Michael Wynn's Occult Reference Library
STONE,STONES

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nocks) hegemon (knocks) 40 hierophant (knocks "khabs" hiereus (knocks "am" hegemon (knocks "pekht" hiereus (knocks "konx" hegemon (knocks "om" hierophant (knocks "pax" hegemon (knocks "light" hierophant (knocks "in" hiereus (knocks "extension" hierophant "all make the neophyte grade sign towards the altar" hierophant "may what we have partaken of sustain us in our search for the quintessence, the stone of the philosophers, true wisdom, perfect happiness, the summon bonum. and may it sustain us in love, truth, and knowledge. i now invoke the divine scribe of this order to record and place this event into thy tablets. i now release any spirits that may have been imprisoned by this ceremony. go back to thine own abodes and habitation with the blessings of yehashua yehovashah, for i now declar

0 0 INITIATION CEREMONY

eturns to his place) all rise hiero (knocks) tetelestai! hiereus (knocks) heg (knocks) hiero (knocks) khabs. hiereus (knocks) am. heg (knocks) pekht. hiereus (knocks) konx. heg (knocks) om. hiero (knocks) pax. heg (knocks) light. hiero (knocks) in. hiereus (knocks) extension. all make the signs towards the altar. hiero: may what we have partaken maintain us in our search for the quintessence, the stone of the philosophers. true wisdom, perfect happiness, the summum bonum. officers remain in the temple while the new neophyte is led out by kere 1= 10 zelator grade initiation part i outer order officers hierophant: red robe, red& white nemyss, gold shoes, lamen, white collar, sceptre hiereus: black robe, black& white nemyss, red shoes, lamen, red collar, sword hegemon: white robe, white nemys

18276066 GRIMM JACOB TEUTONIC MYTHOLOGY VOL 1

t have been used in the service of man, e.g, that the ox had never drawn plough or waggon. for such colts and bullocks are required in our ancient law-records at a formal transfer of land, or the ploughing to death of removers of landmarks. on the actual procedure in a sacrifice, we have scarcely any information except from norse authorities. while the animal laid down its life on the sacrificial stone, all the streaming blood (on. hlaut) was caught either in a hollow dug for the purpose, or in vessels. with this gore they smeared the sacred vessels and utensils, and sprinkled the participants^ apparently divination was performed by means of the blood, perhaps a part of it was mixed with ale or mead, and drunk. in the north the bloodbowls (hx^wibollar, hloibollar) do not seem to have been

iyoi pi^co ^ovv tjvlv, evpvfjlfrconov, u8fj.r]tt]i, ijv oi/'tto) vtto ^vyoi 'jyayev dui'jp ttjv toi iyui pf^co(^pvaov kfpacriv 7rfpt)(evas^ oc eingii skyldi tortyna hvurki i'e ne monnuni, neiiia sialft gengi i hurt. eyrb. saga, ix 10. and none shoiald they kill (tortima neither beast nor man, unless of itself it ran a-tilt^ saga hakonar g6?a, cap. 16. eyrb. saga p. 10. raus horgin, reddened the (stone) altar, fornald. sog. 1, 413. stalla lata riosa blosi, 1, 454. 527. stem. 114^ rioisutiih blosinu hl6ttre, fornald. sog. 1, 512. the grk ai/xa r ^o> i(o ttfpixffiv. conf. e.xod. 24, 8. 56 worship. irr^jjiival ^ojcrfia)(clkkovv e^ovaat 'yvfivotrose'i totf ovv al)(jiaxu- t0t9 hia tov arparottesov avv^vtcov ^t(f>7]pel' karaare-^aaai 8' avroii
have set it upright, fasten to it a large garland of branches of trees plaited together, and as big as a cartwheel. they all shout' the qucste i.e. garland) hangs' and then they dance round the tree on the hill top- both tree and garland are renewed every year^ isiot far from the meisner mountain in hesse stands a high precipice with a cavern opening under it, which goes by the name of the hollow stone. into this cavern every easter monday the youths and maidens of the neighbouring villages carry nosegays, and then draw some cooling water. no one will venture down, unless he has flowers with him^ the lands in some hessian townships have to pay a hunch of mayflov)ers (lilies of the valley) every year for rent* in all these examples, which can easily be multiplied, a heathen 1 bragnr vi. 1

well. in the earliest times temple was retained. is. 382. 395. t. 15,4. 193,2. 209,1. diut. 1, 195^ the hut which we are to picture to ourselves under the term fanum or pirr (a.s. bur, bower) was most likely constructed of logs and twigs round the sacred tree; a wooden temple of the goddess zisa will find a place in ch. xiii. with halla and some other names w^e are compelled to think rather of a stone building. we see all the christian teachers eager to lay the axe to the sacred trees of the heathen, and fire under their temples. it would almost seem that the poor people's consent was never asked, and the rising smoke was the first thing that announced to them the broken power of their gods. but on a closer study of the details in the less high-flown narratives, it comes out that the heat

plentifully; conf. in chaps. vi. x. xvi. the temple at sigtun, baer i baldrshaga, and the nomas' temple. either these were levelled with the ground to make room for a christian church, or their walls and halls were worked into the new building. we may be slow to form any high opinion of the building art among the heathen germans, yet they must have understood how to arrange considerable masses of stone, and bind them firmly together. we have evidence of this in the grave-mounds and places of sacrifice still preserved in scandinavia, partly also in friesland and saxony, from which some important inferences miglit be drawn with regard to the old heathen services, but these i exclude from my present investigation. the results are these: the earliest seat of heathen worship was in groves, whet

3 8 INITIATION CEREMONY

and leading it from sacred things, from the confines of matter, arise the terrible dog-faced demons, never showing a true image unto mortal gaze. so, therefore, first the priest who governeth the works of fire must sprinkle with the lustral water of the loud resounding sea. labor thou around the strophaios of hecate, when thou shalt see a terrestrial demon approaching cry aloud, and sacrifice the stone mnizourin. change not the barbarous names of evocation for they are names divine having in the sacred rites a power ineffable. and when after all the phantoms are banished thou shalt see that holy and formless fire, that fire which darts and flashes through the hidden depths of the universe hear thou the voice of fire. hereunto is the speech of the kabiri. heg: turns up lights and then condu

A PRACTICAL GUIDE TO WITCHCRAFT AND MAGICK SPELLS

iary and left- along with scores of similar pleas- on an ancient pile of stones in the forest of broceliande in brittany. archaeologists say that this is the grave of a neolithic hunter, but local tradition says that in this forest dwelled vivien, the lady of the lake of arthurian legend, and that here, having seduced merlin in order to learn his secrets, she ensnared him with his own spells. the stone pile is known as merlin's tomb, and each year hundreds visit the site to thank the wizard or to ask for his aid. when i visited the tomb, prayers- written on scraps of paper or card- were squeezed into gaps in the stones or pinned to the tree that shelters the tomb. whatever the origins of the tomb, it has been transformed into a source of power. for this badly signposted spot, a short walk

rayers- written on scraps of paper or card- were squeezed into gaps in the stones or pinned to the tree that shelters the tomb. whatever the origins of the tomb, it has been transformed into a source of power. for this badly signposted spot, a short walk up a muddy track from a cramped, rough car park, had a tranquil, spiritual air that you might expect at a great cathedral or far more impressive stone circles. such spots unleash the magick inside us. but even if you never visit brittany or stonehenge at sunrise on midsummer's day, you can still make use of your own magick. this is a book about white magick and witchcraft as sources of wisdom, healing and positivity. like native american spirituality, to which true witchcraft is akin (some say both were carried by the people of atlantis, t

and so it often happens that it is the wealthy people who win even more money- although that does not necessarily bring happiness. casting your needs into the cosmos and trusting they will be met does work, but not if you are expecting magick to compensate for an unnecessary shopping binge. nor, after a period of overeating and no exercise, can you expect a miracle diet to work so that you shed a stone in two days while still eating chocolate. spells tend to work best when there is a genuine need, generated by real emotion and linked to determination on a practical level. the rules of magick magick is not beyond or above life, but a natural though special part of your world. it is about not leaving fate, your fate, to any guru or deity, but shaping it with your own innate power, the power

ion, originally because this coincided with peak female fertility. moon magick for the increase of love and fertility is still practised under the auspices of the waxing moon. it was not until about 3,000 years ago that the male role in conception was fully understood in the west, and only then were the sky father deities able to usurp the mysteries of the divine mother. a trinity of huge, carved stone goddesses, representing the three main cycles of the moon, and dating from between 13000 and 11000 bc, was found in france in a cave at the abri du roc aux sorciers at angles-sur-l'anglin. this motif continued right through to the triple goddess of the celts, reflecting the lunar cycles as maiden, mother and crone, an image that also appeared throughout the classical world. witchcraft and th

s death. along with other nature deities, the horned god became demonised with the advent of christianity, and the goddess was either depicted as a wicked witch or downgraded to the status of a faerie. thus the celtic warrior goddess maeve became the faerie mab, described thus by mercutio in shakespeare's romeo and juliet: she is the fairy's midwife, and she comes in shape no bigger than an agate-stone on the fore-finger of an alderman. contrary to popular belief, wiccans do not 'hex (cast curses) or seek revenge, although some dutch and pennsylvanian witches consider that it is justifiable to 'bind' those who harm children or animals or actively promote evil or corruption. wiccans prefer to rely on the principles of natural justice that under karmic principles will redress the balance, ei

ABRAMELIN1

e third book, and many others besides. who then was this abraham the jew? it is possible, though there is no mention of this in the ms, that he was a descendant of that abraham the jew who wrote the celebrated alchemical work on twenty-one pages of bark or papyrus, which came into the hands of nicholas flamel, and by whose study the latter is said eventually to have attained the possession of the stone of the wise. the only remains of the church of saint jacques de la boucherie which exists at the present day, is the tower, which stands near the place du ch telet, about ten minutes walk from the biblioth que de l'arsenal; and there is yet a street near this tower which bears the title of rue nicolas flamel, so that his memory still survives in paris, together with that of the church close

ucherie which exists at the present day, is the tower, which stands near the place du ch telet, about ten minutes walk from the biblioth que de l'arsenal; and there is yet a street near this tower which bears the title of rue nicolas flamel, so that his memory still survives in paris, together with that of the church close to which he lived, and to which, after the attainment of the philosopher s stone, he and his wife pernelle caused a handsome peristyle to be erected. from his own account, the author of the present work appears to have been born in a.d. 1362, and to have written this manuscript for his son, lamech, in 1458, being then in his ninety-sixth year. that is to say, that he was the contemporary both of nicholas flamel and pernelle, and also of the mystical christian rosenkreutz

ABRAMELIN2

relate that he was employed by solomon in the building of the temple at jerusalem; that he then attempted to dethrone solomon, to put himself in his place; but that the king vanquished him and the angel gabriel chased him into egypt, and there bound him in a grotto. the rabbins say that when asmodeus was working at the building of the temple, he made use of no metal tool; but instead of a certain stone which cut ordinary stone as a diamond will glass. belzebud: also written frequently beelzebub, baalzebub, beelzebuth, and beelzeboul. from hebrew, bol= lord, and zbvb= fly or flies; lord of flies. some derive the name from the syriac beel d bobo= master of calumny, or nearly the same signification as the greek word diabolos, whence are derived the modern french and english diable and devil

ABRAMELIN3

the sacred magick 149 no. f is a square of e j squares. kalteph. the hebrew word for dog is klb. this square it will be noted is not a perfect acrostic. no. g is a square of g e squares. diseebeh is probably from zabh- a wolf. this square also is not at all perfect as an acrostic. no. h is a square of b e e squares. isichadamion, probably from dmivn= similitude of; and sig, scoria or lava, or sq, stone; root of sql, to stone. of abramelin the mage 150 the tenth chapter. o hinder any necromantic or magical operations from taking effect, except those of the qabalab and of this sacred magic( b) to undo any magic soever( c) to heal the bewitched( d) to make magical storms cease( e) to discover any magic( f) to hinder sorcerers from operating (1) c o d s e li m o h a b i m oc o (2) l a c h a t

ADEPTUS MINOR INITIATION

er frater a. died in gallia narbonensi, there succeeded in his place frater n.n. he, while repairing a part of the building of the college of the holy spirit, endeavored to remove a brass memorial tablet which bore the names of certain brethren, and some other things. in this tablet was the head of a strong nail or bolt, so that when the tablet was forcibly wrenched away it pulled with it a large stone which thus partially uncovered a secret door. on the top of 17 the door was inscribed in large letters 'post cxx annos patebo' meaning, after a hundred and twenty years i shall open, with the year of our lord under, 1484. frater n.n. and those with him then cleared away the rest of the brickwork, but let it remain that night unopened as they wished first to consult the rota" third "you will

death, rising again in a mystical resurrection, cleansed and purified through him our master, o brother of the cross and rose. like him, o adepts of all ages, have ye toiled. like him have ye suffered tribulation. poverty, torture and death have ye passed through. they have been but the purification of the gold. in the alembic of thine heart, through the athanor of affliction, seek thou the true stone of the wise (aspirant gives chief adept wand and crux ansata to the chief adept who then gives in exchange the crook and scourge) 21 crook and scourge chief "quit then this tomb, o aspirant, with thine arms crossed upon thy breast, bearing in thy right hand the crook of mercy and thy left the scourge of severity, the emblems of those eternal forces betwixt which the equilibrium of the univer

ALEISTER CROWLEY EIGHT LECTURES ON YOGA

were looking for me with no friendly intentions; but i had a feeling of lightness, of ghostliness, as if i were a shadow moving soundlessly about the street; and in actual fact none of the people who were looking for me gave the slightest indication that they were aware of my presence. there is a curious parallel to this incident in one of the gospels where we read that 'they picked up stones to stone him, but he, passing through the midst of them, went his way' 15. there is another side to this business of pratyahara, one that may be described as completely contradictory against what we have been talking about. if you concentrate your attention upon one portion of the body with the idea of investigating it, that is, i suppose, allowing the mind to move within very small limits, the whole

ind by means of magical practices leads (as one may say, in spite of itself) to the same results as occur in straightforward yoga. i think i ought to tell you a little more about these visions. the method of obtaining them was to take a large topaz beautifully engraved with the rose and cross of forty-nine petals, and this topaz was set in a wooden cross of oak painted red. i called this the shew-stone in memory of dr. dee's famous shew-stone. i took this in my hand and proceeded to recite in the enochian or angelic language the call of the thirty aethyrs, using in each case the special name appropriate to the aethyr. now all this went very well until about the 17th, i think it was, and then the angel, foreseeing difficulty in the higher or remoter aethyrs, gave me this instruction. i was

ALEISTER CROWLEY ABSINTHE THE GREEN GODDESS

desert. the legion of honor glows red in his shabby surtout. he comes here, one of the many wrecks of the panama canal, a piece of jetsam cast up by that tidal wave of speculation and corruption. he is of the old type, the thrifty peasantry; and he has his little income from the rente. he says that he is too old to cross the ocean--and why should he, with the atmosphere of old france to be had a stone's throw from his little apartment in bourbon street? it is a curious type of house that one finds in this quarter in new orleans; meagre without, but within one comes unexpectedly upon great spaces, carved wooden balconies on which the rooms open. so he dreams away his honored days in the old absinthe house. his rusty black, with its worn red button, is a noble wear. black, by the way, seems

ALEISTER CROWLEY ACROSS THE GULF

e of a certain little secret bone that is in the bear of syria. yet how should i a child slay such an one? for they had taken all weapons from me. but in a garden of the city (for we had now returned unto a house in the page 5 gulf.txt suburbs of thebai) was a colony of bears kept by a great lord for his pleasure. and i by my cunning enticed a young bear-cub from its dam, and slew it with a great stone. then i tore off its skin and hid myself therein, taking also its jaw and sharpening the same upon my stone. then at last the old she-bear came searching me, and as she put down her nose to smell at me, taking me for her cub, i drove my sharpened bone into her throat. i struck with great fortune; for she coughed once, and died. then i took her skin with great labour; and (for it was now nigh

ching me, and as she put down her nose to smell at me, taking me for her cub, i drove my sharpened bone into her throat. i struck with great fortune; for she coughed once, and died. then i took her skin with great labour; and (for it was now night) began to return to my house. but i was utterly weary and i could no longer climb the wall. yet i stayed awake all that night, sharpening again upon my stone the jaw-bone of that bear-cub; and this time i bound it to a bough that i tore off from a certain tree that grew in the garden. now towards the morning i fell asleep, wrapped in the skin of the old shebear. and the great bear himself, the lord of the garden, saw me, and took me for his mate, and came to take his pleasure of me. then i being roused out of sleep struck at his heart with all my

happens thus. of old, men sent their priests to rebuke nile for rising- until it was known that his rising was the cause of the fertility of their fields. now of the vows which i took upon me and of my service as priestess of the veiled one it shall next be related. chapter iii page 8 gulf.txt it was the equinox of spring, and all my life stirred in me. they led me down cool colonnades of mighty stone clad in robes of white broidered with silver, and veiled with a veil of fine gold web fastened with rubies. they gave me not the uraeus crown, nor any nemyss, nor the ateph crown, but bound my forehead with a simple fillet of green leaves- vervain and mandrake and certain deadly herbs of which it is not fitting to speak. now the priests of the veiled one were sore perplexed, for that never b

licious fruits, until i came even unto the holy city of memphis. and there i called soldiers of pharaoh, and put cruelly to death all them that had accompanied me; and i burnt the barge, adrift upon the nile at sunset, so that the flames alarmed the foolish citizens. all this i did, and danced naked in my madness through the city, until i came to the old magus of the well. and laughing, i threw a stone upon him, crying "ree me the riddle of my life" and he answered naught. then i threw a great rock upon him, and i heard his bones crunch, and i cried in mockery "ree me the riddle of thy life" but he answered naught. then i threw down the wall of the well; and i burned the house with fire that stood thereby, with the men-servants and the maid-servants. and none dared stay me; for i laughed a

which men call the soul. i starved myself shamefully, in this manner. first surrounding myself with all possible luxuries of food, brought in steaming and savoury from hour to hour, i yet condemned myself to subsist upon a little garlic and a little salt, with a little water in which oats had been bruised. then if any wish arose in me to eat of the dainties around me i gashed myself with a sharp stone. moreover i kindled a great fire in the cave so that the slaves tumbled and fainted as they approached. and the smoke choked me so that i constantly vomited a black and ill-smelling mucus from my lungs, stained here and there with frothing blood. again, i suffered my hair to grow exceeding long, and therein i harboured vermin. also, when i lay down to sleep, though this i did not till with s

ALEISTER CROWLEY AD MEIORUM CTHULHI GLORIAM

ce from various balkan embassies and a photograph of the f-104 fighter being crated up for shipment to luxembourg- additional material on the necronomicon which proved his bona fides. also at that meeting was the third member of the unholy trinity, james wasserman of studio 31 who- according to a south american cult leader- died during the last year, but who has been able with assistance from the stone of the wise and certain of the formulae in this book, to go on about his business like unto a living man. with simon's manuscript, barnes' occult vision and aesthetic scruples, and wasserman's production experience and tireless labour, the abhorred necronomicon began to take shape and the first edition smote the stands on december 22, 1977- the ancient pagan feast of yule, the winter solstic

ce from various balkan embassies and a photograph of the f-104 fighter being crated up for shipment to luxembourg- additional material on the necronomicon which proved his bona fides. also at that meeting was the third member of the unholy trinity, james wasserman of studio 31 who- according to a south american cult leader- died during the last year, but who has been able with assistance from the stone of the wise and certain of the formulae in this book, to go on about his business like unto a living man. with simon's manuscript, barnes' occult vision and aesthetic scruples, and wasserman's production experience and tireless labour, the abhorred necronomicon began to take shape and the first edition smote the stands on december 22, 1977- the ancient pagan feast of yule, the winter solstic

ers i must take with me when i leave you. anu have mercy on my soul! i have seen the unknown lands, that no map has ever charted. i have lived in the deserts and the wastelands, and spoken with demons and the souls of slaughtered men, and of women who have dies in childbirth, victims of the she-fiend lammashta. i have traveled beneath the seas, in search of the palace of our master, and found the stone of monuments of vanquished civilisations, and deciphered the writings of some of these; while still others remain mysteries to any man who lives. and these civilisations were destroyed because of the knowledge contained in this book. i have traveled among the stars, and trembled before the gods. i have, at last, found the formulae by which i passed the gate arzir, and passed into the forbidd

rotect me from the wolves that wander in those regions and went to sleep, for it was night and i was far from my village, being bet durrabia. being about three hours from dawn, in the nineteenth of shabatu, i was awakened by the howl of a dog, perhaps of a wolf, uncommonly loud and close at hand. the fire had dies to its embers, and these red, glowing coals cast a faint, dancing shadow across the stone monument with the three carvings. i began to make haste to build another fire when, at once, the gray rock began to rise slowly into the air, as though it were a dove. i could not move or speak for the fear that seized upon my spine and wrapped cold fingers around my skull. the dik of azug-bel-ya was no stranger to me than this sight, though the former seemed to melt into my hands! presently

some distance away and a more practical fear, that of the possibility of robbers, took hold of me and i rolled behind some weeds, trembling. another voice joined the first, and soon several men in the black robes of thieves came together over the place where i was, surrounding the floating rock, of which they did not exhibit the least fright. i could see clearly now that the three carvings on the stone monument were glowing a flame red colour, as though the rock were on fire. the figures were murmuring together in prayer or invocation, of which only a few words could be heard, and these in some unknown tongue; though, anu have mercy on my soul, these rituals are not unknown to me any longer. the figures, whose faces i could not see or recognise, began to make wild passes in the air with kn

ALEISTER CROWLEY LIBER 777

terpret more and more. even as a flower unfolds beneath the ardent kisses of the sun, so will this table reveal its glories to the dazzling eye of illumination. symbolic and barren as it is, yet it shall stand for the athletic student as a perfect sacrament, so that reverently closing its pages he shall exclaim, may that of which we have partaken sustain us in the search for the quintessence, the stone of the wise, the summum bonus, true wisdom, and perfect happiness. so mote it be! v the tree of life col. xii. this arrangement is the basis of the whole system of this book. besides the 10 numbers and the 22 letters, it is divisible into 3 columns, 4 planes, 7 planes, 7 palaces, etc. etc.8 table of correspondences table i 2 i. key scale. ii* hebrew names of numbers and letters. iii. the fou

ection (r= 10 kashina (k= 10 impurity (i= 10 analysis (a= 1 perception (p= 1 40 notes 36 cols. xxxviii.-xl. the vagueness and extent of these attributions is shown in this table from agrippa,7 who is too catholic to be quite trustworthy. things under the sun which are called solary among stones 1. the eye of the sun. 9. topazius. 2. carbuncle. 10. chrysopassus. 3. chrysolite. 11. rubine. 4. iris (stone. 12. balagius. 5. heliotrope (stone. 13. 6. hyacinth (stone. 7. pyrophylus (stone. 8. pantaura. auripigmentum and things of a golden colour. among plants 1. marigold. 17. mastic. 2. lote-tree. 18. zedoary. 3. peony. 19. saffron. 4. sallendine. 20. balsam. 5. balm. 21. amber. 6. ginger. 22. musk. 7. gentian. 23. yellow honey. 8. dittany. 24. lignum aloes. 9. vervain. 25. cloves. 10. bay-tree

d a dragon are at his feet, but he seems unaware of their attacks or caresses. line 12. his attitude suggests the shape of the swastika or thunderbolt, the message of god. line 13. she is reading intently in an open book. line 14. she bears a sceptre and a shield, whereon is figured a dove as a symbol of the male and female forces. line 15. his attitude suggests f, and he is seated upon the cubic stone, whose sides show the green lion and white eagle. line 16. he is crowned, sceptred, and blessing all in a threefold manner. four living creatures adore him, the whole suggesting a pentagram by its shape. line 17. he is inspired by apollo to prophesy concerning things sacred and progane: represented by a boy with his bow and two women, a priestess and an harlot. line 18. he drives furiously a

ALEISTER CROWLEY LIBER CHANOKH

i with 8 21 (which indicates el, and we have the name sabathiel continuing the process, we get zedekiel madimiel semeliel nogahel corabiel levanael these names will be found in the pentagram and about it. these angels are the angels of the seven circles of heaven.5 these are but a few of the mysteries of this great seal sigillvm dei meth the symbolic representation of the universe 6 iii the shew-stone, a crystal which dee alleged to have been brought to him by angels, was then placed upon this table, and the principal result of the ceremonial skrying of sir edward kelly is the obtaining of the following diagrams, plates iii.-viii. he symbolized the four-dimensional universe in two dimensions as a square surrounded by 30 concentric circles (the 30 thyrs or aires) whose radii increase in a

s. ed. read here vooan in invocations of the fallen spirits. the forty-eight keys or calls 22 can the wings of the winds understand your voices of wonder? o you! the second of the first! whom the burning flames have framed in the depths of my jaws! whom i have prepared as cups for a wedding, or as the flowers in their beauty for the chamber of righteousness! stronger are your feet than the barren stone, and mightier are your voices than the manifold winds! for you are become a building such as is not, save in the mind of the all-powerful. arise, saith the first: move thereofre unto his servants! shew yourselves in power, and make me a strong seer-of-things:7 for i am of him that liveth for ever [invokes: the file of spirit in the tablet of spirit. e the root of the powers of air. h the roo

ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

be failure to apply the right degree of force, as when a wrestler has his hold broken. there may be failure to apply the force in the right manner, as when one presents a cheque at the wrong window of the bank. there may be failure to employ the correct medium, as when leonardo da vinci found his masterpiece fade away. the force may be applied to an unsuitable object, as when one tries to crack a stone, thinking it a nut (4) the first requisite for causing any change is through qualitative and quantitative understanding of the conditions (illustration: the most common cause of failure in life is ignorance of one's own true will, or of the means by which to fulfil that will. a man may fancy himself a painter, and waste his life trying to become one; or he may be really a painter, and yet fa

lect all available objects of the same nature for talismans, and proceed to excite all these to the utmost by a magical ceremony; that is, by insisting on their godhead, so that they flame within and without him, his ideas vitalising the talismans. there is thus a vivid vibration of high potential in a certain group 121 of sympathetic substances and forces; and this spreads as do the waves from a stone thrown into a lake, widening and weakening; till the disturbance is compensated. just as a handful of fanatics, insane with one over-emphasised truth, may infect a whole country for a time by inflaming that thought in their neighbours, so the magician creates a commotion by disturbing the balance of power. he transmits his particular vibration as a radio operator does with his ray; rate-rela

t in every respect. for those who may be worthy, although not officially recognized as such, this eucharist has been described in detail and without concealment "somewhere" in the published writings of the master therion. but he has told no one where. it is reserved for the highest initiates, and is synonymous with the accomplished work on the 179 material plane. it is the medicine of metals, the stone of the wise, the potable gold, the elixir of life that is consumed therein. the altar is the bosom of isis, the eternal mother; the chalice is in effect the cup of our lady babalon herself; the wand is that which was and is and is to come. the eucharist of "two" elements has its matter of the passives. the wafer (pantacle) is of corn, typical of earth; the wine (cup) represents water (there

ion, and the profanation of the secrets of power, were equally dreaded. worse still, from our point of view, this motive induced writers to insert intentionally misleading statements, the more deeply to bedevil unworthy pretenders to their mysteries. we do not propose to discuss any of the actual processes. most readers will be already aware that the main objects of alchemy were the philosopher's stone, the medicine of metals, and various tinctures and elixirs possessing divers virtues; in particular, those of healing disease, extending the span of life, increasing human abilities, perfecting the nature of man in every respect, conferring magical powers, and transmuting material substances, especially metals, into more valuable forms. the subject is further complicated by the fact that man

aster therion is sanguine that his present reduction of all cases of the art of magick to a single formula will both elucidate and vindicate alchemy, while extending chemistry to cover all classes of change. there is an obvious condition which limits our proposed operations. this is that, as the formula of any work effects the extraction and visualization of the truth from any "first matter, the "stone" or "elixir" which results from our labours will be the pure and perfect individual originally inherent in the substance chosen, and nothing else. the most skilful gardener cannot produce lilies from the wild rose; his roses will always be roses, however he have perfected the properties of this stock. there is here no contradiction with our previous thesis of the ultimate unity of all substa

ALEISTER CROWLEY MAGICK WITHOUT TEARS

er has his hold broken. there may be failure to apply the force in the magic without tears get any book for free on: www.abika.com 39 right manner, as when one presents a cheque at the wrong window of the bank. there may be failure to employ the correct medium, as when leonardo da vinci found his masterpiece fade away. the force may be applied to an unsuitable object, as when one tries to crack a stone, thinking it a nut) 4. the first requisite for causing any change is thorough qualitative and quantitative understanding of the condition (illustration: the most common cause of failure in life is ignorance of one's own true will, or of the means by which to fulfill that will. a man may fancy himself a painter, and waste his life trying to become one; or he may be really a painter, and yet f

h a postscript. love is the law, love under will. yours fraternally, 666 p.s- i thought it might help you if i were to make a few experiments. i have done so. result: this is much more difficult and delicate an affair than i had thought when i wrote this letter. for instance, one single thought of a "second string- e.g "if it fails, i had better do so and so- is enough to kill the while operation stone dead. of course, i am totally out of practice; but, even so. chapter xx talismans: the lamen: the pantacle cara soror, do what thou wilt shall be the whole of the law. really you comfort me when you turn from those abstruse and exalted themes with which you have belaboured me so often of late to dear cuddlesome 11 little questions like this in our letter received this morning "do please, dea

ato thought meant a runner; hence, sun, moon, planets. the best i can do for you, honest injun! is the russian word for god bog; connected probably, though the lithuanian, with the welsh bwq a spectre or hobgoblin. bugge, too. not very inspiring, is it, to replace the old hundredth by "hush! hush! hush! here come the bogey man" or is it. enough of this fooling! out, trusty rapier, and home to the stone heart of the audacious woman that wrote "god within us" i know you thought you knew more or less what you meant when you wrote it; but surely that was a mere slip. an instant's thought would have warned you that the word wouldn't stand even the most superficial analysis you meant "something which seems to me the most perfect symbol of all that i love, worship, admire- all that class of verb

ate "a very natural question" now, fifty years later, here am i in the dock. 1("how can you expect people to take your magick seriously" i hear from every quarter "when you write so gleefully about it, with your tongue always in your cheek) my dear good sister, do be logical! magic without tears get any book for free on: www.abika.com 221 here am i who set out nigh half a century ago to seek "the stone of the wise, the summum bonum, true wisdom and perfect happiness" i get it, and you expect me to look down a forty-inch nose and lament! i have plenty of trouble in life, and often enough i am in low enough spirits to please anybody; but turn my thoughts to magick- the years fall off. i am again the gay, quick, careless boy to whom the world was gracious. let this serve for an epitaph: gray

this letter is to show that "they, not one person but a number acting in concert, not only foresaw a planet-wide catastrophe, but were agreed on measures calculated to assure the survival of the wisdom worth saving until the time, perhaps three hundred or six hundred years later, when a new current should revive the shattered thought of mankind. the equinox, in a word, was to be a sort of rosetta stone. there is one other matter of incomparable importance: the wars which have begun the disintegration of the world have followed, each at an interval of nine months, the operative publications of the book of the magic without tears get any book for free on: www.abika.com 280 law. this again seems to make it almost certain that "they" not only know the future, at least in broad outline, but are

ALEISTER CROWLEY MEDITATION

does not matter very much whether we insist upon the swiftness or the rapture of the holy spirit of god; and that it is he of whom it is here spoken is evident, for the name horner could be applied to none other by even the most casual reader of the holy gospels and the works of congreve. and the context makes this even clearer, for he sits in a corner, that is in the place of christ, the corner stone, eating, that is, enjoying, that which the birth of christ assures to us. he is the comforter who replaces the absent saviour. if there was still any doubt of his identity it would be cleared up by the fact that it is the thumb, which is attributed to the element of spirit, and not one of the four fingers of the four lesser elements, which he sticks into the pie of the new dispensation. he p

i make the three spheres of lead, tin, and gold respectively; the moons are silver, and the grip contains quicksilver, thus making the sword symbolic of the seven planets. but this is a phantasy and affectation "whoso taketh the sword shall perish by the sword" is not a mystical threat, but a mystical promise. it is our own complexity that must be destroyed. 89 here is another parable. peter, the stone of the philosophers, cuts off the ear of malchus, the servant of the high priest (the ear is the organ of spirit. in analysis the spiritual part of malkuth must be separated from it by the philosophical stone, and then christus, the anointed one, makes it whole once more "solve et coagula" it is noticeable that this takes place at the arrest of christ, who is the son, the ruach, immediately

nalysis the spiritual part of malkuth must be separated from it by the philosophical stone, and then christus, the anointed one, makes it whole once more "solve et coagula" it is noticeable that this takes place at the arrest of christ, who is the son, the ruach, immediately before his crucifixion. the calvary cross should be of six squares, an unfolded cube, which cube is this same philosophical stone. meditation will reveal many mysteries which are concealed in this symbol. the sword or dagger is attributed to air, all-wandering, all-penetrating, but unstable; not a phenomenon subtle like fire, not a chemical combination like water, but a mixture of gases<air would be too fierce for life; it must be largely diluted with the inert nitrogen. the rational mind s

gla, a notariqon formed from the initials of the sentence "ateh gibor leolahm adonai "to thee be the power unto the ages, o my lord" and the acid which eats into the steel should be oil of vitrol. vitrol is a notariqon of "visita interiora terrae rectificando invenies occultum lapidem" that is to say: by investigating everything and bringing it into harmony and proportion you will find the hidden stone, the same stone of the philosophers of which mention has already been made, which turns all into gold. this oil which can eat into the steel, is further that which is written, liber lxv, i, 16 "as an acid eats into steel. so am i unto the spirit of man" note how closely woven into itself is all this symbolism! the centre of ruach being the heart, it is seen that this sword of the ruach must

ich the magician draws "in the brown cakes of corn we shall taste the food of the world and be strong<pantacle as the paten of the sacrament, though special instructions about it are given in liber legis. it is composed of meal, honey, wine, holy oil, and blood> 99 when speaking of the cup, it was shown how every fact must be made significant, how every stone must have its proper place in the mosaic. woe were it were one stone misplaced! but that mosaic cannot be wrought at all, well or ill, unless every stone be there. these stones are the simple impressions or experiences; not one may be foregone. do not refuse anything merely because you know that it is the cup of poison offered by your enemy; drink it with confidence; it is he that will fall

ALEISTER CROWLEY SEPHER SEPHIROTH

a title of binah (cf. 42 )my) elihu (eli hua, ghe is my god h, who is the holy guardian angel of job in the allegory) whyl) please, i beseech you )n) beast, cattle, brute animal hmhb from all, among all lkb the son: assiah fs gsecret nature h (see s.d. 1:38-39) nb meditation (cf. 827; imagination; sin hmz a desirable one; to desire dmx brother-in-law mby hwhy in assiah hh ww hh dwy a dog blk 53 a stone, rock nb) elihu (see 52 )whyl) garden ng to defend, hide; a wall; the sun; fury hmx the spleen lwx+ a lover hbh)m 54 a basin, bowl, vessel (ex. 24:6) ng) rest ymd to judge, rule nd pertaining to summer mwx my flame; enchantments y+hl tribe; branch, rod, staff, stick, sceptre, spear; a bed h+m to remove; a heap, wall dn 55 1-10. the sum of the sephiroth; the mystic number of malkuth. thief; s

wy( the sons of [the merciful] god l) ynb incense hnwbl a disc, round shield; a defender ngm possession hlxn arduous, busy; host, army )bc 94 corpse hpwg the valley of vision nwyzxyg to extinguish k(d a fault (ps. 50:20, i.e. there gallege a fault h) ypd a shore pwx a window nwlx a drop hp+ children mydly congratulations, good luck bw+ lzm prickly dnm side dc 95 the sphere of mars myd)m the great stone hldg nb) the waters mymh multitude, abundance nmh journey klhm queen hklm selah, glift up! h (ps. 32:5, 7, etc) hls 96 a name of god ynd) l (chaldee form of myhl) nyhl) by day mmwy occupation [mundane] work (cf. 415& 420) hk)lm the secret [counsel] of the lord (ps. 25:14; see 353) hwhy dws statute wc 97 changeless, constant; the god amon (na. 3:8) nwm) the son of man md) nb archangel of netz

flag, standard sn kinsmen, nation, populace; with, by, near m( fool lsk 111 aleph: an ox; a thousand pl) pele: the [hidden] wonder: a title of kether )lp red (gn. 25:25) ynwmd) he is one god: a name of god myhl )wh dx) ruin, destruction, sudden death ns) aum (thus in s.s; cf. 47) m) thick darkness lp) passwords of. ynd) hwhy dwy mad llwhm a holocaust, whole burnt offering; an ascent hlw( precious stone nx nb) vomit )yq 112 a structure; mode of building nynb was angry snb sharpness qdx the lord god: the divine name of binah myhl) hwhy (notariqon of ha-qadosh barukh hua, 655) hbqh 113 likewise; the same (fem (cf. 108) hqx a giving away, remitting hxyls a stream, brook glp 114 tear (weeping (md gracious, obliging, indulgent nwnx science (dm brains nyxwm we wnxn 115 here am i ynnh the heat of

ce (dm brains nyxwm we wnxn 115 here am i ynnh the heat of the day mwyh mwx to make strong; vehement, eager qzx we wnxn) 116 doves mynwy the munificent ones mybydn primordial h)ly( artificial (counted only with mem final in s.s) mylglg 117 fog, darkness lpw) chief, duke; guide pwl) 118 to pass, renew, change plx to ferment (mx the high priest lwdg nhk the goddess nu (spelt in full :w:n 119 lydian-stone nxwb nb) beelzebub: the fly-god bwbzl(b weeping (subst) h(md abominable lwgp 120 samekh: a prop, support kms master l(k foundation, basis ydswm season; the time of the decree d(wm strengthening nykm prophetic sayings, or decrees: ghis days shall be h (hence gabra- melin h) mylm a veil, covering, screen ksm a name of god n( imaginary, fanciful ynwymd vermin mynk mocker cl moth ss shadow; shel

setting of the sun hmx ymwdmd was angry, enraged; anger p(z the beard (s.d. cap. 2; lingam (qnz) nqz hidden; wonderful )lpwm female; yoni hbqn demon; injurer qyzm 158 arrows mycyx to suffocate qnx balances (ch) nynz)m eternal, perpetual, enduring yxcn 159 surpassing whiteness (see 934 )nycwb point hdqn 160 thine eyes (pl; gnot h written; see 150& i.r.q. 652) kyny( silver psk fell down lpn a rock, stone (ls a tree c( thy face (ez. 3:8) kynp image mlc cain nyq to be lovely, pleasant m(n existing, stable myyq 161 the heavenly man (lit. the gprimordial h or gexalted h man) h)ly( md) the congregation of the eternal hwhy lhq 162 the sum of the letters of the lesser beard, if n= 14, etc (see 1350) son of the right hand nymynb colour (bc 163 he, the lord god ynd) myhl )wh woman, wife hbqwn 164 the

ALEISTER CROWLEY TAO TEH KING

'fatherless 'virtueless 'unworthy' proclaiming by this that their glory is in their shame((it is the invisible that is all-important: see cap. ii) so also the virtue of a chariot is not any of the parts of a chariot, if they be numbered((cf 'the questions of king milinda' where is the discussion of what a carriage really is) they do not seek to appear fine like jade, but inconspicuous like common stone((english good manners are similarly inconspicuous, and were so devised as a protection. jade is liable to be seized and carved; ordinary stone may escape (cf. kwangtze on the rotten tree, etc. zan kien shieh. s. b. e. xxxix, p.217) 45 chapter xl omitting utility. 1. the tao proceeds by correlative curves, and its might is in weakness. 2. all things arose from the teh, and the teh budded from

ALEISTER CROWLEY THE LOST CONTINENT

ly high, and as there were no merchants even of alcohol, whose use was forbidden, every man saved all his earnings, and died rich. at his death his savings went back to the community. taxation was consequently unnecessary. clothes were unnecessary and unknown, and the 'bread from heaven' was the "free gift of god. the dead were thrown to the amphibians. each man built his own shelter of the rough stone sponge which abounded. the word 'house' was used only in atlas; the servile race called its huts 'hloklost (equivalent to the english word 'home. discontent was absolutely unknown. it had not been considered necessary to prohibit traffic with foreign countries, as the inhabitants of such were esteemed barbarians. had a ship landed men, they would have been murdered to a man, supposing that a

ALEISTER CROWLEY THE OLD AND NEW COMMENTARIES TO LIBER AL

that nu is connected with north, while had is sad, set, satan, sat (equals "being" in sanskrit, south. he is then the sun, one point concentring space, as also is any other star. the word abrahadabra is from abrasax, father sun, which adds to 365. for the north-south antithesis see fabre d'olivet's "hermeneutic interpretation of the origin of the social state in man. note "sax" also as a rock, or stone, whence the symbol of the cubical stone, the mountain abiegnus, and so forth. nu is also reflected in naus, ship, etc, and that whole symbolism of hollow space which is familiar to all. there is also a question of identifying nu with on, noah, oannes, jonah, john, dianus, diana, and so on. but these identifications are all partial only, different facets of the diamond truth. we may neglect a

e absorbed, and he has command of the language, to use it to express his will. so with magick; the student must understand and assimilate the basic propositions, and he must be expert in the drill of the practical details. but that is merely ground-work: he must then conceive his own expression, and execute it in his own style. each star is unique, and each orbit apart; indeed, that is the corner-stone of my teaching, to have no standard goals or standard ways, no orthodoxies and no codes. the stars are not herded and penned and shorn and made into mutton like so many voters! i decline to be bellwether, who am born a lion! i will not be collie, who am quicker to bite than to bark. i refuse the office of shepherd, who bear not a crook but a club. wise in your generation, ye sheep, are ye to

ity the existence of people who laugh at his fears, and tell him that the monster he fears is in reality not a fire-breathing worm, but a spirited horse, well trained to the task of the bridle. they tell him not to be a gibbering coward, but to learn to ride. knowing well how abject he is, the kindly manhood of the advice is, to him, the bitterest insult he can imagine, and he calls on the mob to stone the blasphemer. he is therefore particularly anxious to keep intact the bogey he so dreads; the demonstration that love is a general passion, pure in itself, and the redeemer of all them that put their trust in him, is to tear open the raw ulcer of his soul. we of thelema are not the slaves of love "love under will" is the law. we refuse to regard love as shameful and degrading, as a peril t

sted, your only tacticians the ostrich, the opossum, and the cuttle, will you not break and flee at our first onset, as with levelled lances of lust we ride at the charge, with our allies, the whores whom we love and acclaim, free friends by our sides in the battle of life? the book of the law is the charter of woman; the word thelema has opened the lock of her "girdle of chastity" your sphinx of stone has come to life; to know, to will, to dare and to keep silence. yes, i, the beast, my scarlet whore bestriding me, naked and crowned, drunk on her golden cup of fornication, boasting herself my bedfellow, have trodden her in the market place, and roared this word that every woman is a star. and with that word is uttered woman's freedom; the fools and fribbles and flirts have heard my voice

ALEISTER CROWLEY THE QABALAH

shadows to him, and cry: father! and, the devil being subtle, capable of disguising himself as an angel of light, it behoves the prodigal to have some test of truth. some great mystics have laid down the law, accept no messenger of god, banish all, until at last the father himself comes forth. a counsel of perfection. the father himself does send messengers, as we learn in st. mark xii; and if we stone them, we may perhaps in our blindness stone the son himself when he is sent. so that is no vain counsel of st. john (1 john iv. 1, try the spirits, whether they be of god, no mistake when st. paul claims the discernment of spirits to be a principal point of the armour of salvation (1 cor. xii. 10. now how should frater p. or another test the truth of any message purporting to come from the m

ALEISTER CROWLEY THE SWORD OF SONG

s well as the most beautiful and elaborate vane: and in this sense it is my pmost eage hope that i may not unjustly draw a comparison between myself and the great reformers of eighty years ago* so it is usually supposed. maybe i shall one day find words to combat, perhaps to overthrow, this position. p.s. as, for example, the note to this introduction. as a promise-keeper i am the original eleven stone three peacherine. a.c. i must apologise (perhaps) for the new note of frivolity in my work: due doubtless to the frivolity of my subject: these poems being written when i was an advaitist and could not see why everything being an illusion there should be any particular object in doing or thinking anything. how i have found the answer will be evident from my essay on the subject* i must indee

ned arrow but this (my wisdom, even to me, seems folly) may their folly be 145 true wisdom? o esteemed tahuti !25 you are, you are, you are a beauty! if after all these years of worship you hail ra26 his bark or nuit27 her ship* a flat cake of unleavened bread. as a matter of fact they do not enjoy and indeed will not eat them, preferring dok, a past of course flour and water, wrapped round a hot stone. it cooks gradually, and remains warm all day. pentecost 29 slowness of divine justice. poet pockets piety stakes. national anthem of natal. but this talk is all indigestion. now for health. reasons for undertaking the task. and sail the waters wild a-wenting 150 over your child! the left lamenting (campbell).28 the ibis head,29 unsuited to grin, perhaps, yet does its best to show its strong

it* famous adelphi villain. ii. as far as reason goes, there s hope for mortals yet: when nothing is that knows, what is there to regret? our consciousness depends on matter in the brain; when that rots out, and ends, there ends the hour of pain. iii. if we can trust to this, why, dance and drink and revel! great scarlet mouths to kiss, and sorrow to the devil! if pangs ataxic creep, or gout, or stone, annoy us, queen morphia, grant thy sleep! let worms, the dears, enjoy us! iv. but since a chance remains that i surives the body (so talk the men whose brains are made of smut and shoddy, i ll stop it if i can (ah jesus, if thou couldest) i ll go to martaban to make myself a buddhist. v. and yet: the bigger chance lies with annihilation. follow the lead of france, freedom s enlightened nati

lost !78 see the lay of the last minstrel. 759. ain elohim.79 there is no god! so our bible. but this is really the most sublime affirmation of the qabalist. ain is god for the meaning of ain, and of this idea, see berashith, infra. the fool is he of the tarot, to whom the number 0 is attached, to make the meaning patent to a child. i insult your idol, quoth the good missionary; he is but of dead stone. he does not avenge himself. he does not punish me. i insult your god, replied the hindu; he is invisible. he does not avenge himself, nor punish me. my god will punish you when you die! so, when you die, will my idol punish you! no earnest student of religion or draw poker should fail to commit this anecdote to memory. 767. mr chesterton.80 i must take this opportunity to protest against th

? why do surgeons go mad and cut up men like sturgeons (the questions are the late chas. spurgeon s) of yogi i could quote you hundreds in science, law, art, commerce noted. they fear no lunacy: their on dread s not for their noddles doom-devoted. they are not like black bulls (that shunned reds in vain) that madly charge the goathead of rural pan, because some gay puss had smeared with blood his stone priapus. they are as sane as politicians and people who subscribe to missions. this says but little; a long way are yogi more sane that such as they are. you have conceived your dreadful bogey, from seeing many a raving yogi. these haunt your clinic; but the sound lurk in an unsuspected ground, dine with you, lecture in your schools, share your intolerance of fools, and, while the yogi you c

ALEISTER CROWLEY EQ I 1

rcle on the sod springs the emerald chaste and clean from the duller paler green. surely in the circle millions of immaculate pavilions flash upon the trembling turf like the sea-stars in the surf- millions of bejewelled tents for the warrior sacraments. vaster, vaster, vaster, vaster, grows the stature of the master; all the ringed encampment vies with the infinite galaxies. in the midst a cubic stone with the devil set thereon; hath a lamb's virginal throat; hath the body of a stoat; hath the buttocks of a goat; hath the sanguine face and rod of a goddess and a god! spell by spell and pace by pace! mystic flashes swing and trace velvet soft the sigils stepped by the silver-starred adept. back and front, and to and fro, soul and body sway and flow in vertiginous caresses to imponderable r

in hand to the endless light of the nameless land. darkness spreads its sombre streams, blotting out the elfin dreams. i might haply be afraid, were it not the feather-maid leads me softly by the hand, whispers me to understand. now (when through the world of weeping light at last starrily creeping steals upon my babe-new sight, light- o light that is not light) on my mouth the lips of her like a stone on my sepulchre seal my speech with ecstasy, till a babe is born of me 45 that is silent more than i; for its inarticulate cry hushes as its mouth is pressed to the pearl, her honey breast; while its breath divinely ripples the rose-petals of her nipples, and the jetted milk he laps from the soft delicious paps, sweeter than the bee-sweet showers in the chalice of the flowers, more intoxicat

d to see things in the cold light of reason. why should you undertake to defend this mr. penry? of course if you have made up your mind" he went on, passing over my interruption "i shall do my best for him; but if i were you, i'd keep my eyes open and do nothing rashly" in order to impress him, i put on a similar cold tone and declared that mr. penry was a friend of mine and that he must leave no stone unturned to vindicate his honesty. and with this i went back to mr. penry, and we left the office together. mr. penry's lodging disappointed me; my expectations, i am afraid, were now tuned far above the ordinary. it was in chelsea, high up, in a rickety old house overlooking a dingy road and barges drawn up on the slimy, fetid mud-banks. and yet, even here, romance was present for the roman

bute was not only a poetaster but a dabbler in magic, and black jealousy of a younger man and a far finer poet gnawed at his petty heart. he had gained a subtle hypnotic influence over hypatia, who helped him in his ceremonies, and he had now commissioned her to seek out his rival and pick up some magical link through which he might be destroyed. the door opened, and the girl passed from the cold stone dusk of the stairs to a palace of rose and gold. the poet's rooms were austere in their elegance. a plain gold-black paper of japan covered the walls; in the midst hung an ancient silver lamp within which glowed the deep ruby of an electric lamp. the floor was covered with black and gold of leopards' skins; on the walls hung a great crucifix in ivory and ebony. before the blazing fire lay th

if (with moses) we picture him as an old man showing us his back parts, who shall blame us? the great question 119 "any" question is the great question- does indeed treat us thus cavalierly, the disenchanted sceptic is too prone to think! well, shall we define him as a loving father, as a jealous priest, as a gleam of light upon the holy ark? what does it matter? all these images are of wood and stone, the wood and stone of our own stupid brains! the fatherhood of god is but a human type; the idea of a human father conjoined with the idea of immensity. two for one again! no combination of thoughts can be greater than the thinking brain itself; all we can think of god or say of him, so long as our words really represent thoughts, is less than the whole brain which thinks, and orders speech

ALEISTER CROWLEY EQ I 5

chaste. 60 here grew the murmur grim of the low-muttered hymn; here sound itself caught flame from the dark drone of shame- the world reverberated the unutterable name! astarte from her trance leapt loving to the dance, greeting as fire greets firs her whirling worshippers. and all her joy was theirs, and all their madness hers! yea! thou and i that strove for mastery in love, circling the altar stone maze-like, with magic moan, forthwith made that divinest destiny our own. throughout that violent vigil we wove the stormy sigil, our faces ashen-lipped from our heart's blood that dripped on the armed talismans of that moon-vaulted crypt. then came the sombre spectre from the abyss of nectar; yea, from the icy north came the great vision forth, a giant breaking through the weary web of wrat

of death-sobs echoing through the immemorial ground. o glee! the price to pay! swear but our souls away! and we may gain the goal that all the wise extol- the world, the flesh, the devil, weighed against a soul. 62 the wind blows from the south! crushed to that burning mouth, lured by that lurid law, we melt within that maw; and all he fiends loose hold, and all the gods withdraw! upon the altar-stone we are alone- alone! in vivid blackness curled with livid lightings pearled- sweat-drops upon god's brow when he creates a world! sister, the word is spoken! sister, the spell is broken. the sabbath torches flicker; the sabbath heart beats quicker; we have drained the sabbath cup of its austerest liquor. forsaken is the hall; finished the festival. my witch and i are thrown dead on the altar

tone we are alone- alone! in vivid blackness curled with livid lightings pearled- sweat-drops upon god's brow when he creates a world! sister, the word is spoken! sister, the spell is broken. the sabbath torches flicker; the sabbath heart beats quicker; we have drained the sabbath cup of its austerest liquor. forsaken is the hall; finished the festival. my witch and i are thrown dead on the altar stone by the contemptuous god that made our soul his own. come! come! we must begone. hiss the last orison! intone the last lament! take the last sacrament, the extreme unction, saviour when the soul is spent! 63 come! hurry through the night, a trail of tortured flight! eagle and pelican become mere maid and man till the next sabbath- days each like leviathan! nay! lift the languid head! take of

clasp shadows to him and cry "father" and, the devil being subtle, capable of disguising himself as an angel of light, it behoves the prodigal to have some test of truth. 69 some great mystics have laid down the law "accept no messenger of god" banish all, until at last the father himself comes forth. a counsel of perfection. the father does send messengers, as we learn in st mark xii; and if we stone them, we may perhaps in our blindness stone the son himself when he is sent. so that is no vain counsel of "st john (1 john iv. 1 "try the spirits, whether they be of god" no mistake when "st paul" claims the discernment of spirits to be a principal point of the armour of salvation (1 cor. xii. 10. now how should frater p. or another test the truth of any message purporting to come from the

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of the aeons is fallen. arise! arise! arise! let the light of the sight of time be extinguished: let the darkness cover all things: for my father goeth forth to seek a spouse to replace her who is fallen and defiled. seal the book with the seals of the stars concealed: for 3 the rivers have rushed together and the name hb:heh hb:vau hb:heh hb:yod is broken in a thousand pieces (against the cubic stone. tremble ye, o pillars of the universe, for eternity is in travail of a terrible child; she shall bring forth an universe of darkness, whence shall leap forth a spark that shall put his father to flight. the obelisks are broken; the stars have rushed together: the light hath plunged into the abyss: the heavens are mixed with hell. my father shall not hear their noise: his ears are closed: hi

the most exalted interpretation of the sephiroth. i is therefore kether; l, chokmah and binah; a, chesed; n, geburah; 10 r, tiphereth; z, netzach; n, hod; o, jesod. the geomantic correspondences of the enochian alphabet form a sublime commentary. note that the total angels of the aethyrs are 91, the numeration of amen. the cry of the 28th aethyr, which is called bag there cometh an angel into the stone with opalescent shining garments like a wheel of fire on every side of him, and in his hand is a long flail of 1 the lvx cross hidden in the svastika is probably the arcanum here connoted. svastika itself adds to 231= 0+ 1+ 2+ 21, the 21 keys. the cubical svastika regarded as composed of this lvx cross and the arms has a total of 78 faces- tarot and mezla. scarlet lightning; his face is blac

shapes, very elongated in the risers. the one to the right is lower than the first, and its left riser extends 2/3's of the way up inside the center of the one to the left. the left "u" turns back down to the far left, ending 1/5th the way down in a tiny circle. the right bends abruptly horizontally left across the other and also ends there in a tiny circle. but there is also much writing on the stone, very minute characters carved. i cannot read them. he points with his flail to the sapphire, which is now outside him and bigger than himself; and he cries: hail! warden of the gates of eternity who knowest not thy right hand from thy left; for in the aeon of my father is a god with clasped hands wherein he holdeth the universe, crushing it into the dust that ye call stars. hail unto thee w

thee who knowest not thy right eye from thy left; for in the aeon of my father there is but one light. hail unto thee who knowest not thy right nostril from thy left; for in the aeon of my father there is neither life nor death. hail unto thee who knowest not thy right ear from thy left; for in the aeon of my father there is neither sound nor silence. whoso hath power to break open this sapphire stone shall find therein four elephants having tusks of mother-of-pearl, and upon whose backs are castles, those castles which ye call the watch-towers of the universe. let me dwell in peace within the breast of the angel that is warden of the aethyr. let not the shame of my mother be 12 unveiled. let not her be put to shame that lieth among the lilies that are beyond the stars. o man, that must e

is passage seems to mean precisely the opposite of its apparent meaning. and the voice of the aeon cried: return, return, return! the time sickeneth, and the space gapeth, and the voice of him that is, was and shall be crowned rattles in the throat of the mighty dragon of eld. thou canst not pass by me, except thou have the mystery of the word of the abyss. now the angel putteth back the sapphire stone into his breast; and i spake unto him and said, i will fight with thee and overcome thee, except thou expound unto me the word of the abyss. now he makes as if to fight with me (it is very horrible, all the tentacles moving and the flail flashing, and the fierce 13 eyeless face, strained and swollen. and with the magic sword i pierce through his armour to his breast. he fell back, saying: ea

ALEISTER CROWLEY EQUINOX EQ I 1 2

e circle) i yet, by the favour of iao, obtained a really good effect, losing all sense of personality and being exalted in the pillar. peace and ecstasy enfolded me. it is well. 8.50 but as i was ill last night, and as the morning has broken chill and damp, i will go to the caf du d me 54 and break my fast humbly with coffee and sandwich. may it strengthen me in my search for the quintessece, the stone of the wise, the summum bonum, true wisdom and perfect happiness! 9.0. i hope (by the way) that i have made it quite clear that all this time even a momentary cessation of active thought has been accompanied by the rising-up of the mantra. the rhythm, in short, perpetually dominates the brain; and becomes active on every opportunity. the liquid moslem mantra is much easier to get on to than

by the necessity (alleged) of recording his results, or failed to overcome the duality of thoth. otherwise, even if he comprehended the base, he certainly failed at the apex of the pyramid. in any case, he cannot blame the ceremony, which is most potent; one or two small details may need correction, but no more. here then he is down at the bottom of the hill again, a rosicrucian sisyphus with the stone of the philosophers! an ixion bound to the wheel of destiny and of the samsara, unable to reach the centre, where is rest. he must add to the entry 1.13 that the "telephone-cross" voices came as he composed himself to sleep, in the will to adonai. this time he detached a body of cavalry to chase them to oblivion. perhaps an unwise division of his forces; yet he was so justly indignant at the

at the academie marcelle a gruelling bout without gloves and j. st. j. is at the luxembourg to look at the pretty pictures. 3.40. the proof of the pudding, observes the most mystic of discourses (surely! is in the eating. 117 one might justly object to any results of this ten days' strain. but if abundant health and new capacity to do great work be the after-effect, who then will dare to cast a stone? not that it matters a turnip-top to the adept himself. but others may be deterred from entering the path by the foolish talk of the ignorant, and thus may flowers be lost that should go to make the fadeless wreath of adonai. ah, lord, pluck "me" up utterly by the root, and set that which thou pluckest as a flower upon thy brow! 4.10. walked back to the d me to drink a citron press through t

heaven.'konx om pax' is the apotheosis of extravagance, the last word in eccentricity. a prettily-told fairy-story 'for babes and sucklings' has 'explanatory notes in hebrew and latin for the wise and prudent' which notes, as far as we can see, explain nothing together with a weird preface in scraps of twelve or fifteen languages. the best poetry in the book is contained in the last section 'the stone of the philosophers. here is some fine work."to be obtained of the" walter scott publishing co. ltd. paternoster row, e.c."and through all booksellers""crown 8vo, scarlet buckram, pp. 64. this edition strictly limited to 500 copies. price 10s a. a. publication in class b. book 777 this book contains in concise tabulated form a comparative view of all the symbols of the great religions of the

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roubled back to his studies, fresher than at first, fierce as a dragon he (soul-hydroptic with a sacred thirst) sucked at the flagon" 234 plunging into the "tenebrae" of transcendental physics, he sought the great fulfilment, and unknowingly in the exuberance of his enthusiasm left the broad road of the valley and struck out on the mountain-track towards that ultimate summit which gleams with the stone of the wise, and whose secret lies in the opening of the "closed eye- the consuming of the darkness. he who dismisses paracelsus with a twopenny clyster, or raymond lully with a sixpenny reprint, is not a fool, no, no, nothing so exalted; but merely a rabbit-brained louse, who, flattering himself that he is crawling in the grey beard of haeckel and the scanty locks of spencer, sucks pseudosc

the hands" true, much "twaddle" was written concerning balsams, and elixirs, and bloods, which, however, to the merest tyro in alchemy can be sorted from the earnest works as easily as a "bart's" student can sort hair-restoring pamphlets and blackhead eradicators from lectures and essays by lister and m ller. thus frenziedly, at the age of twenty-two, p. set out on the quest of the philosopher's stone. visita interiora terrae rectificando invenies occultam lapidem veram medicinam; this is indeed the true medicine of souls; and so p. sought the universal solvent vitriolum, and equated the seven letters in vitriol, sulphur, 235 and mercury with the alchemical powers of the seven planets; precipitating the salt from the four elements- subtilis, aqua, lux, terra; and mingling flatus, ignis, a

m the lord of life triumphant over death. he who partaketh with me shall rise with me. i am the manifester in matter of those whose abode is in the invisible. i am purified; i stand upon the universe: i am the reconciler with the eternal gods: i am the perfecter of matter: and without me the universe is not "may what we have this day partaken of, sustain us in our search for the quintessence; the stone of the philosophers; the true wisdom and perfect happiness, and the summum bonum" all then disrobe and disperse. undoubtedly the passing through the ritual of the neophyte had an important influence on p.'s mind, and on his spiritual progress; for shortly after its celebration, we find him experiencing some very extraordinary visions, which we shall enter upon in due course. suffice it to sa

in will not at the outset be mistaken for sarasate or paganini; for there will be discord and confusion of sound. so now, as we start upon the first visions of p. we find chaos piled on chaos, much struggling and noise, a roaring of wild waters in the night, and then finally, melody, silence and the communication of the mystic books of v.v.v.v.v. 301 let us now trace his progress in search of the stone of the philosophers, which is hidden in the mountain of abiegnus. there are eighteen recorded visions33 between the commencement of november and the end of december 1898, but as there is not sufficient space to include them all, only six of the most interesting will be given. being all written in his private hieroglyphic cipher by frater p, we have been obliged to re-write them completely, a

ing him approach i fell down and besought him to guide me, which without further word he did. 302 "on turning to the left i saw that near me was a rock door, and then for the first time i became aware that i was clothed in my robes of white.36 passing through the door, i found myself on the face of a high cliff that sank away into the abysms of space below me; and my foot slipping on the slippery stone, i stumbled forward, and would of a certainty have been dashed into that endless gulf, had not the shepherd caught me and held me back "then wings were given me, and diving off from that great rocky cliff like a sea-bird, i winged my course through the still air and was filled with a great joy "now, i had travelled thus but for a short time, when in the distance there appeared before me a si

