon the object attacked. if any of them disperse, it is a weakness. thus performed, this sign is a symbol of tremendous attacking force and of projection of will power. it should be employed in all cases where force of attack is required, especially in charging of a talisman and the like. generally, it is best to have the thumbs and all the fingers extended. if a particular effect is desired, you may extend only the fingers appropriate thereto, keeping the rest folded back in the hand. herewith

the first sign should always be answered by the second. the secret names of the saluting signs are, the attacking sign, or the sign of the enterer of the threshold. the sign of silence 1. this is simply that of secrecy regarding the mysteries. 2. it is the affirmation of the station of harpocrates, wherein the higher soul of the candidate is formulated in part of the admission ceremony. it is the symbol of the center and of the voice of the silence which answers in secret the thought of the heart. 3. the sign of silence withdraws the force put out by the sign of the enterer. take upon thyself as before taught the colossal form of the god harpocrates. bring the left foot sharply back, both heels together and beat the ground once with the left foot as it is placed beside the right. bring the

GOLDEN DAWN RITUALS ZAM10

nsuming fire, purify me and consecrate me who is aeeshoorist, the justified one, lord of life, triumphant over death. upon my brow are arrayed the twelve stars of light. wisdom and understanding are balanced in my neschamah. hrwbg and power are on my right hand, and the thunderbolts of f! dsj on my left hand, and the sweet fountains of magnificence. in my heart is hwchy, the reconciler who is the symbol of the red 5 rose on the golden cross. my two thighs are as mighty pillars on the right and on the left supporting me; splendor and victory, for they cross with the currents reflected from the supernal light. i am established as an eternal rock of righteousness, for dwsy is the foundation of the righteous. the sphere of my nephesch, and the seven palaces of twklm are cleansed and consecrate

GOLDEN DAWN RITUALS ZAM12

ose by the watchtower and final releae magical eucharist r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 (note: this should be preferably performed between four to five adepts. otherwise it may be performed entirely by one adept) opening by watchtower (after the watchtower, the four elements are brought to the center altar (one adept each brings forth one of the elements "behold, the holy symbol of (name of element (this is said while they set it on top of the altar) chief adept "for osiris onnophris, who found perfect before the gods hath said (point toward the altar 'these are the elements of my body, perfected through suffering, and glorified through trial. for the scent of the dying rose is as the repressed sigh of my suffering (lifts up the rose on high (first adept rings the

fe. amen" second adept "let us draw upon the elements the holy symbols of spirit, for by names and images are all powers awakened and re-awakened (third adept draws invoking pentagrams of spirit, both passive and active, using the lotus wand held by the white band) chief adept "i invite you brothers and sisters of the red rose upon the golden cross, to inhale with me the perfume of this rose as a symbol of air (smell the rose. to feel with me the warmth of this sacred lamp as a symbol of fire (waves hand over the lamp. 5 to eat with me this bread and salt as types of earth (dips the bread into the salt and eats it. and finally, to drink with me this wine, the consecrated emblem of the element of water (makes a cross with the cup then drinks it (the chief adept then looks to the first adept

GOLDEN DAWN RITUALS ZAM13

symbolic burying place of our founder christian rosencruetz which he made to represent the universe" chief adept "associate adeptus minor, in what part is he buried" third adept "in the center of the heptagonal sides beneath the altar, his head being toward the east" chief adept "why in the center" second adept "because that is the point of perfect equilibrium, just as the cross of christ is the symbol of the equilibrium of self sacrifice" chief adept "associate adeptus minor, what does the mystic number of our founder signify" third adept "the rose and cross of christ, the fadeless rose of creation, the immortal cross of light" chief adept "mighty adeptus exemptus, what was the vault called by our more ancient fraters and sorors" second adept "the tomb of osiris onnophris, the justified

the four words make the sentence "mountain of the lamb of our father and the strength of our race. iao. yehashuah. such are the words" chief adept "mighty adeptus exemptus, what is the key of this vault" 4 second adept "the rose and cross which are hidden in the power of the word i.n.r.i" chief adept "associate adeptus minor, what is the emblem which i bear on my breast" third adept "the complete symbol of the rose and cross" chief adept "i also carry the wand of the winged globe around which the twin serpents of egypt twine. it symbolizes the balanced force of the spirit in the elements behind the wings of the holy one. associate adeptus minor, what are the words inscribed above the vault" third adept "post centum viginti annos patebo. after one hundred and twenty years i shall open. the

f" second adept "i renounce my birth name (states it, for i am (power name. i vow to give up myself in order that i may find myself" chief adept "i renounce my birth name (states it, for i am (power name. i vow to give up myself in order that i may find myself" all "i renounce my birth name (states it, for i am (power name. i vow to give up myself in order that i may find myself" chief adept "the symbol of suffering is the symbol of strength. as brothers and sisters of the inner light, let us vow always to be strong, for we are the inheritors of a dying world. as we give up ourselves and our hearts, we become the heart of yehashuah, the glory of tiphareth, the reflected light of kether. we shine light on the world, thus giving it life. now, in the divine name of iao, i invoke the great ave

om this day forward, apply myself to the great work, which is to purify and exalt my spiritual nature so that with the divine aid i may at length attain to be more than human, and thus gradually raise and unite myself to my higher and divine genius, and that in this event i will not abuse the great power entrusted to me. netzach: i furthermore solemnly pledge myself never to work at any important symbol without first invocating the highest divine names connected therewith, and especially not to debase my knowledge of practical magic to purposes of evil and self seeking and low material gain or pleasure. if i do this, notwithstanding this my oath, i invoke the avenging angel hua, that the evil and material may react on me. hod: i further promise to support the admission of both sexes to our

