Michael Wynn's Occult Reference Library
SIGIL,SIGILS

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ALEE J BOOK OF AIWASS

n you assume godform, the effect is the same whether you choose pan or isis as a model! it makes no difference if the deity is egyptian, greek or roman. the time has come to outline a no frills shortcut; 1. try getting a modest amount of background information about the deity so your brain responds to the correct archetype. 2. procure a painting, statue, print, drawing of the deity along with the sigil related to it. 3. prepare a place for quiet meditation lit with candles you feel are most conducive. place the likeness of the deity in plain view, at eye level, along with the sigil. 4. make sure you're seated comfortably, either on a chair or cushion. 5. fixing your eyes on the likeness of the deity, keep repeating the obvious in a forceful and compelling manner. for example "you are satan

ALEISTER CROWLEY AD MEIORUM CTHULHI GLORIAM

iths. it was a simple enough symbol to identify with the author of evil, satan, which the church depicted as a half-animal, half-human creature with horns, claws, and sometimes a tail. the church's use of the horns as a sort of archetype of evil is quite similar to the feeling many people have today with regards to the swastika used by the nazis, a symbol which has become the archetype of an evil sigil in the west. the fact that it is a highly valued mystical and religious symbol in the east is something that is not well-known. what is worse, the image of the devil as perpetrated by the church is simultaneously representative of sexual energy, and can be safely compared to jung's archetype of the shadow, the psychic repository of a man's innate maleness, as the anima represents that part o

g the formulae of ritual conjuration, as well as the seals and diagrams to accompany the rites. it is followed by "the book of fifty names" being fifty separate powers of the god marduk, defeater of chaos. this is interesting, in that the names seem to come from the enuma elish, in which the elder gods confer these fifty names upon marduk as titles, in their appreciation of his routing of evil. a sigil is given for each of the names, and a word of power for most of them. then appears the centrepiece of the book, the magan text. the word magan may mean the land of the magan which was said to lie in the west of sumer. for a time, it seems the name magan was synonymous with the place of death- as the sun 'died' in the west. hence, it is a bit confusing as to what magan is really supposed to m

evil spirit zi dingir anna kanpa! spirit, god of the sky, remember! zi dinger kia kanpa! spirit, god of the earth, remember! a word concerning the original manuscript the editor and the publishers anticipate that there will be a demand at first for privileged views of the original necronomicon, whether out of curiosity's sake, or by nervous experimenters who will be certain that we did not copy a sigil correctly, etc. let us hasten to state at this point that the original ms. is neither the property of the editor, nor the publishers. we were given the right to translate and publish this work, with as much additional and explanatory material as needed, but not the right to hold the ms. up to public inspection. we regret that this is the case, but we also feel that it might be advisable, in

e, that was the gate to the outside: an this is the amulet that i held in my hand, and hold to this very day, around my neck as i write these words: of the three carved symbols, the first is the sign of our race from beyond the stars, and is called arra in the tongue of the scribe who taught it to me, an emissary of the elder ones. in the tongue of the eldest city of babylon, it was ur. it is the sigil of the covenant of the elder gods, and when they see it, they who gave it to us, they will not forget us. they have sworn! spirit of the skies, remember! the second is the elder sign, and is the key whereby the powers of the elder gods may be summoned, when used with the proper words and shapes. it has a name, and is called agga. the third sign is the sigil of the watcher. it is called banda

e must be made in a clean and new bowl with the appropriate sigils inscribed thereupon, being the three grey carven signs of the rock of my initiation, which are: they must be engraved upon the bowl with a fine stylus, or painted thereon with dark ink. the sacrifice must be new bread, pine resin, and the grass olieribos. these must be burned in the new bowl, and the sword of the watcher, with his sigil engraved thereupon, at hand, for he will inhabit such at the time of the calling of the watcher and will depart when he is given license to depart. the watcher comes from a race different from that of men and yet different from that of the gods, and it is said that he was with kingu and his hordes at the time of the war between the worlds, but was dissatisfied and did cleave unto the armies

he moon; even with whirling sand and wind, as with empty stillness, and it is the able magician indeed who can remove pazuzu once he has laid hold of a man, for pazuzu lays hold unto death. know that humwawa and pazuzu are brothers. humawaw is the eldest, who rides upon a silent, whispering wind and claims the flocks for his own, by which sign you shall know that pazuzu will come. and this is the sigil of pazuzu by which he is constrained to come: of all the gods and spirits of abomination, there can be no use or gain to call upon azag-thoth, as he is surely mad. rendered sightless in the battle, he is lord of chaos, and the priest can find little use for him. he is also too powerful to control once called, and gives violent struggle before sent back to the gate, for which only a strong an

ALEISTER CROWLEY BOOK OF LIES

en spirits of god. seven are the heads of the beast whereon she rideth. the head of an angel: the head of a saint: the head of a poet: the head of an adulterous woman: the book of lies get any book for free on: www.abika.com 104 head of a man of valour: the head of a satyr: and the head of a lion-serpent. seven letters hath her holiest name; and it is a b 77 b a (drawn upon this page is the 77 77 sigil of babalon) n l 7 o this is the seal upon the ring that is on the forefinger of it: and it is the seal upon the tombs of them whom she hath slain. here is wisdom. let him that hath understanding count the number of our lady; for it is the number of a woman; and her number is an hundred and fifty and six [108] commentary( mu-theta) 49 is the square of 7. 7 is the passive and feminine number

is of course nemo, the master of the temple, liber 418 will explain most of the allusions in this chapter. in paragraphs 5 and 6 the author frankly identifies himself with the beast referred to in the book, and in the apocalypse, and in liber legis. in paragraph 6 the book of lies get any book for free on: www.abika.com 105 word "angel" may refer to his mission, and the word "lion-serpent" to the sigil of his ascending decan (teth= snake=spermatozoon and leo in the zodiac, which like teth itself has the snake-form. theta first written sun= lingam- yoni and sol) paragraph 7 explains the theological difficulty referred to above. there is only one symbol, but this symbol has many names: of those names babalon is the holiest. it is the name referred to in liber legis, 1, 22. it will be noticed

g decan (teth= snake=spermatozoon and leo in the zodiac, which like teth itself has the snake-form. theta first written sun= lingam- yoni and sol) paragraph 7 explains the theological difficulty referred to above. there is only one symbol, but this symbol has many names: of those names babalon is the holiest. it is the name referred to in liber legis, 1, 22. it will be noticed that the figure, or sigil, of babalon is a seal upon a ring, and this ring is upon the forefinger of it. this identifies further the symbol with itself. it will be noticed that this seal, except for the absence of a border, is the official seal of the a'.a. compare chapter 3. it is also said to be the seal upon the tombs of them that she hath slain, that is, of the masters of the temple. in connection with the number

with man! plunge from the height, o man, and interlock with beast! the red triangle is the descending tongue of grace; the blue triangle is the ascending tongue of prayer this interchange, the double gift of tongues, the word of double power-abrahadabra!-is the sign of the great work, for the great work is accomplished in silence. and behold is not that word equal to cheth, that is cancer. whose sigil is cancer? this work also eats up itself, accomplishes its own end, nourishes the worker, leaves no seed, is perfect in itself. little children, love one another! book of lies get any book for free on: www.abika.com 145 [148] commentary( xi-theta) the key to the understanding of this chapter is given in the number and the title, the former being intelligible to all nations who employ arabic

is client. in the interlocking is indicated the completion of the work. paragraph 4 explains in slightly different language what we have said above, and the scriptural image of tongues is introduced. in paragraph 5 the symbolism of tongues is further developed. abrahadabra is our primal example of an interlocked word. we assume that the reader has thoroughly studied that word in liber d, etc. the sigil of cancer links up this symbolism with the number of the chapter. the remaining paragraphs continue the gallic symbolism. book of lies get any book for free on: www.abika.com 146 [149] 70 kappa-epsilon-phi-alpha-lambda-eta omicron broomstick-babblings frater perdurabo is of the sanhedrim of the sabbath, say men; he is the old goat himself, say women. therefore do all adore him; the more they

st exquisite of chow-chow. these did i devise. but i have never tasted anything to match the) which she gave me before she went away. march 22, 1912. e. v. book of lies get any book for free on: www.abika.com 181 [184] commentary( pi-zeta) this chapter is technically one of the laylah chapters. it means that, however great may be one's own achievements the gifts from on high are still better. the sigil is taken from a gnostic talisman, and refers to the sacrament. book of lies get any book for free on: www.abika.com 182 [185] 88 kappa-epsilon-phi-alpha-lambda-eta pi-eta gold bricks teach us your secret, master! yap my yahoos. then for the hardness of their hearts, and for the softness of their heads, i taught them magick. but..alas! teach us your real secret, master! how to become invisibl

ALEISTER CROWLEY LIBER CHANOKH

89 27. lea. 79. saziami 7220 80. mathvla 7560 81. orpanib24 7263 22043 28. tan. 82. labnixp 2630 83. pocisni 7236 84. oxlopar 8200 18066 29. zen. 85. vastrim 9632 86. odraxti 4236 87. gomziam 7635 21503 30. pop. 88. taoagla25 4632 89. gemnimb 9636 90. advorpt 7632 91. dozinal26 5632 27532 plate x shows us the names of these governers in the four watch-towers. compare with plate iii. note that the sigil of each governor is unique; the four sigils at the corners of plate x. without the great square are those of the four great elemental kings: air tahaoeloj. water thahebyobeaatan.27 earth thahaaotahe. fire ohooohaatan.28 liber lxxxiv 19 the characters upon the table of watchtowers29 plate x the forty-eight keys or calls 20 part ii the forty-eight keys or calls these are most solemn invocation

ng pentagram of spirit passive and pronounce these names: hyha. alga. hcoma [make the invoking pentagram of water and pronouce: l a. twabx \yhla] the forty-eight keys or calls 24 and elohim said: let us make adam in our own image; and let them have dominion over the fish of the sea! in the name of l a, strong and powerful, and in the name of twabx \yhla, spirits of water, adore your creator [make sigil of eagle with cup] in the name of larbg and in the sign of the eagle, spirits of water, adore your creator [make cross with cup] in the names and letters of the great western quadrangle, spirits of water, adore your creator [elevate cup] in the three great secret names of god, mph arsl gaiol that are borne upon the banners of the west, spirits of water, adore your creator [elevate cup] in th

that part that he is of paraoan the governour. ave, during the working of 2nd july 1584 (tfr p. 188. previously (p. 176) ave remarked of the reversed p in the first watchtower, for beginning there it will make the name of a wicked spirit. 23: thus in the equinox publication. james typeset of liber scienti has orcanir which is consistent with the 1584 great table; however, reading the appropriate sigil off the table as given in plate iii will give orancir (as does the 1587 great table. 24: the equinox publication had orpamb which has been changed as an obvious typo, since it has the wrong number of letters. the reading given is from james typeset of liber scienti and also matches plate iii and the 1584 great table; the 1587 reformed great table gives crpanib. 25: the equinox publication ha

ons to make it pronouncable; the name as initially constructed see note below is thhbybaatnn. 28: these names are derived by the golden dawn from the perimeter of the sigillum dei meth by an excruciatingly complex process which it is not necessary to describe here. 29: the numbers identifying sigils may be a modern interpolation; turner and james do not give them. the bar across the start of each sigil marks the start point; the arrowhead the finish point. in some of the characters some doubling-back is necessary. character 59 is drawn making the first stroke top left to bottom right, the second left to right, and the third bottom to top. the character numbered 65 forms the name of laxdizi who is not mentioned in liber scienti; according to turner (1989) this character is the sigil of para

ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

ulating our minds according to these measures<god" i here mean the ideal identity of a man's inmost nature "something ourselves (i erase arnold's imbecile and guilty 'not) that makes for righteousness" righteousness being rightly defined as internal coherence (internal coherence implies that which is written "detegitur yod> to return, each letter of this alphabet may have its special magical sigil. the student must not expect to be given a cut-and-dried definition of what exactly is meant by any of all this. on the contrary, he must work backwards, putting the whole of his mental and moral outfit into these pigeon-holes. you would not expect to be able to buy a filing cabinet with the names of all your past, present and future correspondents ready indexed: your cabinet has a system of

e goetia? what does the magician do? he applies himself to invoke a god, and this god compels the appearance of a spirit whose function is to perform the will of the magician at the moment. there is no trace of what may be called machinery in the method. the exorcist hardly takes the pains of preparing a material basis for the spirit to incarnate except the bare connection 108 of himself with his sigil. it is apparently assumed that the spirit already possesses the means of working on matter. the conception seems to be that of a schoolboy who asks his father to tell the butler to do something for him. in other words, the theory is grossly animistic. the savage tribes described by frazer had a far more scientific theory. the same may be said of witches, who appear to have been wiser than th

r of the god invoked will suffice for this purpose- one may proceed with a certain asperity to conjure the spirit, for that he has done ill to bend before the conjurations of the black brothers. indeed, some demons are of a nature such that they only understand curses, are not amenable to courteous command "a slave whom stripes may move, not kindness" finally, as a last resource, one may burn the sigil of the 135 spirit in a black box with stinking substances, all having been properly prepared beforehand, and the magical links properly made, so that he is really tortured by the operation<spirit is merely a recalcitrant part of one's own organism. to evoke him is therefore to become conscious of some part of one's own char

necessary counterpoise to its own deviation from the norm of nothingness. we may recapitulate the above reflections in a practical form. we will suppose that one wishes to divine by geomancy whether or no one should marry, it being assumed that one's emotional impulses suggest so rash a course. the man takes his wand and his sand; the traces the question, makes the appropriate pentagram, and the sigil of the spirit. before tracing the dashes which are to determine the four "mothers, he must strictly examine himself. he must banish from his mind every thought which can possibly act as an attachment to his proposed partner. he must banish all thoughts which concern himself, those of apprehension no less than those of ardour. he must carry his introspection as far as possible. he must observ

ional elements in his character, and for the solution or sweeping away of those tangled weeds of prejudice which hamper him from freedom to act as he will. similar applications of the remaining invocations will occur to the adept who is ready to use them- section f. the adept now returns to the tiphereth square of his tau, and invokes spirit, facing toward boleskine, by the active pentagrams, the sigil called the mark of the beast, and the signs of l.v.x (see plate as before. he then vibrates the names extending his will in the same way as before, but vertically upward. at the same time he expands the source of that will- the secret symbol of self- both about him and below, as if to affirm that self, duplex as is its form, reluctant to acquiesce in its failure to coincide with the sphere o

aiwaz and 6 of the beast> is a name of ayin, the eye, and the devil our lord, and the goat of mendes. he is the lord of the sabbath of the adepts, and is satan, therefore also the sun, whose number of magick is 666, the seal of his servant the beast. but again sa is 61, ain, the naught of nuith; ba means go, for hadit; and f is their son the sun who is ra-hoor-khuit. so then let the adept set his sigil upon all the words he hath writ in the book of the works of his will. 290 and let him then end all, saying, such are the words<logos "word, add (hebrew values) to 93. and gr:epsilon-pi-eta "words (whence "epic) has also that value: gr:epsilon-iota-delta-epsilon gr:tau-alpha gr:epsilon-pi-eta might be the phrase here intended: its number is 418. this would then assert the a

ALEISTER CROWLEY MEDITATION

hich symbolize geburah, severity, and give protection; but also represent the microcosm, the four elements crowned by spirit, the will of man perfected in its aspiration to the higher. they are placed outside the circle to attract the hostile forces, to give them the first inkling of the great work, which they too must some day perform. 59 diagram on this page: a double cubic altar with universal sigil on top, sigils of the 4 enochian elemental kings around sides in top half and enochian watch towers (elemental squares) around sides in bottom half. there is a scale at bottom of the diagram and the caption under that "the altar. side designs from dr. dee, as in equinox vii" 60 chapter iii the altar the altar represents the solid basis of the work, the fixed will<
ALEISTER CROWLEY THE OLD AND NEW COMMENTARIES TO LIBER AL

hilosophical forms. of course, it is impossible to grasp this subject properly by reason; only the understanding developed by meditation and spiritual experience avails. initiation is pantomorphously progressive. note that the secret divine letter sht which is the key of this book is by shape the sun united with the moon c= sh, o= t co= sht. weh note: elsewhere crowley calls this sign "the secret sigil of the beast" and it is depicted by a crescent attached to the left side of a circle. sometimes the circle is dotted. sometimes the greek lower case letters sigma-theta are written connectively for this (vide. liber mcclxiv, value 209, first edition, otonl-6 and note 28. al i,17 "but ye are not so chosen" the old comment 17 "ye" refers to the other worshippers of nuit, who must seek out thei

ALEISTER CROWLEY THE SWORD OF SONG

r the mind and its impressions, which must be stilled before the sun of the soul can be reflected, is common in hindu literature. the five glaciers are, of course, the senses. the sword of song 36 so still and cold, a frost so chill, that all the glaciers be still? yet in its peace no frost. 430 arise! over the mountains steady stand, o sun of glory, in the skies alone, above, unmoving! brand thy sigil, thy resistless might, 435 the abundant imminence of light! ah! o in the silence, in the dark, in the intangible, unperfumed, ingust abyss, abide and mark 440 the mind s magnificence asssumed in the soul s splendour! hear is peace; here earnest of assured release. here is the formless all-pervading spirit of the world, rising, fading 445 into a glory subtler still. here the intense abode of

ALEISTER CROWLEY EQ I 1

ost puissant spell of the giant gods of hell with the four ingredients of the evil elements; 38 ambergris from golden spar, musk of ox from mongol jar, civet from a box of jade, mixed with fat of many a maid slain by the inchauntments cold of the witches wild and old. he had crucified a toad in the basilisk abode, muttering the runes averse mad with many a mocking curse. he had traced the serpent sigil in his ghastly virgin vigil "sursum cor" the elfin hill, where the wind blows deadly chill from the world that wails beneath death's black throat and lipless teeth. there he had stood- his bosom bare- tracing life upon the air with the crook and with the flail lashing forward on the gale, till its blade that wavereth like the flickering of death sank before his subtle fence to the starless s

ALEISTER CROWLEY EQ I 5

world reverberated the unutterable name! astarte from her trance leapt loving to the dance, greeting as fire greets firs her whirling worshippers. and all her joy was theirs, and all their madness hers! yea! thou and i that strove for mastery in love, circling the altar stone maze-like, with magic moan, forthwith made that divinest destiny our own. throughout that violent vigil we wove the stormy sigil, our faces ashen-lipped from our heart's blood that dripped on the armed talismans of that moon-vaulted crypt. then came the sombre spectre from the abyss of nectar; yea, from the icy north came the great vision forth, a giant breaking through the weary web of wrath. 61 then, in the midst, behold that blaze of burnished gold imperishable, set with adamant and jet; and by the obscene head we

ALEISTER CROWLEY EQ I 5

human, but they are all scored with blood; and he cries: o thou who hast broken down the veil, knowest thou not that who cometh where i am must be scarred by many sorrows? 11 and i answer him: sorrow is not, save in the darkness of the womb of her by whom came evil. i pierce the mystery of his breast, and therein is a jewel. it is a sapphire as great as an ostrich egg, and thereon is graven this sigil: illustration on page 12 described: this is in the form of two "u" shapes, very elongated in the risers. the one to the right is lower than the first, and its left riser extends 2/3's of the way up inside the center of the one to the left. the left "u" turns back down to the far left, ending 1/5th the way down in a tiny circle. the right bends abruptly horizontally left across the other and

a beryl-stone. and the tablet blazeth ever brighter till it filleth the whole aire. and behold! there is is one god therein, and the letters of the stars in his crown, orion, and the pleiades, and aldebaran, and alpha centauri, and cor leonis, and cor scorpionis, and spica, and the pole-star, and hercules, and regulus, and aquila, and the ram's eye. and upon a map of the stars shalt thou draw the sigil of that name; and because also some of the letters are alike, thou shalt know that the stars also have tribes and nations. the letter of a star is but the totem thereof. and the letter representeth not the whole nature of the star, but each star must be known by itself in the wisdom of him that hath the cynocephalus in leash. and this pertaineth unto the grade of a magus- and that is beyond

he understood not the purpose of his master, and that was, to prepare the way for the overthrowing of the aeon. there is a writing upon the urn of which i can but read the (two) words: stabat crux juxta lucem. stabat lux juxta crucem. and there is writing in greek above that. the word "nox" written in greek, and a circle with a cross in the centre of it, a st. andrew's cross. then above that is a sigil, hidden by a hand. and a voice proceedeth from the urn: from the ashes of the tarot who shall make the phoenix-wand? not even he who by his understanding hath made the lotus-wand to grow in the great sea. get thee back, for thou art not an atheist, and though thou have violated thy mother, thou hast not slain thy father. get thee back from the urn; thy ashes are not hidden here. 127 then aga

ther. get thee back from the urn; thy ashes are not hidden here. 127 then again arose the god thoth, in the sign of the enterer, and he drove the seer from before his face. and he fell through the starry night unto the little village in the desert. benishrur, algeria "december" 10, 1909. 7.40-9.40 p.m. the cry of the 5th aethyr, which is called lit there is a shining pylon, above which is set the sigil of the eye, within the shining triangle. light streams through the pylon from before the face of isis-hathor, for she weareth the lunar crown of cows' horns, with the disk in the centre; at her breast she beareth the child horus. and there is a voice: thou knowest not how the seven was united with the four; much less then canst thou understand the marriage of the eight and the three. yet the

that guarded the star, there was not found one worthy to wield the arrow. and of them that worshipped there was not found one worthy to behold the arrow. yet the star that thou sawest was but the barb of the arrow, and thou hadst not the wit to grasp the shaft, or the purity to divine the plumes. now therefore is he blessed that is born under the sign of the arrow, and blessed is he that hath the sigil 131 of the head of the crowned lion and the body of the snake and the arrow therewith. yet do thou distinguish between the upward and the downward arrows, for the upward arrow is straitened in its flight, and it is shot by a firm hand, for jesod is jod tetragrammaton, and jod is a hand, but the downward arrow is shot by the topmost point of the jod; and that jod is the hermit, and it is the

e distance is infinite, therefore are they parallel from the circumference, although they diverge from the centre. in all this is no voice and no motion. and yet it seems that the great snake feedeth upon the plumes of truth as upon itself, so that it contracteth. but ever so little as it contracteth, without it gloweth the golden rim, which is that minute point in the centre. and all this is the sigil of the aethyr, gold and azure and green. yet also these are the severities. it is only in the first three aethyrs that we find the pure 141 essence, for all the other aethyrs are but as malkuth to complete these three triads, as hath before been said. and this being the second reflection, therefore is it the palace of two hundred and eighty judgments. for all these paths21 are in the course

ALEISTER CROWLEY EQUINOX EQ I 1 2

the signs of them backwards and downwards toward the outer. he will keep only one thing, the secret ring that hath been committed unto him by the masters; for from that he cannot part, even if he would. that is his password into the ritual itself; and on his finger it shall be put at the moment when all else is gone. 11.5. ceremony works admirably. magical images strong. at reception behold! the sigil of the supreme order itself in a blaze of glory not to be spoken of. and the half-seen symbol of my lord adonai therewith as a mighty angel glittering with infinite light. 108 according the the ritual, o.m. withdrew himself from the vision; the vision of the universe, a whirling abyss of coruscating suns in all the colours, yet informed and dominated by that supernal brilliance. yet o. m. re

ALEISTER CROWLEY EQUINOX EQ I 2 2

ty door, he pointed out to me a rotten wooden staircase. this i mounted, and entered a room which apparently belonged to a student "in the room i found a little old man, but could not see him distinctly, as the blinds were down. 308 "he asked me my business "and i answer i had come to seek of him certain formulae "thereupon he opened a book which was lying on the table before him, and showed me a sigil. after i had looked at it carefully, he explained to me how i should make it, and finished by telling me that it was used to summon 'things of earth' illustration on page 309 partly described "diagram 55. sigil in book" this is a device composed of four straight lines and one line curved like the blade of a sickle. the "sickle" blade is at bottom, with the point free and curving upward to th

end, a fourth line extends at about 45 degrees from vertical to the upper left. this fourth line crosses lines one and two, and ends above the center of the figure. the whole carries an impression like that made by a pentagram partly rotated off the vertical and composed of lines of differing length. if the "sickle" were straight and properly connected, it would complete the figure. as it is, the sigil could be called a defective and broken pentagram "as i looked incredulously at him, he took hold of the sigil, and no sooner had he done so than from out of every crack and seam in the floor there wriggled forth a multitude of rats and other vermin "after this, he led me upstairs to another floor, and into a room which in the dim light appeared to be an attic. 37 "see" liber o. 38 weh note:

-like figure covered with brazen scales, horned and horrible. his colour was of verdigris; but his face was of a blackish tint. in his hand he held a club"'what is your name' i cried, advancing towards him"'joakam' he answered sullenly"'your sign (i here repeated the omitted part of the ritual. he winced, and i could see that he was a coward; nevertheless, though it displeased him, he gave me his sigil. illustration on page 311 partly described "diagram 57. jokam's sigil" this is a lineal drawing of a continuous curved line with one sharp turn. it has the appearance of a crudely flourished "j" monogram. the "j" part is a capital letter, very narrow and inclined to the right 45 degrees from the vertical. the "j" has a top bar, continuous with the rest and created by a slight clockwise loop

ALEISTER CROWLEY EQUINOX EQ I 2

w, purple, grey, and indigo rayed with violet; its magical weapon the wand or caduceus, its perfumes mastic and others, its sacred plants vervain and others, its jewel the opal or agate; its sacred animal the snake &c &c. 3. you would then prepare your place of working accordingly. in an orange circle you would draw an eight-pointed star of yellow, at whose points you would place eight lamps. the sigil of the spirit (which is to be found in cornelius 15 agrippa and other books) you would draw in the four colours with such other devices as your experience may suggest. 4. and so on. we cannot here enter at length into all the necessary preparations; and the student will find them fully set forth in the proper books, of which the "goetia" is perhaps the best example. these rituals need not be

exagram# jupiter/ beginning from the\ point which is- attributed to the *1* 2 planet you are dealing with("see "777" col* 1 *2 lxxxiii- thus to invoke\ jupiter begin from the\ mars# right-hand point of- the lower triangle, 2# 1/ dextro-rotary and complete; then trace 4,9# 6,7. the upper triangle-*5,8. 10,3# from its left hand- point and complete. 2,11\*2,11. trace the/*1,12.sun 1,12# astrological sigil- of the planet in the 6,7-*4,9.centre of your 3,10. 5,8. hexagram. for the zodiac use-*2 *1 the hexagram of the- planet which/ venus\ rules the 25) sign# you require("777- col. cxxxviii; but 1# 2/ draw the astrological sigil of the sign, 1\ 2# instead of that of the- planet# mercury *2-*1- 1\ moon *1 *2 2# 25 for caput and cauda draconis use the lunar hexagram, with the sigil of caput dracon

s in each line is odd or even. for odd; for even. lines 1-4 give the first mother; lines 5-8 the second; and so on. example 4 3 2 1* 10* 12* 15* 15* 11* 6* 16* 15* 10* 9* 15* 16* 10* 7* 14* 14 [the small arabic numerals refer to the chance number of dashes] use clean (virgin) paper; place appropriate pentagram (either with or without a circumscribed circle) invoking. if a circle, draw this first. sigil of ruler to which nature of question most refers should be placed in the pentagram thus: 142 saturn agriculture, sorrow, death. jupiter good fortune, feasting, church preferment. mars war, victory fighting. sun power, magistracy. venus love, music, pleasure. mercury science, learning, knavery. moon travelling, fishing &c. in diagram, p. 144, the sigil of hismael should be used. in marking po

h nature of question most refers should be placed in the pentagram thus: 142 saturn agriculture, sorrow, death. jupiter good fortune, feasting, church preferment. mars war, victory fighting. sun power, magistracy. venus love, music, pleasure. mercury science, learning, knavery. moon travelling, fishing &c. in diagram, p. 144, the sigil of hismael should be used. in marking points fix attention on sigil and on the question proposed; the hand should not be moved from the paper till complete. it is convenient to rule lines to guide the eye. the daughters are derived by reading the mothers horizontally. the four nephews, figures ix-xii, are thus formed: chapter v the general meaning of the sixteen figures in the twelve houses herein follows a set of general tables of the sixteen figures in the