ALEISTER CROWLEY EQUINOX EQ I 2 3

ntiful in the islands of orkney, the land fairies are acknowledge to have departed for ever. this is the story of their departure as it has been pieced together by mr. r. menzies fergusson. once upon a time, many years ago, the trows became dissatisfied with their residence upon pomona. they determined, therefore, to leave the pomona hills and knowes, and take up their dwelling beside the dwarfie stone on the island of hoy. the change was to be effected one evening at midnight, when the moon would be full and everything in favour of their flitting. the fateful night arrived, and the fairy train set out upon their journey. they bade farewell to the grassy hillocks upon which they had danced so often, and to the rocky caverns, the scene of their nightly revels, and all hied to the trysting-p

better use of their faculties" certain" no name of author was to be seen "in the fourth compartment" was a little framed picture, and though i examined it very closely i was not able at first to realize what the subject of the picture was. from a shallow little boat a gigantic snake was seen to emerge, fiercely staring, and on the opposite corner was a round black spot. as, when a child throws a stone in a river, the waves extend farther and farther, shunning the bruises which the child has inflicted upon them, in a like manner waver of a grey lighter and lighter as they extended towards the snake were painted in methodically eccentric gyrations. the last wave was almost white, and stopped at the head of the monster "in the fifth compartment" was a skull "in the sixth compartment" was a w

h! the shameless effrontery of the pope who asserts the contrary, and proves it by arguments unintelligible to the lay mind! how shocked is the rationalist! my good professor, right or wrong, i may be drunk, but i certainly see a pair of you. 387 so this is where we are got to after these six thousand, or six thousand billion years (as the case may be, that, asking for bread, one man gives us the stone of homoiousios and another the half-baked brick of amphioxus. both are in a way rationalists. wolff gives us idea unsupported by fact, and argues about it for year after year; treacle does the same thing for fact unsupported by idea. nor does the one escape the final bankruptcy of reason more than the other. while the theologian vainly tries to shuffle the problem of evil, the rationalist is

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, when in truth they should encourage, for that- as the oracles affirm- it is darkest before the dawn. meditation therefore annoyed me, as tightening and constricting the soul. i began to ask myself if the "dryness" was an essential part of the process. if by some means i could shake its catafalque of mind, might not the infinite divine spirit leap unfettered to the light? who shall roll away the stone? let it not be imagined that i devised these thoughts from pure sloth or weariness. but with the mystical means then at my disposal, i required a period of days or of weeks to obtain any result, such as samadhi in one of its greater or lesser forms; and in england the difficulties were hardly to be overcome. i found it impossible to meditate in the cold, and fires will not last equably. gas

nd he smiles gently "patient experiment will prove to you that the microscope is reliable" and i smile gently "patient experiment will prove to you that meditation is reliable" so there we are. x "stay not on the precipice with the dross of matter, for there is a place for thine image in a realm ever splendid" zoroaster "when thou seest a terrestrial demon approaching, cry aloud and sacrifice the stone mnizourin- zoroaster as a boy at school i enjoyed a reputation for unparalleled cowardice; in the world i am equally accused of foolhardiness. the judgment of the boys was the better. the truth is that i have always been excessively cautious, have never willingly undertaken even the smallest risk. the paradoxical result is that i have walked hundreds of miles unroped over snow-covered glacie

n of loathsome disease, entirely overpowering the intention of picturing inflicted pain. roderic, who, far from being a good man, was actually a freethinker, thought it a grimly apt symbol of the religion of our day. on his right stood a plaster muse, with a lyre, the effect being decidedly improved by some one who had affixed a comic mask with a grinning mouth and a long pink nose; on his left a stone plaque of lakshmi, the hindu venus, a really very fine piece of work, clean and dignified, in a way the one sanity in the room, except an exquisite pencil sketch of a child, done with all the delicacy and strength of whistler. the rest of the decoration was a delicious mixture of the grotesque and the obscene. sketches, pastels, cuts, cartoons, oils, all the media of art, had been exhausted

e jardin des plantes in the afternoon, and, dining in that quarter, had stayed lingering on the bridge watching the seine. the moon dropped down behind the houses- with a start i realised that i must go home. there was some danger, you understand, of footpads. nothing, however, occurred until- i always preferred to walk through the narrow streets- i found myself in the rue des quatre vents; not a stone's- throw from this house, as you know "i had been thinking of my previous misadventure, and, with the folly of youth, had been indulging in a reverie of the kind that begins 'if only' if only she had been a princess ravished by a wicked ogre. if only. if only "on the south side of the rue des quatre vents is a house standing well back from the street, with a railing in front of it- a common

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d in gallia narbonensi, there succeeded in his place frater n.n; he, while repairing a part of the building of the college of the holy spirit, endeavoured to remove a brass memorial tablet, which contained the names of certain brethren and some other things. in this tablet was the head of a long and strong nail or bolt, so that when the tablet was forcibly wrenched away, it pulled with it a large stone, which thus partially uncovered a secret door, upon which was inscribed "post cxx annos patebo [the aspirant then leaves the portal of the vault and the first point is at an end] illustration on page 126 described "diagram 69. the temple in the second point of the 5= 6 ritual" this is the same room shown in diagram 60. the heptagonal vault is shown without indication of a door, in the upper

th, rising again in a mystical resurrection, cleansed and purified through him our master, o brother of the cross of the rose! like him, o adepts of all ages, have ye toiled; like him have ye suffered tribulation. poverty, torture, and death have ye passed through. they have been but the purification of the gold. in the alembic of thine heart, through the athanor of affliction, seek thou the true stone of the wise* quit thou this vault, then, o aspirant, with thine arms crossed upon thy breast, bearing in thy right hand the crook of mercy and in thy left hand the scourge of severity,7 the emblems of those eternal forces, betwixt which in equilibrium the 217 universe dependeth: these forces whose reconciliation is the key of life, whose separation is evil and death [the "third adept" then c

tning; the flaming sword. this is shown by 21, the number of eheieh, the divine name of kether; then the tiphereth symbol of the vault; and last the centre of the earth affirmed in turn. this descent from kether to malkuth formulates the flaming sword, and thus is the light invoked in the second place. the seal is iao, ihshvh= 17+ 326= 343= 7 x 7 x 7 "i.e, 7 made into a cube, the formation of the stone of the wise from the seven-fold regimen, and the fixation of the wanderers (the seven planets, or of the volatile. 777= one is she the ruach elohim of lives, and the flaming sword, and olahm ha qliphoth. moreover 17 is the svastika and ihshvh_ the pentagram again, the marriage of isis and osiris (as shown by the signs in the key-word. now the flaming sword is a swift and transitory symbol; t

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he desert! i deny thee by the powers of mine understanding; bear me in the unity of thy might, and pour me forth from out the cup of thine all-pervading nothingness; for thou art all and none of these in the fullness of thy not-being. 5. o thou god of the nothingness of all things! thou who art neither the formulator of law; nor the cheat of the maze of illusion: o thou who art not the foundation-stone of existence; nor the eagle that broodeth upon the egg of space! i deny thee by the powers of mine understanding; swathe me in the unity of thy might, and teach me wisdom from the lips of thine all-pervading nothingness; for thou art all and none of these in the fullness of thy not-being. 32 6. o thou god of the nothingness of all things! thou who art neither the fivefold root of nature; nor

in france" etc. etc. portrait of the author, and all the original engravings. 8vo, 406 pp, cloth, 1896. published 15s offered at 7s. 6p. the pillars of the temple, triangle of solomon, the tetragram, the pentagram, magical equilibrium, the fiery sword, realisation, initiation, the kabbalah, the magic chain, necromancy, transmutations, black magic, bewitchments, astrology, charms and philtres, the stone of the philosophers, the universal medicine, divination, the triangle of pantacles, the conjuration of the four, the blazing pentagram, medium and mediator, the septenary of talismans, a warning to the imprudent, the ceremonial of initiates, the key of occultism, the sabbath of the sorcerers, witchcraft and spells, the writing of the stars, philtres and magnetism, the mastery of the sun, the

ombination of letters, placed in a certain manner, are said to possess a peculiar species of automatic intelligent vitality, apart from any of the methods given for their use; and students are recommended to make no use of these whatever unless this higher divine knowledge is approached in a frame of mind worthy of it. new pearl of great price: a treatise concerning the treasure and most precious stone of the philosophers; the original aldine edition of 1546, translated into english, with preface and index; the original illustrations, photographically reproduced. crown 8vo, cloth, 1894 (published 12s. 6d. net) 4s. 6d. paracelsus_ the hermetic and alchemical writings of aureolus philippus theophrastus bombast of hohenheim, called paracelsus the great, now for the first time translated into

d alchemical writings of aureolus philippus theophrastus bombast of hohenheim, called paracelsus the great, now for the first time translated into english. edited, with elucidatory notes, a copious hermetic vocabulary and index, by a. e. waite. 2 vols, 4to, cloth, 1894 (published 2 12s. 6d) 27s. 6d. alchemical writings of edward kelly, the englishman's two excellent treatises on the philosopher's stone, together with the theatre of terrestrial astronomy. by edward kelly, translated from the hamburg edition of 1676, and edited, with a biographical preface, emblematic figures. crown 8vo, cloth, 1893 (published, 7s. 6d) 4s. 6d. ashmole (elias) theatrum chemicum britannicum. containing severall poeticall pieces of our famous english philosophers, who have written the hermetique mysteries in th

heaven 'konx om pax' is the apotheosis of extravagance. the last word in eccentricity. a prettily told fairy-story 'for babes and sucklings' has 'explanatory notes in hebrew and latin for the wise and prudent_ which notes, as far as we can see, explain nothing_ together with a weird preface in scraps of twelve or fifteen languages. the best poetry in the book is contained in the last section 'the stone of the philosophers' here is some fine work" a. crowley's works the volumes here listed are all of definite occult and mystical interest and importance "the trade may obtain them from "the equinox" 124 victoria street, s. w. tel: 3210 victoria; and messrs. simpkin, marshall, hamilton, kent& co, 23 paternoster row, e.c "the public may obtain them from "the equinox" 124 victoria street, s. w

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nvocation. the work ranks next to gober as a fountain-head of alchemy in western europe. it reflects the earliest byzantine, syrian and arabian writers. this famous work is accorded the highest place among the works of alchemical philosophy which are available for the students in the english language. the new pearl of great price. the treatise of bonus concerning the treasure of the philosopher's stone. translated from the latin. edited by a. e. waite. crown 8vo, 4s. 6d. net. one of the classics of alchemy, with a very curious account, accompanied by emblematical figures showing the generation and birth of metals, the death of those that are base and their resurrection in the prefect forms of gold and silver. a golden and blessed casket of nature's marvels. by benedictus figulus. with a li

and birth of metals, the death of those that are base and their resurrection in the prefect forms of gold and silver. a golden and blessed casket of nature's marvels. by benedictus figulus. with a life of the author. edited by a. e. waite. crown 8vo, 4s. 6d. net. a collection of short treatises by various authors belonging to the school of paracelsus, dealing with the mystery of the philosopher's stone, the revelation of hermes, the great work of the tincture, the glorious antidote of potable gold. benedictus figulus connects by imputation with the early rosicrucians. the triumphal chariot of antimony. by basil valentine. translated from the latin, including the commentary of kerckringius, and biographical and critical introduction. edited by a. e. waite. crown 8vo, 4s. 6d. net. a valuable

y rosicrucians. the triumphal chariot of antimony. by basil valentine. translated from the latin, including the commentary of kerckringius, and biographical and critical introduction. edited by a. e. waite. crown 8vo, 4s. 6d. net. a valuable treatise by one who is reputed a great master of alchemical art. it connects practical chemistry with the occult theory of transmutation. the antimonial fire-stone is said to cure diseases in man and to remove the imperfection of metals. the alchemical writings of edward kelly. from the latin edition of 1676. with a biographical introduction, an account of kelly's relations with dr. dee, and a transcript of the "book of st. dunstan" edited by a. e. waite. crown 8vo, 4s. 6d. net. a methodised summary of the best hermetic philosophers, including a discou

the magi &c &c. fourth edition, greatly enlarged and revised, by grand orient. crown 8vo, cloth gilt, 252 pp, 2s. 6d. net. collectanea chemica. being certain select treatises on alchemy and hermetic medicine. by eirenaeus philalethes &c. crown 8vo, 7s. 6d. net. contents_ the secret of the immortal liquor called alkahest_ aurum potabile_ the admirable efficacy of the true oil of sulphur fire_ the stone of the philosophers_ the bosom book of sir george ripley_ the preparation of the sophic mercury. the hermetic museum, restored and enlarged: most faithfully instructing all disciples of the sopho-spagyric art how that greatest and truest medicine of the philosopher's stone may be found and held. now first done into english from the latin original published at frankfort in the year 1678. cont

r version. editorial happy is the movement that has no history! at the beginning of our second year we have little to record but quiet steady growth, a gradual spreading of our tree of knowledge, a gradual awakening of interest in all parts of the earth, a gradual access of fellow-workers, some young and enthusiastic, others already weary of the search for truth in a world where so many offer the stone of dogma, so few the bread of experience. there! we had nothing to say, and we have said it very nicely. floreas* we must apologise for the necessity of holding over our edition of sir edward kelly's account of the forty-eight angelical keys, and other important articles. considerations of space were imperative* mr. h. sheidan-bickers will lecture on behalf of the equinox during the year. we

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to be found amongst the greatest mountains of earth. with the dhy na visions and trance we arrive at another turning point in frater p.'s magical ascent. for several years he had worked by the aid of western methods, and with them he had laid a mighty and unshakable foundation upon which 172 he now had succeeded in building the great temple of self- control. working upon eastern lines he had laid stone upon stone, and yet when the work was completed, magnificent though it was, there was no god yet found to indwell it. it was indeed but an empty house. though we have now arrived at this turning point, it will be necessary before we review the contents of this chapter to narrate the events from the present date- march 1902, down to the 11th of august 1903; when, by the chance (destined) meet

d holding her at arm's length smote the sorceress with her own current of evil, just as a would-be murderer is sometimes killed with the very weapon with which he has attacked his victim. a blue-greenish light seemed to play round the head of the vampire, and then the flaxen hair turned the colour of muddy 175 snow, and the fir skin wrinkled, and those eyes, that had turned so many happy lives to stone, dulled, and became as pewter dappled with the dregs of wine. the girl of twenty had gone, before him stood a hag of sixty, bent, decrepit, debauched. with dribbling curses she hobbled from the room. as frater p. left the house, for some time he turned over in his mind these strange happenings, and was not long in coming to the opinion that mrs. m. was not working alone, and that behind her

us- they are quite bewildering. in fact, they completely reverse our conception of polytheism; for it is we who are the idolators, and not our ancestors; it is we who sacrifice to many gods, and not those little bushmen who felt and saw and lived with the one great spirit. let us therefore mention that the chief points, a few out of a score, that have struck us are- the custom of the mark sacred stone; the universality of horus worship; the startling identity of hieroglyphics, all over the world, with the egyptian; and the symbolism of the great pyramid, and its use as a temple of initiation. a few others, however, do not understand. on p. 80 dr. churchward traces the "bull roarer" back to egypt. but we can find no proofs of these ever having been used there. in australia, as he states, t

ploy the pronoun "we" 350 it hat never had aught to say; but, then, how affectedly it hath said it. will not the late "new quarterly" take note of this? o these barbers, with their prattle, and their false expedients- and scarce even a safety razor among them! for let each one who worships george bernard shaw, while ignorant of that magnificent foundation of literature and philosophy- the cubical stone of the wise, on which a greater than auguste rodin hath erected the indomitable figure of le penseur- take these remarks individually to himself, and- oh! thinker, think again. let not posterity consider of this statue that its summit is no overman, but a gibbering ape! not filth, not sorrow, not laughter of the mocker is this universe; but laughter of a young god, a holy and beautiful god

ALEISTER CROWLEY EQUINOX EQ I 4 3

n like a statue still he sate; nor quivered nerve, nor muscle stirred; while round them flapped insatiate the fell, abominable bird. but the coldest horror drave the light from knightly eyes. how pale thy bloom, thy blood, o brow whereon that night sits like a serpent on a tomb! for palamede those eyes beheld the iron image of his own; on those dead brows a fate he spelled to strike a gorgon into stone. he knew his father. still he sate, nor quivered nerve, nor muscle stirred; while round them flapped insatiate the fell, abominable bird. the knight approves the justice done, and pays with that his rowels' debt; while yet the forehead of the son stands beaded with an icy sweat. 4 god's angel, standing sinister, unfurls this scroll- a sable stain "who wins the spur shall ply the spur upon hi

ink, he gallops. closely clings the child slung at his waist; and he heeds nought, but gallops wide, and sings wild war-songs, chants of gramarye! 13 sir palamded the saracen rides like a centaur mad with war; he sabres many a million men, and tramples many a million more! before him lies the untravelled land where never a human soul is known, a desert by a wizard banned, a soulless wilderness of stone. nor grass, nor corn, delight the vales; nor beast, nor bird, span space. immense, black rain, grey mist, white wrath of gales, fill the dread armoury of sense. nor shines the sun; nor moon, nor star their subtle light at all display; nor day, nor night, dispute the scaur: all's one intolerable grey. black llyns, grey rocks, white hills of snow! no flower, no colour: life is not. this is no

asy soul of that majestic one: upsurged 29 the monster from the oozy bed, and bounded through the crashing glades- but now a staring savage head lurks at him through the forest shades. this was a naked indian, who led within the city gate the fooled and disappointed man, already broken by his fate. here were the brazen towers, and here the scupltured rocks, the marble shrine where to a tall black stone they rear the altars due to the divine. the god they deem in sensual joy absorbed, and silken dalliance: to please his leisure hours a boy compels an elephant to dance. so majesty to ridicule is turned. to other climes and men makes off that strong, persistent fool sir palamede the saracen. 30 xi sir palamede the saracen hath hied him to an holy man, sith he alone of mortal men can help him

res the claw- what turns to laughter all his joy, to wondering ribaldry his awe? the beast's a mere mechanic toy, fit to amuse an idle boy! 39 xv sir palamede the saracen hath come to an umbrageous land where nymphs abide, and pagan men. the gods are nigh, say they, at hand. how warm a throb from venus stirs the pulses of her worshippers! nor shall the tuscan god be found reluctant from the altar-stone: his perfume shall delight the ground, his presence to his hold be known in darkling grove and glimmering shrine- o ply the kiss and pour the wine! sir palamede is fairly come into a place of glowing bowers, where all the voice of time is dumb: before an altar crowned with flowers he seeth a satyr fondly dote and languish on a swan-soft goat. then he in mid-caress desires the ear of strong s

muscles roar with senseless rage; the pale knight staggers, deathly sick; reels to the light that sorry sage, sir palamede the lunatick. 66 xxv a savage sea without a sail, grey gulphs and green a-glittering, rare snow that floats- a vestal veil upon the forehead of the spring. here in a plunging galleon sir palamede, a listless drone, drifts desperately on- and on- and on- with heart and eyes of stone. the deep-scarred brain of him is healed with wind and sea and star and sun, the assoiling grace that god revealed for gree and bounteous benison. ah! still he trusts the recreant brain, thrown in a thousand tourney-justs; still he raves on in reason-strain with senseless "oughts" and fatuous "musts "all the delusions (argueth the ass "all uproars, surely rise from that curst me whose name i

ALEISTER CROWLEY EQUINOX EQ I 4

diana, under the cold rays of the moon, was he to seal that fearful pact, that pledge of fidelity to medea, mistress of enchantments. there was he to tame the two bulls, whose feet were of brass, whose horns were as crescent moons in the night, and whose nostrils belched forth mingling columns of flame and of smoke. there was he to harness them to that plough which is made of one great adamantine stone; and with it was he determined to plough the two acres of ground which had never before been tilled by the hand of man, and sow the white dragons' teeth, and slay the armed multitude, that black army of unbalanced forces which obscures the light of the sun. and then, finally, was he destined to slay with the sword of flaming light that ever watchful serpent which writhes in silent wisdom abo

lay with the sword of flaming light that ever watchful serpent which writhes in silent wisdom about the trunk of that tree upon which the christ hangs crucified. all these great deeds did he do, as we shall see. he tamed the bulls with ease- the white and the black. he ploughed the double field- the east and the west. he sowed the dragons' teeth- the armies of doubt; and among them did he cast he stone of zoroaster given to him by medea, queen of enchantments, so that immediately they turned their weapons one against the other, and perished. and then lastly, on the mystic cup of iacchus he lulled to sleep the dragon of the illusions of life, and taking down the golden fleece accomplished the great work. then once again did he set 44 sail, and sped past circe, through scylla and carybdis; b

reader is advised to study chapter vii of captain j. f. c. fuller's "star in the west" in connection with this exposition. 47 4 lost under dramatic circumstances at frater p. a.'s house in 1909. the agnostic position direct experience is the key to yoga; direct experience of that soul (atman) or essence (purusha) which acting upon energy (pr na, and substance (ak sa) differentiates a plant from a stone, an animal from a plant, a man from an animal, a man from a man, and man from god, yet which ultimately is the underlying equilibrium of all things; for as the bhaga-vad-g ta says "equilibrium is called yoga" chemically the various groups in the organic and inorganic worlds are similar in structure and composition. one piece of limestone is very much like another, and so also are the actual

ALEISTER CROWLEY EQUINOX EQ I 6 2

rible: even as the lords of hell, chained in fires before the spell, strain upon the sightless steel, break not fetters nor compel: so be distant, o profane! children of the hurricane! lest the sword of fire destroy, lest the ways of death be plain! so depart, and so be wise, lest your perishable eyes look upon the formless fire, see the maiden sacrifice! so depart, and secret flame burn upon the stone of shame, that the holy ones may hear music of the sleepless name! holy, holy, holy spouse of the sun-engirdled house, with the secret symbol burning on thy multiscient brows. even as the traitor's breath goeth forth, he perisheth by the secret sibilant word that is spoken unto death. capricornus. brethren, let us awaken the master of the temple [the leader of the chorus "beats the tom-tom

gods! hermanubis. 4444, brother typhon, summon the guests to the banquet of the father of the gods [typhon "draws aside veil as" ganymede "begins his dance. lights down] hermanubis. welcome to the banquet of the father of the gods! bear the bowls of libation("done. be silent and secret! for it is by stealth that we are here assembled. know that saturn hath been deceived, having swallowed a black stone, thinking it to be his son, the child jupiter. but jupiter is here enthroned, and shall overthrow his father. beware then lest ye break silence- until jupiter be ready to make war! typhon. him that speaketh will i slay forthright["a long pause" 23 part ii centrum in centri trigono 1. sphinx 1. hermanubis 1. typhon 1. typhon. hail unto thee, thou great god hermanubis! art thou not the messeng

heaven 'konx om pax' is the apotheosis of extravagance, the last word in eccentricity. a prettily told fairy-story 'for babes and sucklings' has 'explanatory notes in hebrew and latin for the wise and prudent- which notes, as far as we can see, explain nothing- together with a weird preface in scraps of twelve or fifteen languages. the best poetry in the book is contained in the last section 'the stone of the philosophers' here is some fine work" occultism to the readers of "the equinox- all who are interested in "curious old" literature should write to frank hollings for his catalogue of over 1000 items. sent post free on receipt of name and address, and all future issues. a few selected items below. the book of ceremonial magic, including the rites and mysteries of goetic theurgy, sorcer

france" etc, etc "portrait of the author, and all the original engravings" 8vo, 406 pp "cloth" 1896 (pub. 15"s. postage free. 10"s" 6"d" the pillars of the temple, triangle of solomon, the tetragram, the pentagram, magical equilibrium, the fiery sword, realsation, initiation, the kabbalah, the magic chain, necromancy, transmutations, black magic, bewitchments, astrology, charms and philtres, the stone of the philosophers, the universal medicine, divination, the triangle of pantacles, the conjuration of the four, the blazing pentagram, medium and mediator, the septenary of talismans, a warning to the imprudent, the ceremonial of initiates, the key of occultism, the sabbath of the sorcerers, witchcraft and spells, the writing of the stars, philtres and magnetism, the mastery of the sun, the

ALEISTER CROWLEY EQUINOX EQ I 6

vivid smote the levin flash. once the tower rocked and cracked beneath its lash, caught inextinguishable fire; was ash. but that same fire that quelled the robber strife, and struck each being out of lust and life, left the mild maiden a rejoicing wife. 13 12. and this: 13. there is a well before the great white throne that is choked up with rubbish from the ages; rubble and clay and sediment and stone, delight of lizards and despair of sages. only the lightning from his hand that sits, and shall sit when the usurping tyrant falls, can purge that wilderness of wills and wits, let spring that fountain in eternal halls. 14. and this: 15. sulphur, salt, and mercury: which is master of the three? salt is lady of the sea; lord of air is mercury. now by god's grace here is salt fixed beneath the

superior. and then do thou compose thyself to holy meditation. 6. also it is better if in these adorations thou assume the god-form of whom thou adorest, as if thou didst unite with him in the adoration of that which is beyond him. 7. thus shalt thou ever be mindful of the great work which thou hast undertaken to perform, and thus shalt thou be strengthened to pursue it unto the attainment of the stone of the wise, the summum bonum, true wisdom and perfect happiness. 32 liber a'ash vel capricorni pnevmatici svb figvra ccclxx 33 a. a. publication in class a. imprimatur: n. fra a. a. liber a'ash vel capricorni pnevmatici svb figvra ccclxx 0. gnarled oak of god! in thy branches is the lightning nested! above thee hangs the eyeless hawk. 1. thou art blasted and black! supremely solitary in tha

ed by the ray of gold "he" how many roofs hath the ark "i" one "he" thou must pass through this one. yet thou lookest eagerly upon the four walls of the ark "i" i seek a door "he" the door is in the roof "i" lead me to it, i pray thee "he" fix thine eyes upon it "i" sir, i will. yet i pray thee to tell me thy name "he" thou didst know it of old, didst thou not "i" the son of the mountain "he" the stone of the crossways "i" it is enough. let me fix mine eye upon the door "he" it is well. then i obeyed him, and in that obedience forgot him. for though mine eye wandered often, and although once the planks beneath me threatened to give way and plunge me once more into the stream, yet i strove as a man may. then, mine eye being accustomed to the gloom, i beheld by my side, yet a little above me

rship one god, as you do. that is the essence of agreement. we have one prophet, as you have; there's little odds in a name. let our fools go worship at the tomb of our prophets, as your fools go worship at the tomb of yours; and let us break the heads only of those who break the peace. laylah. let me go to my house. you are breaking the peace now, and i will break your head["she has unloosened a stone from the well and strikes him. his cheek bleeds] rinaldo["unmoved] sit there. so this is my reading of the future. i who met you in hate shall leave you in love. and there an end of the crusades! laylah. love["bitterly sarcastic] rinaldo. love["enthusiastic] laylah. i had rather a scorpion stung me. rinaldo. my crest is a scorpion["he points to the golden bejewelled crest upon his light helm

cutor. we say that, forasmuch as many good knights have ridden against it with sword and lance and not availed to pierce it, this was by magic and forbidden art. laylah["contemptuously. it was good armour. bishop. the prisoner mocks us. on the third count, guilty [judges "echo "guilty" clerk. fourthly, that you did at midnight upon martinmas, 99 eighteen years ago, in the valley of hinnom, on the stone called succoth, bind yourself in a diabolical pact with satan, whereby he granted the power to change your sex at will, since which time you have become the father of an innumerable brood of devils, and in particular have travelled by night in the form of an owl to assault the virtue of many holy servants of the true faith, notably at the convent of st anne in this city, whereby the bodies a

ALEX SANDERS THE KING OF THE WITCHES

. magician, not necessarily a witch. 3lntrobuction since the dawn of history man has believed in miracles. the first tribesmen to discover the healing power of herbs, or to recognize clouds as the forerunners ofrain, were elected magi, or wise men. from this it was but a short step to divining the future and to the formulation of spells to increase fertility or destroy enemies. as long ago as the stone age the wise man of the tribe was dressed in an animal skin; he was called 'devil, which meant 'little god, and was worshipped by his followers as the chief god's representative. the earliest record of this custom is a palaeolithic painting found in a cave in the ariege district of southern france. it depicts a man clad in a stag's skin, with antlers on his head-the horned god, a symbol of b

n of the paper that .evening he came acrossthe advertisement 'book duster wanted for large city library. applyjohn rylandslibrary, manchester. alex wrote out his application immediately and two days later was invited for an interview. as soon as he entered the building he felt at home. built as a memorial to a lancashire 61 cotton merchant who was a devout christian, the library was a monument of stone and wood. while at first appearance it looked like a church, a keener glance recognized the hallmark ofa stonemason trained in witchcraft. peering out from the top ofpillars were little stone mice with devils' faces; cats, demons, imps and dragons crouched in corners and crevices, in the boardroom where the interview took place, alex had difficulty keeping his eyes off the magnificent framed

they called.the coven elder. they claimed that his member was cold, which was not .surprising, for the women. demanded' that the elder lie with each one of them to ensure a good harvest, and. the poor man was hard put t? it to satisfy 124 so many. an artificial phallus was used, therefore, similar to the ones inexistence in egypt centuries before the birth of christ. it was life-sized and made of stone. we deplore its use in these enlightened days. another abuse i have. discovered is the defloration of''witches' daughters on. thealtat. iris neither necessary nor legal according to witch law. q: what is the greatest attraction of witchcraft to applicants for membership? a: the ability to see into the future. q: but can all witches attain second sight? a: certainly. it takes time'-perhaps si

ALEXANDRIAN BOOK OF SHADOWS OCCULT

blows from the east, expect the new and set the feast. nine woods in the cauldron go, burn them quick, burn them slow; elder be the lady's tree, burn it not or curs'd ye'll be; when the wind begins to turn, soon beltane fires will burn; when the wheel has turned to yule, light the log, the horned one rules. heed the flower, bush or tree by the lady blessed be' when the rippling waters flow cast a stone- the truth you'll know; when ye have& hold a need, hearken not to others' greed; with a fool no seasons spend, or be counted as his friend. merry meet and merry part bright the cheeks, warm the heart; mind the threefold law ye should, three times bad and three times good; whene'er misfortune is enow, wear the star upon your brow; true in troth ever ye be lest thy love prove false to thee 'ti

of the horned god, mighty queen of witchery and night. morgan, etoine, nisene, diana, bridgid, melusine, am i named of old by men. artemis and cerridwen, hell's dark mistress, heaven's queen. ye who would ask of me a rune, or who would ask of me a boon, meet me in some secret glade, dance my round in greenwood shade, by the light of the full moon. in a place wild and lone, dance about mine altar stone; work my holy mystery. ye who are feign to sorcery, i bring ye secrets yet unknown. no more shall ye know slavery, who give true worship unto me. ye who tread my round on sabbat night, come ye all naked to the rite, in token that ye be really free. i teach ye the mystery of rebirth, work ye my mysteries in mirth. heart joined to heart and lip to lip, five are the points of fellowship, that b

offers it to hps, inviting her to join them. when done relaxing and chatting, close the circle. notes many published sources. these include: m janet and stewart farrar's eight sabbats for witches m grimoire of lady sheba l invocation to the horned god by the flame that burneth bright, o horned one! we call thy name into the night, o ancient one! thee we invoke by the moon-led sea, by the standing stone and the twisted tree. thee we invoke, where gather thine own. by the nameless shore, forgotten and lone. come where the round of the dance is trod, horn and hoof of the goat foot god! by moonlit meadow, on dusky hill, where the haunted wood is hushed and still, come to the charm of the chanted prayer, as the moon bewitches the midnight air. evoke thy powers that potent bide in shining stream

durance, commitment, responsibility, thoroughness, practicality, wisdom, patience, sense of timing vices: dullness, lack of conscience, melancholy, boredom, inertia, stagnation, hoarding of resources (including information) season: yule time of day: midnight direction: north wind: boreas colour: green symbols: oak, rock crystal, salt, bull or cow, stag, grains, comfrey, ivy tools: pentacle, altar stone (body of anima mundi) spirits: gnomes under gob (friendly& easy to reach, teach access to own depths& caverns& how to mine& work the vein of gold therein) shortage: spaciness, hyper-activity, instability excess: body heaviness, general lack of energy, inertia, etc. notes various sources including june johns' king of the witches (appendix, starhawk's spiral dance, ellen cannon reed's witches

d stewart farrar's the witches' way; from gbg's bos (text b or c; it's the same in each. l the meeting dance the maiden should lead. a man should place both hands on her waist, standing behind her, and alternate men and women do the same, the maiden leading and they dance following her. she at last leads them into a right-hand spiral. when the center is reached (and this had better be marked by a stone) she suddenly turns round and dances back, kissing each man as she comes to him. all men and women turn likewise and dance back, men kissing women and women kissing men. all in time to music, it is a merry game, but must be practiced to be done well. note, the musician should watch the dancers and make the music fast or slow as is best. for the beginners it should be slow, or there will be c

ALICE A BAILEY01 THE CONSCIOUSNESS OF THE ATOM

books of the last century, or search the old dictionaries, seeking for the definition of the atom, for instance, you will usually find newton quoted. he defined the atom as "a hard, indivisible, ultimate particle" a something which was incapable of further subdivision. this was considered to be the ultimate atom in the universe, and was called by the scientist of the victorian era "the foundation stone of the universe; they considered they had gone as far back as it was possible to go, and that they had discovered what lay back of all manifestation and of objectivity itself. but when radium, and the other radio-active substances, had been discovered, an entirely new aspect of the situation had to be faced. it became apparent that what was considered the ultimate particle was not so at all

a specified aim; and we extended this same concept also to the great sphere of the solar system, and to the deity who indwells it. let us take up the question of consciousness itself, and study the problem a little and concern ourselves with the reaction of the life within the form. if i can thus give you a few general ideas in line with what has been said earlier, i shall be able to lay another stone upon the structure i am endeavouring to build. the word consciousness comes from two latin words: con, with; and scio, to know; and means literally "that with which we know" if you take a dictionary and look up this word you will find it defined somewhat as follows "the state of being aware" or the condition of perceiving, the ability to respond to stimuli, the faculty of recognising contact

ALICE A BAILEY04 A TREATISE ON COSMIC FIRE

they revolve like their mother, around, within and forward. all that existeth was. the wheels were diverse, and in unification, one. as evolved the great wheel, the inner fire burst forth. it touched into life wheel the first. it circulated. a million fires rose up. the quality of matter densified, but form was not. the sons of god arose, scanned the depth of flame, took from its heart the sacred stone of fire, and proceeded to the next. in turning next the great wheel launched the second. again the flame burst forth, took to its heart the stone and proceeded in revolution. the sons of god again arose, and sought within the flame "the form sufficeth not" they said "remove from without the fire" faster revolved the greater wheel, blue white emerged the flame. the sons of god again came down

stone and proceeded in revolution. the sons of god again arose, and sought within the flame "the form sufficeth not" they said "remove from without the fire" faster revolved the greater wheel, blue white emerged the flame. the sons of god again came down and a lesser wheel revolved. seven times the revolution, and seven times great the heat. more solid grew the formless mass, and deeper sank the stone. to the heart of inmost fire the sacred stone went down. this time the work was better done, and the product more perfected. at the seventh revolution, the third wheel rendered back the stone. triple the form, rosy the light, and sevenfold the eternal principle. from out the greater wheel, down from the vault of heaven, came into light the lesser wheel that counted as the fourth. the eternal

duct more perfected. at the seventh revolution, the third wheel rendered back the stone. triple the form, rosy the light, and sevenfold the eternal principle. from out the greater wheel, down from the vault of heaven, came into light the lesser wheel that counted as the fourth. the eternal lhas looked down, and the sons of god reached forth. down to the inmost point of death they flung the sacred stone. the plaudits of the chohans rose. the work had turned a point. from the pit of outer darkness, they gathered forth the stone, translucent now and unalloyed, of colour rose and blue. the turning of the fifth wheel and its action on the stone rendered it still more fit. yellow the blending tint, orange the inner fire, till yellow, rose and blue mingled their subtle tones. the four wheels with

rose. the work had turned a point. from the pit of outer darkness, they gathered forth the stone, translucent now and unalloyed, of colour rose and blue. the turning of the fifth wheel and its action on the stone rendered it still more fit. yellow the blending tint, orange the inner fire, till yellow, rose and blue mingled their subtle tones. the four wheels with the greater worked thus upon the stone till all the sons of god acclaimed, and said "the work is done- 15- a treatise on cosmic fire copyright 1998 lucis trust stanza iv in revolution fifth of the great wheel the period set was reached. the lesser wheel, that responded to that fifth great turn, passed through the cycle and entered into peace. the lesser wheels come forth and likewise do their work. the great wheel gathers back th

fire copyright 1998 lucis trust stanza iv in revolution fifth of the great wheel the period set was reached. the lesser wheel, that responded to that fifth great turn, passed through the cycle and entered into peace. the lesser wheels come forth and likewise do their work. the great wheel gathers back the emanating sparks. the five dealt with the work, the lesser two but wrought with detail. the stone had gathered fire, lambent with flame it shone. the outer sheath met not the need till the sixth wheel and the seventh had passed it through their fires. the sons of god emerged from out their source, gazed on the sevenfold work, and stated it was good. the stone was set alone. in dual revolution moved the greater wheel. the fourth lord of the greater twelve handled the work of sevenfold fir

ALICE A BAILEY05 THE LIGHT OF THE SOUL

iberation, it is also by the same method, one-pointedness and unification. the old commentary makes this clear in certain lines found in relation to the symbolism of the five-pointed star. they are as follows "the plunge is downward into matter. the point descends, darts through the watery sphere and pierces into that which looms inert, immobile, darkling, silent and remote. the point of fire and stone unite, and harmony and union on the downward path are reached "the flight is upward into spirit. the point ascends, lifting the two behind and reaching out the- 219- the light of the soul copyright 1998 lucis trust three and four towards that which lies behind the veil. the water fails to quench the point of fire; thus fire meets fire and blends. harmony, union on the upward arc are reached

ALICE A BAILEY07 FROM INTELLECT TO INTUITION

from the eyes and the world appears in a new light. things are no longer ordinary. there comes the certainty that this is the real world whose true character human blindness has until now concealed. not where the wheeling systems darken and our benumbed conceiving soars; the drift of pinions, would we harken, beats at our own clay-shuttered doors. the angels keep their ancient places; turn but a stone and start a wing 'tis ye 'tis your estrang d faces that miss the many-splendoured thing "the experience is at first tantalizing, alluring. there is a rumor of a new world and the spirit is eager for the voyage upon strange seas. the familiar world must be left behind. the great adventure of religion begins "there must somewhere be a point of certainty. a growing universe may provide for open

ALICE A BAILEY08 A TREATISE ON WHITE MAGIC

now practically ready to take shape upon the physical plane, and we have the practical adaptation of an ideal to the needs of the physical life. it has been stepped down; it has lost much of its original beauty; it is not as pure and as lovely as when first conceived, and it is distorted from its original shape but it is, nevertheless, more adapted to public use and can be employed as a stepping-stone to higher things- 77- a treatise on white magic copyright 1998 lucis trust secondly: in this sensing of the plan and its later materialization, human units are involved and men have perforce to be employed. a vision is given of tremendous possibilities and indications are also granted of the manner in which these possibilities may become facts, but beyond that the great ones do not go. the d

ALICE A BAILEY09 A TREATISE ON THE SEVEN RAYS VOLUME I ESOTERIC PSYCHOLOGY I

that has a very long cycle, having been in manifestation since a.d. 1425, has a direct effect upon the fifth root race, the aryan, and has connected with it a set of curious phrases which express its purpose. the third purpose of deity ray iii. active intelligence or adaptability let the warden of the south continue with the building. let him apply the force which will produce the shining living stone that fits into the temple's plan with right exactitude. let him prepare the corner stone and wisely place it in the north, under the eye of god himself, and subject to the balance of the triangle. let the researcher of the past uncover the thought of god, hidden deep within the mind of the kumaras of love, and thus let him lead the agnishvattvas, waiting within the place of darkness, into th

building lord of the second ray and utilising the energies of the lord of concrete thought. the aphorisms embodying his qualities run as follows, and were esoterically whispered into his ears when he "left the most high place and descended into the seventh sphere to carry out the work assigned" 1. take thy tools with thee, brother of the building light. carve deep. construct and shape the living stone. quality..power to create. 2. choose well thy workers. love them all. pick six to do thy will. remain the seventh in the east. yet call the world to enter into that which thou shalt build. blend all together in the will of god. quality..power to cooperate. 3. sit in the centre and the east as well. move not from there.send out thy force to do thy will and gather back thy forces. use well the

elements so that the list of the possible elements is- 141- a treatise on the seven rays- volume i: esoteric psychology i copyright 1998 lucis trust relatively complete, so eventually science will have arranged the progressive tables which will show the three stages of the life cycle of every mineral leading from the static mineral stage, such as carbon, through that of the crystal, semi-precious stone and precious stone to that of the radio-active substance. in the determining of this development it is impossible for man as yet to see the relations, for the cycles covered are so vast, the action of the fire in these tremendous periods so varying, and the recognition of the intermediate stages so difficult, that aught that i could say would but feed amusement and incredulity. but two basic

gy i copyright 1998 lucis trust inadequate as the mind and brain of the average aspirant, the mineral kingdom marks the point of unique condensation. this is produced under the action of fire and by the pressure of the "divine idea. esoterically speaking, we have, in the mineral world, the divine plan hidden in the geometry of a crystal, and god's radiant beauty stored in the colour of a precious stone. in miniature and at the lowest point of manifestation, we find the divine concepts working out. the goal of the universal concept is seen when the jewel rays forth its beauty, and when radium sends forth its rays, both destructive and constructive. if you could really understand the history of a crystal, you would enter into the glory of god. if you could enter into the attractive and the r

ALICE A BAILEY10 FROM BETHLEHEM TO CALVARY

(may we say it) the divine in man to god. for the gospels show us that continuously christ called forth this recognition from the father. the great continuity of revelation is our most priceless possession, and into it the religion of christ must, and does, fit. god has never left himself without witness, and he never will. the place of christianity as the fulfilment of the past and as a stepping-stone to the future, is often forgotten, and this perhaps is one of the reasons why people speak of a failing christianity, and look forward to that spiritual revelation which seems so sorely needed. unless this continuity is emphasised and the place of the christian faith in it, revelation may come and pass unrecognised "there was" we are told "in every ancient country having claims to civilisati

irth and earthly life of christ, is for the mystic not only this but also a perpetual cosmic and personal process" scholars spend their lives in proving that the whole story is only a myth. it should, however, be pointed out that a myth is the summarised belief and knowledge of the past, handed down to us for our guidance and forming the foundation of a newer revelation, and that it is a stepping-stone to the next truth. a myth is a valid and proven truth which bridges, step by step, the gap between the past gained knowledge, the present formulated truth, and the infinite and divine possibilities of the future. the ancient myths and the old mysteries give us a sequential presentation of the divine message as it went forth from god in response to the need of man, down the ages. the truth of

led within the form of jesus; or of the individual christ, hidden within the ordinary man. for always the routine is the same the journey, the new birth, the experience of life, the service to be rendered, the death to be endured, and then the resurrection into more extended service. joseph's name means "he who shall add; he was a builder, a carpenter, a worker in the building trade, one who adds stone to stone, or beam to beam. he is the symbol of the building-creative aspect of god the father. in these three people, joseph, the infant jesus, and mary, we have the- 44- from bethlehem to calvary copyright 1998 lucis trust divine triplicity symbolised and represented, god the father, god the son and god the holy spirit, or matter informed by deity, and therefore typified for us in the virgi

live by bread alone, but by every word that proceedeth out of the mouth of god "then the devil taketh him up into the holy city, and setteth him upon a pinnacle of the temple, and saith unto him, if thou be the son of god, cast thyself down; for it is written, he shall give his angels charge concerning thee, and in their hands they shall bear thee up, lest at any time thou dash thy foot against a stone. jesus said unto him, it is written again, thou shalt not tempt the lord thy god."42 it is essential for the right understanding of this temptation that we remember our earlier distinction that such passages in the bible are interpreted from the angle of the souls involved. christ meets the devil on the ground of his divine nature. if thou art the son of god, take advantage of the fatherhood

we have found him" annie besant points out in an illuminating passage that "in the christian mysteries as in the ancient egyptian, chaldean, and others there was an outer symbolism which expressed the stages through which the man was passing. he was brought into the chamber of initiation, and was stretched on the ground with his arms extended, sometimes on a cross of wood, sometimes merely on the stone floor, in the posture of a crucified man. he was then touched with the thyrsus on the heart the `spear' of the crucifixion and, leaving the body, he passed into the worlds beyond, the body falling into a deep trance, the death of the crucified. the body was placed in a sarcophagus of stone, and there left, carefully guarded. meanwhile the man himself was treading first the strange obscure re

ALICE A BAILEY11 A TREATISE ON THE SEVEN RAYS VOLUME II ESOTERIC PSYCHOLOGY II

experience, wherein the soul knows more clearly the design, and in which much material has been prepared. the soul is no longer blind, and can now work in collaboration with other souls in the preparation of the material for the final temple of the lord. the soul, incarnate in human form, places in that temple his particular contribution to the whole, which might be stated symbolically to be a. a stone placed in the foundations, typical of the consecrated physical life. b. a column in the temple itself, typical of the desire or aspirational life. c. a design upon the tracing board, which coincides with the great pattern or design, and which is that fragment of that design which the individual had to supply and in search of which he went forth. d. a radiance or light, which will augment the

gone. instead of harmony, there was dissonance. instead of beauty, there was found the darkness of the grave. the voice then chanted forth these words 'create again, my child, and build and paint and blend the tones of beauty, but this time for the world and not thyself' the mixer started then his work anew and worked again" the direction of ray v "deep in a pyramid, on all sides built around by stone, in the deep dark of that stupendous place, a mind and brain (embodied in a man) were working. outside the pyramid, the world of god established itself. the sky was blue; the winds blew free; the trees and flowers opened themselves unto the sun. but in the pyramid, down in its dim laboratory, a worker stood, toiling at work. his test tubes and his frail appliances he used with skill. in rows

ALICE A BAILEY12 DISCIPLESHIP IN THE NEW AGE VOLUME I

ee a greater emphasis built up this year in connection with your contact with me, your teacher and your friend. one other point i seek to make, my brother, whom i hope to see drawn into a closer relation of service. this point may be regarded by you as in the nature of a criticism. from my point of view and lucidity, it is the pointing out of a hindrance to your progress; it is in the nature of a stone or rock over which you might stumble as you tread the pathway towards the light. you have, as you know and as i have told you, a very critical mind; you are full of response to, and recognition of, the weaknesses and frailties of your family and associates. let not this grow upon you, but let it cease, for it builds a barrier between you and them, and obstructs and hinders your service. the

spiritual energy, breaking up that which hinders and pouring a cleansing tide through your personality. you seek to be a channel and you long adequately to serve. this i know. be willing, therefore, to let the "forces of light" enact their will within your life, e'en though you awaken with surprise to unknown and unrealised aspects of yourself both good and not so good. first month. a barrier of stone. a flood of cleansing water, and then the vision. the pilgrim then can chant: i stand in love. second month. a boat at rest upon a sea of blue. and then a tidal wave. but after that the calm. the boatman chants: the storm has brought me here. third month. a mountain top. snow with a fold of sunshine. a group of pilgrims on the upward way. one pilgrim chants: in love we walk the way. fourth m

he valley. this beautiful land in the high, bright air, has been made into a garden with walls oriental walls fourteen feet high, with, in each corner, a chinese-looking little minaret. a stream runs the entire length of this garden, from east to west; it comes in and goes out of the garden through arches in the walls, where there are iron grilles. above these grilled arches, supported upon short stone beams projecting from the wall, are two narrow, stone-and-wood chinese-curved bridges, backing on the wall, and with a latticed hand-rail on the side towards the stream. the gate to this garden is in the middle of the north wall one of the long sides the garden being more long- 407- discipleship in the new age- volume i copyright 1998 lucis trust than square. when one approaches the gate fro

se beautiful lotuses of different- 408- discipleship in the new age- volume i copyright 1998 lucis trust colours. but the two ends of the garden are the real beauty spots the eastern end, on both banks of the stream, being a mass of roses, beds branching out from the stream in the form of wings, going as far up as the narrow, hidden path along the eastern wall, so that one, standing on the curved stone bridge (at either end of which are feathery clumps of waving pampas grasses, looks down on seraphs' wings of glorious roses, shaded from faintest rose to golden yellow. at the western end of the garden the seraphs' wings are of lilies, from the purple of the iris to the radiant white of the madonna lily. the shrubbery at the ends of the western bridge are "yellow bush" and lilacs. a fine gre

eginning of the woods. in the northwest corner there are three tall yews, only and the same in the corner to the northeast. the southeast corner is filled by the pagoda, with the woods behind it and the spruce trees to right and left, in front. across the stream from the pagoda, in the middle of the lawn (the eastern line of the peonies and the red rose bush not being very far away, is a circular stone seat, called the disciples' seat. it has a small willow tree and two short copper beeches behind it, and has an english box bush at either end. in front of it is a natural rock, of chair shape and height, where the master sits to talk to the disciples. when one stands on the path and looks towards the entrance gate, one sees fruit trees, en espalier on the wall to the right, peaches and nect

ALICE A BAILEY13 PROBLEMS OF HUMANITY

ght human relations, a world in which children can indeed grow into the likeness of the one father and in which man can return to the simplicity of the spiritual values of beauty, truth and goodness? yet, facing the worldwide reconstruction demanded and the well-nigh impossible task of salvaging the children and youth of the world, there are those today who are engaged in raising funds to rebuild stone churches and restore ancient buildings, thus demanding money which is sorely needed to restore broken bodies, to heal psychological wounds and to produce the warmth of love and understanding among those who believe that such qualities do not exist! the immediate need of the children the magnitude of the problems to be faced may well leave us bewildered and at a loss how to- 23- problems of h

hristian, a positive presentation of truth though very materialistic; both these faiths have been militant and political in their activities. the great western faith, christianity, has been definitely objective in its presentation of truth; this was needed. it has been militant, fanatical, grossly materialistic and ambitious. it has combined political objectives with pomp and ceremony, with great stone structures, with power and an imposed authority of a most cramping nature. the early christian church (which was relatively pure in its presentation of truth and in its living processes) eventually split into three main divisions the roman catholic church which today seeks to make capital out of the claim that it was the mother church, the byzantine or greek orthodox church and the protestan

trine and all of them were originally sincere and clean and relatively pure and good. all have steadily deteriorated since the day of their inception and today the following sad and serious situation can be found: 1. the roman catholic church is distinguished by three things which are all contrary to the spirit of christ: a. an intensely materialistic attitude. the church of rome stands for great stone structures cathedrals, churches, institutions, convents, monasteries. in order to build them, the- 75- problems of humanity copyright 1998 lucis trust policy down the centuries has been to drain the money out of the pockets of rich and poor alike. the roman catholic church is a strictly capitalistic church. the money gathered into its coffers supports a powerful ecclesiastical hierarchy and

red by the fundamentalists, the narrow-minded and the theologians in all the world religions, by those who refuse to let go the old interpretations and methods, who love the old doctrines and men's- 80- problems of humanity copyright 1998 lucis trust thoughts about them, and by those who lay the emphasis upon forms, upon rites and ceremonies, upon ritual and pomp, on authority and the building of stone edifices in these days of man's extremity, his starvation and his need. the roman catholic church here faces her greatest opportunity and also her greatest crisis. catholicism is founded in ancient tradition, is assertive of ecclesiastical authority, is responsive to outer forms and rituals and in spite of a wide and beneficent philanthropy is quite unable to leave her children free. if the

ALICE A BAILEY14 THE REAPPEARANCE OF THE CHRIST

and not upon any such manmade institutions as the church and its dignitaries; christ will be seen as he is in reality, working through his disciples, through the masters of the wisdom and through his followers who toil unseen (and usually unrecognised) behind world affairs. the sphere of his activity will be known to be the human heart and also the crowded market places of the world, but not some stone edifice and not the pomp and ceremony of any ecclesiastical headquarters. our study of the future work of the christ is necessarily based upon three assumptions: 1. that the reappearance o the christ is inevitable and assured. 2. that he is today and has been actively working through the medium of the spiritual hierarchy of our planet, of which he is the head for the welfare of humanity. 3

trust affirmations of other human minds who claim that they do understand and that they have the truth. he does not believe that their minds and their interpretations are any better than his. the same old formulas, the same old theologies and the same old interpretations are deemed adequate to meet man's modern needs and enquiries. they are not. the church today is the tomb of the christ and the stone of theology has been rolled to the door of the sepulchre. there is, however, no point in attacking christianity. christianity cannot be attacked; it is an expression in essence, if not yet entirely factual of the love of god, immanent in his created universe. churchianity has, however, laid itself wide open to attack, and the mass of thinking people are aware of this; unfortunately, these th

wide open to attack, and the mass of thinking people are aware of this; unfortunately, these thinking people are still a small minority. nevertheless, it is this thinking minority which (when it is a majority and it is today a rapidly growing one) will spell the doom of the churches and endorse the spread of the true teaching of the christ. it is not possible that he has any pleasure in the great stone temples which churchmen have built, whilst his people are left without guidance or reasonable light upon world affairs; surely, he must feel (with an aching heart) that the simplicity which he taught and the simple way to god which he emphasised have disappeared into the fogs of theology (initiated by st. paul) and in the discussions of churchmen throughout the centuries. men have travelled

atical idea that anyone's individual interpretation of truth must necessarily be the only and correct one. theologians have fought (and with sincerity of intention) for forms of words which they believed were the only true and correct formulation of the divine idea, but christ was forgotten behind the words; churchmen have expended effort and executive ability in raising funds for the building of stone edifices whilst god's children everywhere went hungry and unclothed and so lost their belief in divine love. how can the need of humanity for spiritual guidance be met when the leaders of the churches are occupied with temporal concerns, when the emphasis is laid in the roman catholic, the greek orthodox and the protestant churches upon pomp and ceremonies, on great churches and stone cathed

ALICE A BAILEY15 THE DESTINY OF THE NATIONS

still in their pristine magnificence, which today call for the attention of- 64- the destiny of the nations copyright 1998 lucis trust archaeologists and travellers; the forms of lesser magic which they produced were dedicated to the magical protection of the physical form and allied matters. in later days, we have the appearance of alchemy in its many forms plus its search for the philosopher's stone and the teaching as to the three basic mineral elements. they were driven esoterically and from the subjective side of life to search for that which could unify the three lower physical levels and this is in its nature deeply symbolic of racial unfoldment. these levels symbolise the integrated man physical, astral and mental. when to these elements the philosopher's stone is added and has do

ature deeply symbolic of racial unfoldment. these levels symbolise the integrated man physical, astral and mental. when to these elements the philosopher's stone is added and has done its magical work, then you have the symbolic representation of the control by the soul of the four higher levels of the physical plane, the etheric or energy levels. of this desirable consummation, the philosopher's stone is the emblem. i said "emblem" and i did not say "symbol" a symbol is an outer and visible sign of an inner and spiritual reality, carried out into expression upon the physical plane by the force of the inner embodied life. an emblem is man's formulation of a concept, created by man and embodying for him the truth as he sees it and understands it. a symbol is ever greater in its implications

ALICE A BAILEY16 GLAMOUR A WORLD PROBLEM

they are pleasing god. i am, i know, widely generalising, brother of mine, for i do know also that there are wise and good christians and churchmen within the theological systems; these, however, spend not their time in theological discussions but in loving their fellowmen, and this they do because they love christ and all for which he stands. they are not interested in building great churches of stone and marble and in gathering together the money needed for their support; they are interested to gather out those who form the true church upon the inner spiritual plane and in helping them to walk in the light. the illusion of power, the illusion of superiority, taints them not. after the world crisis is over, churchmen everywhere will not rest until they can discover how to penetrate throug

ALICE A BAILEY18 A TREATISE ON THE SEVEN RAYS VOLUME III ESOTERIC ASTROLOGY

rn. it might be stated that these caves exist in the rocks, deep under the plains. i am speaking figuratively and symbolically. out of the rocky cave, the christ emerged and walked again upon the plains of earth and from that time "the woman knew him not" form had no further hold upon him for he had overcome it in the depths. into the cave of initiation, the light of resurrection streams when the stone at the entrance is rolled away. from life in the form to the death of the form deep in the rocky place, down in the crypts of the temple the human being goes. but into that same place, the new life streams, bringing fresh life and liberation; old things pass away and the darkness becomes light. sex is then seen to be in truth only the relation of the lower nature to the higher self; it is th

ALICE A BAILEY19 THE UNFINISHED AUTOBIOGRAPHY

y parents because i enticed my small sister into an enormous trunk in which our many, many toys were kept. we were lost for quite a while and nearly suffocated, for the lid shut down on us. the second was that i made my first attempt to commit suicide! i just did not find life worth living. the experience of my five years made me feel that things were futile so i decided that if i bumped down the stone kitchen steps from top to bottom (and they were very steep) i would probably be dead at the end. i did not succeed. bridget, the cook, picked me up and carried me (battered and bruised) upstairs where i met much comforting but no understanding- 14- the unfinished autobiography copyright 1998 lucis trust as i went on in life, i made two other efforts to put an end to things, only to discover

ear to one party and for six months of the year (when i was not in scotland and under the influence of my aunt) to the other. i was torn between the beauties of ritual and the narrowness of dogma. missionary work was dinned into my consciousness by both groups. the world was divided into those who were christians and worked hard to save souls and those who were heathen and bowed down to images of stone and worshipped them. the buddha was a stone image; and it never dawned on me then that the images of the buddha were on a par with the statues and images of the christ in the christian churches with which i was so familiar on the continent of europe. i was in a complete fog. and then at the height of my unhappiness and in the very middle of my dilemma and questioning one of the masters of th

ALICE A BAILEY20 A TREATISE ON THE SEVEN RAYS VOLUME IV ESOTERIC HEALING

a member of a group, such as a group for healing, speaks of developing group consciousness, he refers to his particular group of brothers, and to his group as a unit of several souls. forget not that such a unit is in itself a separative concept from the angle of the greater whole, but it serves a useful purpose in training the group members to think in those wider terms. it serves as a stepping stone away from the consciousness of the isolated personality- 210- a treatise on the seven rays- volume iv: esoteric healing copyright 1998 lucis trust if you can indeed feel, think and function as one complete unit several personalities and one soul it will then be relatively easy to extend the concept to a broader inclusiveness, to broaden your horizon and thus become inclusive in a much wider

cient truth for the modern world in the last quarter of the nineteenth century, it has been so- 238- a treatise on the seven rays- volume iv: esoteric healing copyright 1998 lucis trust unintelligently presented; it has been handicapped owing to the fact that the eastern races have always held it, and from the western angle they are heathen and the heathen "in their blindness bow down to wood and stone" to quote one of your fundamentalist hymns. how curious it is to realise that, to the man from eastern countries, the religious people in the west do likewise, and can be seen on their knees before the christian altars bearing statues of the christ, of the virgin mary and of the apostles. the occultists of the world, through the theosophical societies and other occult bodies, so-called, have

ALICE A BAILEY22 DISCIPLESHIP IN THE NEW AGE VOLUME II

cloister's shade moves not. he writes, and measures to the task assigned. iii. a room in shadow, full of peace and calm, of books and enterprise. and at the desk, the master sits and works and thinks, projecting thought, working within, above and all around, whilst through the room pass many. it is their right to pass. iv. a golden door, wide open to the sun. before the door lie rocks and bits of stone. a path winds towards that door, and o'er its lintel are the words: enter with calm; speak low and only if a need is there. enter the stream behind the door and wash away the stains of travel. then face the master, but only when the quiet of evening light shines forth and all is still within. take these pictures one each sunday in the month and work creatively with them. at the close of a ye

ALICE A BAILEY23 THE EXTERNALISATION OF THE HIERARCHY

the masters and the teacher alike of angels and of men. i am one who looks to the christ as the supreme expression of divinity upon earth and who knows the extent of his sacrificial work for humanity, the wonder of the revelation which he brought, the imminence of his return and of his coming assumption of spiritual rule in the hearts of men everywhere. i know that he has no pleasure in the great stone temples which man has built whilst his people are left without practical guidance or reasonable light upon their affairs; and i know too that he feels, with an aching heart, that the simplicity which he taught, and the simple way to god which he emphasised have disappeared in the fogs of theology and the discussions of churchmen throughout the centuries. i know that he realises that the word

of the twentieth century and has led to the horror of this world war, 1914-1945 through which we have been passing. the true work of the cycle of conferences about which i wrote earlier will only be inaugurated at san francisco. there the stage will be set for those processes which will usher in an era of relative tranquillity; thus the door of the dark cave of materialism will be opened and the stone rolled from the door of the sepulchre which has too long entombed mankind. then will follow those steps which will lead to a new and better life and which will indicate the expression of the spirit of resurrection. these facts (so near to manifestation) are physical facts; they will demonstrate as such if the disciples of the world recognise what it is that the christ desires, and if the men

facing the future with despair and agony, but still aspiring must go forth from the cave of matter, seeking the christ and at- 309- the externalisation of the hierarchy copyright 1998 lucis trust first not recognising him or the work that he is attempting to do. the churches materialistic, hide-bound and submerged in their theological concepts, seeking political power or possessions, emphasising stone buildings and cathedrals whilst neglecting "the temple of god, not made with hands, eternal in the heavens" are occupied with the symbols and not with the reality. now they must learn to recognise that the lord is not with them and they too must go forth, as mary did, and seek him anew. if they will do so, they will surely find him and again become his messengers. the fact of the resurrectio