GOLDEN DAWN RITUALS ZAM16

of la strong and mighty, and by the name of layqdx whose throne and seat ye are \ylmcj, come unto me now. manifest yourselves through me, and fill my sphere with your magic power to accomplish this work of the art" step 11 draw the sigil of \ylmcj, and vibrate the name "command unto me the presence of layjs, the angel of k, and his intelligence, layphy, that they may consecrate this most powerful symbol. layphy (vibrate 4 times, i conjure ye potently to make manifest your presence within my soul that this talisman of k may be charged. come now, o all ye powers and forces of the realm of dsj, obey ye now the name of la, the divine ruler of your kingdom, and layqdx, your archangelic ruler, and the mighty powers of the brilliant ones of qdx. step 12 place the talisman outside the circle, in t

the choir of angels, those brilliant ones, the \ylmcj, that they may consecrate with power this talisman which lieth before thee. o ye brilliant ones of k, command unto me the angel of qdx, layjs, that he may cause layphy, his intelligence, to come unto me. layphy, thou great angel of k, thou divine intelligence of qdx, i invoke thee by the knowledge of thy name. i call thee by thy sigil and the symbol of k which i bear upon my breast. come unto me now, i conjure thee to give to me of thy substance so that this creature of talismans may have power, life and love to make a divine link with all those powers of love, majesty and graciousness summed up in the holy name of dsj. i invoke thee powerfully by the name of la (vibrate by formula of middle pillar and mystical circumambulation. thus

GOLDEN DAWN RITUALS ZAM2

ainst the will of god that he shall soon lose his life in seeking us, than attain happiness by finding inanalysis of the keyword r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 the analysis of the keyword is first introduced to the new adeptus minor in the adeptus minor initiation. the chief adept says "the keyword is i.n.r.i. which is inscribed with its correspondences upon this complete symbol of the rose and cross which i bear upon my breast. these letters have been occasionally used as initials of the following sentences: jesus nazarenus rex judecorum, whence it symbolizes the grand word of this grade which is hwchy or the hebrew name of jesus, formed of the holy letter c, representing the \yhla jwr, placed within the center of the name hwhy. it has also been interpreted as: ig

n osiris rebirth resurrection it is the mystical cycle of: life- death- rebirth the letters: isis i apophis a osiris o a notarikon formulated from the first three letters of isis, apophis, and osiris, formulate the divine name of the gnostic iao. this is pronounced in ritual work as: eeeee- aaaahh- oooohhh (reference of a deeper understanding of iao can be found in the book of enoch 3) hwchy is a symbol of resurrection and it is only through death that we can rise again unto life "for if you will die with hwchy ye shall rise with him" osiris becomes osiris onnophoris, the justified one, only after death and resurrection. this is symbolized by the light of the sun, the golden dawn, rising in the darkness of early morning. light! the master jesus said "i am the light of the world" so, if we

editate on the seasonal circles. the top twelve is high noon, it is the sun at its apex. the bottom twelve is midnight, the time of greatest darkness. observe that these are the physical signs of light, lvx, to be performed with the deepest reverence during the "analysis of the keyword" sign of osiris slain at the equinox of a and g. light and darkness are equal. sign of the mourning of isis; the symbol of the goddess and spiritual fruitation. 5 sign of typhon/apophis; death, darkness, destruction. sign of osiris risen; the illumination of light overcoming death. examine the gematria in regard to the word lvx. l=50, v=5, x=10, for a total of 65. this is the number of yanda which translates into "my lord" lvx= 65= my lord and divinity follow closely the steps, and let the adept commit to me

GOLDEN DAWN RITUALS ZAM21

loom, delighting in unintelligible images, a black ever rolling abyss ever espousing a body unluminous, formless and void" 5 chief adept (moves to the west of the altar of the universe and draws both invoking spirit pentagrams, active and passive, in the air with the spirit wheel in the center, vibrating "exarp, bitom, eheieh, hcoma, nanta, agla. in the sign of the head of the man (draws aquarius symbol. before us raphael. in the sign of the eagle (draws eagle symbol. behind us gabriel. in the sign of the lion (draws leo symbol. on our right michael. in the sign of the head of the ox (draws taurus symbol. and on our left auriel (second adept draws invoking pentagrams, of each element in each quarter using lotus wand, starting in the east) chief adept "for before us flames the pentagrams an

this righteous and holy operation of the magic of light. keep far removed the evil and unbalanced so that we, who are weak, may be strong and may enter into and partake of the secrets of divine light (perform rending of the veil (enochian call of the watchtowers is said) second adept (moves to the banner of the east "the visible sun is the dispenser of light to the earth as the rose cross is the symbol of light to the spirit. let us, therefore, form a vortex in this chamber that we may attract the invisible sun within to illuminate the cross of gold and the rose of red (all form the vortex, with chief adept last in line (everyone resumes positions, chief adept moves to east and everyone performs the adoration to the lord of the universe (chief adept moves to the west of the altar of the u

f water 4. third adept 5. fourth adept 6. all others 7. second adept all "i am frater/soror_ of the r.r. et a.c, loyal adept and subject unto the infinite mercy and power of light (cuts self "in the name of the vast and mighty one, in the name of all the gods who symbolically stand guard around this temple and order, in the name of elohim gibor, the mighty and terrible one, i shed this blood as a symbol of the blood that must not be shed by those who would interpose against my will and service to divine light (returns to position (when all have finished the invocation and the cutting, all adepts move around the altar of the universe and touch the sword that is held up high while saying in unison) 13 all "you who would destroy me, be thou destroyed! you who would desecrate this temple or or

GOLDEN DAWN RITUALS ZAM22

e \yklm, come now unto 6 me. manifest yourself through me and fill my sphere with your magical power of trapt to accomplish this work of art. step 5 draw the sigil of \yklm before you within the hexagram. vibrate the name the number of times there are letters in the name. say: command unto me the presence of lakym the angel of a and his intelligence laykn that they may empower and consecrate this symbol most potent and powerful. step 6 draw the sigil of lakym, vibrate it, and then draw the sigil of laykn, and vibrate it as well using the vibratory formula. say: i conjure ye potently to make manifest your presence within my soul that this talisman of a may be charged. come now, all ye powers and forces of the realm of trapt. obey ye now the name of tudw hwla hwhy, the divine ruler of your k

kym, that he may cause laykn, his intelligence, to come unto me. laykn, thou great angel of cmc, thou great intelligence of cmc, i invoke thee by the knowledge of thy name and by the power of god the vast one. i do conjure and potently invoke trws, the power and spirit of the sun, and i bind thee in the name of laykn to perform thy work in accordance with my will. i call thee by the sigil and the symbol of cmc. i call thee through the power of the holy one, blessed be he, and the divine name of your realm. i do conjure thee, laykn, come unto me and bring now thy spirit unto thy control, trws, so that this creature of talismans may have power, life, beauty and light to make a divine link with all those powers, majesties and graciousness which are summed up in the holy 11 name of trapt. layk