ALEISTER CROWLEY EQUINOX EQ I 3 2

rick note, etc. descriptions of illustrations are not so identified, but are simply in curly brackets (addresses and invitations below are not current but copied from the original text of the early part of the 20th century* on the instructions laid down in the first of these books_ book hb:yod, p. drew up a ritual "for the evocation unto visible appearance of typhon-seth" in which, by raising the sigil of typhon to the grade of 1= 10, he bewitched a certain refractory brother of the order, known as fra: d.p.a.l, who at this time was worrying fra: d.d.c.f. by legal proceedings. we, however, will omit this evocation, substituting in its place, as an example of such a working, the evocation of the great spirit taphthartharath by frater i.a. the ritual for the evocation unto visible appearance

nown as fra: d.p.a.l, who at this time was worrying fra: d.d.c.f. by legal proceedings. we, however, will omit this evocation, substituting in its place, as an example of such a working, the evocation of the great spirit taphthartharath by frater i.a. the ritual for the evocation unto visible appearance of the great spirit taphthartharath illustration on page 170 described: this is a lineal trace sigil from a magical square. to the eye, it is composed of three lines. these lines are rounded at the ends, thick black and arrayed as follows: one line descending from the left at 25 degrees off the vertical, its top is rounded and its bottom is truncated by the emergent second line, length 17mm. the second line extends to the right from the truncated first at about 5 degrees below the horizonta

its top is rounded and its bottom is truncated by the emergent second line, length 17mm. the second line extends to the right from the truncated first at about 5 degrees below the horizontal, its right end is rounded and its length is 16mm. the third and final line emerges just above the second from the side of the first, extends parallel to the second, is rounded to the right and 17mm long. this sigil is in the midst of a circular formation of eight hebrew letters. in clockwise sequence from the top: hb:yod hb:yod hb:heh hb:koph hb:vau hb:dalet hb:heh hb:aleph. these letters accordingly form the words jehovah in a greek cross and achad on the diagonals "he is one. in the name of god let there be light unto the void a restriction "soror s.s.d.d. altered frater i.a.'s ritual, making the ope

parallel to the n-sw chord, with "f" inside. there is a tangent, large ringed circle outside at the ne vertex, point of tangency obscured by the smaller ringed circle of that vertex. there is an equilateral triangle circumscribed within, base parallel to the tangent afore mentioned. there is an "a" within the apex of this triangle, top to apex direction. below the "a, within the triangle, is the sigil from page 170, oriented as the "a. the magical figures of mercury are to be drawn in yellow-orange chalk upon the ground as shown. at the quarter where the spirit is to appear is drawn a triangle within a circle: at its points are to be placed three vessels burning on charcoal the incense of mercury. about the great circle are disposed lamps burning olive oil impregnated with snake-fat. c is

rth hath ever nourished the changeless godhead of thy youth. come thou forth i say, come thou forth, and make all spirits subject unto me! so that every spirit of the firmament, and of the ether of the earth, and under the earth, on dry land, and in the water, of whirling air, and of rushing fire, and every spell and scourge of god, may be obedient unto me [she binds a black cord thrice round the sigil of the spirit and veils it in black silk, saying] hear me, ye lords of truth in the hall of themis, hear ye my words, for i am made as ye! i now purpose with the divine aid, to call forth this day and hour the spirit of mercury, taphthartharath, whose magical sigil i now bind with this triple cord of bondage, and shroud in the black concealing darkness and in death! even as i knot about this

igil of the spirit and veils it in black silk, saying] hear me, ye lords of truth in the hall of themis, hear ye my words, for i am made as ye! i now purpose with the divine aid, to call forth this day and hour the spirit of mercury, taphthartharath, whose magical sigil i now bind with this triple cord of bondage, and shroud in the black concealing darkness and in death! even as i knot about this sigil the triple cord of bondage, so let the magic power of my will and words penetrate unto him, and bind him that he cannot move; but is presently forced by the mastery and the majesty of the rites of power to manifest here before us without this circle of art, in the magical triangle which i have provided for his apparition. and even as i shroud from the light of day this signature of that spir

ALEISTER CROWLEY EQUINOX EQ I 3 3

d splendour of thy name. 10. ah! but i rejoice in thee, o thou my god; thou ambrosia-yielding rose of the world; thou vaulted dome of effulgent light; thou valley of venomous vipers: yea, i rejoice in thee, thou dazzling robe of the soft rain-clouds; o thou lion-voiced up-rearing of the goaded storm! i rejoice, yea, i shout with gladness! till my rapture, 39 like unto a two-edged sword, traceth a sigil of fire and blasteth the banded sorcerers, in the glory and splendour of thy name. 11. ah! but i rejoice in thee, o thou my god; thou crown of unutterable loveliness; thou feather of hyalescent flame; thou all-beholding eye of brightness: yea, i rejoice in thee, thou resplendent everlasting one: o thou vast abysmal ocean of foaming flames! i rejoice, yea, i shout with gladness! till the star

hath been ravished as the body of a virgin that is fallen into the hands of riotous robbers. yet in the outrage of mine innocence do i disclose the clear manna of thy purity. 6. o woe unto me, my god, woe unto me; for all the passion of my love is mazed as the bewildered eyes of a youth, who should wake to find his belov d fled away. yet in the crumpled couch of lust do i behold as an imprint the sigil of thy name. 7. o woe unto me, my god, woe unto me; for all the joy of my days lies dishonoured as the spangle-veil'd virgin of night torn and trampled by the sun-lashed stallions of dawn. yet in the frenzy of their couplings do i tremble forth the pearly dew of ecstatic light. 8. o woe unto me, my god, woe unto me; for all the aspirations of my heart ruin as in time of earthquake the bare h

ALEISTER CROWLEY EQUINOX EQ I 3

crystalline white; though the mist of mind, as draws a dancer round her limbs the gauze, clothe light, and show the virgin sun a lemon-pale medallion! thence leap we leashless to the goal, stainless star-rapture of the soul. 53 so the altar-fires fade as the godhead is displayed. nay, we stir not. everywhere is our temple right appointed. all the earth is faery fair for us. am i not anointed? the sigil burns upon the brow at the adjuration_ here and now. olympas. the air is laden with perfumes. marsyas. behold! it beams_ it burns_ it blooms* olympas. master, how subtly hast thou drawn the daylight from the golden dawn, bidden the cavernous mount unfold its ruby rose, its cross of gold; until i saw, flashed from afar, the hawk's eye in the silver star! marsyas. peace to all beings. peace to

e books, each under one of the letters of the name hb:heh hb:vau hb:shin hb:heh hb:yod. these five books show how the 0= 0 ritual may be used as a magical formula. they are as follow: hb:yod book i practical evocation a. the magical circle. b. the magician, wearing the great lamen of the hierophant, and his scarlet robe. the hierophant's lamen is on the back of a pentacle, whereon is engraved the sigil of the spirit to be invoked. c. the names and formulae to be employed. d. the symbol of the whole evocation. e. the construction of the circle and the placing of all the symbols &c, employed in the places proper allotted to them, so as to represent the interior of the g. d. temple in the "enterer: and the purification and consecration of the actual pieces of ground or place selected for the

struction of the circle and the placing of all the symbols &c, employed in the places proper allotted to them, so as to represent the interior of the g. d. temple in the "enterer: and the purification and consecration of the actual pieces of ground or place selected for the performance of the invocation. 151 f. the invocation of the higher powers. pentacle formed by the concentric bands, name and sigil therein, in proper colours; is to be bound thrice with a cord, and shrouded in black, thus bringing into action a blind force, to be further directed or differentiated in the process of the ceremony "announcement" aloud of the "object" of the working, naming the spirit or spirits 8 "doctrine and ritual of magic" p. 195 which it is desired to evoke. this is pronounced standing in the centre o

s bringing into action a blind force, to be further directed or differentiated in the process of the ceremony "announcement" aloud of the "object" of the working, naming the spirit or spirits 8 "doctrine and ritual of magic" p. 195 which it is desired to evoke. this is pronounced standing in the centre of the circle, and turning towards the quarter from which the spirit will come. g. the name and sigil of the spirit wrapped in a black cloth or covering is now placed within the circle, at the point corresponding to the west, representing the candidate. the consecration, or baptism by water and fire of the sigil then takes place: and the proclamation in a loud and firm voice of the spirit (or spirits) to be evoked. h. the veiled sigil is now to be placed at the foot of the altar. the magicia

magician then calls aloud the name of the spirit, summoning him to appear: stating for what purpose the spirit is evoked: what is desired in the operation: why the evocation is performed at this time: and finally solemnly affirming that the spirit shall be evoked by the ceremony. i. announcement aloud that all is prepared for the commencement of the actual evocation. if it be a "good" spirit the sigil is now to be placed "within "the white triangle" the magician places his left hand upon it, raises in his right hand the magical implement employed (usually the sword of art) erect, and commences the evocation of the spirit. this being an exorcism of the spirit unto visible appearance. the magician stands in the place of the hierophant during the obligation, and faces west irrespective of th

nd upon it, raises in his right hand the magical implement employed (usually the sword of art) erect, and commences the evocation of the spirit. this being an exorcism of the spirit unto visible appearance. the magician stands in the place of the hierophant during the obligation, and faces west irrespective of the particular quarter of the spirit. but if the nature of the spirit be evil, then the sigil must be placed "without" and to the west of the white triangle; and the magician shall be careful to keep the point of the magic sword upon the centre of the sigil. j. now let the magician imagine himself as "clothed outwardly" with the semblance of the form of the spirit to be evoked: and in this let him be careful "not to identify himself" with the spirit, which would be dangerous, but onl

ALEISTER CROWLEY EQUINOX EQ I 4 2

tilitarian progress in the next few years as he has in the last, soon we shall have some socialistic fellah depriving the world of its last great monuments, and building labourers' cottages out of the stones and bricks of the pyramids, because they are so very much more useful "solve" is the cry to-day; the sabbatic finger of the goat points upwards, yet on the clouds of darkness does it scrawl a sigil of light. a new god stirs in the womb of its mother; we can see his form, dim and red, in the cavern of time. dare we pronounce his name? yea! it is horus, horus the child, reborn amsu the good shepherd, who will lead us out of the sheepish stupidity of to-day. how many understand this mystery? perhaps none save those who have seen and subscribed to the law of thelema. j. f. c. f. the lost v

ALEISTER CROWLEY EQUINOX EQ I 6

en and scarred and confident like a sea-captain. 10. also it straineth like a hound in the leash. 11. it hath pride and great subtlety. yea, and glee also! 12. let the magus act thus in his conjuration. 13. let him sit and conjure; let him draw himself together in that forcefulness; let him rise next swollen and straining; let him dash back the hood from his head and fix his basilisk eye upon the sigil of the demon. then let him sway the force of him to and fro like a satyr in silence, until the word burst from his throat. 14. then let him not fall exhausted, although the might have been ten thousandfold the human; but that which floodeth him is the infinite mercy of the genitor-genetrix of the universe, whereof he is the vessel. 15. nor do thou deceive thyself. it is easy to tell the live

e is like a drug of wonder. all the limits of sense dissolve when we fall like snows from the precipice sun-kissed to the black ravines of ice. i am drowned in the universal thunder; the hours disrupt, the aeons involve. ah! not in any mortal mood ends the great verb we conjugate. from the highest hyberbole she doth swerve in an incommensurable curve, and the line of our beatitude is one with the sigil of our fate. 44 pallid, a mummy throned, she sits; the egyptian eyes, the egyptian hair, the band on her brows, the slender hands, all hieroglyphs of a god's commands beyond the rimes that a poet knits with fruitless travail, sterile care! marvellous! marvellous, marvellous! and again a marvel, a lotus-bud dropt from the brows of a goddess unknown on the ivory steps of the golden throne, vir

ALEXANDRIAN BOOK OF SHADOWS OCCULT

n the being of all lives, not thee do we adore, for that which adoreth is also thou. thou art that, and that am i [kiss] i am the flame that burns in the heart of every man, and in the core of every star. i am life, and the giver of life. yet therefore is the knowledge of me the knowledge of death. i am alone, the lord within ourselves, whose name is mystery of mysteries. hp now kisses hps in the sigil of the third degree as follows [there's a diagram in the non-computer version which i can't reproduce. it shows the priestess with the points of the third degree sigil marked on her body. the points are: 1. genitals/womb; 2. right foot; 3. left knee; 4. right knee; 5.left foot; 6. genitals/womb; 7. lips; 8. left breast; 9. right breast; 10. lips] and then lays his body gently over hers, sayi

ANATHEMA OF ZOS

ifficult. these spiritualists are living sepulchers. what has decayed should perish decently. cursed are they who supplicate. gods are with ye yet. therefore let ye who pray acquire this manner: self my god, foreign is thy name except in blasphemy, for i am thy iconoclast. i cast thy bread upon the waters, for i myself am meat enough. hidden in the labyrinth of the alphabet is my sacred name, the sigil of all things unknown. on earth my kingdom is eternity of desire. my wish incarnates in the belief and becomes flesh, for, i am the living truth. heaven is ecstasy; my consciousness changing and acquiring association. may i have courage to take from my own superabundance. let me forget righteousness. free me of morals. lead me into temptation of myself, for i am a tottering kingdom of good a

BANISHING THE SLAVE GODS

manner of an assumption of a god form. as your sexual arousal begins to reach its pitch. imagine the focused force of that energy opening and shining out, projecting the pentagram as analogous to a laser projecting an image on a surface. with practice, you will eventually be able to summon this process by sheer will alone when the n arises. also, at the beginning stages you may choose to charge a sigil with the semen you will be discharging. for instructions on how to cast sigils see: http//occult100.com/sigil.shtml and a gallary of photographic examples http//www.sigilgarden.com/ method may also apply to two partners as an adjunct to anal intercourse. the active partner fucker will associate with the tower. the passive partner fuckee associates with the devil. the procedure will be done a

BLACK SERPENT1

19. daemoness of herbal knowledge. 20. depictions representing a daemonic entity. a signature.(plural) 21. a latin name for satan 22. an offering to lucifer 23. reversed satan 24. bringer of light and enlightenment 25. to invest with ministerial or priestly authority 26. she teaches all magick and sorcery. 27. mar de camp of hell 28. demon of domination according to dukante hierarchy 31 name that sigil no cheating! put your books away and see how many sigils you can identify! 32 answers to crosswode1 black witchcraft foundations of the luciferian path by michael w. ford, akhtya seker arimanius the nature of skir-hand witchcraft in the ancient and modern world is of anti-nature, or rather the word antinomian is a greek form meaning against the law. this word makes reference to rebellion fro

BLUE EQUINOX

rth mentioning. it had the appearance of being three distinct things at once. dead black, a beautiful night-sky-blue, but at the same time the very essence of it was brilliant light. quite indescribable in words [seems very good..o.m [it may be remarked that fra. v.i.o. had occupied himself with the contemplation of the st l of revealing, completed therefrom a pantacle of nuit, and had obtained a sigil for same, during this day. this peculiar light is stigmatically characteristic of the st l..o.m] june 18th, 10:34 to 10:53 p.m.=19 mins. 14 mins pranayama 10, 20, 20. regular and easy. 5 mins. meditation. mind cleared and became calm. it perhaps appears that little progress is made, and some slackness exists as regards exercises. the truth is, i more and more use the true essence. if a littl

BOOK T

et (like the old scandinavian and gaulish helmet) with a rayed crown, a corslet of scale-mail and buskins of the same, and a flowing scarlet mantle. above his helmet, upon his curass, and on the shoulder-pieces and buskins, he wears as a crest a winged black horse's head. he grasps a club with flaming ends, somewhat similar to that in the symbol of the ace of wands, but not so heavy, and also the sigil of his scale is shown; beneath the rushing feet of his steed are waving flames and fire. he is active- generous- fierce- sudden- impetuous. if ill dignified, he is evil-minded- cruel- bigoted- brutal. he rules the celestial heavens from above the twentieth degree of scorpio to the first two decans of sagittarius: and this includes a part of the constellation hercules (hercules is always repr

rown with a long plume. it also is surmounted by a tiger's head, and the same symbol forms the buckle of her scale-mail buskins. a mantle lined with tiger's skin falls back from her shoulders. her right hand rests on a small golden or brazen altar ornamented with ram's heads and with flames of fire leaping from it. her left hand leans on a long and heavy club, swelling at the lower end, where the sigil is placed; and it has flames of fire leaping from it the whole way down; but the flames are ascending. this club or torch is much longer than that carried by the king or queen. beneath her firmly placed feet are leaping flames of fire. brilliance, courage, beauty, force, sudden in anger or love, desire of power, enthusiasm, revenge. if ill dignified, she is superficial, theatrical, cruel, un

of the ace of wands. ix. the lord of the waves and the waters; the king of the hosts of the sea knight of cups a beautiful, winged, youthful warrior with flying hair, riding upon a white horse, which latter is not winged. his general equipment is similar to that of the knight of wands, but upon his helmet, cuirass and buskins is a peacock with opened wings. he holds a cup in his hand, bearing the sigil of the scale. beneath his horse's feet is the sea. from the cup issues a crab. book t page 6 of 26 http//www.private.org.il/gd/book-t.html 13/10/2002 graceful, poetic, venusian, indolent, but enthusiastic if roused. ill dignified, he is sensual, idle and untruthful. he rules the heavens from above 20 degree of aquarius to 20 degree of pisces, thus including the greater part of pegasus. fire

inged kingly figure with winged crown seated in a chariot drawn by an eagle. on the wheel is the symbol of a scorpion. the eagle is borne as a crest on his crown, cuirass and buskins. general attire like king of wands. beneath his chariot is the calm and stagnant water of a lake. his armour resembles feathers more than scales. he holds in one hand a lotus, and in the other a cup, charged with the sigil of his scale. a serpent issues from the cup, and has its head tending down to the waters of the lake. he is subtle, violent, crafty and artistic; a fierce nature with calm exterior. powerful for good or evil but more attracted by the evil if allied with apparent power or wisdom. if ill dignified, he is intensely evil and merciless. he rules from 20 degree libra to 20 degree scorpio. air of w

the spirits of air knight of swords a winged warrior with crowned winged helmet, mounted upon a brown steed. his general equipment is as that of the knight of wands, but he wears as a crest a winged six-pointed star, similar to those represented on the heads of castor and pollux the dioscuri, the twins gemini (a part of which constellation is included in his rule. he holds a drawn sword with the sigil of his scale upon its pommel. beneath his horse's feet are dark-driving stratus clouds. he is active, clever, subtle, fierce, delicate, courageous, skilful, but inclined to domineer. also to overvalue small things, unless well dignified. if ill dignified, deceitful, tyrannical and crafty. rules from 20 degree taurus to 20 degree gemini. fire of air king of the sylphs and sylphides. xiv. the

BOOK OF PLEASURE

al association in permitting inclusion before conception. exhaustion: that state of vacuity brought by exhausting a desire by some means of dissipation when the mood corresponds to the nature of the desire, i.e, when the mind is worried because of the non-fulfilment of such desire and seeks relief. by seizing this mood and living, the resultant vacuity is sensitive to the subtle suggestion of the sigil. different religions and doctrines as means to pleasure, freedom and power. what is there to believe, but in self? and self is the negation of completeness as reality. no man has seen self at any time. we are what we believe and what it implies by a process of time in the conception; creation is caused by this bondage to formula. the book of pleasure (self love) get any book for free on: www

formula for those whose belief is full in the the book of pleasure (self love) get any book for free on: www.abika.com 27 law, are house holders following their desires. the formula holds good for any purpose*(4) illustration, the loss of faith in a friend, or an union that did not fulfill expectations. casting the shadow. the ego not being totally oblivious, let him retain only and visualise the sigil form, it is his chalice, the means of vacuity and incarnation. by the deliberation of an analogous emotion at that time, he deputises the law (reaction. miraculous is he, balance not known in this world imitated (attained. all other consciousness annulled with safety, the vehicle strong enough for the ecstasy, he is beyond hurt. now let him imagine an union takes place between himself (the m

bravery in the world. deliberation egotized, except in the refraction*(2) of the ecstasy, is exposure and death, becoming a presiding obsession, control having been given to a prior experience and is over-conscious of that through it momentarily finding freedom from its native law; thus generating double personality (insanity*(1) if it becomes physical, let him imagine another's body, he has that sigil or its emergency. this, although not his original purpose, he will and exceedingly amiable*(2) laughter in this case. by these means there is no desire beyond fulfilment, no accomplishment too wonderful, depending on the amount of free belief*(3*(3) it may be done by localizing desire to one sense, hence by this formula using the ear as the vehicle, one hears the most transcendental music ev

and denial, caused by the troublesome effervescence of the organic incapacity. denial or faith does not change or annihilate it, but is its the book of pleasure (self love) get any book for free on: www.abika.com 31 reinforcement and preservation. therefore belief, to be true, must be organic and sub-conscious. the desire to be great can only become organic at a time of vacuity, and by giving it (sigil) form. when conscious of the sigil form (any time but the magical) it should be repressed, a deliberate striving to forget it, by this it is active and dominates at the unconscious period, its form nourishes and allows it to become attached to the sub-consciousness and become organic, that accomplished, is its reality and realization. he becomes his concept of greatness. so belief becomes tr

symbolising desire and giving it form that has the virtue of preventing any thought and association on that particular desire (at the magical time, escaping the detection of the ego, so that it does not restrain or attach such desire to its own transitory images, memories and worries, but allows it free passage to the sub-consciousness*(1) by this system, you know exactly what (you believe) your sigil must relate to. if you used any form stupidly, you might possibly "conjure up" exactly what you did not want- the mother of insanity, or what always happens then, nothing at all. this being the only system, any result other than by it is accidental. also you do not have to dress up as a traditional magician, wizard or priest, build expensive temples, obtain virgin parchment, black goat's blo

than by it is accidental. also you do not have to dress up as a traditional magician, wizard or priest, build expensive temples, obtain virgin parchment, black goat's blood, etc, etc, in fact no theatricals or humbug*(2) free belief or energy, i.e, a disappointed desire, not yet an obsession. sigils are made by combining the letters of the alphabet simplified. illustration*(3, the word "woman" in sigil form is (example) or (example) or (example) etc. the word tiger (example) or (example) etc, etc. the idea being to obtain a simple form which can be easily visualised at will, and has not too much pictorial relation to the desire. the true method has a much greater virtue, which cannot be explained briefly, being the secret of thought form, as degrees of suggestion, and what exactly is in a

BUCKLAND RAYMOND COMPLETE BOOK OF WITCHCRAFT

an, in many ways, supplement the power raised and also create harmony among those present. choose a small hand-bell with a note that is pleasant. some bells especially cheaply produced ones can have a harsh note to them; avoid these. if you wish to engrave the bell, do so. or, if it has a wooden handle, you might want to work on that. the burin is simply an engraving tool used to mark the name or sigil (symbol, ritually, on your magickal topis. some traditions (e.g. gardnerian) borrow from ceremonial magick and use a whtte-hilted knife in the same way. i personally do not see the need to regard this instrument as a ritual tool, in the craft, any more than i would a file or hacksaw. however, if you feel you want this as part of your complement, by all means include it. a burin is simply an

unes: an interesting magickal monogram can be made up by superimposing one runic letter over another, for your craft name. for example "diana" would be it is always possible, also, to reverse a letter (any letter) so that the monogram will not be clumsy. the aim is to make it as simple as possible yet to incorporate all of the letters. practice with monograms. aim to get them down to the simplest sigil possible. one thing to remember in writing runes: do keep the characters upright. one reason (apart from just being incorrect to slope them) is that it can cause confusion. for example, in the seax-wica runes, a sloping n rune would look like ag. the theban alphabet is used quite a lot in the craft. in gardnerian, for example, it is used for writing the high priestess's name on her bracelet

rnative is shown in figure 12.2. as each of the symbols is engraved, or written, jane should concentrate on herself; seeing herself as she best likes herself charming, happy, self-confident. on the reverse side of the talisman she should put symbols traditionally associated with marriage: wedding bells, flowers, rings, hearts, etc. or she could 182 i buckland's complete book of witchcraft place a sigil, constructed from numerological squares as follows. from numerology you know that the numerological value of the word "matrimony" is 4+1+2+9+9+4+6+5+7= 47= 11= 2 (see lesson three. we now construct a magick square containing all the numbers 1 through 9 (figure 12.3. now, starting at the first letter (m=4, draw a small circle, to indicate the start, and then draw a line to the second letter/n

on to 2 and then to 9. there are two 9s in the word so stop-and-start there with small triangles>circle to indicate the end. at square 2, the numerological total (47= 11= 2, draw a large square. the finished figure will look like figure 12.4. transferred off the squares it will look like figure 12.5. what you see in 12.5, then, is the sigil for matrimony. this is what jane must inscribe on the reverse of her talisman. as she does so, she should concentrate her thoughts on the marriage itself: see herself as a bride; see herself and her husband exchanging rings; see the handfasting ritual taking place, etc. such a sigil would be far more potent than the traditional bells, hearts and rings. incidentally, the magickal square used

it on the same tuesday, but both days should be during the waxing phase of the moon. the consecration she would do would be as given in lesson 4. whatever the purpose of the talisman, follow the same procedure (a) find the day and the metal associated with your desire (b) personalize one side of the appropriate piece of metal (c) take the key word and, from the magick square, find the appropriate sigil (d) inscribe the sigil on the reverse, concentrating as necessary (e) consecrate the talisman. once the talisman has been made, wear it on your person for three days and nights. this can be done either by fastening it to a chain and hanging it around your neck, or by carrying it in a small bag made of silk, hung around your neck. after the three days you do not need to wear it constantly, bu

y word could be "promotion" or "advancement" or something like that. it could even be "desires. taking "desires" as an example, you would work on a thursday and make the talisman of tin (if possible) or parchment. mary is an aquarius, with uranus as the ruling planet. as with the previous question, we don't know her rising or moon signs. her birth number is eight. on the reverse you would put the sigil for "desires: 5. you would personalize one side of the talisman for henry, with a sun sign of libra and ruling planet venus. you can ignore all the information for amy kirshaw for, as i have tried to emphasize, you may not interfere with another's free will. this talisman, then, can only be done to bring the love of "another" to henry. the talisman would be made on copper and made on a frida

CHAOS MAGICK AND LUCIFERISM

belief forced into one thing. by this affectiveness the soul draws near and casts its omniscience over us by inspiration. aos the logomachy of zos spare comprehended the significance of the three united by focus from which nearly any magickal act was possible. gnosis is a state of closing but is fully aligned with the object or system sought. a gnosis state is possible to manifest desires through sigil methods outlined in the book of pleasure and briefly outlined here. the importance of sigils is that such can be any pertinent method of envisioning. sigils can be letters, signs or symbols. sigils can also be something, which cause a matter of focus for the mind. to invariably forget and absorb the ideas sought. personally, i have used musick (the act of creating) as various sigils, art (mu

lso be something, which cause a matter of focus for the mind. to invariably forget and absorb the ideas sought. personally, i have used musick (the act of creating) as various sigils, art (much contact and initiation with spiritual and mental forces have been through art as paintings, drawings and the like. through musick sigils can be crafted because due to sonic structures, the idea of what the sigil is can actually be forgotten and buried in the mind. this allows the subconscious to go through the methods of enfleshing the desire. the tones and actual sound of the musick can cause the individual to forget the meaning and the sigilized musick form, all the while causing the brain to dissect, understand and react to the sigil on a subconscious level, guides along the mind. sleeping invoke

a subconscious level, guides along the mind. sleeping invokes a reaction to sound as well, depending on the purpose and focus and if replayed while dreaming increases unconscious awareness of sound vs. wish. spare used sigils as mentioned before, developed from agrippa and various grimoires of the middle ages. as explained in the book of pleasure, spare gives us a clear outline of the effects of sigil methods in action: by projecting the consciousness into one part, sensation not being manifold becomes intensified. by the abstention of desire, except in the object, this is attained (at the psychological time this determines itself aos-the book of pleasure sigils may be constructed through several methods as the following; letter manipulations, from arabic, greek or otherwise. paintings an

and shattering teeth. all the while a funerary drum beats and calls forth the dead. soon, the congregation throws human bones and grave soil within the coffin, which is soon closed. the celebrants then meditate on among other things, their own death, and understanding that physical death is a natural function of life. babalon emerges then from the coffin and then announces herself incarnate. this sigil of babalon would be between the priestess breasts, being revealed when she tears the grave shroud off. babalon will now take a human skull bowl filled with blood and chant the dedication to her manifestation. the blood is then poured over herself in ecstasy with the celebrates, affected by the wild drumming do as they will. the entire ritual is closed with the quadriga sexualis banishing rit

CULTUS SABBATI

nique to each individual practitioner. although ritual magicians and cunning-folk alike used christian formulae in their praxes, one could argue that this religious language was naturally the timely idiom of narration for magical rites. however, beneath the shifting of language and culture, the immemorial methodologies and tools of magical ritual- the spirit-evocation, ritual circle, wand, knife, sigil, cord, knot, charm, starry aspectation, flora and fauna, invocation, exorcism and so forth- remain more or less constant. an important dimension of magical and folk religiosity was the oneiric or dream realm. peripheral areas of european folklore retain vestigial myths which relate the oneiric location of witch -meetings, fairie convocations, and the nocturnal flight of the wild hunt. mergin

DAVIDSON DAN SHAPE POWER

of amulets and talismans as well as the sigils (signatures) of various demonic or angelic entities. these patterns produce correspondences (resonances) to establish a contact with the desired entity or influence. by stimulating such a shape power geometry, you literally evoke or call forth the influence, just like making a phonecall. there is a story about a group of experimenters who etched the sigil of the elemental spirit of wind onto a printed circuit board. the board was subjected to a high density fluctuating magnetic field (using various frequencies until an effect was noted. after a few minutes of excitation, the wind outside the building took on tomadic vetocities and the building collapsed as the wind entity attempted to interphase with the resonator. in a more practical sense

DIABOLUS

nd forgets the meaning of his rite. by doing this, he falls into unconsciousness or delirium from which the concept of i does not exist. this is the sethian test if you will, from testing the essence of yourself does your ability to become something better manifest into something greater. observe the illustration by aos entitled the death posture, here the skull masked individual ascends from the sigil itself, on the very left hailed by set who stands upon the alpha and omega, called also azoth and azothoz7, a dualistic sigillic formula of the adversary. here set is the lord of sorcery, by his nature of opposition does the self grow stronger through the rebellion of stasis and the fall into darkness the face becomes a skull through self-love. modern sorcery and magick is very much driven b

hat azazel and other angels possessed an original independence of being, that is they recognized that they could have the faculties of a higher state of being, they perceived themselves as separate from their original maker or source of being. the bible further describes satan as how he had fallen, which presents a connection of the vajra rune which anton szandor lavey made a part of his personal sigil within an inverted pentagram. the vajra rune is almost an s type shape, falling downwards. it represents health, vitality and strength. 22 i saw satan like lightning falling from heaven luke 10:18 the dragon itself is a symbol of the collective independence and intelligence of satan the adversary, while his angelic nature granted him the higher faculties of all the angels of heaven, lucifer

grimoires, cain is said to be a symbol and gateway for man and woman to become, thus the symbol of baphomet as anton lavey called it, is the inverted pentagram with a goat head in the middle. the original, which lavey took out, contained the words samael and lilith, surrounded in the circle ring the hebrew lvthn, leviathan, the crooked serpent. in the circles of luciferian witchcraft, this is the sigil of baphomet the head of wisdom who has united the solar and the lunar, or the fire and water within the self to bring forth cain, the devil in flesh upon earth. he is the symbol and cipher of magick, the great work accomplished and onward moving. at the gathering of the sabbat is cain the black man, the circle and center of the sabbat and it s fire, he directs it outward as he is the pole of

ord, reproduced in the book of cain. 31 which in part represents old tubal cain, or the all father himself. hearne letters from robert cochrane interestingly enough, the eight pointed luciferian star33, the chaos sphere, represents in most magical circles as being the symbol of baphomet. robert cochrane described tettens or cain as a rider on an 8 legged horse, thus draws close symbolism with the sigil of algol, the chaos star and inverse pentagram. this also makes assumption to the true nature of anubis being the son of set, with cain, the son of the devil and eve (through lilith in dreaming sorcery. the watcher of the twilight34 who is the lord of magick, therefore the opener of the way wears the mask of the beast and stands between both dawn and twilight. know it as the elixir of life

ring of cain were deceived by the workings of satan so that they worshipped him. thus was diabolism born, and cain was equated as the first witch and satanist. nathaniel j. harris, witcha, a book of cunning here we are able to discern the mythology which holds cain as the first of witch blood, the fire and water embodiment of samael and lilith, that which has born cain as our 33 called algol, the sigil of the order of phosphorus, the authors current magical guild. 34 the book of thoth the moon by aleister crowley 35 secrets of the horse whisperers, by peter bayliss 36 the toad rite, a grimoire of the toad witch by michael w. ford, succubus publishing. 37 see witcha by nathan harris. 32 prototype and initiatory model. harris points out also the invocation used to conjure cain in charles lel

sting connection that lilith holds with samael/satan is the star algol which was originally called arabic the ri'b al ohill and later the hebrew rosh ha sitan meaning the head of satan and also lilith. algol can be viewed as a star which represents the essence of satan and lilith, the twin fire of becoming through the left hand path. in luciferian sorcery, algol is presented as an 8 pointed chaos sigil with the inverted pentagram in the center. this is made reference to the number 8, being of baphomet and chaos, and the pentagram representing the five points of the adversary, details are found in the grade workings of the black order of the dragon38, which is a non-public initiatory circle. the inverted pentagram in an outer sense represents the manifestation of the will through the manipu