ALICE A BAILEY24 A TREATISE ON THE SEVEN RAYS VOLUME V THE RAYS AND THE INITIATIONS

sappears" out of his own life, but the forces which have been transmuted into spiritual energy begin now to have a dynamic transmutative effect in the world of forms wherein he now chooses to work and serve, according to his ray and ashramic intent. 4. impartation. reference to this is made in the book of revelation, found in the new testament. there we are told that the initiate is given a white stone, and in the stone "a new name" is found written; this is the "hidden name egoic" i am at a loss at this point as to how to express the higher significance of this. this impartation marks a climaxing point in the attainment of the point of tension where the sound can be heard and not the word alone. never forget that the o.m. is simply a symbolically sounded word which is intended to bring in

ave been ignobly selfish and controlled by the concepts of fighting, aggression and competition- 408- a treatise on the seven rays- volume v: the rays and the initiations copyright 1998 lucis trust for untold millenia; the territories of the planet have changed hands many times and the earth has been the playground of a long succession of conquerors; the heroes of the race perpetuated in history, stone and human thinking have been the warriors, and conquest has been an ideal. the world war (1914-1945) marked a culminating point in the work of the principle of conflict and, as i have shown, the results of this work are today inaugurating a new era of harmony and cooperation because the trend of human thinking is towards the cessation of conflict. this is an event of major importance and sho

ALICE BAILEY THE LABOURS OF HERCULES

gn of "the fallen angels. the sons of god, impelled by this basic urge, fell from their high estate, took form, and started upon their individual round upon round of the zodiac. thirdly, we find the urge to resurrection. in aries, which has seen the beginning of form life and which has initiated the creative work, there begins to be felt the urge to achieve freedom from the form, to roll away the stone from the door of the sepulchre of the soul, and to stand in the liberty of the sons of god. in aries is found the impulse which leads to the building of the form, which for ages will constitute the prison house of the soul. this reaches its mass form in cancer, and its human form in leo; the densest point of illusion in form is reached in scorpio, and in pisces the form dies, only to be rebu

e venus rules the zodiacal sign. the hard, driving thrust of modern life is too aggressively masculine; the softer grace and artistic beauty of the feminine component should act [135] as a complementary influence. the libran instinctively understands this. he knows that masculine assertiveness must be modified by the subtler savor of feminine sweetness; that yielding water will outlast implacable stone and rigid steel. when the libran has assimilated the soft harmonies of venus, he begins to respond to another vibration, that of uranus. the statement in the bible which describes this impulse is expressed in the words "behold, i make all things new" the old forms are understood to be chains and shackles. they must be discarded. the broom of god must sweep away the debris of the ages in orde

atisfied with this response, hercules proceeded. soon he saw the triple-headed dog, and heard its piercing bark. snarling, it sprang upon him. grasping the primary throat of cerberus, hercules held it in his vice-like grip. goaded to frenzied fury, the monster thrashed about. at length, its strength subsiding, hercules mastered it. this done, hercules went on, and found prometheus. upon a slab of stone he lay, in agonizing pain. quickly hercules then broke the chains, and set the sufferer free. retracing his steps, hercules returned as he had come. when once again he reached the world of living things, he found his teacher there "the light now shines within the world of dark" the teacher said "the labor is achieved. rest now, my son" f.m. prologue the sign of capricorn, says the tibetan, i

ARADIA GOSPEL OF THE WITCHES

the latter. 5 the six lines following are often heard as a nursery rhyme. 6 probably a mistake for luna. 7 this implies keeping himself warm, and is proof possitive that moonshould here be read for sun.according to another legend cain suffers from cold in the moon. 8 this is a formula which is to be slowly recited, emphasising the repetitions.chapter iii. no footnotes)chapter iv. 9 properly, the stone with a hole in it. but such a stone is called holy on shipboard, and here it hasreally a claim to the name. 10 this is an obscure passage, but i believe that i have given it as the poet meant or felt it. 11 il sasso a palla.chapter v. 12 this passage is not given in the original ms, but it is necessary to clearly explain what followsabruptly. page 76 as such works must have pictures, circe i

ut go home andlook in the glass, and it will seem to thee that thou art looking on a mortal sin in human form.then gianni in a roaring rage cried, i will have my way and my will, thou old wife of the devil, if imust kill thee and the girl too! saying which, he rushed up the ladder; but before he had opened orcould enter the window, and was at the top, he found himself as it were turned to wood or stone,unable to move. page 72 it befell that one evening melambo, thinking on this while playing with a nest of young serpentswhich his servant had found in a hollow oak, said: i would that i could talk with you;well i know that ye have language,as graceful as your movement,as brilliant as your colour.then he fell asleep, and the young serpents twined in his hair and began to lick his lips and eye

this is all classic. no oneever heard of a satanic witch invoking or threatening the trinity, or christ or even the angels orsaints. in fact, they cannot even compelthe devil or his imps to obey they work entirely by hisgood-will as slaves. but in the old italian lore the sorcerer or witch is all or nothing, and aims at limit-less will or power.of the ancient belief in the virtues of a perforated stone i need not speak. but it is to be remarkedthat in the invocation the witch goes forth in the earliest morning to seekfor verbena or verbain. theancient persian magi, or rather their daughters, worshipped the sun as it rose by waving freshlyplucked verbena, 32 which was one of the seven most powerful plants in magic. these persianpriestesses were naked while they thus worshipped, nudity being

, wood, and poultry. there was not leftthe value of four farthings.but on the day fixed for payment there was no lavernato be seen. the goddess was far away, andhad left her creditor in asso in the lurch!at the same time lavernawent to a great lord and bought of him a castle, well-furnished within andbroad rich lands without. page 56 which hunting hound, as well is known,was changed by jupiter to stone.it is remarkable that in this story the moon is compared to an onion. the onion, says friedrich(symbolik der natur, p. 348, was, on account of its many skins, among the egyptians the emblemand hieroglyph of the many-formed moon, whose different phases are so clearly seen in the rootwhen it is cut through, also because its growth or decrease corresponds with that of the planet.therefore it wa

since even her own parents had willingly given her over to an awful death.now her parents and the priests, and all who sought her death, were in the palace watching lest sheshould escape.when lo! in answer to her prayer there came a terrible tempest and overwhelming wind, a stormsuch as man had never seen before, which overthrew and swept away the palace with all who werein it; there was not one stone left upon another, nor one soul alive of all who were there. the godshad replied to the prayer.the young lady escaped happily with her lover, wedded him, and the house of the peasant wherethe lady stood is still called la casa al vento, or the house of the wind.this is very accurately the storyas i received it, but i freely admit that i have very much condensedthe language of the original te

BASIL VALENTINE TWELVE KEYS

r information address: seo vebooks http//stores.ebay.com/seo vebooks all rights reserved. this product is for personal use only and not for resale. copyright violations will be prosecuted by law. toutes les droites sont reserves. tutti i diritti riservati. todos les derechos reservados. twelve keys of basil valentine 3 of 95 the preface of basilius valentinus, the benedictine concerning the great stone of the ancient sages. when i had emptied to the dregs the cup of human suffering, i was led to consider the wretchedness of this world, and the fearful consequences of our first parents disobedience. then i saw that there was no hope of repentance for mankind, that they were getting worse day by day, and that for their impenitence god s everlasting punishment was hanging over them; and i mad

e spirit of my diseased brother, who, from that day to the day of his death, remembered me in his hourly prayers. and his prayers, together with my own diligence, so prevailed with god, that there was revealed to me that great secret which god ever conceals from those who are wise in their own conceits. thus have i been wishing to reveal to you in this treatise, as far as may be lawful to me, the stone of the ancients, that you, too, might possess the knowledge of this highest of earthly treasures for your health and comfort in this valley of sorrow. i write about it, not for my own good, but for that of posterity, and though my words be few and simple, that which they import is of immeasurable magnitude. ponder them well, that you also may find the rock which is the foundation twelve keys

you, too, might possess the knowledge of this highest of earthly treasures for your health and comfort in this valley of sorrow. i write about it, not for my own good, but for that of posterity, and though my words be few and simple, that which they import is of immeasurable magnitude. ponder them well, that you also may find the rock which is the foundation twelve keys of basil valentine 6 of 95 stone of truth, the temporal blessing, and the eternal reward. twelve keys of basil valentine 7 of 95 the tract of basilius valentinus, the benedictine, concerning the great stone of the ancient sages. in the preface, gentle reader, and zealous student of this art, i promised to communicate to you a knowledge of our corner stone, or rock, of the process by which it is prepared, and of the substanc

tain head. i propose to set forth what i have to say in a few simple, straightforward words, for i am no adept in the art of multiplying words; nor do i think that exuberance of language tends to clearness; on the contrary, i am convinced that it is many words that darken council. let me tell you, then, that although many are engaged twelve keys of basil valentine 8 of 95 in the search after this stone, it is nevertheless found but by very few. for god never intended that it should become generally known. it is rather to be regarded as a gift which he reserves for those favoured few, who love the truth, and hate falsehood, who study our art earnestly by day and by night, and whose hearts are set upon god with an unfeigned affection. hence, if you would prepare our great and ancient stone

e. it is also necessary that you should determine to shew your gratitude to god for his unspeakable gift, by succouring the poor and the distressed, and by opening your hand and your heart to the needy. then god will bless your labour, and reward your search with success, and yourself with a seat in heaven as the fruit of your faith. do not despise the truthful writings of those who possessed the stone before us. for, after the enlightening grace of god, it is from them that i received my knowledge. let your study of them be increased and repeated often, lest you lose the thread twelve keys of basil valentine 9 of 95 of insight, and the lamp of understanding be extinguished. give yourself wholly to study, and be not flighty or doubleminded. let your mind be like a firm rock, in which all t

BELL CHRISTOPHER PAUL TSIU MARPO THE CAREER OF A TIBETAN PROTECTOR DEITY

aries 2.11. sending forth the dogs of the seven might demon attendants 2.12. drawing the circle of protection 2.2. the great violence demon accomplishment cycle based on the outer propitiations 2.21. a. introduction: the four stages b. first stage [summon] by means of the outer offerings 2.22. second stage [summon] by means of the inner cane whip 2.23. third stage [summon] by means of secret life stone and life wheel 2.24. a. fourth stage [summon] by means of the ultimate red spear lasso b. secret text 74 2.25. colophon 2.3. s.dhana of violence demon offerings 2.4. violence demon invocation and history 2.5. terma entrusting the warlord s life-energy to tamdrin the first part is the tantra itself and the remainder of the text consists of the accompanying s.dhanas. the title page consists of

lored water or beer. 2.22. second stage [summon] by means of the inner cane whip the second stage, the inner cane whip, lures the deities further by striking a ritual whip during the mantra recitation, followed by other ritual activities. it is at this point that the deities are entreated to perform specific deeds that the practitioner expresses. 2.23. third stage [summon] by means of secret life stone and life wheel the third stage, the secret life stone and life wheel, seals these deities with mantras into their office as protectors of the temple and region. these mantras are written on the specific ritual implements of the life stone and life wheel. the life stone refers to a ritual stone that signifies the life-essences of the seven riders. de nebesky-wojkowitz mentions a life stone in

t life stone and life wheel, seals these deities with mantras into their office as protectors of the temple and region. these mantras are written on the specific ritual implements of the life stone and life wheel. the life stone refers to a ritual stone that signifies the life-essences of the seven riders. de nebesky-wojkowitz mentions a life stone in reference to tsiu marpo, stating that it is a stone representing the seat of the deity s life-force. this is fitting, as a ritual performer who possesses a stone endowed with tsiu marpo s life-force would then be able to exact his will on the deity, akin to the acts of subjugation performed by tamdrin and padmasambhava.130 the life wheel, equally, is a circle of mantras that bind the 130 see de nebesky-wojkowitz 1998, pp. 174, 491; tucci 1988

e effigy. referring to the sixty-year tibetan calendrical cycle. 359 a band of colored wool. 360 as the next three annotations suggest, i suspect this refers to the dough horse mount and weapons that complete the might demon effigy. 361 smeared with colored powder. 362 obscure. 363 done by the red horse of the might demons. 364 by the weapon. 365 made orange [from] red wheat, orange meat, and red stone [mixed with] a knife; obscure. this possibly refers to a vow-breaker; from the sanskrit bheda "to break, cleave" 366 of sheep. 367 bamboo pitch (cu gang, saffron (gur gum, clove (li shi, nutmeg (dza ti, cardamon (sug smel, and chinese cardamom (ka ko la. 368 the five precious jewels. gold, silver, turquoise, coral, and pearl. 369 the crushed effigy. 370 the proffered effigy. 371 designated a

le based on the outer propitiations to the great violence demons" samaya..kin.-script. homage to glorious tamdrin! the violence demons, the seven emanating riders, give as offerings the forms of their own essential life-energies. by means of the outer propitiations, the vow-holders assemble like clouds; by means of the inner cane whip, the vow-holders follow like dogs; by means of the secret life stone and life wheel, the vow-holders are lured like children; and by means of the ultimate red spear lasso, enemies and hindering demons are completely struck down; and those are the four scrolls. these are the profound sections of the heart. 1b. first stage [summon] by means of the outer offerings (315.4-315.6) by means of the first propitiation offerings, pure golden beverages and turquoise bev

BLACK SERPENT1

se all three packages in the box and only use 3/4 the packet of seasoning -1 packet lawrey's beef burrito seasoning (mccormick and schilling suck in this recipe, but if you like them, go for it- 2 packages of pillsbury croissant roll dough (low fat -2 bags of shredded cheddar or colby-jack cheese (smart balance works fine) prepare beef according to the burrito seasoning packet. get a pizza pan or stone and open the 6 dough. arrange the dough to where the lower half of the triangle of dough is in the inside of the dish and the pointy part of the triangle is on the outside. this is very important. i don't know how to explain it better. just that the thicker side of the triangle needs to be at the middle of the pizza pan/stone. work around the pizza pan to make the dough form a sunshine shape

BLAVATSKY H P ANTHROPOGENESIS

they took wives fair to look upon. wives from the mindless, the narrow-headed. they bred monsters. wicked demons, male and female, also khado (dakini, with little minds. 42. they built temples for the human body. male and female they worshipped. then the third eye acted no longer- xi. 43. they built huge cities. of rare earths and metals they built, and out of the fires vomited, out of the white stone of[[vol. 2, page] 21 the slokas of "dzyan" the mountains and of the black stone, they cut their own images in their size and likeness, and worshipped them. 44. they built great images nine yatis high, the size of their bodies. inner fires had destroyed the land of their fathers. the water threatened the fourth. 45. the first great waters came. they swallowed the seven great islands. 46. all

ation of our race-father abraham (that is abram and abraham, or numbers 41224 and 41252. he then says that this book of number treats of teaching the alhim-ness and one-ness through "dbrim" viz, the numbers of the word "words" that is, it teaches the use of the ratio 31415 to one, through 41224, which last, in the description of the ark of the covenant, was divided into two parts by two tables of stone, on which these, dbrim or 41224, were written or engraved- or 20612 by 2. he then comments on these three subordinately used words, and takes care as to one of them to make the comment "and alhim (31415 to 1) said: let there be light (20612 to 6561" the three words as given in the text are[[hebrew. and the rabbi in commenting upon them says "it teaches the alhimness (31415) and one-ness (the

divine being dragged into the animal, the sublime into the grossness of the terrestrial. nothing so graphically gross exists in eastern occultism, nor in the primitive kabala- the "chaldean book of numbers" we have said so in "isis unveiled "we find it rather unwise on the part of catholic writers to pour out their vials of wrath in such sentences as these 'in a multitude of pagodas, the phallic stone, ever and always assuming, like the grecian batylos, the brutally indecent form of the lingham. the maha deva' before casting slurs on a symbol whose profound metaphysical meaning is too much for the modern champions of that religion of sensualism par excellence, roman catholicism, to grasp, they are in duty bound to destroy their oldest churches, and change the form of the cupolas of their

nd the descent of man from an animal ancestor[[footnote(s* the term here means neither the dolicho-cephalic nor the brachyo-cephalic, nor yet skulls of a smaller volume, but simply brains devoid of intellect generally. the theory which would judge of the intellectual capacity of a man according to his cranial capacity, seems absurdly illogical to one who has studied the subject. the skulls of the stone period, as well as those of african races (bushmen included) show that the first are above rather than below the average of the brain capacity of the modern man, and the skulls of the last are on the whole (as in the case of papuans and polynesians generally) larger by one cubic inch than that of the average frenchman. again, the cranial capacity of the parisian of today represents an averag

ike external shape, yet it is as correct that this shape was no more that of the "missing link" than were the coverings of that astral form, during the course of its natural evolution through all the kingdoms of nature. nor was it, as shown in the proper place, on this fourth round planet that such evolution took place, but only during the first, second, and third rounds, when man was, in turn "a stone, a plant, and an animal" until he became what he was in the first root-race of present humanity. the real line of evolution differs from the darwinian, and the two systems are irreconcilable, except when the latter is divorced from the dogma of "natural selection" and the like. indeed, between the monera of haeckel and the sarisripa of manu, there lies an impassable chasm in the shape of the

BLAVATSKY H P COSMOGENESIS

er dies; the three-tongued flame of the four wicks. the wicks are the sparks, that draw from the three-tongued flame shot out by the seven- their flame- the beams and sparks of one moon reflected in the running waves of all the rivers of earth. 5. the spark hangs from the flame by the finest thread of fohat. it journeys through the seven worlds of maya. it stops in the first, and is a metal and a stone; it passes into the second and behold- a plant; the plant whirls through seven changes and becomes a sacred animal. from the combined attributes of these, manu, the thinker is formed. who forms him? the seven lives, and the one life. who completes him? the five-fold lha. and who perfects the last body? fish, sin, and soma. 6. from the first-born the thread between the silent watcher and his

it applies perfectly to the awakened mahat, the universal mind already projected into the phenomenal world as the first aspect of the changeless absolute, but never to the latter "spirit and matter, or purusha and prakriti are but the two primeval aspects of the one and secondless" we are taught. the matter-moving nous, the animating soul, immanent in every atom, manifested in man, latent in the stone, has different degrees of power; and this pantheistic idea of a general spirit-soul pervading all nature is the oldest of all the philosophical notions. nor was the archaeus a discovery of paracelsus nor of his pupil van helmont; for it is again the same archaeus or "father-ether- the manifested basis[[footnote(s* see schwegler's "handbook of the history of philosophy" in sterling's translat

en saying, as he did, that the unconscious evolved the universe only "in the hope of attaining clear selfconsciousness" of becoming, in other words, man; for this is also the secret meaning of the usual puranic phrase about[[vol. 1, page] 107 no man- no god. brahma being constantly "moved by the desire to create" this explains also the hidden kabalistic meaning of the saying "the breath becomes a stone; the stone, a plant; the plant, an animal; the animal, a man; the man, a spirit; and the spirit, a god" the mind-born sons, the rishis, the builders, etc, were all men- of whatever forms and shapes- in other worlds and the preceding manvantaras. this subject, being so very mystical, is therefore the most difficult to explain in all its details and bearings; since the whole mystery of evoluti

c perisprit, to men, animals, fowls of the air, and everything living. animals have only the latent germ of the highest immortal soul in them. this latter will develop[[footnote(s* codex nazaraeus, i, 135* ibid* see the cosmogony of pherecydes[[vol. 1, page] 197 ilda-baoth-jehovah. only after a series of countless evolutions; the doctrine of which evolution is contained in the kabalistic axiom 'a stone becomes a plant; a plant, a beast; a beast, a man; a man, a spirit; and the spirit, a god (vol. i, p. 301, note) the seven principles of the eastern initiates had not been explained when "isis" was written, but only the three kabalistic faces of the semi-exoteric kabala* but these contain the description of the mystic natures of the first group of dhyan chohans in the regimen ignis, the regi

-hi; the battles fought between stars and constellations, between moon and planets- later on incarnated as kings and mortals. hence also the war in heaven of michael and his host against the dragon (jupiter and lucifer- venus, when a third of the stars of the rebellious host was hurled down into space, and "its place was found no more in heaven" as said long ago "this is the basic and fundamental stone of the secret cycles. it shows that the brahmins and tanaim. speculated on the creation and development of the world quite in a darwinian way, both anticipating him and his school in the natural selection of species, the survival of the fittest[[vol. 1, page] 203 the birth of the worlds. and transformation. there were old worlds that perished conquered by the new" etc, etc("isis unveiled" vo

BLUE EQUINOX

e a little boat of my tongue, and explore the unknown rivers. it may be that the everlasting salt may turn to sweetness, and that my life may be no longer athirst. 6. o ye that drink of the brine of your desire, ye are nigh to madness! your torture increaseth as ye drink, yet still ye drink. come up through the creeks to the fresh water; i shall be waiting for you with my kisses. 7. as the bezoar-stone that is found in the belly of the cow, so is my lover among lovers. 8. o honey boy! bring me thy cool limbs hither! let us sit awhile in the orchard, until the sun go down! let us feast on the cool grass! bring wine, ye slaves, that the cheeks of my boy may flush red. 9. in the garden of immortal kisses, o thou brilliant one, shine forth! make thy mouth an opium-poppy, that one kiss the equi

inant figure of evil, the horror of emptiness, with his ghastly eyes like poisonous wells. he stood, and the chamber was corrupt; the air stank. he was an old and gnarled fish more hideous than the shells of abaddon. 35. he enveloped me with his demon tentacles; yea, the eight fears took hold upon me. 36. but i was anointed with the right sweet oil of the magister; i slipped from the embrace as a stone from the sling of a boy of the woodlands. 37. i was smooth and hard as ivory; the horror gat no hold. then at the noise of the wind of thy coming he was dissolved away, and the abyss of the great void was unfolded before me. 38. across the waveless sea of eternity thou didst ride with thy captains and thy hosts; with thy chariots and horsemen and spearmen didst thou travel through the blue

t, shalt see these things, and thou shalt heed them not. 5. now is the pillar established in the void; now is asi fulfilled of asar; now is hoor let down into the animal soul of things like a fiery star that falleth upon the darkness of the earth. 6. through the midnight thou art dropt, o my child, my conquerer, my sword-girt captain, o hoor! and they shall find thee as a black gnarl.d glittering stone, and they shall worship thee. 7. my prophet shall prophesy concerning thee; around thee the maidens shall dance, and bright babes be born unto them. thou shalt inspire the proud ones with infinite pride, and the humble ones with an ecstasy of abasement; all this shall transcend the known and the unknown with somewhat that hath no name. for it is as the abyss of the arcanum that is opened in

hat little progress is made, and some slackness exists as regards exercises. the truth is, i more and more use the true essence. if a little worry occurs, automatically, i turn to that within which dissolves it at once and restores the balance. it is that nothing with which i come into closest contact during meditation, but it is ever present, and i recognize the fact. i believe it to be the true stone of the wise which turns everything to gold. i call it adonai when i give it a name at all. most often the mind slips into that state without reason or argument [yes: it does appear that more time ought to be given to the work. but the progress is not bad for all that. however, i don.t quite like the complacent feeling. nothing replaces hard work. somebody i know (or don.t know) does more act

crated vesture; vain the high and holy gesture; vain the proven and perfect spell enchanting heaven, enchaining hell. unyoked the horses from the car wherein i waged celestial war: mine angle sheathes again his sword at the interdiction of the lord. even hell is shut, lest spite and strife should show my soul a way to life. hope dies; faith flickers and is gone. love weeps, then turns its soul to stone. all nearest, highest, holiest things drop off; the soul must lose her wings, and, crippled, find, with no one clue the infinite maze to travel through, the goal unguessed, the path untrod, and stand unhelmed, unarmed, unshod, naked before the unknown god. oh! stertorous, oh! strangling strife that cleaves to love, that clings to life! the will is broken, falls afar extinct as an accurs d st

BOOK OF ENOCH

stars to set. 18.5] and i saw the winds on the earth which support the clouds and i saw the paths of the angels. i saw at the end of the earth; the firmament of heaven above. 18.6] and i went towards the south, and it was burning day and night, where there were seven mountains of precious stones, three towards the east and three towards the south. 18.7] and those towards the east were of coloured stone, and one was of pearl, and one of healing stone; and those towards the south, of red stone. 18.8] and the middle one reached to heaven, like the throne of the lord, of stibium, and the top of the throne was of sapphire. 18.9] and i saw a burning fire, and what was in all the mountains. 18.10] and i saw a place there, beyond the great earth; there the waters gathered together. 18.11] and i sa

BOOK OF JASHAR

n, is sharpened for the modern reader by the fact that "flo" and "faben" are names that jane goodall used for wild chimpanzees that she studied in gombe. the name "human" is of course just a retranslation of "adam" like the name "adam (which comes from a hebrew word for earth, the word "human" is derived from a root that means dirt (humus. human's singing voice and eve's skilled hands, sharpening stone tools by moonlight, show god that they are ready for the great transition. so with the tiniest bit of divine intervention, virtually at the quantum-mechanical level, god creates a spark, at the right place and the right time, to stimulate the birth of humanity. there is an obvious contrast between this spark and the original explosion that was called forth by god's first word. after creation

BOOK OF BLACK SERPENT

the spirits. these appurtenances may be constructed by the hands of the operator, or bought before the initiation of the experiments. in either case, the instruments should be consecrated as to dedicate their use for the assistance in this operation. the instruments are as follows. the configuration of the temple. this temple is to measure fifteen feet square and may be constructed out of either stone or wood, as is preferred. there should be a window to allow light into the temple, as this is a work of the attainment of light, and where there is no light there is only darkness, as we are told. the ceiling of the temple should not be less than six feet high; both it and the ceiling should be unadorned, unless there is a reason to do contrariwise. the magic circle& triangle of the art. the

BUCKLAND RAYMOND COMPLETE BOOK OF WITCHCRAFT

le is not really the best (unless glued or pegged together. if there has to be metal in the table, brass is acceptable. why is this? it has to do with conductivity. the witch's knife and sword (and wand, if used) are the only tools that are used for storing and directing energies. they, then, can be of a conductive metal iron or steel. all other items should be non-conductive silver, gold, brass, stone, wood since they are not used in that fashion. but why not have a little aestheticism with your altar? lesson two: beliefs/ 21 22/ buckland's complete book of witchcraft why not do things properly? you are working in a circle, so why not a circular altar? to me, a rectangular altar in a circle always looks somewhat incongruous. this is one of the reasons a tree stump is so ideal. in fact a b

the knife usually has a steel, double-edged blade, though one exception is in the frosts' tradition, where it is a single-edged brass knife. it might be worth quoting from anglo-saxon magic by dr. g. storms (gordon press, ny 1974, an annotated translation of various ancient anglo-saxon manuscripts "iron manifestly takes its power from the fact that the material was better and scarcer than wood or stone for making tools, and secondly from the mysterious way in which it was originally found: in meteoric stones. it needed a specialist and a skilled laborer to obtain the iron from the ore and to harden it. indeed we find many peoples regard their blacksmiths as magicians. among them wayland stands out as the smith par excellence. the figure of this wondrous (saxon) smith symbolizing at first t

rrect to slope them) is that it can cause confusion. for example, in the seax-wica runes, a sloping n rune would look like ag. the theban alphabet is used quite a lot in the craft. in gardnerian, for example, it is used for writing the high priestess's name on her bracelet. it is an attractive form of writing. the runes are angular, with no curves, because they were used for carving into wood and stone. but the theban was written on parchment, as well as being engraved and etched on talismans, so could be more elaborate. the theban alphabet is depicted in figure 3.9.1 will speak more on this alphabet, and several others, in the later lesson on charms and talismans. 38/ auckland's complete book of witchcraft. to know a person's name is to have a hold, a power, over them. for to know the nam

the right road to take. in this manner you can easily trace a route taken from point a to point b. for more on the pendulum, see practical color magtck by raymond buckland (llewellyn publications, 1983. the steps, in learning to psychometrize, are easy ones requiring only practice with patience. take eight or ten samples of different substances: cloth of various types, leather, fur, wood, metal, stone, etc. sit quietly and, taking one object at a time in your hands, concentrate on it. feel its texture. think of its origins. try to picture the tree from which the wood came; the animal from which the fur came, and so on. work at the objects regularly, spending as long as you feel comfortable on each object but always going right through the complete set. it may be that you will get very def

ualities when irritation is present. bearberry or uva ursi ivs. bilberry ivs. broom tops buchu ivs. burdock seeds button snake rt. canada fleabane hb. cleavers hb. copaiba balsam corn silk cubeb berries dog grass rt. dwarf elder bk. elecampane rt. gravel plant ivs. hair cap moss horse tail grass juniper berries kava-kava rt. matico ivs. pareira brava rt. parsley rt. princess pine ivs. seven barks stone rt. water eryngo rt. white birch ivs. wild carrot hb. emollients agents generally of oily or mucilaginous nature, used externally for their softening, supple or soothing qualities. comfrey rt. flaxseed meal marsh mallow ivs. or rt. oatmeal quince seed slippery elm bk. expectorants agents used to induce expulsion or loosen phlegm of the mucous membranes of the bronchial and nasal passages. ex

CASE PAUL F THE BOOK OF TOKENS

cause their return unto myself. i am the life, and the wheel of the law, and the way that, leadeth to the beyond. there is none else. 4 i am the fire of mind which divideth itself into the superior and inferior natures, and putteth on a robe of flesh to come down. i am the vital principle of all that is. nothing is that does not live, and of that life i am the source. as it is written" first the stone, then the plant, then the animal, and then the man" but before the stone, i am the fire, distributed equally in space, nowhere absent, filling all. and before the fire, hidden within it, i am the pure knowing whence all forms flow forth. 5 apart from me there is neither wisdom, nor knowledge, nor understanding. into every state of knowledge do i enter, into false knowledge as well as into tr

hed by the wise have number for their foundation. for the circle of the tally is the coiled fiery power which cometh from the sun, and to rule this, thou must learn to count [92] t e t h count aright, and thou shalt have oil for thy lamps, for the oil for lighting. containeth the secret of the letter teth. this is the oil which riseth like a serpent, the oil which thy father jacob poured upon the stone in the house of strength. 4 verily, he who knoweth the secret of that stone, knoweth also the secret of the serpent, and in him shall be fulfilled the saying "when israel was a child, then i loved him, and called my son out of egypt" and he who knoweth this shall be a measurer of mercy, and all his works shall be rooted in the strength of my law [93] comment on teth* t e t h, pronounced tayt

d is therefore a sign of beginning. its second letter, th, as the last of the alphabet, is the sign of the end. the final letter, h, means "window, and to it is attributed the faculty of sight. so ends the book of tokens, with the affirmation which is made, in one way or another, by all the sages, of whatever race, time, or creed. the innermost self of man is the jewel of eternity, or the magical stone of the wise, which gives its possessor the priceless boon of immortality. he who truly knows the self, who has freed himself from the bonds of delusion which make the ignorant mistakenly apply the term "self" to the limited, transitory personality, such an one has found the goal. they who find it are sometimes called lords of the secret of saturn, for they understand why saturn is said to ha

CASSANDRA EASON A PRACTICAL GUIDE TO WITCHCRAFT AND MAGIC

iary and left- along with scores of similar pleas- on an ancient pile of stones in the forest of broceliande in brittany. archaeologists say that this is the grave of a neolithic hunter, but local tradition says that in this forest dwelled vivien, the lady of the lake of arthurian legend, and that here, having seduced merlin in order to learn his secrets, she ensnared him with his own spells. the stone pile is known as merlin's tomb, and each year hundreds visit the site to thank the wizard or to ask for his aid. when i visited the tomb, prayers- written on scraps of paper or card- were squeezed into gaps in the stones or pinned to the tree that shelters the tomb. whatever the origins of the tomb, it has been transformed into a source of power. for this badly signposted spot, a short walk

rayers- written on scraps of paper or card- were squeezed into gaps in the stones or pinned to the tree that shelters the tomb. whatever the origins of the tomb, it has been transformed into a source of power. for this badly signposted spot, a short walk up a muddy track from a cramped, rough car park, had a tranquil, spiritual air that you might expect at a great cathedral or far more impressive stone circles. such spots unleash the magick inside us. but even if you never visit brittany or stonehenge at sunrise on midsummer's day, you can still make use of your own magick. this is a book about white magick and witchcraft as sources of wisdom, healing and positivity. like native american spirituality, to which true witchcraft is akin (some say both were carried by the people of atlantis, t

and so it often happens that it is the wealthy people who win even more money- although that does not necessarily bring happiness. casting your needs into the cosmos and trusting they will be met does work, but not if you are expecting magick to compensate for an unnecessary shopping binge. nor, after a period of overeating and no exercise, can you expect a miracle diet to work so that you shed a stone in two days while still eating chocolate. spells tend to work best when there is a genuine need, generated by real emotion and linked to determination on a practical level. the rules of magick magick is not beyond or above life, but a natural though special part of your world. it is about not leaving fate, your fate, to any guru or deity, but shaping it with your own innate power, the power

use this coincided with peak female fertility. moon magick for the increase of love and fertility is still practised under the auspices of the waxing moon. it was not until about 3,000 years ago that the male role in conception was seite 6 wicca01.txt fully understood in the west, and only then were the sky father deities able to usurp the mysteries of the divine mother. a trinity of huge, carved stone goddesses, representing the three main cycles of the moon, and dating from between 13000 and 11000 bc, was found in france in a cave at the abri du roc aux sorciers at angles-sur-l'anglin. this motif continued right through to the triple goddess of the celts, reflecting the lunar cycles as maiden, mother and crone, an image that also appeared throughout the classical world. witchcraft and th

s death. along with other nature deities, the horned god became demonised with the advent of christianity, and the goddess was either depicted as a wicked witch or downgraded to the status of a faerie. thus the celtic warrior goddess maeve became the faerie mab, described thus by mercutio in shakespeare's romeo and juliet: she is the fairy's midwife, and she comes in shape no bigger than an agate-stone on the fore-finger of an alderman [insert pic p022- contrary to popular belief, wiccans do not 'hex (cast curses) or seek revenge, although some dutch and pennsylvanian witches consider that it is justifiable to 'bind' those who harm children or animals or actively promote evil or corruption. wiccans prefer to rely on the principles of natural justice that under karmic principles will redres

CHIREAU YVONNE BLACK MAGIC RELIGION AND THE AFRICAN AMERICAN CONJURING TRADITION

nd a spoonful of ashes. dat bag pertect you from you enemy" moses claimed that she learned her magical knowledge "from my daddy and mammy\ 48\ and de old folks" she added "most of dem things works iffen you tries dem"[25] over time, certain ingredients emerged as staple components in the material rhetoric of conjure practices. the gravel and earth gathered from the surfaces of cemetery graves and stone markers, sometimes called "goopher dust" was a near-universal element in the pharmacopoeia of african american supernaturalism. a rabbit's feet or the highly sought after bone of a black cat endowed a practitioner with great power. materials were selected both for their sympathetic associations and for aesthetic purposes: red pepper to produce heat or irritation; lodestone to draw desirable

view=print 7/14/2006 between 1915 and 1919 the northern cities became home and haven to nearly five hundred thousand transplanted african americans migrants. roughly one million more followed in intermittent waves throughout the 1920s. looking back at this world, the novelist richard wright envisioned what lay before these sojourners as they "headed for the tall and sprawling centers of steel and stone" in an evocative reflection, wright grieved for the "landless millions of the land" whose "awkward feet" were first "upon the pavements of the city" there "life would begin to exact c a heavy toll in death" to be sure, the hardships of migration for black americans were compounded by poverty, discrimination in housing and employment, and by the collective antipathy of white city dwellers, wh

CHRONOLOGIA RORISPERGIUS

ve invented astrology. astrological textbook bearing their names was written or translated into greek= an encyclopedia of cosmogony, astrology and magic, of which we have citations from the fourteenth book. 200-150 bce the book of the watchers.aramaic. parts of its text have been identified on several copies from qumran cave 4; the earliest fragmentary manuscript(4qenocha) dates. 196- the rosetta stone was engraved 164 book of daniel (o.t. 160 o.t. apocrypha: tobit, 1 esdras, enoch, others. 150 yoga sutras of patanajali; early qumran (dead sea scrolls. 150 bc esoteric form of astrology based on the teachings of hermes or thoth circulates in numerous works under such titles as: astrologoumena, hermaikai diataxeis or doctrines of hermes, apokotastasis, liber hermetis(listing of decan images

tion to the andalusian mathematician al-majriti (or al-madjriti d. ca. 1004-7) is considered pseudo-epigraphic. listing of decans. one of the principal sources of the aim of the sage was the encyclopedia of the brethren of purity (ihw n al-saf. king alfonso the wise of castile orders translation of alchemical texts from arabic. he is supposed to have written tesoro a treatise on the philosophers' stone. 1257 franciscan friar bonadventura d'iseo's 'liber compostella' provides some alchemical recipes 1257-67, writes the soul's journey into god while meditating on francis's vision of the six-winged seraph; he also writes an authoritative life of saint francis to replace earlier versions. bonaventure believed that st. francis's order would inherit the 'key of david' given to the angel of phila

ist 1400-1464 nicholas of cusa 1402-1442 bernard of treviso 1403-1472 cardinal johannes bessarion encouraged the spread of greek studies in italy 1403 king henry iv of england issues a prohibition of alchemy and to stop counterfeit money 1405 moses botarel sefer yezirah commentary 1412-1480 lacinius 1415 early german ms buch der heiligen dreifaltigkeit paralleling the christ and the philosophers' stone 1419 cristoforo de' buondelmonti's purchase, on the island of andros of a manuscript of the hieroglyphica, attributed to horapollo. 1420-1477+ bonifacio bembo 1420 splendor solis manuscript 1423 cards are condemned in a speech made a bologna by st. bernardin of siena. he does not refer to the tarot major arcana 1423-77 townbooks of nuremberg name several women as card-painters. 1425 1495 jud

urch, upon the the conversion of the jews and a "full restoring of the jewish nation; a literal kingdom on earth. 1558 elizabeth i becomes queen of england; giambattista della porta's magia naturalis published; zohar printed in mantua. john dee propaedeumata. 1559 august, postel and other prisoners are freed upon the death of the pope. 1559-1598 edward kelley theatre of terrestrial astronomy. the stone of the philosophers. 1560-1605 heinrich khunrath proto-rosicrucian amphitheatrum sapientiae aeternae "what good are torches, light, or spectacles, to those who will not see" 1560 foxe's book of martyrs. zohar printed in cremona. adam von bodenstein begins his work of editing various writings of paracelsus. giambattista della porta magia naturalis. postel fearing reimprisonment goes to basle

in palestine into arabia accompanied by a christian youth, christoph possible literary model for the development of the character of christian rosencreutz. h. khunrath, the amphitheatre of eternal wisdom (completed by erasmus wolfurt, which reproduced dee s monad and emphasised the symbolism of the microcosm and the macrocosm. containing a correspondence between jesus christ and the philosopher s stone, this work by khunrath was held in high esteem by lutherans, who referred to him in their writings. 1610-1685 joseph de voisin editor of pugio fidei, author of conclusiones cabalisticae 1610-1660 johann harprecht proto-rosicrucian who called himself "filius sendivogii" 1612 flamel figures hierogliphiques (first publication. ruland's lexicon alchemiae. jacob boehme aurora 1613-1652 nicholas c

CHYMICAL WEDDING OF CHRISTIAN ROSENKREUTZ

rom above, and a little light let down to us. then first might truly have been discerned the bustle we kept, for all went pell-mell, and he who perchance had heaved himself up too much, was forced down again under the others feet. in brief, each one strove to be uppermost. neither did i myself linger, but page 4 with my weighty fetters slipped up from under the rest, and then heaved myself upon a stone, which i laid hold of; howbeit, i was caught at several times by others, from whom yet as well as i might, i still guarded myself with hands and feet. for we imagined no other but that we should all be set at liberty, which yet fell out quite otherwise. for after the nobles who looked upon us from above through the hole had recreated themselves a while with our struggling and lamenting, a ce

i could sufficiently describe the hurry and disquiet that then arose amongst us; for everyone strove to get to the cord, and yet only hindered each other. but after seven page 5 minutes a sign was given by a little bell, whereupon at the first pull the servants drew up four. at that time i could not get very near the cord, having (as is before mentioned) to my huge misfortune, betaken myself to a stone at the wall of the dungeon; and thereby i was made unable to get to the cord which descended in the middle. the cord was let down the second time, but many, because their chains were too heavy, and their hands too tender, could not keep their hold on the cord, but with themselves beat down many another who else perhaps might have held fast enough; nay, many a one was forcibly pulled off by a

xth time, some of them hung themselves fast upon it; and whilst being drawn up, the cord swung from one side to the other, and (perhaps by the will of god) came to me, and i suddenly caught it, uppermost above all the rest, and so at length beyond hope came out. at which i rejoiced exceedingly, so that i did not perceive the wound which during the drawing up i had received on my head from a sharp stone, until i, with the rest who were released (as was always done before) had to help with the seventh and last pull; at which time through straining, the blood ran down all over my clothes, which i nevertheless because of my joy did not take notice of. now when the last drawing up on which the most of all hung was finished, the matron caused the cord to be laid aside, and asked her aged son to

t on the way, until i came likewise to the second gate, which though it was very like the other, yet it was adorned with images and mystic significations. on the affixed tablet was date et dabitur vobis( give and it shall be given unto you. under this gate lay a terrible grim lion chained, who as soon as he saw me arose and made at me with great roaring; whereupon the second porter who lay upon a stone of marble woke up, and asked me not to be troubled or afraid, and then drove back the lion; and having received the latter which i gave him with trembling, he read it, and with very great respect said thus to me: now welcome in god s name to me the man who for a long time i would gladly have seen. meanwhile he also drew out a token and asked me whether i could purchase it. but having nothing

t a man left. now as soon as this was done, and silence had been kept for the space of five minutes, there came forth a beautiful snow-white unicorn with a golden collar (having on it certain letters) about his neck. in the same place he bowed himself down upon both his forefeet, as if hereby he had shown honour to the lion, who stood so immoveably upon the fountain, that i had taken him to be of stone or brass. the lion immediately took the naked sword which he had in his paw, and broke it in two in the middle, and the pieces of it, it seemed to me, sunk into the fountain; after which he roared for so long, until a white dove brought a branch of olive in her bill, which the lion devoured in an instant, and so was quieted. and so the unicorn returned to his place with joy. hereupon our vir

COLLIER IRENE CHINESE MYTHOLOGY

oise as possible. she did not want to attract the attention of hungry tigers that roamed the hills, ready to pounce on easy prey. even worse, bandits might find her. once, these robbers had been hardworking farmers, but greedy lords took their crops, taxed them, stole their wives, enslaved their children, and took their land. after years of humiliation and starvation, the farmers hearts turned to stone. desperate and famished, they turned into robbers who roamed the countryside, stealing food and killing people. over the years, the bandits had become more ruthless than any wild beast in the mountains. as cheng walked carefully along the dirt path, she stepped in some faint animal footprints. as she looked at them, the image of the footprints grew stronger and clearer. they were shaped like

away monastery bell. the chi-lin told cheng that soon she would bear a son who would be a great ruler, but one without subjects, a king without a throne. then the unicorn bowed gracefully and disappeared back into the shadows of the trees. carefully, cheng picked up the piece of jade. the chilin s message puzzled her, and the lustrous jade seemed to hold deep secrets below its cloudy surface. the stone felt naturally cold, yet warmed up quickly in the palm of her hand. the jade appeared dense and cloudy, yet the longer she looked at it, the clearer and more transparent it seemed. jade was harder than the bronze coins in her pocket, yet cheng knew it could be carved into fluid shapes like twisting dragons, chirping insects, and tumbling clouds. when she struck the wonderful stone, the jade

hat it punished the evil and spared the innocent. it reminded judges and soldiers of their obligations to be fair. q: what did the unicorn drop at the feet of cheng, and what did it tell her? a: it dropped a piece of jade at cheng s feet and told her that she would bear a child who would be a ruler without subjects, a king without a throne. q: what are some special qualities of jade? a: jade is a stone that has opposite qualities. it is a cool stone, but feels warm to the touch. it is heavy, but feels light in the hand. it is dense, but can be carved into light sculptures. its surface is cloudy, but it has depth. it emits comforting sounds when struck. it has yin and yang elements. in this story, it was a gift from the unicorn to cheng and her son. 92 expert commentary to describe china at

g down precise rules for men to follow in their conduct and their thinking. he is often called a reactionary, whose primary aim was to restore the ways of antiquity and to bolster the authority of the hereditary aristocracy. in fact, he advocated and helped to bring about such sweeping social and political reforms that he must be counted among the great revolutionaries.3 the myth features jade, a stone of contrasts: cold, yet warm; hard, yet carvable; flawed, yet enchanting. professor ren -yvon lefebvre d argenc, a world-renowned art expert, elaborates: already in confucius time, jade was the favorite stone of the perfect gentleman, because it embodied all the cardinal 93 virtues. its warm brilliance was likened to charity, its hardness to wisdom, the sharp yet harmless edges of its contou

-renowned art expert, elaborates: already in confucius time, jade was the favorite stone of the perfect gentleman, because it embodied all the cardinal 93 virtues. its warm brilliance was likened to charity, its hardness to wisdom, the sharp yet harmless edges of its contours to justice.4 imperfections such as veins, specks, mottling, calcifications, and uneven patches of color contributed to the stone s beauty rather than detracted from it. professor d argenc explains, its flaws, that are obvious without impairing its beauty, were compared to loyalty and its translucency and radiance to honesty. 5 pure jade is white, but chemicals and other minerals add colors and imperfections to the stone during its formation in the earth. some colors are given especially descriptive names: snow jade, m

DARK GODS

tations often are accompanied by a smell similar to rotting flesh. aosoth: dark female force. works of passion and death. the name should be vibrated. azanigin: mother of all demons who lie waiting in earth. key of b minor. very useful to invoke in works of personal destruction. shaitan: long held to be an earth bound representative for the dark gods. perfume/incense sulphur. name to be vibrated. stone opal. nekalah: collective name for race of dark gods. name to be vibrated in manner similar to atazoth. ga wath am: vibration of this releases powerful energies. a key (when used with a crystal tetrahedron) to all the dark forces of the abyss. not to be vibrated without careful preparation. according to tradition the words means `the power within me is great' a reference to the pathways with

DAVID ICKE AND THE TRUTH SHALL SET YOU FREE

bankers for the bbc charity, the children in need appeal, the ford motor company, and that population control organisation so beloved of george bush, the planned parenthood federation. another name which keeps coming up in my investigations is the hambros bank ltd, which is also a corporate member of the riia. the creation of a united states of europe under centralised control is a major stepping-stone in the new world order plan, and so it is appropriate and hardly surprising that the riia is also supported by the commission of the european communities, the european parliament uk office, the european policy advisers (uk) ltd, european round table (how apt) of industrialists, and the european bank for reconstruction and development.10 the institute is used as a private forum for the elite

told we had to join or the british economy would collapse. oh really? the current british deficit in european trade and membership contributions since we joined is closing in on 100 billion!26 once the peoples of europe had been tricked into believing that if they didn't join they would all face disaster, the word economic was dropped from the title and it became the european community (stepping-stone. later there was another name change to the european union (stepping-stone. we have also had the move towards the centralisation of political power in the community and the erosion of national decision-making (stepping-stone. this was followed by the pressure for a european central bank and one european currency (stepping-stone. and the concept of europe with centralised control administered

years passed, the only remaining connection with the stonemasons were the symbolic paraphernalia and names for the levels of initiation like apprentice, fellow craft, and master mason. the working tools of the stonemasons- the square, compasses, level, plumbline, gauge, gavel, and chisel- were still used in the bizarre ceremonies and rituals and the freemason's apron was another throwback to the stone masons. but freemasonry now had a very different agenda. during the rituals which the founders of the new freemasonry introduced, barechested initiates were blindfolded with a noose around their neck and a dagger held 184 .and the truth shall set you free to their heart. they had to swear to serve the order and keep its secrets, on pain of a grotesque ritual death. the penalty for divulging

does the bible say about this man? does it say that he was "the most accomplished mason on earth, as the freemasons claim? not quite. it says that he was neither a mason nor an architect, but a worker in brass. according to the book of kings, he arrived from tyre after the temple was finished. the book of chronicles says he came before the temple was built and was an ornamental metal worker. any stone skills he had were in decoration, not construction. there is another hiram in the bible, the king of tyre, who is not the same man. but he is also held in great esteem by freemasonry because he is supposed to have supplied solomon with lebanese cedarwood for the temple. and that's another thing. the bible says the temple was built mostly of wood and was no bigger than a church hall of today

banks and money-flows would be controlled by the handful of people who would control the world central bank. the idea is to concentrate power into regional centres, as with the european central bank, and then fuse them together as one. the present world bank and imf would be absorbed into this centralised global financial dictatorship. in the same way, the proposed european currency is a stepping-stone to the planned one-world currency. the momentum towards this centralisation will be furthered by increasing pressure to allow the united nations to levy taxation via tariffs on all air travel, cross-border trade, or other means, to give it an income independent of the sovereign states it is supposed to be serving. it can then fund its own empire and the world army, which is being created by

DAVID ICKE CHILDREN OF THE MATRIX

s and star systems on the earth and its people, and technological understanding of such immensity that they were able to build the pyramids and other stunning structures all over the world that we would struggle to build even today. just consider the scale we are talking here with the giza pyramids alone. the great pyramid, which is nearly 500 feet high, consists of six and a half million tons of stone and around two and a half million individual blocks. some weigh 70 tons and in the other pyramids and walls are stones of 200, even 468 tons, and they are so perfectly cut and fitted together you could not get a piece of paper between designer history 13 them. there is enough stone in the great pyramid alone to build 30 empire state buildings and enough stone on the giza site to build a wall

giza site to build a wall around the entire border of france some three metres high and one metre thick.2 some of these gigantic stones at giza and numerous temple sites were apparently taken from quarries hundreds of miles away. and we are told that "primitive" people did this? oh do come on. at baalbeck in the lebanon are structures thousands of years old, which include three enormous chunks of stone known as the trilithon, each weighing more than 800 tons. these had to be moved at least a third of a mile and one of them placed 20 feet up in a wall.3 another piece of stone nearby is a thousand tons, which, apparently, is the weight of three jumbo jets.4 we are asked to believe again that a "primitive" people did this. in peru, you have ancient temples and other sites built with stones we

s representing people and animals, most of which are not native to peru. they included a polar bear, walrus, african lion, penguin and the stegosaurus dinosaur. but dinosaurs were unknown to science until the 1880s, and the stegosauria was not identified until 1901. talk us through that one. as other books and television documentaries in recent years have shown, these amazing structures, temples, stone circles, and standing stones, were not only lined up precisely with certain star systems, they were aligned just as precisely in relationship to each other all over the planet, and the building techniques and designs were often the same on different sides of the world. why? because the official version of history is baloney. there were not isolated, unconnected, societies, which developed al

s and computer systems, and all the rest. such technology can perform apparently miraculous feats, like typing a letter on to this computer and having it read by someone on the other side of the world seconds later. but what would happen to this technological society if we were faced now with a global catastrophe that devastated the planet? within seconds, we would be sitting in the technological stone age. it would be a primitive, everyone-for-themselves, find-your-own-food, shelter and warmth, free-for-all. and as time and generations passed, the memory of the technological world we have today would fade, ever more rapidly, and only be preserved in stories and myths which would, more and more, be seen as wild tales and figments of the imagination. most people would deny such a world ever

alachia, which connected what we now call europe, north america, iceland and greenland.26 even their degree of submergence appears to be closely related. the so-called bermuda triangle, between bermuda, southern florida, and a point near the antilles, has long been associated with atlantis. it is an area steeped in legends of disappearing ships and aircraft. submerged buildings, walls, roads, and stone circles like stonehenge, even what appear to be pyramids, have been located near bimini under the waters of the bahama banks and within the "triangle".27 so have walls or roads creating intersecting lines. some other facts that most people don't know: the himalayas, alps, andes, and at least most other mountain ranges, were only formed or reached anything like their present height around 12

DAVID ICKE THE BIGGEST SECRET

cialversion, or, frankly, they cannot see beyond the end of their noses. the same can be saidof most people in the teaching and intellectual professions.all over the planet are fantastic structures built thousands of years ago which couldonly have been created with technology as good as, often even better than, we havetoday. at baalbek, north east of beirut in the lebanon, three massive chunks of stone,each weighing 800 tons, were moved at least a third of a mile and positioned high up ina wall. this was done thousands of years bc! another block nearby weighs 1,000 tons- the weight of three jumbo jets. how was this possible? official history does not wishto address such questions because of where it might lead. can you imagine ringing abuilder today and asking him to do that? you want me t

pear closely related. similar evidence can be producedto support the view that the continent known as mu or lemuria now rests on the bed ofthe pacific.14 the so-called bermuda triangle between bermuda, southern florida, anda point near the antilles, has long been associated with atlantis. it is also an areasteeped in legends of disappearing ships and aircraft. submerged buildings, walls, roadsand stone circles like stonehenge, even what appear to be pyramids, have been locatednear bimini, under the waters of the bahama banks and within the triangle.15 so havewalls or roads creating intersecting lines.16 some other facts that most people dontknow: the himalayas, the alps and the andes, only reached anything like their presentheight around 11,000 years ago.17 lake titicaca on the peru-bolivi

vered all the lowlands. the botanist, nikolai ivanovitch v avilov,studied more than 50,000 wild plants collected around the world and found thatthey originated in only eight different areas- all of them mountain terrain.23 thetidal wave would have produced pressures on the earths surface of two tons persquare inch, creating new mountain ranges, and fossilising everything withinhours.24 artificial stone today is created by pressures of this magnitude. intact treeshave been found fossilised and that would be impossible unless it happened in aninstant because the tree would normally have disintegrated before it could befossilised over a long period of time.25 in fact, fossils of this kind are not formingtoday.26 they are the result of the cataclysmic events here described, desborough15says. t

on the churches and great cathedrals of europe which were built by the brotherhoodnetwork. there are also gargoyles on a building in dealey plaza where presidentkennedy was assassinated and now they turn up again in a modern airport built on analleged underground reptilian base. gargoyles are symbols of the reptilians and that iswhy you will find them at denver airport. the capstone or dedication stone at the airportis marked with the classic compass symbol of the freemasons and it stands in part of theterminal called the great hall, another freemasonic term. on a wall is a grotesquemural full of malevolent symbolism, including three caskets with dead females in them:a jewish girl, a native american and a black woman. another girl is holding a mayantablet that tells of the destruction of c

back. the evidence of an advanced race who knew theamericas existed, comes with centuries-old maps like the hadji ahmed portolan map,compiled in 1519, which depicts the north american continent with a wide causewayconnecting alaska and siberia. there is also an accurate drawing of an ice-freeantarctica.the arrival of the aryan phoenicians in britain also corresponds with thebuilding of the great stone circles and observatories like stonehenge and avebury inwiltshire, although some researchers say they were built much earlier. theadvanced phoenicians-sumerians, who had a highly developed knowledge ofastronomy, astrology, sacred geometry, mathematics and the earths magnetic force64line network known as the global energy grid, had all the knowledge necessary to buildthese great structures. l

DAVID ICKE RELATED THE HIDDEN GEARS OF FREEMASONRY

us now quickly look at the washington monument, which lies directly west of the capitol. in fact, the washington monument lies on a straight line, precisely 900 west of the capitol. the washington monument(left) is the most important presidential monument to the occultist, because it is an obelisk set inside a circle. what, you are probably saying, is an obelisk? an obelisk is a tall, four-sided stone pillar tapering toward a pyramidal top. the obelisk is critically important to the occultist because they believe that the spirit of the ancient egyptian sun god, ra, resided in the obelisk. thus, the obelisk represents the very presence of the sun god, whom the bible calls satan! there are only three major obelisks in the world today, and two of them are in the united states. according to e

DAVIDSON DAN SHAPE POWER

dge& kegan paul ltd, 39 store street, london wc1e 7dd, 1978. c h a p t e r 4 pyramid energy 4.1 introduction to the pyramid the pyramids in egypt are one of the seven wonders of the ancient world and the only one left standing. there are a number of pyramids in egypt as well as in other parts of the world. most of them are step pyramids made of successive layers of some building material, usually stone. the three most well known are the three pyramids on the giza plateau just outside of cairo. of these, the great pyramid has been studied and analyzed the most and has had an impressive amount of research done on it. on appearance, the great pyramid is another step pyramid; however, at one time it was covered with white limestone to form a smooth concave surface on each of its four sides. wh

DEMONIC BIBLE

in what they claimed was the original angelic language and apparently revealed to enoch, the first man after the fall to walk with god. the english translation of the keys bear a striking similarity to invocations in the clavicula solomonis, another medieval grimoire, but dee& kelly claimed that the keys were revealed to them by the angels, the letters of the words shown to them in a crystal show stone. the enochian evocation of dr. john dee also gives the invocation for various spirits with which dee& kelly communicated. a beast of revelation on april 4, 1904, aleister crowley, declared the start of a new aeon the aeon of horus. in crowley s philosophy each aeon represents a stage in the non-natural evolution of man. the aeon of isis was a time when man lived in close harmony with the nat

legions of spirits, and his seal is this, etc (45) vine- the forty-fifth spirit is vine, or vinea. he is a great king, and an earl; and appeareth in the form of a lion,20 riding upon a black horse, and bearing a viper in his hand. his office is to discover things hidden, witches, wizards, and things present, past, and to come. he, at the command of the exorcist will build towers, overthrow great stone walls, and make the waters rough with storms. he governeth 36 legions of spirits. and his seal is this, which wear thou, as aforesaid, etc (46) bifrons- the forty-sixth spirit is called bifrons, or bifrous, or bifrovs. he is an earl, and appeareth in the form of a monster; but after a while, at the command of the exorcist, he putteth on the shape of a man. his office is to make one knowing i

care eca cano- quoda! zodameranu micalazodo od ozadazodame vaurelar; lape zodir ioiad (dee) can the wings of the winds understand your voices of wonder? o you the second of the first, whom the burning flames have framed within the depths of my jaws, whom i have prepared as cups for a wedding or as the flowers in their beauty for the chamber of righteousness. stronger are your feet then the barren stone, and mightier are your voices than the manifold winds. for you are become a building such as is not but in the mind of the all powerful. arise sayeth the first. move therefore unto his servants. show yourselves in power and make me a strong seer-of-things, for i am of him that liveth forever (lavey) can the wings of the winds hear your voices of wonder; o you, the great spawn of the worms of

servants. show yourselves in power and make me a strong seer-of-things, for i am of him that liveth forever (lavey) can the wings of the winds hear your voices of wonder; o you, the great spawn of the worms of the earth, whom the hell fire frames in the depth of my jaws, whom i have prepared as cups for a wedding or as flowers regaling the chambers of lust! stronger are your feet than the barren stone! mightier are your voices than the manifold winds! for you are become as a building such as is not, save in the mind of the all-powerful manifestation of satan! arise, saith the first! move therefore unto his servants! show yourselves in power, and make me a strong seer-ofthings, for i am of him that liveth forever! the third key anton lavey writes: the third enochian key establishes the lea

DIABOLUS

set and horus indeed have a close connection as not only brothers but also deific opposites. it is suggested by e.a. wallis budge that horus means something similar to he who is above and set therefore he who is below, thus holding a significance to as above, so below and the baphomet idol long regarded as a form of hidden knowledge. considering set s name had similar hieroglyphic connections to stone, it can be suggested further that this god was a personification of the lands of death, stony land and the desert wastes. set s direction was also often consider south as well, and his opposing side of the north. in later times, as previously mentioned, ahriman has been long associated with not only the north but also the south, making reference to his powers over both scorching heat and col

DICTIONARY GLOSSARY OF OCCULT TERMINOLOGY

of the tradition. shin: pronounced "sheen" it is a letter of the hebrew alphabet. the letter shin "a" is used to indicate the ruach eloheem (q.v. when added to the tetragrammaton it forms the pentagrammaton, showing how we can purify ourselves by uniting and bringing the spirit of divinity within ourselves. showstone: a crystal ball or globe used for divination and scrying. the magician uses the stone as a focus to induce a trance that causes images to appear in the depths of the stone. siddhis: magickal abilities such as clairaudience (q.v, levitation (q.v, telepathy (q.v, and clairvoyance (q.v) that manifest themselves as the by-products of yogic/magickal practices. they are not denigrated by hindu and buddhist yogis but are actively sought in their own right by sensitives (q.v, psychic

DION FORTUNE CEREMONIAL MAGIC UNVEILED

tism to make their first experiments with no other guidance than that of a book. preliminary training is necessary; also a guide with a rope in case of difficulties. but those who have already passed through the outer court and stand waiting at the door between the pylons will find, in mr. regardie's books, the keys they need. i, for one, wish them godspeed on their journey; and may they find the stone of the wise; the summum bonum; true wisdom; perfect happinefemystical qabala page 1 the mystical qabalah mystical qabala page 2 foreword the tree of life forms the ground-plan of the western esoteric tradition and is the system upon which pupils are trained in the fraternity of the inner light. the transliteration of hebrew words into english is the subject of much diversity of opinion, ever