ing stability, so pass thou on. make the 1=10 grade sign. step 13 take up the talisman, and pass between the pillars. place it on the ground between them, and strongly formulate around it a sphere of sensation. say: creature of talismans, so that the power of ra may manifest through thee, i give thy body the life of spirit. step 14 make the passive and active spirit pentagrams, and the rose cross symbol. vibrate powerfully the enochian exhortation used in the portal ceremony. say: in the name of hyha, alga, and by all the names and letters of the mystical tablet of union, i command ye, o ye forces of eth. i invoke ye, ye angels of the celestial sphere, whose dwelling is in the invisible, to give me of your light forever. bind unto this creature of talismans the ethereal splendour of your r

GOLDEN DAWN RITUALS ZAM24

ites of the order and observe the duties of my position with conscientiousness and loving care, not alone toward the temple itself, but every individual member; that i will cooperate with the guardians of the temple; that i will execute the decree of the chiefs of the second order, acting with justice and without fear of favor in accordance with the dictates of my conscience. this i affirm by the symbol worn upon the breast of the officiating adept (hierophant is directed to stretch out his hand in the direction of the rose cross on the chief adept's breast "arise, very honoured frater, and receive at my hand the highest office i can bestow upon you in this temple. by the power in me vested, i now appoint you hierophant of the temple of isis mighty mother to work and confer the grades of t

or the ensuing six months, being part of that temporal period through which we are conducted into light. very honored frater, in the presence of the children of your temple, i call upon you to make a confession" hierophant (rising "fraters et sorors of the temple of isis mighty mother, seeing that the whole intention of the lower mysteries, or of external initiation, is by the intervention of the symbol, ceremonial, and sacrament, so to lead the soul, that it may be withdrawn from the attraction of matter and delivered from the absorption therein, whereby it walks in somnambulism, knowing not whence it cometh nor whither it goeth; and seeing also, that thus withdrawn, the soul by true direction must be brought to the study of divine things, that it may offer the only clean oblation and acc

GOLDEN DAWN RITUALS ZAM3

ching work. let the adept take caution to be frugal with time. begin no later than twenty minutes before the moon is full. it is also appropriate, but not mandatory, that the adept wear consecrated oil of rose and amber over his heart center during the vigil (rose and amber are the mystical oils of sacredness relating to life. amber- j- d- chariot- lord of the triumph of light. rose is the sacred symbol of life, regeneration 3 and perfection. the lotus wand may be utilized. however, all sephirotic invocations should be performed astrally. if one is confined to working in a non-private space, it should not be exposed before the profane. the vigil step 1 let the adept be purified with the l.b.r.p. and b.r.h (if needed. step 2 say the invocation of the lord of the universe" holy art thou" ste

GOLDEN DAWN RITUALS ZAM5

he spiritual in every aspect of life, the pentagram points upward. this, in effect, is placing the world of matter under the direction of the divine or higher genius as symbolized by spirit ruling of the elements. this pentagram in one's sphere of sensation on a microprosopic level and is the light that shineth in the darkness yet the darkness comprehendeth it not. the averse pentagram is an evil symbol of the world of matter and of shells ruling over the spirit; the filling of one's sphere of sensation with the darkness of the evil averse pentagram. many individuals and groups would argue that the averse pentagram is not an evil symbol, but remember, that any action against one's divine and true will is an evil action, therefore, disproving the argument that the inverted pentagram in one'

pletion. part 2 4 step 1 hold your lotus wand by the k band. the shaft of light is now connected from your rtk sphere down through your skull, your neck, the center of your body, and down to your feet. continuing to visualize the divine white brilliance above your head with the black fire of c within, formulate a bright yellow ball of light that covers your entire head and neck. superimpose the k symbol in the flashing color of brilliant purple on top of the ball of yellow light. step 2 vibrate hwhy and the angelic names lapr and cj. each name should be vibrated a minimum of four times. when you feel the power of the divine and angelic names coming to an apex, recite the following prayer to the sylphs "holy art thou lord of air, who has created the firmament, ydc yjla. almighty and everlas

ho has created the firmament, ydc yjla. almighty and everlasting, ever living be thy name. ever magnified in the life of all. we praise and we bless thee in the changeless empire of created light; and we aspire without cessation unto thy imperishable and immutable brilliance. amen" part 3 step 1 hold the lotus wand by the e band. continue to visualize the brilliant yellow sphere with the purple k symbol as well as the rtk sphere's divine white brilliance with the black fire of c. now bring the divine light down from above and formulate a brilliant scarlet red ball of light covering the heart/solar plexus area. superimpose the e symbol in the flashing color of brilliant emerald green on top of the ball of scarlet red. step 2 vibrate \yhla and the angelic names lakym and lara. when you feel

n, whom thou hast loved since the birth of the ages of time. amen" part 4 step 1 hold the lotus wand by the h band. continue to visualize the previous three spheres and superimposed kerubic symbols. now bring the divine light down from above and formulate a brilliant marine blue ball of light covering the genital area, including the hips and buttocks as well as the upper thighs. superimpose the h symbol in the flashing color of orange on top of the ball of marine blue. step 2 vibrate la and the angelic names layrbg and dhylf. continue to vibrate until you feel the lower portion of your body emersed in the power of. recite the following prayer of the undines "holy art thou, lord of the mighty waters, wherein thy spirit moved in the beginning. twabx \yhla. glory be unto thee, myhla jwr, whos