DICTIONARY GLOSSARY OF OCCULT TERMINOLOGY

. most magicians train to accept these abilities as part of who and what they are, but do not get to hung up over the manifested occurrences of such abilities if they occur without conscious willing of them, and continue focusing on their intentions on the actual ritual or rite at hand. if sought after too much, as in lusting for results (q.v) they can become a distraction to one's magickal work. sigil: latin for "sign or signature" a simple drawn symbol representing something else, usually an angel, archangel, aspect of divinity, or other entity. silence, occult: an inward stilling and letting go of the emotions and mental preoccupations that prevent a ritual from working effectively. outward silence is also necessary to prevent a similar destructive dissonance in the thought and feeling

DION FORTUNE MYSTICAL QABALA

orce, whatever operation may be performed. the actual force, operating in its own sphere, is represented by the magical weapon assigned to it. for instance, an adept performing an operation of the element of water would have as his magical weapon the cup, and with the cup would make all signs, and upon the cup would concentrate the force called down by invocation. but upon his breast would be the sigil of the element of water, and this would be recognised as representing the spiritual factor in the operation, and as referring to the archangel over that particular kingdom. unless the adept understands the significance of his lamen, as distinguished from his magical weapon, he is no adept, but a wizard. 87. the rosy cross and the calvary cross are both given as symbols of the sphere of tipha

DONALDTYSON AIQBEKER

oduce elegant sigils representing the names of gods, angels, spirits or demons. in the example provided in the illustration at the top of this page, which was given by cornelius agrippa in book iii, chapter xxx of his three books of occult philosophy, the name of the archangel michael has been converted into angles on the aiq beker grid, and these angles have been combined to yield the attractive sigil inside the circle. in modern times, the aiq beker became a form of secret writing used by freemasons and other esoteric societies. through overuse, the method became so well known that it has now degenerated into a plaything for children, who insert the letters of english into the grid to make a form of secret writing. however, the method has immense power, and is still in serious use among

DONALDTYSON SIGIL

other account, into a deep lake. if this approach is used, be sure to put the object where no one will discover it by chance. there is a danger that anyone finding such a bound spirit may, without knowing what they are doing, release the spirit, and themselves become possessed by it. return hy home resources demons bios fiction tyson the truth about sigils (seal of the demon astaroth, showing his sigil, as drawn by s. l. macgregor mathers) sigils are graphic symbols that identify and represent spiritual beings. often, but not always, they are generated from the names of spirits using mechanical methods, so that each letter in the name gives rise to a particular part of the symbol. they are usually simple, two-dimensional abstract designs, and may be either black and white or colored. the s

eings. often, but not always, they are generated from the names of spirits using mechanical methods, so that each letter in the name gives rise to a particular part of the symbol. they are usually simple, two-dimensional abstract designs, and may be either black and white or colored. the sigil is the design itself, not the surface or thing upon which it is drawn, painted or inscribed. in magic, a sigil is employed to summon and control the spirit it represents during rituals, or to infuse the presence or influence of the spirit into a specific power object. the word "sigil" is from the latin sigillum, meaning a little seal or signet. from ancient times until a few centuries ago, identity and authority were verified in largely illiterate cultures by means of personal, family or state seals

arer or the object impressed with the seal were confirmed. it seems to me probable that the use of sigils to identify spirits has its origins in this familiar and widespread practice. in magic, the name of a spirit embodies the identity and power of the spirit. by knowing and controlling the name, the magician is able to control the spirit. this is the basis of the god-magic of ancient egypt. the sigil is a graphic form of the name. the name is manipulated upon the living breath by means of chants, mantras, invocations, imprecations, execrations, prayers, hymns and similar vocal forms used in magic. the sigil is manipulated within the imagination by means of meditation, concentration, and creative visualization. it is important to distinguish between a number of common related terms that m

re usually a series of separate or connected forms written out in a line in a way that resembles writing. by contrast, the sigils of spirits are usually more compact and resemble little drawings (secret seal of solomon, from the lemegeton or lesser key of solomon) a spirit seal is a more polished graphic representation of the spirit. it is often circular or oval in shape, and usually contains the sigil of the spirit inscribed in its center. it may also bear the name of the spirit in latin, greek or hebrew letters around it edge, and other occult symbols such as glyphs of the planets, zodiac signs or elements. by connotative usage, a physical object bearing a spirit symbol, such as a medallion, is more likely to be referred to as the spirit's seal, whereas the drawing of a spirit symbol in

also bear the name of the spirit in latin, greek or hebrew letters around it edge, and other occult symbols such as glyphs of the planets, zodiac signs or elements. by connotative usage, a physical object bearing a spirit symbol, such as a medallion, is more likely to be referred to as the spirit's seal, whereas the drawing of a spirit symbol in a manuscript is more apt to be called the spirit's sigil (occult characters associated with ophiel, spirit of mercury, from the nigromancia of roger bacon) confusion arises because the terms "sigil" and "seal" are often used indiscriminately. compounding this perplexity, both are sometimes referred to as signatures or characters. this is understandable, when we consider that in past ages, when few common persons could read or write, names were oft

rdie's golden dawn) in the western tradition, the magician often has a personal symbol known as a lamen that expresses his or her higher or magical identity. when constructed correctly, it links the magic name of the magician with the supreme name of divine authority recognized by the magician, allowing the magician in his higher persona to channel the power of the divine name. often it bears the sigil of the magician's magic name along with the sigil or signature of the divine name. its shape depends upon the principles and practices of the magician who bears it- in the hermetic order of the golden dawn, each officer had his or her own lamen that way symbolically related to the tree of the sephiroth- but customarily it is worn as a medallion or pendent around the neck, over the heart-cent

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

ng itself to convey impressions in much the same way as objects function in psychometry. perhaps one s signature is the most characteristic piece of grant, joan (joan marshall kelsey) encyclopedia of occultism& parapsychology. 5th ed. 660 handwriting, for consciously or unconsciously it becomes a kind of symbolic self-portrait, indicating the personality as a whole. in this it resembles the magic sigil of celestial intelligences. part of the perennial attraction of autograph collecting and book signing is the emotional association with great or famous individuals as represented by their signatures. graphology is to be sharply delineated from handwriting analysis. the latter is concerned with establishing the authenticity of writing and signatures, and such analysts are frequently called up

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 2

ology at atlantic states chiropractic institute (1947.49, and a lecturer on healing and natural sciences. he wrote the handbook of neurology, a chiropractic text. sierra investigated respiratory and diaphragmatic changes in mediums during manifestation of phenomena. he died in november of 1982. sources: pleasants, helene, ed. biographical dictionary of parapsychology. new york: helix press, 1964. sigil a sign or seal for an occult entity. sigils, especially those that are the marks of angels, deities, or demons, are often used on amulets and talismans. according to occultists, such signs are like the signatures of gods and other supernatural entities, and the inscribing of such sigils evokes the entities that they symbolize (see also yantra) in this century, the art of creating sigils was

ing of such sigils evokes the entities that they symbolize (see also yantra) in this century, the art of creating sigils was recreated by artist- magician austin osman spare. he saw in sigils a means of concentrating the magical will. he would write his magic intention or will down in a sentence or word, and then combine the major letters (without repeating any letter) into a patterned shape, the sigil. the symbolic shape thus created could be impressed upon the subconscious for working magic. sources: drury, nevill, and stephen skinner. the search for abraxas. london: neville spearman, 1972. gettings, fred. dictionary of occult, hermetic and alchemical sigils. london: routledge& kegan paul, 1981. signs (paranormal) at various moments in history and in times of great stress, suffering, and

FRATER ELIJAH ANGELS OF CHAOS

vii. summon using spontaneous words (use of constructed sigils. b) statement of will "it is my will to manifest that which is potential. it is my will to find the potential lying in wait. it is my will to evolve (it is my will to initiate this being into the ax for the immanentization of the pandaemonic epoch by the will and majesty of myself and the great dragon) it is also my will to ask for a sigil of chaos to call and aid me/ us" c) declare "xiqual wec "ongo wec "tomargo wec "phenomenise dark matter! do dark matter! dark matter by whatever means necessary" d) melt the ice cube on your forehead and open the 3'rd eye. e) perform grendel's had an accident, act ii. f) as you say the following words visualize a cosmic chaos-egg around the self. at this point partake of the sacrament. start

is mine to keep, send my will, shred the sleep, from the darkness to the light, binah-hokmah my will, my might- the gnosis part- from within the dark earth sears- visualize a crack in the chaos-egg- transmutations, powers and fears- the crack widens- from the darkness to the light, i declare this now by will and by might- kia- an explosion as the egg cracks open, gnosis ensues. collapse- note: a sigil should manifest during the trance. this is ones own chaos sigil from the universe. recover iv. banishing a) performance of grendel's had an accident, act iii. as one speaks (slowly) imagine that your voice echoes through out all of existence. issuing forth a deep and powerful declaration (of war. b) banish as one sees fit. formalized. god's (destroy the sigils in fire, watchtowers, other. v

me form of celebration following the ritual (raves are recommended. worked sigils to cast should be fired during this celebration as to an enactment of desire. final the rite seems very formalized, but it is not really. the only parts that need formality are the intents, but the visualizations and words should flow naturally. the only timing critical part is of course the trance. as per the chaos sigil, who knows what it is/ is not. it may be a power, information, spell, calling, banishing. we do not know. a no-mind technique may be of use in divining the sigils meaning (it has not failed me yet. also look for "synchronicities. we do not know in what way the sigil will manifest, or in what form. love to all, elijah of purpl(z. welcome to eternity_ 4 godhood results only love can set you fr

e (after the rite) and it seems that similar factors have been brought to the fore. as if the rite induced and called for an analysis/ correction of my personality (in this arena. this is where i am at now, confronting different "issues. another interesting thing occurred, during the rite, upon calling set, i felt a presence, a very cynical presence. it felt like "oh look, another god aspirant" a sigil manifested during the rite. a sigil whose attribution is the phoenix. i do not know what this sigil means yet (sigil omitted call [1) whose number is 76, it sort of looks like a 7& 6 combined. upon being in an 'in-between' sleep/ awake state on samhain night, a voice came to me. it sounded like a multitude of robot-like voices in unison. it said something to the effect of "you were given the

dertaken at the full moon (in a few days. for this part the moon was about 65% full and was performed on 10/30/98 between 6pm and 8pm (members of the autonomatrix sent energies my way to be utilized during the right, from across the usa. today is 11/4/98 i performed the ritual again last night under the full moon, this vision did not seem as powerful as the first vision, but i was granted another sigil. this one resembles the hand of eris (sigil omitted call [2) it is like the uniting of worlds, touching of heaven and hell. i went out later that night. today is 11/5/98 some observations of [1] whose number is 76 and is related to the phoenix. according to grant. k. nightside of eden p.62(abbreviated kg:noe:p "the final head is named the 'messenger of the fatal wind' and it is identified wi

on with binah and we definitely have some crone type destructive energies here. the number of babylon is 156 which is also the number of chaos. with binah we have links to set, which was integral with the rite of god-hood. 76=7+6=13 and we have a ton of links here, but check out the relations to gargophias and the 13'th tunnel of set, in the outer spaces (this comes later) side note on the second sigil: inverse libra) absolute chaos. 7 is also a symbol of set as an ax. sept is seven the sixth and central cosmic power zone: beauty--tiphareth--sun/son. the number 6(sex):vau- sexual union zain: the number 7--twins set/ horus (gemini, 6'th and 7'th months gemini- cancer. sexual polarity. lovers of the tarot. the letter zain spelled in full equal's 67 (reverse 76) which symbolizes the womb of t

FRATER TENEBROUS CULTS OF CTHULHU

ancient egyptian religion, and geographically, to the site of r lyeh in the south pacific (the exact coordinates for which are to be found in the call of cthulhu) as already stated, nodens is the only member of the elder gods to be mentioned by name, and lovecraft gives no further information concerning him. the sign of the elder gods is described as an upright pentagram containing an eye-shaped sigil. the points of the pentagram symbolize the four elements, plus that of spirit, the fifth or hidden element. combined, they balance the mono-elemental nature of the old ones, suggesting that the elder gods may exist on a higher plane the eye suggests the opening if the ajana chakra, or third eye, symbolizing the facility of astral vision. in one sense, the beings described above are designate

FRATER U D PRACTICAL SIGIL MAGIC

r and others, h. p. lovecraft. 4 outside the circles of time, kenneth grant, page 296. muller, 1980. 5 the haunter of the dark, the dunwich horror and others, h. p. lovecraft. 6 he cometh and he passeth by, h. r. wakefield. 7 letter no. 610, to miss elizabeth toldridge, selected letters volume iv. arkham house, 1976. 8 letter no. 604, to clark ashton smith, selected letters volume introduction sigil magic, particularly the system developed by the english painter and sorcerer austin osman spare, is one of the most efficient and economical disciplines of magic. for the most part, it can be performed without complicated rituals, needs hardly any paraphernalia, is independent of philosophical and dogmatic premises and, due to its simplicity, can be learned easily and quickly. most important

eprint of my article gaustin osman spare and his theory of sigils' from the, alas, now.defunct german magazine unicorn, issue 1/82. this issue has been out of print for quite some time, but many readers' inquiries have shown that there is still much interest in this article and it is increasing every day. since the article also covers some of the historical and philosophical background of spare's sigil magic, it might be useful to present it here within a new context to a greater audience. ix x/ practical sigil magic the word method explained in the article will be shown in greater depth in chapter 2. further examples will be given, as well as comments and tips for practical use which you will rarely find in literature on this subject. next we will deal with the pictorial method, which has

as comments and tips for practical use which you will rarely find in literature on this subject. next we will deal with the pictorial method, which has several advantages and disadvantages when compared to the word method. again, in accordance with the title of this volume, magical practice will be of primary importance. a description of the mantrical spell method will complete the techniques of sigil construction proper. it is my hope that examples and commentaries from my personal practice will provide you with many new suggestions. although spare's mysterious alphabet of desire belongs, technically speaking, to the pictorial method and in some respects touches the word method, it may nevertheless be considered the center of his magical achievement. unfortunately, his own comments about

but introduce a mature system of symbol.logic, accessible to everyone. this certainly would have been spare's intent had he ever finished what has become known as the legendary grimoire of zos, i.e, had he introduction/ xi completed it with explanatory comments for the magicians of his time. albeit spare's personal philosophy (which he himself termed the zos kia cultus) is not that important for sigil magic itself, we should not fail to mention his technique of atavistic nostalgia, which is certainly one of the most fascinating applications of sigil magic. furthermore, it marks its connection to shamanism and so.called gprimitive magic' two disciplines from which today's magicians can only profit. the main topic of the last chapter will concern planetary sigils from the hermetic tradition

on creating personal, that is to say, individual sigils. this is a completely different approach compared to the tendency of many other books, which usually prefer to list traditional, largely mutilated or inaccurately reproduced sigils taken from the gmagical cookbooks' of generally obscure authors with little or no practical experience of their own. although the planetary sigils xii/ practical sigil magic discussed at the end of this study are taken from the work of agrippa nettesheim, who is above all criticism in this respect, a single glance at other standard works about magical symbols will show that most magicians and alchemists in the middle ages (the supposed gpeak h of occidental magic) largely developed their own sigil language using a rather small number of well.established sy

o catch up c. spare states that gsigils are monograms of thought' and that they should be created in accordance with the individuality of our thinking. so please, view the examples given in this study for what they are.examples only. don't use them lazily and heedlessly. this could definitely be dangerous! at the beginning you will need perhaps a quarter of an hour or so for your first individual sigil, but by your fifth or sixth sigil it will take you only a couple of minutes. this effort will certainly prove to be worthwhile if you consider the probable success. as i said before, sigil magic is probably one of those magical disciplines that may be the fastest and easiest to learn. usually, you will need nothing more than a sheet of paper and a pen. with some experience, you will have fin

GOETIA LUCIFERIAN

n of this book. the pentacle may be worn as a method of encircling 25 the self in the mask of purity, thus remaining a symbol of the mind in unity with the will. often in evocation/invocation, spirits become points of obsessional belief which seem to speak or send impulses and desires to the sorcerer which may be contrary to the purpose of the ritual. the pentacle of solomon/tetragrammaton is the sigil of the will of god (god may represent set or the divine will the isolate self. you may have the pentacle of tetragrammaton on your person, symbolic of the will of the rite. when one enters the cross-roads of spirits you are in the arena of anon, the spirits which have existed between the aethyr and the earth for timeless ages the take the flesh of our desires, therefore posing a dangerous ti

to the vessel is the earthenware virgin formula designed by austin osman spare. this involves a sexual technique of self-fascination in which the elixir is kept and buried in the vessel for some days and nights. this is an optional method which is very dangerous to the process which it is created. vessel preparation may continue once the pot has been cleaned. the magician will scribe the binding sigil of solomon upon it, as this will exteriorize the force summoned to reside in this temple in the earth, which you may communicate with by dreams. it is optional for the sorcerer to add a drop of his or her own blood in the vessel to consecrate it as his own. the sigil will be prepared on virgin parchment or some high quality paper. it may have a strong reinforced backing such as a piece of le

ar/famulus, then the black mirror is ideal in communication. some have used divination boards in front of black mirrors to communicate with spirits, this techniques proves a powerful gnosis to step into, as you essentially bring the astral/ghost realm into the physical plane. the mirror is used in the following way- 1. summon the spirit in the evocation circle 2. bind the spirit to the vessel and sigil accordingly. 3. use the mirror to contact the spirit later after it has been bound. 4. contact the spirit before sleep to ensure a detailed communication if you dare. seeking first communicationonce the spirit has been properly bound to the vessel, you may wish to communicate or experience the visions it may send you. keep in mind, all of these visions may not be pleasant and if your will is

ing into this form. when you have viewed what you will, thank the spirit and end the rite. if you sleep shortly afterwards, keep a journal next to you to observe the images which you may see. sexual evocation the triangle is the very meeting places of spirit and sorcerer, thus is the channeling point of summoning. place the vessel, doll or pot of which the spirit is bound along with a copy of the sigil for focus in the evocation circle (triangle. illuminate the chamber in low light, incense and that which is pleasant to both the magician and the spirit. visualize the spirit growing within the vessel as you silently summon it begin arousing yourself with the enchantments of your own imagination. understand this spirit is formed from you, something of a familiar and spirit you have given lif

rowing within the vessel as you silently summon it begin arousing yourself with the enchantments of your own imagination. understand this spirit is formed from you, something of a familiar and spirit you have given life to. focus on the desire of which caused you to evoke the spirit in the first place (divination, knowledge, ect) and focus intently upon this. as you reach the climax, focus on the sigil of the spirit and allow your mind to black out (i.e. death posture) in this moment of ecstasy. after you have made this sacrifice of anointing some of the fluids on the sigil, banish (by forgetting or what technique you have created to clear the mind) and end the rite. if you have a partner in the rite, you will both focus on the spirit and not on each other rather than willed desire and lus

by adonai, the lord of the earth, by the axis of the sun and the moon i summon thee. by the eternal fire, come now unto this circle be welcomed unto me. welcome unto the spirit welcome spirit n. you are welcomed in this meeting place within the crossroads. i have summoned you forth, to join with me, by the union of heaven and hell. i bind this within this circle, take flesh and desire within thy sigil of calling, which i shall give unto thee life. thou shalt not leave this circle until i am satisfied, for i shall bring you forth into the world of flesh once again. by the sacred center of the arcanum of shadow and light, within the ourabouris circle i am bound and free, yet as you are spirit n. shall you enflesh my desires of which i speak. by my command and will do you bring forth that wh

GOLDEN DAWN SUPREME BANISHING RITUAL OF THE PENTAGRAM

ccess. if you are banishing a room which is to be re-dedicated as a temple space, clear the area of all objects and furniture. 1 face the east. with sword in hand, perform the qabalistic cross (hold the sword with point up while performing the qabalistic cross) trace the banishing pentagram of spirit active, with the tip of the sword in the air before you. vibrate the name "exarp" draw the spirit sigil in the center and vibrate "eheieh" give the lvx signs. draw the banishing pentagram of air and intone the name "oro ibah aozpi" trace the sigil of aquarius in the center and vibrate "yhvh" give the sign of theoricus. then raise the hands above the head as if to touch kether. step forward with the left foot while simultaneously bringing the hands to eye-level and thrusting them forward in the

and when used with the sword of vengeance, it is a potent gesture of force and will) then stamp the ground with the left foot and give the sign of silence (also called the "sign of protection) as a shield against all attack and protection from any reflux current of energy. go clockwise to the south and trace the banishing pentagram of spirit active while vibrating the name "bitom" draw the spirit sigil in the center and intone "eheieh" give the lvx signs. then trace the banishing pentagram of fire. vibrate "oip teaa pedoce" draw the sigil of leo in the center and vibrate "elohim" give the sign of philosophus. then give the projection sign and the sign of silence. go to the west and trace the banishing pentagram of spirit passive while vibrating the name "hcoma" draw the sigil of spirit in

while vibrating the name "hcoma" draw the sigil of spirit in the center and intone "agla" give the lvx signs. trace the banishing pentagram of water the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 2 of 3 6/27/2004 7:55 am give the lvx signs. trace the banishing pentagram of water and intone the name "empeh arsel gaiol" draw the sigil of the eagle in the center and vibrate "aleph lamed, al" give the sign of practicus. then give the attacking sign and the sign of protection. go to the north and trace the banishing pentagram of spirit passive while vibrating the name "nanta" draw the sigil of spirit in the center and intone "agla" give the lvx signs. trace the banishing pentagram of earth and vibrate the name "emor dial hec

le in the center and vibrate "aleph lamed, al" give the sign of practicus. then give the attacking sign and the sign of protection. go to the north and trace the banishing pentagram of spirit passive while vibrating the name "nanta" draw the sigil of spirit in the center and intone "agla" give the lvx signs. trace the banishing pentagram of earth and vibrate the name "emor dial hectega" trace the sigil of taurus in the center and intone "adonai" give the sign of zeiator. then give the projection sign and the sign of silence. return to the east. stand in the form of the tau cross and say: before me, raphael. behind me, gabriel. on my right hand, michael. on my left hand, uriel. for about me flames the pentagram and in the column shines the six-rayed star (visualize each archangel when inton

GOLDEN DAWN SUPREME INVOKING RITUAL OF THE PENTAGRAM

tagram (sirp) the sirp may be performed using any of the following implements: the hierophant's wand, the lotus wand, the chief adept's wand in the portal, the ur-uatchti, or the four elemental weapons. 1 stand and face east. perform the qabalistic cross. facing east, trace a large invoking pentagram of spirit active. thrust through the center of the pentagram and vibrate "exarp" trace the spirit sigil in the center and intone "eheieh" give the lvx signs. then trace the invoking pentagram of air and vibrate "oro ibah aozpi" draw the sigil of aquarius in the center of the pentagram and intone "yhvh" give the sign of the theoricus. turn to the south and trace a large invoking pentagram of spirit active. thrust through the center of the pentagram and vibrate "bitom" trace the spirit sigil in

aw the sigil of aquarius in the center of the pentagram and intone "yhvh" give the sign of the theoricus. turn to the south and trace a large invoking pentagram of spirit active. thrust through the center of the pentagram and vibrate "bitom" trace the spirit sigil in the center and intone "eheieh" give the lvx signs. then trace the invoking pentagram of fire and vibrate "oip teaa pedoce" draw the sigil of leo in the center of the pentagram and intone "elohim" give the sign of the philosophus. turn to the west and trace a large invoking pentagram of spirit passive. thrust through the center of the pentagram and vibrate "hcoma" trace the spirit sigil in the center and intone "agla" give the lvx signs. then trace the invoking pentagram of the sanctuary of maat order of the golden dawn- conten

nvoking pentagram of spirit passive. thrust through the center of the pentagram and vibrate "hcoma" trace the spirit sigil in the center and intone "agla" give the lvx signs. then trace the invoking pentagram of the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 2 of 2 6/27/2004 7:57 am water and vibrate impeh arsel gaiol" draw the sigil of the eagle in the center of the pentagram and tone "aleph lamed, al" give the sign of the practicus. turn to the north and trace a large invoking pentagram of spirit passive. thrust though the center of the pentagram and vibrate "nanta" trace the spirit sigil in the center and intone "agla" give the lvx signs. then trace the invoking pentagram of earth and vibrate "emor dial hectega" draw

l of the eagle in the center of the pentagram and tone "aleph lamed, al" give the sign of the practicus. turn to the north and trace a large invoking pentagram of spirit passive. thrust though the center of the pentagram and vibrate "nanta" trace the spirit sigil in the center and intone "agla" give the lvx signs. then trace the invoking pentagram of earth and vibrate "emor dial hectega" draw the sigil of taurus in the center of the pentagram and intone "adonai" give the sign of the zelator. keep the arm extended. turn to face the east. extend both arms out in the form of a cross and say "before me, raphael. behind me, gabriel. on my right hand, michael. on my left hand, uriel. for about me flames the pentagram, and in the column shines the six-rayed star" repeat the qabalistic cross. note

GOLDEN DAWN RITUALS B

opening and in the closing as well. the uninitiated will be performing a ritual and possibly working with elements not in harmony with each other. the l.b.r.p. is taught in the outer order so it will not be covered in this lesson. the l.b.r.p. is for general work and unimportant matters. 6 the following are banishing and invoking spirit pentagrams, both active and passive. hyha alga hyha alga the sigil of the "wheel of spirit" should be traced in the center. 7 hwhy la ynda \yhla k b e l m n o the following are the names from the tablet of union used in the supreme ritual of the pentagram. note: these names are not vibrated when one is performing the supreme ritual of the pentagram without a tablet of union. as a rule, enochian names are only vibrated when a tablet of union and the four wat

f union. as a rule, enochian names are only vibrated when a tablet of union and the four watchtower tablets are present. the following are the elemental pentagrams, both invoking and banishing. 8 b b ynda ynda e e \yhla \yhla k k hwhy hwhy la la 9 observe that the currents descendeth from the to the l in the invoking pentagram of l. in the banishing pentagram, the current is reversed. the kerubic sigil of b should be drawn in the center of the pentagram. let the adept be aware that the banishing pentagram of l may be traced as a potent symbol of protection between thee and any opposing astral force by simply tracing it in the air before the opposing force. let the adept take due care, to in all cases make certain the pentagram is proportional, and the ends fully closed. observe that the in

GOLDEN DAWN RITUALS U4

in the previous method. this, however, is not easy to be done by any but the practiced operator. commentary on traveling in the spirit vision g.h. frater p.c.a. the first method explained in the paper by g.h. frater d.d.c.f. is the most common method. it is very effective when the adept has a specific location. this location may be pinpointed through the use of a specific set of names, color, and sigil. the sigil is the most effective. for the novice adept it may be more appropriate to utilize the sigil in black and white as it will tend to be less tiring to the adept. the flashing colors are most effective in that it attracts the spiritual essence, but it can become more fatiguing. this is especially true with skrying or clairvoyance. the second method mentioned is the advanced method. it

GOLDEN DAWN RITUALS U7

will work to incorporate these audio symbols into his/her practical workings. let the z.a.m. of our sacred order study well this document and remember that gcolors are forces and the child of forces art thou. h addendum 1: collection of information on color by g.h. frater d.d.c.f. the 5 elements in the 4 scales of king, queen, prince, and princess. hm as an element: king: white merging into grey. sigil of m in king scale:h o queen: deep purple merging into black. sigil of m in queen scale: 8 prince: 7 rainbow colors with purple outermost. sigil of m in prince scale: princess: 5 colors: white, red, yellow, black and blue outermost. sigil of m in princess scale: h d as an element king: glowing orange scarlet. sigil of d in king scale: queen: vermilion red. sigil of d in queen scale: prince:

ale: 8 prince: 7 rainbow colors with purple outermost. sigil of m in prince scale: princess: 5 colors: white, red, yellow, black and blue outermost. sigil of m in princess scale: h d as an element king: glowing orange scarlet. sigil of d in king scale: queen: vermilion red. sigil of d in queen scale: prince: scarlet red flecked with yellow (nota bene: flecks can be appropriate hebrew letter w fs) sigil of d in prince scale: princess: vermilion flecked with crimson and emerald green. flash pink (flecks can be appropriate hebrew letter t fs) sigil of d in princess scale: 9 king: deep blue. sigil of c in king scale: queen: white and dull sapphire green. sigil of c in queen scale: prince: deep olive green. sigil of c in prince scale: princess: white flecked with purple; a glow like mother of p

of d in prince scale: princess: vermilion flecked with crimson and emerald green. flash pink (flecks can be appropriate hebrew letter t fs) sigil of d in princess scale: 9 king: deep blue. sigil of c in king scale: queen: white and dull sapphire green. sigil of c in queen scale: prince: deep olive green. sigil of c in prince scale: princess: white flecked with purple; a glow like mother of pearl. sigil of c in princess scale: a as an element. king: bright pale yellow. sigil of a in king scale: queen: sky blue. sigil of a in prince scale: 10 prince: blue green. sigil of a in prince scale: princess: emerald with golden flecks; whirl in centre. sigil of a in princess scale: b as an element: king: black and 3 tertiaries (citrine, olive and russet. sigil of b in king scale: queen: amber yellow

igil of c in princess scale: a as an element. king: bright pale yellow. sigil of a in king scale: queen: sky blue. sigil of a in prince scale: 10 prince: blue green. sigil of a in prince scale: princess: emerald with golden flecks; whirl in centre. sigil of a in princess scale: b as an element: king: black and 3 tertiaries (citrine, olive and russet. sigil of b in king scale: queen: amber yellow. sigil of b in queen scale: solid cube prince: dark brown. sigil of b in prince scale: princess: black flecked with yellow. sigil of b in princess scale: 11 addendum 2: flashing sounds zodiac in the chromatic scale sign scale color a aries c red b taurus c# red-orange c gemini d orange d cancer d# amber (orange-yellow) e leo e yellow f virgo f green-yellow g libra f# green h scorpio g blue-green i