DION FORTUNE MYSTICAL QABALA

also be adapted to the grade of development of the student. westerners, especially such as prefer mystical qabala page 9 the occult to the mystic path, often come seeking initiation at a stage of spiritual development which an eastern guru would consider exceedingly immature. any method that is to be available for the west must have in its lower grades a technique which can be used as a stepping-stone by these undeveloped students; to ask them to rise immediately to metaphysical heights is useless in the case of the great majority) and prevents a start from being made. 3. for a system of spiritual development to be applicable in the west it must fulfil certain well-defined requirements. to begin with, its elementary technique must be such that it is readily grasped by minds that have in t

chings of those of ancient days, and upon matters of historical accuracy stand subject to cor rection from any who are bettet informed than i am in these matters (and their name is legion, i care not one jot for the authority of tradition if it hampers the free development of a system of such practical value as the holy qabalah, and i use the work of my predecessors as a quarry whence i fetch the stone to build my city. neither am i limited to this quarry by any ordinance that i know of; but fetch also cedar from lebanon and gold from ophir if it suits my purpose. mystical qabala page 16 4. let it be clearly understood, therefore, that i do not say, this is the teaching of the ancient rabbis; rather do i say, this is the practice of the modern qabalists, and for us a much more vital matter

. by the association of binah with the sea we are reminded that life had its primordial beginnings in the waters; from the sea arose venus, the archetypal woman. the association of saturn suggests the idea of primordial age "before the gods that made the gods had drunk at eve their fill" it suggests the most ancient rocks "within the shady stillness of the vale. sat grey-haired saturn, quiet as a stone" max heindel speaks of the lords of form as among the earliest phases of evolution, and an inspirational work in mystical qabala page 32 my possession, the cosmic doctrine, speaks of the lords of form as the laws of geology. 14. considering again the symbolism of the two lateral columns of the tree, we see chokmah and binah as force and form, the two units of manifestation. 15. it would not

ions find a place under them, thus enabling us to see their relationships among themselves. these are the four worlds of the qabalists; the four elements of the alchemists; the fourfold classification of the signs of the zodiac and the planets into triplicities, employed by the astrologers; and the four suits of the tarot pack used in divination. this fourfold classification resembles the rosetta stone which gave the key to the egyptian hieroglyphs, for on it were inscriptions in egyptian and greek; greek being known, it was possible to work out the meaning of the corresponding egyptian hieroglyphs. it is the method of arranging all these sets of factors on the tree which gives the real esoteric clue to each of these systems of practical occultism. without this key they have no philosophic

ammaton. yod of tetragrammaton. god-name: jehovah. archangel: ratziel. mystical qabala page 82 order of angels: auphanim, wheels. mundane chakra: mazloth, the zodiac. spiritual experience: the vision of god face to face. virtue: devotion. vice: correspondence in microcosm: the left side of the face. symbols: the lingam. the phallus. the yod of tetragrammaton. the inner robe of glory. the standing-stone. the tower. the uplifted rod of power. the straight line. tarot cards: the four twos. two of wands: dominion. two of cups: love. two of swords: peace restored. two of pentacles: harmonious change. colour in aziluth: pure soft blue. briah: grey. yetzirah: pearl-grey, iridescent. assiah: white flecked with red, blue, and yellow [page 122] i 1. every phase of evolution commences by being in a s

DION FORTUNE PSYCHIC SELF DEFENSE

e of which contained literally thousands of statues of the buddha. on various occasions one or another of these monasteries has been raided, either by rival religionists or chinese troops, and its curios scattered. to be the possessor of one of these buddhas, magnetised by dugpa rites, is not a very pleasant thing. i had a curious experience with a buddha upon one occasion. it was an archaic soap-stone statuette, some nine inches high, and its owner had dug it up herself on the site of a burmese city that had fallen in ruin and been swallowed by the jungle. it was placed on the floor in an angle of the stairs, and served as a doorstop upon occasion. i had a flat on the top floor, and had to pass the melancholy little buddha each time i came in or went out, and to me it seemed a desecration

entration will be terrific, but it will only be achieved at a terrific price. it is in order to achieve this terrible concentration that the saints of the west and the yogis of the east practise a torturing asceticism. you must sell all that you possess in order to purchase this pearl of great price, and an echo of the method lingers in the fairy-tale tradition that the person who finds the lucky stone can only have one wish. such a concentration is good for one purpose, and one purpose only. we can concentrate on a healing, or on a destruction, but we cannot work at both simultaneously; neither can we readily change over from one to the other. we cannot com bine incompatibles within the limits of a single life. that is to say, if we have concentrated on a work of malediction and death in

e. a pocket knife, for instance, will hold magnetism well. wood holds it badly, and so do paper, wool, cotton and artificial silk, especially the latter. silk and linen are good. india-rubber is useless. glass depends for its holding powers upon its form. if it is cut so that it will refract light it can be very good; if it is flat and purely transparent, like a window pane, it is almost useless. stone is fair. earthenware poor. an elaborate article is not as good as a simple article. for instance, a marquise ring is not as good as a signet ring. letters are apt to be misleading because they often contain nearly as much of the magnetism of the recipient as of the writer. some psychics can work from a photograph, but this method is not, strictly speaking, psychometry, for the mental image e

DONALDTYSON CHAKRAS

to the front than to the back. each chakra has its own unique sensation. it is possible that these sensations vary in their fine details from person to person, but their general quality is probably a shared experience. as i said above, the muladhara exists as a hard knot in the perineum. it can be uncomfortable at times, when the muladhara is intensely active. the sensation is similar to having a stone the size of a ping-pong ball lying under the skin just in front of the anus. the swadhisthana and manipura are, in my experience, somewhat similar- they feel like a sucking or sinking pit in the flesh, almost as though an invisible hand is being pressed down inside the flesh at their locations. this is not painful. at least, i have not found it painful, but i should mention that some practit

DONALDTYSON NOMICON

se to exist. they continue between the dimensions of normal time and space, dreaming and waiting for the time when they shall be able to rule the earth once again, as they did in days of old. on the matter of the great old ones, lovecraft wrote in his story the call of cthulhu "in the elder time chosen men had talked with the entombed old ones in dreams, but then something had happened. the great stone city r'lyeh, with its monoliths and sepulchers, had sunk beneath the waves; and the deep waters, full of the one primal mystery through which not even thought can pass, had cut off the spectral intercourse. but memory never died, and high priests said that the city would rise again when the stars were right. then came out of the earth the black spirits of earth, moldy and shadowy, and full o

DONALDTYSON VAMPIRES

culty. physical removal of the host from the spirit is impossible, since spirits are not bound by limitations of distance. it is necessary to erect occult wards and barriers in order to achieve this separation. magical boundaries are created which the spirit vampire cannot pass; or it is imprisoned within a particular object such as a ring or medallion, or a tree, or in a specific place such as a stone or pond (depending on its elemental nature and its natural affinities. it is more difficult, but possible, to destroy the spirit vampire, but this drastic course of action is seldom necessary. return hy.home resources demons bios fiction tyson the truth about werewolves (european werewolf attacking a villager) most people know nothing about werewolves other than what they've seen in old lon

EGYPTIAN BOOK OF THE DEAD PAPYRUS OF ANI MALESTROM

the cairo papyrus of mes-em-neter given by naville (todtenbuch, ii, p. 139) 3 naville, todtenbuch, bd. i, b1. 76, l 52. 4 lepsius, todtenbuch, bl. 25, 1. 31. 6 "the most remarkable chapter is the 64th. it is one of the oldest of all, and is attributed, as already stated, to the epoch of king gaga-makheru or menkheres. this chapter enjoyed a high reputation till a late period, for it is found on a stone presented to general perofski by the late emperor nicholas, which must have come from the tomb of petemenophis] in the el-assasif] and was made during the xxvith dynasty some more recent compiler of the hermetic books has evidently paraphrased it for the ritual of turin" bunsen, egypt's place in universal history, london, 1867, p. 1142. the block of stone to which dr. birch refers is describ

nile, opposite thebes] p. xv the oldest in the book of the dead; the former basing his opinion on the rubric' and the latter upon the evidence derived from the contents and character of the text; but maspero, while admitting the great age of the chapter, does not attach any very great importance to the rubric as fixing any exact date for its composition.[1] of herutataf the finder of the block of stone, we know from later texts that he was considered to be a learned man, and that his speech was only with difficulty to be understood,[2] and we also know the prominent part which he took as a recognized man of letters in bringing to the court of his father khufu the sage tetteta.[3] it is then not improbable that herutataf's character for learning may have suggested the connection of his name

the 12th century of our era, it has survived to yield up important facts for the history of the book of the dead. evidence of the inscription on the coffin of mycerinus. in 1837 colonel howard vyse succeeded in forcing the entrance. on the 29th of july he commenced operations, and on the 1st of august he made his way into the sepulchral chamber, where, however, nothing was found but a rectangular stone sarcophagous[4] without the lid. the large stone slabs of the floor and the linings of the wall had been in many instances removed by thieves in search of treasure. in a lower chamber, connected by a passage with the sepulchral chamber, was found the greater part of the lid of the sarcophagus,[5] together with portions of a wooden coffin, and part of the body of a man, consisting of ribs and

w.sacred-texts.com/egy/ebod/ebod03.htm (10 of 36 [8/10/2001 11:22:54 am] dynasty] p. xxii evidence of the texts of the pyramid of unas. celebration of funeral rites; but a text forming the book of the dead as a whole does not occur until the reign of unas (b.c. 3333, the last king of the dynasty, who according to the turin papyrus reigned thirty years. this monarch built on the plain of sakk ra a stone pyramid about sixty-two feet high, each side measuring about two hundred feet at the base. in the time of perring and vyse it was surrounded by heaps of broken stone and rubbish, the result of repeated attempts to open it, and with the casing stones, which consisted of compact limestone from the quarries of tura.[1] in february, 1881, m. maspero began to clear the pyramid, and soon after he

cribed with religious texts similar to those found in the pyramid of unas, and translated certain passages (aeg. zeitschrift, bd, xix, pp. 1-15; see also birch in trans. son bibl. arch, 1881, p. iii ff. 5 the pyramid which bore among the arabs the name of mastabat el-far' n, or "pharaoh's bench" was excavated by mariette in 1858, and, because he found the name of unas painted on certain blocks of stone, he concluded that it was the tomb of unas. m. maspero's excavations have, as dr. lepsius observes (aeg. zeitschrift, bd. xix, p. 15, set the matter right] p. xxiii the book of the dead in the vith dynasty evidence of the text of the pyramid of teta; continuing his excavations at sakk ra, m. maspero opened the pyramid of teta,[1] king of egypt about b.c. 3300, which vyse thought[2] had never

ELIPHAS LEVI THE CONJURATION OF THE FOUR ELEMENTS

ngs. amen. we exorcise the earth by the sprinkling of water, by the breath and by fire, with the perfumes proper for each day, and we say the prayer of the gnomes. invisible king who has taken the earth as a support, and who has dug abysses in order to fill them with the omnipotence! thou whose name makest the arches of the world tremble! thou who makest the seven metals circulate in the veins of stone; monarch of seven luminaries! rewarder of subterranean workmen! bring us to the desirable air and to the kingdom of light. we watch and work without respite. we seek and hope by the twelve stones of the holy city, for the talismans which are buried by the magnetic nail which passes through the center of the earth. lord! lord! lord! have pity upon those who suffer! enlarge our hearts! let us

ELLIS LOW TWELVE 1907

through the opening thus gained and be in the camp in a twinkling. we used two hours in our stealthy advance, and then, as agreed upon beforehand, halted until notice was received from the scouts, who were near the enemy. no shadows could have moved more noislessly than we. every man of us had been trained in this species of woodcraft, and knew that a careless step, the knocking loose of a small stone even, a word spoken in an undertone, or the rattle of a weapon might give the alarm and bring our whole scheme to naught. lieutenant smith and i were crouching beside a huge rock, slightly farther along than the rest of the men. bending his head close to mine, he whispered "lieutenant, this is the crisis that will test vikka" 50 low twelve "i am thinking the same. shall i steal ahead and see

and medicine for the needy. it was agreed that the federal soldier who was a mason should receive the same care and attention as the confederate soldier, whenever it was possible to reach him. the existence of this association was known to masons only. the good which it did will never be fully known in this world. as bearing upon this interesting subject, the following is an extract from the key stone, a masonic paper published in raleigh during the war "masonic dinner to prisoners.-on or about february 22, 1865, several hundred prisoners of war were stopped at raleigh for a few days. a large number were quartered at camp holmes, and on the day designated the masons who a typical lodge 127 were prisoners, we are informed, were given a bountiful dinner by masons of the guard who stood sent

EMPERORS NEW RELIGION CHURCH OF SATAN

statement of shaitan magic intended to influence human events. presumably it is left to the magician s discretion which social changes or influences are desired in this magic, because the satanic rituals provides no description. there seems to be no magic for individual long term goals. when a follower performs magic or rituals in solitude, the follower is not quite alone. like when a believer in stone healing clenches his hands around a translucent stone and whispers a prayer by himself knowing that many other believers also do this, it creates a sense of community and belonging, even if each believer is alone. the followers may be alone, but they are alone together. such magic and rituals bind the followers together much like a regular church community does, only without the social inter

ut make no attempts at explaining how or why the rituals work [25, pp. 320-321. followers accept the designers as authorities solely based on the designers personal testimonials. if a designer says that a ritual works, the follower accepts it as fact and does not seek scientific or even theological explanations. for example, if a crystal healer states that speaking a particular sentence to a pink stone will improve the follower s aura, the follower will unquestioningly do it, evidence and explanations be damned. anton lavey thus provides recipes for rituals in both the satanic bible and the satanic rituals, but does not humor the reader with explanations beyond nebulous hints at bioelectricity, directed emotional force, adrenaline, cosmic push/pull effects, tumblers in a combination lock

pinion is a heretical attack. perusing archived usenet (newsgroup) messages on the internet the church of satan is quick to scornfully demerit any competition it receives, and typically with no other provocation than the announcement of a new organization that does not mention the church of satan. when attacked by other organizations the church of satan may have had motives to have cast the first stone triggering an aggressive reaction from the other organization. pentagonal revisionism states that first of all the church of satan desires stratification, meaning that: water must be allowed to seek its own level without interference from apologists for incompetence [14] the emperor s new religion copyright 2002 ole wolf page 18 of 30 it is a form of lassez-faire libertarianism, which on one

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

esence of or have actually seen deceased loved ones. they have collected more than two thousand such accounts of after death contact (adc) in their study and welcome any further accounts. telephone interviews are conducted at the expense of the adc project, po box 536365, orlando, florida 32853. addanc of the lake a monster that figures in the mabinogion legend of peredur. peredur obtains a magic stone that renders him invisible, and he thus succeeds in slaying this monster, which had daily killed the inhabitants of the palace of the king of tortures. addey, john (1920.1982) theosophist and astrologer, born at barnsley, yorkshire, england, on june 15, 1920. addey earned his master s degree from saint john s college, cambridge. he became interested in astrology while at cambridge, and after

king, george. the nine freedoms. los angeles: aetherius society, 1963. the practices of aetherius. hollywood, calif: aetherius society, 1964. the twelve blessings. london: aetherius press, 1958. you are responsible. london: aetherius press, 1961. the story of aetherius society. hollywood, calif: aetherius society, n.d. aetherius speaks to earth see cosmic voice aetities (or aquilaeus) a precious stone of magical properties, composed of iron oxide with a little silex and alumina, and said to be found in the stomach or neck of the eagle. it is supposed to heal falling sickness and prevent untimely birth. it was worn bound on the arm to prevent abortion and on the thigh to aid parturition. afan see association for astrological networking affectability a term coined by parapsychologist charle

allest effort or trouble. people believed her capable of overthrowing the mountains, tearing up the trees, drying up the rivers with the greatest of ease. they held that nothing less than a legion of demons must be at her command in order for her to accomplish her magic feats. she seems to be like the scottish cailleach bheur, a nature hag. agapis according to ancient tradition, this was a yellow stone said to promote love or charity; it also cured stings and venomous bites when dipped in water and rubbed over the wound. agares according to johan weyer, agares is grand duke of the eastern region of hades. he is shown in the form of a benevolent lord mounted on a crocodile and carrying a hawk on his fist. the army he protects in battle is indeed fortunate, for he disperses their enemies and

ds. los angeles: devorss, 1950. eisen, william. agasha, master of wisdom. marina del rey, calif: devorss, 1977. the english cabala. 2 vols. marina del rey, calif: devorss, 1980.82. eisen, william, ed. the agashan discourse. marina del rey, calif: devorss, 1978. zenor, richard. maggie answers you. san diego: philip j. hastings, 1965. agate (or achates) according to ancient tradition, this precious stone protected against the biting of scorpions or serpents, soothed the mind, drove away contagion, and put a stop to thunder and lightning. it was also said to dispose the wearer to solitude, promote eloquence, and secure the favor of princes. it gave victory over enemies to those who wore it. agathion a familiar spirit that was said to appear only at midday. it took the shape of a man or a beas

healer at work. escondido, calif: the author [1966. randi, james. flim-flam! buffalo, n.y: prometheus books, 1982. sherman, harold. wonder healers of the philippines. los angeles: devorss, 1967. valentine, tom. psychic surgery. chicago: henry regnery, 1973. agricola name adopted by mineralogist georg bauer (1490.1555, who had also searched for the elixir of life and the secret of the philosophers stone. agrippa von nettesheim, henry cornelius (1486.1535) german soldier and physician, and an adept in alchemy, astrology, and magic. he was born at cologne september 14, 1486, and educated at the university of cologne. while still a youth he served under maximilian i of germany. in 1509 he lectured at the university of dole, but a charge of heresy brought against him by a monk named catilinet c

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 2

a specific purpose; on this point there is general agreement among anthropologists. a clue to the mystery is provided by a similar custom among the bushmen. g. w. stow, in his book the native races of south africa (1905, refers to this strange form of sacrifice. he once came into contact with a number of bushmen who had all lost the first joint of the little finger, which had been removed with a stone knife for the purpose of ensuring a safe journey to the spirit world. another writer told of an old bushman woman whose little fingers of both hands had been mutilated, three joints in all having been removed. she explained that each joint had been sacrificed to express her sorrow as each one of three daughters died. in his report on the northwestern tribes of the dominion of canada (1889, f

ned by a few well-defined laws. chief among these is that of sympathy, which can be subdivided into the laws of similarity, antipathy, and contiguity. the law of similarity and homeopathy is divisible into two tenets (1) the assumption that like produces like.an illustration of which is the destruction of a doll in the form of an enemy; and (2) the idea that like cures like.for instance, that the stone called bloodstone can staunch the flow of blood. the law dealing with antipathy rests on the assumption that the application of a certain object or drug expels its contrary. the idea of contiguity assumes that whatever has once formed part of an object continues to form part of it. thus, if a magician can obtain a portion of a person s hair, he can work harm upon that person through the invi

poisons. he also points to the virtue of seven, as in the power of the seventh son to cure the king s evil. one was the origin and common measure of all things. it is indivisible, not to be multiplied. in the universe there is one god; one supreme intelligence in the intellectual world, man; in the sidereal world, one sun; one potent instrument and agency in the elementary world, the philosophers stone; one chief member in the human world, the heart; and one sovereign prince in the nether world, lucifer. two was the number of marriage, charity, and social communion. it was also regarded sometimes as an unclean number; in the bible, beasts of the field went into noah s ark by twos. three had a mysterious value as shown in time s trinity. past, present and future; in that of space.length, br

that delivered occult teaching in moses s scripts. magus did not disclose his name on earth, but he said that he lived 4,000 years ago and belonged to an ancient african wonder-working brotherhood. in the nineteenth book of the moses scripts, a topaz is mentioned as the material counterpart of a spiritual jewel worn by magus, which was to be given to stainton moses to help him to see visions. the stone, set in a ring, was reportedly dropped from the air in stainton moses s bedroom. sources: moses, stainton. spirit identity. london: london spiritualist alliance, ltd, 1908. spirit teachings. 1883. reprint, new york: arno press, 1976. maharaj ji, guru (1957) teacher in the sant mat tradition and head of elan vital (formerly known as the divine light mission. guru maharaj ji, a title rather th

mateur astronomical observations in 1950. he studied telepathy, clairvoyance, and psychokinesis and took part in experiments (with jan kappers, a. h. de jong, and f. v. d. berg) to test clairvoyance quantitatively. he also studied the question of evidence for reincarnation. sources: pleasants, helene, ed. biographical dictionary of parapsychology. new york: helix press, 1964. malachite a precious stone (a variety of topaz) of basic copper carbonate. folklore held that it preserved the cradle of an infant from spells. malachy prophecies st. malachy o more was a medieval bishop who is said to have foretold the succession of 112 popes, from celestinus ii (1143) until the final pope in the future yet to come. these predictions were in the form of a long series of latin character mottos instead

EVERBURNING LAMPS

ears, and became extinguished as soon as exposed to the air; the whole body was in perfect preservation, and was found floating in a vessel of oil. see "pancirollus, rerum memorabilium deperditarum" vol. i, p. 115, franciscus maturantius, hermolaus, and scardeonius. such a lamp is stated to have been found in 1401, in the reign of hen. iii, king of castile, not far from rome, on the tiber, in the stone tomb of pallas, the arcadian, son of evander, slain by "turnus rex rotulorum" in the wars at the time of the building of rome; nothing could extinguish the flame of this lamp until it was broken. on the tomb were the words "filius evandri pallas, quem lancea turni militis occidit, mole sua jacet hic"-see "martianus, liber chronicorum" lib. xii, cap. 67. two miles from rome an inundation brok

y "turnus rex rotulorum" in the wars at the time of the building of rome; nothing could extinguish the flame of this lamp until it was broken. on the tomb were the words "filius evandri pallas, quem lancea turni militis occidit, mole sua jacet hic"-see "martianus, liber chronicorum" lib. xii, cap. 67. two miles from rome an inundation broke down a wall, and disclosed an ancient tomb; on the cover stone were the letters "p.m. r.c. cum uxore" in it an earthen urn was found; when fractured, a bituminous smoke issued; in the bottom was a lamp, which went out; the fragments were still oily; this became dry after exposure.-see "lowthorp, abridgment of philos. trans" vol. iii, sec. xxxv, also no. 185, p. 227. in a certain temple of venus in egypt there hanged a lamp which neither rain nor wind co

EXTRAORDINARY ENCOUNTERS AN ENCYCLOPEDIA OF EXTRATERRESTRIALS AND OTHERWORLDY BEINGS

, he related something that had happened to him and a friend seven years before. the two had gone to a western state in search of semiprecious stones. local people warned them to stay away from a certain desert mesa because several individuals who had gone there were never seen again. disregarding these words of caution, the young men repaired to the site and spent the next few days energetically stone-hunting. finally, one day, hearing his companion shout, brodie looked up to see a figure in a black cowl standing at the base of the mesa. another figure joined the first. the first of them pointed a rodlike device at brodie, who abruptly felt himself paralyzed. his friend began to run, and the other figure pointed a rod at him. to his horror the smell of burning human flesh rose up in brodi

y came flooding into her thoughts. one memory pat could not put a specific time frame on it concerned cocoon people. she found herself inside a large room with soft white lighting. a gray-skinned humanoid stood near her. i vaguely recall seeing a human male there, she would tell turner, but not what he was doing. the room con- cocoon people 67 tained a number of boxes that looked like sarcophagi (stone coffins. inside them she could see what looked like human forms, alive but not moving, covered with white misty stuff, which somehow she knew kept them alive. in a telepathic communication, the being asked if she wanted to see yours. when she said yes, the being showed her a container with a human female inside. do n t ask how i knew it was female, she said. i just felt it. i saw a little bi

eliefs in the west of ireland. new york: g. p. putnam s sons. fossilized aliens writing in flying saucers magazine in 1970, buffard ratliff, the head of a kentucky ufo group, reported the discovery of an extraterrestrial artifact: a fossilized spacecraft and its tiny crew. ac c o rding to ratliff, two years earlier melvin gray of louisville had been mow i n g his lawn when he came upon an unusual stone. he kept it and studied it for months, e ventually concluding that it was living pro o f of a prehistoric space visit. gray handed it ove r to ufologist ratliff, who also examined it at length. from this examination he was able to determine what the stone contained and what e vents had precipitated its creation. it was, as he would write, a fossilized craft containing seven very small creatu

ter, when located and interv i ewed, the one surviving member of the family s w o re to ge f s authenticity. in 1931, the irving family father james, mother margaret, and twelve-year-old daughter viorrey lived on a small farm known as doarlish cashen (cashen s gap in english) on the isle of man on the irish sea to the northwest of england. facing the sea and 750 feet above it, sat their two-story stone house. inside, the walls were lined with dark matchwood paneling set a few inches from the g 107 stone. this particular construction detail would be crucial to what would follow. one evening in september of that year, so he would assert, james irving heard a tapping noise from the boarded-up attic. the next morning, when he went into the attic, he found a wood carving that he recognized as h

y. the peo- gef 109 ple here at the farm. seem sane, honest and responsible folk. i find that others, too, have had my strange experience (wilkins, 1952. as the publicity spread, an american promoter offered the family fifty thousand dollars for the right to exhibit gef commercially. he was refused. other investigators heard gef s voice and witnessed apparent evidence of his activities, including stone-throwing and knowledge of events at a distance, but none saw him. others, such as psychical researcher nandor fodor, who spent some days with the irvings, could only collect testimony. gef tended to go into hiding when investigators showed up. in an amusing sidelight, after one investigator, bbc journalist r. s. lambert, declared that gef might well exist, a critic called him crazy. lambert

FAUST

by this multitude! oh, happy he who, through his own gifts, can draw such a gain, such gratitude! the father shows you to his brood, each asks and hastes and nearer draws; the fiddle stops, the dancers pause. you go, they stand in rows to see. the caps are quickly lifted high; a little more and they would bend the knee as if the holy sacrament came by. faust only a few steps farther, up to yonder stone! here let us rest a little from our straying. here often, wrapped in thought, i sat alone and tortured me with fasting and with praying. in hope full rich, firm in the faith possessed, with tears, sighs, wringing hands, i meant to force the lord in heaven to relent and end for us the fearful pest. the crowd s applause now sounds like scorn to me. oh, could you but within me read how little

how would you, earth s wretched son, have kept on living? what would you have done? your hodge-podge of imagination- balderdash! at least i ve cured you now and then of all that trash. in fact, if i had not been here at all, you d long since sauntered off this earthly ball. why here within the cavern s rocky rent thus sit your life away so owl-like and alone? why from the sodden moss and dripping stone sip, like a toad, your nourishment? a fine sweet way to pass the time. i ll bet the doctor s in your body yet. faust can you conceive what new vitality this walking in the desert works in me? yes, could you sense a force like this, you would be devil enough to grudge my bliss. mephistopheles it s more than earthly, such delight! to lie in night and dew on mountain height, embracing earth and

led fall they crash together, one and all, and through the wreck-over-strewn abysses the tempest howls and hisses. voices over us! do you hear? now far off and now more near? all the mountain-side along streams a furious magic song! witches [in chorus. the witches to the brocken go; the grain is green, the stubble aglow. there gathers all the mighty host; sir urian sits uppermost. so goes it over stone and stock; the witch breaks wind, and stinks the buck. a voice alone old baubo s coming now; she s riding upon a farrow sow. chorus. so honour to whom honour is due! in front, dame baubo! lead the crew! a sturdy sow with mother astride, all witches follow in a tide. a voice which way did you come here? a voice the ilsenstein way. i peeped in the owl s nest there today. she made great eyes at

e- a girl so pale and fair? she drags herself but slowly from that place. she seems to move with shackled feet. i must confess, i thought it was the facethat she looks like my gretchen sweet. mephistopheles do let that be! that is of good to none. it is a magic image, lifeless eidolon. it is not well to meet that anywhere; man s blood grows frigid from that rigid stare; and he is turned almost to stone. the story of medusa you of course have known. faust in truth, the eyes of one who s dead are those, which there was no fond, loving hand to close; that is the breast that gretchen offered me, that is the body sweet that i enjoyed. mephistopheles it s sorcery, you fool, you re easily decoyed! she seems to each as though his love were she. faust what rapture! ah, what misery! yet from this vi

aret quick! quick! begone! save your poor child! on! on! keep to the way along the brook, over the bridge to the wood beyond, to the left where the plank is in the pond. quick! seize it! quick! it s trying to rise, it s struggling still! save it! save it! faust collect your thoughts! and see, it s but one step, then you are free! margaret if we were only past the hill! there sits my mother upon a stone, my brain is seized by cold, cold dread! there sits my mother upon a stone, and to and fro she wags her head; she becks not, she nods not, her head s drooping lower, she has slept long, she ll wake no more. she slept and then we were so glad. those were happy times we had. faust no prayers help here and naught i say, so i must venture to bear you away. margaret let me alone! no, i ll not suf

FELDMAN DANIEL QABALAH THE MYSTICAL HERITAGE OF THE CHILDREN OF ABRAHAM

prayer offerings, ritual use of sacraments and sacred regard for the elements, community-building rituals based on the mystical significance of rites of passage and seasons of nature, and the special treatment of guests. in the torah, there are numerous accounts of holy figures ascending to and worshipping at power spots on special mountains. there are also several accounts of the ritual use of a stone lingam, over which was poured a libation of oil or perhaps milk. numerous passages in the torah also poignantly allude to the experiential transformation of individual consciousness in divine union, and the presence and importance of mystics and awakened souls throughout the history of the hebrews and jews. the monotheism of master abraham did not simply mean that there was only one god, but

t al anwar) by al ghazzali (d.1111, and the recorded teachings of sufi masters such as rumi, ibn arabi, al- suhrawardi, ibn ata allah, al bayazid al bistami, al junaid of bagdad, abdul qadir al jilani, al hallaj and others.30 western alchemy was derived in great measure from the writings of a number of sufis concerning the mystical analogy of the purification and transformation of metals into the stone of unity, known as the philosopher s stone. 31 33' 8: h" 2: 2 2:e 8% the mystical worldview of sufism, as delineated in the qur an, is basically identical to the qabalistic worldview rooted in the torah. as with the qabalah, someone new to the study of sufism will find a plethora of specialized and abstract terminology used to describe its mystical worldview. the challenge is further exacerb

room dedicated to the practice of vast face-centered meditation might look different from one that centers upon small face. if a tzimtzum is placed upon the wall of the altar, it may be devoid of content and bear only the surrounding vast face image of leviathan, surrounded by the clear blue light of the endless. another object that might be included in a shrine to vast face is a smooth vertical stone, called a lingam in the tantric tradition. the lingam represents the erect penis, and is symbolic of the yang or male potency of vast face. as part of the tantric ritual involving a lingam, the priest or celebrant pours milk or some other special liquid mixture over the stone. the reader may certainly find it odd to include an apparently tantric article of worship on a mystical qabalistic al

rently tantric article of worship on a mystical qabalistic altar. however, the ancient hebrews had a ritual similar to the anointing of the lingam, which is mentioned prominently on a number of occasions in the torah. two different chapters in torah b reshith mention two separate instances of a ritual performed by the patriarch ya aqov, in which he anointed with oil and poured a libation over the stone pillar he erected at beth el.5 this obviously important component of the ancient hebrew religion is conspicuously absent from modern judaic ritual. relative to external ritual, it may appeal to the vast face aspirant to make ablution before entering the shrine room. he/ she may then also want to perform prostration before the altar' 8: h" 2: 2 2:e 8% light a candle and burn incense, and offe

t from modern judaic ritual. relative to external ritual, it may appeal to the vast face aspirant to make ablution before entering the shrine room. he/ she may then also want to perform prostration before the altar' 8: h" 2: 2 2:e 8% light a candle and burn incense, and offer a flower to the ancient of days. in essence, these are acts of devotion to god-without- name-and-form. at this point, if a stone lingam is included as a central feature on the altar, one would pour milk or an unguent oil over it, and intone the mantra: yod heh vav heh, yod heh vav heh el rachum vuh chanun arikh afim( yhvh yhvh el merciful and compassionate (who is) vast face. in vast face yoga, the internal environment is prepared as in the small face routine. after you don a shawl and become comfortably seated, inton

FIRE OF QAYIN RITE

this is the metal: it dropp d from the sky, a ferrous tear of the fire-drake s eye, that burned through cloud and seared the soil and set the furious seas a boil, that lay in ancient pores of earth, til blacksmith s brought it to birth, thrice-purified in tubalo s fire, it suffered the ordeal of the pyre; cast into waters, hissed it s song, the starry viper s iron tongue was tempered on the anvil-stone, til radiant as changeless bone, with whispered charge and wordless spell, the gramarye of azazel. the edge was ground and thus was made, the narrow road of sharpened blade. this is the metal: twas shaped by cain who wrought the heavenly arthame. the rite of the fire of qayin- being the mystery of the house of azazel: the invocation of the great blood and the mystick flame, kindle the mystic

FRANCIS A YATES GIORDANO BRUNO AND THE HERMETIC TRADITION

iere, i, pp. 130-1. 47 hermes trismegistus and magic liber hermetis trismegisti,1 a treatise on astrology and astrological magic which has been brought to light in recent years begins with the decans, and the liber sacer,z or sacred book, of hermes, is a list of decan images, and of the stones and plants in sympathy with each decan, with instructions as to how to engrave the images on the correct stone, which is to be fixed into a ring together with the relative plant; the wearer of the ring must abstain from all foods antipathetic to the decan. in short, hermes trismegistus is indeed a name to conjure with in all this type of literature concerned with occult sympathies and talismans. again in his capacity as hermes-thoth, inventor of language, of words which bind and unbind, he plays a ro

orma hominis super altam cathedram elevatus& in eius capite pannum lineum lutosum& in eius manu falcem tenentis: forma hominis senex erecti, suas manus super caput ipsius erigentes& in eis piscem tenentis: forma hominis super draconem erecti, in dextra manu falcem tenentis, in sinistra hastam habentis& nigris pannis induti.3) for a long and happy life, says ficino, you may make on a white, clear, stone an image of jupiter as "a crowned man on an eagle or a dragon, clad in a yellow garment (homo sedens super aquilam uel draconem coronatus. croceam induto uestem.a) there is a very similar image of jupiter in picatrix' de vita coelitus comparanda, 18 (ficino, p. 556. 2 ficino, pp. 556-7. 3 picatrix, lib. ii, cap. 10; sloane, 1305, f. 43 verso. 4 ficino, p. 557. 70 ficino's natural magic (form

5 cornelius agrippa's survey of renaissance magic this is enough to say about images" concludes agrippa "for you can now go on for yourself to find others. but you must know that these kind of figures are nothing unless they arc vivified so that there is in them. a natural virtue, or a celestial virtue, or a heroic, animastic, demonic, or angelic virtue. but who can give soul to an image, life to stone, metal, wood or wax? and who can make children of abraham come out of stones? truly this secret is not known to the thick-witted worker. and no one has such powers but he who has cohabited with the elements, vanquished nature, mounted higher than the heavens, elevating himself above the angels to the archetype itself, with whom he then becomes co-operator and can do all things.1 which shows

its in the practical cabala which he did with his associate, edward kelley. dee and kelley were close students of agrippa's occult philosophy2; in agrippa's third book there are elaborate numerical and alphabetical tables for angel-summoning of the type which dee and kelley used in their operations' in the course of which michael, gabriel, raphael and other angels and spirits appeared in the show-stone and spoke to dee through kelley, though dee never saw them himself.4 kelley was a fraud who deluded his pious master, but the very nature of the fraud shows how well-versed they both were in renaissance magic. what dee chiefly wanted to learn from the angels was the secrets of nature5; it was a way of prosecuting science on a higher level. like pico della mirandola, dee was a most devout chr

and wanderings, which readers may possibly take to be poetical and figurative, rather than historically true; thirdly, he, as it were, confusedly plunges into moral topography, through which as he takes his way he looks about him with the penetrating eyes of lynceus, not lingering the while, and as he contemplates the great structures of the universe he seems to trip over every tiny thing, every stone and stumbling-block in his path. and in this he is imitating a painter, who, not satisfied with confining himself to a simple picture of his subject, puts in stones, mountains, trees, springs, rivers, hills, in order to fill the canvas and bring his art in conformity with nature. here he will display to you a royal palace, there a wood, there a strip of sky, on that side the half disc of the

FRATER TENEBROUS CULTS OF CTHULHU

one sense, the beings described above are designated gods in as much as they are worshipped by great numbers of other beings, both human and non-human. amongst these are the elder races, who inhabited the earth in prehistoric times, and from whose presence man s very existence derives. the first of these races to visit the earth was the old ones, who came down from the stars to build their black stone city on the continent of antarctica. they are described as having starfish-shaped heads, and tubular bodies covered with tentacles and cilia. their servants are the mindless, protoplasmic shoggoths. in the novel, at the mountains of madness, lovecraft records the wars which took place between the old ones and other extra-terrestrial races, at the dawn of time. these other groups include the

FRATER U D PRACTICAL SIGIL MAGIC

of your sigils really correspond to what you want from life and magic (have a look at the frequency with which you use them by keeping a tally) do you notice any imbalance? which terms/ aims appear least frequently? what shoul according to your personal philosophy, be emphasized, at least theoretically? what is missing? which emotions have you avoided and why? thus, you can kill two birds ith one stone by combining pragmatic-empirical practice with individual ethics. in time, you will spend less and less effort on con-structing (or greceiving h) d, w 84/ practical sigil magic the alphabet of desire is at its best when it comes to usefulness and variety of applications and not only, as already mentioned, in the areas of self-recognition, growing knowledge and self-analysis but also in worki

FREEMASON BLUEBOOK

ented by the blazing star in the centre. lights* maine masonic text book file//c /grand lodge/bluebook/bluebook1.htm (9 of 76 [11/22/1999 11:51:54 am] jewels. the movable jewels are the square, level and plumb. the square teaches morality, the level equality, and the plumb rectitude of life. the immovable jewels are the rough ashlar, the perfect, ashlar and the trestleboard. the rough ashlar is a stone as taken from the quarry, in its rude and natural state. the perfect ashlar is a stone made ready by the hands of the workmen, tobe adjustedby the workingtools of the fellow craft. the treslieboard is for the master to draw his designs upon. by the rough ashlar we are reminded of our rude and imperfect state by nature; by the perfect ashlar, of that state of perfection at which we hope to ar

FREEMASONRY AND CATHOLICISM BY MAX HEINDEL 2

to masonry, i have no doubt that you will perform all the duties which may be devolved upon you in a manner creditable to yourself and satisfactory to the grand lodge. maine masonic text book file//c /grand lodge/bluebook/bluebook1.htm (76 of 76 [11/22/1999 11:51:56 f freemasonry and catholicism by max heindel [1865-1919] click here to return to the previous html page. part vii the philosopher's stone--what it is and how it is made. those who have studied the writings of the ancient alchemists have always been much mystified by what is said concerning the philosopher's stone and the process of transmuting the base metals into gold. these claims have naturally given rise to a great deal of vague speculation. from time to time, students have asked for a direct statement from the writer conc

e of evolution and that in the future your whole creative force must be turned upwards so that you shall become a hermaphrodite spiritually, and thus able to objectify your ideas and speak the living word which shall endue them with life and make them vibrant with vital energy. this dual creative force thus expressed through the brain and larynx is the 'elixir-vitae' which springs from the living stone of the spiritually hermaphrodite philosopher. the alchemical process of kindling and elevating it is accomplished in the spinal cord where the salt, sulphur, mercury and azoth are found. it is raised to incandescence by high and noble thought, by meditation upon spiritual subjects, and by altruism expressed in the daily life. the second half of the creative energy thus drawn upward through t

nal canal is a spinal spirit-fire, the serpent of wisdom. gradually it is raised higher and higher and when it reaches the pituitary body and the pineal gland in the brain, it sets them to vibrating, opening up the spiritual worlds and enabling man to commune with the gods. then this fire radiates in all directions and permeates the whole body and its auric atmosphere, and man has become a living stone, whose luster surpasses that of the diamond or the ruby. he is then the philosopher's stone" there are many other symbols and similes taken from the world of chemistry and applied to the processes of spiritual growth which eventually makes men living stones in the temple of god. but enough has been said in the foregoing to show what was meant by the ancient alchemists by such terms and the r

, and has always bee open to anyone who really an truly seeks for enlightenment and is willing to pay the price in the coin of self-denial and self-sacrifice. therefore, seek the temple door and you shall find it; knock and it shall be opened unto you. if you seek prayerfully, if you knock persistently and if you labor manfully you will in time reach the goal and you will become the philosopher's stone. celibacy and marriage in order to avoid misunderstanding, it should be said that this lesson was only given to the aspirant to discipleship to show him the reason why it is necessary for him to live a pure and chaste life. it does not apply to the masses who have no spiritual aspirations and are as yet unable to restrain their passions. the rosicrucians do not even advocate an entirely celi

level, it would, indeed, be very wrong for aspirants to discipleship to live an entirely celibate life for the sake of self- advancement when conditions permit them to wed; furthermore, the expenditure of the creative force at the few times in a life when it is legitimately required for propagation would not seriously interfere with the spiritual development undertaken to become the philosopher's stone, and the soul- growth gained by assuming the duties of parenthood would far outweigh any possible loss. what the rosicrucians teach then is that marriage between people who will limit their use of the creative function to the purpose of propagation is eminently good, noble and productive of great soul-growth, but that unmarried aspirant should live an absolutely celibate life if they wish to

FREEMASONRY AND CATHOLICISM BY MAX HEINDEL

o great institutions as determined by occult investigation the rosicrucian fellowship international headquarters p.o. box 713 oceanside, california, 92054, u.s.a. table of contents* part i: lucifer, the rebel angel* part ii: the masonic legend* part iii: the queen of sheba* part iv: casting the molten sea* part v: the mystery of melchisedec* part vi: spiritual alchemy* part vii: the philosopher's stone--what is it and how it is made* part viii: the path of initiation* part ix: armageddon, the great war, and the coming age part i lucifer, the rebel angel the rosicrucian fellowship aims to educate and construct, to be charitable even to those from whom we differ, and never to vent the venom of vituperation, spite, or malice even upon those who seem deliberately determined to mislead. we reve

mark again, is always invisible, and which manifested as heat in the saturn period. then fire burst into flames, and the dark world became a blazing ball of luminous firemist at the word of power "let there be light" let the student ponder well the relation of fire and flame; the former lies sleeping, invisible in everything, and is kindled into light in various ways: by a blow of a hammer upon a stone, by friction of wood against wood and by chemical action, etc. this gives us a clue to the identity and state of the father "whom no man hath seen at any time" but who is revealed in "the light of the world" the son, who is the highest initiate of the sun period. as the unseen fire is revealed in the flame, so also the fullness of the father dwelt in the son, and they are one as fire is one

rking with it. thus the combined quintessence of these various base metals would form a spiritual sublimate of knowledge incomparable in potency, valuable beyond all earthly things. being of ultimate purity it would contain no color, but resemble a "sea of glass" whoever should lave in it would find himself endowed with perpetual youth. no philosopher could compare with him in wisdom; this "white stone" knowledge would even enable him to lift the veil of invisibility and meet the superhuman hierarchs, who work in the world with a potency undreamt of by the masses. masonic traditions tell us that hiram's preparations were so perfect that success would have been assured, had not treachery triumphed. but the incompetent craftsmen whom hiram had been unable to initiate into the higher degrees

meet in peace, at the sea of glass. and as melchisedec, king of salem (salem means peace) and priest of god, ministered to abraham, the father of nations, when mankind was yet in its infancy, so shall this new light combine in himself the dual office of king and priest after the order of melchisedec. he shall judge the nations with the law of love and to him that overcometh will be given a white stone with a name that will serve as passport to the temple. there he may meet the king face to face. hiram was again conducted to the surface of the earth and as he walked from the scene of his shattered ambition, the conspirators set upon and fatally wounded him; but before he expired, he hid the hammer and disc upon which he had inscribed the word. this was never found until ages later when hir

who raised him from death through initiation. when the hammer was found it had the shape of a cross, and the disc had become a rose. therefore hiram took his place among the immortals under the new and symbolical name christian rosenkreuz. he founded the order of temple-builders which bears his name; in that order aspiring souls are still instructed how to fuse the base metals and make the white stone. the symbology of the foregoing will be explained in the following chapters. part v the mystery of melchisedec among all the characters mentioned in the bible none is more mysterious than melchisedec; said to be without father, mother, or earthly kin, and holding the dual office of king and priest. paul in his epistle to the hebrews gives us most information showing the connection between ch

FULL MOON RITUALS

then, he stood, shed all sense of himself and waited- until awareness of a distinctly different atmosphere accosted his skin and his nose with smells of ancient oak, selaginella and leaf mold. opening his eyes, he sees the moon reflected in a glass smooth lake which also reflects the walls and turret of the old castle off to the south, and realizes that his gateway into this place has brought the stone circle just to the eastern edge of the ancient grove, where so many previous moons have been celebrated. becoming aware of a faint smell of ozone and then noticing that, while grove and castle appear solidly limned, the lithons about him possess a certain transparent quality, deer turns to each of the quarters, contemplating the wise words inscribed upon each of the quarter stones, and retur

idly limned, the lithons about him possess a certain transparent quality, deer turns to each of the quarters, contemplating the wise words inscribed upon each of the quarter stones, and returns to his song. had anyone else been afoot, they might have noticed antlers- outlined in a faint bluish light, upon deer's forehead as he made his way first three turns out then three back in the spiral. each stone he pauses to touch, to hug, to kiss. and each stone becomes limned in the same faint blue light as his antlers before acquiring more of an air of solidity. back at the central stone, deer climbs upon it and drops to his right knee, both hands clasped upon his left. still deer sings- of hills and sky, grove and stones, lake and castle- ending only when the odd light and the faint acrid odor h

ke and castle- ending only when the odd light and the faint acrid odor have been completely subsumed in the more usual qualities of this place. again he waits, knowing that no matter how well sung, this work will not remain without the blessing of his uncle. and waiting, deer finds time to dwell upon plans for tonight's moon. lost in mental preparations, he is startled by the clatter of hoof upon stone and looks up just in time to see a great stag- rack held high in the starlit sky- bounding from stone to stone, turning about the outward spiral of this place before disappearing into the wood "blessed be, uncle, and a thousand thank you's" deer calls out cheerfully as he inwardly kicks himself for having been so inattentive to the comings and goings about him. however, had the uncle desired

mories of many moons spent within these walls. lowering his pack to the floor, deer retrieves from its depths a large beeswax globe of deepest crimson, which he sets upon the broad sill of the window that sidelights the ancient door, and lights the wick protruding from its crown. almost instantly, a specter of cinnamon flows into the cavernous depths of the great room as the light illuminates the stone foyer and shines as a beacon through the window and out into the night. deer lays a blessing about the doorway for all who enter here this eve and places a wicker basket upon the sill of the sidelight window opposite to the candle, which is filled to overflowing with small felt reindeer (rodney's, rhonda's, ramona's and randy's from the local hallmark) intended to depart homewards with each

into the belly of this place. elenya's willow broom still leans beside the massive walk-in fireplace, black with the smoke and soot of generations, behind the long feasting table that runs the length of the hall- a broom which will soon be put to good use. before cleaning, however, deer leaves his pack upon the table, and proceeds to ferry and kindling and logs from the wood pile outside into the stone fireplace. as soon as this work is done, deer adds flame to the mix and is soon warmed by the fury of a roaring fire. while the fire lends even more light to the cavernous room, that job is not complete until each of the thirteen torches which line the eastern wall are lit, along with their counterparts on the western wall as well. now, surrounded by the warmth which comes both from the fire

FULLER J F C SECRET WISDOM OF THE QABALAH

siderable importance, even if many of my interpretations are faulty. even if the whole of my readings are wrong, which is unlikely, this in itself does not necessarily invalidate the idea. for example: columbus believed that the world was round and he set out to prove it. in doing so he discovered a new world, which, though it did not at the time actually confirm this idea, established a stepping-stone to the circumnavigation of the globe, which did confirm it in an obvious and uncontradictable way. so also in this book, i have set out to penetrate the mists of qabalistic learning, not because i presume to be an adept in its mysteries, but because i suspect that they hide within them the idea of a new world conception, an idea which for 2000 years has been struggling to take form. should i

ng, shape and size. h 10 this sephirah is the spiritus mundi. from 'hokmah is derived the balance of the sephiroth, the next six of which refer to the dimensions of the universe- length, breadth, and depth moving as it were outwardly towards the positive and the negative, the male and the female principles each, therefore, in two directions. together they form the six faces of a perfect cube (the stone of the wise: the tenth sephirah, malkuth, the kingdom or sabbath represents rest, poise, and completion. these first three sephiroth- kether, binah, and 'hokmah (father, mother, and son- the supernal triad- constitute the intelligible or intellectual world. and since the holy ancient is expressed and impressed by three [i.e. ayin, ain soph, and ain soph aur the expression; and kether, binah

be realized that though, in the ordinary use of words, creation conveys to us an idea of gspringing up h, that is of newness and novelty, to the qabalist it conveys the opposite idea, namely, that of descending, obscuring, and grossifying. for instance, no rational being would assert that a work of art was greater than the artist who created it. a statue is an artistic idea materialized. it is of stone, clay, or metal- pure matter- to which has been added an ideal form which emanated from the thoughts of a human being also fashioned of matter, that is of flesh, blood, and bone. it was not thought which created the material of the statue, for this existed before the thought arose in the head of the artist; yet thought did give to the statue its form, and this crystallized thought may live o

messiah. the laboratory of the devil (satan of the qliphoth) is the heart of man; herein are all things human conceived and ordered. mystically this heart is the ark which rode out the terrors of the flood, just as the shin rode out the terrors of the darkness which gwas upon the face of the deep h. the timber it is built of is cut from the branches of the tree of life. in it is carried the cubic stone of the wise, the corner stone of the qabalistic temple (the divine form of adam qadmon, the apex of which is the letter od, and at the corners of whose triangular base stand the letters heh, vau, heh, and in whose centre, unseen from outside, is the letter shin. this letter, as we have already explained, symbolizes among other things the crucifixion of christ- christ between the aggressive a

again find a pearl of great price. the supernal diadem is there, but it has been broken up, the urge of secrecy having dismembered it and hidden its priceless fragments away in the most unlikely and inacessible corners. this secrecy has all but defeated its own end by so obscuring truth that in many cases it is no longer discoverable. and when by much searching and labour we do find some precious stone, symbolism has cut it into so many facets that it is all but impossible to judge of its true shape. we look at it from one side and see one thing, then from another and see another, the very brilliance of the symbols confusing us. in chapters i to v we have attempted- and acknowledgedly with but limited success- to project a beam of light into the chaotic lumberrooms of zoharic learning and

GAMBLE ELIZA BURT THE GOD IDEA OF THE ANCIENTS OR SEX IN RELIGION

a careful examination of ancient holy objects and places still extant in every quarter of the globe, and through the study of antique art, it is not unlikely that a line of investigation has been marked out whereby a tolerably correct knowledge of the processes involved in our present religious systems may be obtained. the numberless figures and sacred emblems which appear carved in imperishable stone in the earliest cave temples; the huge towers, monoliths, and rocking stones found in nearly every country of the globe, and which are known to be closely connected with primitive belief and worship, and the records found on tablets which are being unearthed in various parts of the world, are, with the unravelling of extinct tongues, proving an almost inexhaustible source for obtaining infor

ted the birth scenes of the child god horus, and, indeed, everywhere among the monuments and ruins of egypt, is plainly visible the fact that the creative power and functions in human beings, in animals, and in vegetable life, together with wisdom, once constituted the god-idea. between the ruins of the palace of amunoph iii. and the nile are two colossal statues, each hewn from a single block of stone. these figures, although in a sitting posture, are sixty feet high. it is thought that they once formed the entrance to an avenue of similar figures leading up to the palace. it has been supposed that the most northern statue represents ammon, and that its companion piece is his mother. it is now believed by many writers, however, that these figures do not represent two persons at all, but t

ronounce was still acknowledged, there was another god (the lord, the same as in china, whose worship they were beginning to adopt "and jacob vowed a vow, saying, if god will be with me, and will keep me in this way that i go, and will give me bread to eat, and raiment to put on, so that i come again to my father's house in peace; then shall the lord be my god" he then declared that the pillar or stone which he had set up, and which was the emblem of male procreative energy, should be god's house. as at the time represented by jacob there was evidently little or no spirituality among the israelites, this lord whom they worshipped was simply a life-giver in the most material or practical sense. the reproductive energy in man had become deified. it had, in other words, come to possess all th

arge or supplement the primary record. and he seems to have used the compound jehovah aleim in the first portion of his work in order to impress upon the reader that jehovah, of whom he goes on to speak in the later portions, is the same great being who is called simply elohim by the older writer, and notably in the first account of the creation"[40 [40] lectures on the pentateuch and the moabite stone, p. 7. we are informed by bunsen that el, or elohim, comprehends the true significance of the deity among all the aramaic or canaanitish races, el representing the abstract principle taken collectively, elohim pertaining to the separate elements as creator, preserver, and regenerator. each of these canaanitish races had inherited these ideas from their fathers, and, although they had become

gods that are among you' that there were images of god which were not strange, and that in these early times there were orthodoxy and heterodoxy in images as there are now. in ancient times the emblem of life-giving energy was an orthodox emblem; it is now a horror and its place is taken by an image of death. we infer from the context that laban's gods were orthodox" so, also, must have been the stone pillar set up by jacob at bethel (place of the sun. from a study of similar stones, examples of which are to be found in nearly every country of the globe, it is known that they represent the male energy, and from all the facts connected with the story of laban's gods it is probable that they were emblems of this power. we may suppose then that the "strange gods" the unorthodox gods, which j

GILBERT AE WAITE A MAGICIAN OF MANY PARTS

in particular in thearabian tales that had so delighted him with its stories of the 'hidden city of ad' and of that 'other and greater city which iscalledirem. this was the city,raisedon pillars, that contained the great secret of earthly riches and had as its chief treasure 'a chest of goldfilledwith a red powder. waite could not know then that 'this is the powder of alchemyand the philosopher's stone. it is encircled by a river of mercury; for 'what should1know in my childhood concerning the stoneat the red, or thatestinmercurioquicquidquaeruntsapientesibut the talismanicseedof this romance of alchemyfellunawares in receptive soilandbecameaplant which iwas destinedto tend long afterin my own garden of the mind'(sly,p.28).beforethisalchemicalplantfloweredwaitehaddiscoveredboth spiritualis

red from an active role in the order,butas waite became increasingly sceptical about the contentsofthe cipher manuscripts themembers-whowished to believe in theirantiquity-becamerestive and called upon blackden for support. he 'emerged from retirement' and_theindependentandrectifiedrite123argued that the fact of the manuscripts being allegedly earlier than the date of the discovery of the rosetta stone (which first enabled translation from theegyptianto be made) was of no consequence, because'theegyptian fellaheen, long prior to the discovery in question could have been and probably were acquaintedwiththe fact that certain hieroglyphic texts were funerary rituals. facedwithsuch total opposition to hisownviews on the part of his co-chief, waite was placed in an impossible position and in191

GILBERT THE GOLDEN DAWN TWILIGHT OF THE MAGICIANS

mber to die, and that in england. about1450a funeral vaultofseven sides decorated with symbols was erected for the reposeofthe founder. frater p.d. was the second to die.'in1457the curious alchymical tractate called "chymische hochzeit (chemical wedding) was written in german by c.r.butwasnotthen published.itnarrates the attainment by himofthe grade of"equesaurei lapidis" or "knight of the golden stone'.18 thegoldendawn'in1484the founder and imperator c.r. died, his body was embalmed and put into the vault, which was closed and con255 cealed from the membersofthe latest circle of junior students 'frater d. was then chosen to be magus, and after his death frater a. at a date unknown, but he died in1600.his successor was fratern.n.,who in1604discovered the entrance to the cavern and caused i

communicates; but when he is handed the chalice he consumes the wine and holding the cup on high turnsitupside down and cries with a loud voice:kerux:'itis finished' all rise.thekerux restores the chalice to the altar and returns to his place.hierophant:(knocks 'tetelestai!'hiereus:(knocks once. all give sign.hierophant:'may what we have received sustain us in our search for the quintessence the stone of the philosophers, true wisdom and perfecthappiness-thesummumbonum.'hierophant(knocks:'khabs'hiereus(knocks:'am'hegemon(knocks:'pekht'appendixchiereus(knocks:'konx'hegemon(knocks:'om'hierophant(knocks:'pax'hegemon(knocks:'light'hierophan:(knocks:'in'hiereus(knocks:'extension'125ifthe hall is not reserved exclusively for temple meetings, it should be purified by the lesser ritualofthe penta

GILBERT THE MAGICAL MASON

which was cast of brass, and containeth all the namesofthebrethren, with some few other things; this he would transfer in another more fitting vault, for where or when fra r.c. died, or in what country he was buried, was by our predecessors concealed and unknown to us. in this tablet stuck a great nail somewhat strong, so that when he was with force drawn out, he took with him an indifferent big stone out of the thin wall, or plaster of the hidden door, and so18themagicalmasonunlooked for, uncovered the door, wherefore we did with joy and longing throw downtherest ofthewall, and cleared thedoor,uponwhichthatwas written in great letters,'postcxx.annos patebo,'withtheyearofthelordunderit; therefore we gave god thanks,andlet it restthatsame night because first we would overlookourrotam.inthe

overlookourrotam.inthe morning following we opened the door and there appeared tooursight a vault of seven sidesandcorners, every side five feet broad and the height of eight feet. although the sun never shined in this vault, nevertheless it was enlightened by anothersun,whichhadlearned this from the sun, and was situated in theupperpartin the centre of the ceiling; inthemidst, instead of a tomb stone, was aroundaltar covered over with a plate of brass, and thereon this engraven:-a.c.r.c. hocuniversicompendiumuniusmihisepulchrumfeci.roundabout the first circle orbrimstoodjesus mihiomnia.inthemiddle were four figures, enclosed in circles, whose circumscription was:-1.nequaquamvacuum.novoid exists.2. legis jugum.theyoke of the law.3.libertasevangelii.theliberty of the doctrine.4.deigloriain

die, and that in england. about 1450 a funeral vault of seven sides decorated with symbols was erected for the repose of the founder. fraterp.d.was the second to die. in 1457 the curious a1chymical tractate calledchymischehochzeit(chemical wedding) was written in german byc.r.,butwas not then published.itnarrates the attainment by him of the grade of 'eques aurei lapidis' or 'knight of the golden stone. in 1484 the founder and imperator c.r. died, his body was embalmed andputinto the vault, which was closed and concealed from the members of the latest circle of junior students. frater d. was then chosen to be magus, and after his death frater a. at a date unknown,buthe died in 1600. his successor was fratern.n.,who in 1604 discovered the entrance to the cavern and caused it to be opened, 1

der thomas bowman whytehead as chief adept of the province of york, which office he held until his death in 1906; he was succeeded by james m. meek, who still holds the office and rules over a large group of fratres, who hold meetings with strict regularity. this college has published several volumes of transactions. robert w. little died in 1878, and was buried at honor oak cemetry, and the tomb stone records his rosicrucian eminence. william robert woodman,m.d.,became supreme magus. during his rule the province of northumbria and college of newcastle were consecrated, with charles fendelow as chief adept, and the demiurgus college at melbourne, australia. the high council library was founded upon a bequest of books bydrwoodman, and now includes a thousand volumes. 1878.theisis unveiledof

nd intheosophical siftings, 1890.in 1890 the rosicrucian groups on the continent were re255 formed under a revised constitution, and several fratres of the s.r.i.a. have received adeptship from the continental frat255 ernity. in 1891, during xmas week, dr woodman died after a few days illness; he lies buried in willesden cemetery, where a suitable rosicrucian inscription may be read upon his tomb stone; and early in 1892drwilliam wynn westcott, who had served as secretary-general for many years, and had given numerous lectures on mystical subjects, was installed as supreme magus by charles fitzgerald matier, a past s.m. in scotia. in 1900, dr wynn westcott publisheda short historyofthethehistory oftherosicrucians 37.'oc.rosie in anglia;this has beenoutofprintfor many years. in 1901,'theord