GOLDEN DAWN RITUALS ZAM8

nd every spell and scourge of god, the vast one, obedient unto mtolineal figures r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 examine the number of hebrew letters in the sephirotic names on the qabalistic tree of life. rtk consists of three letters. this could be equated to the triangle that has three sides. in addition, rtk is pure unity, and thus, the triangle relates because it is a symbol of absolute unity of opposing forces. hmkj and hnyb both have four letters. for each of them we can ascribe the square. hlwdg, hrwbg, trapt and twklm each have five letters in their name. thus, we could ascribe the pentagram to these sephiroth. dsj, djp (pachad, jxn and dwh each have three letters like rtk. in addition, tud has three letters. note: djp is another term for hrwbg, and hlwdg i

l manner as in the minutum mundum diagram. rather, likes are connected to likes; pentagram to pentagrams, triangles to triangles, etc. there are thirteen lines that join initially those sephiroth under the triangle, three for under the square, and six lines under the pentagram. using the system of qbl of nine chambers, we can take the letters of each sephirotic name and translate it into a lineal symbol of the sephiroth. 5 r k t1 ket her h j m k chok 2 mah b n y h bi 3 nah da- ath u t d w g r b h geb 5 urah w d h g ged l 4 ulah pach ad 5 j d p a p t r t tiph 6 areth che 4 sed d j s w s d y ye 9 sod w d h 8 hod net 7 zach n x j mal 10 kuth t m k w l 6 taking the yetziratic attributions and placing them in combination with the former diagram, we arrive at a satisfactory analysis compounded o

present l and a red triangle would represent the element of o. note also that a white triangle represents the supernals. we also have another triad, the three principles of nature: p, 3, and q. all of these symbols can be exemplified in the triangle, which would give reference to hnyb. the square is another lineal figure that is generally understood to represent equation and stability. within the symbol of the square is included the idea of surface and superficial measurement. the square refers to the quaternary of all things and to the tetrad of the holy name hwhy which operates through the four elements. the square is attributed to dsj, the fourth sephira. it would equally correspond to the planet k. it is also a fitting representative of the four elements that will eventually take on ma

ments that will eventually take on manifestation. the next figure is the pentangle. this refers to the sephira of hrwbg and the planet mars. the pentangle can be traced in two different ways. when it is reflected from every second point, it is called the pentagon, which is referred to hrwbg and f. the same figure, when reflected from every third point, is called the pentagram. 9 the pentagon is a symbol that naturally represents the power and essence of the pentad. this operates through nature by the dispersal of and the four elements through it. the pentagram is called the signet star of the microcosm. it is a good and holy symbol. it is a positive symbol that represents man with his arms and legs extended, adoring the lord of the universe. it also represents the domination of the higher

the signet star of the microcosm. it is a good and holy symbol. it is a positive symbol that represents man with his arms and legs extended, adoring the lord of the universe. it also represents the domination of the higher will of the ruling over the elements. another way of putting this is mind over matter. when the pentagram has a single point downward, it is then known to be a negative or evil symbol. it becomes representative of a goat's head or a demon's head. this is a representation of the abasement of reason and the loss of reason beneath the blind force of matter. notice that we didn't say beneath the blind force of. it is beneath the blind force of gross matter. the inverted pentagram is also a representation of the elevation or adoration of anarchy above order. it is also the el

GRAHAM HANCOCK FINGERPRINTS OF THE GODS

r example on the paving blocks above the nilometer at elepantine island, aswan. i am indebted to us film maker robert gardner for pointing this similarity out to me. graham hancock fingerprints of the gods 93 12,000 years ago, when lake titicaca was more than 100 feet deeper than it is today, tiahuanaco would have been an island, as shown above. equally thought-provoking was the appearance of the symbol of the cross on many of these ancient blocks. recurring again and again, particularly at the northern approach to puma punku, this symbol always took the same form: a double crucifix with pure clean lines, perfectly balanced and harmonious, deeply recessed into the hard grey stone. even according to orthodox historical chronology these crosses were not less than 1500 years old. in other wor

h missionaries on the altiplano. where, come to that, had the christians obtained their crosses? not only from the shape of the structure to which jesus christ was nailed, i thought, but from some much older source as well. hadn t the ancient egyptians, for example, used a hieroglyph very like a cross (the ankh, or crux ansata) to symbolize life. the breath of life. eternal life itself?8 had that symbol originated in egypt, or had it perhaps occurred elsewhere, earlier still? with such ideas chasing one another around my head, i walked slowly around puma punku. the extensive perimeter, which formed a rectangle several hundred feet long, outlined a low pyramidal hill, much overgrown with tall grass. dozens and dozens of hulking blocks lay scattered in all directions, tossed like matchsticks

first and most remote of these is represented by ocelotonatiuh, the jaguar god: during that sun lived the giants that had been created by the gods but were finally attacked and devoured by jaguars. the second sun is represented by the serpent head of ehecoatl, the god of the air: during that period the human race was destroyed by high winds and hurricanes and men were converted into monkeys. the symbol of the third sun is a head of rain and celestial fire: in this epoch everything was destroyed by a rain of fire from the sky and the forming of lava. all the houses were burnt. men 9 from the vaticano-latin codex 3738, cited in adela fernandez, pre-hispanic gods of mexico, panorama editorial, mexico city, 1992, pp. 21-2. graham hancock fingerprints of the gods 104 were converted into birds

la fernandez, pre-hispanic gods of mexico, panorama editorial, mexico city, 1992, pp. 21-2. graham hancock fingerprints of the gods 104 were converted into birds to survive the catastrophe. the fourth sun is represented by the head of the water-goddess chalchiuhtlicue: destruction came in the form of torrential rains and floods. the mountains disappeared and men were transformed into fish. 10 the symbol of the fifth sun, our current epoch, is the face of tonatiuh, the sun god himself. his tongue, fittingly depicted as an obsidian knife, juts out hungrily, signalling his need for the nourishment of human blood and hearts. his features are wrinkled to indicate his advanced age and he appears within the symbol ollin which signifies movement.11 why is the fifth sun known as the sun of movement

ngdoms of mexico, penguin books, london, 1990, p. 152; the gods and symbols of ancient mexico and the maya, pp. 141-2. graham hancock fingerprints of the gods 108 identities seemed to merge closely with those of quetzalcoatl. one was votan, a great civilizer, who was also described as pale-skinned, bearded and wearing a long robe. scholars could offer no translation for his name but his principal symbol, like that of quetzalcoatl, was a serpent.5 another closely related figure was itzamana, the mayan god of healing, who was a robed and bearded individual; his symbol, too, was the rattlesnake.6 what emerged from all this, as the leading authorities agreed, was that the mexican legends collected and passed on by spanish chroniclers at the time of the conquest were often the confused and conf