GOLDEN DAWN RITUALS VENUSZAM16

secration ceremony. let a ray from thy perfection descend upon me, to awaken within my 4 being that which shall prove a channel for the working of thine abundant power. may this venus talisman which i have made be a focus of thy light and life and love so that it may awaken within my soul a clear vision and a stronger aspiration to the light" step 9 draw the letters yhvh tzboath in hebrew and its sigil in the air. then, trace the same over the heart region and vibrate la several times "grant unto me, thou great and lord of hosts netzach, the presence and power of thy holy archangel haniel that he may aid me with his power" step 10 draw the invoking hexagram of venus and in it the sigil of haniel. vibrate the name strongly "o ye gods of netzach, i conjure ye by the mighty name of yhvh tzboa

ower" step 10 draw the invoking hexagram of venus and in it the sigil of haniel. vibrate the name strongly "o ye gods of netzach, i conjure ye by the mighty name of yhvh tzboath lord of hosts, and by the name of haniel whose throne and seat ye are.elohim, come unto me now. manifest yourselves through me, and fill my sphere with your magic power to accomplish this work of the art" step 11 draw the sigil of elohim, and vibrate the name "command unto me the presence of haniel, the angel of venus, and his intelligence, hagiel, that they may consecrate this most powerful symbol. hagiel(vibrate 7 times, i conjure ye potently to make manifest your presence within my soul that this talisman of venus may be charged. come now, o all ye powers and forces of the realm of nogah, obey ye now the name of

sman should be purified with water and consecrated with fire "in the name of yhvh tzboath i proclaim, all ye powers and forces now invoked, that i, of the r.r. et a.c. have invoked ye in order to form a true and potent link between my human soul and that spirit of abundance and love and graciousness summed up in the name of netzach. to this end, i have formed and perfected a talisman bearing, the sigil of hagiel, the intelligence of nogah, and the geomantic symbols and sigils pertaining to venus. in addition this venusian bowl of desire has the many other symbols related to venus in flashing colors.this is now covered with a black veil, and bound thrice with a cord so that hagiel shall not see the light not move until he manifest unto me. i proclaim that this talisman shall be charged by t

my assistance the choir of angels, those lesser gods, the elohim, that they may consecrate with power this talismatic bowl which lieth before thee. o ye gods of netzach, command unto me the angel of haniel, that he may cause hagiel, his intelligence, to come unto me. haniel thou great angel of venus, thou divine intelligence of nogah, i invoke thee by the knowledge of thy name. i call thee by thy sigil and the symbol of venus which i bear upon my breast. come unto me now, i conjure thee to give to me of thy substance so that this creature of talismans may have power, life and love to make a divine link with all those powers of attraction, passion and desire summed up in the holy name of netzach. i invoke thee powerfully by the name of yhvh tzboath a (vibrate by formula of middle pillar and

GOLDEN DAWN RITUALS Z2

ant lectures on the symbols. proclamation by kerux. 21. u hierophant commands hiereus to address candidate. 22. v hierophant addresses neophyte on subject of study. 23. w blood produced. speech of kerux. hiereus final caution. 24. x the closing takes place. y evocation a. the magic circle. b. the magician, wearing the lamen of the hierophant and his scarlet robe. pentacle, whereon is engraved the sigil of the spirit to be invoked, has painted on the back of it the circle and cross as shown on the hierophant s lamen. c. the names and formulae to be employed. d. the symbol of the whole evocation. e. the construction of the circle and the placing of all the symbols, etc, employed in the places properly allotted to them so as to represent the interior of a g.d. temple, and the purification and

vocation. e. the construction of the circle and the placing of all the symbols, etc, employed in the places properly allotted to them so as to represent the interior of a g.d. temple, and the purification and consecration of the actual piece of ground or place selected for the performance of the evocation. f. the invocation of the higher powers. pentacle formed of three concentric bands, name and sigil therein in proper colors is to be bound thrice with a cord, and shrouded in black, thus, bringing into action a blind force to be further 4 directed or differentiated in the process of the ceremony. announcement aloud of the object of the working; naming the spirit or spirits, which it is desired to evoke. this is pronounced standing in the center of the circle and turning towards the quarte

e with a cord, and shrouded in black, thus, bringing into action a blind force to be further 4 directed or differentiated in the process of the ceremony. announcement aloud of the object of the working; naming the spirit or spirits, which it is desired to evoke. this is pronounced standing in the center of the circle and turning towards the quarter from which the spirit will come. g. the name and sigil of the spirit, wrapped in a black cloth or covering is now placed within the circle at the point corresponding to the west, thus, representing the candidate. the consecration of baptism by n and o of the sigil then takes place, and the proclamation in a loud, firm voice of the spirit (or spirits) to be evoked. h. the veiled sigil is now to be placed at the foot of the altar. the magician the

magician then calls aloud the name of the spirit, summoning him to appear, stating for what purpose the spirit is evoked: what is desired in the operation; why the evocation is performed at this time, and finally, solemnly affirming that the spirit shall be evoked by the ceremony. i. announcement aloud that all is prepared for the commencement of the actual evocation. if it be a good spirit, the sigil is now to be placed within the white triangle on the altar. the magician places his left hand upon it, raises in his right hand the magical implement employed (usually the sword) erect and commences the evocation of the spirit n, to visible appearance. the magician stands in the place of the hierophant during the obligation, irrespective of the particular quarter of the spirit. but, if the n

ite triangle on the altar. the magician places his left hand upon it, raises in his right hand the magical implement employed (usually the sword) erect and commences the evocation of the spirit n, to visible appearance. the magician stands in the place of the hierophant during the obligation, irrespective of the particular quarter of the spirit. but, if the nature of that spirit be evil, then the sigil must be placed without and to the west of the white triangle, and the magician shall be careful to keep the point of the magical sword upon the center of the sigil. j. now, let the magician imagine himself as clothed outwardly with the semblance of the form of the spirit to be evoked, and in this let him be careful not to identify himself with the spirit, which would be dangerous: only formu

cies of mask worn for the time being. and, if he knows not the symbolic form of the spirit, then let him assume the form of an angel belonging unto the same class of operation, this form being assumed then let him pronounce aloud, with a firm and solemn voice, a convenient and potent oration and exorcism of the spirit unto visible appearance. at the conclusion of this exorcism, taking the covered sigil in his left hand, let him smite it thrice with the flat blade of the magic sword. then let him raise on high his arms to their utmost stretch, holding in his left hand the veiled sigil, and in his right the sword of art erect. at the same time, stamping thrice upon the ground with his right foot. k. the veiled and corded sigil is then to be placed in the northern part of the hall at the edge

GOLDEN DAWN RITUALS Z3

lity derived. the secret names of this sign are: the sign of the gods of silence, or the sign of defence or protection. it may be performed with any finger of either hand, but 11 it is most protective when the left forefinger is used, the n of dsj, for the fingers of the right hand represent more violent action,and those of the left more watery action (if you do not have a convenient implement, a sigil or a pentagram may be traced with any finger of any hand according to the correspondence required) it may here be remarked that the so-called christian sign of benediction, consisting of the thumb and first two fingers only, projected, is the affirmation of osiris, isis and nephthys- or spirit, d and n. with regard to taking on mentally the forms of the gods, it may here be noted that the pr

GOLDEN DAWN RITUALS ZAM11

i see not from the unholy lands, but only from the light of the supernals. grant unto me, i beseech thee, the power of the spirit to bring forth the brilliance of eternal splendor. let it course through my nephesh and purify it like mountain rain. let the eternal splendor be absorbed deep within me to my very ruach, unto the core of my very existence and life" step 4 trace the l hexagram with the sigil in the center "i entered this world as one who was alive, yet i was not. then i saw the light that shineth in the night standing upon a lonely hill, the light of the red rose upon the golden cross. oh thou beautiful one, thou red rose of life and light, teach me of death, teach me of life, teach me of self sacrifice, so that i may not shrink in my hour of trial, but that my name may be writt

GOLDEN DAWN RITUALS ZAM14

seech thee, lift me up so that i may be made a divine messenger bearing the peace and harmony of higher spheres to_(his/her name_ whose death to this earthly plane we do now commemorate. wherever_(his/her name_ may now be, and on whatever 3 plane he/she may now pursue his/her ideal, let him/her be blessed with a more divine rest and an utter cessation from strife" step 7 trace l hexagram with the sigil in center. step 8 "term of all that liveth, whose name is death and inscrutable, be thou favorable unto us in thine hour. and unto him/her, from whose mortal eyes the veil of physical life hath fallen, grant that there may be the accomplishment of his/her true will. should_(his/her name_ will to absorb into the infinite, or to be united with his/her chosen and preferred, or to be in contempl

GOLDEN DAWN RITUALS ZAM15

rn to face the direction in which you have found f to be, standing so that the altar is between yourself and f for convenience. step 9 trace in the air the invoking pentagram of the sign that f is in. step 10 trace the invoking hexagram of f, vibrating "rwbg \yhla" step 11 then, still holding the wand by the white band, recite your invocation to the power of hrwbg and the forces of f, tracing the sigil of each as you read it. 5 "o mighty power who governeth hrwbg, thou strong and terrible divine rwbg \yhla, i beseech thee to bestow upon this magical sword power and might to slay the evil and weakness i may encounter. in the fiery sphere of \ydm, may it be welded and tempered to unswerving strength and fidelity. may thy great archangel lamk bestow upon me courage wherewith to use it aright

GOLDEN DAWN RITUALS ZAM16

rform this consecration ceremony. let a ray from thy perfection descend upon me, to awaken within my being that which shall prove a channel for the working of thine 4 abundant power. may this k talisman which i have made be a focus of thy light and life and love so that it may awaken within my soul a clear vision and a stronger aspiration to the light" step 9 draw the letters la in hebrew and its sigil in the air. then, trace the same over the heart region and vibrate la several times "grant unto me, thou great and merciful king of dsj, the presence and power of thy holy archangel layqdx that he may aid me with his power" step 10 draw the invoking hexagram of jupiter and in it the sigil of layqdx. vibrate the name strongly "o ye brilliant ones of dsj, i conjure ye by the mighty name of la

er" step 10 draw the invoking hexagram of jupiter and in it the sigil of layqdx. vibrate the name strongly "o ye brilliant ones of dsj, i conjure ye by the mighty name of la strong and mighty, and by the name of layqdx whose throne and seat ye are \ylmcj, come unto me now. manifest yourselves through me, and fill my sphere with your magic power to accomplish this work of the art" step 11 draw the sigil of \ylmcj, and vibrate the name "command unto me the presence of layjs, the angel of k, and his intelligence, layphy, that they may consecrate this most powerful symbol. layphy (vibrate 4 times, i conjure ye potently to make manifest your presence within my soul that this talisman of k may be charged. come now, o all ye powers and forces of the realm of dsj, obey ye now the name of la, the d

e talisman should be purified with n and consecrated with o "in the name of la, i proclaim, all ye powers and forces now invoked, that i, of the r.r. et a.c. have invoked ye in order to form a true and potent link between my human soul and that spirit of abundance and love and graciousness summed up in the name of dsj. to this end, i have formed and perfected a talisman bearing upon one side, the sigil of layphy, the intelligence of qdx, and the geomantic symbols and sigils pertaining to k. on the other side is a seal referred to k, represented in flashing colors. this is now covered with a black veil, and bound thrice with a cord so that layphy shall not see the light not move until he manifest unto me. i proclaim that this talisman shall be charged by the intelligence layphy, in order th

my assistance the choir of angels, those brilliant ones, the \ylmcj, that they may consecrate with power this talisman which lieth before thee. o ye brilliant ones of k, command unto me the angel of qdx, layjs, that he may cause layphy, his intelligence, to come unto me. layphy, thou great angel of k, thou divine intelligence of qdx, i invoke thee by the knowledge of thy name. i call thee by thy sigil and the symbol of k which i bear upon my breast. come unto me now, i conjure thee to give to me of thy substance so that this creature of talismans may have power, life and love to make a divine link with all those powers of love, majesty and graciousness summed up in the holy name of dsj. i invoke thee powerfully by the name of la (vibrate by formula of middle pillar and mystical circumambu

GOLDEN DAWN RITUALS ZAM18

e of the eternal splendor to one who has now entered the invisible (state earthly name. lift me, i beseech thee, lift me up so that i may be made a divine messenger bearing the peace and harmony of higher spheres to (state earthly name) who on this day of (date) has now transcended the veil into the land of the dead and away from the land of the living" step 7 s.i.r.h. of l. trace l hexagram with sigil in the center. step 8 "term of all that liveth, whose name is death and inscrutable, be thou favorable unto us in thine hour. and unto (state earthly name, from whose mortal eyes the veil of physical life hath fallen, grant that there may be the accomplishment of his/her true will" purify and consecrate the shells with n and o. step 9 walk the shell to the east so that it is facing west. lea

GOLDEN DAWN RITUALS ZAM22

remony. let a ray from thy holy perfection descend upon me, to awaken within my being that which shall prove a channel for the working of thine abundant power and beauty. may this talisman of a which i have made, be a focus of thy light, life, and love and beauty, so that it may awaken within my soul a clear vision and a stronger aspiration to the light divine. step 3 trace letters and rose cross sigil of tudw hwla hwhy in the air, and visualize these letters like flames burning before you and within your heart. vibrate the divine name one time for each letter. say: grant unto me thou great and beautiful king of trapt the presence and power of thy holy archangel lapr that he may aid me with his power and might! step 4 using the lotus wand held by the band of e, let the adept draw before hi

ze these letters like flames burning before you and within your heart. vibrate the divine name one time for each letter. say: grant unto me thou great and beautiful king of trapt the presence and power of thy holy archangel lapr that he may aid me with his power and might! step 4 using the lotus wand held by the band of e, let the adept draw before him the invoking hexagram of a and within it the sigil of lapr. vibrate the name strongly as many times as there are letters. say: o ye messengers of the holy one, blessed be he, thou \yklm, i conjure ye by the mighty name of tudw hwla hwhy strong and mighty, and by the name of lapr, thou potent and powerful archangel of trapt. o ye \yklm, come now unto 6 me. manifest yourself through me and fill my sphere with your magical power of trapt to acc

s many times as there are letters. say: o ye messengers of the holy one, blessed be he, thou \yklm, i conjure ye by the mighty name of tudw hwla hwhy strong and mighty, and by the name of lapr, thou potent and powerful archangel of trapt. o ye \yklm, come now unto 6 me. manifest yourself through me and fill my sphere with your magical power of trapt to accomplish this work of art. step 5 draw the sigil of \yklm before you within the hexagram. vibrate the name the number of times there are letters in the name. say: command unto me the presence of lakym the angel of a and his intelligence laykn that they may empower and consecrate this symbol most potent and powerful. step 6 draw the sigil of lakym, vibrate it, and then draw the sigil of laykn, and vibrate it as well using the vibratory form

udw hwla hwhy, the divine ruler of your kingdom, and lapr, your archangel, and the divine messengers, the \yklm. i conjure ye trws, thou spirit of a, and i do potently and completely bind you by the intelligence of the sun, laykn. thou shall only bring thy force to the purpose of this talisman that is in conformity and harmony with my will, for thou art bound by the intelligence of a, laykn. draw sigil of trws, vibrate the name through vibratory formula, yet, let the adept be aware that with each vibration of the name, the intelligence, laykn, must be vibrated first. step 7 place talisman outside circle in the west. holding sword in hand, circumambulate once to the west, and draw it within the circle using the point of the sword. say: creature of talismans, enter thou within this sacred ci

dw hwla hwhy, i proclaim all ye powers and forces now invoked that i, power name, an adeptus minor of the r.r. et a.c, have invoked ye in order to form a time and potent link between my human soul and that spirit of beauty and abundance summed up in the name of trapt, that in this talisman, the light of hwchy may shine forth. to this end, i have formed a perfected talisman bearing on one side the sigil of laykn, the intelligence of cmc, and the geomantic sigils that pertain to a. on the other side are the sigils and divine names referred to trapt and a, which are all represented in brilliant flashing colors. in addition, other sigils and symbols have been placed therein to act as a potent link between this talisman and the force that has been called to live within it. i proclaim that this

gel of cmc, lakym, that he may cause laykn, his intelligence, to come unto me. laykn, thou great angel of cmc, thou great intelligence of cmc, i invoke thee by the knowledge of thy name and by the power of god the vast one. i do conjure and potently invoke trws, the power and spirit of the sun, and i bind thee in the name of laykn to perform thy work in accordance with my will. i call thee by the sigil and the symbol of cmc. i call thee through the power of the holy one, blessed be he, and the divine name of your realm. i do conjure thee, laykn, come unto me and bring now thy spirit unto thy control, trws, so that this creature of talismans may have power, life, beauty and light to make a divine link with all those powers, majesties and graciousness which are summed up in the holy 11 name

GOLDEN DAWN RITUALS ZAM3

invocations should be performed astrally. if one is confined to working in a non-private space, it should not be exposed before the profane. the vigil step 1 let the adept be purified with the l.b.r.p. and b.r.h (if needed. step 2 say the invocation of the lord of the universe" holy art thou" step 3 perform the s.i.r.h. of luna. step 4 let the adept now begin, using the fullness of the moon as a sigil to rise in the planes unto the sephira of dwsy. the adept should take full caution not to allow any illusion or form to distract him or her from the work and should quickly banish astral distractions should they appear. step 5 the adept should now, using the formula of the middle pillar, infuse the sphere of sensation with the briatic color of dwsy (purple) until the adept feels fully integr

GOLDEN DAWN RITUALS ZAM8

se of the units by being encircled with either one or two rays. if we further place these within the lineal figure of the whole name of the sephiroth, a specific kind of hieroglyph will result. this hieroglyph may then be utilized by the adept on talismata and for both invocational and evocational work. in addition, if the glyph be painted in the proper colors, it may then be utilized as a potent sigil for skrying or traveling in the spirit vision. each glyph may be represented by an angelic form as explained in our paper on the rose and sigil. a m c p t b g d k r w h z j f y l n s u x q 7 in accordance with the qbl of nine chambers, the numerical values of the twenty-two paths are then allotted under the sephiroth. a i q rtk 1 10 100 m f l b k r hmkj 2 20 200 b k a g l sh hnyb 3 30 300 5

GRERALD SCHUELER AN ADVANCED GUIDE TO ENOCHIAN MAGICK

bkr (reference aik bkr and the aethyrs later in this manual) the petals/regions add to 3 (3+7+11 21=2+1=3, the number of rows in the rose. the rose is used to determine the sigils for the deities of the four watchtowers. begin with the first letter f the narre in the corresponding petal of the rose. draw straight unes from letter to letter as they appear in the narre. the pattern so drawn is the sigil of the deity. awways begin each sigil with a small circie. at the last letter, end the sigil with a 96 short fine or dash, perpendicular to the last fine drawn. if two letters come together, represent it by a crook or wavy fine at that point if a sigil has three letters along a single straight fine, and the center letter is needed in the name, then represent it by a small noose or circle tan

bution (the justice of libra. karma is both personal and collective and can result in either harmony or conflict, good or evil this dualistic nature of justice was personified by the egyptian goddess maati (maati was the twofold aspect of maat, goddess of truth and justice, consort to the god thoth, whose hall of maati contained the balance where all were weighed against her feather of justice. a sigil of toog from the watchtower of earth is: a sigh of toog from the watchtower of water is: a sigil of toog from the watchtower of air is: a sigil of toog from the watchtower of fire is: the letters gisa, med, med, ged are written, 184 the formula of mzkzb i am hard and strong and male; but come thou! i shall be soft and weak and feminine. aleister crowley, liber vii the enochian word mzkzb is

he star(b) are the two extremes of this formula.crowley switched the pplaces of these two tarot paths on the tree of life tto better accord with his message. according to the formula of mzkzb, it doesn'tmatter which position they take because bzkzm is an iidenticalformula. the emperor and the star acting together encircle the impulse to create (z) which is ttemperedby experiencedjudgement (k. the sigil of mzkzb from the watchtower of earth is: 186 the formula of vovin we attained to be starry grains of gold dust in the sands of a slow river. yea, and that river was the river of space and time also. aleister crowley, liber vii the word vovin can be pronounced either voh-veeneh or vohvee- en. it is derived from the first letters of the words vpaah oxi vabzir in nisan which means "the mighty

ula is to move ceaselessly through the watchtowers and aethyrs dispensing justice and pproclaiming his word.the formula 187 itself reveals his methodology in its letters: a sense of justice (justice in libra) is the core of a healthy love of life (the devil in capricorn) which is checked by experience (temperance/art in sagittarius) but allowed constant change in expression (death in scorpio. the sigil of vovin from the rose (figure 6) is: 188 the formula of vrelp my god! 0 my god! i am but a speck in the stardust of ages; i am the master of the secret of things. aleister crowley, liber vii the enochian word vrelp, pronounced var-ee-elpeh, is comprised of the first letters of the words vran ror-elzap laiad plapli which means "seeing the orbit of the sun and partaking of the secrets of trut

ula for the knowledge and conversation with your holy guardian angel. the letters demonstrate the exact nature of the formula: movement (the chariot of cancer) is guarded by temperance/art, and indeed the entire working of this formula is encompassed by temperance/art. also, the desire for creativity (strength/lust in leo) is carefully guarded by initiated consciousness (hierophant in taurus. the sigil of iliatai from the watchtower of earth 197 the sigil of iliatai from the watchtower of water the letters gon, ur, gon, un, gisa, un, gon are written: 198 tex and rh, the lowest aethyrs without the cube-the material world-is the sphere-system of the spiritual world enfolding it. aleister crowley, a comment upon the nature of the aethyrs,found in the vision and the voice the two lowest aethyr

hyanis, who were their instructors; in short, the primitive adepts of the third race, and later, of the fourth and fifth races" h.p. blavatsky, the secret doctrine as you advance in enochian magick you will reach a level where you can lawfully work for the title of a magical dragon whose formula is vovin. it will be helpful at this point to make a magical dagger inscribed with the formula and its sigil. this dagger should be consecrated with an appropriate ceremony (to include a magical oath) and given the name "truth that consumes (ia-ial. you should construct a talisman similar to that shown in figure 8 and charge it appropriately. the ordeals required by vovin are: 1. m a s t e r y o f t h e modes of traveling through time and space, and therefore mastery of the 24th aethyr, nia. 2. mas

GRIFFIN DAVID MAGICAL EVOCATION OF THE AVERSE FORCES

distinct advantage to using a mirror in the triangle instead of smoke, since the entity appears together with the reflection of the seer, thus facilitating the projection of psychic contents into the triangle. construct the triangle of art of plywood, and paint it white. paint a black triangle outline about two inches inside the edge, and glue a round mirror in the center. then add the names and sigil in crayon or in any other easily removable material before each ritual. in the following illustration, the triangle of art bears the names and sigil appropriate for the evocation of zazel, the demonic spirit of the planet saturn, which follows in this chapter. the divine name, archangel, angel, intelligence, and sphere appear in hebrew in the outer triangle. the inner triangle contains the n

yon or in any other easily removable material before each ritual. in the following illustration, the triangle of art bears the names and sigil appropriate for the evocation of zazel, the demonic spirit of the planet saturn, which follows in this chapter. the divine name, archangel, angel, intelligence, and sphere appear in hebrew in the outer triangle. the inner triangle contains the name and the sigil of the demon. the names in the outer section constrain the spirit within the inner triangle. for the spirit to escape, it must first pass by all the divine and angelical forces of saturn that constrain it. the magician's second line of defense is the magic circle. the r. r. et a. c. magic circle shown below is suitable to evoke any averse force from 9 this method was apparently rediscovered

l, and angelical forces that correspond to the demon protect the sphere of sensation of the magician. during the evocation the magician affects the averse force, constrained within the triangle of art, through sympathy with the lamen that he or she wears. this lamen contains all the relevant colors, geometrical figures, names, and sigils of the entity's hierarchy of forces, including the name and sigil of the averse force itself. a complete set of such lamens appears among the color illustrations contained in this book, one for each of the sephirothic, zodiacal, planetary, and elemental forces. the aim of evocation the true function of the magical evocation of the averse forces lies concealed in the book of the sacred magic of abra-melin the mage. the abra-melin working consists of a six-m

GRIMM JACOB TEUTONIC MYTHOLOGY VOL 3

ur glances to rove back beyond our expectation; isolated words occur in glosses, and proper names of men, places, herbs, point to other vestiges; not only do gods and heroes step out of the mist, as wuotan, donar, zio, phol, paltar, froho, sintarfizilo, orentil, and goddesses or wise women, as frouwa, folia, sindgund, wurt; but a host of other words, itis, wiht, urlac, fuld, haruc, hliodar, paro, sigil, zunkal, etc. are found uneradicated. of course, among the saxons, who remained heathen longer, especially among the anglo-saxons, whose language preserved its warmth better by poetry, such relics are trebly numerous, for beside woden, thunor, frea, bealdor, helle, eastre, hrese, and the rich store of names in the genealogies, there add themselves forneot, woma, geofon, grei'suma, wuscfrea

GRIMM TEUTONIC MYTHOLOGY VOL 2 1883 COMPLETE

mean gemeiner rath (vorrath, a common pro vision at the service of all men. that the sun was likened to a wheel of fire, and the element blazing out of him was represented in the stape of a wheel, has been fully shewn, p. 620. tit. 2983 speaks of the sun s wheel. the edda expressly calls the sun fagrahvd, fair wheel, saem. 50a sn. 177. 223. the norse rune for s is named sol sun, the as. and ohg. sigil, sugil, for which i have proposed (andr. p. 96) the readings segil, sagil, sahil, and may now bring in support the goth, sduil and gr. r/ato. but the gothic letter q= hv) is the very symbol of the sun, and plainly shews the shape of a wheel; we must 1 wagen waggon belongs to weg way, as carpentum does to carpere (viam; the car of heaven is also that of the highest god. otfr. i. 5, 5. says of

HEPTAMERON

what spirits you would call, to what star and region they do belong, and what functions they have. therefore let there be made three circles of the latitude of nine foot, and let them be distant one from another a hands breadth; and in the middle circle, first, write the name of the hour wherein you do the work. in the second place, write the name of the angel of the hour. in the third place, the sigil of the angel of the hour. fourthly, the name of the angel that ruleth that day wherein you do the work, and the names of his ministers. in the fifth place, the name of the present time. sixthly, the name of the spirits ruling in that part of time, and their presidents. seventhly, the name of the head of the signe ruling in that part of time wherein you work. eighthly, the name of the earth

any one would make a circle in spring-time for the first hour of lords day, it must be in the same manner as is the figure following. heptameron 9 the figure of a circle for the first hour of the lords day, in spring-time. it remaineth now, that we explain the week, the several dayes thereof: and first of the lords day. heptameron 10 considerations of the lords day the angel of the lords day, his sigil, planet, the signe of the planet, and the name of the fourth heaven. the angels of the lords day. michael, dardiel, huratapal. the angels of the air ruling on the lords day. varcan, king. his ministers. tus, andas, cynabal. the winde which the angels of the air abovesaid are under. the north-winde. the angel of the fourth heaven, ruling on the lords day, which ought to be called from the fou

f the air of the lords day, are under the north-winde; their nature is to procure gold, gemmes, carbuncles, riches; to cause one to obtain favour and benevolence; to dissolve the enmities of men; to raise men to honors; to carry or take away infirmities. but in what manner they appear, it's spoken already in the former book of magical ceremonies. considerations of monday. the angel of munday, his sigil, planet, the signe of the planet, and name of the first heaven. the angels of munday. gabriel, michael, samael. the angels of the air ruling on munday. arcan, king. his ministers. bilet, missabu, abuzaha. the winde which the said angels of the air are subject to. the west-winde. the angels of the first heaven, ruling on munday, which ought to be called from the four parts of the world. from

in the conjuration of sunday. the spirits of the air of munday, are subject to the west-winde, which is the winde of the moon: their nature is to give silver; to convey things from place to place; to make horses swift, and to disclose the secrets of persons both present and future: but in what manner they appear, you may see in the former book. considerations of tuesday. the angel of tuesday, his sigil, his planet, the signe governing that planet, and the name of the fifth heaven. the angels of tuesday. samael. satael. amabiel. the angels of the air ruling on tuesday. samax, king. his ministers. carmax, ismoli, paffran. the winde to which the said angels are subject. the east-winde. heptameron 13 the angels of the fifth heaven ruling on tuesday, which ought to be called from the four parts

i, quod pro me labores& adimpleas &c. as in the conjuration of sunday. the spirits of the air of tuesday are under the east-winde: their nature is to cause wars, mortality, death and combustions; and to give two thousand souldiers at a time; to bring death, infirmities or health. the manner of their appearing you may see in the former book. considerations of wednesday. the angel of wednesday, his sigil, planet, the signe governing that planet, and the name of the second heaven. the angels of wednesday. raphael. miel. seraphiel. heptameron 14 the angels of the air ruling on wednesday. mediat, or modiat, king. ministers. suquinos, sallales. the winde to which the said angels of the air are subject. the southwest-winde. the angels of the second heaven govern wednesday, which ought to be calle

conditionally out of one into another; to give infirmities or health; to raise the poor, and cast down the high ones; to binde or lose spirits; to open locks or bolts: such-kinde of spirits have the operation of others, but not in their perfect power, but in virtue or knowledge. the what manner they appear, it is before spoken. heptameron 15 considerations of thursday. the angel of thursday, his sigil, planet, the signe of the planet, and the name of the sixth heaven. the angels of thursday. sachiel. castiel. asasiel. the angels of the air governing thursday. suth, rex. ministers. maguth, gutrix. the winde which the said angels of the air are under. the south-winde. but because there are no angels of the air to be found above the fifth heaven, therefore on thursday say the prayers followi