GILBERT THE SORCERER AND HIS APPRENTICE

n) manasseh, classedtogetherundertheirfather'sname,jacob says,'iosephis a fruitfultwelvesigns and twelve tribes 43bough, even a fruitful bough by a well, whose branches run over the wall; the archers have sorely grieved him and shot at him, and hated him:buthis bow abode in strength, and the arms of his hands were made strong by the hands of the mightygodof jacob (from thence is the shepherd, the stone of israel) even by the god of thy father, who shall help thee, and by the almighty who shall bless thee with blessings of heaven above, blessingsofthedeep thatiiethunder, blessings of the breasts and of the womb: the blessings of thy father have prevailed above the blessings of my progenitors unto the utmost bound of the everlasting hills: they shall be on the head of joseph, and on the crow

t coming down the hill-side?'isaw a little mist wreath clinging to the ground, just over a rough path 'that's not a mist' he said rather impatiently 'it's a little procession.there'sa man carrying a wee bit coffin on his shoulder.idoubt they would notgeta cart up there, and there's twelve men, and three women following. but why will they be going the other side of theburn,'tis a mile round by the stone bridge. well! it will*pronouncedthek.some celtic memories109two days from now; come ye here and ye shall see that funeral, and then go and talk about your marsh gas if ye like. marsh gas indeed' he walked off rather contemptuously. but there is no question that on the second day from that i saw the baby's funeral as he had described, and the reason they went round by the far side of the burn

d) to the exorciser. the enemies of ra-hamarchis will be usually his own enemies. wax figuresmustbe made of these,andnotbnlyof themselves,butof their father, and mother, and children, andtheirnames also inscribed in green. on papyrus. these arethendevoted toappphiandtied round with dark hair.thenthe exorciser shall curse them, spit upon them, defile them with the left foot, and pierce them with a stone knife, after which they are to beputinto a flaming fire, andburntwith the xessan plant(ihave not been able to identify this) at sunrise, noon, or the first hour of the night225225thefigure of apophi as before directed should then beburntat the festival of the new moon.forthe use of hair in the cursing rituals reference may be made. to isabel goudie's confession. i have among. my treasures a

cursing rituals reference may be made. to isabel goudie's confession. i have among. my treasures a jewish phylactery; the parchment scroll inside the tiny box is tied round with a single long black hair. a learned rabbi.told me the purpose was probablytoinvoke a blessing on some dearly beloved.thesame formula being used according to the intention either for blessing or cursing.thepiercing with a stone knife is paralleled by lady monro's elf arrows; these being. of course, the flint arrow heads, believed in celtic scotland to havebeenmade by satanic agency.inegypt flint weapons which are found-in great abundance were considered as relicsoftheearlier gods,theone supreme, the all-father, neter, whose worship was pre-dynastic,beingsymbolized by an axe, whose head inthetomb paintings is bound

ches of thessaly, and various old classic stories. another witchcraft story was told me by the late sir archibald dunbar which was within his own knowledge. when it was proposed to demolish the old castle of blervie the contractor employed had thrown down half of the castle, when he was warned to desist. he paid no attention, however, till one day he saw a most evil-looking old woman sitting on a stone dyke and grinning at him. she cursed him volubly, whereupon he went with a stick to drive her away,buta black dog with flaming red eyes snarled at him, and would have bittenhim,butwhen he looked again the old woman sat on the dyke as before. whereupon he was so frightened that he vowed he would never touch a stone of the accursed building again. certain it is that a man was employed to destr

GILBERT R A CHAOS OUT OF ORDER THE RISE AND FALL OF THE SWEDENBORGIAN RITE

es believed and taught is unclear; their doctrines have been described as a blend of swedenborgianism and roman catholicism, salted with occultism. to the cold intellectualism of the swedish visionary was added the veneration of the virgin mary and recital of the athanasian creed; while individual members studied renaiss-ance alchemy, the theurgy of alexandria, hermetic authors, the philosopher s stone, the divine science of numbers, and the mystical interpretation of dreams4[4. even less is known of the rituals they practised, but when two english swedenborgians, william bryan and john wright, visited the society in 1789, they were finally initiated into the mysteries of their order, after a certain process of examination, probation, and injunction of secresy 5[5. subsequently they were m

ever, destined to be equivocal. there were irregularities surrounding his ordination and a committee set up by its governing body recommended that the motion to receive mr. beswick into the convention in the degree of his ordination ought not to prevail 13[13. this did not prevent his acting as a lay preachcr and fund-raiser for the new york church building. at the subsequent laying of the corner-stone, on 1 july 1858, beswick gave an address on the symbolism of the ceremony, in which his enthusiasm for illustrating moral principles by way of symbols is readily apparent. from new york he moved to westport in connecticut where on christmas day, 1862 he married harriet grafton taylor. he continued to preach in new york but by l866 had left under something of a cloud, having been accused of p

eden and the place of the tree of life. the proposal, however is to build a temple, in which an important part is assigned to him who is received. in connection with this. the ritual is said to consist of six labours. terminating in the symbolic introduction of our race into its future dwelling-place. which is seemingly the ur-home, the place of the river of life and the tree of life. the corner- stone of the building is faith in god. the 2nd grade [of sublime phremason, or blue brother] is singularly involved. for (a) the candidate is said to be in masonic darkness, and at the 43[43] beswick to stuart, 3 may 1871 same time (b) in search of greater light, which is pure paradox. he is supposed to receive the light and to enter the temple, which is called that of the creator. at a later stag

GLOBAL FREEMASONRY

le especially after 1312 under the protection of the barons of st. clair..the chapel was built between 1446-48 by sir william st. clair who was one of the most prominent nobles of the time in scotland and even in europe. masons and rosicrucians worked on the construction. the chief architect of the work was the templar grand master, sir william st. clair who brought itinerant mason architects and stone masons from every part of europe. new houses were built in the near-by village of roslin and a lodge was opened the plan and decoration of the chapel is unique. there is no other such example in ed from the templars to ancient egypt scotland or even europe. it captured the atmosphere of herod's temple very well and every part of it was decorated with masonic symbols. among the symbols were r

the symbols were reliefs on the walls and arches depicting the heads of hiram and his murderer, a relief of an initiation ceremony, the keystones of the arches, and compasses. apart from the fact that the chapel was constructed in a marked pagan style with egyptian, hebrew, gothic, norman, celtic, scandinavian, templar and masonic architectural elements, and that it contains very rich examples of stone work, one of the most interesting aspects of it is that the tops of the columns are decorated with cactus and corn motifs, besides various other plants figures. there are so many pagan decorative elements inside the chapel that a priest, writing an account of the baptism he performed of the baron of rosslyn in 1589 complained "because the chapel is filled with pagan idols, there is no place

savagery. a total of 120 million people were killed by communist regimes or organizations. it is also evident that the western brand of humanism (capitalist systems) has not succeeded in bringing peace and happiness to their own societies or to other areas of the world. the collapse of humanism's argument on religion has also been manifested in the field of psychology. the freudian myth, a corner-stone of the atheist dogma since early twentieth century, has been invalidated by empirical data. patrick glynn, of the george washington university, explains this fact in his book titled god: the evidence, the reconciliation of faith and reason in a postsecular world: the last quarter of the twentieth century has not been kind to the psychoanalytic vision. most significant has been the exposure o

raham asked his father "father, why do you worship what can neither hear nor see and is not of any use to you at all (qur'an, 19: 42) it is clear that, to attribute divinity to lifeless matter, that cannot hear or see "is not of any use to one at all" and has no power, is evidently very foolish. materialists are modern examples of idolaters. they do not worship statues and totems made of wood and stone, but believe in the idea that matter constitutes, not only these, but all bodies, and think that this matter has limitless power, intelligence and knowledge. masonic writings have some interesting things to say about this, because masons openly confess this pagan belief, which is the essence of materialism. an article in mimar sinan magazine declares: in order for a material object to come t

eople to forget god, the real creator, turning instead to paganism, in which "nature" is regarded as the creator. masonry strives to give shape to this creed, strengthen and disseminate it, and supports all social forces that it regards as being its allies. an article in mimar sinan, entitled "thoughts about the concept and the global freemasonry ddi pagans of bygone ages worshipped idols made of stone. today's pagans idolize matter. evolution of solidarity from the scientific point of view" speaks of the "mysterious harmony that mother nature has ordered" and states that this is the basis of masonry's humanist philosophy. it further states that masonry will support those movements that espouse this philosophy: when it considers from the point of view of the material give and take in the w

GNOSTIC HANDBOOK

w we understand truth or gnosis. the religious systems, ideologies and movements which have evolved within the history of man are reflections, distortions and adaptations of the truth which exists unsullied in the world of ideals. rather than truth having evolved and developed, as some would tell us, truth has dissipated as time has moved away from the first point of creation. accordingly, like a stone thrown in a pool, we see the ripples through time but do not comprehend the first event. as we have moved further and further away from the "golden age" the ripples have become more and more distorted until now, in the age of the wolf they have dissipated into the pool of illusions. religions, ideologies and movements are hence exoteric. exoteric- of philosophical doctrines, treatises, modes

insight which gnosticism gives, it shows the esoteric meaning behind religious symbol systems and in some sense bypasses them by divining their true meaning. this does not degrade the role of myth, legend, tales and scriptures but places them in the real position, that is, as the outer flesh or form of the mysteries. scriptures cannot stand alone, within the gnosis at their heart, they become as stone. impersonal to personal as part of the gnostic worldview is the understanding of the role of personalism in religion. by personalism we mean not only theism (the worship of a personal god) but the use of gods and goddess with personality, character and humanness. this tendency is found in all religious traditions, while in the pagan traditions the gods seem more human, it is certainly also f

on are very relevant to the gnostic. if cultures are like a human body, for example, then we can suggest that its various parts have differing levels of importance, ability and significance, and that to reduce all aspects of the "body" of the "organic" society to an equal footing would be like suggesting the head is equal to the arm, the appendix to the eyes. this basic inequality is a foundation stone of the unique vision of gnosticism which emphasizes individual spiritual development over a vast number of lives. to really appreciate the esoteric and religious significance of these cycles we need to consider two major figures and their outlines of the sacred cycle rene guenon and julius evola. rene guenon and julius evola guenon is not a man who liked the press, he was a bitter critic of

nd plato. such scholars as heinrich schliemann, have noted the similarity between greek and vedic forms and suggested a common place of origin. similar similarities can be found be- chapter seven: the continuum of the gnosis the gnostic handbook page 70 tween nordic and vedic sources and hence as we come to speculate on these links we may begin to conjecture that they are ripples resulting from a stone cast into the primal pool of gnosis. ripples that have spread out through cultures, traditions and peoples, many of which have forgotten the origins of their legends, tales and philosophy. julius evola and many others suggest that this primal culture was based in the arctic region and due to severe weather changes migrations took place to many diverse locations. while an arctic origin to ved

GNOSTIC STUDIES THE GNOSTIC HANDBOOK II GNOSTIC THEURGY

es, in this doom are vicious souls condemned. hermes. while we may not agree to the extent he has taken the concept of reincarnation, this quote does illustrate his acceptance of the doctrine. turning to ancient greece we find a very old tale, a story of proteus, who could change his shape at will. when an old man attempted to grab him, hoping to ascertain his real form, proteus was sleeping as a stone. on being touched he became a plant, when approached again he became a serpent and then transformed into a man and finally a spirit, at which time he flew off into the sky. here we clearly have a classical myth being used to outline the esoteric teaching of reincarnation as taught within the greek traditions. the zohar, a hebrew mystical and kabbalistic text, tells us that all souls must und

gain he became a serpent and then transformed into a man and finally a spirit, at which time he flew off into the sky. here we clearly have a classical myth being used to outline the esoteric teaching of reincarnation as taught within the greek traditions. the zohar, a hebrew mystical and kabbalistic text, tells us that all souls must undergo reincarnation and that the souls of men revolve like a stone that is thrown from a sling that has been spun many times before finally being let go. those souls that have reached perfection stay in their holy places, only those which have not completed their perfection are subject to the wheel of reincarnation or gilgul. the truth about reincarnation at first this may all seem very heartening, however, if we examine the subject closer we find that the

world and centred on the treasury of light you are under dialectic dominion (whether you admit it or not. secondly, within the psyche will be many gnostic theurgy page 80 dialectic programs that we carry with us into the spiritual life, they must be rooted out and destroyed. the promise offered to those who correctly use this chakra include the eating of the hidden manna and the gift of the white stone with a new name engraved on it. these promises are highly symbolic, the hidden manna represents a special stage known in the alchemical process of self transformation. it is also sometimes known as the white powder, it is a stage prior to the philosophers stone. this substance is symbolic of the processes of internal transformation that are working through transfiguration. the church of thya

he letters came forth, pure and bright from the flowing measure of the spark. therefore it is written: the word of yhvh is refined (psalms 18:31, as silver and gold are refined. when these letters came forth, they were all refined, carved gnostic theurgy page 103 precisely, sparkling, flashing. all of israel saw the letters flying through in every direction, engraving themselves on the tablets of stone. zohar:book of enlightenment. trans, daniel matt, paulist press.1983 come and behold the letters by which heaven and earth were created, the letters by which were created hills and mountains, the letters by which were created rivers and seas, the letters by which were created the trees and the herbs. the book of enoch. in the ancient book of enoch it is stated that moses received the letters

en to the books of the old testament, it is composed of three letters tau, nun and kaph (final. these are seen as abbreviations for a further three words. tau. torah. the five books of moses. nun. n vee-im. the prophets. kaph. k soovim. rest of the old testament. v visita visit i interiora the interior t terrae of the earth r recificando find i invenies and rectify o occultum the secret l lapidem stone. fig 26 gnostic theurgy page 107 the creation of formulae by combining the arts of gematria and notariqon it is possible to produce formulae which outline various phases of esoteric practise. the use of such formulae is especially relevant in relation to ritual and liturgical practise. it allows us to evoke a wide range of associations by the correspondences related to the letters in the giv

GOETIA LUCIFERIAN

guardian angel, spirit of the adversary who resides in darkness and light azal ucel the name azal ucel is a sigillic word manipulation of two words, azazel and lucifer. as this is the initiator and god form of the path of sorcery, lucifer is the illuminator of the soul, the one who allows the magician to bask in the light of self and view ones own reflection in the emerald crown, the very lucifer-stone which fell to earth and remains hidden within the earth, and partially in the heart of man. this rite is designed to provide a short yet inspired working of invoking the holy guardian angel, from which one shall seek the communion of their higher spirit, genii, daemon and true will. as one comes into contact with the angel-daemon, an illuminated sense of self comes forth; a new type of being

zel. the sorcerer shall seek the fire-spirit of change, rebellion and progression. the symbol of set the adversary shall take the earthen form of the devil, the solar creative (and destructive) force of change and self-deification. there are two primary faces of the adversary. the celebrant may construct as mask of two sides, which shall be placed upon the center of the altar. a phallic symbol or stone god may be near the mask as well, symbolizing the solar creative force of the beast 666- one- the fallen seraph lucifer, the angelick essence of the black flame, the very source of our wisdom, being and becoming. two the seraph of flame, the djinn iblis of fire, daemon of the blackened flame, serpent beast dragon wolf goat. satanas is the devil-cloaked initiator of the path of the wise, thos

t i see what has been never known akharakek sabaiz i call forth the shadow of which i am and have always been, the darkness which i nourish in between the light 21 eclipse now the face of god that i become in this darkend image- by this circle i do become by the flame i do emerge i am by form the peacock angel beauty revealed unto those who may see as the black sun rises, i become in this emerald stone i am the imagination, the seed of fallen angel in darkness exists my light my will gives birth to the kingdom of incubi and succubi, the nourish their desires in the blood of the moon, lilitu az drakul so it is done! tools of art the circle the circle is an old boundary which was used back from the eldest days of magical practice, specifically the sumerian word zisurru, which is the circle d

GOLDEN DAWN LESSER BANISHING RITUAL OF THE PENTAGRAM LBRP

nt. 1 of 3 6/27/2004 7:51 am lesser banishing ritual of the pentagram (lbrp) introduction to the ritual there is a much employed ritual which utilizes the symbol of the pentagram as a general means to banish and invoke the elemental forces. this ritual is called the lesser ritual of the pentagram. however, it should not simply be regarded as a mere device to invoke or banish, for it is really the stone of the wise and incorporates within its structure a high magical formula of self-initiation. it is, to all intents and purposes, a ritual of self-initiation. this ritual is given to the neophyte of the order as a means for him/her to come into contact with the invisible forces of nature and to learn how to direct those elementary forces the uses of the pentagram ritual: opening and closing a

GOLDEN DAWN RITUALS A

adept must now pass an examination on assigned ritual work [h1. reading list for z.a.m *1. astral projection, ritual magick and alchemy by francis king *2. fama fraternitas (provided *3. confessio (provided) 4. the middle pillar by israel regardie 5. the gospel of john- new testament 6. the book of revelations- new testament 7. genesis- old testament 8. ezekiel- old testament 9. the philosopher's stone- by israel regardie 10. catenea- by homeri 11. lexicon of alchemy- by rulandus 12. philosophy of natural magic- by agrippa 13. egyptian magic- by florence farr 14. the kabbalah unveiled- by s.l. mathers 8 15. zanoni- bulwer lytton 16. history- sword of wisdom- by ithell colquhon it is not required that the z.a.m. read each book, but the z.a.m. must furnish a report of at least two pages on a

GOLDEN DAWN RITUALS ENOCHALL

czons: angel, also known as czns. d: three/ third. d ialprt: third flame. d u i v/ du iv: in to the third angle. da: there/ three. daalo: demonic name (reversal of olaad) commanding cacodemons of earth of water. daltt: angel also known as datt. damploz: variety. daox: 5678. dapi: subservient angel of fire angle of water tablet, also known as daspi. darbs: obey. darg: 6739. darr: the philosopher's stone. dansar: wherefore. darsar: wherefore (cf. bagle. daspi: angel, also known as dapi. datt: subservient angel of earth angle of fire tablet, 19 also known as daltt. dax: loin/ loins. daxil: thy loins. dazis: head/ heads/ their heads. dazis siatris: the heads of scorpions. daziz: heads/ their heads. ddnh: subservient angel of air angle of water tablet. de: of/ to. dedvilh (meaning unknown. de g

acodemon of fire angle of air tablet. opna: subservient angel of earth angle of earth tablet, also known as opana. opnad: angel, also known as opad. ops: cacodemon of air angle of fire tablet. 46 opzo: subservient angel of earth angle of fire tablet. oq: but (cf. crip. or/ orth: name of the enochian letter representing f. orcanin: governor of the first division of the aethyr nia (70. oreri: orri, stone. oresa: ors, darkness. orh: name of a spirit (the word has 72 significations. orm: cacodemon of air angle of earth tablet. ormn: subservient angel of air angle of earth tablet, also known as orpmn. oro: three lettered holy name of god, ruling the element of air. oroch/ orocha: under you/ beneath you/ underneath you. orpanib: governor of the third division of the aethyr zaa (81. orpmn: angel

. orh: name of a spirit (the word has 72 significations. orm: cacodemon of air angle of earth tablet. ormn: subservient angel of air angle of earth tablet, also known as orpmn. oro: three lettered holy name of god, ruling the element of air. oroch/ orocha: under you/ beneath you/ underneath you. orpanib: governor of the third division of the aethyr zaa (81. orpmn: angel, also known as ormn. orri: stone/ barren stone/ than the barren stone (cf. patralx. ors/ oresa: darkness. ors catbl or orsca tbl: his buildings. ors: darkness/ with darkness. orsba/ orsha: drunken. orsca: building/ buildings. orscor: dryness. orth: or/ enochian letter representing f. orxa: subservient angel of earth angle of earth tablet. os londoh: twelve kingdoms. os: twelve. osa: cacodemon of fire angle of water tablet

GOLDEN DAWN RITUALS F

ind the importance and power of the rose cross. let the adept, therefore, never forget to kiss the rose cross lamen upon placing it upon him or herself and upon removing it. 9 biblical text genesis 2:11-14 king james version "the name of the first is pison: that is it which compasseth the whole land of havilah, where there is gold; and the gold of that land is good: there is bdellium and the onyx stone. and the name of the second river is gihon: the same is it that compasseth the whole land of ethiopia. and the name of the third river is hiddekel: that is it which goeth toward the east of assyria. and the fourth river is euphrateitg empowerment and consecration ritual for the four elemental weapons of the adeptus minor r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 necessary requi

GOLDEN DAWN RITUALS T

stand your voices of wonder vi-i-v l sobam ial-prg i-za-zaz 0 you the second of the first whom the burning flames have framed pi-adph casarma abramg ta talho within the depth of my jaws: whom i have prepared as cups for a paracleda q ta lorslq turbs ooge wedding or as the flowers in their beauty for the chamber of the baltoh givi chis lusd orri od righteous. stronger are your feet than the barren stone and micalp chis bia ozongon lap mightier are your voices than the manifold winds. for ye are noan trof cors ta ge o q manin become a building such as is not save in the mind of the ia-idon torzu gohe l zacar ca c all-powerful. arise, saith the first. move, therefore, unto noqod zamran micalzo od ozazm vrelp thy servants. show yourselves in power and make me a strong seer lap zir io-iad. of t

GOLDEN DAWN RITUALS T3

and your voices of wonder 7 vi-i-v l sobam ial-prg i-za-zaz 0 you the second of the first whom the burning flames have framed pi-adph casarma abramg ta talho within the depth of my jaws: whom i have prepared as cups for a paracleda q ta lorslq turbs ooge wedding or as the flowers in their beauty for the chamber of the baltoh givi chis lusd orri od righteous. stronger are your feet than the barren stone and micalp chis bia ozongon lap mightier are your voices than the manifold winds. for ye are noan trof cors ta ge o q manin become a building such as is not save in the mind of the ia-idon torzu gohe l zacar ca c all-powerful. arise, saith the first. move, therefore, unto noqod zamran micalzo od ozazm vrelp thy servants. show yourselves in power and make me a strong seer lap zir io-iad. of t

GOLDEN DAWN RITUALS U7

n white flecked purple like mother of pearl 24. greenish blue dull brown very dark brown vivid indigo brown, like back of lobster 25. blue yellow green dark vivid blue 26. indigo black blue black cold dark grey, near black. 27. scarlet red flame scarlet scarlet rayed amber 28. violet sky blue bluish mauve white tinged purple 29. crimson buff flecked silvery white light translucent brown with pink stone color 30. orange golden yellow rich amber amber rayed red 31. glowing orange scarlet vermillion red scarlet red flecked yellow vermillion flecked crimson& emerald 32. indigo black blue black black rayed blue 31. black, citrine, olive& russet amber yellow dark brown black flecked yellow 32. white merging grey deep purple merging black 7 rainbow colours (purple outside) white, red, yellow, bla

GOLDEN DAWN RITUALS Z1

rom a white collar, to represent the purity of the white brilliance from rtk. hence, it should always be worn by the hierophant. the banner of the east is also partially explained in the portal "the field of the banner of the east is white, the color of light and purity. as in the previous case, the calvary cross of six squares is the number six of trapt, the yellow cross of gold, and the cubical stone, bearing in its center the sacred t of life, and having bound together upon it the form of the macrocosmic hexagram, the red triangle of o and the blue triangle of n, the \yhla jwr and the waters of creation" in addition to this explanation, it affirms the mode of action employed by the divine light in its operation by the forces of nature. upon it is the symbol of the macrocosm so colored a

GOLDEN DAWN RITUALS Z2

in seven consecutive days, taking out the crucible each day as soon as thou has brought it to the highest possible heat, and allowing it to cool gradually. the preferable time for this working should be in the heat of the day. on the seventh day of this operation, thou shalt open the crucible and thou shalt behold what form and color thy caput mortuum hath taken. it will be like either a precious stone or a glittering powder. and this stone or powder shall be of magical virtue in accordance with its natukez-3 the symbolism of the admission of the candidate r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 the admission of the candidate the candidate is waiting without the portal under the care of the sentinel the watcher without, that is, under the care of the form of anubis of the w

GOLDEN DAWN RITUALS ZAM11

ht divine thou dweller of the invisible. like our master hast thou suffered tribulation, pain, poverty, torture, and sorrows that lead unto the black cross of obligation and death. these sorrows have not been nor will be in vain, but rather the purification of spiritual initiation leading to the pure gold. in the alembic of thy heart, through the athanor of thy affliction, seek ye always the true stone of the wise" step 7 pass to the east, face your self face to face and say "peace profound my brother/sister! come with peace in your spirit. pass thou through every region of the invisible into a place wherein thy genius dwelleth, because thou cometh in peace. dwell within that sacred land that far off travellers call naught! be at peace with all the world, remain clothed in the light of pur

GOLDEN DAWN RITUALS ZAM14

ing again in a mystical ressurection, cleansed and purified through him our master, o thou dweller of the invisible. like him, thou pilgrim of the ages, hast thou toiled. like him hast thou suffered tribulation. poverty, torture, and death hast thou passed through. they have been but the purifacation of the gold. in the alembic of thine heart, through the athanor of affliction, seek thou the true stone of the wise. step 15 pass from the altar to the east. step 16 "come in peace, o beautiful and divine one, to a body glorified and perfected. herald of the gods, knowing_(his/her name_ speech among the living! pass thou through every region of the invisible unto the place wherein thy genius dwelleth because thou comest in peace provided with thy wealth. dwell thou in that sacred land that far

GOLDEN DAWN RITUALS ZAM17

ch was cast of brass, and containeth all the names of the brethren, with some few other things. this he would transfer into a more fitting vault, for where or when our brother r.c. died, or in what country he was buried, was by our predecessors concealed and unknown to us. in this table stuck a great nail somewhat strong, so that when it was with force drawn out it took with it an indifferent big stone out of the thin wall or plastering of the hidden door, and so, unlooked for, uncovered the door, whereat we did with joy and longing throw down the rest of the wall and cleared the door, upon which was written in great letters: post cxx annos patebo with the year of the lord under it. therefore we gave god thanks, and let it rest that same night, because first we would overlook our rota- but

GOLDEN DAWN RITUALS ZAM18

ng again in a mystical ressurection, cleansed and purified through him our master, o thou dweller of the invisible, like him, thou pilgrim of the ages, hast thou toiled. like him hast thou suffered tribulation. poverty, torture, and death hast thou passed through. they have been but the purifacation of the gold. in the alembic of thine heart, through the athanor of afflication, seek thou the true stone of the wise. step 13 the shells are walked forth to the place behind the altar facing east. members then return to the east facing west, leaving the shells behind the altar "come in peace, o beautiful and divine one, to a body glorified and perfected. herald of the gods, knowing his/her speech among the living! pass thou through every region of the invisible unto the place wherein thy genius

GOLDEN DAWN RITUALS ZAM2

a mystical death, rising in a mystical resurrection, cleansed and purified by him, our master, o brother of the cross and rose. like him, o adepts of all ages have ye toiled. like him have ye suffered tribulation. poverty, torture and death, have ye passed through. they have been but the purification of the gold. in the alembic of thine heart, through the athanor of affliction, seek thou the true stone of the wise" the above can be symbolized as "light" 4 in latin, the spelling for light is lvx. this is pronounced "lux" the "u" sounds like the "u" in the word tube. the lvx becomes especially important to the adept because of the way it fits with the various seasons of the year. it is through these seasons that the sun passes from light todarkness and death to resurrection. it is through th

GOLDEN DAWN RITUALS ZAM21

destroy me, be thou destroyed! you who would desecrate this temple or order by intentional acts of malice, be thou desecrated! by all the forces and powers invoked here this day, and by the power of the blood of the rose, as it is desired, so shall it be (all move back to original positions) chief adept "fraters and sorors, let us first seek always in all things true wisdom, the summun bonum, the stone of the philosophers. our order is dedicated to healing, not to hurting, to helping, not to hindering, to the higher genius the true will and the great work. but let us remember the blood of the martyrs, and let us always commit to defending this temple, this order and all those who in innocence seek the true and celestial light with whatever force necessary. let us kneel "oh lord of the univ

GOLDEN DAWN RITUALS ZAM24

l sanctify your flesh and prepare you for that great day when you, who are now clothed by the power of the order, shall be unclothed from the body of your death. i invest you also with the lamen of your office; may the virtue which it typifies without, be present efficaciously within you, and after the 9 term of your present dignity, may such virtue still maintain you in your search for the white stone on which a new name is written which no man knoweth save he who receiveth it. you will now pass to the symbolic altar of the universe and assume the sceptre of the hierophant" hierophant (goes to the west of the altar, raises sceptre "by the password of_ i claim my sceptre (he returns to east) chief adept (takes him by both hands and enthrones him with the grip of the second order "by the po

GOLDEN CHAIN AND THE LONELY ROAD

ed variations, no definitive account of initiatory processes may even be tenable. undoubtedly omissions and generalisations will occur and for these i offer an apology in advance. nonetheless, it is hoped that the broad schemata as given below will serve to clarify and to deepen an awareness of the matter in ways hitherto unexplored. with this intent the following article is offered as a stepping-stone to the wiser future of the way and its children. passing the fire-brand of tubalo-lucifer: ritual initiation the customary method of entrance into the sabbatic tradition is via formal ritual induction. this can take various forms, ranging from the simplest act of ritual 'authorisation' to the so-called 'grand array' of the full sabbatic ceremony. within the cultus sabbati there are various c

GRAHAM HANCOCK FINGERPRINTS OF THE GODS

n involving the use of spherical trigonometry. we are convinced that the findings made by you and your associates are valid, and that they raise extremely important questions affecting geology and ancient 20 ibid, p. 225ff. 21 ibid, p. 228. graham hancock fingerprints of the gods 41 history. 22 hapgood was to make one more important discovery: a chinese map copied from an earlier original on to a stone pillar in ad 1137.23 this map incorporates precisely the same kind of high quality information about longitudes as the others. it has a similar grid and was drawn up with the benefit of spherical trigonometry. indeed, on close examination, it shares so many features with the european and middle eastern maps that only one explanation seems adequate: it and they must have stemmed from a common

of viracocha, and it had been necessary to rebuild it on both occasions. its inca foundations and lower walls survived these natural disasters intact, thanks to their characteristic design which made use of an elegant system of interlocking polygonal blocks. these blocks, and the general layout of the place, were almost all that was now left of the original structure, apart from an octagonal grey stone platform at the centre of the vast rectangular courtyard which had once been covered with 55 kilograms of solid gold.9 on either side of the courtyard were ante-chambers, also from the inca temple, with refined architectural features such as walls that tapered upwards and beautifully-carved niches hewn out of single pieces of granite. we took a walk through the narrow, cobbled streets of cuz

trategic and psychological edge that they needed to overcome the numerically superior inca forces in the battles that followed. who had provided the model for the viracochas? 10 the facts on file encyclopaedia, p. 658. 11 see, for example, h. osborne, south american mythology, paul hamlyn, london, 1968, p. 81. 12 for further evidence and argument in this regard, see constance irwin, fair gods and stone faces, w. h. allen, london, 1964, pp. 31-2. 13 j. alden mason, the ancient civilizations of peru, penguin books, london, 1991, p. 135. see also garcilaso de la vega, the royal commentaries of the incas, orion press, new york, 1961, pp. 132-3, 147-8. graham hancock fingerprints of the gods 54 chapter 6 he came in a time of chaos through all the ancient legends of the peoples of the andes stal

at flood and plunged into darkness by the disappearance of the sun. society had fallen into disorder, and the people suffered much hardship. then there suddenly appeared, coming from the south, a white man of large stature and authoritative demeanour. this man had such great power that he changed the hills into valleys and from the valleys made great hills, causing streams to flow from the living stone..1 the early spanish chronicler who recorded this tradition explained that it had been told to him by the indians he had travelled among on his journeys in the andes: and they heard it from their fathers, who in their turn had it from the old songs which were handed down from very ancient times. they say that this man travelled along the highland route to the north, working marvels as he wen

ight to the blind. 5 this gentle, civilizing, superhuman, samaritan had another side to his nature, however. if his life were threatened, as it seems to have been on several occasions, he had the weapon of heavenly fire at his disposal: working great miracles by his words, he came to the district of the canas and there, near a village called cacha. the people rose up against him and threatened to stone him. they saw him sink to his knees and raise his hands to heaven as if beseeching aid in the peril which beset him. the indians declare that thereupon they saw fire in the sky which seemed all around them. full of fear, they approached him whom they had intended to kill and besought him to forgive them. presently they saw that the fire was extinguished at his command, though stones were con

GREENFIELD ALLEN SECRET CIPHER OF THE UFONAUTS

so sent you a map. ahg: what map? trw: thought you had all this figured, didn t you? remember those rocks he sent you with the pictures in them? ahg: sure. they did contain interesting images; they seemed, as i said at the time, like holograms, especially when sectioned and made into 35mm slides. shaver claimed they were the record of the antediluvian civilization on earth, literally preserved in stone. i gave them to you, i recall. trw: when i got ahold of them, i resectioned the rocks, used an overhead projector and came up, in one of them, with a map of that little area of north georgia where tallulah falls, toccoa falls, brasstown bald you know, the chattahoochee national forest. the cave entrance is clearly marked. ahg: so, this map includes southern north carolina, and white county

er, but traced from legend. the other with a group similar to my own, all of which returned alive, and is now linked with several cavern guerrilla groups. ahg: why haven t you gone back since? 74 allen h. greenfield trw: for the next year, i was really pretty messed up emotionally. i tried to dissuade you, you ll recall, from one of your expeditions in search of that same entrance. i kept the map stone for years, but by then had gotten completely deflected into radical politi- cal activity, both here and abroad. i thought i was satisfied for a long time that this was a physical cave, that shaver had been correct and the metaphysical stuff had nothing to do with it. and we were, i thought, hopelessly outclassed technologically. i ve realized that faerie is neither physical nor metaphysical

GRERALD SCHUELER AN ADVANCED GUIDE TO ENOCHIAN MAGICK

s the four watchtowers and thirty aethyrs. these, together with their presiding deities, formed the kernel of the powerful magical system now known as enochian magick. dee has been called "a pioneerin spiritualism,"because he kept meticulous records of all of his magical operations. however, his primary approach was through the process known as "skrying" kelly would sit before a crystal, or "shew-stone" and describe whatever spirits or visions he saw. dee scrupulously recorded all that kelly told him. often angels from the watchtowers or aethyrs would assist them in their work. for example, one of their "guides" was a young elfin girl named madimi who appeared over a period of seven years. 2 little came of dee's psychic investigations until late in the nineteenth century when a group of oc

s all organic and inorganic matter. h.p. blavatsky, glossary to the voice of the silence the practice of alchemy has often been associated with the chemical process of turning base metals into gold. how-ever, enochian magick recognizes another important branch of alchemy- turning ignorance into wisdom, sickness into health, and mortality into longevity. it is symbolically called the philosopher's stone, the stone of the magician, and it works through a magical process of transmutation. it is not just a physical process but mental as well. the 'base metal' is the human body and mind, and the 'pure gold' is the body immunized against sickness and age with mind enl ightened to the true nature of things. within and around the human body is an aura, a subtle body of light with several gradation

. the north pole is a region of egress. the south pole is a region of ingress. the north pole is act ive and outgoing. the south pole is passive and receptive. as with any magnet, like poles repel while opposite poles attract. the task of the magician is to consciously control this magnetic field and 284 direct its magical forces throughout the physical body which is its expression in flesh. the "stone" is magical fire that radiates through the body and, in time, effects the transmutation. this magical fire (sometimes called psychic heat) is produced by means of combined meditational and breathing exercises that follow. the magical fire that transmutes the physical body is known in tantricisrn as kundalini and in tibet as fohat. it is the natural force of the evolution of man that lies lat

talisman of the watchtower of earth in your left hand and your pantacle 309 in your right hand and say, ikzhikal (ee-keh-zod-hee-kal) great king of earth, come, accept my offering. okaosgo nanta (oh-kah-oh-seh-goh nah-en-tah) earth to earth, nambaomi (nah-bah-oh-ranee) zafasai (zodah-fah-sahee) valpamb (val-pah-mehbeh) you governors of zen (zod-en) come, accept my body. patralx (pah-teh-rah-letz) stone of stone. patralx (pah-teh-rah-letz) part 4. let your physical body be given unto the king of earth. enter your body of light and enter into the pyramid through the opening. let your body of light descend down the sloping passage until you enter a chamber deep beneath the pyramid. on the west side of this chamber is a deep pool of water. face toward the pool. hold the talisman of the watchto

his thoughts. i give you this body and pass through salman-lukiftias (sah-leh-mah-neh-luekee- feh-tee-ah-seh) i now pass through the house of brightness. part 6. let your mental body be given unto the king of air. assume your spiritual body and pass upward through a narrow shaft in the ceiling. rise up until you arrive at a fiery red chamber at the geometric center of the pyramid. let there be a stone sarcophagus along the south wall. let the sarcophagus be lidless and let it contain the eternal flame. face the flame in the sarcophagus. hold the talisman of the watchtower of fire in your left hand and your wand in your right hand and say, edlprnaa (eh-del-par-nah-ah) great king of fire, come, accept my offering. o-prge bitom (oh-par-geh bee-toh-meh) fire to fire. here within the five-wall

GRIMM JACOB TEUTONIC MYTHOLOGY VOL 3

im. though a son of wuotan and yielding to him in power or influence, donar (thunar, thor) appears at times identical with him, and to some extent as an older god worshipped before wuotan. for, like jupiter, he is a father, he is grandfather of many nations, and, as grandfather, is a god of the hills, a god of the rocks, a hammer, sits in the forest, throned on the mountain top, and hurls his old stone weapon, the lightning's bolt. to him the oak was sacred, and his hammer's throw measured out land, as did afterwards wuotan's wand. he rather flies furiously at the giants than fights battles at the head of heroes, or meditates the art of war. i think it a significant featui'e, that he drives or walks, instead of riding like wuotan: he never, preface. xix presents himself in the wild hunt, n

ide the carolingian berhta, beside the eddie biort (p. 1149, beside the deeply rooted tradition of the' white lady' of dame holda the legend was never written down till the 1 7th century; if holda was in the venus-mountain, which goes as far back as the 14th, she at once gains in importance; then further, in the 12th century we can point to pharaildis (p. 284; and if, to crown all, huldana in the stone inscription is correct (p. 266, we can have but little doubt of a gothic worship of hul 7o (p. 990. now, as bei'hta and holda are adjective names, i was fain to claim for nerthus also an adj. basis nairthus, with the sense of mild, gracious, fair. frigg too p. 301-2) i interpret by the adj. free, fair, gracious- if gaue, gauden, is a corruption of the masc. woden, it might still have an acce

n heroic lays, was not foreign either to the carolingian poetry, the product mainly of a german tribe, or even to the british. arthur belongs to the^ wild host^ and the' heaven's wain' morgana coincides with norns and elfins. a great deal nearer still stands charles with his heroes: he is the long-beard that sleeps in the mountain and rides on the karl-wain, his karlstone is the same as the woden-stone (p. 155, roland stands on the pillar, froberge reminded us of fro (p. 216, and galans, who plies the forge for these frankish heroes, is wayland, wielant, volundr. berthe with the foot, progenitress of charles, is our berhta (p. 429; and, attached to her, stand flore and blanchefleur with their elvish names (p. 1063. charles's loved one was an elfin (p, 435, auberon is elberich and elf-king;

es for children; of the snow-child in the modus liebmc; of the giants made out of frost and ice (pp. 440. 465; aphrodite's bemg generated out of sea-foam is a part of the same thing. 3 the technical term' inn dyri mio'sr' recurs in saem. 23. 28. a drink. od-heceri. 903 pulled a whetstone^ out of his belt, and gave them an edge; they cut so much better now, that the mowers began bargaining for the stone, but 05inn threw it up in the air, and while each was trying to catch it, they all cut one another's throats with their scythes- at night osinn found a lodging with another giant, suttung's brother baugi, who sorely complained that he had that day lost his nine men, and had not a woi'kman left. osinn, who called himself eolverkr, was ready to undertake nine men's work, stipulating only for a

nblessed spirits, the souls of unchristened lobes and tbose of men who in tbeir lifetime dealt wrongly hij the cornfield, who respected not the sacredness of landmai'ks^ unrighteous land-surveyors (swed. skiall-vrangare) may be seen hovering up and down the furrows with a long fiery pole, as if re-measuring the wrongly measured; whoso has ploughed of his neighbour's land, whoso has moved the mark-stone, on him falls the curse of wandering as a will o* wisp. hence about ploughing debatable strips, one hears the people say' ik mag niit spiiken gan* conf. deut. sag. nos. 284-5. thiele 1, 58 (see suppl. another class of spectres will prove more fruitful for our investigation: they, like the ignes fatui, include unchristened hahes, but instead of straggling singly on the earth as fires, they sw

GRIMM TEUTONIC MYTHOLOGY VOL 2 1883 COMPLETE

their riot and clatter, and throw stones from the roof at passers by. a french comedy of the 16th century, les esprits/ l represents goblins racketing in a house, singing and playing at night, and aiming tiles at passers by in the daytime; they are fond of fire, but make a violent uproar every time the master spits. 2 in gervase of tilbury, cap. 18, the folleti also pelt with stones, and this of stone-throwing is what we shall meet with in quite early stories of devils; al together the racketing sprites have in this respect more of the devil or spectre in them than of the elf: it is a darkening and distortion of their original nature in accordance with christian sentiment. so it becomes clear, at last, how the once familiar and faith ful friend of the family under heathenism has gradually

ns the history of reid etin. the fairy-tale of red etin wi three heads may now be read complete in chambers,1 pp. 56-58; but it does not explain whether the red colour in his name refers to skin, hair or dress. a black complexion is not attributed to giants, as it is to dwarfs (p. 444) and the devil, though the half-black hel (p. 312) was of giant kin. hrungnir, a giant in the edda, has a head of stone (seem. 76b, sn. 109, another in the fornald. sog. 3, 573 is called larnliaus, iron skull. but giants as a rule appear well-shaped and symmetrical; their daughters are capable of the highest beauty, e.g. geroy, whose gleaming arms, as she shuts the house-door, make air and water shine again, sasm. 82a, sn. 39 (see suppl. in the giants as a whole, an untamed natural force has full swing, entai

l residence. even our poem of rother 767 speaks of a riesenlant. on the borders of the giant province were situate the griottuna garffar, sn. 108-9. we have already noticed how most of the words for giant coin cide with the names of ancient nations. giants were imagined dwelling on rocks and mountains, and their nature is all of a piece with the mineral kingdom: they are either animated masses of stone, or creatures once alive petrified. giants. 533 hrungnir had a three-cornered stone heart, his head and shield were of stone, sn. 109. another giant was named vagnjiofffi (waggon-head, sn. 211 a, in saxo gram. 9. 10. dame hutt is a petrified queen of giants, deut. sag. no. 233. out of this connexion with mountains arises another set of names: bergrisi, sn. 18. 26. 30. 45-7. 66. grofctas. 10

giants as mountain-cattle and forest-boors, conf. bercrinder, laurin 2625, and waltyeburen 534. 2624. sigenot 97. walthunde, sigenot 13. 114. waldes diebe (thieves, 120. waldes tore (fool, waldes affe (ape, wolfd. 467. 991 (see p. 481-2 and suppl. proper names of giants point to stones and metals, as larnsaxa (ironstony, tarnhaus (ironskull; possibly our still surviving compound steinalt, old as stone (gramm. 2, 555, is to be ex plained by the great age of giants, approaching that of rocks and hills; gifur rata (gigantes pedes illidunt saxis) is what they say in the north. stones and rocks are weapons of the giant race; they use only stone clubs and stone shields, no swords. hrungni s weapon is called hei)i (hone; when it was flung in mid air and came in collision with thor s hammer, it b

21. 395, 24. 396, 13; and giant langben a staalstang (danske viser 1, 29. we are expressly told in er. 5384, wafens waren 1 in the case of mixed descent: lialfbergrisi, hdlfrisi, hulftroll, egilss. p. 22. nialss. p. 164; see gramm. 2, 633. 534 giants. si bloz/ i.e. bare of knightly weapon, for they carried( itolben swasre, groze unde lange/ l yet the r eald sweord eotonisc pro bably meant one of stone, though the same expression is used in beow. 5953 of a metal sword mounted with gold; even the f entisc helm/ beow. 5955 may well be a stone helmet. it may be a part of the same thing, that no iron sword will cut into giants; only with the pommel of the sword can they be killed (ecke 178, or with the fist, p. 530 (see suppl. ancient buildings of singular structure, which have outlasted many

H SPENCER LEWIS ROSICRUCIAN MANUAL AMORC 1990

. this annual outdoor fete should be held by each lodge independently, to celebrate the laying of the foundation stones of the great pyramid in america. each lodge shall arrange to go on this day (or the following one, should it rain or be stormy) to an open space in the suburbs near such lodge, and with prayer and addresses, have each member of the lodge deposit in one small pile a simple little stone or pebble, symbolical of "placing a stone for the foundation of the great pyramid in america" no regalia other than the apron is worn by officers and members. privacy of the fete need not be maintained, but the public or the uninitiated must not be given, in the prayers or addresses, any of the private "work" signs, or symbols of the order. such a fete may be held at sundown, if desired. thi

e complicated yet exact designs and diagrams of parts of machinery, architectural elements, etc. expressible with numbers. intelligently as these three dimensions express a thing to our consciousness there are essential elements still missing in the expression.one or more attributes or qualities lacking. what is the nature of the above thing that is 100 cm x 10 cm x 10 cm? is it wood, or iron, or stone? what is its weight, its color? is it hard or soft? we say that all these questions can be answered by expressing the fourth dimension, and expressing it in numerals as the other three are expressed. in this case, as an example, the figures 100 cm x 10 cm x 10 cm/12.0147 (a specific gravity figure would mean that the thing referred to was a piece of south american (not any other kind) mahoga

personality is essentially unworldly and immaterial because its purpose is to function on the immaterial plane. the two, personality and individuality, or the psychic and mundane, the immaterial and material working in unison, reveal an entity recognized both through its individuality and personality as it expresses itself in daily life.(see reincarnation and also soul personality. philosopher's stone.the principal search of the alchemists was for a pure and penetrating matter which, when applied to the metals, plants, or vegetables, exalts them. this perfect essence, this soul of matter, imparts its nature to all that is brought into contact with it. this substance which transmits its perfect qualities was called the philosopher's stone. to the transcendental alchemists, the philosopher'

one.the principal search of the alchemists was for a pure and penetrating matter which, when applied to the metals, plants, or vegetables, exalts them. this perfect essence, this soul of matter, imparts its nature to all that is brought into contact with it. this substance which transmits its perfect qualities was called the philosopher's stone. to the transcendental alchemists, the philosopher's stone was not a substance but the spiritual gnosis and exalted wisdom whose virtue transmutes man to a higher plane of consciousness and personal power. pineal and pituitary.glands which, in their physiological purpose, have to do with the regulating of various functions of the body such as the circulation of the blood, the growth of the bones and tissues, and the development of the sex and emotio

HAMIL THE ROSICRUCIAN SEER

drkerner by the seeress of prevorst, and by the somnambulist described indrhenry werner's work, entitled 'guardian spirits; or, remarkable cases of vision by two seeresses into the spiritual world,'247 will well repay an attentive perusal, although, unfortunately,itwould"'miscellaniesbyj.aubrtry,esq.,8vo, l696,p.128.thudibras,canto iii, line63l'kelly didallhis feats uponthedevil's looking-glass a stone, where, playing with him at bo-pcep, he solved all questions ne'er so deep [london. folio:l6s9.247stuttgart,l839.new york,l847.translated by a. e. ford.contributionsto the zoist 189which have the extraordinary property of seizing at the same time the form of that which gave them birth, and proves that the minutest atom of creation possesses elementary powers whichitwould be far wiser to atte

reast-plate of judgment of the high priest (exodusxxviii,30),and interpreted as light and truth, or revelation andtruth,correspond most remarkably with the figure of re (the sun) and thmei (truth) in the breast-plate of the egyptian priest: and jelian and diodorus sicidus are quoted as authorities for the custom of the egyptian priest when acting as arch. judge, hanging around his neck a sapphire stone which was called truth.(mannersandcustomsof theancientegyptians,ii.,22,v,28.)good accounts of the urim and thummim, or rather of what is understood concerning them, may be found in winer'sbib/ischesrealverterbuch.in the rev. d. kitto'scyclopcediaofbiblicalliterature,are extracted the observations and wood-cuts of sir gardner wilkinson, before whose researches ultra255 theologians endeavoured

it forming the letters in his mind as each word passes through his mind, so they take form of a reality andappear-theseer who sees and the spirit through whose mind these ideas pass are for the time one, but they are united by so slight a cord that the least thought jars it, when it is joined the writing appears small and110therosicrucianseerthine to manifest unto me so much glory in this crystal stone (or glass receptacle) thus consecrated and charged that i, thy unworthy servant, may thereby be allowed free access to see initall those things of whichiam desirous of having a perfect and previous knowledge.omost strong and mighty god without beginning or end, bythyclemency and knowledge in all things,ihumbly desiretheeto allow a blessed ministering spirit to make manifest unto me in this c

appearance, so also is their departure and it would be well for the invocant not to leave the limits of the circle for a few minutes after the licence is recited.crystalirmzancy,or the art ofinooauingspirits by thecrystal107under the compass of the heavens) that you come immediately from the place of your private abode or residence and appear to me visibly in fair and decent form in this crystal stone or glass. i do again exorcise and powerfully command thee spiritvassagoto come and appear visibly to me in this crystal stone or glass in a fair, solid and decent form. i do again strongly bind and command the spiritvassagoto appear visibly to me in this crystal stone or glass as aforesaid, by the virtue and power of these names by which i can bind all rebellious, obstinate and refractory sp

and laid before him and discourse with the spirit concerning it.bond ofspirits ivassagounderbaro,the king of the west, not compelled commanded or fear but on my own accord and free will especially oblige myself by these presents firmly& faithfully and without deceit to t.w.>icrystal stone or glass and to fulfil his commands truly in all things wherein i can by the virtue of all the names of god and by virtue wherewith the sun and moon were darkened and my planet and the celestial characters thereof and principally by this seal binding most solidly. in witness of which guilty person he commanding i have signed this present obligation with mine own seal to which ialwaysstick cl

HANDBOOK OF EGYPTIAN MYTHOLOGY

usiastic seafarers and were one of the few coastal cultures to worship no deities of the sea. to the east, west, and south there were deserts that were dangerous to cross. these deserts made up about 90 percent of egypt s territory. the egyptians called them the red land in contrast to the black land of the valley.6 the mountainous areas of the deserts contained gold, gemstones, and types of hard stone that could be used to make long-lasting buildings and artifacts. the south of the country often went without rain for many years at a stretch. when rain did 2 handbook of egyptian mythology come, it was in the form of violent desert storms that could lead to destructive flash floods. the usually cloudless skies made it particularly easy for the egyptians to observe the stars and planets. muc

n rulers were regarded as divine is much disputed,12 but the kings of the early dynastic period certainly enjoyed more power and responsibility than anyone else in their culture. they were rulers of the first large nation-state in history. the king was the political, religious, and military leader of this state. royal annals for the early dynastic period partially survive in a copy on the palermo stone and related fragments.13 the annals list the kings of egypt, starting with a series of prehistoric kings. seal impressions and small bone or wood labels of the early dynastic period portray kings engaging with a variety of deities.14 mesopotamian seals and sealings of a comparable date appear to show episodes or characters from myths set in the realm of the gods. the egyptian pieces mainly s

of a new era. introduction 7 old kingdom (dynasties 3 6) and first intermediate period (dynasties 7 11: c. 2686 2055 bce in later times the egyptians looked back on the old kingdom as a golden age of stability and achievement. king djoser was remembered for thousands of years as the king for whom the first pyramid was built. this was the step pyramid at saqqara, one of the world s earliest great stone buildings. early dynastic kings had high-walled funerary enclosures in mud brick and separate tombs under great mounds. the two forms were put together at saqqara, so the mound had to become higher to be visible above the great enclosure walls. a mound was also found as the focal point of some early temples, such as at hierakonpolis. such mounds may represent the primeval mound that features

order over chaos, but rameses iii was the last great temple builder of the new kingdom. temples and kings throughout the new kingdom much of the wealth generated by the empire and by the exploitation of egyptian and nubian gold fields was spent on building and endowing temples. all over the country the small, mainly mud-brick, temples that had been common in earlier periods were replaced by large stone structures whose walls were carved with hieroglyphic texts and scenes of kings with deities. major temples were like small towns, with their own granaries, slaughterhouses, workshops, offices, schools, libraries, and housing. large numbers of priests, some working full-time, were needed to run such temples.46 like the pyramid complexes of the old kingdom, new kingdom temples were models of t

efs or colossal statues as the champion of maat. the battles that he was shown fighting were sometimes real and sometimes imaginary, but the foreign enemies always represented the forces of chaos.48 the massive pylon gateways resemble defensive structures, but they also stood for the mountains of the eastern horizon, between which the sun rose. the plant-shaped columns of the inner halls formed a stone replica of the marsh where gods were born or reborn. the innermost sanctuary that contained the introduction 21 cult statue was said to be built on the primeval mound, the very place in which the creator first brought forth life. each temple was dedicated to one main deity, but in the new kingdom it became common to group deities into divine families, with subsidiary temples for the chief de

HEAVEN HELL

sor maspero has proved that the "pyramid texts" contain formulae and paragraphs which, judging from the grammatical forms that occur in them, it is easy to see must have been composed, if not actually written down, in the earliest times of egyptian civilization. these formulae &c, are interspersed with others of later periods, and it seems as if, at the time when the "pyramid texts" were cut into stone, these religious compositions were intended to contain expressions of pious thought about the hereafter which would satisfy both those who accepted the ancient indigenous beliefs, p. 4 and those who were prepared to believe the doctrines which had been promulgated by the priests of the famous brotherhood of ra, the sun-god, who had made their head-quarters in egypt at annu, i.e, on, or helio

and such materials can only have been required for the building of temples and palaces, and funeral altars and stelae, sarcophagi &c. the fact that the work was begun again in the quarries also proves that the authority of the menthu-heteps was well established. menthu-hetep ii, we are told by an inscription set up in the wadi hammamat by his officer amen-em-hat, caused to be quarried a block of stone which measured eight cubits, by four cubits, by two cubits, i.e, about thirteen feet six inches long, six feet six inches wide, and three feet six inches thick, and it is probable that he required p. 8 this for a sarcophagus. this king is also famous as the maker of a well in the desert, the mouth of which was about sixteen feet six inches square; and at one time he employed several thousand

s, i.e, about thirteen feet six inches long, six feet six inches wide, and three feet six inches thick, and it is probable that he required p. 8 this for a sarcophagus. this king is also famous as the maker of a well in the desert, the mouth of which was about sixteen feet six inches square; and at one time he employed several thousands of men, including three thousand carriers or boatmen, in his stone-works. his successor, menthu-hetep iii, continued the work in the quarries, and built himself a pyramid, called khu-ast, in the mountain of tchesert at thebes, which may now be identified with that portion of the great theban cemetery to which the name der al-bahari was given by the arabic-speaking egyptians. this building is mentioned in the great abbott papyrus preserved in the british mus

the kings of the xiith dynasty. under the ivth, vth, and vith dynasties the selections of extracts from books of the dead which were intended to benefit royal souls in the underworld were cut upon the walls of the chambers and corridors of their pyramids, and in the case of private individuals texts intended to produce the same effect were usually cut into the walls of the chambers wherein their stone sarcophagi were placed. the pyramids of the kings of the xith and xiith dynasties, whether in the north or south of egypt, are not, so far as the information at present available goes, characterized by lengthy extracts from books of the dead, and officials and men of rank in general were content to dispense with the cutting of religious p. 15 inscriptions into the sides of stone sarcophagi

k in general were content to dispense with the cutting of religious p. 15 inscriptions into the sides of stone sarcophagi, and into the walls of the passages and chambers of their tombs in the mountains, and to transfer them to the sides of their brightly painted, rectangular wooden coffins. the practical advantages of this change are obvious. wooden coffins were easier to obtain and cheaper than stone sarcophagi, longer and fuller selections from religious texts could be easily and quickly traced upon them in the hieratic character, which an expert scribe could, no doubt, write at a rapid rate, the expense of adding coloured drawings was small, and, above all, the deceased would have close to his mummy the sacred writings on which he so greatly relied for assistance in the other world. th

HEKAS

black goddess of the old moon, who in khem was represented as hekt the frog-headed mother of incantation. it was in egypt that the role of stellar worship was at an apotheosis in recorded history; as man looked to the heavens there turned the great dragon about the zenith, marking out the year and tracing the ancient circle in the firmament of nu. from thence recall the dracontiae,-the circles of stone which mark the crossroads of hidden and secret tracks of force within the earth, reflecting the web of the star-lit heights; recall the crooked path which crosses the sacred isle of albion and lies throughout all the lands of the earth- where-e'er upon the serpents back is placed the witches' step! when next you tread the circle round, when next you face the quarters and call upon their guar

HELENA BLAVATSKY NIGHTMARE TALES

to attempt to conceive of the beauties of the spirit-world; but the time can bespent more profitably in a study of the spirit itself, and it is not necessary that the subject for study should bein the spirit-world. nightmare talesan unsolved mystery10 karmic visionsby h. p. blavatsky, under the pen name "sanjna" oh, sad no more! oh, sweet no more! oh, strange no more! by a mossed brook bank on a stone i smelt a wild weed-flower alone; there was a ringing in my ears, and both my eyes gushed out with tears, surely all pleasant things had gone before, low buried fathom deep beneath with three, no more- tennyson "the gem" 1831. ia camp filled with war-chariots, neighing horses and legions of long-haired soldiers. a regal tent, gaudy in its barbaric splendour. its linen walls are weighed down

hould have been intotal obscurity but that there was a hole bored in it, through which entered a bright ray of sunlight that shotthrough the darkened room and shone upon the girl. he arranged her drooping head so that the ray should fallupon the crown, after which, motioning us to remain silent, he folded his arms upon his bosom, and, fixinghis gaze upon the bright spot, became as motionless as a stone image. i, too, riveted my eyes on the samespot, wondering what was to happen next, and how all this strange ceremony was to help me to find ralph. by degrees, the bright patch, as if it had drawn through the sunbeam a greater splendour from without andcondensed it within its own area, shaped itself into a brilliant star, sending out rays in every direction as froma focus. a curious optical e

echoes56 sparkled brightly, and the sleeping echoes were suddenly awakened by a joyous confusion of laughter andconversation. the shaman, who was never lost sight of by his friend and patron, sat in a corner, entranced asusual. crouched on a projecting rock, about midway between the entrance and the water, with hislemon-yellow, wrinkled face, flat nose, and thin beard, he looked more like an ugly stone idol than a humanbeing. many of the company pressed around him and received correct answers to their questions, thehungarian cheerfully submitting his mesmerized "subject" to cross-examination. suddenly one of the party, a lady, remarked that it was in that very cave that old mr. izvertzoff had sounaccountably disappeared ten years before. the foreigner appeared interested, and desired to le

d of eurydice before him. charmed with the magicsounds of his violin, the wheel of ixion was at a standstill once more, thus affording relief to the wretchedseducer of juno, and giving the lie to those who claim eternity for the duration of the punishment ofcondemned sinners. he perceived tantalus forgetting his never-ceasing thirst, and smacking his lips as hedrank in the heaven-born melody; the stone of sisyphus becoming motionless, the furies themselves smilingon him, and the sovereign of the gloomy regions delighted, and awarding preference to his violin over thelyre of orpheus. taken au serieux, mythology thus seems a decided antidote to fear, in the face of theologicalthreats, especially when strengthened with an insane and passionate love of music, with franz, euterpeproved always v

HELENA BLAVATSKY THE KEY TO THEOSOPHY

en have spiritually and physically the same origin, which is the fundamental teaching of theosophy (b) as mankind is essentially of one and the same essence, and that essence is one-infinite, uncreate, and eternal, whether we call it god or nature-nothing, therefore, can affect one nation or one man without affecting all other nations and all other men. this is as certain and as obvious as that a stone thrown into a pond will, sooner or later, set in motion every single drop of water therein. q. but this is not the teaching of christ, but rather a pantheistic notion. a. that is where your mistake lies. it is purely christian, although not judaic, and therefore, perhaps, your biblical nations prefer to ignore it. q. this is a wholesale and unjust accusation. where are your proofs for such a

re not deists, then you have to answer to the name of atheists. a. not necessarily so. the term pantheism is again one of the many abused terms, whose real and primitive meaning has been distorted by blind prejudice and a one-sided view of it. if you accept the christian etymology of this compound word, and form it of pan "all" and theos "god" and then imagine and teach that this means that every stone and every tree in nature is a god or the one god, then, of course, you will be right, and make of pantheists fetish-worshippers, in addition to their legitimate name. but you will hardly be as successful if you etymologize the word pantheism esoterically, and as we do. q. what is, then, your definition of it? a. let me ask you a question in my turn. what do you understand by pan, or nature?

or, as just remarked, that a prayer is a petition. it is a mystery rather; an occult process by which finite and conditioned thoughts and desires, unable to be assimilated by the absolute spirit which is unconditioned, are translated into spiritual wills and the will; such process being called "spiritual transmutation" the intensity of our ardent aspirations changes prayer into the "philosopher's stone" or that which transmutes lead into pure gold. the only homogeneous essence, our "will-prayer" becomes the active or creative force, producing effects according to our desire. q. do you mean to say that prayer is an occult process bringing about physical results? a. i do. will-power becomes a living power. but woe unto those occultists and theosophists, who, instead of crushing out the desir

t of mr. sinnett's lectures. he discovers that grave contradiction in these two sentences "premature returns to earth-life in the cases when they occur may be due to karmic complication; and "there is no accident in the supreme act of divine justice guiding evolution" so profound a thinker would surely see a contradiction of the law of gravitation if a man stretched out his hand to stop a falling stone from crushing the head of a child! on reincarnation or rebirth what is memory according to theosophical teaching? q. the most difficult thing for you to do, will be to explain and give reasonable grounds for such a belief. no theosophist has ever yet succeeded in bringing forward a single valid proof to shake my skepticism. first of all, you have against this theory of reincarnation, the fac

tends to restore disturbed equilibrium in the physical, and broken harmony in the moral world. we say that karma does not act in this or that particular way always; but that it always does act so as to restore harmony and preserve the balance of equilibrium, in virtue of which the universe exists. q. give me an illustration. a. later on i will give you a full illustration. think now of a pond. a stone falls into the water and creates disturbing waves. these waves oscillate backwards and forwards till at last, owing to the operation of what physicists call the law of the dissipation of energy, they are brought to rest, and the water returns to its condition of calm tranquility. similarly all action, on every plane, produces disturbance in the balanced harmony of the universe, and the vibra