GREENFIELD ALLEN SECRET CIPHER OF THE UFONAUTS

here is only one order which can be obtained and all 26 letters appear in this order. crowley writes, then this line drawn is a key..and abrahadabra. abrahadabra is an 11-fold word, and counting down 11 spaces and numbering the letters thus obtained in sequence gives one the value of the english alphabet. thus we have both order and value, as mandated in liber al the line drawn and the rose cross symbol bear a striking resemblance to the area where the key is revealed, notes smith. but one cannot appreciate this without he original handwritten text at hand. as i have discovered the rose cross (which looks like a circle with a simple cross superimposed, or a gun site, or register mark) may contain other secrets. by following the line drawn down from the top of the page to its end at the ros

n the e.q, and added them to the numbers in the series. in the original handwritten text, the string of letters and numbers is divided into two lines, the first ending with y and the second beginning with x. stratton-kent goes on: there are seventeen numbers and letters in the first line and eleven in the second. but in the manuscript the x at the beginning of line two looks like a multiplication symbol so i made this calculation; 17 x 11= 187, the numerical value of the phrase english alphabet. there have been further developments. this cipher solution was uncovered in 1974, fully 70 years after the writing of liber al in 1979 frater lamed of the magical- qabalistic order known as the qblh was introduced to the cipher solution, and soon began work on expanding the scope of knowledge in th

t phrases to be reduced to cipher for decoding. the overall cipher picture reflects certain qualities about the mythos itself, which predicted the flying discs, the blonds and other features known in modern ufology. the mantong alphabet a animal (use an for short) b be to exist (often used as a command) c con to see (c-on; to understand) d de detrimental, disintegrant energy (the second important symbol in the alphabet) e energy (an all-pervading concept including the idea of motion) f fecund (used fe, as in fe-male fecund man) g generate (used gen) h human (a very metaphysical concept here, not fully under stood but used in the sense h-you-man; a human is an h-man) i self, ego (same as our english i) j generate (a duplication of g, but with a delicate difference in shade of meaning. actua

(same as our english i) j generate (a duplication of g, but with a delicate difference in shade of meaning. actually ja, in contrast to ge, is a very important distinction. g is the generating energy, while j is animal generation per se) k kinetic (the force of motion) l life m man n seed spore (child, as ninny) o orifice (a source concept) p power q quest (as quest-ion) r horror danger (used ar, symbol of a dangerous quantity of disintegrant force in an object) s sun (used sis; an important symbol, always referring to a sun whose energy is given off through atomic disintegration) t integration, growth (used te; the most important symbol of the alphabet; the true origin of the cross symbol. it signifies the integrative force of growth; as, all matter is growing the intake of gravity is the

indirectly tend to be transformative and thus of the great white brotherhood. ciphers for decoding messages between the black lodges and their alien sponsors have always existed. but confusions of a deliberate nature exist; the ancient gnostics uncovered a cipher which clearly indicates that the story of the garden of eden in its conventional form is turned on its head. the serpent is clearly the symbol of knowledge, wisdom, the kundalini yogic force, the will-current that is, it is the symbol of liberation and self-mastery. the jealous gods, as read in the original manuscripts, are clearly the forces of blockage, self-denial and repression which is to say, the intelligences governing the black lodge. this knowledge of good and evil and life and death has been the terrible secret of initia

GRERALD SCHUELER AN ADVANCED GUIDE TO ENOCHIAN MAGICK

ed of matter that is so tenuous that our eyes cannot see it. there are many degrees of matter's density. the most dense is the physical plane. the next, more ethereal and very close to the physical plane, is the etheric plane symbolized by the element earth. the next more ethereal world is the astral plane which is usually divided into a lower half, symbolized by the element air, anda higher half symbol ized by the element fi re. the highest plane conceivable to human consciousness is the spiritual plane symbolized by the element spirit (the enochian system uses spirit as a fifth element. aboye this is the divine piane which is inconceivable to the human mirad and no descriptions are possible. there are seven cosmic planes in all. little can be raid of the highest two. the lower five cosmi

ck a thought is a thing; an entity, which is composed of the cosmic element, air. an emotion is an object which is composed of the cosmic element, water. table ion the following page contains three symbolic ways of representing these cosmic elements. the first group of symbols are magical and cover all five elements. the second group of symbols are kerubic astrological sigils. the third alternate symbol group are the eastern tattwas adopted by the golden dawn. 20 21 the magical universe 'the magician works in a temple; the universe, which is (be it remembered) coterminous withhimself" aleister crowley, book 4 the magical universe is the macrocosm of the magician. as a magician, you will have your own experiences in your own aspects, but no two magicians will see the subtle planes of the wa

thin the circle symbolizes man within the magical universe. crowley called the infinitely large circle nuit. the egyptian goddess of the night sky nuit (or nut) personified infinite space as well as the concept of objectivity. he called the infinitely small point hadil. the chaldean god 22 hadit (or had) personified pure consciousness as well as the concept of subjectivity. the egyptians used the symbol of the winged globe to represent a center of consciousness. whatever the symbol used, as a magician you will soon realize that the universe around you always faithfully expresses the thoughts and emotions that are within you. similarly, the thoughts and emotions within you are conditioned by the world environment around you.wherever you go, try to see your inner world and your outer world a

dix a. here you can see ata glance that this region is three parts earth and one part air. you would not expect to see evidente of water or fire anywhere in this region. in this manner, the truncated pyramids that are shown in figures 15 through 31 in appendix a can be especially helpful in quickly summarizing the cosmic elemento of the watchtower squares. the pyramid itself is a powerful magical symbol its base is four-sided and thus rooted in forro (four is the number for stability and firmness) while its peak is a single point high above. it represents the magical universe as a graduated expression in time, space, and form of being, from the highest spiritual spheres to the lowest material globes. the pyramid can also represent yourself; the base corresponda to your physical body and th

ses tend toward isolation. this fact is dearly seen in the third aethyr, zom, where you can become a true magus, the creator and master of your own universe. man's nature aboye the first aethyr, lil, is monadic. below lil man's nature is dualistc. the two primary polarities of man's dualistic nature are objectivity (the universe) and subjectivity (consciousness. the circle. a cirde is the magical symbol of man's monadic nature aboye lil. it should be used by you to define the limits of your magical operations. acirde, usually green, is drawn on the floor around yourself. divine mames and appropriate symbols, such as the magical formulas, described later in this manual, are used to strengthen the cirde. lamps or candles can be used outside the circle to ward off the forces of darkness. the