HINE PHIL ASPECTS OF EVOCATION

ego. demons- the need for self-respect or a particular self-image, and more abstract conceptions: the hunger for knowledge or wisdom. the deeper the level of the hierarchy, the more primal the desires and urges. the techniques: flooding and vomiting (eating and excreting- to flood awareness with specific images, to bring forth (evoke) the demon, giving it form .flesh. and eventually a name or a 9 sigil. the scrambled personality tapes were to act as auditory sigils- storms of emotion whipped up by intensive remembering (replaying) sets of memories. letting loose the hyenas of cynicism on a cherished ideal or goal. the means of gnosis: sensory overload, hyperventilation, old favourites such as hunger, thirst, exhaustion. 120 hours without sleep produces a fine paranoic .edge. to consciousne

garded as .expert. systems which learn from being given a task to execute- as if the more healing tasks you give a servitor, the better it seems to become at healing. secondly, continued use of the servitor, with successful results, builds up .confidence. in it.s activity on the part of those who use it. with a more generalised servitor, anyone who knows its activation sequence (such as a mantra, sigil, or visualisation sequence) can employ it to work at a given task. one example of this form of servitor is the entity icandoo. icandoo(.i-can-do) was created at an open group workshop in servitor creation. the name of the servitor was also its mantra for summoning it, and it.s general brief was to assist those who used it for overcoming any obstacles that crossed them. icandoo was created by

istic projections of goals, etc. as in all sorcery operations, it is appropriate to ask advice from your preferred form of divination. to continue the example of a healing servitor, an appropriate statement of intent might be .to promote rapid recovery and health in.(name. once you have determined the appropriate intent to form the basis of your servitor, then the statement can be rendered into a sigil, or glyph. 3. what symbols are appropriate to the servitor.s task? there is a wealth of magical& mythic symbols which you can draw upon when creating a servitor, which can be used to represent different qualities, abilities and attributes. there is also the symbolism of colour, smell, sound& other sensory media to draw upon. in order to refine the .program. which forms the basis for your ser

propriate to the servitor.s task? there is a wealth of magical& mythic symbols which you can draw upon when creating a servitor, which can be used to represent different qualities, abilities and attributes. there is also the symbolism of colour, smell, sound& other sensory media to draw upon. in order to refine the .program. which forms the basis for your servitor further, you could embellish the sigil by adding other symbols. 4. is there a time factor to consider? here, you should consider the duration of the servitor.s operation. in other words, do you want the servitor to be .working. continuously, or only at specific periods? here, you may wish to take into account phases of the moon, astrological conjunctions or planetary hours, for example, which could be added into the servitor.s sy

look after your thoughtforms, they will wander around the astral plane annoying people, there is good psychological sense for terminating the .life. of servitors which have completed their assigned task- that you are reclaiming responsibility for that desire-complex which you used to create the servitor. 5. is a name required? the servitor can be given a name which can be used, in addition to its sigil, for creating, powering, or controlling it. a name also acts to further create a servitor.s persona. a name can reflect the servitor.s task, or be formed from a mantric sigil of it.s statement of intent. 6. is a material base required? the material base is some physical focus for the servitor.s existence. this can help to define the servitor as an individual entity, and can be used if you ne

position or character of the spirit: it was decided that goflowolfog could be nothing but cool, stylish and relaxed, speedy and graceful. it was felt that he would respond kindly to anyone who attempted to take on these qualities in a situation as frustrating as being stuck in a traffic jam. the sound associated with the movement of the spirit can also act as a mantra to help call him to you. his sigil, a circle containing two opposite-running arrows, can be used as a talisman, placed on cars, cycles or other modes of transport to draw the favour of goflowolfog or as a focus for evocation. using this process, you could easily create your own grimoires of helpful spirits. it can be interesting (and fun) to do this with a group of friends, so that not only are the spirits .assembled. by many

HINE P OVEN READY CHAOS

acts produce changes in the atmosphere of the area they are worked in and with practice, these feelings automatically come on-line whenever the rite is used, so that the shift between everyday reality and its concerns (who s doing the washing-up after the ritual etc) and magical reality (the purpose of the ritual for example) is clearly perceived. 30 phil hine spiral pentagram 31 oven-ready chaos sigil magick sigilisation is one of the simplest and most effective forms of results magick used by contemporary magicians. once you have grasped the basic principles of sigilisation and experimented with some of the most popular methods of casting sigils, you can go on to experimenting with forms of sigil magick which are unique to you. the core sigilisation process can be divided into six stages

different vacuity f- fire f- forget 1.specify intent the first stage of the process is that you should get your magical intent clear- as precise as possible without, at the same time, being too overcomplicated. vague intentions usually give rise to vague results, and the clearer the initial statement of intent is, the more likely you are to get accordant results. an aquaintance of mine once did a sigil to manifest a lover, and gave very precise details on how this paragon should look, what kind of car he should drive, etc. needless to say, her 32 phil hine desire manifested exactly as she had specified, and she discovered too late that she had forgotten to specify intelligence in her sigil, and was lumbered with a bore! 2.pathways available generally, sigils are excellent for bringing abou

gnosis include: spinning, chanting, dancing, visualisation, sensory overload or sensory deprivation, and sexual arousal. the other altered state is that of indifferent vacuity- a sort of not-particularlybothered state. an example of sigilisation by this route is to doodle sigils whilst listening to a talk which is boring, but you have to take notes on. 5.fire this is simply the projection of the sigil into the void or multiverse at the peak of gnosis/vacuity. examples of this include orgasm, reaching the point of blackout from hyperventilation or being asked a question about the boring talk that you were supposed to have been listening to. 6.forget once your sigil has been fired, you re supposed to forget the original intent and let the butterfly effect or whatever take its course. forget

urvival demons- hunger, thirst etc, ego demons- self-esteem, selfimage etc, and more abstract conceptions such as the hunger for knowledge or wisdom. the deeper the level of hierarchy, the more primal the desires. the techniques: flooding and vomiting (eating and excreting- to flood awareness with specific images, to bring forth (evoke) the demon, giving it form, flesh, and eventually a name or a sigil. the scrambled personality tapes were to act as auditory sigils- storms of emotions whipped up by intensive remembering (replaying) sets of memories. letting the hyenas of cynicism loose on a cherished idela or goal. the means of gnosis: sensory overload, hyperventilation, old favourites such as hunger, thirst, exhaustion. 120 hours without sleep produces a fine paranoic edge to consciousnes

liber kaos- pete carroll the book of results- ray sherwin cosmic trigger- robert anton wilson illuminatus- robert anton wilson& robert shea principia discordia- malaclypse the younger the hunting of the snark- lewis carroll the book of pleasure- austin osman spare liber cyber- charlie brewster metamagical themas- d. r. hofstadter tantra magick- mandrake of oxford impro- keith johnstone practical sigil magick secrets of the german sex-magicians- fra. u.d. chaos servitors: a user guide- phil hine the spirit of shamanism- roger walsh escape attempts- stan cohen& laurie taylor chaos- james gleick ssotbme- ramsay dukes azoetia- andrew d. chumbley stealing the fire from heaven- stephen mace by the same author: prime chaos available from chaos international publications bm sorcery, london wc1n 3

INFERNAL UNION

02) is the actual solitary rite used in the toph to magickally join the opposite sexual polarities within the self. i performed this rite on dec.31, 2003. sometime before the ritual itself, i did a tarot reading relating to my ongoing communion with my hga. the results pointed very specifically to this ritual which i was about to perform ,as my next step in finding my true will. i had painted the sigil of infernal union to my satisfaction and placed this over my usual pantacle on my altar. i created a simple sigil for lilith and set up my circle with red and black candles for the infernal aspects of these powers. in the north, i set up my painting of babalon on the seven-headed beast with related sigils. i showered and put on nefilim-zoon. shut off at 11:15, banished, cast circle but witho

set up my painting of babalon on the seven-headed beast with related sigils. i showered and put on nefilim-zoon. shut off at 11:15, banished, cast circle but without calling the enochian angels. i started the ritual by my declaration of intent and followed this by a simple acceptance of my pure intention and use of intense imagination throughout. manibus plenis, and a drop of blood on the lilith sigil. banished, dismissed. put cross of malkuth in blood/semen over the third eye of baphomet on the sigil of infernal union. went to bed though i didn t dream anything meaningful related to the ritual that i could remember upon awakening. the next night finished reading the compleat vampyre. several things became apparent to me, one of which was the type of vampire i found most meaningful to me

ISRAEL REGARDIE A PRACTICAL GUIDE TO GEOMANTIC DIVINATION

l may be necessary. one more feature remains to be stated, and this is most important, differentiating the initiated approach from the profane. to every planetary force in gcornancy, there is attributed a genius presiding over all matters covered by the definitions of that force. this genius is an earth elemental of considerable stature. his name is given in the following table, together with his sigil, a traditional word that merely means a signature. this sigil should be very deliberately and carefully drawn in the centre of the pentagram which has been traced. it should be visualized as clearly as is possible, while vibrating his name several times, either vocally or mentally. this places the whole divinatory process under divine guidance, and opens up specific pathways to the unconscio

nature of the question. 4. then decide upon the genius to be invoked. 5. write the above on the top of the blank to be used. 6. mark the five points around the circumference of the circle which has been traced with the aid of the plastic tumbler. 7. while making the invoking pentagram, vibrate the divine name ruling the element earth. 8. very carefully, draw within the centre of the pentagram the sigil of the genius. vibrate his name several times. 9. if you proceed by tracing the dots, concentrate on the question and repeat it many limes to distract the mind from counting. 10. if you use the pebbles or dice, similarly verbalize the question. 11. count sixteen lines of dots, or throw the pebbles or dice sixteen times. the mechanical part of the divination is over. 12. construct the first f

KETAB E SIYAH

the eye issued fire, painted in red and gold, three tongues of flame, one greater and one lesser and a median one within the other, greatest outermost, each coming to three cusps, the central highest. and from the base fell a tear of blood, representative of that blood spilt that the nephilim race might then be born, shaped of my liver-flesh cut from my frame. flanked by two horned beasts was the sigil, guarded. upon its right a she-manticore, carved of red stone, standing for ishtar and upon the left flank sat a weir-wolf of sable rock, for baalzebub, twin demiurges in the first crafting of the race. each sat upon its haunches looking outward down the steps that led up to the gates. throwing open the gates i passed inward where utanapishtim stood within, having entered from the northern p

LEMEGETON

m all, although [100v] they be titled with severall other names, as the booke helisoe wch is the very same as this last [book] is, wch called, artem novam& ars notaria &c. these bookes were first found in the chaldean& hebrew tongues at hierusalem, by a jewish rabbi& by him put into the greeke language& from thence into ye latine, as it is said &c. appendix- other examples of some of the drawings sigil for baal, from harl. 6483. sigil for agares, from harl. 6483. sigil for vasago, from harl. 6483. magical circle and triangle, from sloane 3648. hexagram to be worn as a lamin, from the hebrew manuscript of the clavicula salomonis (sepher mafteah shelomoh, fol. 38a. gollancz, fol. 38a. or. 14759 pentagram, from harl. 6483. the magic ring, from sloane 2731. brass vessel, from sloane 2731: sigi

LEWIS JAMES SATANISM TODAY AN ENCYCLOPEDIA OF RELIGION FOLKLORE AND POPULAR CULTURE

such messages infernal or otherwise have absolutely no influence on listeners behaviors. this second point was highlighted by several court cases involving accusations of backward masking. beginning in the 1980s, a series of different lawsuits that proposed to sue various heavy metal groups and their recording studios for the supposedly baneful effects of their music were thrown b 19 20 baphomet (sigil of baphomet) out of court before they ever got rolling. in 1985, however, a nevada judge agreed to hear one such case involving the suicide of two young men, based on the accusation that a backward masked message on a judas priest album had subliminally urged them to do it. the case went to trial in 1990. after the judge blocked the testimony of a variety of self-proclaimed satanic experts

ckward masking unmasked: backward satanic messages of satan exposed. shreveport, la: huntington house, 1983. baddeley, gavin. lucifer rising: sin, devil worship and rock n roll. london: plexus, 1999. richardson, james t. satanism in the courts: from murder to heavy metal. in james t. richardson, joel best, and david g. bromley, eds. the satanism scare. new york: aldine de gruyter, 1991. baphomet (sigil of baphomet) in the literature and imagery predating the founding of the church of satan in 1966, satanism is denoted by inverted crosses or crucifixes and blasphemous parodies of christian art. one also finds images of goats, devils and demons (along with their symbols, referred to as sigils) used to represent the satanic. however, the complete graphic referred to as the sigil of baphomet t

and there are ongoing discussions concerning its derivation and meaning. however, there is no clear evidence that the symbol that has come to be referred to as baphomet is similarly derived. the first artwork for an image of a goat face in a pentagram appeared in a 1931 book on freemasonry by oswald wirth (1931, 60. this was, however, only a pentagram containing a goat s face. it was not the full sigil of baphomet as delineated in the satanic bible. the concept is the same, but the actual art is not. the first version of the goat-faced pentagram surrounded by two circles with leviathan written between them appeared in and on the cover of maurice bessy s a pictorial history of magic and the supernatural (1964. nowhere in this book, however, is this graphic referred to as the sigil of baphom

judith case on february 1, 1967. famed photographer joe rosenthal was sent by the san francisco chronicle to capture an image, which was then printed in the chronicle, the los angeles times, and other major newspapers. he began the mass dissemination of his philosophy via the release of a record album, the satanic mass (murgenstrumm, 1968. the album featured a cover graphic dubbed by lavey as the sigil of baphomet: the goat head in a pentagram, encircled by the hebrew word leviathan, which has since become the ubiquitous symbol of satanism the world over. featured on the album was part of the rite of baptism written for threeyear- old zeena (performed on may 23, 1967. in addition to the actual recording of a satanic ritual, side two of the lp had lavey reading excerpts from the as-yet-unpu

wellyn, 1987. mickaharic, draja. a century of spells. youk beach, me:weiser, 1988. stay tuned in this 1992 film a suburban couple, played by john ritter and pam dawber, buy a super large screen t.v. and satellite dish from a sleazy store, hellvision.when ritter tunes in he finds weirdly late 16th century english spell, presumably based on one described by michael scot (or of that type, of the tau sigil, the seal of solomon, and a magical circle (fortean picture library) 254 stay tuned unusual shows have replaced the regular ones. some of the shows include: my three sons of bitches, golden ghouls, duane s underworld, and beverly hills 90666. the couple is pulled into the electronic underworld by their remote control. they must survive having their souls canceled by avoiding getting killed i

LIBER O

t; its magical weapon the wand or caduceus, its perfumes mastic and others, its sacred plants vervain and others, its jewel the opal or agate; its sacred animal the snake, etc, etc- 1. reference to the first edition -376- 3. you would then prepare your place of working accordingly. in an orange circle you would draw an eight-pointed star of yellow, at whose points you would place eight lamps. the sigil of the spirit (which is to be found in cornelius agrippa and other books) you would draw in the four colours with such other devices as your experience may suggest. 4. and so on. we cannot here enter at length into all the necessary preparations; and the student will find them fully set forth in the proper books, of which the goetia is perhaps the best example. these rituals need not be slav

nish planets or zodiacal signs. the hexagram of earth alone is used. draw the hexagram, 385- beginning from the point which is attributed to the planet you are dealing with (see 777 col. lxxxiii. thus to invoke jupiter begin from the right hand point of the lower triangle, dextro-rotary and complete; then trace the upper triangle from its left hand point and complete. 1\ 2# trace the astrological sigil- of the planet in the centre of/ your hexagram\ for the zodiac use the- hexagram of the planet which *2-*1 rules the sign you require (777, col. xxxviii) but draw\ the astrological sigil of the- sign, instead of that of the 1 *1 planet *2 2# for caput and cauda draconis use the lunar hexagram, with the sigil of cauda draconis or caput draconis. to banish, reverse the hexagram. in all cases u

LIBER AASH

aptain. 10. also it straineth like a hound in the leash. 11. it hath pride and great subtlety. yea, and glee also! 12. let the magus act thus in his conjuration. 2 liber a fash vel capricorni pnevmatici 13. let him sit and conjure; let him draw himself together in that forcefulness; let him rise next swollen and straining; let him dash back the hood from his head and fix his basilisk eye upon the sigil of the demon. then let him sway the force of him to and from like a satyr in silence, until the word burst from his throat. 14. then let him not fall exhausted, although the might have been ten thousandfold the human; but that which floodeth him is the infinite mercy of the genitor-genetrix of the universe, whereof he is the vessel. 15. nor do thou deceive thyself. it is easy to tell the liv

LIBER CCXLII AHA

re crystalline white; though the mist of mind, as draws a dancer round her limbs the gauze, clothe light, and show the virgin sun a lemon-pale medallion! thence leap we leashless to the goal, stainless star-rapture of the soul. so the altar-fires fade as the godhead is displayed. nay, we stir not. everywhere is our temple right appointed. all the earth is faery fair for us. am i not anointed? the sigil burns upon the brow at the adjuration.here and now. olympas. the air is laden with perfumes. marsyas. behold! it beams.it burns.it blooms* olympas. master, how subtly hast thou drawn the daylight from the golden dawn, aha! 37 bidden the cavernous mount unfold its ruby rose, its cross of gold; until i saw, flashed from afar, the hawk fs eye in the silver star! marsyas. peace to all beings. pe

LIBER CHANOKH

7236 84. oxlopar 8200 18066 the symbolic representation of the universe 18 name of aire. names of governors numbers of servitors in all 29. rii. 85. vastrim 9632 86. odraxti 4236 87. gomziam 7635 21503 30. tex. 88. taoagla34 4632 89. gemnimb 9636 90. advorpt 7632 91. dozinal35 5632 27532 plate x shows us the names of these governers in the four watch- towers. compare with plate iii. note that the sigil of each governor is unique; the four sigils at the corners of plate x. without the great square are those of the four great elemental kings. air tahaoeloj. water thahebyobeaatan.36 earth thahaaotahe. fire ohooohaatan.37 liber lxxxiv 19 the characters upon the table of watchtowers38 plate x 20 part ii the forty-eight keys or calls these are most solemn invocations. use these only after other

en [make the invoking pentagram of spirit passive and pronounce these names: hyha alga hcoma [make the invoking pentagram of water and pronouce: l a. twabx \yhla] liber lxxxiv 25 and elohim said: let us make adam in our own image; and let them have dominion over the fish of the sea! in the name of l a, strong and powerful, and in the name of twabx \yhla, spirits of water, adore your creator [make sigil of eagle with cup] in the name of larbg and in the sign of the eagle, spirits of water, adore your creator [make cross with cup] in the names and letters of the great western quadrangle, spirits of water, adore your creator [elevate cup] in the three great secret names of god, mph arsl gaiol that are borne upon the banners of the west, spirits of water, adore your creator [elevate cup] in th

he second .a. 31: thus in equinox publication; this reading is consistent with the raphael, ave and plate iii great table versions. sloane 3191 has ronoamb. 32: thus in equinox publication; the name orcamir appears in sloane 3191 with an .n. written in, smaller, under the .m. both typesets of liber scienti have orcanir which is consistent with the ave great table; however, reading the appropriate sigil liber lxxxiv 47 off the table as given in plate iii will give orancir (as does the raphael great table. from this and the other instances above (virochi/ virooli, abaiond/ abriond, etc) we might conclude that the letters written in under the names of the parts in the table in liber scienti were not necessarily .corrections. simply dee noting specific discrepancies between the great table as

character) regardless of the number in the space, giving thaolog; ohooohatan starting from 6. counting clockwise by 12 (for the 12 rays in the character) giving ohooohatn; thahebyobeaatanun by a convoluted and seemingly arbitrary rule: starting at 4/t for the cross in the character, taken as a tau; count 4 to 22/h; then put in the .b. from the 4/b in the character rather than the perimeter of the sigil; then jump to the y/15 which is in position 22 on the perimeter (counting clockwise from 4/t as 1; then count 4 to 10/b, then from the b/6 in the character count by 6 to 6/a, a/5, t/9, 14/n, n for thbybaatnn. 38: the numbers identifying sigils are a modern interpolation; they are not in sloane notes 48 3191, although as each character is unique (taking orientation into account, they can be i

cter count by 6 to 6/a, a/5, t/9, 14/n, n for thbybaatnn. 38: the numbers identifying sigils are a modern interpolation; they are not in sloane notes 48 3191, although as each character is unique (taking orientation into account, they can be identified by comparison with the characters as given in the table of ayres in liber scienti (as noted, two differ slightly. the bar across the start of each sigil marks the start point; the arrowhead the finish point. in some of the characters some doubling-back is necessary. character 59 is drawn making the first stroke top left to bottom right, the second left to right, and the third bottom to top. the character numbered 65 forms the name of laxdizi who is not mentioned in liber scienti; according to turner (1989) this character is the sigil of para

LIBER CLXV A MASTER OF THE TEMPLE

rth mentioning. it had the appearance of being three distinct things at once. dead black, a beautiful night-sky-blue, but at the same time the very essence of it was brilliant light. quite indescribable in words [seems very good. o.m [it may be remarked that fra. v.i.o. had occupied himself with the contemplation of the st l of revealing, completed therefrom a pantacle of nuit, and had obtained a sigil for same, during this day. this peculiar light is stigmatically characteristic of the st l. o.m] june 18th, 10:34 to 10:53 p.m.=19 mins. 14 mins pranayama 10, 20, 20. regular and easy. 5 mins. meditation. mind cleared and became calm. it perhaps appears that little progress is made, and some slackness exists as regards exercises. the truth is, i more and more use the true essence. if a littl

LIBER DCCCLX JOHN ST

backwards and downwards toward the outer. he will keep only one thing, the secret ring that hath been committed unto him by the masters; for from that he john st. john 91 cannot part, even if he would. that is his password into the ritual itself; and on his finger it shall be put at the moment when all else is gone. 11.05. ceremony works admirably. magical images strong. at reception behold! the sigil of the supreme order itself in a blaze of glory not to be spoken of. and the half-seen symbol of my lord adonai therewith as a mighty angel glittering with infinite light. according to the the ritual, o.m. withdrew himself from the vision; the vision of the universe, a whirling abyss of coruscating suns in all the colours, yet informed and dominated by that supernal brilliance. yet o.m. refu

LIBER LIBERI VEL LAPIDIS LAZULI

speck in the stardust of ages; i am the master of the secret of things. svb figvra vii 29 26. i am the revealer and the preparer. mine is the sword.and the mitre and the winged wand! 27. i am the initiator and the destroyer. mine is the globe.and the bennu bird and the lotus of isis my daughter! 28. i am the one beyond these all; and i bear the symbols of the mighty darkness. 29. there shall be a sigil as of a vast black brooding ocean of death and the central blaze of darkness, radiating its night upon all. 30. it shall swallow up that lesser darkness. 31. but in that profound who shall answer: what is? 32. not i. 33. not thou, o god! 34. come, let us no more reason together; let us enjoy! let us be ourselves, silent, unique, apart. 35. o lonely woods of the world! in what recesses will y

LIBER LLL PARADIGMAT PIRATE

this form of gnosis often works best if it is a surprise. like during an initiation. and works best if it is a shock to the system. however, it can be entered into willingly by discovering your threshold for equilibrium and then crushing it. there is a risk of vomiting and falling down if you are unprepared for this type of gnosis, so start out in a seated posture. the magician can still charge a sigil, if desired, through intense image concentration despite the visual distortion. however, it is only necessary to note the point at which this form of gnosis occurs and it fs side effects. solitude is another method of achieving total deprivation. the magician should acquire blinders, earplugs (preferably of industrial strength. fill a bathtub with water to the point at which you can submerge

LIBER LXVII THE SWORD OF SONG

he soul can be reflected, is common in hindu literature. the five glaciers are, of course, the senses. 390 395 400 405 410 415 420 425 but the results of concentration do so. some poetry. pentecost 33 so still and cold, a frost so chill, that all the glaciers be still? yet in its peace no frost. arise! over the mountains steady stand, o sun of glory, in the skies alone, above, unmoving! brand thy sigil, thy resistless might, the abundant imminence of light! ah! o in the silence, in the dark, in the intangible, unperfumed, ingust abyss, abide and mark the mind.s magnificence asssumed in the soul.s splendour! hear is peace; here earnest of assured release. here is the formless all-pervading spirit of the world, rising, fading into a glory subtler still. here the intense abode of will closes

LIBER LXXVIII

t (like the old scandinavian and gaulish helmet) with a rayed crown, a corslet of scale-mail and buskins of the same, and a flowing scarlet mantle. above his helmet, upon his curass, and on the shoulder-pieces and buskins, he wears as a crest a winged black horse fs head. he grasps a club with flaming ends, somewhat similar to that in the symbol of the ace of wands, but not so heavy, and also the sigil of his scale is shown; beneath the rushing feet of his steed are waving flames and fire. he is active.generous.fierce.sudden.impetuous* note that the kings are now called knights, and the princes are now called kings. this is unfortunate, and leads to confusion; the princes may be called emperors without harm. remember only that the horsed figures refer to the yod of tetragrammaton, the char

d by a tiger fs head, and the same symbol forms the buckle of her scale-mail buskins. a mantle lined with tiger's skin falls back from her shoulders. her right a description of the cards of the taro 15 hand rests on a small golden or brazen altar ornamented with ram fs heads and with flames of fire leaping from it. her left hand leans on a long and heavy club, swelling at the lower end, where the sigil is placed; and it has flames of fire leaping from it the whole way down; but the flames are ascending. this club or torch is much longer than that carried by the king or queen. beneath her firmly placed feet are leaping flames of fire. brilliance, courage, beauty, force, sudden in anger or love, desire of power, enthusiasm, revenge. if ill dignified, she is superficial, theatrical, cruel, un

of the ace of wands. ix the lord of the waves and the waters; the king of the hosts of the sea knight of cups a beautiful, winged, youthful warrior with flying hair, riding upon a white horse, which latter is not winged. his general equipment is similar to that of the knight of wands, but upon his helmet, cuirass and buskins is a peacock with opened wings. he holds a cup in his hand, bearing the sigil of the scale. beneath his horse's feet is the sea. from the cup issues a crab. graceful, poetic, venusian, indolent, but enthusiastic if roused. ill dignified, he is sensual, idle and untruthful. he rules the heavens from above 20 of k to 20 of l, thus including the greater part of pegasus. b of c king of undines and nymphs. 16 liber lxxviii x the queen of the thrones of the waters queen of

inged kingly figure with winged crown seated in a chariot drawn by an eagle. on the wheel is the symbol of a scorpion. the eagle is borne as a crest on his crown, cuirass and buskins. general attire like king of wands. beneath his chariot is the calm and stagnant water of a lake. his armour resembles feathers more than scales. he holds in one hand a lotus, and in the other a cup, charged with the sigil of his scale. a serpent issues from the cup, and has its head tending down to the waters of the lake. he is subtle, violent, crafty and artistic; a fierce nature with calm exterior. powerful for good or evil but more attracted by the a description of the cards of the taro 17 evil if allied with apparent power or wisdom. if ill dignified, he is intensely evil and merciless. he rules from 20 g

ir knight of swords a winged warrior with crowned winged helmet, mounted upon a brown steed. his general equipment is as that of the knight of wands, but he wears as a crest a winged six-pointed 18 liber lxxviii star, similar to those represented on the heads of castor and pollux the dioscuri, the twins gemini (a part of which constellation is included in his rule. he holds a drawn sword with the sigil of his scale upon its pommel. beneath his horse's feet are dark-driving stratus clouds. he is active, clever, subtle, fierce, delicate, courageous, skilful, but inclined to domineer. also to overvalue small things, unless well dignified. if ill dignified, deceitful, tyrannical and crafty. rules from 20 b to 20 c. b of d king of the sylphs and sylphides. xiv the queen of the thrones of air qu

LIBER MMM

ire becomes part of the ego complex; the mind becomes anxious of failure. soon the original desire is a mass of conflicting ideas. often the wished for result arises only when it has been forgotten. this last fact is the key to sigils and most forms of magical spell. sigils work because they stimulate the will to work subconsciously, bypassing the mind. there are three parts to the operation of a sigil. the sigil is constructed, the sigil is lost to the mind, the sigil is charged. in constructing a sigil, the aim is to produce a glyph of desire, stylized so as not to immediately suggest the desire. it is not necessary to use complex symbol systems. figure 2 shows how sigils may be 20 figure 2. creating a sigil by a) the word method, b) the pictorial method, and c) the mantrical method. 21

re, stylized so as not to immediately suggest the desire. it is not necessary to use complex symbol systems. figure 2 shows how sigils may be 20 figure 2. creating a sigil by a) the word method, b) the pictorial method, and c) the mantrical method. 21 constructed from words, from images, and from sounds. the subject matter of these spells is arbitrary and not recommended. to successfully lose the sigil, both the sigil form and the associated desire must be banished from normal waking consciousness. the magician strives against any manifestation of either by a forceful turning of his attention to other matters. sometimes the sigil may be burnt, buried, or cast into an ocean. it is possible to lose a word spell by constant repetition as this eventually empties the mind of associated desire

l, both the sigil form and the associated desire must be banished from normal waking consciousness. the magician strives against any manifestation of either by a forceful turning of his attention to other matters. sometimes the sigil may be burnt, buried, or cast into an ocean. it is possible to lose a word spell by constant repetition as this eventually empties the mind of associated desire. the sigil is charged at moments when the mind has achieved quiescence through magical trance, or when high emotionality paralyzes its normal functioning. at these times the sigil is concentrated upon, either as a mental image, or mantra, or as a drawn form. some of the times when sigils may be charged are as follows: during magical trance; at the moment of orgasm or great elation; at times of great fe

ed upon, either as a mental image, or mantra, or as a drawn form. some of the times when sigils may be charged are as follows: during magical trance; at the moment of orgasm or great elation; at times of great fear, anger, or embarrassment; or at times when intense frustration or disappointment arises. alternatively, when another strong desire arises, this desire is sacrificed (forgotten) and the sigil is concentrated on instead. after holding the sigil in the mind for as long as possible, it is wise to banish it by evoking laughter. a record should be kept of all work with sigils but not in such a way as to cause conscious deliberation over the sigilized desire. 22 dreaming the dream state provides a convenient egress into the fields of divination, entities and exteriorization or out of t