HINE PHIL ASPECTS OF EVOCATION

hey relate to the cthulhu mythos. i feel that, rather than exploring lovecraftian themes using traditional magical systems such as the qabalah (though obviously, it may provide a useful parallel, the most obvious place to look for guidelines is lovecraft.s fiction itself. from this, we find that for example, in the dunwich horror, lovecraft clearly illustrates that .hilltop rites, associated with stone circles and strange geophysical phenomena, are a key when approaching entities such as yog-sothoth. bringing the great old ones into our dimension requires some form of .gate, which in mythos tales, is often a wild outdoor site, a stone circle, tower, or a similar type of power spot. lovecraft is also careful to point out that such sites have, in historical terms, a long history of strange m

th mysteries research is continuing 29 to document evidence to support and further edify deveraux.s ideas. reading accounts of earth light sightings and their relationship to specific regions and underground activity is for me, very reminiscent of lovecraft.s accounts of the activities associated with the great old ones. what is perhaps also significant for the modern magician is that very often, stone circles and other sacred sites are situated in regions where geological faulting takes place. deveraux proposes that the sites perhaps served to amplify and focus the natural occurrence of light phenomena. there is a wealth of folklore worldwide which could be related to the appearance of earth lights, from will .o. the wisps to faeries, ghosts, and more recently, ufos. from butterflies to b

nergy structures, not from any kind of self-referential intelligence on the part of the earth lights, but from the principle (from systems theory) that some energy forms are attracted towards structures of higher cohesiveness, such as the information field generated by the human brain, or possibly the electro-magnetic field generated by cars, power lines, etc. all of which leads us slowly back to stone circles; lovecraft.s .frienzied rites on the hilltops, and the role that sound plays in all of this. there is a great deal of magical literature available exploring the dynamics of sound, particularly different vocal techniques used to produce an altered state of consciousness(asc. one of the key factors seems to be rhythm. rhythms carry our consciousness along, from heartbeats, to cycles of

if we can accept this (and there is a growing body of research that bears this out, then suddenly fra. choronzon.s ideas about electro-magnetic structures which have the capacity to order themselves by, and retain information over time, don.t sound so far-fetched, do they? coming back to the cthulhu mythos, it seems then that lovecraft was on the right track with his themes of weird hillregions, stone circles, barbarous words of power, and .frienzied rites. the work of paul deveraux and other researchers points to the conclusion that some sacred sites at least, are power spots which predisposed the users towards obtaining an asc whereby they could interact with energy forms of an electromagnetic nature, doubtless aided by earth light manifestations and hallucinogenic substances. earth mys

placement, and motor 41 spasms. symptoms such as these have been described by michael persinger as possible side-effects of encounters with earth light phenomena. unbeknown to me at the time (which was later discovered when i related this tale) two friends of mine who were members of the west yorkshire earth mysteries group had experienced a strange encounter at the then newly-uncovered backstone stone circle. their experience included seeing earth lights, small dwarf-like shades, and lines of energy around the stone circle that they spent a night sitting in. it seems strange, on reflection, that the appearance of the entity claiming to originate from a newly-disturbed site seems to relate to their experience. what this experience did do, was to lead me to making a more intensive study of

HOWE THE ALCHEMIST OF THE GOLDEN DAWN

, a?d. then the t[heosophical] p[ublishing] slociety] would still be in just the same difficulties. i always saw that luciftr, conducted as it was, and at such a price, was [ayton's record of his wife's 'vision] broad iron gateway with high pillars and such lovely sunshine apparently entrance to a park. beautiful garden in front of a side-entrance to the house broad gravel walks- irregular- large stone urn- looks a little like a fountain, not in play. very quiet and isolated. supposing the first facing w, then n. of that, at right angles, a collonade of great length, with an urn or cupola in the front centre of the roof. small summer house, which cannot connect with the other buildings and a dark straight path, leading from it about 5 ft. wide. in front of that summer house a small oblong

my, but i had arrived at as much 30 perhaps 40 years ago, and yet.i have not accomplished it, partly certainly, because i ?ave n?t tned: when you come to the astral practice, then your difficulties begin, i will explain to you as to books and mss, when i see you. as to the gift of god &c, that does not mean e.xact y what it says, any more than it does as to the very long time it takes to make the stone of the philosophers. mrs ayton has not been at all well- congestion of the brain_ but is. nearly herself again, and will accompany me to london, but will not go about much. she joins me in kind regards to mrs gardner and yourself. i do not know whether the time of the gd. will not clash with the thursday seance at no. 17 [lansdowne road. we would go there if we could. 21 chacombe vicarage 12

but the having to return to chiswick at night after these meetings seems to us prohibitory. you young people do not mind it. when you get to our age, you will think differently. so, please excuse us if we do not accept your very kind invitation, tho' i should very much like a long talk with you. i have been much delayed in my experiments by illness. thrice in 3 months in this year have i had gall-stone spasm, which left me very incapable, and now this confounded influenza. still, i have made some experiments with my furnace, which have at least opened my eyes to the extreme difficulty to what i am aiming at, and the almost certainty that i cannot complete it whilst my attention is divided and diverted by my position here. the very attempt to do it, and the failure teaches one something for

having, at first, snapped at an arrangement i proposed to him but suddenly broke off and left me in the lurch. we are now quite at a loss what to do. iodine] is a most useful medicine. the alteration in his water was iodine removing some mischief from liver, which had to be carried off by kidneys. there is intimate connection between liver and kidneys. when i had obstruction of gall-duct by gall-stone and jaundiced bile passed thro' kidneys and bladder. there is reciprocal action between the 2 organs. you must not confound david becker with john joachim becher. the work which mentions his portable furnace is "joh. joach. becheri, d, opuscula chymica rariora [edited by] friderico roth-scholtzio, siles. norimbergae& altorfii. anno m.dccxix" becher was of the jewish nation, a man of the most

HP LOVECRAFT A DARK LORE

inced that the sculptor was indeed ignorant of any cult or system of cryptic lore, he besieged his visitor with demands for future reports of dreams. this bore regular fruit, for after the first interview the manuscript records daily calls of the young man, during which he related startling fragments of nocturnal imaginery whose burden was always some terrible cyclopean vista of dark and dripping stone, with a subterrene voice or intelligence shouting monotonously in enigmatical sense-impacts uninscribable save as gibberish. the two sounds frequently repeated are those rendered by the letters "cthulhu" and "r'lyeh" on march 23, the manuscript continued, wilcox failed to appear; and inquiries at his quarters revealed that he had been stricken with an obscure sort of fever and taken to the h

in a short time the focus of interest for the entire meeting, was a commonplace-looking middle-aged man who had travelled all the way from new orleans for certain special information unobtainable from any local source. his name was john raymond legrasse, and he was by profession an inspector of police. with him he bore the subject of his visit, a grotesque, repulsive, and apparently very ancient stone statuette whose origin he was at a loss to determine. it must not be fancied that inspector legrasse had the least interest in archaeology. on the contrary, his wish for enlightenment was prompted by purely professional considerations. the statuette, idol, fetish, or whatever it was, had been captured some months before in the wooded swamps south of new orleans during a raid on a supposed vo

into a state of tense excitement, and they lost no time in crowding around him to gaze at the diminutive figure whose utter strangeness and air of genuinely abysmal antiquity hinted so potently at unopened and archaic vistas. no recognised school of sculpture had animated this terrible object, yet centuries and even thousands of years seemed recorded in its dim and greenish surface of unplaceable stone. the figure, which was finally passed slowly from man to man for close and careful study, was between seven and eight inches in height, and of exquisitely artistic workmanship. it represented a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings beh

ed knees. the aspect of the whole was abnormally life-like, and the more subtly fearful because its source was so totally unknown. its vast, awesome, and incalculable age was unmistakable; yet not one link did it shew with any known type of art belonging to civilisation's youth- or indeed to any other time. totally separate and apart, its very material was a mystery; for the soapy, greenish-black stone with its golden or iridescent flecks and striations resembled nothing familiar to geology or mineralogy. the characters along the base were equally baffling; and no member present, despite a representation of half the world's expert learning in this field, could form the least notion of even their remotest linguistic kinship. they, like the subject and material, belonged to something horribl

lder devil or tornasuk; and of this professor webb had taken a careful phonetic copy from an aged angekok or wizard-priest, expressing the sounds in roman letters as best he knew how. but just now of prime significance was the fetish which this cult had cherished, and around which they danced when the aurora leaped high over the ice cliffs. it was, the professor stated, a very crude bas-relief of stone, comprising a hideous picture and some cryptic writing. and so far as he could tell, it was a rough parallel in all essential features of the bestial thing now lying before the meeting. this data, received with suspense and astonishment by the assembled members, proved doubly exciting to inspector legrasse; and he began at once to ply his informant with questions. having noted and copied an

HP LOVECRAFT AT THE MOUNTAINS OF MADNESS

symmetrical wind-carved rocks of the arizona desert. perhaps we even half thought the sight a mirage like that we had seen the morning before on first approaching those mountains of madness. we must have had some such normal notions to fall back upon as our eyes swept that limitless, tempest-scarred plateau and grasped the almost endless labyrinth of colossal, regular, and geometrically eurythmic stone masses which reared their crumbled and pitted crests above a glacial sheet not more than forty or fifty feet deep at its thickest, and in places obviously thinner. the effect of the monstrous sight was indescribable, for some fiendish violation of known natural law seemed certain at the outset. here, on a hellishly ancient table-land fully twenty thousand feet high, and in a climate deadly t

aces obviously thinner. the effect of the monstrous sight was indescribable, for some fiendish violation of known natural law seemed certain at the outset. here, on a hellishly ancient table-land fully twenty thousand feet high, and in a climate deadly to habitation since a prehuman age not less than five hundred thousand years ago, there stretched nearly to the vision s limit a tangle of orderly stone which only the desperation of mental self-defense could possibly attribute to any but conscious and artificial cause. we had previously dismissed, so far as serious thought was concerned, any theory that the cubes and ramparts of the mountainsides were other than natural in origin. how could they be otherwise, when man himself could scarcely have been differentiated from the great apes at th

y of reason seemed irrefutably shaken, for this cyclopean maze of squared, curved, and angled blocks had features which cut off all comfortable refuge. it was, very clearly, the blasphemous city of the mirage in stark, objective, and ineluctable reality. that damnable portent had had a material basis after all- there had been some horizontal stratum of ice dust in the upper air, and this shocking stone survival had projected its image across the mountains according to the simple laws of reflection, of course, the phantom had been twisted and exaggerated, and had contained things which the real source did not contain; yet now, as we saw that real source, we thought it even more hideous and menacing than its distant image. only the incredible, unhuman massiveness of these vast stone towers a

es followed it to the right and left along the base of the low, gradual foothills which separated it from the actual mountain rim, we decided that we could see no thinning at all except for an interruption at the left of the pass through which we had come. we had merely struck, at random, a limited part of something of incalculable extent. the foothills were more sparsely sprinkled with grotesque stone structures, linking the terrible city to the already familiar cubes and ramparts which evidently formed its mountain outposts. these latter, as well as the queer cave mouths, were as thick on the inner as on the outer sides of the mountains. the nameless stone labyrinth consisted, for the most part, of walls from ten to one hundred and fifty feet in ice-clear height, and of a thickness varyi

builders had made constant and expert use of the principle of the arch, and domes had probably existed in the city s heyday. the whole tangle was monstrously weathered, and the glacial surface from which the towers projected was strewn with fallen blocks and immemorial debris. where the glaciation was transparent we could see the lower parts of the gigantic piles, and we noticed the ice-preserved stone bridges which connected the different towers at varying distances above the ground. on the exposed walls we could detect the scarred places where other and higher bridges of the same sort had existed. closer inspection revealed countless largish windows; some of which were closed with shutters of a petrified material originally wood, though most gaped open in a sinister and menacing fashion

HP LOVECRAFT CELEPHAIS

outh; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. but some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy. kuranes came very suddenly upon his old world of childhood. he had been dreaming of the house where he had been born; the great stone house covered w

g settled gradually over a grassy hillside till finally his feet rested gently on the turf. he had indeed come back to the valley of ooth-nargai and the splendid city of celephais. down the hill amid scented grasses and brilliant flowers walked kuranes, over the bubbling naraxa on the small wooden bridge where he had carved his name so many years ago, and through the whispering grove to the great stone bridge by the city gate. all was as of old, nor were the marble walls discoloured, nor the polished bronze statues upon them tarnished. and kuranes saw that he need not tremble lest the things he knew be vanished; for even the sentries on the ramparts were the same, and still as young as he remembered them. when he entered the city, past the bronze gates and over the onyx pavements, the merc

o one whom he met could tell him how to find ooth-nargai beyond the tanarian hills. one night he went flying over dark mountains where there were faint, lone campfires at great distances apart, and strange, shaggy herds with tinkling bells on the leaders, and in the wildest part of this hilly country, so remote that few men could ever have seen it, he found a hideously ancient wall or causeway of stone zigzagging along the ridges and valleys; too gigantic ever to have risen by human hands, and of such a length that neither end of it could be seen. beyond that wall in the grey dawn he came to a land of quaint gardens and cherry trees, and when the sun rose he beheld such beauty of red and white flowers, green foliage and lawns, white paths, diamond brooks, blue lakelets, carven bridges, and

brooks, blue lakelets, carven bridges, and red-roofed pagodas, that he for a moment forgot celephais in sheer delight. but he remembered it again when he walked down a white path toward a red-roofed pagoda, and would have questioned the people of this land about it, had he not found that there were no people there, but only birds and bees and butterflies. on another night kuranes walked up a damp stone spiral stairway endlessly, and came to a tower window overlooking a mighty plain and river lit by the full moon; and in the silent city that spread away from the river bank he thought he beheld some feature or arrangement which he had known before. he would have descended and asked the way to oothnargai had not a fearsome aurora sputtered up from some remote place beyond the horizon, showing

it had lain since king kynaratholis came home from his conquests to find the vengeance of the gods. so kuranes sought fruitlessly for the marvellous city of celephais and its galleys that sail to serannian in the sky, meanwhile seeing many wonders and once barely escaping from the high-priest not to be described, which wears a yellow silken mask over its face and dwells all alone in a prehistoric stone monastery in the cold desert plateau of leng. in time he grew so impatient of the bleak intervals of day that he began buying drugs in order to increase his periods of sleep. hasheesh helped a great deal, and once sent him to a part of space where form does not exist, but where glowing gases study the secrets of existence. and a violet-coloured gas told him that this part of space was outsid

HP LOVECRAFT DAGON

ith difficulty down the rocks and stood on the gentler slope beneath, gazing into the stygian deeps where no light had yet penetrated. all at once my attention was captured by a vast and singular object on the opposite slope, which rose steeply about a hundred yards ahead of me; an object that gleamed whitely in the newly bestowed rays of the ascending moon. that it was merely a gigantic piece of stone, i soon assured myself; but i was conscious of a distinct impression that its contour and position were not altogether the work of nature. a closer scrutiny filled me with sensations i cannot express; for despite its enormous magnitude, and its position in an abyss which had yawned at the bottom of the sea since the world was young, i perceived beyond a doubt that the strange object was a we

een a pure phantasm- a mere freak of fever as i lay sun-stricken and raving in the open boat after my escape from the german man-of-war. this i ask myself, but ever does there come before me a hideously vivid vision in reply. i cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed, worshipping their ancient stone idols and carving their own detestable likenesses on submarine obelisks of water-soaked granite. i dream of a day when they may rise above the billows to drag down in their reeking talons the remnants of puny, war-exhausted mankind- of a day when the land shall sink, and the dark ocean floor shall ascend amidst universal pandemonium. the end is near. i hear a noise at the door, as of some im

HP LOVECRAFT FROM BEYOND

h the sloping south wall, dimly lit by rays which the every day eye cannot see. the far corners were all shadows and the whole place took on a hazy unreality which obscured its nature and in-vited the imagination to symbolism and phantasm. during the interval that tillinghast was long silent i fancied myself in some vast incredible temple of long-dead gods; some vague edifice of innumerable black stone columns reaching up from a floor of damp slabs to a cloudy height beyond the range of my vision. the picture was very vivid for a while, but gradually gave way to a more horrible conception; that of utter, absolute solitude in infinite, sightless, soundless space. there seemed to a void, and nothing more, and i felt a childish fear which prompted me to draw from my hip pocket the revolver i

HP LOVECRAFT POLARIS

e my place in that city on the strange plateau betwixt strange peaks. at first content to view the scene as an all-observant uncorporeal presence, i now desired to define my relation to it, and to speak my mind amongst the grave men who conversed each day in the public squares. i said to myself "this is no dream, for by what means can i prove the greater reality of that other life in the house of stone and brick south of the sinister swamp and the cemetery on the low hillock, where the pole star peeps into my north window each night" one night as i listened to the discourses in the large square containing many statues, i felt a change; and perceived that i had at last a bodily form. nor was i a stranger in the streets of olathoe, which lies on the plateau of sarkia, betwixt the peaks of no

re the pole star shines high, and red aldebaran crawls low around the horizon, there has been naught save ice and snow for thousands of years of years, and never a man save squat, yellow creatures, blighted by the cold, called "esquimaux" and as i writhe in my guilty agony, frantic to save the city whose peril every moment grows, and vainly striving to shake off this unnatural dream of a house of stone and brick south of a sinister swamp and a cemetery on a low hillock, the pole star, evil and monstrous, leers down from the black vault, winking hideously like an insane watching eye which strives to convey some message, yet recalls nothing save that it once had a message to convey. 1998-1999 william johns last modified: 12/18/1999 18:45:4the alchemist by h.p. lovecraft 1908 high up, crownin

HP LOVECRAFT THE ALCHEMIST

wer that i, antoine, last of the unhappy and accursed counts de c, first saw the light of day, ninety long years ago. within these walls and amongst the dark and shadowy forests, the wild ravines and grottos of the hillside below, were spent the first years of my troubled life. my parents i never knew. my father had been killed at the age of thirty-two, a month before i was born, by the fall of a stone somehow dislodged from one of the deserted parapets of the castle. and my mother having died at my birth, my care and education devolved solely upon one remaining servitor, an old and trusted man of considerable intelligence, whose name i remember as pierre. i was an only child and the lack of companionship which this fact entailed upon me was augmented by the strange care exercised by my ag

h i sat had been a feared and impregnable fortress. it told of a certain ancient man who had once dwelled on our estates, a person of no small accomplishments, though little above the rank of peasant, by name, michel, usually designated by the surname of mauvais, the evil, on account of his sinister reputation. he had studied beyond the custom of his kind, seeking such things as the philosopher's stone or the elixir of eternal life, and was reputed wise in the terrible secrets of black magic and alchemy. michel mauvais had one son, named charles, a youth as proficient as himself in the hidden arts, who had therefore been called le sorcier, or the wizard. this pair, shunned by all honest folk, were suspected of the most hideous practices. old michel was said to have burnt his wife alive as

y flickering torch that a blank, water-stained wall impeded my journey. turning to retrace my steps, my eye fell upon a small trapdoor with a ring, which lay directly beneath my foot. pausing, i succeeded with difficulty in raising it, whereupon there was revealed a black aperture, exhaling noxious fumes which caused my torch to sputter, and disclosing in the unsteady glare the top of a flight of stone steps. as soon as the torch which i lowered into the repellent depths burned freely and steadily, i commenced my descent. the steps were many, and led to a narrow stone-flagged passage which i knew must be far underground. this passage proved of great length, and terminated in a massive oaken door, dripping with the moisture of the place, and stoutly resisting all my attempts to open it. cea

HP LOVECRAFT THE BEAST IN THE CAVE

the party, and had wondered what unnatural influence a long sojourn in this immense and silent cavern would exert upon one as healthy and vigorous as i. now, i grimly told myself, my opportunity for settling this point had arrived, provided that want of food should not bring me too speedy a departure from this life. as the last fitful rays of my torch faded into obscurity, i resolved to leave no stone unturned, no possible means of escape neglected; so, summoning all the powers possessed by my lungs, i set up a series of loud shoutings, in the vain hope of attracting the attention of the guide by my clamour. yet, as i called, i believed in my heart that my cries were to no purpose, and that my voice, magnified and reflected by the numberless ramparts of the black maze about me, fell upon

HP LOVECRAFT THE CALL OF CTHULHU

nvinced that the sculptor was indeed ignorant of any cult or system of cryptic lore, he besieged his visitor with demands for future reports of dreams. this bore regular fruit, for after the first interview the manuscript records daily calls of the young man, during which he related startling fragments of nocturnal imagery whose burden was always some terrible cyclopean vista of dark and dripping stone, with a subterrene voice or intelligence shouting monotonously in enigmatical sense-impacts uninscribable save gibberish. the two sounds most frequently repeated are those rendered by the letters 'cthulhu' and 'r'lyeh' on 23 march the manuscript continued, wilcox failed to appear; and inquiries at his quarters revealed that he had been stricken with an obscure sort of fever and taken to the

d in a short time the focus of interest for the entire meeting, was a commonplace-looking middle-aged man who had travelled all the way from new orleans for certain special information unobtainable from any local source. his name was john raymond legrasse, and he was by profession an inspector of police with him he bore the subject of his visit, a grotesque, repulsive, and apparently very ancient stone statuette whose origin he was at a loss to determine. it must not be fancied that inspector legrasse had the least interest in archaeology. on the contrary, his wish for enlightenment was prompted by purely professional considerations. the statuette, idol, fetish, or whatever it was, had been captured some months before in the wooden swamps south of new orleans during a raid on a supposed vo

into a state of tense excitement, and they lost no time in crowding around him to gaze at the diminutive figure whose utter strangeness and air of genuinely abysmal antiquity hinted so potently at unopened and archaic vistas. no recognized school of sculpture had animated this terrible object, yet centuries and even thousands of years seemed recorded in its dim and greenish surface of unplaceable stone. the figure, which was finally passed slowly from man to man for close and careful study, was between seven and eight inches in height, and of exquisitely artistic workmanship. it represented a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings beh

ted knees. the aspect of the whole was abnormally lifelike, and the more subtly fearful because its source was so totally unknown. its vast, awesome, and incalculable age was unmistakable; yet not one link did it show with any known type of art belonging to civilization's youth- or indeed to any other time. totally separate and apart, its very material was a mystery; for the soapy, greenish-black stone with its golden or iridescent flecks and striations resembled nothing familiar to geology or mineralogy. the characters along the base were equally baffling; and no member present, despite a representation of half the world's expert learning in this field, could form the least notion of even their remotest linguistic kinship. they, like the subject and material, belonged to something horribl

lder devil or tornasuk; and of this professor webb had taken a careful phonetic copy from an aged angekok or wizard-priest, expressing the sounds in roman letters as best he knew how. but just now of prime significance was the fetish which this cult had cherished, and around which they danced when the aurora leaped high over the ice cliffs. it was, the professor stated, a very crude bas-relief of stone, comprising a hideous picture and some cryptic writing. and as far as he could tell, it was rough parallel in all essential features of the bestial thing now lying before the meeting. these data, received with suspense and astonishment by the assembled members, proved doubly exciting to inspector legrasse; and he began at once to ply his informant with questions. having noted and copied an o

HP LOVECRAFT THE CATS OF ULTHAR

were appearing at dusk in the windows of the cottage under the trees. then the lean nith remarked that no one had seen the old man or his wife since the night the cats were away. in another week the burgomaster decided to overcome his fears and call at the strangely silent dwelling as a matter of duty, though in so doing he was careful to take with him shang the blacksmith and thul the cutter of stone as witnesses. and when they had broken down the frail door they found only this: two cleanly picked human skeletons on the earthen floor, and a number of singular beetles crawling in the shadowy corners. there was subsequently much talk among the burgesses of ulthar. zath, the coroner, disputed at length with nith, the lean notary; and kranon and shang and thul were overwhelmed with question

HP LOVECRAFT THE DOOM THAT CAME TO SARNATH

. 44, p. 90-8. there is in the land of mnar a vast still lake that is fed by no stream, and out of which no stream flows. ten thousand years ago there stood by its shore the mighty city of sarnath, but sarnath stands there no more. it is told that in the immemorial years when the world was young, before ever the men of sarnath came to the land of mnar, another city stood beside the lake; the gray stone city of ib, which was old as the lake itseli, and peopled with beings not pleasing to behold. very odd and ugly were these beings, as indeed are most beings of a world yet inchoate and rudely fashioned. it is written on the brick cylinders of kadatheron that the beings of lb were in hue as green as the lake and the mists that rise above it; that they had bulging eyes, pouting, flabby lips, a

st beings of a world yet inchoate and rudely fashioned. it is written on the brick cylinders of kadatheron that the beings of lb were in hue as green as the lake and the mists that rise above it; that they had bulging eyes, pouting, flabby lips, and curious ears, and were without voice. it is also written that they descended one night from the moon in a mist; they and the vast still lake and gray stone city lb. however this may be, it is certain that they worshipped a sea-green stone idol chiseled in the likeness of bokrug, the great water-lizard; before which they danced horribly when the moon was gibbous. and it is written in the papyrus of ilarnek, that they one day discovered fire, and thereafter kindled flames on many ceremonial occasions. but not much is written of these beings, beca

e they did not wish to touch them. and because they did not like the gray sculptured monoliths of lb they cast these also into the lake; wondering from the greatness of the labor how ever the stones were brought from afar, as they must have been, since there is naught like them in the land of mnar or in the lands adjacent. thus of the very ancient city of lb was nothing spared, save the sea-green stone idol chiseled in the likeness of bokrug, the water-lizard. this the young warriors took back with them as a symbol of conquest over the old gods and beings of th, and as a sign of leadership in mnar. but on the night after it was set up in the temple, a terrible thing must have happened, for weird lights were seen over the lake, and in the morning the people found the idol gone and the high

terrible thing must have happened, for weird lights were seen over the lake, and in the morning the people found the idol gone and the high-priest taran-ish lying dead, as from some fear unspeakable. and before he died, taran-ish had scrawled upon the altar of chrysolite with coarse shaky strokes the sign of doom. after taran-ish there were many high-priests in sarnath but never was the sea-green stone idol found. and many centuries came and went, wherein sarnath prospered exceedingly, so that only priests and old women remembered what taran-ish had scrawled upon the altar of chrysolite. betwixt sarnath and the city of flarnek arose a caravan route, and the precious metals from the earth were exchanged for other metals and rare cloths and jewels and books and tools for artificers and all t

mnar and of many lands adjacent. the wonder of the world and the pride of all mankind was sarnath the magnificent. of polished desert-quarried marble were its walls, in height three hundred cubits and in breadth seventy-five, so that chariots might pass each other as men drove them along the top. for full five hundred stadia did they run, being open only on the side toward the lake where a green stone sea-wall kept back the waves that rose oddly once a year at the festival of the `destroying of lb. in sarnath were fifty streets from the lake to the gates of the caravans, and fifty more intersecting them. with onyx were they paved, save those whereon the horses and camels and elephants trod, which were paved with granite. and the gates of sarnath were as many as the landward ends of the st

HP LOVECRAFT THE LURKING FEAR

se of the poor mongrels who sometimes leave their valleys to trade handwoven baskets for such primitive necessities as they, cannot shoot, raise, or make. the lurking fear dwelt in the shunned and deserted martense mansion, which crowned the high but gradual eminence whose liability to frequent thunderstorms gave it the name of tempest mountain. for over a hundred years the antique, grove-circled stone house had been the subject of stories incredibly wild and monstrously hideous; stories of a silent colossal creeping death which stalked abroad in summer. with whimpering insistence the squatters told tales of a demon which seized lone wayfarers after dark, either carrying them off or leaving them in a frightful state of gnawed dismemberment; while sometimes they whispered of blood trails to

HP LOVECRAFT THE MUSIC OF ERICH ZANN

e place again is both singular and perplexing; for it was within a half-hour s walk of the university and was distinguished by peculiarities which could hardly be forgotten by any one who had been there. i have never met a person who has seen the rue d auseil. the rue d auseil lay across a dark river bordered by precipitous brick blear-windowed warehouses and spanned by a ponderous bridge of dark stone. it was always shadowy along that river, as if the smoke of neighboring factories shut out the sun perpetually. the river was also odorous with evil stenches which i have never smelled elsewhere, and which may some day help me to find it, since i should recognize them at once. beyond the bridge were narrow cobbled streets with rails; and then came the ascent, at first gradual, but incredibly

he bridge were narrow cobbled streets with rails; and then came the ascent, at first gradual, but incredibly steep as the rue d auseil was reached. i have never seen another street as narrow and steep as the rue d auseil. it was almost a cliff, closed to all vehicles, consisting in several places of ffights of steps, and ending at the top in a lofty ivied wall. its paving was irregular, sometimes stone slabs, sometimes cobblestones, and sometimes bare earth with struggling greenish-grey vegetation. the houses were tall, peaked-roofed, incredibly old, and crazily leaning backward, forward, and sidewise. occasionally an opposite pair, both leaning forward, almost met across the street like an arch; and certainly they kept most of the light from the ground below. there were a few overhead bri

HP LOVECRAFT THE NAMELESS CITY

tracing the walls and bygone streets, and the outlines of the nearly vanished buildings. i saw that the city had been mighty indeed, and wondered at the sources of its greatness. to myself i pictured all the spendours of an age so distant that chaldaea could not recall it, and thought of sarnath the doomed, that stood in the land of mnar when mankind was young, and of ib, that was carven of grey stone before mankind existed. all at once i came upon a place where the bedrock rose stark through the sand and formed a low cliff; and here i saw with joy what seemed to promise further traces of the antediluvian people. hewn rudely on the face of the cliff were the unmistakable facades of several small, squat rock houses or temples; whose interiors might preserve many secrets of ages too remote

beheld for the first time some traces of the pictorial art of the ancient race, curious curling streaks of paint that had almost faded or crumbled away; and on two of the altars i saw with rising excitement a maze of well-fashioned curvilinear carvings. as i held my torch aloft it seemed to me that the shape of the roof was too regular to be natural, and i wondered what the prehistoric cutters of stone had first worked upon. their engineering skill must have been vast. then a brighter flare of the fantastic flame showed that form which i had been seeking, the opening to those remoter abysses whence the sudden wind had blown; and i grew faint when i saw that it was a small and plainly artificial door chiselled in the solid rock. i thrust my torch within, beholding a black tunnel with the ro

ed at the reticence shown concerning natural death. it was as though an ideal of immortality had been fostered as a cheering illusion. still nearer the end of the passage was painted scenes of the utmost picturesqueness and extravagance: contrasted views of the nameless city in its desertion and growing ruin, and of the strange new realm of paradise to which the race had hewed its way through the stone. in these views the city and the desert valley were shewn always by moonlight, golden nimbus hovering over the fallen walls, and half-revealing the splendid perfection of former times, shown spectrally and elusively by the artist. the paradisal scenes were almost too extravagant to be believed, portraying a hidden world of eternal day filled with glorious cities and ethereal hills and valley

d everything. swung back open against the left-hand wall of the passage was a massive door of brass, incredibly thick and decorated with fantastic bas-reliefs, which could if closed shut the whole inner world of light away from the vaults and passages of rock. i looked at the step, and for the nonce dared not try them. i touched the open brass door, and could not move it. then i sank prone to the stone floor, my mind aflame with prodigious reflections which not even a death-like exhaustion could banish. as i lay still with closed eyes, free to ponder, many things i had lightly noted in the frescoes came back to me with new and terrible significance- scenes representing the nameless city in its heyday- the vegetations of the valley around it, and the distant lands with which its merchants t

HP LOVECRAFT THE OUTSIDER

ns. it was never light, so that i used sometimes to light candles and gaze steadily at them for relief, nor was there any sun outdoors, since the terrible trees grew high above the topmost accessible tower. there was one black tower which reached above the trees into the unknown outer sky, but that was partly ruined and could not be ascended save by a well-nigh impossible climb up the sheer wall, stone by stone. i must have lived years in this place, but i cannot measure the time. beings must have cared for my needs, yet i cannot recall any person except myself, or anything alive but the noiseless rats and bats and spiders. i think that whoever nursed me must have been shockingly aged, since my first conception of a living person was that of somebody mockingly like myself, yet distorted, s

i cannot recall any person except myself, or anything alive but the noiseless rats and bats and spiders. i think that whoever nursed me must have been shockingly aged, since my first conception of a living person was that of somebody mockingly like myself, yet distorted, shrivelled, and decaying like the castle. to me there was nothing grotesque in the bones and skeletons that strewed some of the stone crypts deep down among the foundations. i fantastically associated these things with everyday events, and thought them more natural than the coloured pictures of living beings which i found in many of the mouldy books. from such books i learned all that i know. no teacher urged or guided me, and i do not recall hearing any human voice in all those years- not even my own; for although i had r

olitude my longing for light grew so frantic that i could rest no more, and i lifted entreating hands to the single black ruined tower that reached above the forest into the unknown outer sky. and at last i resolved to scale that tower, fall though i might; since it were better to glimpse the sky and perish, than to live without ever beholding day. in the dank twilight i climbed the worn and aged stone stairs till i reached the level where they ceased, and thereafter clung perilously to small footholds leading upward. ghastly and terrible was that dead, stairless cylinder of rock; black, ruined, and deserted, and sinister with startled bats whose wings made no noise. but more ghastly and terrible still was the slowness of my progress; for climb as i might, the darkness overhead grew no thi

ree hand for a window embrasure, that i might peer out and above, and try to judge the height i had once attained. all at once, after an infinity of awesome, sightless, crawling up that concave and desperate precipice, i felt my head touch a solid thing, and i knew i must have gained the roof, or at least some kind of floor. in the darkness i raised my free hand and tested the barrier, finding it stone and immovable. then came a deadly circuit of the tower, clinging to whatever holds the slimy wall could give; till finally my testing hand found the barrier yielding, and i turned upward again, pushing the slab or door with my head as i used both hands in my fearful ascent. there was no light revealed above, and as my hands went higher i knew that my climb was for the nonce ended; since the

ower, clinging to whatever holds the slimy wall could give; till finally my testing hand found the barrier yielding, and i turned upward again, pushing the slab or door with my head as i used both hands in my fearful ascent. there was no light revealed above, and as my hands went higher i knew that my climb was for the nonce ended; since the slab was the trapdoor of an aperture leading to a level stone surface of greater circumference than the lower tower, no doubt the floor of some lofty and capacious observation chamber. i crawled through carefully, and tried to prevent the heavy slab from falling back into place, but failed in the latter attempt. as i lay exhausted on the stone floor i heard the eerie echoes of its fall, hoped when necessary to pry it up again. believing i was now at pr

HP LOVECRAFT THE QUEST OF IRANON

cursed house of unutterable secrets and bringing the oblivion which alone saved my mind. 1998-1999 william johns last modified: 12/18/1999 18:44 sthe quest of iranon a short story by h.p.lovecraft into the granite city of teloth wandered the youth, vine-crowned, his yellow hair glistening with myrrh and his purple robe torn with briers of the mountain sidrak that lies across the antique bridge of stone. the men of teloth are dark and stern, and dwell in square houses, and with frowns they asked the stranger whence he had come and what were his name and fortune. so the youth answered "i am iranon, and come from aira, a far city that i recall only dimly but seek to find again. i am a singer of songs that i learned in the far city, and my calling is to make beauty with the things remembered o

ds of teloth have said that toil is good. our gods have promised us a haven of light beyond death, where shall be rest without end, and crystal coldness amidst which none shall vex his mind with thought or his eyes with beauty. go thou then to athok the cobbler or be gone out of the city by sunset. all here must serve, and song is folly" so iranon went out of the stable and walked over the narrow stone streets between the gloomy square house of granite, seeking something green, for all was of stone. on the faces of men were frowns, but by the stone embankment along the sluggish river zuro sat a young boy with sad eyes gazing into the waters to spy green budding branches washed down from the hills by the freshets. and the boy said to him "art thou not indeed he of whom the archons tell, who

peradventure it may be that oonai the city of lutes and dancing is even the fair aira thou seekest, for it is told that thou hast not known aira since the old days, and a name often changeth. let us go to oonai, o iranon of the golden head, where men shall know our longings and welcome us as brothers, nor even laugh or frown at what we say" and iranon answered "be it so, small one; if any in this stone place yearn for beauty he must seek the mountains and beyond, and i would not leave thee to pine by the sluggish zuro. but think not that delight and understanding dwell just across the karthian hills, or in any spot thou canst find in a day's, or a year's, or a lustrum's journey. behold, when i was small like thee i dwelt in the valley of narthos by the frigid xari, where none would listen

many years must have slipped away. small romnod was now not so small, and spoke deeply instead of shrilly, though iranon was always the same, and decked his golden hair with vines and fragrant resins found in the woods. so it came to pass that romnod seemed older than iranon, though he had been very small when iranon had found him watching for green budding branches in teloth beside the sluggish stone-banked zuro. then one night when the moon was full the travellers came to a mountain crest and looked down upon the myriad light of oonai. peasants had told them they were near, and iranon knew that this was not his native city of aira. the lights of oonai were not like those of aira; for they were harsh and glaring, while the lights of aira shine as softly and magically as shone the moonlig

HP LOVECRAFT THE SHADOW OVER INNSMOUTH

line of the abandoned railway, with leaning telegraph-poles now devoid of wires, and the half-obscured lines of the old carriage roads to rowley and ipswich. the decay was worst close to the waterfront, though in its very midst i could spy the white belfry of a fairly well preserved brick structure which looked like a small factory. the harbour, long clogged with sand, was enclosed by an ancient stone breakwater; on which i could begin to discern the minute forms of a few seated fishermen, and at whose end were what looked like the foundations of a bygone light. house. a sandy tongue had formed inside this barrier and upon it i saw a few decrepit cabins, moored dories, and scattered lobster-pots. the only deep water seemed to be where the river poured out past the belfried structure and t

e pediment was so faded that i could only with difficulty make out the words "esoteric order of dagon. this, then was the former masonic hall now given over to a degraded cult. as i strained to decipher this inscription my notice was distracted by the raucous tones of a cracked bell across the street, and i quickly turned to look out the window on my side of the coach. the sound came from a squat stone church of manifestly later date than most of the houses, built in a clumsy gothic fashion and having a disproportionately high basement with shuttered windos. thongh the hands of its clock were missing on the side i glimpsed, i knew that those hoarse strokes were tolling the hour of eleven. then suddenly all thoughts of time were blotted out by an onrushing image of sharp intensity and unacc

city of stark desolation. the sight of such endless avenues of fishy-eyed vacancy and death, and the thought of such linked infinities of black, brooding compartments given over to cob-webs and memories and the conqueror worm, start up vestigial fears and aversions that not even the stoutest philosophy can disperse. fish street was as deserted as main, though it differed in having many brick and stone warehouses still in excellent shape. water street was almost its duplicate, save that there were great seaward gaps where wharves had been. not a living thing did i see except for the scattered fishermen on the distant break-water, and not a sound did i hear save the lapping of the harbour tides and the roar of the falls in the manuxet. the town was getting more and more on my nerves, and i

n' to christian meetin' an' bearin' their burdns meek an' lowly. says they'd orter git better gods like some o' the folks in the injies- gods as ud bring 'em good fishin' in return for their sacrifices, an' ud reely answer folks's prayers 'matt eliot his fust mate, talked a lot too, only he was again' folks's doin' any heathen things. told abaout an island east of othaheite whar they was a lot o' stone ruins older'n anybody knew anying abaout, kind o' like them on ponape, in the carolines, but with carven's of faces that looked like the big statues on easter island. thar was a little volcanic island near thar, too, whar they was other ruins with diff'rent carvin- ruins all wore away like they'd ben under the sea onct, an' with picters of awful monsters all over 'em "wal, sir, matt he says

' favour in return. they met the things on the little islet with the queer ruins, an' it seems them awful picters o' frog-fish monsters was supposed to be picters o' these things. mebbe they was the kind o' critters as got all the mermaid stories an' sech started. they had all kinds a' cities on the sea-bottom, an' this island was heaved up from thar. seem they was some of the things alive in the stone buildin's when the island come up sudden to the surface, that's how the kanakys got wind they was daown thar. made sign-talk as son as they got over bein' skeert, an' pieced up a bargain afore long "them things liked human sacrifices. had had 'em ages afore, but lost track o' the upper world after a time. what they done to the victims i ain't fer me to say, an' i guess obed was'n't none too

HP LOVECRAFT THE STATEMENT OF RANDOLPH CARTER

ne only, and the hour must have been long after midnight; for a waning crescent moon was high in the vaporous heavens. the place was an ancient cemetery; so ancient that i trembled at the manifold signs of immemorial years. it was in a deep, damp hollow, overgrown with rank grass, moss, and curious creeping weeds, and filled with a vague stench which my idle fancy associated absurdly with rotting stone. on every hand were the signs of neglect and decrepitude, and i seemed haunted by the notion that warren and i were the first living creatures to invade a lethal silence of centuries. over the valley's rim a wan, waning crescent moon peered through the noisome vapors that seemed to emanate from unheard of catacombs, and by its feeble, wavering beams i could distinguish a repellent array of a

nite slabs, we stepped back some distance to survey the charnel scene; and warren appeared to make some mental calculations. then he returned to the sepulcher, and using his spade as a lever, sought to pry up the slab lying nearest to a stony ruin which may have been a monument in its day. he did not succeed, and motioned to me to come to his assistance. finally our combined strength loosened the stone, which we raised and tipped to one side. the removal of the slab revealed a black aperture, from which rushed an effluence of miasmal gases so nauseous that we started back in horror. after an interval, however, we approached the pit again, and found the exhalations less unbearable. our lanterns disclosed the top of a flight of stone steps, dripping with some detestable ichor of the inner ea

d i took one of the latter and seated myself upon an aged, discolored gravestone close by the newly uncovered aperture. then he shook my hand, shouldered the coil of wire, and disappeared within that indescribable ossuary. for a minute i kept sight of the glow of his lantern, and heard the rustle of the wire as he laid it down after him; but the glow soon disappeared abruptly, as if a turn in the stone staircase had been encountered, and the sound died away almost as quickly. i was alone, yet bound to the unknown depths by those magic strands whose insulated surface lay green beneath the struggling beams of that waning crescent moon. i constantly consulted my watch by the light of my electric lantern, and listened with feverish anxiety at the receiver of the telephone; but for more than a

HP LOVECRAFT THE STREET

ians troubled the street. the men, busy with labour, waxed prosperous and as happy as they knew how to be. and the children grew up comfortable, and more families came from the mother land to dwell on the street. and the children s children, and the newcomers children, grew up. the town was now a city, and one by one the cabins gave place to houses simple, beautiful houses of brick and wood, with stone steps and iron railings and fanlights over the doors. no flimsy creations were these houses, for they were made to serve many a generation. within there were carven mantels and graceful stairs, and sensible, pleasing furniture, china, and silver, brought from the mother land. so the street drank in the dreams of a young people and rejoiced as its dwellers became more graceful and happy. wher

HP LOVECRAFT THE TERRIBLE OLD MAN

covered motor-car by the terrible old man s back gate in ship street. he was more than ordinarily tender-hearted, and he did not like the hideous screams he had heard in the ancient house just after the hour appointed for the deed. had he not told his colleagues to be as gentle as possible with the pathetic old sea-captain? very nervously he watched that narrow oaken gate in the high and ivy-clad stone wall. frequently he consulted his watch, and wondered at the delay. had the old man died before revealing where his treasure was hidden, and had a thorough search become necessary? mr. czanek did not like to wait so long in the dark in such a place. then he sensed a soft tread or tapping on the walk inside the gate, heard a gentle fumbling at the rusty latch, and saw the narrow, heavy door s

HP LOVECRAFT THE THING IN THE MOONLIGHT

came over him, and taking pen in hand he wrote the following: my name is howard phillips. i live at 66 college street, in providence, rhode island. on november 24, 1927--for i know not even what the year may be now, i fell asleep and dreamed, since when i have been unable to awaken. my dream began in a dank, reed-choked marsh that lay under a gray autumn sky, with a rugged cliff of lichen-crusted stone rising to the north. impelled by some obscure quest, i ascended a rift or cleft in this beetling precipice, noting as i did so the black mouths of many fearsome burrows extending from both walls into the depths of the stony plateau. at several points the passage was roofed over by the choking of the upper parts of the narrow fissure; these places being exceeding dark, and forbidding the perc

HP LOVECRAFT THE TOMB

the deserted tomb of the hydes, an old and exalted family whose last direct descendant had been laid within its black recesses many decades before my birth. the vault to which i refer is of ancient granite, weathered and discolored by the mists and dampness of generations. excavated back into the hillside, the structure is visible only at the entrance. the door, a ponderous and forbidding slab of stone, hangs upon rusted iron hinges, and is fastened ajar in a queerly sinister way by means of heavy iron chains and padlocks, according to a gruesome fashion of half a century ago. the abode of the race whose scions are here inurned had once crowned the declivity which holds the tomb, but had long since fallen victim to the flames which sprang up from a stroke of lightning. of the midnight stor

rance of the vault, i had no knowledge of what i had discovered. the dark blocks of granite, the door so curiously ajar, and the funeral carvings above the arch, aroused in me no associations of mournful or terrible character. of graves and tombs i knew and imagined much, but had on account of my peculiar temperament been kept from all personal contact with churchyards and cemeteries. the strange stone house on the woodland slope was to me only a source of interest and speculation; and its cold, damp interior, into which i vainly peered through the aperture so tantalizingly left, contained for me no hint of death or decay. but in that instant of curiosity was born the madly unreasoning desire which has brought me to this hell of confinement. spurred on by a voice which must have come from

in that instant of curiosity was born the madly unreasoning desire which has brought me to this hell of confinement. spurred on by a voice which must have come from the hideous soul of the forest, i resolved to enter the beckoning gloom in spite of the ponderous chains which barred my passage. in the waning light of day i alternately rattled the rusty impediments with a view to throwing wide the stone door, and essayed to squeeze my slight form through the space already provided; but neither plan met with success. at first curious, i was now frantic; and when in the thickening twilight i returned to my home, i had sworn to the hundred gods of the grove that at any cost i would some day force an entrance to the black, chilly depths that seemed calling out to me. the physician with the iron

one of my information or my resolve. it is perhaps worth mentioning that i was not at all surprised or terrified on learning of the nature of the vault. my rather original ideas regarding life and death had caused me to associate the cold clay with the breathing body in a vague fashion; and i felt that the great and sinister family of the burned-down mansion was in some way represented within the stone space i sought to explore. mumbled tales of the weird rites and godless revels of bygone years in the ancient hall gave to me a new and potent interest in the tomb, before whose door i would sit for hours at a time each day. once i thrust a candie within the nearly closed entrance, but could see nothing save a flight of damp stone steps leading downward. the odor of the place repelled yet be

rd. the odor of the place repelled yet bewitched me. i felt i had known it before, in a past remote beyond all recollection; beyond even my tenancy of the body i now possess. the year after i first beheld the tomb, i stumbled upon a worm-eaten translation of plutarch's lives in the book-filled attic of my home. reading the life of theseus, i was much impressed by that passage telling of the great stone beneath which the boyish hero was to find his tokens of destiny whenever he should become old enough to lift its enormous weight. the legend had the effect of dispelling my keenest impatience to enter the vault, for it made me feel that the time was not yet ripe. later, i told myself, i should grow to a strength and ingenuity which might enable me to unfasten the heavily chained door with ea

HP LOVECRAFT THE WHITE SHIP

reamed of before. into the sky the spires of its temples reached, so that no man might behold their peaks; and far back beyond the horizon stretched the grim, gray walls, over which one might spy only a few roofs, weird and ominous, yet adorned with rich friezes and alluring sculptures. i yearned mightily to enter this fascinating yet repellent city, and besought the bearded man to land me at the stone pier by the huge carven gate akariel; but he gently denied my wish, saying, into thalarion, the city of a thousand wonders, many have passed but none returned. therein walk only daemons and mad things that are no longer men, and the streets are white with the unburied bones of those who have looked upon the eidolon lathi, that reigns over the city. so the white ship sailed on past the walls

r than men, and they have conquered" and i closed my eyes before the crash that i knew would come, shutting out the sight of the celestial bird which flapped its mocking blue wings over the brink of the torrent. out of that crash came darkness, and i heard the shrieking of men and of things which were not men. from the east tempestuous winds arose, and chilled me as i crouched on the slab of damp stone which had risen beneath my feet. then as i heard another crash i opened my eyes and beheld myself upon the platform of that lighthouse whence i had sailed so many aeons ago. in the darkness below there loomed the vast blurred outlines of a vessel breaking up on the cruel rocks, and as i glanced out over the waste i saw that the light had failed for the first time since my grandfather had ass

HP LOVECRAFT THROUGH THE GATES OF THE SILVER KEY

ninth and last turning. in a spot as close to a dark polarity and induced gate as this, it could not fail in its primary functions certainly, he would rest that night in the lost boyhood for which he had never ceased to mourn. he got out of the car with the key in his pocket, walking up-hill deeper and deeper into the shadowy core of that brooding, haunted countryside of winding road, vine-grown stone wall, black woodland, gnarled, neglected orchard, gapingwindowed, deserted farm-house, and nameless nun. at the sunset hour, when the distant spires of kingsport gleamed in the ruddy blaze, he took out the key and made the needed turnings and intonations. only later did he realize how soon the ritual had taken effect. then in the deepening twilight he had heard a voice out of the past: old b

sleep lovely and unbroken under the moon. now, intoxicated with wider visions, he scarcely knew what he sought thoughts of infinite and blasphemous daring rose in his mind, and he knew he would face the dreaded guide without fear, asking monstrous and terrible things of him. all at once the pageant of impressions seemed to achieve a vague kind of stabilization. there were great masses of towering stone, carven into alien and incomprehensible designs and disposed according to the laws of: some unknown, inverse geometry. light filtered from a sky of no assignable colour in baffling, contradictory directions, and played almost sentiently over what seemed to be a curved line of gigantic hieroglyphed pedestals more hexagonal than otherwise, and surmounted by cloaked, ill-defined shapes. there w

bined, projected will of a circle of adepts can make a thought take tangible substance, and in hoary atlaanat, of which few even dare speak. just what the ultimate gate was, and how it was to be passed, carter could not be certain; but a feeling of tense expectancy surged over him. he was conscious of having a kind of body, and of holding the fateful silver key in his hand. the masses of towering stone opposite him seemed to possess the evenness of a wall, toward the centre of which his eyes were irresistibly drawn. and then suddenly he felt the mental currents of the most ancient one cease to flow forth, for the first time carter realized how terrific utter silence, mental and physical, may be. the earlier moments had never failed to contain some perceptible rhythm, if only the faint, cry

carter "well, toward the last carter hovered about in the earth's upper air waiting till daylight came over the western hemisphere. he wanted to land where he had left- near the snake den in the hills behind arkham. if any of you have been away from home long- and i know one of you has- i leave it to you how the sight of new england's rolling hills and great elms and gnarled orchards and ancient stone walls must have affected him "he came down at dawn in the lower meadow of the old carter place, and was thankful for the silence and solitude. it was autumn, as when he had left, and the smell of the hills was balm to his soul. he managed to drag the metal envelope up the slope of the timber lot into the snake den, though it would not go through the weed-choked fissure to the inner cave. it

HP LOVECRAFT WHAT THE MOON BRINGS

d, carven bridge, and staring back with the sinister resignation of calm, dead faces. and as i ran along the shore, crushing sleeping flowers with heedless feet and maddened ever by the fear of unknown things and the lure of the dead faces, i saw that the garden had no end under that moon; for where by day the walls were, there stretched now only new vistas of trees and paths, flowers and shrubs, stone idols and pagodas, and bendings of the yellow-litten stream past grassy banks and under grotesque bridges of marble. and the lips of the dead lotos-faces whispered sadly, and bade me follow, nor did i cease my steps till the stream became a river, and joined amidst marshes of swaying reeds and beaches of gleaming sand the shore of a vast and nameless sea. upon that sea the hateful moon shone

HUEBNER LOUISE WITCHCRAFT FOR ALL WICCA 04

an. and maybe that's what it is, a human trait. when jack lemmon is about to shoot a take on the film stage, he shuts his eyes and repeats "magic time, magic time, magic time" why does he do that? i'm sure he'd be just as effective without it, but he believes this gives him a boost. bette davis had a little gold beetle that she carried with her for luck. carole lombard had a little, smooth, white stone that clark gable had given her, and she carried it with her everywhere. and gloria swanson had her rose. liberace would be just as much fun without his candelabra. you can say that that's his trademark, but why does he need his trademark? it's as if to say "this is me; without the candelabra i'm not me" and nobody thinks twice about this. the practice of this level of witchcraft is very comm

tchcraft, known for her sympathetic intervention into affairs of the heart. she has never turned her face from anyone who has called her name. for beginning sorcerers no attempt should be made to cast a spell, perform a ritual, work a charm, enchant or fascinate without the protection of the ring described, called a full moon ring. the birthstone is said to offer the most protection. however, the stone that you associate with your moonsign is also highly effective. the chant variation is "in the name of isis, goddess of the moon, i offer my energies as a gift of the cosmos; my soul belongs to the wind. i am the cosmos; i am the wind" witchcraft can be a comforting modus operandi. in spell casting, the ritual is performed in a forceful attempt to alter a moment in time, by creating a vibrat

INDUCTION CHARM AND THE INITIATION

also to the land-spirits, the powers of natural places. this is a faery oath- in the most inclusive meaning of the word- an oath which places taboos upon you. you will not knowingly pollute or fill the natural world with anything that you know will despoil it, that will destroy the land or degrade it- you will not destroy or move nor help another to destroy or move standing stones, the remains of stone age tumuli, or other ancient monuments that are gateways into the land, into the unseen. you will not defile or destroy or deface burial mounds; you will not despoil graves except to take a little earth for needful things. if you take from the land, or from any sacred place, you will take only tiny amounts and leave behind something of yourselfblood, hair, nails, offerings of ale or beer, or

INITIATION INTO HERMETICS

ere are the passive elements, the water element in green and the element of the earth in yellow color. the middle along the magician up to the globe is dark purple, representing the sign of the akasa principle above the magician s head, with an invisible ribbon for a crown, there is a gold-edged silvery white lotus flower as a sign of the divinity. in the inside there is the ruby red philosophers stone symbolizing the quintessence of the whole hermetic science. on the right side in the background there is the sun, yellow like gold and on the left side we see the moon, silvery-white, expressing plus and minus in the macro- and microcosm, the electrical and magnetical fluids. above the lotus flower, creation has been symbolized by a ball, in the interior of which are represented the procreat

ertebra& anus: fore and back part neutral, right and left side as well, the inside magnetical. with the help of this occult anatomy and the key of the tetrapolar magnet, the adept may compile further analogies if wanted. the alchemist will recognize that the human body represents a genuine athanor in which the most perfect alchemistic process, the great work or the preparation of the philosophers stone is visibly performed. herewith the chapter dealing with the body is finished. i do not assert that all has been regarded, but in any case, with respect to the elements, i mean to say, the four-pole magnet, i have treated the most important problems and revealed the secret of the tetragrammaton in view of the body. 10. the roughly material plane or the material world in this chapter i will no

this room which have nothing to do with health, following another thought vibration, you will not book the same good results as in an unloaded room or in a room that you have charged with a desire responsive to your idea. therefore it is always advisable to load the room with the thought vibrations corresponding to your respective work and experiments. so for instance, you might charge a ring, a stone or any other object with the wish that the person wearing it should be favored by fortune and success. now there are two possibilities of fixing and timing. the first method consists in fixing the vital virtue on the stone or the metal with your imagination and your concentrated wish, timing it so that the force shall remain forever in it, drawing even further from the universe to bring fort

ccess to the person concerned as soon as she will wear the object. you may, of course, load the object you choose for a short time only if you like, so that the influence is broken off as soon as the purpose aimed at is attained. the second possibility is called universal loading, which is operated in the same way, including, however, the concentrated wish that as long a time as the object (ring, stone, jewelry) exists, the bearer of it should be benefited by fortune, success, etc. such universal loadings performed by an adept will keep their virtues and their effects for centuries. as we have learned from the history of the egyptian mummies, such fixed forces continue acting for thousands of years. if a talisman or an object destined and individually loaded for a definite person falls int

if he started to create elementaries by physical projection for other human beings as well. the way to manage it will be quite understandable to every magician without any doubt. it is necessary to talk about the places where elementaries should be deposited. in the orient, elementaries (there called yidams) are banished into a kylichor where they are preserved. a kylichor is a diagram built from stone and corresponding to the yidam to which no stranger will ever be admitted. the well-trained magician, however, needs no separate place for it, but he will hide the elementary in a spot in the wall, realizing that an elementary is not limited to time, nor does it claim a special space. hence it will be quite alright in the wall as well as it would have been accommodated in an open space. it i

INVOCATION OF THE ADVERSARY

hat i see what has been never known akharakek sabaiz i call forth the shadow of which i am and have always been, the darkness which i nourish in between the light eclipse now the face of god that i become in this darkened image- by this circle i do become by the flame i do emerge i am by form the peacock angel beauty revealed unto those who may see as the black sun rises, i become in this emerald stone i am the imagination, the seed of fallen angel in darkness exists my light my will gives birth to the kingdom of incubi and succubi, the nourish their desires in the blood of the moon, lilitu az drakul so it is done! commentary the ritual of the adversary is a dual rite which explores, encircles and announces command over the entire approximation of self. while the rite is called for as one

IRISH WITCHCRAFT AND DEMONOLOGY

ere betwixt the heads of the bystanders that interposed between her and the said mary, and lifting up both her hands together, as they were manacled, cast them in a violent angry motion (as was observed by w. aston) towards the said mary, as if she intended to strike at her if she could have reached her, and said, now she is down. upon which the maid fell suddenly down to the ground like a p. 113 stone, and fell into a most violent fit, that all the people that could come to lay hands on her could scarce hold her, she biting her own arms and shreeking out in a most hideous manner, to the amazement of all the beholders. and continuing so for about a quarter of an hour (the said florence newton sitting by herself all that while pinching her own hands and arms, as was sworn by some that obser

he shape and likeness of a bair [bear. he charges it to appear in human shape, which it did. then he asked, for what cause it troubled him? it bid him come to such a place and it should tell him, which he ingaged to do, yet ere be did it, acquainted his master with it; his master forbids him to keep sic a tryst; he obeyed his master, and went not. that night he should have p. 157 kept, there is a stone cast at him from the roof of the house, and only touches him, but does not hurt him; whereupon he conceives that had been done to him by the devill, because he kept not tryst; wherefore he resolutely goes forth that night to the place appointed, being a rash bold fellow, and the divill appears in human shape, with his heid running down with blood. he asks him again, why he troubles him? the

some things that i ask'd her, she told me, she could give me a full answer, but her spirits would not give her leave: nor could she consent, she said, without this leave that i should pray for her [however against her will i pray'd with her, which if it were a fault it was in excess of pity. when i had done she thanked me with many good words, but i was no sooner out of her sight than she took a stone, a long and slender stone, and with her finger and spittle fell to tormenting it; though whom or what she meant i had the mercy never to understand] at her execution she said the afflicted children should not be relieved by her death, for others besides she had a hand in their affliction" p. 187 mrs. glover was hanged, but in accordance with her dying words the young goodwins experienced no

she liked, but that it could not save her; whereupon he produced a sword, and threatened to kill everybody in the house. this frightened her so much that she ran into the parlour and fastened the door, but the apparition laughed at her, and declared that he could come in by the smallest hole in the house like a cat or mouse, as the devil could make him anything he pleased. he then took up a large stone, and hurled it through the parlour window, which, upon trial, could not be put out at the same place. a little after the servant and child looked out, and saw the apparition catching the turkey-cock, which he threw over his shoulder, holding him by the tail; and the bird making a great sputter with his feet, the stolen book was spurred out of the loop in the blanket where the boy had put it

ISIS UNVEILED

of god; and a physical element equally proved in the fetish-worship of the holy livju of sts. cosmo and damiano at laemia, near naj; a successful traffic in which er-votos in wax was carried on by the clergy annually, until bardy a century ago* we &id it rather unwise on the part of catholic writers to pour out their viob wrath in such sentences as these "in a multitude of pagodas, the phallic stone, ever and always assuming, like the grecian' betylot, the brutally indecent form of the lingam. the mahd-dma^ before casting slurs on a symbol whose profound metaphysical meaning is too much for the modem champions of that religion of sensualism par exedlsnee, roman catholicism, to grasp, they are in duty bound to destroy their oldest churches, and change the form of the cupolas ot their own

temples are the reproductions of the primitive idea of the liaot, the upright phallus "the westem tower of st. paul's cathedral, london" saya the author of the roncnidana "is one of the double liihoi placed always in front of every temple. christian as well as heathen' moreover, in all christian churches "particularly in prot- estant churches, where they figure most conspicuou, the two tables of stone of the mosaic dispensation ore placed over the altar, side by side, as a united stone, the tops of which are rounded. the right stone is mascuiine, the left jeminine" therefore neither catholics nor protes- tants have a right to talk of the 'indecent forms' of heathen monuments, so long as they ornament their own churches with the symbols of the tjng ftm and yoni, and even write the htws of

he logos christ and was made as old as the 'ancient of the ancient' his father. the concealed wisdom became identical with its emanation, the divine thouqht, and had to be regarded as co-equal and co- etemal with its first manifestation. if we now stop to consider another of the fundamental dogmas of christianity, the doctrine of atonement, we may trace it as easily back to heathendom. this comer-stone of a church which had believed her- self built on a firm rock for long centuries, is now excavated by science, and proved to have come from the gnostics. professor draper shows it as hardly known in the days of tertuuian, and as having "originated among the gnostic heretics" we will not permit ourselves to contra- 71. cf. a. kirdicr: sp/tinx mgitagoga, n. 52: amstelodami, 1676. 72. cmffiia b

