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SYLPH

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ALEISTER CROWLEY EQUINOX EQ I 1 2

s is a shot of crowley with a dead cat around his neck" 2 preface nobody is better aware than myself that this account of my retirement labours under most serious disadvantages. the scene should have been laid in an inaccessible lamaserai in tibet, perched on stupendous crags; and my familiarity with central asia would have enabled me to do it quite nicely. one should really have had an attendant sylph; and one's guru, a man of incredible age and ferocity, should have frequently appeared at the dramatic moment. a gigantic magician on a coal-black steed would have added to the effect: strange voices, uttering formidable things, should have issued from unfathomable caverns. a mountain shaped like a svastika with a pillar of flame would have been rather taking; herds of impossible yaks, ghost

DONALDTYSON ELEMENT

survive in the astral realm, and also to libraries of an inhuman type that never had a material existence in our world. dealing with sylphs is seldom an intimate or emotional experience, as can be the case when dealing with gnomes or undines. sylphs are emotionally detached from human desires and motives. it is easy to love an undine, or feel fondness for a gnome, but difficult to interact with a sylph. salamanders are best left uncalled. on those occasions when you wish to cause destruction to a specific place or person, a salamander may be sent, but there is always the danger of backlash. salamanders do not like being told what to do, and must be compelled with words of power and the sigils of superior spirits. they resent this control. i should emphasize this point: salamanders are dang

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

ntial part of the proceedings. as stated, it was thought possible for a human being to confer immortality on an elementary spirit through marriage. this does not always occur, however. sometimes the reverse is the case, and the elementals share their mortality with their human mate. in literature, at all events, countless stories relate how men have risked and lost their immortality by marrying a sylph or an undine. according to the comte de gabalis, however, it would seem to be a matter of choice whether a man confers his immortality on his ethereal partner or whether he partakes of her mortal nature, for it suggests that those who have not been predestined to eternal happiness would do well to marry an elemental and thus spare themselves an eternity of woe. not every authority has painte

h ed. 490 the salamanders, hot and hasty, but energetic and strong; and the gnomes, greedy of gold and treasures, but nevertheless hardworking, good-tempered, and patient. anyone who would seek dominion over any of these must practice their virtues but carefully avoid their faults, thus conquering them, as it were, on their own ground. each species can dwell only in its own proper element. thus a sylph may not invade the sphere of a salamander, or vice versa, while both would be decidedly out of their element in the regions of the nymphs or the gnomes. four rulers have been set over the four species.gob, ruler of the gnomes; paralda, of the sylphs; djin, of the salamanders; and necksa, of the nymphs. the dwellers in each element are assigned a point of the compass, which is where their spe

out of fashion around the opening of the nineteenth century, largely through sheer exhaustion of their stereotyped characters and plots. meanwhile the gothic impulse had also passed into serious literature in the romantic movement, which in britain included poets like shelley, byron, wordsworth, and coleridge and novelists like sir walter scott. for example, in scott s the monastery, a mysterious sylph rises from a fountain; astrology is introduced into guy mannering, the fortunes of nigel and quentin durward; a ghost story is told in redgauntlet; and ghosts figure in woodstock. in the bride of lammermoor, scott deals with the scottish belief in prophecy, and in waverley a highland chief is awestruck by a peculiar omen. perhaps the most influential expression of the gothic impulse in engli

FAUST

ithin! stay without, none follow in! like a fox in a snare quakes an ancient hell-lynx there. but now give heed! hover hence, hither hover, under, over, and he soon himself has freed. can ye avail him, oh, do not fail him! for he has already done much to profit us, each one. faust first, to deal with this beast s core, i will use the spell of four: salamander must be glowing, undine self-coiling, sylph vanish in going, kobold keep toiling. who would ignore the elements four, their powers and dowers, no master he over spirits can be. vanish in fiery glow, salamander! gurgling, together flow, undine! in meteoric beauty shine, sylph! bring homely help, incubus! incubus! step forth and end the charm for us. none of the four hides in the beast. he lies quite calmly, grins evermore; i ve not yet