LIBER NU

according to his inspiration. this is the second practice of magick art (ccxx. i. 59. 16. let the aspirant prepare a pantacle, as follows. inscribe a circle within a pentagram, upon a ground square or of such other convenient shape as he may choose. let the circle be scarlet, the pentagram black, the ground royal blue studded with golden stars. within the circle, at its centre, shall be painted a sigil that shall be revealed to the aspirant by nuit herself. and this pantacle shall serve for a telesmatic image, or as an eidolon, or as a focus for the mind. this is the third practice of magick art (ccxx. i. 60. 17. let the aspirant find a lonely place, if possible a place in the desert of sand, or if not, a place unfrequented, and without objects to disturb the view. such are moorlands, fens

LIBER O

low, purple, grey, and indigo rayed with violet; its magical weapon the wand or caduceus, its perfumes mastic and others, its sacred plants vervain and others, its jewel the opal or agate, its sacred animal the snake &c &c. 3. you would then prepare your place of working according. in an orange circle you would draw an eight-pointed star of yellow, at whose points you would place eight lamps. the sigil of the spirit (which is to be found in cornelius agrippa5 and other books) you would draw in the four colours with such other devices as your experiences may suggest. 4. and so on. we cannot here enter at length into all the necessary preparations; and the student will find them fully set forth in the proper books, of which the .goetia. is perhaps the best example. these rituals need not be

oke or banish planets or zodiacal signs. the hexagram of earth alone is used. draw the hexagram, beginning from the point which is attributed to the planet you are dealing with (see .777. col. lxxxiii) thus to invoke jupiter begin from the right-hand point of the lower triangle, dextro-rotary, and complete; then trace the upper triangle from its lefthand point and complete. trace the astrological sigil of the planet in the centre of your hexagram. for the zodiac use the hexagram of the planet which rules the sign you require(.777. col. cxxxviii; but draw the astrological sigil of the sign instead of that of the planet. for caput and cauda draconis use the lunar hexagram, with the sigil of< or. to banish reverse the hexagram. in all cases use a conjuration first with ararita, and next with

LIBER SAMEKH

ional elements in his character, and for the solution or sweeping-away of those tangled weeds of prejudice which hamper him from freedom to act as he will. similar applications of the remaining invocations will occur to the adept who is ready to use them. section f the adept now returns to the tiphareth square of his tau, and invokes spirit, facing towards boleskine, by the active pentagrams, the sigil called the mark of the beast,23 and the signs of l.v.x (see plate as before) he then vibrates the names extending his will in the same way as before, but vertically upward. at the same time he expands the source of that will.the secret symbol of self.both about him and below, as if to affirm that self, duplex as is its form, reluctant to acquiesce in its failure to coincide with the sphere o

threescore and ten* is a name of ayin, the eye, and gthe devil h our lord, and the goat of mendes. he is the lord of the sabbath of the adepts, and is satan, therefore also the sun, whose number of magick is 666, the seal of his servant the beast.29 but sa is 61, ain, the naught of nuit; ba means ggo, h for hadit, and f is their son the sun, who is ra- hoor-khuit. so then let the adept set this30 sigil upon all the words he hath writ in the book of the works of his will. and let him then end all, saying: such are the words! for by this he maketh proclamation before all them that be about his circle that these words are true and puissant, binding what he would bind, and loosing what he would loose* there is an alternative spelling, tzba.f, where the root, gan host, h has the value of 93. th

LIBER V

the level of the nostrils. 3. let him touch the centre of his breast, and his solar plexus, crying, therion! 4. let him draw his thumb from left to right across his breast, at the level of the sternum. 5. let him touch the svadistthana, and the muladhara chakkra, crying, babalon! 6. let him draw his thumb from right to left across his abdomen, at the level of the hips (thus shall he formulate the sigil of the grand hierophant, but dependent from the circle) the asseveration of the spells. 1. let the magician clasp his hands upon his wand, his fingers and thumbs interlaced, crying latsal! ehma! fiaof! aaph! aumn (thus shall be declared the words of power whereby the energies of the aeon of horus work his will in the world) the proclamation of the accomplishment. 1. let the magician strike t

LIBER V VEL REGULI

the level of the nostrils. 3. let him touch the centre of his breast, and his solar plexus, crying therion! st 4. let him draw his thumb from left to right across his breast at the level of the sternum. 5. let him touch the sv.dis.t.h.na. and the m.l.dh.ra cakra, crying babalon! 6. let him draw his thumb from right to left across his abdomen, at the level of the hips (thus shall he formulate the sigil of the grand hierophant, but dependent from the circle) the asseveration of the spells. 1. let the magician clasp his hands upon his wand, his fingers and thumbs interlaced, crying lashtal! fiaof! aumgn!1 (thus shall be declared the words of power whereby the energies of the aon of horus work his will in the world) the proclamation of the accomplishment. 1. let the magician strike the batter

LOGOMACHY OF ZOS

he soul throws persuasively over all things its shadow of knowledge. our whole potentiality lies in our ability habitually to feel things sensationally. our truth is the totality of our observations when confirmed by our atavisms. the key to all metaphysical phenomena (mind, soul, etc) is wrapped up in our needs. what sounds the depths and conjoins will and belief? some inarticulate hieroglyph or sigil wrought from nascent desire and rhythmed by unbounded ego. we pray. like a convulsed naiad transfixed by rape. there is a grimoire of symbology, of vague phonic nuances that conjoin all thought and is the cryptic language of the subconscious world. deep silence and lonely longing unfreeze the all-prolific mind. life is a wanton whose price is death. our thought-patterns result from quantitat

LUCIFERIAN INITIATION VIA NOCTURNE

guardian angel, the higher aspect of what is called the self. the grand luciferian circle should be drawn large or duplicated so that one body may fit standing or sitting within it. candles should surround the circle and the initiate should be within. the wand should be previously used in the art of evocation and goetic sorcery. the sigils surrounding the circle make up along with the center the sigil of lucifer, so that the initiate is actually calling down the essence of the serpentine mind, the luciferian core of the self as a background for the sabbatic initiation. each small part manifests as a whole in the end. the initial ceremony should be a banishing ritual, and before a bath to cleanse the body for the actual initiation. anoint with oil, incense within the temple to allow the mi

LUCIFERIAN SORCERY

, tx 77292 usa e-mail: nachttoter@aol.com michael w. ford 2002-2003 all rights reserved. no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, without permission in writing from the publisher. reviewers may quote brief passages. cover illustration- the mask of the adversary, by elda isela ford. the mask itself is a sigil of self-transformation into the essence of iblis, known as shaitan the adversary. this is the union of light and shadow, from which side are objectively opposite. the left-hand side is the pure and beautiful face of lucifer as flesh, sun and empowerment through the perception of self; the black flame. the right hand side is the shadow of the opposer, noctifer or ahriman in flesh. between the

pirits of ones past, those familiars that shall manifest the current of initiation further to the dreaming body of witch. one may wish to obtain an old statue or object which may hold a key to the gnosis, something which the individual shall attribute this force unto. some may use the anubis inspired skull of one passed, or the bones and skull of the coyote or such an animal. from this, shall the sigil created by the sorcerer be placed and consecrated within the object. the sorcerer will then be able to create familiars and great shades which shall protect his or her own body while the sleep, bound by ngangas, or vessels of the spirit, shall then the arte begin to flourish in their own life. these servitors are the spirits or elementals which assist us in magical work, and act as guides fo

ough the eyes of lilith and asmodeus. the awakening and dedication chant which should performed by candlelight indoors or out. if outdoors, cast your circle in flour, which is a form used by witches of old. the use of flour is also used by various voodoo systems including palo mayombe. upon the creation of the daemon servitor zarabanda one consecrates the area of the nganga or spirit pot with the sigil of this spirit traced in flour on the floor. this activates the area of neither-neither from which the sorcerer walks between the worlds of dream (nightside) and waking (dayside "by the rights of pleasure may flesh procreate from within. mother of the sabbath, lilith i awaken to the mysteries of our craft. i dedicate my being to the path from which my blood dictates. by the mysteries of the

reative during which belief is suspended, thus the imagination (shaitan) may develop and manifest the desire accordingly. the use of the alphabet of desire in 24 witches sabbat workings is a challenge for any individual, as this is the language of the labyrinth of the mind, the black mirrors of the castles of the self! sigils are made by many different means, but let the simplicity of the written sigil be discussed here. i will not explore here the aspects of using musick and paintings as sigils but do keep in mind, this is the foundation for the natural expansion of the work itself. sigils are cryptic representatives of the will, pure belief expanded in the lines of total desire. the sigil itself should be made in a combination of different letters of the object, and then the original mea

t, and then the original meaning forgotten. it is by the act of forgetting that the latent energy is channeled through the subconscious to the conscious mind. this is the very secret of becoming and using the force of chaos or apep (the unrealized and infinite aspect of possibility within the self) to your direct advantage. austin spare wrote in the book of pleasure by the ego conceiving only the sigil, and not being able to conceive anything from it, all energy is focused through it, the desire for identification carries it to the corresponding subconscious stratum, its destination. through the act of belief being the undercurrent of the sigil, forgotten through the act of focus, will the atavistic aspect be called from this very force. if the desire is exterior, familiars and atavistic f

o conscious will that desire. if interior, the atavistic familiar shall bring to the surface or find the proper circuits to allow this manifestation or self-evolution. lycanthropy and astral vampiric transformation occur in this same exact way. once you have explored and mastered this, can much more dangerous workings be undertaken. the following is an exercise in daemonic awakening, from which a sigil working involving the infernal god forms of self-evolution and initiation. the sigils were created by writing the names in arabic, and then reassembling them in a fashion which will only resemble the original meaning. enflame thyself in invocation, by focusing on the sigils themselves, through an act such as the death posture, is one able to quickly encrypt the meaning of the sigil in the su

LUCIFERIAN SORCERY AND SET TYPHON

alled it, represents the complete arcane of sorcery from which the black adept may make his desires flesh in spirit and in flesh. the methodology of the qlippoth is also within this gnosis. the order of phosphorus instructs a basic teaching of the creation of the alphabet of desire based on the 22 tunnels of the qlippoth as defined in liber hvhi. the 8-pointed luciferian star- algol the 8 pointed sigil holds several symbols of interest, as one definition may be reflected into another. called the chaos star/sigil, this eight pointed symbol represents the void and non-being concerning matter in the universe. chaos is the most beneficial force, from it the black adept weaves temporary order within the self. in sabbat rites, it is the ritual of transferring the consciousness unto the self. thi

much a part of your being, illuminated and empowered by your own desires. fetishes (lesser and greater) a fetish is simply a storehouse of power. it represents the sorcerer in some way, particularly an aspect of his or her personality. for instance, a vampyric famulus would be a human skull (the knights templar were said to worship baphomet in the form of a human skull) which holds a consecrated sigil representing the vampyric aspects of self; along with the grave soil of a graveyard in which the sorcerer has rested in and meditated upon death. fetishes are considered a powerful tool in witchcraft and primal sorcery, as they are gateways of consciousness and a growing extension of the sorcerer. in making a fetish, consider the elements which would suit the desired purpose of the elemental

s a part of) is to explore and restore the work of john whiteside parsons, including the work of belarion armiluss al dajjal antichrist, a title of attainment. the essence of witchcraft in its rightful left hand path perspective is the illumination and understanding of the daemonic feminine, which is revealed to each sorcerer who treads this path of darkness. one symbol of coven nachttoter is the sigil of hecate, which is a mirror into the gates of the dead, the abode of the goddess of witches. the sethianic fragments of luciferian witchcraft these god forms are powerful for the sorcerer who summons them, discovers the atavistic aspects which relate to them, and becomes like them. one would seek to create such energy forms that may be closely connected with the psyche, therefore initiating

MASTERING WITCHCRAFT

n, kindle your mercury incense and candles, and trace around your floor a triangle with your athame. then proceed to cast your circle and exorcise it with fire and water as usual. having done this, you should next perform the square of mercury ritual to attune yourself. then replenish your thurible this time using "vassago" incense. now, take two of your clean sheets of paper, and on one draw the sigil of vassago full size, as shown in the illustration, with your pen and ink of art. on the other also draw the sigil but this time small and in the top, right-hand corner. next, on this last sheet, carefully write out the question you wish answered. on this piece you will record the nature of your visions. place this on one side for use later, and return to the first sheet now. taking the full

f vassago full size, as shown in the illustration, with your pen and ink of art. on the other also draw the sigil but this time small and in the top, right-hand corner. next, on this last sheet, carefully write out the question you wish answered. on this piece you will record the nature of your visions. place this on one side for use later, and return to the first sheet now. taking the full-sized sigil in your right hand, as perge and fumigate three times with vassago incense, stating your magical intention each time "creature of paper, i name thee vassago. thou art vassago" transfer the paper to your left hand now, and taking your wand in your right, trace the sigil in the air above it three times, strongly visualizing a line of blue fire streaming from the tip of the wand and forming a g

right hand, as perge and fumigate three times with vassago incense, stating your magical intention each time "creature of paper, i name thee vassago. thou art vassago" transfer the paper to your left hand now, and taking your wand in your right, trace the sigil in the air above it three times, strongly visualizing a line of blue fire streaming from the tip of the wand and forming a great glowing sigil hanging in the air. again repeat the binding spell three times "creature of paper, i name thee vassago. thout art vassago" then, again with the wand, draw three crosses in the air above the symbol, and seal with the words "so mote it be" now, moving in a clockwise direction, circumambulate the circle, carrying the sigil in your left hand, your wand in your right. finish at the east of the ci

spell three times "creature of paper, i name thee vassago. thout art vassago" then, again with the wand, draw three crosses in the air above the symbol, and seal with the words "so mote it be" now, moving in a clockwise direction, circumambulate the circle, carrying the sigil in your left hand, your wand in your right. finish at the east of the circle, facing east. hold the wand upright over the sigil and invoke vassago with these words: by satandar and asentacer i conjure thee o thou great and holy vassago! vassago! vassago! vouchsafe to descend from thy abode, bringing thy influence and presence into this glass, that we may behold thy glory and enjoy thy society and aid! again circumambulate the circle clockwise at this point, returning to the east as before to continue: by satandar and

e wind, and art endowed with superlunary motion, do thou descend and be present i pray thee. circumambulate yet once more and finish the invocation: by satandar and asentacer i conjure thee thrice three times, vassago! vassago! vassago! to descend and appear to us within this glass speaking secrets of truth and understanding. then return to the west of your altar table, facing east, and place the sigil in the triangle under the speculum or show stone on its stand. at this point you must seat yourself comfortably in front of the table, and holding your wand with both hands, gently and without strain fix your gaze on the surface of your speculum. at the same time with all the force of your imagination, visualize the same blue radiance playing around the speculum, and audibly repeat the quest

air if the operation is not an immediate apparent success. the door of vision is one which opens slowly but yields to persistence. remember the advice of the chaldean oracles "invoke often" as long as the intent is a serious one, the ritual of vassago is no exception to this rule. when you have completed the licence to depart, broken the circle, and completed your vision record, you must burn the sigil of vassago to ashes. in contrast to your square of mercury, the sigil of vassago may be used again. to repeat the operation, you will have to employ a fresh sigil every time. dreaming true the subject of acquiring prophetic dreams, generally speaking, comes under this mercurial heading. processes concerned with acquisition of dreams concerning lovers, present or future, will, however, be kep

MATHERS MACGREGOR THE GREATER KEY OF SOLOMON PENTACLES

icle from psalm cxxv. 1 "a song of degrees. they that trust in ihvh shall be as mount zion, which cannot be removed, but abideth for ever" figure 21. the fourth pentacle of jupiter. it serveth to acquire riches and honor, and to possess much wealth. its angel is bariel. it should be engraved upon silver in the day and hour of jupiter when he is in the sign cancer. editor s note. above the magical sigil is the name ih, iah. below it are the names of the angels adoniel and bariel, the letters of the latter being arranged about a square of four compartments. around is the versicle from psalm cxii. 3 "wealth and riches are in his house, and his righteousness endureth for ever" figure 22. the fifth pentacle of jupiter. this hath great power. it serveth for assured visions. jacob being armed wit

MATHERS MACGREGOR THE LESSER KEY OF SOLOMON LEMEGETON VOL 1

so that they be compelled to take human shape upon them and be obedient (colours- circle, hexagon, and t cross in centre outlined in black, maltese crosses black; the five exterior triangles of the hexagram where te, tra, gram, ma, ton, is written, are filled in with bright yellow; the t cross in centre is red, with the three little squares therein in black. the lower exterior triangle, where the sigil is drawn in black, is left white. the words tetragrammaton and tau are in black letters; and agla with alpha and omega in red letters) the pentagram of solomon. this is the form of pentagram of solomon, the figure whereof is to be made in sol or luna (gold or silver, and worn upon thy breast; having the seal of the spirit required upon the other side thereof. it is to preserve thee from dang

MATHERS MACGREGOR THE LESSER KEY OF SOLOMON LEMEGETON VOL 3

are as followeth (viz) ameniel, charpon, darosiel, monasiel, brumiel, nestoriel, chremas, meresyn; now to make a seal for any of these 8 dukes or their chief prince samael, do as followeth, first write the character of the lord of the ascendant, secondly the moon afterwards the rest of the planets; after that the characters& sign that ascends upon the 12th. house in that hour, as it shows in the sigil following, which is fitted for the 10th. day of march, in the year of our lord 1641, being on a wednesday& the first hour of the day. ars paulina 5 the 2nd. hour of the day is called sovormi, and the angel that governs this hour is called anael, who hath 10 chief dukes to attend him, whereof we shall make mention of 9, but the 3 first are of the chief& the other 6 are of the under dukes. the

rvants to attend them. these 9 are as followeth: menerches, sarchiel, cardiel, orphiel, elmoijm, ruosiel, ermosiel, granijel& when you have a desire to work in the second hour of wednesday on the 10th. day of march make a seal before on clean paper or parchment, writing first the character of the lord of the ascendant, then the rest of the planets& the sign of the 12th. house as you see it in the sigil& when it is made, lay it on that part of the table that hath the same character as the lord of the ascendant is. observe this rule in all the following part you cannot err. then say the conjuration at the latter end. the 3rd. hour of the day is called danlor& the angel thereof is called veguaniel, who hath 20 chief dukes& 200 lesser& a great many servants to attend them, whereof we shall men

for example, the date of the author s examples fell on a wednesday, but since aries was rising at dawn, the central planet in the seal for that hour is mars. the planet ruling the day only shows up in the seals when a sign it rules is rising at the beginning of an hour. to invoke the angel of the hour, the magician is instructed to lay the seal upon the table of practice. but he lays it upon the sigil of the planet ruling the rising sign, not upon the sigil of the planet ruling the day and hour according to the cabalistic system of hours. ars paulina 23 further, the invocation used makes no mention of the cabalistic ruler of the day and hour. it does mention elements of the seals, and also refers to the angels rays; this term is frequently used in medieval documents when discussing the ac

MICHAEL FORD BOOK OF CAIN

rent elements to think about and to further encourage others to develop what is the sabbatic and luciferian path. when staring into the mirror, cain appears his very mask of set-an is shown to me. become! akhtya seker arimanius veneficus, vox barathrum toph prepared march 22nd, known as the day of rebellion of set against osiris. succubus publishing phosphorus inner publications front cover- cain sigil by elda isela ford grand luciferian circle blood moon and further developed by michael w. ford back page sigil cain the blacksmith by elda isela ford that azazel fell from the heavens as a great star, enthroned with the emerald crown of the highest aethyr, came down blazing as a fiery meteor. he plunged to the depths of the earth, the darkest areas where no being of light dwelled. those who

MICHAEL FORD WITCHMOON

r. one of the first werewolves, lycon, was turned into a wolf by zeus in a form of punishment for a crime. in scandinavia, werewolves were regarded as great warriors who fought for their land and family honor. the werewolf was not one in the actual form of a wolf, however, but a norseman covered in the skin of a bear or wolf. they would attain a mental-shamanistic balance of beast and with a mind sigil of odin and wotan ascend to the battle which would last to the death. their ferocity was legendary and these warriors, who had no one sided concepts of good or evil, found a balance for the love of their culture and family. they fought in harmony with nature. there was however a shadowside within their culture: the great demon-wolf fenrir which devoured the sun; and the woods of "jarnskogarn

erre la tilhaire went into the dense, dark forest to hunt and gather food for their families. they were met at some point by a man upon a black horse who called himself herren or the lord of the forest. he offered the two teenage boys individual power, based on their will alone. once they accepted, herren, with the lips of the dead, kissed each forehead of the two and sealed it by cutting a small sigil in the form of a crescent moon on their thighs. herren then gave each boy a wolfskin belt and an ointment. he then gave to them the verbal ritual of lycanthropic power, the strength and success of which depended on their own judgment and will. he told each boy to grow their left thumbnail long and in the night of full moon to begin invoking the power of the wolf spirit. the lord of the fores

ing the vampire elementals within the mind before the ones beyond. one must master the self before they seek to master their universe! being primarily an independent sorcerer, i rarely involve myself in, or work with many other magickians within my rites. one particular example displays my reasoning for this: several years ago, when we were in fact diving 'head first' into these theories, i had a sigil constructed which was based on the romanian varcolaci vampires, an astral wraith which took form flying towards the full moon on certain nights. the sigil involves an inverted pentagram within the center, thus invoking a 'sinister' reaction from most people. the pentagram is not by any means meant as either 'satanic' or 'evil, however to merely invoke the essence of inverse, or choronzonic r

rm flying towards the full moon on certain nights. the sigil involves an inverted pentagram within the center, thus invoking a 'sinister' reaction from most people. the pentagram is not by any means meant as either 'satanic' or 'evil, however to merely invoke the essence of inverse, or choronzonic rites which involve a semblance of the death posture in order to reach the heart of it's being. this sigil is a representation of night side, shadow or lunar forces. these forces are actively a part of the individual subconscious and compose most of the matter of the brain. fear not the powers of your mind, embrace the shadows! i had two partners who seemed to hold a genuine interest in magick until they were faced with the rites we had planned. the sigil was painted and drawn on both a parchment

subconscious existence, then the mind is at the threshold of magick and sorcery. this is why i have always relied on physical exercise and training as a stepping stone towards magickal practice. the mind on the conscious levels works extremely fast and remains intent when one is engrossed in physical activities such as hiking, swimming, climbing, running, weight training and such. a good time for sigil workings would be when one is focused on pushing the body towards a physical point of exhaustion. the practice of freezing the body in one focused state for an extended amount of time is suggested. begin slowly until you are able to sustain for over one hour. find a comfortable and quiet area of your home. arrange in the room a soft area to rest upon. begin to freeze every part of your body

my invention for making belief organic, ergo, true belief- austin spare, the book of pleasure. sigils are the language of the subconscious. it has been mistakenly thought that sigils are letter combinations in the style of austin spare. this is not correct by any means. just as magick is personal to the individual, and each sorcerer has his or her own personal system, so it is with the methods of sigil magick. one must approach sigils as one would approach art. to create a sigil one must align one s natural talent to their own brand of sigil making. sigils can be any thing, a painting, music, drawing, letter symbols, pictures, anything which is associated as a symbol in which the original meaning could be lost and forgotten, this is the key to success in such work. the conscious mind must

MICHAEL TSARION ATLANTIS ALIEN VISITATION AND GENETIC MANIPULATION

ly because the term indicates bloodlink to the serpent masters andpossibly to the reptilians. the name elizabeth means beloved of the gods.sir john dee was court ambassador to the tudors (sic, tutors. he would dutifully visit for-eign courts, meeting with money men and master occultists of europe, and then when send-ing back intelligence in writing to the court, he would sign his letters with the sigil 007. johndee was a spy by royal appointment, literally, on her majestys secret service. the mod-ern mi5 comes from his time, as do many other idioms and customs that are taken as englishtoday..his library at the riverside village of mortlake was considered the finest private collectionin europe containing thousands of bound books and handwritten manuscripts devoted tophilosophy, science and

hills, called moat and baileys. theirgreatest nemesis were the forest dwelling welsh, who carried the symbol of the red dragon and whopreserved the druidic schools well into modern times.logograms and hierograms used by the hidden mastersletter g used by freemasons (phre-maison/ sons of the sun, commonly seen with the compass and ruler, which symbolize technology. like its number, 7, is really a sigil of the serpent. gthis letter is well known in occult and fraternal enclaves, as are the numbers 7 and 13. the name george, which is strongly connected with the serpent or dragon, was suggestively given toseveral world monarchs. it was also used to name the presidential summits, throughout the 90s, and wasused by the fbi under hoover (see g-men. we also get god and goddess from this.some have

MICHAEL W FORD THE VAMPIRE GATE

a bat, leather backing to symbolize wings, animal fangs, etc. you will want to then use saliva, blood or sexual fluid to consecrate and give the servitor the charge of your own being. 1. create an object for the servitor it should be based on what you want the servitor to embody. 2. light a single candle, you may use karezza or non-climaxing ritual masturbation to charge the servitor. anoint the sigil-object with something of you blood, fluid or saliva. 3. you must name the servitor for instance, calling it noxumbra would be useful if you are using it at night to drain from someone. you will want to hold the sigil and focus your astral body flowing into it, giving it the initial charge it needs. 31 4. recite the mantra of the name until it is unintelligible and you seemingly forget the na

it is unintelligible and you seemingly forget the name on a conscious level. 5. bind it to you in such a way: in the name of lilith, mother of vampires i empower you object to be the shell which will house the vampiric servitor of lilith i name you_ you will serve me in the way of drinking the astral blood of another you will return it to me and i will grow stronger. using the varcolaci astovidad sigil of the black order of the dragon, sit in the meditative position, close your eyes and visualize the varcolaci sigil until it is vivid in your mind. visualize now the sigil of the servitor you have created, holding it send it outward into the varcolaci-astovidad sigil through the center of the pentagram. you may use this servitor to see, project your consciousness through it and move towards

re demonic human headed insects. death becomes transformation. use the necheshethiron when their veil of the living and the dead is thin. nachashiron sagittarius (nov 22 december 21 -mutable fire these demons appear as dog-headed serpents. they are swift and seem to emanate fire in the triangle. drink deep from them in evocation, drawing in the fire of the spark of the abyss, if binding them to a sigil after evoking, send them forth to burn your target with inner desire then 59 arising to drain them sexually. you may guard yourself from attacks in the reverse manner. dagdagiron capricorn (december 22nd jan 19th -active earth their colors are reddish and bright, they appear as devouring flat-shaped fish like piranhas who seek to devour. use them to guard your body when projecting astrally

te. the four infernal powers are symbolic of the raw primal aspects of the subconscious. the dragon commands that which sleeps within. 1. enter the temple such a ritual would be in a chamber where much of your magical work already happens. this type of rite is directed at inward energy and is centered around atavisms the abyssic dead is relating to the subconscious. utilize the varcolaci/astwihad sigil and 64 focus intently. one may use the leviathan sigil also, above a mirror directly above the altar facing the west. 2. announcement of self i am vampyre, the serpent who comes forth to awaken as a dragon before thee. i call to the darkness and the oceans of the abyss! i call to the darkness to rise us and nourish me, giving flesh to my shadow and my desire. i am the beast which shall rise

seductive or terrifying aspect. if it is terrifying, one should consider taking the form as a beast/demonic figure from the traditional demonic descriptions of mythology. if going forth to drink from another, the ritual of fearsome rays will align your mind set with tiamat the dragon mother of vampires. have a mirror in front of your altar, which you can glare into. you will also want to have the sigil of varcolaci- astwihad above it or somehow attached to it, symbolizing the power of the predator. this mirror represents the gateway to lilith, our bestial mother of initiation. holding a dagger up: i call the dragon of the ancients tiamat, mother of horrors, arise! i call to you dark queen of immortal hunger! i call to you who can create and empower gods! i invoke you who can cloak demons i

dad is the darkness bringer who is an excellent model for the vampyre magickian or yatus (sorcerer) who wishes to develop the shadow or terrifying aspect of his astral body. the vampyre magickian who is focused on either experiencing a sexual ritual with a partner or a chosen victim of dream sorcery may utilize the shadow of astwihad to grow strong. 73 working: use a symbol of varcolaci-astovidad sigil the very symbol of nightmare vampyrism, when the astral body becomes cloaked in darkness. envision this symbol, the vampiric shades encircling you and your astral body transforming into a great bestial shadow. envision the form you wish a collection of specific animals you may wish batlike wings, the head of a wolf covered in shadow, burning yellow eyes, a corpse like visage or skeleton face

MICHAEL WYNN THE SOUL TRAVELERS

who will be assigned the duty of fulfilling the talisman s purpose; in western magic these characters are usually in english or hebrew. the symbols that usually adorn the talisman do not represent abstract concepts, but names. symbols that represent names are called sigils. these sigils are formed by the use of a kamea, or magic square, which is simply a grid of numbers. to use a kamea to form a sigil, one would convert each letter in the name into a number, and then begin drawing lines connecting the numbers on the grid according to their sequence in the name. each of the 7 planets corresponds to a different grid of different sizes, and the spirit s name must be drawn using the grid assigned to that spirit s planet. aside from names and symbols associated with that talisman s purpose, yo

o reveal itself in a manner that is not hideous, and to speak in a soothing voice using your native tongue; the spirit should also be commanded to control its odor. it is the nature of some spirits to arrive as hideous beasts, with a foul odor, and an unsoothing voice. signs of a successful evocation are: sudden wind, noises, voices, and odors in the ritual chamber. an object baring that spirit s sigil is placed in the triangle, and this object is subjected to injury when the magician wishes to force the obedience of that spirit. the brand new you [3.7] aside from thaumaturgic magic, or low magic, which uses magic to alter the outside world according to will, there is also theurgic magic, or high magic. theurgic magic is magic used to change the self; this type of magic is by far the lesse