" as to peter, biblical critidsm has shown before now that he had probably no more to do with the foundation of the latin church at rome, than to furnish the pretext so readily seized upon by the cunning benaeus to benefit this church with the new name of ^e apostle pefra or ki^ffa, a name which allowed itself so readily, by an easy play upon words, to be connected with petroma, the double set of stone. 182. in iu numt ectenaite meaniag, tbe sanskrit wisd has tbe mme litenl wnse u the gte^ term; both imply 'reveutioii \tj no bumui agcnl, irat through th 'receiviiig of the axred drink' in india the initiated receited the 'soma' aacrad drink, whi^ helped to libcfate hi* aoul /rom the bo; and in the eleiuinian mnteries it waa the moed drink mysteries are who

al meaning there was not a far deeper and spiritual significance. it is positively absurd to judge the ancients from our own standpoint of propriety and virtue. and most assuredly it is not for the church which now stands accused by all the modem symbologists of having adopted precisely these same emblems in their coarsest aspect, and feels herself poweriess to refute the accusations to throw the stone at those who were her models. when men like pythagoras, plato and lamblichus, renowned for their severe morality, took part in the mysteries, and spoke fii them with veneration, it ill behooves our modem critics to judge them so rashly upon their merely external aspect. lamblichus explains the worst; and his explanation, for an unprejudiced mind, ought to be digitizecoy google ennobling in t

ISRAEL REGARDIE A PRACTICAL GUIDE TO GEOMANTIC DIVINATION

the remark made by garibaldi, and say that "a priest knows himself to h an impostor, unless he be a fool, or htue been tavght to lie from boyhood" digitizecoy google digilizocb, google digilizocb, google !cb, google digilizocb, google digilizocb, google digilizocb, google digilizocb, google i digilizocb, gooesby the same author the golden dawn the tree of life the middle pillar the philosopher's stone the eye in the triangle a garden of pomegranates in this series how to make and use talismans a practical guide to geomantic divination by israel regardie the aquarian press 37/38 margaret street, london, w.e first published june 1972 israel regardie 1972 contents introduction 1. the gcomantic symbols 2. method 3. the judge and two witnesses 4. the question 5. the i louse 6. the presiding ge

JENNINGS HARGRAVE ROSICRUCIANS RITES MYSTERIES

quent magpies. it was some little time after the sun had sunk, and the countryman was just about giving over his labour for the day. dr. plot say that, in one or two of the last languid strokes of his pick, the rustic came upon something stony and hard, which struck a spark, clearly visible in the increasing gloom. at this surprise he resumed his labour, and, curiously enough, found a large, flat stone in the centre of his field. this field was far away from any of the farms or cotes, as they were called inthose days, with which the now almost twilight country was sparingly dotted. in a short time he cleared the stone free of the grass and weeds which had grown over it; and it proved to be a large, oblong slab, with an immense iron ring fixed at one end in d 6 the rosicrucians. a socket. f

r away from any of the farms or cotes, as they were called inthose days, with which the now almost twilight country was sparingly dotted. in a short time he cleared the stone free of the grass and weeds which had grown over it; and it proved to be a large, oblong slab, with an immense iron ring fixed at one end in d 6 the rosicrucians. a socket. for half an hour the countryman essays to stir this stone in vain. at last he bethought himself of some yards of rope which he had lying near amongst his tools; and these he converted, being an ingenious, inquisitive, inventive man, into a tackle by means of which, and by passing the sling round a bent tree in line with the axis of the stone, he contrived, in the last of the light, and with much expenditure of toil, to raise it. and then, greatly t

ve, inventive man, into a tackle by means of which, and by passing the sling round a bent tree in line with the axis of the stone, he contrived, in the last of the light, and with much expenditure of toil, to raise it. and then, greatly to his surprise, he saw a large, deep, hollow place, buried in darkness, which, when his eyes grew accustomed a little to it, he discovered was the top-story to a stone staircase, seemingly of extraordinary depth, for he saw nothing below. the country fellow had not the slightest idea of where this could lead to; but being a man, though a rustic and a clown, of courage, and most probably urged by his idea that the staircase led to some secret repository where treasure lay buried, he descended the first few steps cautiously, and tried to peer in vain down in

king in upon their secrets, which is forbidden for man. the rustic, though courageous, was superstitious. but, notwithstanding some fits of fear, the countryman went on, and at a much lower angle he met a wall in his face; but, making a turn to the right, with singular credit to his nerves, the explorer went down again. and now he saw at a vast distance below, at the foot of a deeper staircase of stone, a steady though a pale light. this was shining up as if from a star, or coming from the centre of the earth. cheered by this light, though absolutely astounded nay, frightened at thus discovering light, whether natural or artificial, in the deep bowels of the earth, the man again descended, meeting a thin, humid trail of light, as it looked, mounting up the centre line of the shining though

with his feet descended the remainder of the stairs; and the light grrew brighter and brighter as he approached, until at last, at another turn, he came upon a square chamber, built up of large hewn ancient stones. he stopped, silent and awe-struck. here was a flagged pavement and a somewhat lofty roof, gathering up into a centre; in the groins of which was a rose, carved exquisitely in some dark stone or marble. but what was this poor man s fright when, making another sudden turn, from between the jambs, and from under the large archivolt of a gothic stone portal, light streamed out over him with inexpressible brilliancy, shining over everything, and lighting up the place with brilliant radiance, like an intense golden sunset! he started back. then his limbs shook and bent under him as he

JESSUP MK THE CASE FOR THE UFO

f our own knowledge, and the possibility of "intelligence" elsewhere in the universe operating space ships- quite possibly more than one kind of "intelligence" and more than one kind of space ship. this world is full of unexplained oddities. the legends of atlantis and mu have been favorite targets of the scoffers "they" say there are no ghosts, no spirits, nothing falls from the sky but iron and stone meteorites. but for centuries the earth was believed to be flat, there was no america, no heliocentric system of earth and planets, no fossil dinosaurs; yet we know these beliefs to have been wrong. reliable people have been seeing the phenomena known as flying saucers for a thousand years and more. there are good reports as far back as 1500 bc and before. thousands of people have seen some

nd major category stands out in the bibliography of oddities. it is the great area of events which encompasses disappearing people, and ships; airplanes and airships crashing and disappearing without trace and without warning; instantaneous and mysterious transportations of people and things; inexplicable tracks and marks, such as the devil's footprints of devonshire, and the "cup-marks" found in stone over much of the world; the organically shaped meteorites found in tertiary rock and coal formations; evidences of levitation and flight from prehistoric antiquity; and many other phenomena which appear to us to be, or resemble, acts rather than things. 26 all of these are terrestrial events--manifestations more or less on the terrestrial surface. but there is a third great area of observati

ntil they washed away villages, but neglecting the brooks a half mile away, wouldn't you look for a category outside routine meteorological storms? these problems all had to be faced. something had to be done about them- and they all arose from objects falling from the sky. also, they had to be distinguished from meteorological storms- for some of the clouds which we studied just appeared, spat a stone or two and passed on. they were not thunderstorms, what were the? 28 those were the problems which we faced in a welter of data on things coming from the sky, but they were, on the whole, less puzzling than events which directly involve people, or which were clearly current actions and not merely things which may have been operated in distant times and places. among those phenomena involving

attack by the human race against the deer; and there may be elements of similarity. it is almost an inseparable corollary to our thesis that we admit to an unfathomable antiquity for mankind, or at least intelligence, upon the earth, and its vicinity. this conclusion is made unavoidable by the antiquity of records of ufo's and wingless flight. it is apparent in the innumerable megalithic works of stone which involve masses too huge to be moved by means other than levitation and which have been standing for ages before any written record now available. the man is close, too close. as these pieces of the jigsaw puzzle make themselves known, and as we realize fully that this is an old, old problem, we can begin to take comfort. if ufo's have been here for 300,000 years and have not yet chosen

s discovered. that, to me, is a classic tale of howlingly good humor. the same inhibited thinking which has consistently aroused our protests is responsible for the maladjusted direction of our attack on the problems of space flight through rocket power. there must be, and almost certainly is, a better, shorter way of accomplishing it. the difference between the pre-incan methods of handling huge stone masses and those of our present-day engineers offers a kind of parallel. we should be looking for the simpler, more direct course- not wasting our resources on unworkable methods. in the magazine, look, august 24, 1954, there was an article entitled "how close are we to space flight" by j.gordon vaeth. he thinks we are not very close. if we accept his reasons we have to agree with him. he sa

K AMBER THE BASICS OF MAGICK

ing the goal: form vs. essence vi. working with the power a. confining it (casting the circle) b. raising it c. sending it (channeling it. for imediate effect or into storage d. earthing the excess (grounding it) vii. systems and techniques a. spellcraft b. words of power and affirmations, charms and incantations c. dance, postures and mudras d. meditation, trancework and hypnosis, fascination e. stone magick f. candle magick g. amulets and talismans; power objects or "psychic batteries" h. healing 1. psychic (visualization, laying on of hands) 2. herbal 3. energy channeling iwht auras and chakras 4. color therapy the basics of magick get any book for free on: www.abika.com 3 5. other systems listed above i. divination 1. scrying 2. astrology 3. tarot 4. runesticks 5. lithomancy (casting t

KETAB E SIYAH

vour are rewarded with the sublimest treasures, unequalled by all the deep vaults of earth that are filled with many stones, shining with the light of stars, and that run with rivers of molten gold, the bones and blood of mighty gog, the giant and father of giants who lead his children in gross rebellion against us, the most noble elohim, until he was defeated you, my brother, when you caused the stone of earth to yawn open, like a maw of blackest night, beneath the serpent-feet of the giant-father thus casting the beast into the heart of the earth and then, in mighty upheaval, crushed the skull of that titanic brute between the vast and ancient stones of the deeps of the inner earth. yet to those who would enjoin rebellion against him he grants them only the terrible fire 27 of his most f

ighting in their many beauties. this long winter had killed in me these dreams that once we held dear. but joy! when hope was all but lost and all spark of life within me extinguished by the bleak snows that have fallen for an eternity i saw the sun dawning, bringing new light and warmth to my frozen heart and to this land of ice, stirring forgotten birds to song. feeling his warm caress upon the stone-cold earth above, feeling the hard soil yield, mellowing in that golden light, long-buried bulbs burgeoned, opening into flowers to welcome the spring. it was satan who was this sun, bringing light into my winter, the herald of my spring and the spring of the world, for in satan alone, is there hope for spring, for rebirth, renewal. ah! how old we have become and how tired in those long wint

d these hidden ways, bats and pale and eyeless fish i made my bread and meat. i saw such things as to confound dreamers, caves, miles high, with stony columns so vast and wide as to shame mountains and huge and ancient wyrms, with jaws so great as to stretch across the sky and, with a snap, consume creation, yet slumbering, long and deep, since that time when archons were still young, become half-stone in their primal sleep. what they dreamt of, i know not nor would seek to know. i heard, too, such silence in that darkness and the thunderous music of titan cataracts, the lofty heights of which denied my sight. yet, not finding any prize i sought 56 in those lands without day, i departed the recesses of the earth and entered into twilit sheol, the land of shadows where mot holds court, wher

vour are rewarded with the sublimest treasures, unequalled by all the deep vaults of earth that are filled with many stones, shining with the light of stars, and that run with rivers of molten gold, the bones and blood of mighty gog, the giant and father of giants who lead his children in gross rebellion against us, the most noble elohim, until he was defeated you, my brother, when you caused the stone of earth to yawn open, like a maw of blackest night, 88 beneath the serpent-feet of the giant-father thus casting the beast into the heart of the earth and then, in mighty upheaval, crushed the skull of that titanic brute between the vast and ancient stones of the deeps of the inner earth. yet to those who would enjoin rebellion against him he grants them only the terrible fire of his most f

ighting in their many beauties. this long winter had killed in me these dreams that once we held dear. but joy! when hope was all but lost and all spark of life within me extinguished by the bleak snows that have fallen for an eternity i saw the sun dawning, bringing new light and warmth to my frozen heart and to this land of ice, stirring forgotten birds to song. feeling his warm caress upon the stone-cold earth above, feeling the hard soil yield, mellowing in that golden light, long-buried bulbs burgeoned, opening into flowers to welcome the spring. it was satan who was this sun, bringing light into my winter, the herald of my spring and the spring of the world, for in satan alone, is there hope for spring, for rebirth, renewal. 109 ah! how old we have become and how tired in those long

KNOWLEDGE LECTURE ONE

emites note that the traditional g.d. qabalistic cross does not include iao] introduction to the ritual there is a much employed ritual which utilizes the symbol of the pentagram as a general means to banish and invoke the elemental forces. this ritual is called the lesser ritual of the pentagram. however, it should not simply be regarded as a mere device to invoke or banish, for it is really the stone of the wise and incorporates within its structure a high magical formula of self-initiation. it is, to all intents and purposes, a ritual of self-initiation. this ritual is given to the neophyte of the order as a means for him/her to come into contact with the invisible forces of nature and to learn how to direct those elementary forces. the qabalistic cross and lesser ritual of the pentagra

LAITMAN M KABBALAH REVEALED

ee, the whose reality is reality? 103 light dims, and i become unable to redirect myself correctly without help from a guide. this is why it is so important to understand the three boundaries and follow them. a nonexistent reality now that we understand what we can study and what we can t, let s see what we are actually studying through our senses. the thing about kabbalists is that they leave no stone unturned. yehuda ashlag, who researched the whole of reality so he could tell us about it, wrote that we do not know what exists outside ourselves. for example, we have no idea what is outside our ears, what makes our eardrums respond. all we know is our own reaction to a stimulus from the outside. even the names we attach to phenomena are not connected to the phenomena themselves, but to ou

LAITMAN M KABBALAH ATTAINING THE WORLDS BEYOND

f all human beings. this desire stems from our need to understand what we are, to comprehend ourselves, our purpose in the world, and our origins. it is the quest for answers about ourselves that leads us to seek the source of life- 30- attaining the worlds beyond 2 spiritual path our need to perceive the divine makes us spare no effort in attempting to solve all of nature s mysteries, leaving no stone unturned either in ourselves or in our environment. but only the yearning to perceive the creator is a true yearning, since he is the source of everything and, above all, he is our creator. therefore, even if a human being existed alone in this world, or in other worlds, one s search for the self would inevitably lead to a search for the creator. there are two lines that reveal the creator s

le to achieve until we have exhausted all possibilities and realize that we are helpless. only a plea coming from the depths of our whole being, one that has become our only wish for we have understood that only a miracle from above can save us from our greatest enemy, our own egos will be answered by the creator. he will then replace the egoistic heart with a spiritual one, replacing "a heart of stone with a heart of flesh" until the creator rectifies our condition, the further we progress, the worse we begin to feel about ourselves. in truth, we were always this way, but to a certain extent, having grasped the attributes of the spiritual worlds, we have begun to feel how hostile are our personal wishes to entering those worlds. however, despite feeling tired and hopeless, we can still re

is becoming even more selfish, it means that i have made progress and thus deserve to have a little more of my true egoism revealed to me from heaven" in response, the creator will reveal himself to us, so that we will feel his greatness and will involuntarily become his slaves. at that point, we will no longer experience any temptations of the body. this process signifies the replacement of the "stone" heart, which is aware only of itself, with a "flesh" one that is aware of others. counteracting the desire for- 97- 11 inner motion and development in this world, we advance physically by using our organs of motion the legs. once we have moved forward, we then use our organs of acquisition the hands. in contrast, spiritual organs are opposite to ours: we can ascend the stairs only if we hav

great and noble and goodhearted, with all the attributes usually given in children s books. but because he was so goodhearted, he did not know who to share his goodness with. he did not have anyone to- 218- pour his affections on, to play with, to spend time with, to think about. the magician also needed to feel wanted, for it is very sad to be alone. what should he do? he thought he would make a stone, just a small one, but beautiful, and perhaps that would be the answer "i will stroke the stone and feel there is something constantly by my side, and we will both feel good because it is very sad to be alone" he waved his wand and in an instant there was a stone exactly as he wanted. he began to stroke the stone, to hug it and talk to it, but the stone did not respond. it remained cold and

rhaps that would be the answer "i will stroke the stone and feel there is something constantly by my side, and we will both feel good because it is very sad to be alone" he waved his wand and in an instant there was a stone exactly as he wanted. he began to stroke the stone, to hug it and talk to it, but the stone did not respond. it remained cold and did nothing in return. whatever he did to the stone, it remained the same unfeeling object. this did not suit the magician at all. how can the stone not respond? he tried creating some more stones, then rocks, hills, mountains, land, the earth, the moon and the galaxy. but they were all the same. nothing. he still felt sad and all alone. in his sadness, he thought that instead of stones, he would make a plant that would blossom beautifully. h

LAITMAN M THE KABBALAH EXPERIENCE

there are also incarnations, association and dissociation of souls. therefore, it would be unwise to draw general conclusions from the above (i recommend reading the introduction to the book of zohar in that context, from item 66 on. d e s i r e f o r p l e a s u r e v w i t h a s c r e e n q: can you say that man is farthest from the creator because his will to receive is greater than that of a stone, a tree, or a cat? a: by nature, the greater the desire for pleasure, the farther man is from the creator. the smaller the desire, the nearer man is to the creator. but if a person corrects himself, he begins with the absolute nullification of his desire to enjoy and uses it only in accordance with the measure of the screen, which he acquired. therefore, in a corrected state, the greater the

wisdom of kabbalah is a process of gradual spiritual evolution, the discovery of the creator through the screen. 239 c h a p t e r 6. s o u l, b o dy a n d r e i n c a r n at i o n h o l o g r a m- t h e r e s a l i k e n e s s q: i d like to hear your commentary on the following ideas. it s written: a soul is a part of the creator. it s just that the creator is whole and a soul is a part. like a stone separated from a mountain, where a mountain is whole and a stone is a part k following this comparison, i just wonder if an analogy with a hologram could make a relation between the creator and a soul easier. hologram is a photographic image of a 3d object, which not only registers the intensity of a radiating wave in a certain point, but also its phase. an interesting feature of a hologram

t only registers a 3d image on a 2d material, but if you split it into many pieces, even the tiniest piece will contain the entire image with all its characteristics (though diminished respectively. if this analogy is correct, could it be useful in enabling technically minded people to understand? a "a soul is a part of the creator. it s just that the creator is whole and a soul is a part. like a stone separated from a rock, where a rock is whole and a stone is a part k this means that a desire splits the entire light into parts, since it consists of parts. it is like children making sand cookies with their tiny molds. the sand in our example is the light; the molds are egotistical desires, which by their egoism split the light into fractions inside the molds. a hologram may sometimes serv

ese studies are built entirely on the destruction of the ego. but egoism (our desire for pleasure) must not be destroyed because it is our very nature. tibetan studies lower a person to a vegetative, or even a still level. from this we can understand how destructive such studies are to one s egoism. those who study these methods feel comfortable because the most comfortable situation is that of a stone, which is still. after all, what else could man want but to rest? but this way, man will never attain the purpose of creation. if we are to live like a plant or a rock, we might as well not be born at all. kabbalah maintains that we should take all our egoism, all our nature, and begin to deal with it correctly. then we will reach the highest situation, not the lowest. therefore, when we asc

339 disturbances. 340 group work..343 c h a p t e r 10. t h e m e s s i a h a n d t h e e n d o f da y s. 3 4 6 the light of the messiah. 346 kabbalah and the messiah. 347 the messiah in the zohar and in the talmud. 349 what is the sensation of time. 351 prophecies that did not come true. 352 war and redemption. 353 spirituality and the temple. 353 the third temple v first in our hearts, then in stone. 354 the era of the secrets of the torah. 354 c h a p t e r 11. c o n c e p t s i n k a b b a l a h. 3 5 6 who is god. 356 fundamental concepts: a framework..356 what is light. 357 what is spiritual. 358 what is gimatria. 359 what is repentance. 360 t h e k a b b a l a h e x p e r i e n c e 440 what is life and death. 361 what are delight and pleasure. 362 what is the feeling of completeness

LAITMAN M THE PATH OF KABBALAH

wed wrote about their feelings and attainments in additional books, the mishnah, the talmud and so on. every kabbalist describes our world and how to enter the spiritual world. we call these books, holy books, or torah, from the hebrew word ohr (light) and hora a (instruction, meaning instructions for entering the spiritual world. these books didn t arrive out of the blue. they were not carved in stone by an upper power and were not written by the creator on papyrus. there was always a kabbalist who sat down and put spiritual research on paper. that research is done from below (our world) upward. the fact is, the ascent from below upward is personal and differs from one person to another. there are certainly common methods, gent h e pa t h o f k a b b a l a h 36 eral rules, degrees and pha

of atzilut, there is the restriction. thus, from the highest state the world of ein sof down to the lowest, where we are, there are five worlds adam kadmon, atzilut, beria, yetzira, assiya, each consisting of five partzufim and each partzuf of five sefirot. in total, the number of degrees that stand between our (necessary) future state and our present state is 125. these degrees are not carved in stone, but are inside us. they are degrees of internal spiritual development. when we change something inside us, we ascend by one degree. when we change another, we climb another degree and so on. all the degrees are levels of equivalence with the creator. the world of ein sof is in complete equivalence of form with the creator, while our world is in complete oppositeness. the degrees between our

e study the torah as history, and some look for secrets in the letters, like treasure hunters. but within the wisdom of kabbalah are people who are closer to the center, to the desire to cleave to the creator, and there are others who are farther from that goal. the latter kind studies kabbalah like a science and seeks knowledge within its pages. it is like the circular ripples that form around a stone thrown in the water. anyone who hears about the wisdom of kabbalah will find a unique approach to it, in a position that matches the desire of one s soul for correction. those who have not come to kabbalah yet, have not come to it because their time hasn t come. q: is it okay for adolescents to take kabbalah classes? a: yes. i recommend the articles from the book, matan torah (the revelation

he name of the creator: still, vegetative, animate, and speaking. a person who keeps mitzvot physically is turned from an ordinary still into a holy still. we mustn t underestimate the level of this spiritual degree. it is that which keeps the jews a nation. a person in that degree is in the first degree of correction, though unaware of it. this person does not feel the spiritual world, just as a stone cannot feel spirituality. rabbi zidichev wrote in his book about the verse in psalms 34, 15: depart from evil, and do good. this means that without understanding the wisdom of kabbalah, man is like an animal, pa r t f i v e: r e l i g i o n, p r e j u d i c e a n d k a b b a l a h 309 keeping the mitzvot automatically, just like an animal eats its food. even if he is proficient in every deta

so the various parts of malchut of ein sof differ in their measure of desire (and in that alone, thus creating the various degrees of nature: still, vegetative, animate, and speaking. everyone is interested in the difference between men and women in terms of the correction they must pa r t s e v e n: t h e i n n e r m e a n i n g 339 perform, but no one wants to know what is the correction that a stone must perform. even the stone was created in our world, and it, too, must reach the goal of creation. the correction of all of nature depends on the correction of mankind. it is the work of man that enlivens nature toward the end of correction. animals and plants were not given the torah because they have no free choice and their egoism is not under their control, hence, it is not for them to

LEADBEATER C W THE HIDDEN LIFE IN FREEMASONRY 2E

ith knives; the outer was called the watcher, the inner was known as the herald(*ibid, p. 47) the candidate was divested of most of his clothing, and entered with a c c t c and h c w c he was led to the door of the temple, and there asked who he was. he replied that he was shu, the gsuppliant h or gkneeler, h coming in a state of darkness to seek for light. the door was an equilateral triangle of stone, which turned on a pivot on its own centre. 11. as the candidate entered he trod on the square, and, in so doing, it was supposed that he was treading on, and leaving, the lower quaternary or personality of man, in order to develop the higher triad, the ego or soul (in modern masonry the same idea is expressed in the first lecture, where it is stated that a mason comes to the lodge gto learn

esent an initiation, and the word given is gmaat-heru, h which means gtrue of voice h or gone whose voice must be obeyed h(*churchward, the arcana of freemasonry, p. 49) i have also seen a painting in which four attendants are depicted saluting a pharaoh with the p c s c of an i.m, and the s c of s c is often to be found on the monuments, and is characteristic of horus. the gavel was then made of stone, and was a model of the double-headed axe. 13. plate i 14. 15. in those days the aprons were made of leather, and were triangular. that of the first degree was pure white, as it is now; but the m.m. fs apron was brilliantly coloured and heavily jewelled, with tassels of gold (see plate i) our t c f c i c g c was represented by a cubit of twenty-five inches. the blazing star in the centre of

ng. the column on the desk or pedestal of each of the principal officers of the lodge is sculptured in a definite order of architecture which signifies his power or quality; his candlestick also is carved in the same design, and often it is depicted upon his candle as well. our columns and candlesticks are now usually made of painted wood, but in reality they should be of three different kinds of stone; that of the r.w.m. should be of freestone, that of the w.s.w. of granite, and that of the w.j.w. of marble. these three kinds of stone are typical specimens of the three great classes of rocks freestone is aqueous or sedimentary; granite is igneous or plutonic, and marble is metamorphic. if wooden columns are used, they should be painted to resemble these stones. 121. plate iv 122. 123. ord

ornamented with two rows of acanthus leaves and eight volutes, which sustain the abacus. 129. the following story is told with regard to the origin of the corinthian column. a greek poet and architect named calimachus once visited a cemetery and saw there the grave of a child, on which an acanthus plant had grown in a manner that struck the poet as so pleasing and beautiful that he had it cut in stone, and it became the original of the form now seen on the capital of every corinthian pillar. on the grave there was a circular box of toys which had been put there by the nurse of the child in order to please its spirit- for at that time the idea was prevalent that departed spirits were in the habit of visiting their places of burial or sepulture, and were in a position to enjoy the objects p

e form, with a flat circular disc resting upon it. the upward curve of the urn is continued through the disc, and makes a projection above the disc which is a segment of a sphere, though this was of course not visible to anyone looking up from the foot of the pillar. it would be more correct to say that the form suggested is not actually a sphere but rather an oblate spheroid, and in the original stone pillar which occupied a similar place in the egyptian temple, the symbology of which was copied by the tyrian artificer, this somewhat unusual form was undoubtedly intentional, and was adopted in order to give an idea of the true shape of the earth, which was perfectly well known in ancient egypt. as will be seen in a later chapter, the egyptians were quite familiar with the exact measuremen

LEADBEATER CW GLIMPSES OF MASONIC HISTORY

he light was universal, and that that light, which was god, dwelt in the heart of every man: i am that light, he bade them repeat, that light am i. that light, he said, is the true man, although men may not recognize it, although they neglect it. osiris is light; he came forth from the light; he dwells in the light; he is the light. the light is hidden everywhere; it is in every rock and in every stone. when a man becomes one with osiris the light, then he becomes one with the whole of which he was part, and then he can see the light in everyone, however thickly veiled, pressed down, and shut away. all the rest is not; but the light is. the light is the life of men. to every man- though there are glorious ceremonies, though there are many duties for the priest to do, and many ways in which

ought the great initiations were attracted to it; and it is this fact which explains the reverence paid to the egyptian mysteries by learned greeks in later times. 105. the principal centre for the public work of these mysteries was the great pyramid, called in ancient egypt khut, the light. it was built on the most exact astronomical and mathematical calculations, and provided a veritable key in stone to the enigmas of the universe(*see the hidden life in freemasonry, pp. 228-30) 106. the initiates of the egyptian mysteries were symbolically engaged in the building of the pyramid, just as in our modern masonry we are engaged in erecting the temple of king solomon, both structures being intended to be emblematical of the building processes of nature. in the halls below the pyramid- those u

ncient times it was not lawful to speak of the tradition in any detail, at least to strangers, for herodotus says: 141. also at sais there is the burial place of him whom i account it not pious to name in connection with such a matter, which is in the temple of athene (isis) behind the house of the goddess, stretching along the whole wall of it; and in the sacred enclosure stand great obelisks of stone, and near them is a lake adorned with an edging of stone, and fairly made in a circle, being in size, as it seemed to me, equal to that which is called the round pool in delos. on this lake they perform by night the show of his sufferings, and this the egyptians call mysteries. of these things i know more fully in detail how they take place, but i shall leave this unspoken(*her. bk. ii, 170

l deity- father-mother- and these two were regarded as one, though some men offered their devotion more to the father-aspect, and some to the mother. the father, when spoken of separately, was called brito, and the mother diktynna. no statues were made of these deities, but great reverence was paid to their symbol, which was a double-headed axe (see plate i, 1, following p. 50) this was carved in stone and made in metal, and set up in the temples where one would naturally expect a statue, and a conventional drawing of it represented the deity in the writing of the period. this double axe was called labrys, and it was for it originally that the celebrated labyrinth was built, to symbolize to the people the difficulty of finding the path to god. 212. much of their religious service and worsh

s. these were quite small and dark- mere cubicles- but open all round for about two feet under the roof, so that there was ample ventilation. round the wall of this hall under the roof usually ran a frieze of painted bas-relief- generally a procession, executed in the most spirited style. 215. the buildings were of granite, and there were many statues of granite, though also some made of a softer stone, and some of copper and wood. iron was used by this race, but not much; the principal metal was copper. the pottery was distinctly peculiar; all the commonest articles were made of bright yellow earthenware, painted with all sorts of figures. these figures were generally on a broad white band round the middle of the pot, and the colours used were nearly always red, brown or yellow- very rare

LEWIS JAMES SATANISM TODAY AN ENCYCLOPEDIA OF RELIGION FOLKLORE AND POPULAR CULTURE

wly dead with eagerness, but ate anyone who tried to escape. cerberus was said to have been charmed by orpheus, who was the only mortal he willingly allowed to enter hades. in another story he was defeated in a struggle with hercules, who forced him to come with him to the surface world (this was the twelfth labor of hercules. it was also said that anyone who chanced to look at cerberus turned to stone, and that, upon falling to the ground, the animal s spittle would give birth to the poisonous aconite plant. both cerberus and charon, the ferryman of the underworld, are threshold guardians, a type of mythological figure that is widespread in world culture. threshold guardians allow only those who are appropriately qualified to pass from one realm to the other. thus cerberus allowed only th

reading: eliade,mircea, ed. encyclopedia of religion. new york:macmillan, 1987. eliade,mircea. a history of religious ideas. vol. 1. chicago: university of chicago press, 1978. turner, alice k. the history of hell. new york: harcourt brace& co, 1993. the devil and daniel webster in this 1936 short story by stephen vincent benet, an impoverished farmer from new hampshire, devil s advocate 69 jabez stone, sells his soul to the devil in exchange for seven years of prosperity. however, when the time comes due for jabez to relinquish his soul, he becomes frightened and hires the famous lawyer daniel webster to get him out of the contract an interesting american twist on the faust legend. mr. scratch, the representative for the devil, agrees to litigate on the condition that he be allowed to cho

revenge. also, unlike theophilus, faust did not escape his infernal fate in most versions of this story. the story of faust became the basis for a series of literary productions, including plays by johann von goethe and christopher marlowe. in the short story the devil and daniel webster, an american version of the devil-pact narrative by stephen vincent benet, a poor new hampshire farmer, jabez stone, sells his soul in exchange for seven years of prosperity. near the end of the term, however, stone regrets his bargain and hires the famous attorney daniel webster to defend him. webster successfully pleads stone s case and wins his acquittal from an infernal jury. other literary treatments of this theme are more subtle. for example, in oscar wilde s the picture of dorian gray, a young man

h (or even yahweh) children as burnt offerings did not finally stop until after the babylonian conquest. the practice was condemned in no uncertain terms as early as the book of leviticus; for example: say to the people of israel, any man of the people of israel, or of the strangers that sojourn in israel, who gives any of his children to molech shall be put to death; the people of the land shall stone him with stones. i myself will set my face against that monastery of the seven rays 179 man, and will cut him off from among his people, because he has given one of his children to molech, defiling my sanctuary and profaning my holy name (lev. 20:2 3) the practice of child sacrifice was also regularly condemned by the hebrew prophets, and is mentioned as late as the time of the prophet ezeki

d spirituality, including satanists with nazi leanings. the classical authors who mention the runes note they were used for divination, but otherwise provide no details on the practice. this gap in our knowledge has been addressed during the last twenty-five years by popular authors who have advanced speculative systems for divination by means of the runes. sets of runes carved on small wooden or stone blocks, plus an instruction manual explaining how to cast and interpret them, can now be purchased even in chain bookstores in shopping malls. for further reading: davidson, h. r. ellis.myths and symbols in pagan europe. syracuse, ny: syracuse university press, 1988. in this detail of the 7th century anglo saxon artifact known as frank s casket, note the runes above and below the image of th

LIBER 141

it is the pitting of the david spirit against the goliath matter. and although this proportion be small, it is not indefinitely small. but it may be that the action of this divine substance is catalytic, and capable of transmuting an unlimited quantity of base and blind matter into the plastic and docile image of the will. and this theory is certainly more in accordance with the tradition of the stone and of the medicine. xv of eroto-comatose lucidity the candidate is made ready for the ordeal by general athletic training, and by feasting. on the appointed day he is attended by one or more chosen and experienced attendants whose duty is (a) to exhaust him sexually by every known means (b) to rouse him sexually by every known means. every device and artifice of the courtesan is to be emplo

LIBER 777

terpret more and more. even as a flower unfolds beneath the ardent kisses of the sun, so will this table reveal its glories to the dazzling eye of illumination. symbolic and barren as it is, yet it shall stand for the athletic student as a perfect sacrament, so that reverently closing its pages he shall exclaim, may that of which we have partaken sustain us in the search for the quintessence, the stone of the wise, the summum bonus, true wisdom, and perfect happiness. so mote it be! v the tree of life col. xii. this arrangement is the basis of the whole system of this book. besides the 10 numbers and the 22 letters, it is divisible into 3 columns, 4 planes, 7 planes, 7 palaces, etc. etc.8 table of correspondences table i 2 i. key scale. ii* hebrew names of numbers and letters. iii. english

llow 22 blue deep blue-green pale green 23 sea-green deep olive-green white flecked purple 24 dull brown very dark brown livid indigo brown (like a black beetle) 25 yellow green dark vivid blue 26 black blue black cold dark grey near black 27 red venetian red bright red rayed azure or orange 28 sky blue blueish mauve white tinged purple 29 buff, flecked silver-white light translucent pinksh brown stone colour 30 gold yellow rich amber amber rayed red 31 vermillion scarlet, flecked gold vermillion flecked crimson& emerald 32 black blue black black rayed blue 32 bis amber dark brown black and yellow 31 bis deep purple (near black) the 7 prismatic colours, the violet being outside white, red, yellow, blue, black (the latter outside) table i (continued) 7 xix* selection of egyptian gods. xx. c

reserved, the bread[[lotus wand. 21 amethyst, lapis lazuli the sceptre. 22 emerald the cross of equilibrium. 23 beryl or aquamarine the cup and cross of suffering, the wine[[water of lustration. 24 snakestone[[greenish turquoise] the pain of the obligation[[the oath] aumgn 25 jacinth the arrow (swift and straight application of force) on 26 black diamond the secret force, lamp on 27 ruby, any red stone the sword. 28 artificial glass[[chalcedony] the censer or aspergillus. 29 pearl the twilight of the place and magic mirror. 30 crysolith the lamen or bow and arrow iao: inri 31 fire opal the wand or lamp, pyramid of b[[the thurible. 32 onyx a sickle. 32 bis salt the pantacle or[[bread and] salt. 31 bis black diamond[[the winged egg. table i (continued) 13 xlii* perfumes. xliii* vegetable dru

na (k= 10 impurity (i= 10 analysis (a= 1 perception (p= 1 40 table of correspondences 36 cols. xxxviii.-xl. the vagueness and extent of these attributions is shown in this table from agrippa,7 who is too catholic to be quite trustworthy. things under the sun which are called solary among stones 1. the eye of the sun. 9. topazius. 2. carbuncle. 10. chrysopassus. 3. chrysolite. 11. rubine. 4. iris (stone. 12. balagius. 5. heliotrope (stone. 13. 6. hyacinth (stone. 7. pyrophylus (stone. 8. pantaura. auripigmentum and things of a golden colour. among plants 1. marigold. 17. mastic. 2. lote-tree. 18. zedoary. 3. peony. 19. saffron. 4. sallendine. 20. balsam. 5. balm. 21. amber. 6. ginger. 22. musk. 7. gentian. 23. yellow honey. 8. dittany. 24. lignum aloes. 9. vervain. 25. cloves. 10. bay-tree

d a dragon are at his feet, but he seems unaware of their attacks or caresses. line 12. his attitude suggests the shape of the swastika or thunderbolt, the message of god. line 13. she is reading intently in an open book. line 14. she bears a sceptre and a shield, whereon is figured a dove as a symbol of the male and female forces. line 15. his attitude suggests f, and he is seated upon the cubic stone, whose sides show the green lion and white eagle. line 16. he is crowned, sceptred, and blessing all in a threefold manner. four living creatures adore him, the whole suggesting a pentagram by its shape. line 17. he is inspired by apollo to prophesy concerning things sacred and progane: represented by a boy with his bow and two women, a priestess and an harlot. line 18. he drives furiously a

LIBER ALEPH

m or folly 7 z de natura sua percipienda (of percieving one.s nature) nderstand, o my son, in thy youth, these words which some wise one, now nameless, spake of old; except ye become as little children ye shall in no wise enter into the kingdom of heaven. this is to say that thou must first comprehend thine original nature in every point, before thou wast forced to bow before the gods of wood and stone that men have made, not comprehending the law of change, and of evolution through variation, and the independent value of every living soul. learn this also, that even the will to the great work may be misunderstood of men; for this work must proceed naturally and without overstress, as all true works. right also is that word that the kingdom of heaven suffereth violence, and the violent tak

in some talisman, whether it be art, or magick, or theurgy. g the book of wisdom or folly 25 f de voluntate ultima (of the final will) ay not then that this way is contrary to nature, and that in simplicity of satisfaction of thy needs is perfection of thy path. for to thee, who hast aspired, it is thy nature to perform the great work, and this is the final dissolution of the cosmos. for though a stone seem to lie still on a mountain top, and have no care, yet hath it an hidden nature, a task ineffable and stupendous; namely, to force its way to he centre of gravity of the universe, and also to burn up its elements into the final homogeneity of matter. therefore the way of quiet is but an illusion of ignorance. whoever thou mayst be now, thy destiny is that which i have declared unto thee;

etic and magnetic thy lion is silent, and inert, even as achilles before his rage in his tent. now also herefore i charge thee, o my son, to partake constantly of his sacrament for it is proper to all virtue, and as thou dost learn to us it in perfection, thou wilt surpass all other modes of magick. yea, in good sooth, no herb or potion is like unto this, supreme in every case, for it is the true stone of philosophers, and the elixir and medicine of all things, the universal tincture or menstruum of thine own will. b liber aleph vel cxi 96 g% de discipulis regendis (of ruling disciples) will have thee to know, moreover, my dear son, the right art of conduct with them whom i shall give thee for initiation. and the rule thereof is one rule; do that thou wilt shall be the whole of the law. se

tinually as to one in his first love, by the vision of beauty, and by the vision of science hou shalt marvel constantly with joy unfathomable at the mystery of the laws whereby the universe is upheld. this is that which is written: true wisdom and perfect happiness. o my son, it is in this contemplation that one hath the reward of the oath; it is by this that the tribulations are rolled away as a stone from thy tomb; it is with this that thou art wholly freed from the illusions of distinctions, being absorbed into the body of our lady nuith. may she grant thee this beatitude; yea, not to thee only, but to all that are. n the book of wisdom or folly 139 eq de inferno servorum (of the hell of the slaves) ow, o my son, having understood the heaven that is within thee, according to thy will, l

hewn also by the god harprocrates, the babe in the lotus, who is also the serpent and the egg, that is, the holy ghost. this is the most secret of all energies, the seed of all being, and therefore must he be sealed up in an ark from the malice of the devourers. if then by thine art thou canst conceal thyself in thine own nature, this is silence, this, and not nullity of consciousness else were a stone more perfect in adeptship that thou. but, abiding in thy silence, thou art in a city of refuge, and the waters prevail not against the lotus that enfoldeth thee. this ark or lotus is then the body of our lady babalon, without which thou weret the prey of nile and of he crocodiles that are therein. now, o my son, mark thou well this that i will write for thine advertisement and behoof, that t

LIBER CCCXXXV ADONIS

is is this soul fs inheritance. all else is madness. esarhaddon. mad! mad! mad! mad! mad! why say you this? who are you? sad? glad? bad? bad! bad! speak, speak! bleak peak of mystery? weak cheek of modesty? psyche. oh, pardon me! i did not mean to move you thus. esarhaddon. i am stirred too easily. you used a shameful word! psyche. accept my sorrow. i am all alone in this black night. my heart is stone, my limbs are lead, mine eyes accurst, my throat a hell of thirst. liber cccxxxv 10 my husband.they suppose him dead. they made me wear these weeds. could i in my heart credit half they said, not these funereal robes should wrap me round, but the white cerements of a corpse, and high upon a pyre of sandal and ebony, should dare through flame the inequitable profound! but only these of all mi

LIBER CCXLII AHA

all, and take me! gather spice and virgins and great pearls of price! worship me in a single robe, crowned richly! girdle of the globe, i love thee! pale and purple, veiled, voluptuous, swan silver-sailed, i love thee. i am drunkness of the inmost sense; my soul.s caress is toward thee! let my priestess stand bare and rejoicing, softly fanned by smooth-lipped acolytes, upon mine iridescent altar-stone, and in her love-chaunt swooningly say evermore: to me! to me! i am the azure-lidded daughter of sunset; the all-girdling water; the naked brilliance of the sky in the voluptuous night am i! with song, with jewel, with perfume, wake all my rose fs blush and bloom! drink to me! love me! i love thee, my love, my lord.to me! to me! olympas. there is no harshness in the breath liber ccxlii 32 of

LIBER CHANOKH

ates el, and we have the name. sabathiel liber lxxxiv 3 continuing the process, we get zedekiel madimiel semeliel nogahel corabiel levanael these names will be found in the pentagram and about it. these angels are the angels of the seven circles of heaven.5 these are but a few of the mysteries of this great seal sigillvm dei meth plate ii the symbolic representation of the universe 4 iii the shew-stone, a crystal which dee alleged to have been brought to him by angels, was then placed upon this table, and the principal result of the ceremonial skrying of sir edward kelly is the obtaining of the following diagrams, plates iii.-viii. he symbolized the four-dimensional universe in two dimensions as a square surrounded by 30 concentric circles (the 30 thyrs or aires) whose radii increase in a

, zodacare eca ca-no-quoda! zodameranu micalazodo od ozodazodame vaurelape; lape zodir ioiad! can the wings of the winds understand your voices of wonder? o you! the second of the first! whom the burning flames have framed in the depths of my jaws! whom i have prepared as cups for a wedding, or as the flowers in their beauty for the chamber of righteousness! stronger are your feet than the barren stone, and mightier are your voices than the manifold winds! for you are become a building such as is not, save in the mind of the all-powerful. arise, saith the first: move thereofre unto his servants! shew yourselves in power, and make me a strong seer-of-things:8 for i am of him that liveth for ever [invokes: the file of spirit in the tablet of spirit. e.the root of the powers of air. h.the roo

LIBER CLXV A MASTER OF THE TEMPLE

hat little progress is made, and some slackness exists as regards exercises. the truth is, i more and more use the true essence. if a little worry occurs, automatically, i turn to that within which dissolves it at once and restores the balance. it is that nothing with which i come into closest contact during meditation, but it is ever present, and i recognize the fact. i believe it to be the true stone of the wise which turns everything to gold. i call it adonai when i give it a name at all. most often the mind slips into that state without reason or argument [yes: it does appear that more time ought to be given to the work. but the progress is not bad for all that. however, i don t quite like the complacent feeling. nothing replaces hard work. somebody i know (or don t know) does more act

LIBER CORDIS CINCTI SERPENTE

e a little boat of my tongue, and explore the unknown rivers. it may be that the everlasting salt may turn to sweetness, and that my life may be no longer athirst. 6. o ye that drink of the brine of your desire, ye are nigh to madness! your torture increaseth as ye drink, yet still ye drink. come up through the creeks to the fresh water; i shall be waiting for you with my kisses. 7. as the bezoar-stone that is found in the belly of the cow, so is my lover among lovers. 8. o honey boy! bring me thy cool limbs hither! let us sit awhile in the orchard, until the sun go down! let us feast on the cool grass! bring wine, ye slaves, that the cheeks of my boy may flush red. 9. in the garden of immortal kisses, o thou brilliant one, shine forth! make thy mouth an opium-poppy, that one kiss is the k

inant figure of evil, the horror of emptiness, with his ghastly eyes like poisonous wells. he stood, and the chamber was corrupt; the air stank. he was an old and gnarled fish more hideous than the shells of abaddon. 35. he enveloped me with his demon tentacles; yea, the eight fears took hold upon me. 36. but i was anointed with the right sweet oil of the magister; i slipped from the embrace as a stone from the sling of a boy of the woodlands. 37. i was smooth and hard as ivory; the horror gat no hold. then at the noise of the wind of thy coming he was dissolved away, and the abyss of the great void was unfolded before me. 38. across the waveless sea of eternity thou didst ride with thy captains and thy hosts; with thy chariots and horsemen and spearmen didst thou travel through the blue

, shalt see these things, and thou shalt heed them not. 5. now is the pillar established in the void; now is asi fulfilled of asar; now is hoor let down into the animal soul of things like a fiery star that falleth upon the darkness of the earth. 6. through the midnight thou art dropt, o my child, my conquerer, my sword-girt captain, o hoor! and they shall find thee as a black gnarl fd glittering stone, and they shall worship thee. 7. my prophet shall prophesy concerning thee; around thee the maidens shall dance, and bright babes be born unto them. thou shalt inspire the proud ones with infinite pride, and the humble ones with an ecstasy of abasement; all this shall transcend the known and the unknown with somewhat that hath no name. for it is as the abyss of the arcanum that is opened in

LIBER CXCVII STORY OF SIR PALAMEDES

n like a statue still he sate; nor quivered nerve, nor muscle stirred; while round them flapped insatiate the fell, abominable bird. but the coldest horror drave the light from knightly eyes. how pale thy bloom, thy blood, o brow whereon that night sits like a serpent on a tomb! for palamede those eyes beheld the iron image of his own; on those dead brows a fate he spelled to strike a gorgon into stone. he knew his father. still he sate, nor quivered nerve, nor muscle stirred; while round them flapped insatiate the fell, abominable bird. the knight approves the justice done, and pays with that his rowels. debt; while yet the forehead of the son stands beaded with an icy sweat. god.s angel, standing sinister, unfurls this scroll.a sable stain .who wins the spur shall ply the spur upon his p

shrink, he gallops. closely clings the child slung at his waist; and he heeds nought, but gallops wide, and sings wild war-songs, chants of gramarye! sir palamede the saracen rides like a centaur mad with war; he sabres many a million men, and tramples many a million more! before him lies the untravelled land where never a human soul is known, a desert by a wizard banned, a soulless wilderness of stone. sir palamedes, the saracen knight 13 nor grass, nor corn, delight the vales; nor beast, nor bird, span space. immense, black rain, grey mist, white wrath of gales, fill the dread armoury of sense. nor shines the sun; nor moon, nor star their subtle light at all display; nor day, nor night, dispute the scaur: all.s one intolerable grey. black llyns, grey rocks, white hills of snow! no flower

urged the monster from the oozy bed, and bounded through the crashing glades .but now a staring savage head lurks at him through the forest shades. sir palamedes, the saracen knight 25 this was a naked indian, who led within the city gate the fooled and disappointed man, already broken by his fate. here were the brazen towers, and here the scupltured rocks, the marble shrine where to a tall black stone they rear the altars due to the divine. the god they deem in sensual joy absorbed, and silken dalliance: to please his leisure hours a boy compels an elephant to dance. so majesty to ridicule is turned. to other climes and men makes off that strong, persistent fool sir palamede the saracen. 26 xi sir palamede the saracen hath hied him to an holy man, sith he alone of mortal men can help him

res the claw. what turns to laughter all his joy, to wondering ribaldry his awe? the beast.s a mere mechanic toy, fit to amuse an idle boy! 33 xv sir palamede the saracen hath come to an umbrageous land where nymphs abide, and pagan men. the gods are nigh, say they, at hand. how warm a throb from venus stirs the pulses of her worshippers! nor shall the tuscan god be found reluctant from the altar-stone: his perfume shall delight the ground, his presence to his hold be known in darkling grove and glimmering shrine. o ply the kiss and pour the wine! sir palamede is fairly come into a place of glowing bowers, where all the voice of time is dumb: before an altar crowned with flowers he seeth a satyr fondly dote and languish on a swan-soft goat. then he in mid-caress desires the ear of strong s

is muscles roar with senseless rage; the pale knight staggers, deathly sick; reels to the light that sorry sage, sir palamede the lunatick. 59 xxv a savage sea without a sail, grey gulphs and green a-glittering, rare snow that floats.a vestal veil upon the forehead of the spring. here in a plunging galleon sir palamede, a listless drone, drifts desperately on.and on. and on.with heart and eyes of stone. the deep-scarred brain of him is healed with wind and sea and star and sun, the assoiling grace that god revealed for gree and bounteous benison. ah! still he trusts the recreant brain, thrown in a thousand tourney-justs; still he raves on in reason-strain with senseless .oughts. and fatuous .musts .all the delusions (argueth the ass .all uproars, surely rise from that curst me whose name i

LIBER CXLVIII SOLDIER AND THE HUNCHBACK

is god? if (with moses) we picture him as an old man showing us his back parts, who shall blame us? the great question.any question is the great question.does indeed treat us thus cavalierly, the disenchanted sceptic is too prone to think! well, shall we define him as a loving father, as a jealous priest, as a gleam of light upon the holy ark? what does is matter? all these images are of wood and stone, the wood and stone of our own stupid brains! the fatherhood of god is but a human type; the idea of a human father conjoined with the idea of immensity. two for one again! no combination of thoughts can be greater than the thinking brain itself; all we can think of god or say of him, so long as our words represent thoughts, is less than the whole brain which thinks, and orders speech. very

ggod h or gthere is god h as an answer to our question becomes as meaningless as any other. who are we, then? we are spencerian agnostics, poor silly, damned spencerian agnostics! and there is an end of the matter. vi it is surely time that we began to question the validity of some of our data. so far our scepticism has not only knocked to pieces our tower of thought, but rooted up the foundation-stone and ground it into finer and more poisonous powder than that into which moses ground the calf. these golden elohim! our calfheads that brought us not out of egypt, but into a darkness deeper and more tangible than any darkness of the double empire of asar. hume put his little? to berkeley fs god; buddha his? to the vedic atman!.and neither hume nor buddha was baulked of his reward. ourselves

LIBER DCCCLX JOHN ST

he circle) i yet, by the favour of iao, obtained a really good effect, losing all sense of personality and being exalted in the pillar. peace and ecstasy enfolded me. it is well. 8.50. but as i was ill last night, and as the morning has broken chill and damp, i will go to the cafe du dome and break my fast humbly with coffee and sandwich. may it strengthen me in my search for the quintessece, the stone of the wise, the summum bonum, true wisdom and perfect happiness! 9.00. i hope (by the way) that i have made it quite clear that all this time even a momentary cessation of active thought has been accompanied by the rising-up of the mantra. the rhythm, in short, perpetually dominates the brain; and becomes active on every opportunity. the liquid moslem mantra is much easier to get on to than

(alleged) of recording his results, or failed to overcome the duality of thoth. otherwise, even if he comprehended the base, he certainly failed at the apex of the pyramid. in any case, he cannot blame the ceremony, which is most potent; one or two small details may need correction, but no more. john st. john 95 here then he is down at the bottom of the hill again, a rosicrucian sisyphus with the stone of the philosophers! an ixion bound to the wheel of destiny and of the samsara, unable to reach the centre, where is rest. he must add to the entry 1.13 that the .telephone-cross. voices came as he composed himself to sleep, in the will to adonai. this time he detached a body of cavalry to chase them to oblivion. perhaps an unwise division of his forces; yet he was so justly indignant at the

nutes at the academie marcelle.a gruelling bout without gloves.and j. st. j. is at the luxembourg to look at the pretty pictures. 3.40. the proof of the pudding, observes the most mystic of discourses (surely, is in the eating. one might justly object to any results of this ten days. strain. but if abundant health and new capacity to do great work be the after-effect, who then will dare to cast a stone? not that it matters a turnip-top to the adept himself. but others may be deterred from entering the path by the foolish talk of the ignorant, and thus may flowers be lost 1 j.w. morrice. marcelle was his girl in the brothel 3 rue des 4 vents [ms. note by ac in equinox i (1, transcribed by yorke] john st. john 99 that should go to make the fadeless wreath of adonai. ah, lord, pluck me up utt

LIBER DCCCXI ENERGIZED ENTHUSIASM

911. at this time i was living, in excellent good health, with the woman whom i loved. her health was, however, variable, and we were both constantly worried. the weather was continuously fine and hot. for a period of about three months i hardly missed a morning; always on waking i burst out with a new idea which had to be written down. the total energy of my being was very high. my weight was 10 stone 8 lb, which had been my fighting weight when i was ten years younger. we walked some twenty miles daily through hilly forest. the actual amount of mss. written at this time is astounding; their variety is even more so; of their excellence i will not speak. here is a rough list from memory; it is far from exhaustive (1) some dozen books of a a instruction, including gliber astarte, h and the

LIBER LIBERI VEL LAPIDIS LAZULI

. 17. thou shalt have a lover among the lords of the grey land. 18. this shall he bring unto thee, without which all is in vain; a man fs life spilt for thy love upon mine altars. 19. amen. 20. let is be soon, o god, my god! i ache for thee, i wander very lonely among the mad folk, in the grey land of desolation. 21. thou shalt set up the abominable thing of wickedness. oh joy! to lay that corner-stone. 22. it shall stand erect upon the high mountain; only my god shall commune with it. 23. i will build it of a single ruby; it shall be seen from afar off. 24. come! let us irritate the vessels of the earth: they shall distil strange wine. 25. it grows under my hand: it shall cover the whole heaven. 26. thou art behind me: i scream with a mad joy. 27. then said ithuriel the strong; let us als

that pours the bright dew over herself, and into the sand so that the river gushes forth. 6. there is a bird on yonder myrtle; only the song of that bird can draw me out of the pool of thy heart, o my god! 7. who is this neapolitan boy that laughs in his happiness? his lover is the mighty crater of the mountain of fire. i saw his charred limbs borne down the slopes in a stealthy tongue of liquid stone. 8. and oh! the chirp of the cicida! 9. i remember the days when i was cacique in mexico. 10. o my god, wast thou then as now my beautiful lover? 11. was my boyhood then as now thy toy, thy joy? 12. verily, i remember those iron days. 20 liber liberi vel lapidis lazuli 13. i remember how we drenched the bitter lakes with our torrent of gold; how we sank the treasurable image in the crater of

f the corpse; these unbind the feet of osiris, so that the flaming god may rage through the firmament with his fantastic spear. 4. but of pure black marble is the sorry statue, and the changeless pain of the eyes is bitter to the blind. 5. we understand the rapture of that shaken marble, torn by the throes of the crowned child, the golden rod of the golden god. 6. we know why all is hidden in the stone, within the coffin, within the mighty sepulchre, and we too answer olalam! imal! tutulu! as it is written in the ancient book. 7. three words of that book are as life to a new aon; no god has read the whole. 8. but thou and i, o god, have written it page by page. 9. ours is the elevenfold reading of the elevenfold word. 10. these seven letters together make seven diverse words; each word is

LIBER LVII

shadows to him, and cry .father. and, the devil being subtle, capable of disguising himself as an angel of light, it behoves the prodigal to have some test of truth. some great mystics have laid down the law .accept no messenger of god. banish all, until at last the father himself comes forth. a counsel of perfection. the father himself does send messengers, as we learn in st. mark xii; and if we stone them, we may perhaps in our blindness stone the son himself when he is sent. so that is no vain counsel of .st. john (1 john iv. 1 .try the spirits, whether they be of god. no mistake when .st. paul. 4 liber lviii claims the discernment of spirits to be a principal point of the armour of salvation (1 cor. xii. 10. now how should frater p. or another test the truth of any message purporting t

LIBER LXVII THE SWORD OF SONG

as well as the most beautiful and elaborate vane: and in this sense it is my pmost eage hope that i may not unjustly draw a comparison between myself and the great reformers of eighty years ago* so it is usually supposed. maybe i shall one day find words to combat, perhaps to overthrow, this position. p.s. as, for example, the note to this introduction. as a promisekeeper i am the original eleven stone three peacherine..a.c. i must apologise (perhaps) for the new note of frivolity in my work: due doubtless to the frivolity of my subject: these poems being written when i was an advaitist and could not see why.everything being an illusion.there should be any particular object in doing or thinking anything. how i have found the answer will be evident from my essay on the subject* i must indee

soned arrow but this (my wisdom, even to me, seems folly) may their folly be true wisdom? o esteemed tahuti !25 you are, you are, you are a beauty! if after all these years of worship you hail ra26 his bark or nuit27 her ship* a flat cake of unleavened bread. as a matter of fact they do not enjoy and indeed will not eat them, preferring .dok. a paste of coarse flour and water, wrapped round a hot stone. it cooks gradually, and remains warm all day. 115 120 125 130 135 140 145 live out thy life! character of balti. his religious sincerity. relations of poet and the egyptian god of wisdom. crowley dismissed with a jest. 26 the sword of song and sail..the waters wild a-wenting over your child! the left lamenting (campbell).28 the ibis head,29 unsuited to grin, perhaps, yet does its best to sh

it* famous adelphi villain. ii. as far as reason goes, there.s hope for mortals yet: when nothing is that knows, what is there to regret? our consciousness depends on matter in the brain; when that rots out, and ends, there ends the hour of pain. iii. if we can trust to this, why, dance and drink and revel! great scarlet mouths to kiss, and sorrow to the devil! if pangs ataxic creep, or gout, or stone, annoy us, queen morphia, grant thy sleep! let worms, the dears, enjoy us! iv. but since a chance remains that .i. surives the body (so talk the men whose brains are made of smut and shoddy, i.ll stop it if i can (ah jesus, if thou couldest) i.ll go to martaban to make myself a buddhist. v. and yet: the bigger chance lies with annihilation. follow the lead of france, freedom.s enlightened na

!78.see the lay of the last minstrel. 759. ain elohim.79..there is no god. so our bible. but this is really the most sublime affirmation of the qabalist .ain is god. for the meaning of ain, and of this idea, see .berashith. infra. the .fool. is he of the tarot, to whom the number 0 is attached, to make the meaning patent to a child .i insult your idol. quoth the good missionary. he is but of dead stone. he does not avenge himself. he does not punish me .i insult your god. replied the hindu .he is invisible. he does not avenge himself, nor punish me .my god will punish you when you die .so, when you die, will my idol punish you. no earnest student of religion or draw poker should fail to commit this anecdote to memory. 767. mr chesterton.80.i must take this opportunity to protest against th

why do surgeons go mad and cut up men like sturgeons (the questions are the late chas. spurgeon .s) of yogi i could quote you hundreds in science, law, art, commerce noted. they fear no lunacy: their on dread.s not for their noddles doom-devoted. they are not like black bulls (that shunned reds in vain) that madly charge the goathead of rural pan, because some gay puss had smeared with blood his stone priapus. they are as sane as politicians and people who subscribe to missions. this says but little; a long way are yogi more sane that such as they are. you have conceived your dreadful bogey, from seeing many a raving yogi. these haunt your clinic; but the sound lurk in an unsuspected ground, dine with you, lecture in your schools, share your intolerance of fools, and, while the yogi you c

LIBER RESH VEL HELIOS

uperior.1 and then do thou compose thyself to holy meditation. 6. also it is better if in these adorations thou assume the godform of whom thou adorest,2 as if thou didst unite with him in the adoration of that which is beyond him. 7. thus shalt thou ever be mindful of the great work which thou hast undertaken to perform, and thus shalt thou be strengthened to pursue it unto the attainment of the stone of the wise, the summum bonum, true wisdom and perfect happiness. 1 [for those not in communication with the a a, the adorations from liber legis, ch. iii, from gunity uttermost showed h to gabide with me, ra- hoor-khuit h may be substituted. this is not necessarily the adoration taught in the a a under crowley, or by modern groups claiming to represent the a a. t.s] 2 [this may be read as a

LIBER SAMEKH

der!16 (the beast 666 himself used gankh-f-n-khonsu h and gkhem h in this section) liber samekh svb figvra dccc 14 line 2 the adept reminds his angel that he has created that one substance of which hermes hath written in the table of emerald, whose virtue is to unite in itself all opposite modes of being, thereby to serve as a talis-man charged with the spiritual energy of existence, an elixir or stone composed of the physical basis of life. this commemoration is placed between the two personal appeals to the angel, as if to claim privilege to partake of this eucharist which createth, sustaineth and redeemeth all things. line 3 he now asserts that he is himself the gangel h or messenger of his angel; that is, he is a mind and body whose office is to receive and transmit the word of his ang

LIBER STELLAE RUBEAE

4. no man shall understand this writing.it is too subtle for the sons of men. 5. if the ruby star have shed its blood upon thee; if in the season of the moon thou hast invoked by the iod and the pe, then mayest thou partake of this most secret sacrament. 6. one shall instruct another, with no care for the matters of men.s thought. 7. there shall be a fair altar in the midst, extended upon a black stone. 8. at the head of the altar gold, and twin images in green of the master. 9. in the midst a cup of green wine. 10. at the foot the star of ruby. 11. the altar shall be entirely bare. 12. first, the ritual of the flaming star. 13. next, the ritual of the seal. 14. next, the infernal adorations of oai. mu pa telai tu wa melai. tu fu tulu! tu fu tulu! pa, sa, ga. liber stella rubea 2 qwi mu te

beloved shall abide with thee. 33. thou shalt not disclose the interior world of this rite unto any one: therefore have i written it in symbols that cannot be understood. 34. i who reveal the ritual am iao and oai; the right and the averse. 35. these are alike unto me. 36. now the veil of this operation is called shame, and the glory abideth within. 37. thou shalt comfort the heart of the secret stone with the worm blood. thou shalt make a subtle decoction of delight, and the watchers shall drink thereof. 38. i, apep the serpent, am the heart of iao. isis shall await asar, and i in the midst. 39. also the priestess shall seek another altar, and perform my ceremonies thereon. 40. there shall be no hymn nor dithyramb in my praise and the praise of the rite, seeing that it is utterly beyond