GREY W G CONDENSATION OF KABBALAH

this theoretical structure as a scheme whereby god manifested itself out of itself until man and the rest of evident existence appeared out of nothing, they tried to visualise all this as a regular plan they could look at, calculate with, and study in greater detail. they wanted not only a written, but a designed formula for the complete concept of conceptions. mathematicians considered the best symbol for god in the act of creation would be a simple circle around a central point, since the deity was likened to a circle with a centre everywhere 4 figure 6 the pillars on the tree figure 5 the sword or lightening flash on the tree figure 4 the abyss on the tree and a circumference nowhere. besides, the circled point had been and still is a symbol for the sun or cosmic light-life. so they se

anything which counts as a victory gained by struggles with all the opposition encountered in earth-life. intentions of achieving such victory over the worst side of ones own nature should be very much included here. anything of a good over bad nature. these three paths are those which start us from this physical world on our way back to god. so, stage by stage, a path at a time, does our serpent-symbol take us back up the tree. it is true that all these journeys are purely imaginative, but never under-estimate the faculty of imagination. imagination has led mankind to our present place in creation and will lead us 14 further in the future. it has been said without vision the people will perish and your young men shall see visions while your old men dream dreams. all tree-path exercises ar

alismanic magic became incorporated into its curriculum as also did astrology and other arcane activities. the 22 trumps of the tarot cards were well aligned with the paths of the tree, and the numbered cards coincided with the four worlds of the ten spheres. thenceforth the tree became a sort of storage system for all the esoterica of our western inner tradition. it has since turned into a major symbol representing practically every variety of our occult specialist studies, with the possible exception of the neo-paganmovement which usually finds it too formal and complex. once the connections of the tarot with the tree had been established, very definitemeanings could be attached to them providing they were properly used as indicators of divine intentions which left human enquirers free t

GRIMM JACOB TEUTONIC MYTHOLOGY VOL 3

h poets and artists insensibly deviate from the sanctity of the old type, and adopt an independent treatment of sacred subjects, which, ingenious as it may be, mars the continuity of tradition. the tragedians will alter for their own ends what epic had handed down entire; the sculptors, striving after naked forms of beauty, preface. xlix will^ in favour of it, sacrifice if need be the significant symbol; as they can neither bring in all the features of the myth, nor yet find the whole of them sufficient, they must omit some things and add others. sculpture and the drama aim at making the gods more conceivable to the mind, more human; and every religion that is left free to unfold itself will constantly fall back upon man and the deepest thoughts he is capable of, to draw from them a new in

weser mountains and the harzj and in many more (d. sag. nos. 9. 303. 314. bechst. 1, 146. 3, 16. 4, 210-1. dieffenbach's wetterau pp. 284-5. 190; it must be very old^ the flower is commonly said to be blue, the colour most proper to gods and spirits, yet also i find 'purple flower' and' luhite flower' mentioned. sometimes it is called schlusselbhime (key-flower, because it locks the vault, and as symbol of the key-wearing white woman, whom the bunch of keys befits as old mistress and housekeeper, and who has likewise power to unlock the treasure; also luck-fiower (bechst. 3, 212, but most frequently ivunderblume. when three loonderfioioers are named, it seems to mean three on one stalk (ib. 1, 146. 4, 209. the sudden violent spriuging-to of the door is remarkably like the edda's' hrynja ho

ncantator, germinod incantatio, diut. 2, 326^ gl.doc. 213\ germenod, n. cap. 100; which afterwards died out of the language. the mhg. already used segen [blessing, from signum] for a magic formula, segencerinne for enchantress. chap. xxxviii. will go more deeply into this necessary connexion of magic with the spoken word, with poetic art; but, as the mystery of language easily passes into that of symbol, as word and writing get indissolubly wedded, and in our idiom the time-honoured term rune embraces both tendencies; it throws some light on the affinity of zoupar with teafor (p. 1033, and also on the method of divination (p. 1037) by rune-staves. the goth, afhugjan, to deprive of one's senses, bewilder, stands in gal. 3, 1 for /saakaiveiv= fascinare^ as. dyderian, bedgderian illudere, inc

atliol: marien son und got' or' her trede ik in dm mst (nest, und verlate unsen herre jesum christ' in hessian records of 1g33' hie stehe ich uf dieser mist, und verleurne (deny) des lieben herrn j. christ! in abjuring, she stands on the dunghill, which begins to burn round her, and with a white stick she stabs a toad (iitsche. the standing on dung is also in conjuringspells. the white staff is a symbol of surrender, and after being grasped is thrown into the water, shepherds reputed to be sorcerers were accused of baptizing their sneep with salt. factums et arrest du parlem. de paris contre des berges sotciers executez depuis peu dans la prov. de brie sur i'imprime a paris 1695. 8, p. o7. heathen oeigin of ducking, etc. 1077 the seducers' names, the spells, the brood of' liolden' the roun

n despuere, adspuere, inspuere, exspuere. in case of need you may without scruple strijce a suspected witch, and. draw blood (p. 1096, or throw a, firebrand at her (sup. swed. 96. bread, salt and coals are a protective against magic (i, 564. 713, as witches abstain from bread and salt (p. 1071. i fancy that 2npping of the loaf, so distasteful to the wood-wives (p. 484, was a sacred magic-averting symbol; conf 'placenta digito notata' in lasicz 49. throw a steel over enchanted beasts, and they are bound to resume their natural shape (sup. i, 886^ throw a knife marked with the cross over a witch, and you recognise her (554; when a man threw steel between the elfin and the hill, it prevented her going into it (p. 467; steel insures the child in the cradle from being changed. instances of magi