MICHAEL W FORD NOX UMBRA

g the sleep the vampyre shade of the self would feed from the body in the death posture. requirements a human skull which would have the tap detached (available from medical supply companies, this will be the resting place or nganga of the vampyre, which would act as a coffin or tomb. obtain a small amount from a cemetery of burial ground, which will be the soil of which the vampyre would rest. a sigil representing the vampyre and association would be created. this maybe a sigil of ahriman or az, lilith or hecate, the black eagle or another such form. the back of the sigil may have printed the crest/sigil of vlad dracul or countess bathory. one may create a mask of the vampyre, which is associated to the ahrimanic sorcerer as well. when one prepares the skull the sigil should be placed at

lith or hecate, the black eagle or another such form. the back of the sigil may have printed the crest/sigil of vlad dracul or countess bathory. one may create a mask of the vampyre, which is associated to the ahrimanic sorcerer as well. when one prepares the skull the sigil should be placed at bottom, the soil above it and the mask above the soil. when the ritual of the vampyre is undertaken the sigil will be consecrated and then buried beneath the soil layer. the chamber or temple should be decorated in the elements and atmosphere of death and the tomb. the altar should have human and animal bones across the temple, symbols and decorations of death and the tomb. the altar should have red and black candles, above the altar the eye of varcolaci and sigil of algol. the sorcerer should have

liar the evocation dagger should be placed upon the altar, which relevant instruments of the arte. approach when the moon is waxing or full, from which lililh may be receptive towards the callings of her children. dress yourself in vestments of belief, which are a symbol of your dedication and mindset to the work itself, black robes, grave shrouds of mask of the vampyre or lilith may be worn. the sigil of saturnus may be scribed in your own blood on the mask or skull housing the fetish "oh moon nourished haunters of dreams, who have tasted the souls' blood of life, from the graves of corpse-sleep from which ye emerge, from the pools of blood beneath, the fountains of red sea, that emerge from the dreaming sleep of azrael, move now through the manes of the dead, they seek the commune of tho

ne who in the bed of the death posture, leaving in the body of light and shadow, may transpire in the freedom of the vampyre shadow, the self in the primal ecstasy of transformation of ones animal familiars and forms; the bat, moth, wolf or shadow form. the circle design is in three forms- naturally the number of hecate, mother of the path. the circle from which the sorcerer stands is the binding sigil, representing black magical transformation in the circle to an isolate consciousness. one smaller circle is of nas, the necromantic shade of ahriman, the initiator unto the gates of the dead. the third is mitrokht, being a vampyric shade of the voice of command. this is the element of control the vampyric essence brings, close to the divinity of the nephilim, those of the watchers who drink

of death, jasmine or frankincense, any scent which represents the arte in its shadowform. one may choose to also perfume the fetish with ones own favored scent, being something so closely connected to you that a sense of crystallization may eventually occur. the fetish should then be painted in the sorcerer's own blood or a red color the sigils of transformation and vampyrie being, including the sigil of binding. the soil may be kept then in the bottom of the fetish, which upon a parchment ones shadow name (for instance, akhtya seker arimanius, the present author) in the blood of the sorcerer, along with the sigil of binding. consider the vampyric fetish to house the greater shadow familiar, which is essentially an exteriorization of your own being. one will use the magickal aspects of ob

transformalion, the demon emerging in flesh. the chamber should be adorned in the elements of death, of vampyrie design with such implements, fetishes and elements of ahriman, lilith, dracul or any night born ghost or image which relates therein. one should dress in the black robe of passing through shadows, a crimson lining if possible to indicate ones rebirth in the bloodied caul of lilith. the sigil of binding should be placed upon the altar, as the object of focus. the formula of forming the shadow as the vampyric element of self enchantment zrazza, zo i ao alusha impredia i ka lil aka umpesha usha barruzu shu i aktet hekak, hekak, zabbatium arcanum hkaru lil kal ika usha zrazza zo druj umpesha hear me forms of shadow which that gate i have opened let no night go undiscovered before my

MIDNIGHTS CIRCLE A COMMENTARY OF AZOTHOZ

othoz provide a powerful interplay between the invocations and the placement of the actual drawings in the tome. there are 13 illustrations of the grimoire, each holding a focus of the luciferian gnosis is some way or another. the spirit of azothoz beholds the eye of set or saturnus, the adversary. this eye is surrounded by flame, and is at first glance a serpent s eye. this is the wisdom driving sigil of the discovery of dreaming and waking knowledge, that which lies hidden. iblis is a powerful sigillic drawing which interplays with the 6th section of the poem, the descending dragon-angel which is azazel, or lucifer. this adversarial spirit is shown with angelic traits (the upper which falls from the sun) to the demonic (which descends but then reaches towards the light again. it is a pro

ning undertaken by the initiate, by he and she whom invokes and envisions the luciferian light. that lucifer is iblis, the imagination and the very foundation of free thought that defines the propagation of the will. from sethanic witchcraft& the left hand path, the introduction to azothoz by the present author [4] see nox umbra, the ritual of entering black eden, the vampyric-luciferian dreaming sigil of the devil-made flesh [5] a ritual performed via book of the witch moon, by the present author and a private version practiced in coven maleficia, the triad of the order of phosphorus. see the book of cain by the present author [6] widdershins is a movement counter-clockwise, a way of going reverse about a circle. see arkon daraul, a history of secret societies, citadel press [7] a term us

NECRONOMICON ALAZIF

must set up ye al azif page 2 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 stones in ye elevenfold configuration. first thou shalt raise up ye four cardinal stones and these shall mark ye direction of ye four winds as they howleth through their seasons. to ye north set ye the stone of great coldness that shall form ye gate of ye winter-wind engraving thereupon the sigil of the earth-bull thus: taurus sigil in ye south (at a space of five paces from ye stone of ye north, thou shalt raise a stone of fierceheat, through which ye summer winds bloweth and make upon ye stone ye mark of ye lion-serpent thus: leo sigil ye stone of whirling-air shall be set in ye east where ye first equinox riseth and shall be graven with ye sign of he that beareth ye waters, thus:

the earth-bull thus: taurus sigil in ye south (at a space of five paces from ye stone of ye north, thou shalt raise a stone of fierceheat, through which ye summer winds bloweth and make upon ye stone ye mark of ye lion-serpent thus: leo sigil ye stone of whirling-air shall be set in ye east where ye first equinox riseth and shall be graven with ye sign of he that beareth ye waters, thus: aquarius sigil ye gate of rushing torrents thou cause to beat the west most inner point (at a space of five paces from ye stone of ye east) where ye sun dieth in ye evening and ye cycle of night returns. blazon ye stone with ye character of ye scorpion whose tail reacheth unto the stars: scorpio sigil set thou the seven stones of those that wander ye heavens, without ye inner four and through their diverse

take ye dust of ye tomb- wherein ye body has lain for two hundred years or more past, three parts. take of powdered amaranth, two parts; of ground ivy leaf, one part, and of fine salt, one part. compound all together in an open mortar in the day and hour of saturn. make over the thus assembled ingredients the voorish sign, and then seal up the powder within a leaden casket whereupon is graven the sigil of koth. ye using of ye powder: whenever thou wisheth to observe the airial manifestations of the spirits blow a pinch of ye powder in the irection of their coming, either from the palm of thy hand or the blade of the magic bolyne. mark ye well that ye maketh ye elder sign at their appearence, lest the tendrils of darkness enter thy soul. al azif page 6 of 18 http//www.chaosmatrix.org/librar

eat black goat of the.woods, i call thee forth (kneel) answer the cry of thy servant who knoweth the words of power (make the voorish sign) rise up i say from thy slumbers and come forth with a thousand more (make the sign of kish) i make the signs, i speak the words that openeth the door! come forth i say, i turn the key, now! walk the earth once more! cast the perfumes upon the coals, trace the sigil of blaesu and pronounce the words of power: zariatnatmix, janna, etitnamus, hayras, fabelleron, fubentronty, brazo, tabrasol, nisa, varf-shub-niggurath! gabots membrot! and then the black one shall come forth unto thee and the thousand horned ones who howl shall rise up from the earth. and thou shalt hold before them the talisman of yhe upon which they shall bow to thy power and answer thy d

sances in silence (bow low thrice and give the gesture of voor. turn and tread the path of transfiguration leading to ye ultimate angle. open up the abyss gate by the ninefold affirmation (thus: zenoxese, pioth, oxas zaegos, mavoc nigorsus, bayar! heecho! yog-sothoth! yogsothoth! yog-sothoth! al azif page 17 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 make ye the sigil of transformation and step thou forth into ye grgnew world order or occult secret destiny? terry melanson (conspiracyarchive.com) the new age movement and service to the plan the new world order as envisioned by the elite is hardly a recent undertaking. their s is a philosophy rooted in ancient occult traditions. success is near, and the infiltration of society by new age occultism is the re

PHOSPHORUS

of darkness by jeffery burton russell magick in theory and practice by aleister crowley the book of thoth by aleister crowley the black arts by richard cavendish images and oracles of austin osman spare ecstasies: deciphering the witches' sabbath by carlo ginzburg the night battles by carlo ginzburg 9 i the blackened forge of cain title-praecantrix the darkness of the earth color black symbol the sigil of infernal union -study of cain as the offspring of lucifer and lilith. the dynamics of self-transformation and how symbols relate to the self -foundations of sex magick and the will in the focus of selftransformation and self-deification -sex magick and the union of babalon (lilith) and the beast 666 (the solar phallic masculine archetype, the beast which rises from leviathan) in sexual un

initiation of the bloodied caul the birth of the initiate unto the light of phosphorus the initiate will have a robe of white which is symbolic of the light of lucifer before the fall. the virgin initiate shall enter the light of phosphorus to be born in the darkness of the initiator of the path, azal ucel. let the altar be decorated in the manner of which the sorcerer chooses, but with the algol sigil of standing above it on the wall. the black mirror should be below a larger mirror, symbolizing the opposing 14 gnosis of the adversary. this is the waking initiation into the path of the witch, the devil s kiss of awakening. you may in turn use the caul to cover your head (see nox umbra) and dance widdershins in a circle. as you do this, your pulse rate will increase, you will sweat and gro

ce in dreams, open now the way before me! i thank you spirits of the witch-path and nephillimic way! so it is done! rites of focus- 1. invocation of the adversary 2. an invocation to the holy guardian angel, spirit of the adversary who resides in darkness and light azal ucel the ritual of algol 16 (veneficium rite) phosphorus opening of the eye rite the veneficus and initiate shall have the algol sigil above their altar; they shall be robed in black representing wisdom. the algol sigil is a mirror of the self and the possibilities of becoming. the complete symbolism of algol is revealed to initiates of the black order of the dragon. face the algol sigil- i behold the circle of timeless existence, guarded by leviathan i call to the four quarters to witness my rite of darkness and flame, and

s, thus a sinister atmosphere may come forth with use. this triangle-circle should be meditated upon to bring forth a calm and serpentine consciousness, concentrate on the essence of lucifer as shadow, for a minimum of ten minutes and then as light for an equal time. relate both to you personally and how you are becoming in this light reflect on who you were and where you are going. 5. the algol sigil is the fiery and diabolic essence of isolate consciousness, the eye and heart of set, ahriman and hecate. it is both daimon and seraph, a mirror and a gate of hell. meditate and focus upon this mirror. 6. the sigil of lucifer is the mark of the rebellion of spirit, the separation of ain soph (limitless light) to the dual ecstasies of shadow and flame. mark thy soul/spirit/consciousness with

l is the fiery and diabolic essence of isolate consciousness, the eye and heart of set, ahriman and hecate. it is both daimon and seraph, a mirror and a gate of hell. meditate and focus upon this mirror. 6. the sigil of lucifer is the mark of the rebellion of spirit, the separation of ain soph (limitless light) to the dual ecstasies of shadow and flame. mark thy soul/spirit/consciousness with the sigil of adonai, the lord of the earth called also shaitan. 7. baphomet is the god form of the luciferian path, enfleshed as the witch begetter and the lord of the blackened fires of the forge. the black man of the sabbat is the one passed into the devil s flesh and walked the dreams of lilith-hecate s bloodied caul of initiation. succubus publishing 18 p.o. box 926344 houston, tx 77292 united sta

PHOSPHORUS THE SHADOWING FORTH OF LUCIFER

espect that had been earned through defiance. the black flame that exists in the core of the self has long sought to grow and illuminate the individual who was prepared to travel the fantastic path of selfillumination and godhood. ever woman and man have their own orbit, their own star to develop upon this earth. nothing is rejected which develops integrity and self-strength of spirit. within the sigil of varcolaci, the image of the vampire is presented as a mark point towards self-evolution and godhood. the trapezoid sigil of varcolaci opens the gates of the shadow side through black magic. the varcolaci sigil was designed to manifest the essence of the varcolaci vampire, the astral being that rose from the flesh of the sorcerer to ascend to the night sky. this is the evermorphing version

ng the dark side powers which exist within every man and woman. christian attempts of labeling lucifer as a god of death only proves the extent of brainwashing which only mirrors their subconscious desire to be bound, that fragile and undeveloped flame to be extinguished. lucifer as being the prince of the powers of air establishes this god form as the fountainhead of astral magick. the varcolaci sigil or devilcosm is the mirror of lucifer, the bringer of light through astral projection and search of balance of knowledge. the applications of such magick can be used in every facet of ones' life. it is only limited by the imagination "ain soph" indeed! aleister crowley's patterns and formation of "thelema" is based within the luciferian principle. the bringing of light towards the individual

REGARDIE ISRAEL THE COMPLETE GOLDEN DAWN

ts, and in establishing the harmony of their influence. in closing, these currents are reversed. diagram i rsp' tablet of union names active-air. exa r passive- water..h coma. eloi-iim passive-earth nanta active-fire. bitom <11> diagram 2 spirit invoking pentagrams spirit banishing closioq tor@ clostnq br -acttves qossives abitom a they are the invoking and banishing pentagrams of the spirit; the sigil of the wheel should be traced in their centre. in the invoking pentagram of earth the current descendeth from the spirit to the earth. in the banishing pentagram, the current is reversed. the sigil of the ox should be traced in the centre. these two pentagrains cire in general use for invokation or banishing, and their use is given to the neophyte of the first order of the golden dawn under

lest with the pentagram of the spirit thou shalt give the saluting sign of the= grade, and for the earth the sign of zelator, and for air that of theoricus, and for water that of practicus, and for fire, philosophus. if thou wilt use the pentagram to invoke or banish the zodiacal forces, thou shalt use the pentagram of the element unto which the sign is referred, and trace in its centre the usual sigil of the sign thus: diagram 4 for aries. and whenever thou shalt trace a si il of an nature, thou must commence at the left hand of the sigil or symbol folfowing ae course of the sun, whenever thou invokest the forces of the zodiacal signs as distinct from the elements, thou shalt erect an astrological scheme of the heavens for the time of working so that thou mayest know toward what quarter o

. a make the invoking pentagram of air. vibrate on, ibah aozpi in making penta- iy. vibrate yhvh in making aquarius. finish with the 0= sign. carry point to south* make equilibriated adive pentagram of spirit vibrate bitom in making pentagram. vibrate eheieh in making wheel. give= signs. make the invoking pentagram of fire. vibrate oip teaa pedoce in making pentagram. vibrate elohim in making leo sigil. make the 0= sign. a 285 286 the golden dawn: volume i11 book four <19> carry point to west- make equilibriated passive pentagram of spirit. vibrate hcorna in making pentagram. vibrate agla in making wheel. give 0= el signs. make invoking pentagram of' water. vibrate empeh arsel gaiol in making pentagram. vibrate a1 in making eagle head. give the 0= sign. carry point to north- a make equilib

petal of air should be beneath the arm of the cross allotted to air, while those of fire and water are on counterchanged sides, so that the forces of the arms of the cross should not too much override the planetary and zodiacal forces in the rose, which might otherwise be the case were the petal of fire placed on the same side as the arm of fire and that of water on the side of water (the mode of sigil formation from the rose petals is taught in the supplement to this ritual, reproduced in book seven in volume four) the back of the cross bears inscriptions in latin "the master jesus christ, god and man" between four maltese crosses which represent the four pyramids of the elements opened out. this is placed at the upmost part because therein is affirmed a <54> descent of the divine force i

tar. 15. turn to face thedirection in which you have foundmars to be -standing so that the altar is between yourself and mars for convenience. 16. describe in the air the lnvoking pentagram of sign mars is in. 17. describe lnvoking hexagram of mars, saying: elohirn gibor. then, still holding wand by white band, 18. recite your lnvocation to the power of geburah and the forces of mars, tracing the sigil of each as you read it. 0 mighty power who governeth geburah, thou strong and terrible divine elohim gibor, i beseech thee to bestow upon this magic sword power and might to slay the evil and weakness i may encounter. in the fiery sphere of madim, may it be welded and tempered to unswerving strength and fidelity. may thy great archangel kamael bestow upon me courage wherewith to use it arigh

cular white border and a white hexagram on each face of the disc. the space within the white border should be divided into four compartments by two diameters at right angles. these four compartments are to be coloured: the upper, citrine; right, olive-green; left, russet-brown; lowest, black. the divine and angelic names should be written in black round the white border; each name followed by its sigil taken from the rose. the motto of the adeptus to be added. the pentacle should be the same on both sides, and should be held in the hand with the citrine uppermost; unless there is any special reason for using one of the other compartments. and in this matter remember that citrine is the airy part of earth; russet the fiery; olive the watery; black the earthy part of earth. the pentacle must

REGARDIE TALISMANS

then he will know something of the qabalistic tree of life and its philosophy. this will render unnecessary any protracted examination of those principles in this time and place. some of the books mentioned in the bibiliography provide sigils and pentacles on which are inscribed complex symbols and names whose graeco-hebrew and latin origins are almost impossible to trace (incidentally, the word sigil merely means signature. so that the sigil of an archangel is really the symbolic signature of that being. these sigils were originally extracted from the traditional kameas or magical squares, which will be described in due course) for our present purpose, these will have to be ignored, since what is required beyond all other things is a system which is clear, sensible and workable. symbols

letters are zayin= 7, aleph= 1, zayin= 7, and lamed= 30. the only letter which requires reduction in this instance will be lamed which reduces to 3. the next step is to trace a continuous line on the magical square of saturn. thus in the name zazel, the line will begin with the number 7, follow to 1, return to 7 again, and then end at 3. a little circle should be placed on the first letter of the sigil to show where the name begins. to illustrate one classical procedure, we might for example extract from the mars square the sigil of the intelligence bartzabel. in hebrew, this name is spelled: beth resh tzaddi beth aleph lamed 2 200 90 2 1 30 three letters resh, tzaddi and lamed will have to be reduced by aiq beker, so that their zeros will have been eliminated. then, from the remaining num

ne classical procedure, we might for example extract from the mars square the sigil of the intelligence bartzabel. in hebrew, this name is spelled: beth resh tzaddi beth aleph lamed 2 200 90 2 1 30 three letters resh, tzaddi and lamed will have to be reduced by aiq beker, so that their zeros will have been eliminated. then, from the remaining numbers 2, 2, 9, 2, 1 and 3 we can trace the following sigil: another more prosaic example of tracing sigils from the magical squares can be demonstrated by taking my first name israel, and converting it into hebrew, thus: yod shin resh aleph lamed 10 300 200 1 30 for the purpose of demonstration only, let us assume that we want to trace it on the magical square of the sun, shown among the other kameas in the appendix. sigil of israel superimposed on

h aleph lamed 10 300 200 1 30 for the purpose of demonstration only, let us assume that we want to trace it on the magical square of the sun, shown among the other kameas in the appendix. sigil of israel superimposed on the solar kamea only shin and resh will have to be reduced by aiq beker, and they can be brought down to 30 and 20. so that, finally, the numbers we will use on the square for the sigil are: 10, 30, 20, 1 and 30. to demonstrate this process further, mainly to illustrate the simplicity of sigils and magical designs that may be educed from the several kameas, consider the name carr. in hebrew we would spell it thus: caph aleph resh resh 20 1 200 200 the spelling of this name can then be applied to each planetary kamea, from which we would obtain a different sigil in varying p

his process further, mainly to illustrate the simplicity of sigils and magical designs that may be educed from the several kameas, consider the name carr. in hebrew we would spell it thus: caph aleph resh resh 20 1 200 200 the spelling of this name can then be applied to each planetary kamea, from which we would obtain a different sigil in varying planetary media. for example, to make a saturnine sigil, we would have to reduce the letters by aiq beker to: 2, 1, 2, and 2. its sigil would appear thus: on the jupiter kamea, which is four square, this is how the sigil would look: at first sight it merely looks like the opposite form of the preceding saturn sigil, which seems logical enough since saturn is binding and jupiter is opposite, expansive. consider the name on the mars square. the pro

, which is four square, this is how the sigil would look: at first sight it merely looks like the opposite form of the preceding saturn sigil, which seems logical enough since saturn is binding and jupiter is opposite, expansive. consider the name on the mars square. the process of reduction now operates differently. the resh, 200, in this case has to reduce to 20, instead of to 2. this makes the sigil turn out like this: most of the sigils of this name, traced on other of the kameas, will also prove very much alike, so there is little point proceeding further. the critical student may, at this point, exclaim that carr is a not frequently encountered name, so that the demonstration should proceed with more common names. for example, john, to be rendered in hebrew, is youchanon: yod vau che

RUBY TABLET OF SET

, with a circle in the middle& the circle is red. my colour is black to the blind, but the blue& gold are seen of the seeing. also i have a secret glory for them that love me. see #i-24; 5+6=11. see also the comment concerning #i-20. the five-pointed star is the pentagram of set, and a red circle is the egyptian symbol for the sun. this fragment is inconclusive, but it might suggest the encircled sigil of baphomet [used during the age of satan] with its solar connotations of virility. a glimpse of things to come. to non-initiates the esoteric nature of the book of the law might seem "black (i.e: satanic, but in fact it is "blue& gold (a "god"-oriented initiatory system of magical philosophy. for the "secret glory" see again #i-30. 61. but to love me is better than all things: if under the

my pentagram was corrupted, yet time has not the power to destroy it. its position was restored by the church of satan, but its essence was dimmed with a moorish name, and the perverse letters of the hebrews, and the goat of decadent khar. during the age of satan i allowed this curious corruption, for it was meant to do me honor as i was then perceived. as its emblem the church of satan used the sigil of baphomet, an inverse pentagram decorated with a goat's head and surrounded by the hebrew letters lamed/vav/yod/tav/nun= lvytn= leviathan, the sea monster mentioned in job #41 of the judaic/christian bible. the goat was the goat of mendes, the devil's form of manifestation in traditional satanism.54 the term "baphomet- the "moorish name- came into prominence as the god reputedly worshipped

points of the pentagram. this circle defines the physical body of the individual. the five points of the pentagram touching the circle signify the five bodily senses- as gateways to higher being. but gateways can be closed or misunderstood and act as easily (actually more easily) as blockages rather than conduits. this ring remains unshown, hidden, in the seal of runa. i have here reproduced the sigil of baphomet as used by the church of satan alongside the simplified seal showing both rings in place. by using these signs as guideposts, the initiate can comprehend the distinctions between the psycho-cosmologies of the church of satan and temple of set/order of the trapezoid. historically, i might also note that the name of the hebrew demon leviathan (lvythn) surrounding the space between

s was no hollywood set, no ordinary room painted and decorated to titillate the senses. 1,285 inmates of the niederhagen concentration camp died during the reconstruction of the wewelsburg for the ss. if the marble hall and the walhalla were memorials to a certain unique quality in mankind, they also serve as grisly reminders of the penalty which mankind pays for that quality. i saw before me the sigil of the order of the trapezoid as originally designed by anton lavey: the pentagram within a trapezoid extending slightly below the two lower points, the three curved 6's, the trident rising from the flames of hell. i saw its later design in the church, the 6's and the flames now gone. i saw its first design in the temple of set: the tcham scepter with the head and forked tail of set replacin

he 6's and the flames now gone. i saw its first design in the temple of set: the tcham scepter with the head and forked tail of set replacing the satanic trident. i saw ronald barrett's subsequent concept: a simple pentagram with the four upper points connected. so now the principle should be completed- the law of the trapezoid finally and completely fused into its emblem. there appeared then the sigil of the order as reproduced here. it is a return to the initial sigil, with the following changes: the curved-line fires of hell are replaced by the black flame, whose emanations are rays, not flickering tongues. there are nine rays, each in strict mathematical proportion to the pentagram or trapezoid. the sourcepoint of the black flame completes the pentagram, as called for in the book of co

whose emanations are rays, not flickering tongues. there are nine rays, each in strict mathematical proportion to the pentagram or trapezoid. the sourcepoint of the black flame completes the pentagram, as called for in the book of coming forth by night. two of the rays of the flame complete the inverse pentagon about the pentagram, creating a total of nine golden section trapezoids in the entire sigil. the three 6's are restored, but with no curved lines. the set-headed and -tailed tcham scepter of ancient khem rises from the black flame, its head at the center of the pentagram. its tail, against the three central rays of the flame, forms a "w" denoting the "walhalla" or hall of the dead at schloss wewelsburg, the great gate of the powers of darkness in our time. the direction of the work

SABBATIC KABALA OF THE CROOKED PATH

med by twin letters of the sacred alphabet, forming a double-current. within the houses the powers reflected should be associated with sah, the right-hand palace of the great double house and the left hand palace which name will remain secret and hidden these cells or sources of power are called aats. a secret key is revealed in the following quotation" over each cell there is a unifying glyph, a sigil whereby that aat is opened and closed at a point of ingress..each aath hath especial souvereignity over a specific pair of letters, these twin aatic glyphs being the polarities of such powers as are emanated and drawn in by that particular cell. thus they define the nature and characteristics of the aat as a geminus. an aatic current may thus be called upon as the twin continua of zoa (life)

. the rite of ingress, or the establishment of the point and its adversary into the one. the text itself called the eight steps of the rite of ingress gives a detailed outline of the procedure to follow (p. 124- 125) and several important keys to its understanding are freely given to the seeker. further the first few steps of the symbolism of the mouth is seth forth in the form of mantra and word sigil (p. 128. the sigilic formulae is to found on p. 133-135. this aat is also important in the manner that it presents the first of the many tasks the seeker must perform on the way to adeptship. water and the letter mem is also significant for the hanged man and it is therefore reminiscent of the arcana of the self-slayed one. the compositions of such deeds are found on the pages138 where the i

ess of being a powerful house for adepts to start the process of transformation. as already stated, this house is first of all the arcana of the self-slayed one. a house of transformation and courage, in addition to be the natural birth of the void. cell 2 being the aat of the 3de and 14th letter of the sacred alphabet this cell represents the manifestation of the spirits and powers governing the sigil under the dominon of the second hidden star (orion, but in general there are a strong sub-stellar touch to the material presented in this aat, and therefore it is essentially reflected in the lunar rays of the mystery) of the azoth. this cell is focused on the formation of the fluidity and fluxity of the magical matrix of invocation. this is the abode of the goddess of water, salt and fire

rent methods is nescessary (p. 174- 176. the emotional intensity is the source of creation in this cell and the symbolism of the hand is employed in it as well "from the one star all other shines" the text says and it hints towards the pentalpha as formed by the five fingers on the hand, being the symbol of unity it self. the hand is further the instrument of the eye in the process of forming the sigil and making manifestations come through. the use of powers in this cell are connected to asana (postures) and is connected to the house of sah (stars of orion. stellar knowledge, in this case focused on the sign of the great hunter, orion is a glyph for contacting the great hunter himself, the horned one. the spell of sah is set forth on p. 189-193. on the three pages beforehand (p.186-188) t

SATANGEL

gement, for shouldst thou fail me, even for one moment, be assured that i shall eternally smite thee with the blasting rod of the great adonay, eloim, ariel, and jehova. amen (sloane ms. british museum. to command disobedient spirits to hasten the appearance of devils, demons, servitors, or any other wicked and disobedient spirit. here we see that the demon is housed and made manifest through its sigil. as it is summoned and made real by the inscribing of the correct glyph, so is it banished and destroyed by its destruction. therefore, to harm the sigil is to cause harm to the spirit. conversely, a demon mat give valuable service in return for having its seal made in more durable and valuable materials, such as gold; o, thou wicked and disobedient spirit [n, because thou hast not obeyed, o

SATANIC BIBLE

rticipants. the robes may be cowled or hooded, and if desired may cover the face. the purpose in covering the face is to allow the participant freedom to express emotion in the face, without concern. it also lessens distraction on the part of one participant towards another. female participants wear garments which are sexually suggestive; or all black clothing for older women. amulets bearing the sigil of baphomet or the traditional pentagram of satan are worn by all participants. robes are donned by men before entering the ritual chamber, and are worn throughout the ritual. men may substitute all black clothing for black robes. black is chosen for the attire in the ritual chamber because it is symbolic of the powers of darkness. sexually appealing clothing is worn by women for the purpose