JENNINGS HARGRAVE ROSICRUCIANS RITES MYSTERIES

c and mahommedan temples. eneral note on the sacti puja. power means the good goddess, maya maia (i.e. delusion. she is also called bhagala, vagula, bagala-mukhi. she has neither images nor pictures. the girl in the indian sacred, secret temple rites, who figures as the representative of sacti, is the supposed embodiment of the goddess offered for worship. the word sacti corresponds to genius, or sylph of the rosicrucian creed. the doctrine of guardian angels and of patron saints is conveyed in these hindoo meanings in the machinery of the sylphs. during puja, the yogini is supposed to be in an exalted visionary state (guy na nidra) wherein, like the sibyls among the ancients, and the modern clairvoyantes, she answers questions in a delerious manner, and is supposed to be for the time insp

K AMBER THE BASICS OF MAGICK

els also correspond with these same elements- element suit quarter archangel= earth pentacles north uriel water cups west gabriel fire wands south michael air swords east raphael elementals the magical elements are said to be peopled by spirits and mythological entities called elementals or nature spirits. these are grouped into four main categories- gnome (earth) undine (water) salamander (fire) sylph (air) the basics of magick get any book for free on: www.abika.com 14= dwarfs nymphs jin (genies) fairies elves tritons storm angels brownies mermaids hobgoblins mermen lepricauns sirens harpies elementals are usually only visible to those with clairvoyant sight and are more likely to be seen at night in the mountains or country away from cities- especially if you are tired or sleepy. althou

LIBER DCCCLX JOHN ST

irement of g. h. frater o m a a publication in class c. 3 preface nobody is better aware than myself that this account of my retirement labours under most serious disadvantages. the scene should have been laid in an inaccessible lamaserai in tibet, perched on stupendous crags; and my familiarity with central asia would have enabled me to do it quite nicely. one should really have had an attendant sylph; and one fs guru, a man of incredible age and ferocity, should have frequently appeared at the dramatic moment. a gigantic magician on a coal-black steed would have added to the effect: strange voices, uttering formidable things, should have issued from unfathomable caverns. a mountain shaped like a svastika with a pillar of flame would have been rather taking; herds of impossible yaks, ghos

MANLY P HALL THE SECRET TEACHINGS OF ALL AGES

n) a strange concept, and one somewhat at variance with the conventional, is that evolved by the count de gabalis concerning the immaculate conception, namely, that it represents the union of a human being with an elemental. among the offspring of such unions he lists hercules, achilles, neas, theseus, melchizedek, the divine plato, apollonius of tyana, and merlin the magician. click to enlarge a sylph. from sketch by howard wookey. the sylphs were changeable entities, passing to and fro with the rapidity of lightning. they work through the gases and ethers of the earth and are kindly disposed toward human beings. they are nearly always represented as winged, sometimes as tiny cherubs and at other times as delicate fairies. next: hermetic pharmacology, chemistry, and therapeutics sacred te

SIR EDWARD BULWER LYTTON ZANONI A ROSICRUCIAN TALE

enons a nos moutons" said i "you promised to enlighten my ignorance as to the rosicrucians "well" quoth he, rather sternly "but for what purpose? perhaps you desire only to enter the temple in order to ridicule the rites "what do you take me for! surely, were i so inclined, the fate of the abbe de villars is a sufficient warning to all men not to treat idly of the realms of the salamander and the sylph. everybody knows how mysteriously that ingenious personage was deprived of his life, in revenge for the witty mockeries of his 'comte de gabalis "salamander and sylph! i see that you fall into the vulgar error, and translate literally the allegorical language of the mystics" with that the old gentleman condescended to enter into a very interesting, and, as it seemed to me, a very erudite rel

nature) exists not: it is but the science by which nature can be controlled. now, in space there are millions of beings not literally spiritual, for they have all, like the animalculae unseen by the naked eye, certain forms of matter, though matter so delicate, air-drawn, and subtle, that it is, as it were, but a film, a gossamer that clothes the spirit. hence the rosicrucian's lovely phantoms of sylph and gnome. yet, in truth, these races and tribes differ more widely, each from each, than the calmuc from the greek, differ in attributes and powers. in the drop of water you see how the animalculae vary, how vast and terrible are some of those monster mites as compared with others. equally so with the inhabitants of the atmosphere: some of surpassing wisdom, some of horrible malignity; some

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