GRIMM TEUTONIC MYTHOLOGY VOL 2 1883 COMPLETE

the ship, and the spot to which it was tied still bears the name of naubandhanam (ship-binding. then spake the fish: i am brahma, lord of created things, a higher than i there is not, in the shape of a fish have i delivered you; 1 ckt9ea from cict9ea is buttmann s acute suggestion; but he goes farther, taking this sisythes or sisuthros to be sesothris, sothis, seth; and noah to be dionysos, and a symbol of water. 2 buttm. p. 45 seq, who connects it with okeanos and ogenos. 3 it is remarkable, that in a beautiful simile, therefore without names or places, homer depicts a kind of deluge, ii. 16, 384: cbs 5 vwb xcuxcttti tracra kexalvrj fiefipide "xq&v ij/j,ar otrwpo y, ore xa^porarov x^ i $8w/&gt; zeus, ore 77 p dvdpecrcrt /careercrd/u.ei os xaxetttji y, o? f3iri elv dyopfj cr/coxta

rses heads are nailed transversely on each gable-end (kiihlende) of the roof, a remin iscence of the sacred horses of the ancients. heinr. schreiber (taschenb. f. 1840, p. 240 seq) has likewise noticed these horses rushing at each other on gables of the older houses in romanic rhgetia (not germ. switz, but tyrol; see zingerle s sitten p. 55; he is decidedly over hasty in pronouncing them a celtic symbol, for if we were to say that the custom in l. saxony was a legacy from the earlier celtic inhabitants, criticism would lose all firm footing. to me this custom, as well as horse-worship altogether, seems to belong equally to celts, teutons and slavs; what particular branches of these races were most addicted to it, will by degrees unfold itself to future research (see suppl. praetorius (welt

7: iiz golde ein ar geroetet, gefiuret unde gefunkelt ufjeglich kriuze gelcetet/ true, the cock is an emblem of vigilance, and the watchman, to command a wide view, must be highly placed; 2 but it is quite possible that the christian teachers, to humour a heathen custom of tying cocks to the tops of holy trees, made room for them on church-towers also, and merely put a more general meaning on the symbol afterwards (see suppl. at the head of wildfowl the eagle stands as king, and is the messenger of jove. in our beast-fables the raven seems to take upon him the parts both of wolf and of fox, uniting the greed of the one with the other s cunning. two ravens, huginn and muninn, are, like the two wolves, constant companions of cvsinn (p. 147; their names express power of thought and remembranc

a wheel, has been fully shewn, p. 620. tit. 2983 speaks of the sun s wheel. the edda expressly calls the sun fagrahvd, fair wheel, saem. 50a sn. 177. 223. the norse rune for s is named sol sun, the as. and ohg. sigil, sugil, for which i have proposed (andr. p. 96) the readings segil, sagil, sahil, and may now bring in support the goth, sduil and gr. r/ato. but the gothic letter q= hv) is the very symbol of the sun, and plainly shews the shape of a wheel; we must 1 wagen waggon belongs to weg way, as carpentum does to carpere (viam; the car of heaven is also that of the highest god. otfr. i. 5, 5. says of the herald angel: floug er sunnum pad, sterrdno strdza, wega wolkono. the indians also call the sky path of clouds, somadeva 1, 17. 2, 157. j so in mod. gr &lt;j&gt;eyydpt brillian

black veils that day, and having tied up a puppet of straw, put a white shirt on it, and give it a broom in one hand, and a scythe in the other. this puppet they carry singing, and pursued by boys throwing stones, to the border of the next town, where they tear it up. then they hew down a handsome tree in the wood, hang the shirt upon it, and carry it home with songs. 2 this tree is undoubtedly a symbol of summer introduced in the place of death driven out. such decorated trees are also carried about the village by boys collecting gifts, after they have rid themselves of death. in other cases they demand the contribu tions while taking the puppet round. here and there they make the straw man peep into people s windows (as berhta looks in at the window, p. 274: in that case death will carry

H SPENCER LEWIS ROSICRUCIAN MANUAL AMORC 1990

erm rosae crucis in the title. its colleges and university were also incorporated, and a patent was secured from the united states government protecting the name and symbols of the order in the united states and throughout the world. the name and symbols are also registered with many other nations of this jurisdiction. amorc is the only rosicrucian movement in north america having a patent on the symbol of the cross with one rose in its center, which is the true ancient symbol of the order in all lands. therefore, amorc repeats again its statement: it is a part of the worldwide rosicrucian order, most jurisdictions of which use the same name except for slight variations due to translation in foreign languages. it is part of the one and only rosicrucian order that is truly international. it

details pertaining to this service, see "funeral service" in the rosicrucian dictionary. naming ritual (the rosicrucian appellation rite) for details with respect to this ritual, see "naming" in the rosicrucian dictionary. marriage ceremony for details with respect to this ceremony, see "marriage ceremony" in the rosicrucian dictionary [26] some of the official seals of the a.m.o.r.c. 1. general symbol of the order in the world 2. the great seal of the supreme council 3. the seal and sign of the supreme treasurer 4. the seal of the founder 5. original emblem worn by the fratres and sorores 6. the rosae crucis (official) 7. the seal and sign of the supreme secretary 8. great seal of the grand master 9. the sacred insignia of the imperator [27] part three operating manual we present to our

. the furnishings of a lodge of our order are standardized, and serve the excellent purpose of providing the necessary articles and means for work and worship. these, too, are explained hereinafter. the "east" the "east" of the lodge is the first point on the horizon, and, therefore, the most important point of direction in the lodge to all rosicrucians. it was in the east that man first saw the "symbol of life" and knew, by what he saw, that cod's laws were mechanically and mathematically perfect. the diurnal rising of the sun, with such infinite exactness, after a period of transition from ebbing life at the west, to its dismal darkness of the north, likewise teaches man that life is continuous and immortal, rising again and again in the east, the south, and the west. in the east is the

ucis. the reason for this is twofold. by using rosae crucis instead, we adhere to the traditional custom. and we likewise keep from identifying ourselves with any of the commercial propositions that use the term rosy cross as titles for written-to-sell books which have nothing to do with our work, or as the name for colonization schemes, classes, etc (see pp. 72-76 for further information on this symbol [43] the triangles there has been much discussion as to why we use as a symbol the inverted triangle. just why the triangle with point downward is called inverted has not been explained to us. there is no reason, except mystically, why a triangle, such as ours, should have any definite position. a triangle is always a triangle, regardless of position, and to use the word inverted is to pres

t, in the work being done at the supreme grand lodge in the laboratory or out of it, in chemistry, electricity, healing, music, and even in the more subtle manifestations of nature's laws, the triangle in one of its two positions is used and always becomes the final or grand universal solvent. the cross within the spiritual triangle is one of the official symbols of our order and is a very sacred symbol. in one form or another it is to be found on every seal of every lodge. it is an identifying mark not used by any other organization or society in the world. privacy there seems to be some doubt in the minds of many of our members as to what is private in our work and what is not. this doubt may be removed by the following explanation: the principal object of privacy in our order is to prev