LIBER TURRIS

nd vivid smote the levin flash. once the tower rocked and cracked beneath its lash, caught inextinguishable fire; was ash. but that same fire that quelled the robber strife, and struck each being out of lust and life, left the mild maiden a rejoicing wife. 12. and this: 13. there is a well before the great white throne that is choked up with rubbish from the ages; rubble and clay and sediment and stone, delight of lizards and despair of sages. only the lightning from his hand that sits, and shall sit when the usurping tyrant falls, can purge that wilderness of wills and wits, let spring that fountain in eternal halls. 14. and this: 15. sulphur, salt, and mercury: which is master of the three? salt is lady of the sea; lord of air is mercury. now by god fs grace here is salt fixed beneath th

LIBER V VEL REGULI

prudence. the privy council of the kingdom of mansoul sits in permanent secret session; it dares not declare what must follow its deed in shattering the monarch morality into scraps of crumbling conglomerate of climatic, tribal, and person prejudices, corrupted yet more by the action of crafty ambition, insane impulse, ignorant arrogance, superstitious hysteria, fear fashioning falsehoods on the stone that it sets on the grave of truth whom it has murdered and buried in the black earth oblivion. moral philosophy, psychology, sociology, anthropology, mental pathology, physiology, and many another of the children of wisdom, of whom she is justified, well know that the laws of ethics are a chaos of confused conventions, based at best on customs convenient in certain conditions, more often on

LIBER XCV THE WAKE WORLD

y to be quiet and not make a noise. so we came at last in the next house of the palace. it was a great dome of violet, and in the centre the moon shone. she was a full moon, and yet she looked like a woman quite, quite young. yet her hair was silver, and finer than spiders. webs, and it rayed about her, like one can.t say what; it was all too beautiful. in the middle of the hall there was a black stone pillar, from the top of which sprang a fountain of pearls; and as they fell upon the flood, they changed the dark marble to the colour of blood, and it was like a green universe full of flowers, and little children playing among them. so i said .shall we be married in this domus x. v. regnum v. porta 4 loci secundum elementa. qliphoth. via t vel crux. cherubim domus ix v. fundamentum yod v

LIBER XLI THIEN TAO

erience of the hustle of the stockyards; there are business men in a hurry, and they shall travel in central asia to acquire the art of repose. gso much for the equilibrium, and for two months in every year each member of your governing classes shall undergo this training under skilled advice. gbut what of the great tao? for one month in every year each of these men shall seek desperately for the stone of the philosophers. by solitude and fasting for the social and luxurious, by drunkenness and debauch for the austere, by scourging for those afraid of physical pain, by repose for the restless, and toil for the idle, by bull-fights for the humanitarian, and the care of little children for the callous, by rituals for the rational, and by philosophy for the credulous, shall these men, while t

e of satan 13 impossible to describe the affecting scene when these two magnanimous beings melted away (as it were) in each other fs arms. arrived at the estate of juju at nikko, what wonder did these worthies express to see the simple means by which kwaw had worked his miracles! in a glade of brilliant cherry and hibiscus (and any other beautiful trees you can think of) stood a plain building of stone, which after all had not cost millions of yen, but a very few thousands only. its height was equal to its breadth, and its length was equal to the sum of these, while the sum of these three measurements was precisely equal to ten times the age of kwaw in units of the span of his hand. the walls were tremendously thick, and there was only one door and two windows, all in the eye of the sunset

LINDOW JOHN NORSE MYTHOLOGY A GUIDE TO THE GODS HEROES RITUALS AND BELIEFS

sed, and pollen analysis indicates settlement on sjalland and elsewhere by around 10,000 b.c.e. we know little about these settlements, but by 6500 b.c.e. or so, a hunting and fishing culture may be identified. by 2500 b.c.e. or so, there are indications of agriculture and the raising of animals. at around 2000 b.c.e. the archaeological record begins to show characteristic small ax heads, made of stone but carefully copying the marks of metal pouring that was used for such axes to the south in europe. a hypothetical culture associated with these axes and an even more hypothetical immigration of persons with them from europe is known as the boat-ax culture. around 1000 b.c.e. the scandinavian bronze age begins, and from this same period there are numerous spectacular rock carvings, which ma

with both danish and swedish kings in the first half of the ninth century. the process was to bear fruit first in denmark in the later tenth century, when king harald bluetooth witnessed the priest poppo carrying a red-hot piece of iron, with no harm to his hands, as a demonstration that christ was greater than the pagan gods. at jelling in jutland, king harald bluetooth erected an elaborate rune stone celebrating his parents and himself, the person who gmade the danes christian, h as the jelling rune stone says. in norway there is evidence of christian burial from around this time, and hakon the good was a christian king whose reign ended around 960, when harald converted. but hakon was buried in a mound and celebrated in pagan poetry. olaf tryggvason, who ruled norway from 995 to 1001, h

ning of the eleventh century, the monk adam of bremen, in his history (ca. 1070) of the archbishopric of hamburg- bremen in northern germany, which had responsibility for scandinavia, reported a vast pagan temple at uppsala, with idols of the pagan gods and gruesome sacri- introduction 7 rune stones depicting thor fs hammer like this one in sweden are fairly easy to find. compare this to the rune stone on page 10; both are from the late viking age (statens historika museum, stockholm) fices. but eleventh-century rune stones from that very same part of sweden are openly christian: ggod rest his soul, h many of them ask, in runes surrounding an incised cross. most historians accept that sweden was fully christian by the beginning of the twelfth century at the latest. the conversion in icelan

rought manuscript writing to the north, there was some writing using the native runic writing system. since in the older runic alphabet there are no horizontal strokes, it is assumed that the system was originally invented for scratching the letters on wooden sticks, whose grain would obscure horizontal strokes. only special circumstances permit wood to remain 10 norse mythology compare this rune stone with a cross to the one on page 8 (statens historika museum, stockholm) undecayed in the ground for archaeologists to dig up centuries later, and as a result most (but by no means all) of the extant runic inscriptions are on stones. it is important to stress that carving on wood or stone is a fairly laborious process and that the kinds of things recorded using the runic alphabets tended to b

the viking age a new runic alphabet developed in scandinavia, one with 16 characters. later several variations grew out of this basic viking age runic alphabet. of the approximately 4,000 runic inscriptions, most are from the viking age; most of these are from sweden; and most of these are from the provinces around lake malaren, especially uppland. most are memorial: they explain who erected the stone, whose death is memorialized, and what the relationship was between the two. although the few rune sticks and other kinds of runic inscriptions that have been retained show that runes introduction 11 detail of the rune stone from rok, sweden, from the ninth century c.e. created by varin for his dead son, vemod, with center as ode to theodoric, king of the goths (the art archive/ dagli orti)

LOGOMACHY OF ZOS

e of our infinite relationships, potentialities are there. the shapes of form are not yet exhausted and there are no miracles beyond living matter. though flesh in its most radiant beauty is miraculous, it does not imply that nature has exhausted all possibilities of pleasuring in flesh. you are still inchoative, unfit for eternity, hence you face changes and changes. whether you behave as common stone or as precious jade, be expedient unto all men. hence in rome do not necessarily as the romans but adroitly be yourself. materialists state that "mind is the accidental product of matter, which is equivalent to saying that a chair. or any human-made object. accidentally produced man and the mind, and the reasoning that reified it. materialists have to swallow their own statements. they use t

beauty from himself to others. gods, soul and everything is as flesh, whatever the textures, and as concrete as our own. we are ever terms of existence whatever our fluxing consciousness permits. those dupes who deny their flesh are either drug-sodden or self-hypnotized, have simply failed their flesh, afraid of life, would beg their sustenance and the mind has tired of them. they live as under a stone with their stinking theses. again, i state that although all their wisdom and inaccurate visions are from the same source they 6 e s. o@ e. f. z( m( 5#"d..1 2$ o. which they owe everything. life seems a lengthy process of waiting for the materialization of oneself as representative of, and equal to, our ideal or desire, because we are ever as we are. the realized incarnation of our last self

LURQUIN STONE EVOLUTION AND RELIGIOUS CREATION MYTHS

es view of nature and their place within it. for example, anthropologist william haviland discusses how an origin myth among the abenaki (an indigenous group in new england and canada) reflects the abenaki cultural idea of the unity among all living things. in this myth, a supernatural being, tabaldak, created all life. as for humans in particular, at first he mistakenly tried to make them out of stone, but this did not work because it left their hearts too cold. then tabaldak tried again, using living wood, and from this came all later abenakis. like the trees from which the wood came, these people were rooted in earth and (like trees when blown by the wind) could dance gracefully. to haviland, this mythological sanction of a unity in all life, symbolized in the necessary origin of humans

he oneness and unity of allah, that muhammad was his final prophet (in arabia in the seventh figure 1.2 representatives of some of the major non-christian denominations in the world. clockwise from top left: a jewish woman celebrating hanukkah with a nouveau menorah; nepalese women celebrating the hindu festival of teej; a buddhist monk in thailand; a muslim bridegroom from bangladesh (from linda stone s collection. creationism and intelligent design 21 century c.e, and that the quran is allah s divine word recited by muhammad. the general belief is that the quran is to be fully understood only in the original arabic. lives of muslims are governed by the five pillars of islam (1) the witness i witness that there is no god but allah; i witness that muhammad is his prophet (2) five daily pra

time ranges and thus validate each other. this means that all dating techniques, radioactive or not, would have to be refuted by creationists and all proven wrong by them by doing the appropriate experiments. needless to say, this has not happened. short of that, our only choice is to accept the conclusions reached by scientific methods: earth is very old, and fossils as well as artifacts such as stone tools and the shroud of turin can be dated accurately. as always, there are some cases where dating is uncertain, for example, when samples are contaminated or are too small for accurate analysis. but a few exceptions should not be latched on to in order to refute a whole analytical system proven to be accurate over and over again. the eye, the immune system, and bacterial flagella as irredu

ecus fossils have been found in multiple places in sub-saharan africa but not in the rest of the world. the genus australopithecus became extinct about 1.5 million years ago. however, about 2.5 million years ago, in kenya and ethiopia, some australopithecus individuals evolved into the first representatives of our own genus: homo (see figure 4.1. these first humans, called homo habilis, developed stone tool technology, were taller, and had a bigger brain size than did australopithecus. h. habilis became extinct about 1.5 million years ago, after some of them had evolved into more advanced homo erectus, about 1.9 million years ago. homo erectus also evolved in east africa. the tool technology of h. erectus was much more sophisticated than that of h. habilis. h. erectus was also tall, measur

humans, now extinct, which they named homo floresiensis. these creatures were remarkably small, being about one meter tall (a little over three feet, and had a small brain size. for this reason, they were nicknamed hobbits, in reference to the characters in j. r. r. tolkien novels. the hobbits may have reached their island as early as 800,000 years ago, as indicated by the discovery on flores of stone tools that old. h. floresiensis used stone weapons to hunt pygmy elephants (stegodon, a species now extinct) also then living on flores. since h. sapiens arrived in the area at least 45,000 years ago, there exists the intriguing possibility that both species coexisted for tens of thousands of years. the current interpretation for the existence of h. floresiensis is that these creatures were

MACNULTY W KIRK KABBALAH AND FREEMASONRY

e are three working tools associated with each degree; and those of the first degree are the gavel, the chisel, and the 24 inch gauge.55 these are tools of action; tools used to accomplish work. i have placed the gavel at nezah because its energy and rhythmic blows suggest capacity to experience passion which is associated with that sefirah. the chisel is a tool which works only on the surface of stone, and it represents education. it goes nicely at hod, which is associated with classification and analysis; useful and necessary, but superficial activities. the 24 inch gauge, which is related in masonic terms to the length of the day, is placed at yesod. it is a tool which measures quantity. by its use, the apprentice determines when to apply passion and when analysis and how much of each t

r warden; i.e. the individuation of the self in the sense that the term is used in jungian psychology. on the right side of the tree we see the "rough ashlar" which is one of the immovable jewels in the lodge.58 like faith, it relates to the "ground floor" the whole lower face of the tree. it represents the state in which the apprentice finds himself as he starts his work. an ashlar is a building stone, and a rough ashlar is a stone which has just been cut from the quarry. much work must be done on such a stone before it is ready to be placed in the building. on the other hand, an ashlar is an individual stone; it has been separated out; it will never be part of the bedrock again. in an analogous way, the apprentice who has been instructed in, and understands even a little of the symbolism

the quality of stability. i have placed the plumb rule at hesed because, for me, verticals have the quality of growth and aspiration (e.g. gothic architecture. the square, which defines the relationship between the other two, is placed at tiferet which has the function of holding the balance (maintaining the proper relationship) with respect to the two side sefirot. a perfect ashlar is a building stone which has been worked to its proper shape and is ready to be placed in the building. in figure 14 the perfect ashlar is shown to the right of the tree at the level of the soul, and according to the lectures such a stone is to be found within the middle chamber. for the figure 14. the tree of life with masonic symbols of the second degree. experienced craftsman to try, and adjust, his jewels

MAGIC AND SPELLS

ugh the exact effects vary by circumstance and user. talented wielders can release multiple blasts at once or even fly using the ability. a spellfire wielder can ready an action to absorb spells targeted at her as if she were a rod of absorption. she gets one level of spellfire energy for every spell level absorbed and can store a number of spellfire energy levels equal to her constitution score. stone undoubtedly possessed spellfire. he stood alone against an ore horde pouring south past the coldwood- and turned them into smokes and scorch scars- i could go on. so can anyone who cares to spend the years in study at candlekeep that i did before i chose to flee to this nameless backwater keep and cloak myself in squalor and obscurity. why did h spend my fortune and my eyesight, and then-ste

flee to this nameless backwater keep and cloak myself in squalor and obscurity. why did h spend my fortune and my eyesight, and then-steal away to here, to grow wizened and ugly and bent? why? well, because i have true spellfire too, of course. come looking for me, and i will blast you to dust, and then lay waste to all your descendants, ancestors, and the realm you came from, every last tree and stone of it. why? well, it's what i usually do -baerendra riverhand, sage of spandeliyon as a standard action, she may expend these spellfire energy levels as a ranged touch attack (maximum range 400 feet, dealing 1d6 points of spellfire damage per level expended (reflex half dc 20. spellfire damage is half fire damage and half raw magical power, just like the damage of aflame strike spell is half

g the rune itself. inscribing a rune requires a craft check against a dc of 20+ the level of the spell used. the craft skill you use is anything appropriate to the task of creating a written symbol on a surface (metalworking, calligraphy, gemcutting, stonecarving, woodcarving, and so on. you paint, draw, or engrave the rune onto a surface and make the check (dwarves usually engrave their runes in stone or metal in order to take advantage of their racial affinity for these items) if the check fails, the rune is imperfect and cannot hold the spell. the act of writing triggers the prepared spell, whether or not the craft check is successful, making the spell unavailable for casting until you rest and regain spells. that is, the spell is expended from your currently prepared spells, just as if

avern' domain deities: callarduran smoothhands, dumathoin, geb, ghaunadaur, grumbar, gruumsh luthic, segojan earthcaller, shar. granted power: you gain the dwarven ability of stonecunning. if you already have stonecunning, your racial bonus for stonecunning increases from +2 to +4 on checks to notice unusual stonework. cavetn domain spells 1 detect secret doors 6 find the path 2 darkness 7 maw of stone 3 meld into stone 8 earthquake 4 leomund's secure shelter 9 imprisonment 5 passwall chaos domain deities: aerdrie faenya, angharradh, anhur, bahgtru, beshaba, corel. lon larethian, cyric, deep sashelas, dugmaren brightmantle, eilistraee, erevan ilesere, fenmarel mestarine, finder wyvernspur, garagos, ghaunadaur, gruumsh haela brightaxe, hanali celanil, kiaransalee, labelas enoreth lliira, lo

umathoin, geb, gond, grumbar, luthic, moradin, segojan earthcaller, urdlen, urogalan. elf domain deities: aerdrie faenya, angharradh, corellon larethian, deep sashelas, eilistraee, erevan ilesere, fenmarel mestarine, hanali celanil, labelas enoreth, rillifane rallathil, sehanine moonbow, shevarash, solonor thelandira. granted power: free point blank shot feat. dwarf domain spells 1 magic weapon 6 stone tell 2 endurance 7 dictum 3 glyph of warding 8 protection from spells 4 greater magic weapon 9 elemental swarm 5 fabricate (earth spell only) darkness domain spells 1 obscuring mist 6 prying eyes 2 blindness/deafness 7 nightmare 3 blacklight 8 power word, blind 4 armor of darkness 9 power word, kill 5 darkbolt 1 animate rope 6 fantastic machine 2 wood shape 7 major- creation 3 stone shape' 8

MANLY P HALL THE SECRET TEACHINGS OF ALL AGES

and practice of alchemy, part ii the alchemical prayer--the emerald tablet of hermes--a letter from the brothers of r. c--the magical mountain of the moon--an alchemical formula--the dew of the sages. 157 the chemical marriage christian rosencreutz is invited to the chemical wedding--the virgo lucifera--the philosophical inquisition--the tower of olympus--the homunculi--the knights of the golden stone. 161 bacon, shakspeare, and the rosicrucians the rosicrucian mask--life of william shakspere--sir francis bacon--the acrostic signatures--the significant number thirty-three--the philosophic death. 165 the cryptogram as a factor in symbolic philosophy secret alphabets--the biliteral cipher--pictorial ciphers--acroamatic ciphers--numerical and musical ciphers--code ciphers. 169 freemasonic sy

that this breastplate was put on the necks of witnesses to test the veracity of their evidence. the druidic tiara, or anguinum, its front embossed with a number of points to represent the sun's rays, indicated that the priest was a personification of the rising sun. on the front of his belt the arch-druid wore the liath meisicith- a magic brooch, or buckle in the center of which was a large white stone. to this was attributed the power of drawing the fire of the gods down from heaven at the priest's command this specially cut stone was a burning glass, by which the sun's rays were concentrated to light the altar fires. the druids also had other symbolic implements, such as the peculiarly shaped golden sickle with which they cut the mistletoe from the oak, and the cornan, or scepter, in the

es, preserved the deepest secrecy, and admitted new members only after long probationary periods. many of the priests of the order lived in buildings not unlike the monasteries of the modern world. they were associated in groups like ascetics of the far east. although celibacy was not demanded of them, few married. many of the druids retired from the world and lived as recluses in caves, in rough-stone houses, or in little shacks built in the depths of a forest. here they prayed and medicated, emerging only to perform their religious duties. james freeman clarke, in his ten great religions, describes the beliefs of the druids as follows "the druids believed in three worlds and in transmigration from one to the other: in a world above this, in which happiness predominated; a world below, of

all the branches of an oak tree and fastening one of them to the main trunk in the form of the letter t. this oaken cross became symbolic of their superior deity. they also worshiped the sun, moon, and stars. the moon received their special veneration. caesar stated that mercury was one of the chief deities of the gauls. the druids are believed to have worshiped mercury under the similitude of a stone cube. they also had great veneration for the nature spirits (fairies, gnomes, and undines, little creatures of the forests and rivers to whom many offerings were made. describing the temples of the druids, charles heckethorn, in the secret societies of all ages& countries, says "their temples wherein the sacred fire was preserved were generally situate on eminences and in dense groves of oak

were carried by the legionaries to nearly all parts of europe. so powerful did the cult of mithras become that at least one roman emperor was initiated into the order, which met in caverns under the city of rome. concerning the spread of this mystery school through different parts of europe, c. w. king, in his gnostics and their remains, says "mithraic bas-reliefs cut on the faces of rocks or on stone tablets still abound in the countries formerly the western provinces of the roman empire; many exist in germany, still more in france, and in this island (britain) they have often been discovered on the line of the picts' wall and the noted one at bath" alexander wilder, in his philosophy and ethics of the zoroasters, states that mithras is the zend title for the sun, and he is supposed to d

MARS COCIDIUS AND THE REDCAPS IN LANCASHIRE

the herd flung off his clouted shoon and to the nearest fountain ran; he made his bonnet serve a cup, and wan the blessing o' the dying man 'now, honest herd, ye maun do mair, ye maun do mair, as i you tell; ye maun bear tidings to troughend, and bear likewise my last farewell 'a farewell to my wedded wife, a farewell to my brother john, wha sits into the troughend tower wi' heart as black as any stone 'a farewell to my daughter jean, a farewell to my young sons five; had they been at their father's hand, i had this night been man alive 'a farewell to my followers a, and a' my neighbors gude at need; bid them think how the treacherous ha's betrayed the life o' parcy reed 'the laird o' clennel bears my bow, the laird o' brandon bears my brand; when'er they ride i' the border-side, they'll m

MASTERING WITCHCRAFT

pe and into britain around 500 b.c. the indigenous britons, or prytani as they then were called, were a strange people, who buried their dead in great burial mounds, or barrows, used bronze as their only metal, and relied for weapons chiefly upon slender arrows with delicate elder-leaf-shaped flint tips. their religion, which was connected in some way with the moon and stars, was conducted amidst stone circles, surrounded by a bank and ditch (the original witch circle, in fact. the prytani appear to have kept very much to themselves, isolating themselves within raths, or large circular encampments, the only contact between the two races being made by the celtic shamans, or druids, a word probably signifying wise ones, or wizards. much or all of the druidic lore would appear to have been dr

with the old art of the employment of magical archetypal images, while in northern europe abbot trithemius and his pupils paracelsus, cornelius agrippa, and wierus turned their attentions circumspectly to the black arts. in england, dr. john dee, preoccupied with the lost lands of logres and the star temple at glastonbury, began his scrying experiments using a "great chrystalline globe" or seeing stone. it was during the course of these experiments that certain parts of the pre-flood language are said to have been rediscovered, a so-called enochian tongue, the original language of the nephelim. by the seventeenth century, the persecution of witches, by protestants now as well as catholics, seems to have fairly well decimated most of the centres of witch lore, save those preserved under hea

rse love goddess. others say that through its occasional use of acorns as beads, it derives from the worship of diana of ephesus, whose devotees saw the head of their goddess bound with a coif of hair in the shape of the acorn itself. the number of beads for the necklace often consists of multiples of nine or thirteen. acorns aside, however, the beads may be made of any material you please metal, stone or wood the only qualification being that they be fairly large and chunky. amber is a favourite, as also are turquoise and jet, many witches like to string their own, after exorcising the beads with fire and water initially and charging them in their own witch name, like any other magical tool, when they finish (for instructions on general exorcisms by fire and water as well as magical "char

albeit unwittingly maybe, with an equal and opposite means of fascinating others or casting your own evil eye! in effect, you will be fighting fire with fire! here is a list, in alphabetical order, of some of those stones you may care to use as the bezel of your ring or pendant: fascination gems amber diamond onyx beryl emerald peridot bloodstone jade sardonyx carbuncle jasper staurotides (cross-stone) carnelian jet ruby cat's-eye lapis lazuli turquoise coral moonstone zircon you may have your witch name engraved upon the ring or pendant either on the reverse surface or around the stone itself. sometimes the zodiac birth signs are also engraved, occasionally even a cabalistic word of power such as ararita, tetragrammaton, mehafelon, ananizapta, or shemhamphorash. incidentally, a very good

e morning star" the witch knows him by the name "herne" before beginning any divination, it is always important for the witch to bring her deep mind into contact with mercury; to tune into his waveband if you wish, whether the divination be performed by means of the relatively rudimentary entities governing the rune sticks, or by questioning a highly sophisticated entity such as vassago in a show stone. there are several methods of doing this, ranging from simply meditating upon one of the classical magical images of the winged mercury to the full ceremonial rite of invocation. to my way of thinking, none of the methods are as aesthetically satisfying or successful as the use of the magical square of mercury which, although cabalistic in its origin, is truly witchy in the manner of its emp

MATHERS MACGREGOR THE GREATER KEY OF SOLOMON VOL 1

midnight all the first-born, both of men and of animals, died; and by the name of yeshimon, which moses named and invoked, and the red sea divided itself and separated in two; and by the name hesion, which moses invoked, and all the army of pharaoh was drowned in the waters; and by the name anabona, which moses having heard upon mount sinai, he was found worthy to receive and obtain the tables of stone written with the finger of god the creator; and by the name erygion, which joshua having invoked when he fought against the moabites, he defeated them and gained the victory; and by the name hoa, and in the name hoa, which david invoked, and he was delivered from the hand of goliath; and by the name yod, which solomon having named and invoked, he was found worthy to ask for and obtain in sle

on, and in the name on, by which god shall restore and replace the sea, the rivers, the streams, and the brooks, in their previous state; and by the name messiach, and in the name messiach, by which god will make all animals combat together, so that they shall die in a single day; and by the name ariel, by which god shall destroy in a single day all buildings, so that there shall not be left one stone upon another; and by the name iaht, by which god will cast one stone upon another, so that all people and nations will fly from the sea-shore, and will say unto them cover us and hide us; and by the name emanuel, by which god will perform wonders, and the winged creatures and birds of the air shall contend with one another; and by the name anael, and in the name anael, by which god will cast

transin, emeth, chaia, iona, profa, titache, ben ani, briah, theit; all which names are written in heaven in the characters of malachim, that is to say, the tongue of the angels. we then, by the just judgment of god, by the ineffable and admirable virtue of god, just, living, and true, we call ye with power, we force and exorcise ye by and in the admirable name which was written on the tables of stone which god gave upon mount sinai; and by and in the wonderful name which aaron the high priest bare written upon his breast, by which also god created the world, the which name is axineton; and by the living god who is one throughout the ages, whose dwelling is in the ineffable light, whose name is wisdom, and whose spirit is life, before whom goeth forth fire and flame, who hath from that fi

MATHERS MACGREGOR THE GREATER KEY OF SOLOMON VOL 2

rength and defence in all magical operations, against all mine enemies, visible and invisible. i conjure thee anew by the holy and indivisible name of el strong and wonderful; by the name shaddai almighty; and by these names qadosch, qdaosch, qadosch, adonai elohim tzabaoth, emanuel, the first and the last, wisdom, way, life, truth, chief, speech, word, splendour, light, sun, fountain, glory, the stone of the wise, virtue, shepherd, priest, messiach immortal; by these names then, and by the other names, i conjure thee, o sword, that thou servest me for a protection in all adversities. amen. this being finished thou shalt wrap it also in silk like all the other instruments, being duly purified and consecrated by the ceremonies requisite for the perfection of all magical arts and operations

my left foot, and within my right hand. glory and eternity touch my shoulders, and guide me in the paths of victory. mercy and justice be ye the equilibrium and splendor of my life. understanding and wisdom give unto me the crown. spirits of malkuth conduct me between the two columns whereon is supported the whole edifice of the temple. angels of netzach and of hod strengthen me upon the cubical stone of yesod. o gedulahel! o geburahel! o tiphereth! binahel, be thou my love! ruach chokmahel, be thou my light! be that which thou art, and that which thou willest to be, o ketheriel! ishim, assist me in the name of shaddai. cherubim, be my strength in the name of adonai. beni elohim, be ye my brethren in the name of the son, and by the virtues of tzabaoth. elohim, fight for me in the name of

MATHERS MACGREGOR THE LESSER KEY OF SOLOMON LEMEGETON VOL 1

legions of spirits, and his seal is this, etc (45) vine- the forty-fifth spirit is vine, or vinea. he is a great king, and an earl; and appeareth in the form of a lion,20 riding upon a black horse, and bearing a viper in his hand. his office is to discover things hidden, witches, wizards, and things present, past, and to come. he, at the command of the exorcist will build towers, overthrow great stone walls, and make the waters rough with storms. he governeth 36 legions of spirits. and his seal is this, which wear thou, as aforesaid, etc (46) bifrons- the forty-sixth spirit is called bifrons, or bifrous, or bifrovs. he is an earl, and appeareth in the form of a monster; but after a while, at the command of the exorcist, he putteth on the shape of a man. his office is to make one knowing i

MATHERS MACGREGOR THE LESSER KEY OF SOLOMON LEMEGETON VOL 2

crets but are excellent in driving away spirits of darkness from any(thing) that is haunted (such) as houses& to call forth pamersiel or any of these his servants, make a circle in the form as is showed in the 1st. book goetia before going in the upper room of your house, or in a place that is airy because these spirits that are in this part are all airy. you may call these spirits into a crystal stone 4 inches (in) diameter sett on a table made as followeth which is called the secret table of solomon, having his seal on your breast& the girdle about your waist, as is showed in the book goetia, and you cannot err. the form of the table is this, when you have thus got what is to be theurgia goetia 9 prepared, rehearse the conjuration following several times, that is whilst the spirit comes

f the night there comes 1560 of his servants &c. they are all indifferent good by nature, and will obey in all things willingly &c. the conjuration "i conjure thee o thou mighty and potent prince geradiel, who wandereth here and there in the ayre; with thy servants; i conjure ye geradiel that thou, forthwith appeare with thy attendants in this first hour of the day- here before me in this crystal stone [or here before this circle &c. the name& seal of buriel the next of these wandering princes is called buriel; who hath many dukes and other servants, which doth attend on him to doe his will, they are all by nature evil; and are hated by all other spirits; they appear rugish& in the forme of a serpent lemegeton: clavicula salomonis 38 with a virgins head; and speaketh with a mans voyce, the

al nedriel his seal futiel; his seal drusiel his seal carmiel his seal drubiel his seal nastros his seal the conjuration "i conjure thee o thou mighty and potent prince buriel, who wandereth here and there in the ayre; with thy dukes& other (of) thy servant spirits- i conjure thee buriel that thou forthwith appear with thy attendents in this first hour of the night, here before me in this crystal stone [or here before this circle] in a faire and comely shape, to do my will in all things that i shall desire of you &c" theurgia goetia 39 hidriel his seal the 3rd. of these wandring princes is called hidriel, who hath 100 great dukes besides 200 lesser dukes& servants without number; whereof we shall mention 12 of the chiefe dukes who hath 1320 servants to attend them; they are to be called in

that follows: theurgia goetia 49 the conjurations appropriate to each rank the conjuration of the wandring princes "i conjure thee o thou mighty& potent prince bydiel, who wanderest here& there in the air, with thy dukes& other (of) thy servants spirits, i conjure thee bydiel that thou forthwith appear with thy attendance (attendants, in this first hour of the day, here before me in this crystal stone [or here before this circle] in a fair and comely shape to do my will in all things that i shall desire of you" note this mark* in the conjuration following& go on (from) there as it followeth [that is, in the conjuration of the dukes that do not wander, below- ed] the conjuration of the princes that govern the points of the compass "i conjure thee o thou mighty& potent prince pamersiel, who

conjuration of the dukes that do not wander, below- ed] the conjuration of the princes that govern the points of the compass "i conjure thee o thou mighty& potent prince pamersiel, who ruleth as (a) king in the dominion of the east under the great emperer carnatiel, i conjure thee pamersiel that you forthwith appear with thy attendents in this first hour of the day, here before me in this crystal stone [or here before this circle] in a fair& comely shape to (do) my will in all things that i shall desire of you& observe this (mark* in the conjuration (that follows) and go on as followeth. the conjuration of the 4 empires (emperors "i conjure thee o thou great& mighty& potent prince carnatiel who is the the emperor& chief king ruling in the dominion of the east, i conjure (thee) carnatiel th

MATHERS MACGREGOR THE LESSER KEY OF SOLOMON LEMEGETON VOL 3

in power by& by the 7 angels that stands before the throne of god& by the 7 planets& their seals& characters& by the angel that ruleth the sign of the 12th. house which now ascends in thy first hour, that you would be so graciously pleased to gird up yourself together& by divine permission to move& come from all parts of the world wheresoever you be& show thyself visibly& plainly in this crystal stone to the light of mine eyes, speaking with a voice intelligible& to my understanding& that you would be favorably pleased that i may have thy familiar friendship& constant society both now and at all times when i shall call thee forth to visible appearance, to inform& direct me in all things that shall seem good& lawful unto the creator& thee, o thou great& powerful angel samael i invocate adj

ignall& divine name of the great god who wast, is& ever shall be, adonay zebaoth, adonay amioram, hagios aglaon tetragrammaton& by& in the name primeumaton which commandeth the whole host of heaven, whose power& virtue is most effectual for the calling you forth& command you to transmit your rays perfectly to lemegeton: clavicula salomonis 14 my sight& voice to my ears, in& through this celestial stone, that i may plainly see you& perfectly hear you speak unto me, therefore move o thou mighty& blessed angel samael& by his present name of the great god jehovah& by the imperial dignity thereof, descend& show your self visibly& perfectly in a pleasant& comely form before me in this crystal stone to the sight of mine eyes, speaking with a voice intelligible to apprehension, declaring& accompli

found him, sincerely acknowledge him, do your duty. then will he, as being benign& sociable, illuminate your mind, taking away all that is obscure& dark in thy memory& make you knowing in all sciences sacred& divine in an instant [below is] a form of prayer which ought to be said upon that coast or quarter where the genijs is several times, it being an exorcism to call the genij into the crystal stone. note this prayer may be altered to the mind of the worker, for it is here sett for an example. the prayer o thou great& blessed n my angel guardian, vouchsafe to descend from thy holy mansion which is celestial with thy holy influence& presence into this crystal stone, that i may behold thy glory& enjoy thy society, aid& assistance both now& forever hereafter, o thou that art higher than th

actions or intentions be real& pure& sanctified before thee, bring thy external presence hither& converse with me, one of thy submissive pupils, in& by the name of the great god jehovah, whereunto the whole choir of heaven sings continually o alappa-la-man hallelujah, amen. when you have said this prayer over several times, as occasion serveth, you will at last see strange lights& passages in the stone& at last you will see your genius, then give him a kind entertainment as you were before directed, declaring unto him your mind& what you would have done. so endeth the book pauline lemegeton: clavicula salomonis 22 afterword by the editor the text and diagrams of this book were taken directly from a copy of sloane manuscript 2731. the handwriting in this section was small and cramped, even

MEANING OF MASONRY

you" the real lodge referred to throughout our rituals is our own individual personalities, and if we interpret our doctrine in the light of this fact we shall find that it reveals an entirely new aspect of the purpose of our craft. it is after investment with the apron that the initiate is placed in the n.e. corner. thereby he is intended to learn that at his birth into this world the foundation-stone of his spiritual life was duly and truly laid and implanted within himself; and he is charged to develop it; to create a superstructure upon it. two paths are open to him at this stage, a path of light and a path of darkness; a path of good and a path of evil. the n.e. corner is the symbolical dividing place between the two. in symbolical language, the n. always signifies the place of imperf

idates are made to say, have knocked at the door of certain secret sanctuaries in the confidence that door would open and that they would find in due course that for which they were seeking. those who institut ed modern speculative masonry some 250 years ago took certain material s lying ready to hand. they took, that is, the elementary rites and symbols pertaining to medieval operative guilds of stone-masons and transformed them into a system of religio-philosophic doctrine. thenceforward, from being related to the trade which deals in stones and bricks, the intention of masonry was to deal solely and simply with the greater science of soul-building; and, save for retaining certain analogies which the art of the practical stone-mason provided, thenceforward it became dedicated to purposes

became dedicated to purposes that are wholly spiritual, religious and philosophic. perhaps the chief evidence of the transformation thus effected was the incorporation of the central legend and traditional history comprised in our third degree. obviously that legend can have had no relation to, or practical bearing upon, the operative builders' trade. i will ask you to reflect that no building of stone, no temple or other edifice capable of being built with hands, has remained unfinished through the death of any professional architect such as hiram abiff is popularly supposed to have been. the principles of architecture, the genuine secrets of the building trade, are not and never have been lost; they are thoroughly well known, and the absurdity is manifest of supposing that masons of any

lently and without the sound of metal tool, is proceeding the perpetual work of rebuilding the unfinished and invisible temple of which t he mystical stones and timber are the souls of men. in that rebuild ing, men and women are taking part who, whilst formally not members of our craft, are still unconsciously masons in the best of senses. for whosoever is carefully and deliberately" squaring his stone" is fitting himself for his place in the" intended structure" which gradually is being" put together with exact nicety" and which, though erected by ourselves, one day will become manifest to our clearer vision and will appear" like the work of the great architect of the universe than that of human hands" upon us masons therefore, who have the advantage of a regular and organized system whic

s is singularly rich in allusion to certain interior processes of introspection well defined in the experience of the contemplative mystics and well attested in their records. the place entered emblematizes once again the material and psychical organism, a dense compact of material particles coating the more tenuous interior spirit of man as a shell surrounds the contents of an egg" roll away the stone" it will be recalled, was the first injunction of the master at the raising of lazarus. this obstruction removed, the psychical organism becomes detached from the physical and the mind is free to become introverted and work exploratively upon its own ground, to search the contents of its own unplumbed depths, to probe deeper and deeper into itself, eradicating defects and removing rubble, pu

MICHAEL FORD WITCHMOON

e is very significant. the self in a still or frozen state is often an avatar of building and controlled energy. when an individual controls their thoughts on almost every level, holding the point of consciousness between lines of almost subconscious existence, then the mind is at the threshold of magick and sorcery. this is why i have always relied on physical exercise and training as a stepping stone towards magickal practice. the mind on the conscious levels works extremely fast and remains intent when one is engrossed in physical activities such as hiking, swimming, climbing, running, weight training and such. a good time for sigil workings would be when one is focused on pushing the body towards a physical point of exhaustion. the practice of freezing the body in one focused state for

e taking. the desire was catching up with me, not just for any mere sexual congress, for something greater, more powerful and dynamic than before. i searched for this lady only by her invitation. i could feel a cold wind take me from my chamber window. this of course by my own acceptance. i understood that i had actually known her once, in order to be waking into her dream. she was within a cold, stone constructed ruin of a building, something of an ancient temple. worn with age and often bitter temperatures, i could feel the vast solar and nocturnal rites which had taken place long before. time frozen traces of solar birth rites, and ceremonies which celebrated strength and joy. these ruins now held the tomb and chamber of my woman who continued to call me. it was her essence, extended as

heavy oak carved into a lavish and noble wolf head, guarded against any approach. since i felt welcomed and wanted it was by that urging i entered the doorway. i do not recall specific details on the exact layout of the rooms except they were lit by dim burning candles. i felt her essence close by, so i drew my astral further into the chambers, until i found myself going down a staircase made of stone. the stone, even in this blue toned light, was gray and worn. there is a kind of pride and character to old brick and stone, often worn with stories of age and struggle. i knew a part of myself was home as i drifted down each stair. it is a very odd and surreal feeling to know a part of you is home especially if you have never traveled there. i only knew a mistress from the shadows, whose iv

MICHAEL TSARION ATLANTIS ALIEN VISITATION AND GENETIC MANIPULATION

ometary body, with our earth comyns beaumont (riddle of prehistoric britain)the debris from tiamats destruction has become the asteroid belt with its own orbit.when it nears the roche limit of this planet, the debris occasionally re-enters theatmosphere, falling to the surface. as researchers like charles fort have so splendidlycollated, our earth has seen strange rains of fish and frogs, oil and stone, hail and icedescending from the skies. what has been kept back is the fact that these anomaliesare really the remains of an entire planet, that of tiamat. the waters of its great oceansbecame frozen in space. when they entered our atmosphere, they liquefied, depositingtheir often live contents on the surface of earth to the perplexion and bemusement ofwitnesses. when it was written in the b

ry, they believed they could leave the planetwhenever they desired. earth was certainly not their home, but it was better than nothing in an emergency. but because they had arrived suddenly and not by choice,they were in a predicament as to where they were in celestial terms and in a quandaryabout where to go in the future. the nephilim with the help of the neanderthal raceconstructed and erected stone monuments and giant earth calendars on the plains fortheir astronomers to engage in calculations to orient themselves correctly in this newwing of the galaxy. there is some evidence to indicate that the nephilim did not leave earth immediatelybecause they feared that the solar system after the destruction of tiamat was magneticallyunstable to the extent of preventing them from flying out and

is a greek wordfor fallen angel. see alex de jongs rasputin. in many cases, he also possessed a familiar weapon or talisman with magical proper-ties. magic was the word used for high technologies not understood by the witnesses of the day.if a machine works perfectly, the results are like magic. the celtic sagas are full of mentionof magical weapons and treasures. one of the latter was the sacred stone of fal that wasplaced under the throne of the king in tara (drumcain or hill of the serpents. this stone, itwas said, would cry out if a false one sat to be crowned. we might ask what mystery isatlantis, alien visitation, and genetic manipulation23 old world disorder secreted in this myth? the word fal actually means stone and is the root of the word phallic.the stone of fal is, therefore, t

ne of fal that wasplaced under the throne of the king in tara (drumcain or hill of the serpents. this stone, itwas said, would cry out if a false one sat to be crowned. we might ask what mystery isatlantis, alien visitation, and genetic manipulation23 old world disorder secreted in this myth? the word fal actually means stone and is the root of the word phallic.the stone of fal is, therefore, the stone of stones, probably a powerful crystal thatwould indicate if a person was genetically altered in some way (this stone, like the lingamof the hindus, was believed to be connected to the planet saturn, for whom the earthly kingsruled) in folklore, there are covert references to genetic manipulation. consider the entitycalled a changeling. was this an alien substitute for a human infant? moreov

ng to gather the facts to make it stick. the race of adam30atlantis, alien visitation, and genetic manipulation and researcher laurence gardner puts it this way: it took man over a million years to progress from using stones as he found them to the real-ization that they could be chipped and flaked to better purpose. it then took another 500,000years before neanderthal man mastered the concept of stone tools, and a further 50,000years before crops were cultivated and metallurgy was discovered. hence, by all scales ofevolutionary reckoning, we should still be far removed from any basic understanding ofmathematics, engineering or science but here we are, only 7,000 years later, landingprobes on marsso, how did we inherit wisdom, and from whom? and most mysterious of all, we have the followin

MICHAEL WYNN THE SOUL TRAVELERS

re, according the mande people, symbols of resurrection. the most high god brought faro back to life, and sent him to earth in human form aboard an ark. the ark, which landed on mount kouroula, was of coarse loaded with a small group of humans and 2 of every animal. the incas of peru tell the story of a creator god named virococha, who created the world that was populated by giants he carved from stone. these giants were terribly disobedient and disorderly, and viracocha destroyed this race of giants with a massive flood. the hindu tradition of india, like countless others, often describes gods as taking human form and incarnating on earth. the many incarnations of vishnu upon the earth are certainly modeled after, and considered to be, a savior figure. the first incarnation of the benevol

also difficult, because in order to measure things like speed, location, and direction one must build a sensor that interacts with the subatomic particle, thereby changing the coarse of destiny. surely these poor scientists are frustrated by particles that always do something different just because they re not watching. it was once a philosophical question as to whether it was possible to break a stone into an infinitely small pieces. scientists and philosophers would speculate over the existence of an elementary particle, a particle that could not be broke apart and represented the fundamental building blocks of the universe. this continued until evidence emerged that the universe was indeed made of unbreakable, fundamental particles and these particles were called atoms. it would later b

pt the merely curious at bay. traces of this truth can be found in popular culture where you have the witch, reading off a list of arbitrary herbs and arbitrary body parts of arbitrary animals, and throwing them into a stirring cauldron on arbitrary nights of the year--michael wynn's "the soul travelers" 40 famous phrases: a journey into absurdity likewise any one may cure the tooth-ache with the stone that is in the head of the toad; also, if any one shall catch a living frog before sun-rise, and he or she spits in the mouth of the frog, will be cured of an asthmatic consumption--likewise the right or left eye of the same animal cures blindness; and the fat of a viper cures a bite of the same. black hellebore easeth the head-ache, being applied to the head, or the powder snuffed lip the n

f these hidden properties, both elemental and planetary, is measured in personality, rather than in the mathematically-sound inches and pounds that physical properties are measured by. each of the elements and planets has correspondences to almost everything imaginable. everything from body parts, to odors, to points on the compass, to angels. listening to magicians explain why that odor, or that stone, or that type of tree corresponds to a particular planet certainly makes for some comedy. so not only can someone insert the influence (property/essence) of, say, jupiter into an object, but the physical makeup--michael wynn's "the soul travelers" 48 of the object makes it inclined towards a particular planetary or elemental influence. in this case, one would choose objects whose physical qu

e of the earth where the veil between our world and the spirit world (or the past) is extremely thin. and when certain random conditions conspire, the veil between the worlds is completely lifted, allowing those on both sides to interact temporarily. i have even heard that on nights such as halloween, the veil is thinner at all points. traditionally ancient man marked these locations with massive stone monuments and structures; the pyramids, and stonehenge to name a few examples; i have heard stonehenge to be particularly powerful. understandably, ancient man conducted many magic rituals and rites of transformation at these locations. but these special locations on earth s surface don t occur only as hotspots, but also as linear paths that circled the earth. in the past, these paths were c

MORALS AND DOGMA

the limits of law and order, symbolized by the twenty-four-inch rule, has for its fruit liberty, equality, and fraternity--liberty regulated by law; equality of rights in the eye of the law; brotherhood with its duties and obligations as well as its benefits. you will hear shortly of the _rough_ ashlar and the _perfect_ ashlar, as part of the jewels of the lodge. the rough ashlar is said to be "a stone, as taken from the quarry, in its rude and natural state" the perfect ashlar is said to be "a stone made ready by the hands of the workmen, to be adjusted by the working-tools of the fellow-craft" we shall not repeat the explanations of these symbols given by the york rite. you may read them in its printed monitors. they are declared to allude to the self-improvement of the individual crafts

sted by the working-tools of the fellow-craft" we shall not repeat the explanations of these symbols given by the york rite. you may read them in its printed monitors. they are declared to allude to the self-improvement of the individual craftsman--a continuation of the same superficial interpretation. the rough ashlar is the people, as a mass, rude and unorganized. the perfect ashlar, or cubical stone, symbol of perfection, is the state, the rulers deriving their powers from the consent of the governed; the constitution and laws speaking the will of the people; the government harmonious, symmetrical, efficient--its powers properly distributed and duly adjusted in equilibrium. if we delineate a cube on a plane surface thus [illustration] we have visible _three_ faces, and _nine_ external l

vement, chequered in squares or lozenges, is said to represent the ground-floor of king solomon's temple; and the indented tessel "that beautiful tesselated border which surrounded it" the blazing star in the centre is said to be "an emblem of divine providence, and commemorative of the star which appeared to guide the wise men of the east to the place of our saviour's nativity" but "there was no stone seen" within the temple. the walls were covered with planks of cedar, and the floor was covered with planks of fir. there is no evidence that there was such a pavement or floor in the temple, or such a bordering. in england, anciently, the tracing-board was surrounded with an indented border; and it is only in america that such a border is put around the mosaic pavement. the tesser, indeed

he lodge are said to be six in number. three are called"_movable" and three"_immovable" the square, the level, and the plumb were anciently and properly called the movable jewels, because they pass from one brother to another. it is a modern innovation to call them immovable, because they must always be present in the lodge. the immovable jewels are the rough ashlar, the perfect ashlar or cubical stone, or, in some rituals, the double cube, and the tracing-board, or trestle-board. of these jewels our brethren of the york rite say "the _square_ inculcates morality; the _level, equality; and the _plumb, rectitude of conduct" their explanation of the immovable jewels may be read in their monitors* our brethren of the york rite say that "there is represented in every well-governed lodge, a cer

n of the initiate everywhere; and everywhere they were the heritage of the priests, who were nowhere willing to make the common people co-proprietors with themselves of philosophical truth. masonry is not the coliseum in ruins. it is rather a roman palace of the middle ages, disfigured by modern architectural improvements, yet built on a cyclop an foundation laid by the etruscans, and with many a stone of the superstructure taken from dwellings and temples of the age of hadrian and antoninus. christianity taught the doctrine of fraternity; but repudiated that of political equality, by continually inculcating obedience to caesar, and to those lawfully in authority. masonry was the first apostle of equality. in the monastery there is _fraternity_ and _equality, but no _liberty. masonry added

MOTTA MARCELO THE COMMENTARIES OF AL

ith the commentaries by a. c, which are printed in common type and are in class b, or with the commentaries 'by another of which this is one, which are printed in italics and are in class c. 37. also the mantras and spells; the obeali and the wanga; the work of the wand and the work of the sword; these he shall learn and teach. each star is unique, and each orbit apart; indeed, that is the corner-stone of my teaching, to have no standard goals or standard ways, no orthodoxies and no codes. the stars are not herded and penned and shorn and made into mutton like so many voters! i decline to be bell-weather, who am born a lion! i will not be collie, who am quicker to bite than to bark. i refuse the office of shepherd, who bear not a crook but a club. wise in your generation, ye sheep, are ye

ferocity the existence of people who laugh at his fears, and tell him the monster he fears is in reality not a fire-breathing worm, but a spirited horse, well trained to the task of the bridle. they tell him not to be a gibbering coward, but to learn to ride. knowing well how abject he is, the kindly manhood of the advice is, to him, the bitterest insult he can imagine, and he calls on the mob to stone the blasphemer. he is therefore particularly anxious to keep intact the bogey he so dreads; the demonstration that love is a general passion, pure in itself, and the redeemer of all them that put their trust in him, is to tear open the raw ulcer of his soul. we of thelema are not the slaves of love "love under will" is the law. we refuse to regard love as shameful and degrading, as a peril t

the cruel lash of the overseer; as the sadomasochism characteristic of the slave spirit would have us believe: they were built by select crews of workers who elected their own foremen and cheerfully competed with each other to see which crew would work faster. they were paid from the royal treasure and fed from the royal granaries. they recorded their own jokes or incidents of the working day in stone. one such inscription has been translated by scholars as meaning that "some gangs were so pleased to work for the king that, as a later foreman said, they toiled 'without a single man getting exhausted, without a man thirsting; and at last 'came home in good spirits, sated with bread, drunk with beer, as if it were the beautiful festival of a god. all this, of course, from their happiness in

sted, your only tacticians the ostrich, the opossum, and the cuttle, will you not break and flee at our first onset, as with levelled lances of lust we ride at the charge, with our allies, the whores whom we love and acclaim, free friends by our sides in the battle of life? the book of the law is the charter of woman; the word thelema has opened the lock of her "girdle of chastity. your sphinx of stone has come to life; to know, to will, to dare and to keep silence. yea, i, the beast, my scarlet whore bestriding me, naked and crowned, drunk on her golden cup of fornication, boasting herself my bedfellow, have trodden her in the marketplace, and roared this word that every woman is a star. and with that word is uttered woman's freedom; the fools and fribbles and flirts have heard my voice

MYTHS AND LEGENDS OF ANCIENT CIVILIZATIONS E

order, therefore, to render the prophecy impossible of fulfilment, cronus swallowed each child as soon as it was born,[3] greatly to the sorrow and indignation of his wife rhea. when it came to zeus, the sixth and last, rhea resolved to try and save this one child at least, to love and cherish, and appealed to her parents, uranus and gaa, for counsel and assistance. by their advice she wrapped a stone in baby-clothes, and cronus, in eager haste, swallowed it, without noticing the deception. the child thus saved, eventually, as we shall see, dethroned his father cronus, became supreme god in his stead, and was universally venerated as the great national god of the greeks. page 14 page 15 anxious to preserve the secret of his existence from cronus, rhea sent the infant zeus secretly to cret

idly, developing great physical powers, combined with [16]extraordinary wisdom and intelligence. grown to manhood, he determined to compel his father to restore his brothers and sisters to the light of day, and is said to have been assisted in this difficult task by the goddess metis, who artfully persuaded cronus to drink a potion, which caused him to give back the children he had swallowed. the stone which had counterfeited zeus was placed at delphi, where it was long exhibited as a sacred relic. cronus was so enraged at being circumvented that war between the father and son became inevitable. the rival forces ranged themselves on two separate high mountains in thessaly; zeus, with his brothers and sisters, took his stand on mount olympus, where he was joined by oceanus, and others of th

which stood in the altis or sacred grove, was five hundred years older than that of zeus on the same spot. some interesting excavations which are now going on there have brought to light the remains of the ancient edifice, which contains among other treasures of antiquity several beautiful statues, the work of the famous sculptors of ancient greece. at first this temple was built of wood, then of stone, and the one lately discovered was formed of conglomerate of shells. in the altis races were run by young maidens in honour of hera, and the fleetest of foot received in token of her victory an olive-wreath and a piece of the flesh of the sacrifices. these races, like the olympic games, were celebrated at intervals of four years, and were called hera. a beautiful robe, woven by sixteen women

her means of defence, which, when in danger, she swung so swiftly round and round that it kept at a distance all antagonistic influences; hence her name pallas, from pallo, i swing. in the centre of this shield, which was covered with dragon's scales, bordered with serpents, and which she sometimes wore as a breastplate, was the awe-inspiring head of the medusa, which had the effect of turning to stone all beholders. in addition to the many functions which she exercised in connection with the state, athene presided over the two chief departments of feminine industry, spinning and weaving. in the latter art she herself displayed unrivalled ability and exquisite taste. she wove her own robe and that of hera, which last she is said to have embroidered very richly; she also gave jason a cloak

sacred portion of the dwelling, probably because the protection of the fire was an important consideration, for if once permitted to become extinct, re-ignition was attended with extreme difficulty. in fact, the hearth was held so sacred that it constituted the sanctum of the family, for which reason it was always erected in the centre of every house. it was a few feet in height and was built of stone; the fire was placed on the top of it, and served the double purpose of preparing the daily meals, and consuming the family sacrifices. round this domestic hearth or altar were gathered the various members of the family, the head of the house occupying the place of honour nearest the hearth. here prayers were said and sacrifices offered, and here also every kind and loving feeling was foster

NAGEL CARL AMAZING SECRETS OF OCCULT POWER

oe and were left there until the young girl either came to the warlock or faded away. the black pullet the warlock of medieval times did not confine his witchery to the securing of love alone; he also lusted after buried treasure and its possession. imagine if you will egypt in 1740. a young officer is sent< on an expedition to the pyramids. the party of explorers lunch in the shadow of the great stone mountains of the desert, and are attacked by a horde of arabs. the comrades of the young officer are slain, and he himself is left for dead upon the ground. on returning to consciousness, he surrenders himself to the immediate anticipation of his end, and delivers a farewell address to the setting sun. a stone is rolled back in the pyramid, and a venerable old man issues forth. the old man d

NAUDON PAUL THE SECRET HISTORY OF FREEMASONRY

initiation the purpose of which was to ensure them a vocation and which added to the mysteries whose teaching was hidden from the public. it must be assumed that architecture, like all other sciences, was taught in secret. louis hautcoeur writes: the first architects known in egypt, in asia minor, performed sacred duties independent from their role as builders. imhotep, who built the first large stone complex in saqqarah, was counselor to the pharaoh sozer (circa 3800 b.c, but was also priest of the god amun. sennemut, architect of queen hatseput, was the head of the prophets of monthu in armant and controller of the gardens and domains of amun. dherti was the director of buildings and a high priest. in the louvre there are seated statues of goudea, who was both a patesi, meaning a govern

ork. the other professions made up the private colleges, which were actually semi-public bodies. these included mainly the dendrophori and tignarii, artisans specializing in woodwork. the college of the tignarii, homebuilders, remained hugely important and was widespread throughout the empire. among the other colleges were the argentarii (bankers, the lapidarii and marmorii (various categories of stone and marble workers, the centonarii (garment manufacturers, the negotiares vini (wine merchants) and the medici (doctors) and professori (teachers. generally speaking, the state granted each collegium a monopoly on its trade. the members enjoyed certain advantages. for instance, they were exempt from certain taxes and from being drafted for labor. it was forbidden, however, for collegiates to

college chose a god whose attributions were related to the daily labor of its members (for example, sylvanus, god of woods, for the dendrophori, or wood carvers. in other cases it might choose a deceased emperor or even a foreign deity. we know that the romans often adopted the gods of other peoples. we can surmise what deity the roman tignarii, or carpenters, chose for themselves by looking at a stone discovered in 1725 in chichester, england, that bears the dedication (52 a.d) of a temple to minerva, goddess of wisdom, and neptune, god of the sea. the latter may well have been invoked both for the protection of the tignarii, who frequently had to cross the channel, and for the construction of boats.10 a similar inscription discovered in nice-cimiez shows the lapidarii making a vow to her

ns originally used it in complete derision. in reality, the term goes back to a much earlier time. it can be found in the writings of fridegode, a historian who wrote in latin in 950. fridegode said, in speaking of the saint ouen church of rouen* that it was built* as we have seen, this was built by "goth" architects. 38 the origins of freemasonry from ancient times to the middle ages in quarried stone with a kind of magnificence in the gothic manner "muro opere quadris lapidibus, manu gothica. olim nobiliter constructa" 2 the word gothic continued to be used subsequently to label what we now call romanesque art, which was later distinguished from the new, ogival ribbed style by names such as old gothic and new gothic. these terms indicate with extreme precision the origin of these styles

onsider more closely how gothic art emerged and spread. the order of saint benoit first contributed to the spread of the art of building through its preeminent role in the propagation of the sciences. until the tenth century, churches were primarily built of wood. the art or science of framework construction, although complicated, is still less difficult than that of cutting and constructing with stone. the progress of this latter method brought about the overall advancement of architecture. stonecutting in fact leads to statics, the science of balance, and mathematics is the basic element of this discipline. toward the end of the tenth century, a man renowned for his position, character, and worth, the benedictine gerbert (a native of aurillac ecclesiastical and monastic associations 39 a

NECRONOMICON ALAZIF

se up ye stones to form ye gate through which they from ye outer void might manifest thou must set up ye al azif page 2 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 stones in ye elevenfold configuration. first thou shalt raise up ye four cardinal stones and these shall mark ye direction of ye four winds as they howleth through their seasons. to ye north set ye the stone of great coldness that shall form ye gate of ye winter-wind engraving thereupon the sigil of the earth-bull thus: taurus sigil in ye south (at a space of five paces from ye stone of ye north, thou shalt raise a stone of fierceheat, through which ye summer winds bloweth and make upon ye stone ye mark of ye lion-serpent thus: leo sigil ye stone of whirling-air shall be set in ye east where ye

se a stone of fierceheat, through which ye summer winds bloweth and make upon ye stone ye mark of ye lion-serpent thus: leo sigil ye stone of whirling-air shall be set in ye east where ye first equinox riseth and shall be graven with ye sign of he that beareth ye waters, thus: aquarius sigil ye gate of rushing torrents thou cause to beat the west most inner point (at a space of five paces from ye stone of ye east) where ye sun dieth in ye evening and ye cycle of night returns. blazon ye stone with ye character of ye scorpion whose tail reacheth unto the stars: scorpio sigil set thou the seven stones of those that wander ye heavens, without ye inner four and through their diverse influences shall ye focus of power be established. in ye north beyond the stone of great coldness set ye first y

one of ye east) where ye sun dieth in ye evening and ye cycle of night returns. blazon ye stone with ye character of ye scorpion whose tail reacheth unto the stars: scorpio sigil set thou the seven stones of those that wander ye heavens, without ye inner four and through their diverse influences shall ye focus of power be established. in ye north beyond the stone of great coldness set ye first ye stone of saturn at a space of three paces. this being done proceed thou widdershins placing at like distances apart ye stones of jupiter, mercury, mars, venus, sul and luna marking each with their rightful sign. at ye center of the so completed configuration set ye the alter of ye great old ones and seal it with ye symbol of yog-sothoth and ye mighty names of azathoth, cthulhu, hastur, shub- niggu

rd place goeth ye great sign of koth which sealeth ye gates and guardeth ye pathways. ye forth sign is that of ye elder gods. it protecteth those who would evoke ye powers by night, and banish ye forces of menace and antagonism. al azif page 4 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 (nota: ye elder sign hath yet another form and when so enscribed upon ye grey stone of mnar it serveth to hold back ye power of ye great old ones for all time) to compound ye incense of zkauba in the day and hour of mercury with the moon in her increase, thou shalt take equal parts of myrrh, civet, storax, wormwood, assafoetida, galbanum and musk, mix well together and reduce all to the finest powder. place the so assembled elements in a vessel of green glass and seal with

who seeketh northwards beyond the twilight land of inquanok shall find amidst the frozen waste the dark and mighty plateau of thrice-forbidden leng. know ye time-shunned leng by the ever-burning evil-fires and ye foul screeching of the scaly shantak birds which ride the upper air; by the howling of ye na-hag who brood in nighted caverns and haunt men's dreams with strange madness, and by the grey stone temple beneath the night gaunts lair, wherein is he who wears the yellow mask and dwelleth all alone. but beware o man, beware, of those who tread in darkness the ramparts of kadath, for he that beholds their mitred-heads shall know the claws of doom. of kadath ye unknown what man knoweth kadath? for who shall know of that which ever abides in strange-time, twix yesterday, today and the morr

NEW WORLD ORDER OR OCCULT SECRET DESTINY

n national and global transformation. the mandala of the new world order and illuminati control. annuit coeptis he has blessed our beginning, novus ordo seclorum new order of the ages. the all-seeing eye of horus, the resurrected egyptian sun god, biblically refered to as lucifer, the angel of light. in occult doctrine it is thought that from the union of spirit and matter (the pyramid is made of stone, rock, and earth and represents the unconscious. the capstone is made of an immaterial substance light or spirit and is conscious, a new being a transformed being is created. the seal s reverse depicts a separation state in the separation of the eye the triangle. the pyramid exemplifies the initiati