HANDBOOK OF EGYPTIAN MYTHOLOGY

contained little about egyptian mythology. greek philosophy, science, and literature were the main interests of the scholars at the mouseion, a kind of protouniversity attached to the library. most members of the ptolemy family never learned the egyptian language, but they were conscious that they were ruling a multicultural society and that they needed the support of influential egyptians. as a symbol of cultural fusion, the ptolemies established the cult of a new god, serapis, who combined features of the egyptian deities apis and osiris with aspects of greek deities such as zeus and dionysus. many of the ptolemies were crowned in the temple of ptah at memphis, and they often contributed to the cost of religious ceremonies in the ancient capital. ptolemaic kings and queens were happy to

is f. daumas, les mammisis des temples gyptiens (paris, 1958. 86. followers of the theory that drama was born from the coming together of myth and ritual have cited the festival of victory as one of the world s oldest plays. see h. w. fairman, the triumph of horus: an ancient egyptian sacred drama (london, 1974. 87. for discussions of all these sources, see r. b. finnestad, image of the world and symbol of the creator (wiesbaden, 1985; or b. watterson, the house of horus at edfu (stroud, england, 1998. 88. see l. lesko, ancient egyptian cosmogonies and cosmologies, in shafer, religion in ancient egypt, 105 107. 89. for a french translation and commentary, see pj in appendix: primary sources. a few episodes from papyrus jumilhac are translated into english by hollis as an appendix to the an

spell 76, shu lifted up his daughter nut and set his son geb under his feet. this image was first portrayed in detail on coffins and funerary papyri at the end of the new kingdom. geb is shown sprawling at the bottom of the picture, sometimes still in a state of sexual arousal. shu stands with his arms raised supporting the arched body of nut (see figure 42. this arm position was the hieroglyphic symbol that wrote the word ka (life force or vital essence, which helps to emphasize that shu is making life possible. many other beings, including the entities known as the heh gods, can be shown assisting shu to support the sky above the earth. shu created a space between earth and sky in which creatures could breathe the air that gives life. in this space, the sun could rise for the first time

renewal expounded in the new kingdom underworld books. many of the events from this linear time line recur in cyclical time. cyclical time the egyptian universe remained eternally the same only through constant change in the form of cycles of decay, death, and rebirth. the ouroboros, a snake mythical time lines 89 swallowing its own tail, was an egyptian image adopted by many other cultures as a symbol of eternity. it signified the capacity of the universe to perpetually renew itself, so that every end could also be a beginning. the egyptian year the great events of egyptian myth could be treated either as things that happened once in the remote past or as things that needed to happen over and over again. the inauguration of a king, which ideally took place at new year, reenacted the crea

mp aten (aton) aten was a form of the sun god promoted by king amenhotep iv in the fourteenth century bce. this king changed his name to akhenaten, which probably means one effective on behalf of aten. he built huge roofless temples to aten, at first in thebes and then in a new capital city, akhetaten (horizon of aten. aten was shown as a disk or sphere with rays ending in human hands holding the symbol of life. in akhetaten (modern tell el-amarna, aten was worshipped as the sole god without equal. he was the god of light who had made the world and sustained it every day. surviving hymns to aten stress his role as benevolent creator. there is no long sequence of events leading up to creation. aten is simply said to have made everything according to his heart when he was alone. this act of

HEAVEN HELL

osiris attained to the high position which he occupied in the dynastic period. on the other hand, the evidence on this point which is to be deduced from the papyrus of ani must be taken into account. at the beginning of this papyrus we have first of all hymns to ra and osiris, and the famous judgment scene which is familiar to all. we see the heart of ani being weighed in the balance against the symbol of righteousness in the presence of the great company of the gods, and the weighing takes place at one end of the house of osiris, whilst osiris sits in his shrine at the other. the "guardian of the balance" is anubis, and the registrar is thoth, the scribe of the gods, who is seen noting the result of the weighing. in the picture the beam of the balance is quite level, which shows that the

the great company of the gods, and the weighing takes place at one end of the house of osiris, whilst osiris sits in his shrine at the other. the "guardian of the balance" is anubis, and the registrar is thoth, the scribe of the gods, who is seen noting the result of the weighing. in the picture the beam of the balance is quite level, which shows that the heart of ani exactly counterbalances the symbol of righteousness. this result thoth announces to the gods in the following words "in very truth the heart of osiris hath been weighed, and his soul hath stood as a witness for him; its case is right (i.e, it hath been found true by trial) in the great balance. no wickedness hath been found in him, he hath not purloined the offerings in the p. 51 temples, 1 and he hath done no evil by deed o

protected with a row of spear beads, and from the ceiling hang four heads of gazelle, or oryges; according to a legend certain enemies of osiris transformed themselves into these animals, and were slain by the god. on the platform, immediately in front of the god, stands thoth, in the form of a mummy, and be serves as the standard of the balance; the object in the pan is being weighed against the symbol of "evil, which it seems to counterbalance exactly. this being so, it seems that the wickedness of the deceased did not go beyond a recognized limit. anubis, in the upper corner of the scene, addresses some words to thoth, who bears the balance on his shoulders. in the small boat near the balance is a pig being beaten by an ape; 1 the name of the pig is am-a, but neither his functions, nor

HEKAS

aby-fi-hamat-'the black head of wisdom' or 'seat of knowledge' and constitutes a cipher of certain secret practices used in sects and tribes preserving a gnosis of ancient origin in persia and from thence disseminated through the migration of arab peoples and influences into europe and spain: the arabic trilitera