SATANIC RITUALS

re needed for reading, a thurifer, a gong-striker, an additional attendant and the congregation. hooded black robes are worn by all participants except two: a woman dressed as a nun, wearing the customary habit and wimple, and the woman who serves as the altar, who fa nude. the priest conducting the mass is known as the celebrant. over his robe he wears a chasuble bearing a symbol of satanism-the sigil of baphomet, inverted pentagram, inverted cross, symbol of brimstone or black pine cones. though some versions of the black mass were performed in vestments consecrated by the roman catholic church, records indicate that such garments were the exception rather than the rule. the authenticity of a consecrated host seems to have been far more important. the woman who serves as the altar lies o

ar more important. the woman who serves as the altar lies on the platform with her body at right angles to its length, her knees at its edge and widely parted. a pillow supports her head. her arms are outstretched crosswise and each hand grasps a candleholder containing a black candle. when the celebrant is at the altar, he stands between the woman's knees. the wall over the altar should bear the sigil of baphomet or an inverted cross. if both are employed, the sigil of baphomet must take the uppermost or prominent position, the cross occupying the space between the lower halves of the altar's legs. the chamber should either be draped in black or in some way approximate the atmosphere of a medieval or gothic chapel. emphasis should be placed on starkness and austerity, rather than finery a

ed. a mirrored chamber provides greater confrontation for the celebrant, making him hyperconscious of his role. mirrors also serve to "rob the soul" according to old tradition. an austere chair is provided in which the celebrant sits during the first part of the ritual. the coffin may be of any type, although a traditional hexagonal style is recommended, as this is the type depicted in the actual sigil of the sixth degree of the templars and, combined with the skull and crossbones, is retained in masonic symbology. the coffin must be large enough to accommodate two persons, hence special construction or modification is likely to be necessary. the usual devices of satanic ritual are all employed. additional accouterments include a cat-o'-nine-tails with which to scourge the celebrant, a cru

esents the vault of wisdom from whence all hitman ideas and developments emerge, the temple of invention, both material and "spiritual" a candlestick bearing a black candle is placed at each side of the skull. the chalice rests directly in front of the skull, with the bell and phallus to either side. the sword rests parallel to the front edge of the platform. the wall above the altar displays the sigil of satan. a pentagonal enclosure, the inside of which is mirrored, serves to receive the celebrant. the pentagon must be large enough in diameter and with walls high enough to receive the celebrant's prone body, yet easy to enter and leave. to be practical, the walls of the pentagon should be no higher than two feet above the surface of the floor, or if sunken, the floor of the pentagon shou

icient room for the congre0 gants to pass before her. all congregants come forward individually, stop before the altar, and bow low. upon rising, each congregant receives the tip of the bone upon his brow, administered by the priest, who says] celebrant: ya tsyebyeh dayu padarok tchorta (the gift of tchort be with you [after the congregation has reassembled, the priest points the bone towards the sigil of baphomet and, turning to the congregation, says] celebrant: forget ye not what was and is to be! flesh without sin, world without end [the priest closes the ceremony according to the standard procedure] pilgrims of the age of fire cependant que persiste la splendeur c t, du plumage bleut de 1'orgueil qui s'attriste d'un paon jadis vainqueur au jardin du coeur -verlaine "too true, too soon

the horns and receive this, thine oath: thou, who have forsworn the divine mindlessness, do proclaim the majesty of thine own being amongst the marvels of the universe. thou rejecteth oblivion of self, and accepteth the pleasure and pain of unique existence. thou art returned from death to life, and declareth thy friendship with lucifer, lord of light, who is exalted as satan. thou receiveth the sigil of baphomet and embraceth the black flame of cherished enlightenment. thou hath assumed this infernal commitment of thine own volition, without let or hindrance: this act being done without coercion and of thine own desire and according to thy will [priest faces initiate and, with sword in hand, describes with its point an inverted pentagram. it is traced in the air directly in front of the

SATANICON

ebrant finalizes the rite with the words: in satanicus honos -32- the pact of satan lucifer lord of my dark soul, i, do hereby renounce god, jesus the nazarene, xianity, and my former baptism, for i am of the earth, darkness, and the powers of the infernal one! accept me as your evil ally by this name_ initiate dated this night_ witness_ priest/priestess of satan -33- the ritual of antichrist the sigil of antichrist if you truly have a darkness to your soul then this ritual will be both inspiring and self-fulfilling. however, by the same token, if you re attempting to become something you re not, it can bring forth a demon of self-destruction. therefore, know thyself! the main focus of this ritual 1 to purge any residual xian influence from the essence of the celebrant s being. 2 to cause

ts, the age of evil has arrived. our age for times and times eternally. read and understand! practice and become -34- requirements for performance with the exception of the burning charcoal contained in the brazier, the ritual of antichrist begins in complete darkness, which symbolizes the arrival of the age of evil. the age when the wicked will plunge man and the earth into eternal darkness! the sigil of antichrist represents the warrior spirit of the beast 666. the cross, of course, is associated with the nazarene and his teachings; the inversion of such is the symbolic renunciation and antithesis of his religious philosophy. the lightning bolt represents the will and power and the cruel wrath of antichrist. the 666 is of course, the accepted numerical symbol of antichrist. ultimately, t

il of antichrist represents the warrior spirit of the beast 666. the cross, of course, is associated with the nazarene and his teachings; the inversion of such is the symbolic renunciation and antithesis of his religious philosophy. the lightning bolt represents the will and power and the cruel wrath of antichrist. the 666 is of course, the accepted numerical symbol of antichrist. ultimately, the sigil of antichrist is the symbol of religious revelation and anarchy of things to come! the sigil replaces the satanagram as the altarpiece above the altar. six black candles are employed as this symbolizes the singular aspect of the number of the beast and the sixth sense of all antichrists. regarding placement, five of the six candles rest upon the points of the angles of the pentagonia on the

e above the altar. six black candles are employed as this symbolizes the singular aspect of the number of the beast and the sixth sense of all antichrists. regarding placement, five of the six candles rest upon the points of the angles of the pentagonia on the floor before the altar. a single black candle endowed with the spirit of antichrist rests in the center of the altar, directly beneath the sigil. ignited charcoal in a large brazier represents hell s flaming pit from which the grand conjuration and subsequent release of the devils of evilution symbolize the forces of the developing religious war between xians and us. the brazier is placed at the left side of the altar. the function of the xian bible in this ritual is two-fold: first, it is employed as a sacrifice; the celebrant tears

ghtrear area of the altar. the chalice of change with its emotion-stimulating elixor is placed directly in front of the thurible. the sword of satan occupies its customary position, which is at the forepart of the altar. the essence of this ritual dictates that its accompanying music would be of a supremely triumphant nature -35- the ritual of antichrist 1 in the darkness, the celebrant faces the sigil of antichrist as he recites the invocation of antichrist: in the name of belial i invoke you spirit of antichrist come forth! for i am the first, and many will follow! in the spirit of the beast, come forth for i am the same, and the faithful are fearful! in recognition of the number, come forth for the conquest has begun! 2 the celebrant stoops to light each candle of the pentagonia. after

the race of evil! the celebrant lights the candle of antichrist and intones: i conjure the will of the great beast antichrist! immediately following each of the six avocations, the celebrant tosses a small amount of conjuration saltes into the candle flames. 3 the celebrant (and all participants) drink from the chalice of change. 4 the celebrant grasps the sword of satan and points it towards the sigil of antichrist while reciting the conjuration of darkness 666: satan in your most unholy name, hear me! our times the age of evil and its creative spirit of antichrist has come! i am the reverent one a beast born of the earth and the infernal kingdom! i am the conveyor of wisdom and folly! i am the bestower of strength and weakness! i am the publisher of alienation and unity! i am the creator

SEVEN SHADES OF SOLITUDE

must make our way through the maze of mirror d altars. transgressing all well-kept borders of history and culture, the way of the sorcerer, the so-called faith of cain, is that which heeds the spirits beneath the heels of the wanderer; it is the way of knowledge which comprehends the living zodiac of desire, the how of believing, and the tools by which such knowledge can be wilfully applied: the sigil and stave, the will and the word of magical power. for those of this faith, the so-called wytcha and curren, it is the circle of the arte magical which forms the perfect mirror in which the mysteries of solitude may be sought. drawing from a diversity of personal experience- as a perpetual apprentice, a constant journeyman, and as a presiding magister of covine, lodge and lineage- the circle

SIX ANGLED RITE OF THE ROYAL SUN OF THE GOAT LORD

angle, still facing east, and if you are using an altar with a goat or buck's skull, bow to it. if the skull is in the circle with you, kneel and kiss it. if you have none of those things, simply go down to one knee before your implements. at this point you will begin the consecration of the area by carrying, in the proper manner, the implements, one at a time, around the circle, and to a certain sigil. the sigils will be called by the number that is closest to them on the chart above. you begin by taking the cord, and walking directly to the eastern edge of the circle, holding the cord out in front of you. then, you go counterclockwise all the way around the circle, from east back to east, and then you continue on counterclockwise, stopping when you reach sigil 1. when you reach sigil 1

er that is closest to them on the chart above. you begin by taking the cord, and walking directly to the eastern edge of the circle, holding the cord out in front of you. then, you go counterclockwise all the way around the circle, from east back to east, and then you continue on counterclockwise, stopping when you reach sigil 1. when you reach sigil 1, you slowly say the invocatory name over the sigil, and as you lay the cord on it, you state the poetic stream. all of the invocatory names and poetic streams are given after this section; refer to them as you need them. when you are done at sigil 1, you go back to the center, pick up the lantern/lamp or candle, and, holding it in front of you, walk to the east, make a counterclockwise walk around the circle from east and back to east, and t

e the poetic stream. all of the invocatory names and poetic streams are given after this section; refer to them as you need them. when you are done at sigil 1, you go back to the center, pick up the lantern/lamp or candle, and, holding it in front of you, walk to the east, make a counterclockwise walk around the circle from east and back to east, and then continue counterclockwise until you reach sigil 2. say the invocatory name, and the poetic stream as you place the flame down on the sigil. returning to the center, you pick up the cup or bowl, and holding it in front of you, walk to the east, make a counterclockwise walk around the circle from east and back to east, and then continue counterclockwise until you reach sigil 3. say the invocatory name, and the poetic stream as you place the

ry name, and the poetic stream as you place the flame down on the sigil. returning to the center, you pick up the cup or bowl, and holding it in front of you, walk to the east, make a counterclockwise walk around the circle from east and back to east, and then continue counterclockwise until you reach sigil 3. say the invocatory name, and the poetic stream as you place the bowl or cup down on the sigil. returning to the center, you pick up the forked implement, and holding it in front of you, walk to the east, make a counterclockwise walk around the circle from east and back to east, and then continue counterclockwise until you reach sigil 4. say the invocatory name, and the poetic stream as you place the forked implement down on the sigil. returning to the center, you pick up the arthame

back to east, and then continue counterclockwise until you reach sigil 4. say the invocatory name, and the poetic stream as you place the forked implement down on the sigil. returning to the center, you pick up the arthame, and holding it in front of you, walk to the east, make a counterclockwise walk around the circle from east and back to east, and then continue counterclockwise until you reach sigil 5. say the invocatory name, and the poetic stream as you place the arthame on the sigil. returning to the center, you pick up the phallic stone, and holding it in front of you, walk to the east, make a counterclockwise walk around the circle from east and back to east, and then stop, say the invocatory name, and the poetic stream as you place the phallic stone on the sigil. while you are mak

llic stone, and holding it in front of you, walk to the east, make a counterclockwise walk around the circle from east and back to east, and then stop, say the invocatory name, and the poetic stream as you place the phallic stone on the sigil. while you are making all these circuits around the circle, anytime you come to an implement that you laid out previously, you hop over it with a short hop. sigil invocatory names and poetic streams: sigil 1: the sign of the wud-zauberor invocatory name: wode (woahd) poetic stream: disguised as serpent and winged god the cunning king bestowed his worth upon the man and woman, shapely formed that they would unite heaven and earth sigil 2: the sign of the fire invocatory name: azael (oz ah el) poetic stream: even the fire has horns red tines with burnin

SORCERIES OF ZOS

m control are in many ways similar to those which effect conscious astral projection. my own system of dream control derives from two sources: the formula of eroto-comatose lucidity discovered by ida nellidoff and adapted by crowley to his sex-magical techniques, and spare's system of sentient sigils explained below. sleep should be preceded by some form of karezza during which a specially chosen sigil symbolizing the desired object is vividly visualized. in this manner the libido is baulked of its natural fantasies and seeks satisfaction in the dream world. when the knack is acquired the dream will be extremely intense and dominated by a succube, or shadow-woman, with whom sexual intercourse occurs spontaneously. if the dreamer has aquired even a moderate degree of proficiency in this tec

d. in this manner the libido is baulked of its natural fantasies and seeks satisfaction in the dream world. when the knack is acquired the dream will be extremely intense and dominated by a succube, or shadow-woman, with whom sexual intercourse occurs spontaneously. if the dreamer has aquired even a moderate degree of proficiency in this technique he will be aware of the continued presence of the sigil. this he should bind upon the form of the succube in a place that is within range of his vision during copulation, e.g, as a pendant suspended from her neck; as ear-drops; or as the diadem in a circlet about her brow. its locus should be determined by the magician with respect to the position he adopts during coitus. the act will then assume all the characteristics of a ninth degree working

as a pendant suspended from her neck; as ear-drops; or as the diadem in a circlet about her brow. its locus should be determined by the magician with respect to the position he adopts during coitus. the act will then assume all the characteristics of a ninth degree working, because the presence of the shadow-woman will be experienced with a vivid intensity of sensation and clarity of vision. the sigil thus becomes sentient and in due course the object of the working materializes on the physical plane. this object is, of course, determined by the desire embodied in and represented by the sigil. the important innovation in this system of dream control lies in the transference of the sigil from the waking to the dream state of consciousness, and the evocation, in the latter state, of the sha

tem of dream control lies in the transference of the sigil from the waking to the dream state of consciousness, and the evocation, in the latter state, of the shadow-woman. this process transforms an eighth degree rite! into the similitude of the sexual act as used in ninth degree workings. briefly, the formula has three stages: karezza, or unculminating sexual activity, with visualization of the sigil until sleep supervenes. sexual congress in the dream-state with the shadow-woman evoked by stage i. the sigil should appear automatically at this second stage; if it does not, the practice must be repeated at another time. if it does, then the desired result will reify in stage after awakening (i.e. in the mundane world of everyday phenomena. a word of explanation is, perhaps, necessary conc

TECHNICIANS GUIDE TO THE LEFT HAND PATH

oach techno-magic and continued to disseminate essays about it through computer bulletin boards- mostly hacker and phreak sites- throughout the 1980's. as i became more sensitive to my techno-magical interests, i wanted the nsbbs to more accurately reflect my personal initiatory bias. the result was my coming up with the moniker "occult institute of technology" or "oit. with this, i had created a sigil that represented my understanding that there is a responsibility to maintain an equilibrium between the advances of knowledge (in general) and the techniques of self transformation (specifically. additionally, oit was and still is an extension of my own psyche in a very detailed manner. near the end of the 1980's the nsbbs permanently closed. however, i retained the organizational title and

TELESMATIC FIGURES

n trust, to return on demand. it contains nothing of pecuniary value and nothing personal to myself. i hereby direct my legal representatives whomsoever, in case of my death or incapacity, to return the same at once, unread and unopened, to g.h. frater p.c.a, at 14050 cherry avenue, suite r-159, fontana, california, 92337. 2 telesmatic figures thou mayest build up a telesmatic image of force. the sigil shall then be of potent service to thee for the tracing of a current. this current will then call into action a specific elemental force. know that this is not to be done lightly nor for thy amusement. the forces of the universe were not created for thy plaything. thou must perform thy practical magical works with great care and solemnity, ceremony, and reverence. to do less is to bring abou

er shall be the head of thy figure or form and the final letter shall be thy feet of the astral form. the remaining letter in the order of thy form shall represent in order the body and member. see well that the z.a.m. makest thy image in the astral form as pure and beautiful as is possible. the more impure and common thy form the greater the danger it will be unto thee. write upon the breast its sigil as created from the rose and upon the girdle its name. place thy figure standing upon clouds. when the adept has taken all precaution to create such a form with due solemnity and attention to correctness of symbolism, then thou mayest hear what the figure shall say unto thee. the termination of the name la always gives the form wings and symbols of justice. the ending yh will make the figure

TEXE MARRS CODEX MAGICA SECRET SIGNS MYSTERIOUS SYMBOLS AND HIDDEN CODES OF THE ILLUMINATI

o worked to bring in heresies to pollute christianity. he has been called "the father of unitarianism" a top official of the orthodox hierarchy in greece gives the initiate sign. the pope with palestinian leader yassar arafat, at the vatican on september 15, 1982. eugene vintras, a frenchman who taught occult spiritual philosophy, wears the upside down cross on his religious robe and presents the sigil (hand sign) of his order. vintras gained a large following in the 1830s and 1840s by declaring the coming of a dark prince, a god on earth who would rule and reign. hand on heart 321 a chief rabbi in ottoman turkey (from the book, the lost messiah: in search of the mystical rabbi sabbatai sevi, by john freely (woodstock and new york: the overlook press, 2001) aleister crowley, as a youth, in

s to be favored by the elite. he is often cast in strange roles as deranged psychos, mob killers, etc. interview magazine devoted this entire page in its june 2004 edition, without caption and without comment or explanation. obviously, the picture speaks for itself. 324 codex magica in an article, strangely enough, entitled "gods and monsters" hollywood actor george clooney is seen presenting his sigil as he stands outside a theatre presenting the world premier of the film, a perfect storm (photo: elle magazine, november 2000) hand on heart 325 ad for polo clothing in consumer magazine. 3 2 6 codex magica michael a hoffman ii secret societies and psychological warfare page 56 eating raoul .and others "how would you like to bite into a part-human bacon cheeseburger" asks michael colgan, ph

THE BOOK OF PLEASURE

al association in permitting inclusion before conception. exhaustion: that state of vacuity brought by exhausting a desire by some means of dissipation when the mood corresponds to the nature of the desire, i.e, when the mind is worried because of the non-fulfilment of such desire and seeks relief. by seizing this mood and living, the resultant vacuity is sensitive to the subtle suggestion of the sigil. different religions and doctrines as means to pleasure, freedom and power. what is there to believe, but in self? and self is the negation of completeness as reality. no man has seen self at any time. we are what we believe and what it implies by a process of time in the conception; creation is caused by this bondage to formula. actions are the expressions of ideas bound up in the belief; t

his limit and servility. 19: just a natural desire. 20: this is a short formula for those whose belief is full in the law, are house holders following their desires. the formula holds good for any purpose. 21: illustration, the loss of faith in a friend, or an union that did not fulfill expectations. 45 casting the shadow. the ego not being totally oblivious, let him retain only and visualise the sigil form, it is his chalice, the means of vacuity and incarnation. by the deliberation of an analogous emotion at that time, he deputises the law (reaction. miraculous is he, balance not known in this world imitated (attained. all other consciousness annulled with safety, the vehicle strong enough for the ecstasy, he is beyond hurt. now let him imagine an union takes place between himself (the m

bravery in the world. deliberation egotized, except in the refraction 23 of the ecstasy, is exposure and death, becoming a presiding obsession, control having been given to a prior experience and is over-conscious of that through it momentarily finding freedom from its native law; thus generating double personality (insanity. 22: if it becomes physical, let him imagine another's body, he has that sigil or its emergency. this, although not his original purpose, he will and exceedingly amiable. 23: laughter in this case. by these means there is no desire beyond fulfilment, no accomplishment too wonderful, depending on the amount of free belief 24. 24: it may be done by localizing desire to one sense, hence by this formula using the ear as the vehicle, one hears the most transcendental music

agination or "faith" that i am great, is a superficial belief. the reaction and denial, caused by the troublesome effervescence of the organic incapacity. denial or faith does not change or annihilate it, but is its reinforcement and preservation. therefore belief, to be true, must be organic and sub-conscious. the desire to be great can only become organic at a time of vacuity, and by giving it (sigil) form. when conscious of the sigil form (any time but the magical) it should be repressed, a deliberate striving to forget it, by this it is active and dominates at the unconscious period, its form nourishes and allows it to become attached to the subconsciousness and become organic, that accomplished, is its reality and realization. he becomes his concept of greatness. so belief becomes tru

THE GALE ENCYCLOPEDIA OF THE UNUSUAL UNEXPLAINED VOL 1

an) in caves of europe dating to prehistoric times. the following signs and symbols are among the most common expressions of satanism, both among individual satanists and those self-proclaimed high-priests and priestesses who have established small covens of 13 or fewer members: the pentagram: the traditional five-pointed star, most often shown within a circle. goat s head within a pentagram: the sigil of baphomet, the symbol for anton lavey s church of satan. number 666:the number of the beast in the book of revelation, considered by many christians to represent satan. upside-down cross: a mockery of jesus death on the cross. sometimes the cross is shown with broken arms. upside-down cross incorporating an inverted question mark: the cross of confusion, questioning the authority and power

THE KEY TO THE MYSTERIES

l here make an appeal to the nations, beginning with the most ancient and the most holy. children of israel, why, in the midst of the movement of 52 the nations, do you rest immobile, guardians of the tombs of your fathers? your fathers are not here, they are risen: for the god of abraham, of isaac, and of jacob, is not the god of the dead! why do you always impress upon your offspring the bloody sigil of the knife? god no longer wishes to separate you from other men; be our brethren, and eat with us the consecrated bread of peace on altars that blood stains never. the law of moses is accomplished: read your books and understand that you have been a blind and hard-hearted race, even as all your prophets said to you. you have also been a courageous race, a race that persevered in strife. ch

THE LUCIFERIAN PATH THE WITCHES SABBAT MICHAEL W FORD

de the self. at this point many will fail, to face the devil or shadow side will often lead the individual to face his or her worst fears and weaknesses, that which can destroy 4 the individual not strong or prepared enough to become as a god or goddess. it is at this point that the symbol of the averse pentagram will begin to resonate within the sorcerers being, it is more than a symbol, it is a sigil which represents the shadow way and divinity which fell from heaven to taste darkness. the averse pentagram is thus the luciferic star which represents beauty in isolation, power through facing the unknown- symbolically, the averse pentagram represents the essence of the egyptian god of darkness and storms, set. set or set-an (shaitan) is the opposing force of darkness but intelligence and i

n and balanced. the center of the averse pentagram is called the eye of set or the eye of satan, the adversary. this symbol also represents the union of the empyrean (in this context that which fell from heaven) and the infernal (earth based. this is sigillized and explored via the god form cain or tubal-cain, who has been illustrated with horns and cloven hooves, the awakened sorcerer. the algol sigil is an 8-pointed chaos star with an averse pentagram in the center. this is explained in the glossary section and beholds a powerful but dangerous magical formula. algol is a mirror which causes madness or wisdom, depending on the force of will of the magickian who stares into it. the sigil of the adversary is an image of the egyptian god set with two heads, as he faces darkness and light. th

, night-born spirits which the initiate may create or bind to an object. the end result being a molding of the consciousness of the sorcerer with the spirit familiar, and the dreaming body taking the shape of whatever night form he or she wills. the illustrations of nox umbra are equally as a part of the grimoire as the text. each drawing by soror davcina (elda isela ford) presents an adversarial sigil of isolated obtainment, that each embodies a staota (see yatuk dinoih- second illustrated edition) which empowers the mind of the witch or sorcerer. a z o t h o z a book of the adversary by michael w. ford illustrated by elda isela ford azothoz is a formula used specifically in the golden dawn and is a work combined from the first and final letters of the latin, hebrew and greek alphabet alp

THE MAGICIAN S KABBALAH

is the place of the great work, and myself the altar on which the work is done. point resh light the lamp above the altar and state; let the eternal light of which this is part be visible to me in all that i accomplish. the meditation for this ritual is to take your problematic situation, or question, and think about it. then visualise the question in some symbolic form, such as a question mark, sigil or other object, and see it as hanging between the lamp and the altar. then slowly visualise the light of the lamp becoming brighter, and the altar becoming larger and larger until one is lost in the other, and the visualised object is lost amidst them. then slowly contract this vision to a singular point of light and hold it as long as possible. this will have the effect of simplifying and

THE MIDDLE PILLAR

oulder and intone "yhvh tzabaoth (yode-heh-vav-heh tzah-bah-0th. a 158 theb alancbee tweemni nda nd magic imagine the blue triangle of water covering the left side of your body. touch your left shoulder and intone "elohim tzabaoth (el-oh-heem tzah-bah-0th. t bring both hands together, interlocking the fingers with the palms outward, and touch the area of your heart with your knuckles. imagine the sigil of the spirit wheel in white at the center of your body, uniting the four elemental triangles. imagine the brilliant light above your head connected with this sigil of spirit. vibrate "eth% continue the four-fold breath with the following visualizations: inhale-imagine the fire triangle. a full hold-imagine the water triangle. t exhale-imagine the air triangle. a empty hold-imagine the earth

the number of yhvh spelled 0ut.19 it is also the value of aima (kt37k, the supernal mother and ben (11, the reconciling son. finally, thirteen multiplied by five (the number of gnes that comprise the pentagon) is sixty-five, the number associated with adonai (737k. it is also the number formed by the latin letters for "lightu-lvx (l= 50, v= 5, x= 10. the whole of the figure can be described as a sigil of the name of adonai or the light of lvx. the pentagram 189 sixty-five is also the number associated with the hebrew words hekel( b n, meaning "temple or palace (the zohar tells us that adonai is the palace of yhvh; has (b "to be silent" dumiah (n9i317 "silence; and gam yechad('in ?x "together in unity" the long segment of each line of the pentagram is eight units in length. the number eigh

THE NECRONOMICON SIMON VERSION

iths. it was a simple enough symbol to identify with the author of evil, satan, which the church depicted as a half-animal, half-human creature with horns, claws, and sometimes a tail. the church's use of the horns as a sort of archetype of evil is quite similar to the feeling many people have today with regards to the swastika used by the nazis, a symbol which has become the archetype of an evil sigil in the west. the fact that it is a highly valued mystical and religious symbol in the east is something that is not well-known. what is worse, the image of the devil as perpetrated by the church is simultaneously representative of sexual energy, and can be safely compared to jung's archetype of the shadow, the psychic repository of a man's innate maleness, as the anima represents that part o

g the formulae of ritual conjuration, as well as the seals and diagrams to accompany the rites. it is followed by "the book of fifty names" being fifty separate powers of the god marduk, defeater of chaos. this is interesting, in that the names seem to come from the enuma elish, in which the elder gods confer these fifty names upon marduk as titles, in their appreciation of his routing of evil. a sigil is given for each of the names, and a word of power for most of them. then appears the centrepiece of the book, the magan text. the word magan may mean the land of the magan which was said to lie in the west of sumer. for a time, it seems the name magan was synonymous with the place of death- as the sun 'died' in the west. hence, it is a bit confusing as to what magan is really supposed to m

evil spirit zi dingir anna kanpa! spirit, god of the sky, remember! zi dinger kia kanpa! spirit, god of the earth, remember! a word concerning the original manuscript the editor and the publishers anticipate that there will be a demand at first for privileged views of the original necronomicon, whether out of curiosity's sake, or by nervous experimenters who will be certain that we did not copy a sigil correctly, etc. let us hasten to state at this point that the original ms. is neither the property of the editor, nor the publishers. we were given the right to translate and publish this work, with as much additional and explanatory material as needed, but not the right to hold the ms. up to public inspection. we regret that this is the case, but we also feel that it might be advisable, in

e, that was the gate to the outside: an this is the amulet that i held in my hand, and hold to this very day, around my neck as i write these words: of the three carved symbols, the first is the sign of our race from beyond the stars, and is called arra in the tongue of the scribe who taught it to me, an emissary of the elder ones. in the tongue of the eldest city of babylon, it was ur. it is the sigil of the covenant of the elder gods, and when they see it, they who gave it to us, they will not forget us. they have sworn! spirit of the skies, remember! the second is the elder sign, and is the key whereby the powers of the elder gods may be summoned, when used with the proper words and shapes. it has a name, and is called agga. the third sign is the sigil of the watcher. it is called banda

e must be made in a clean and new bowl with the appropriate sigils inscribed thereupon, being the three grey carven signs of the rock of my initiation, which are: they must be engraved upon the bowl with a fine stylus, or painted thereon with dark ink. the sacrifice must be new bread, pine resin, and the grass olieribos. these must be burned in the new bowl, and the sword of the watcher, with his sigil engraved thereupon, at hand, for he will inhabit such at the time of the calling of the watcher and will depart when he is given license to depart. the watcher comes from a race different from that of men and yet different from that of the gods, and it is said that he was with kingu and his hordes at the time of the war between the worlds, but was dissatisfied and did cleave unto the armies

he moon; even with whirling sand and wind, as with empty stillness, and it is the able magician indeed who can remove pazuzu once he has laid hold of a man, for pazuzu lays hold unto death. know that humwawa and pazuzu are brothers. humawaw is the eldest, who rides upon a silent, whispering wind and claims the flocks for his own, by which sign you shall know that pazuzu will come. and this is the sigil of pazuzu by which he is constrained to come: of all the gods and spirits of abomination, there can be no use or gain to call upon azag-thoth, as he is surely mad. rendered sightless in the battle, he is lord of chaos, and the priest can find little use for him. he is also too powerful to control once called, and gives violent struggle before sent back to the gate, for which only a strong an

THE SIGIL OF ADVERSARY

ly through the initiatory guild of the order of phosphorus and the luciferian path. mr. ford is the author of numerous grimoires and works on the draconian shadow path such as yatuk dinoih, azothoz, nox umbra, book of cain and many others. michael ford is also the founding musician of psychonaut 75. www.psychonaut75.com succubus publishing http//algol.chaosmagic.uta description and purpose of the sigil of the adversary, set-heh by akhtya seker arimanius iv, botd/toph sigil illustrated by soror azhdeha iii, botd/toph the twelfth is when the demon of the noon tide sun comes forth from the desert, shaitan. this sigil is the empowerment of the fiery will and that of the other demon of the noon hour, keteb. used in daylight initiation rites focusing towards the eye of set-heh, the fire of iblis

versary, set-heh by akhtya seker arimanius iv, botd/toph sigil illustrated by soror azhdeha iii, botd/toph the twelfth is when the demon of the noon tide sun comes forth from the desert, shaitan. this sigil is the empowerment of the fiery will and that of the other demon of the noon hour, keteb. used in daylight initiation rites focusing towards the eye of set-heh, the fire of iblis, shaitan. the sigil may be scribed alone on a parchment and invoked at the noon day when the sun is highest. it may be used to empower the body of which you dwell, to illuminate the ba and ka of the sorcerer, or to send forth desires of manifestation in the heat of the day. cursing is one possibility of this spell, and the name is sabaoth, the lord of the earth. the eleventh is hemhem, the roarer, a serpent wit

th is the serpent of apep, who has the face of a white cat. this daemon may be used to ascend up in night, to visualize and send forth the spells of your desire. cursing or blessing, all of which shall become in your will. nine as the number of the trapezoid, the ensorcelment of the eye of the setanist and the ability to sway the minds of men and women to your cause. be careful in the use of this sigil, as it may invoke compassion or complete destruction. this is pakerbeth, the black shadow of set-heh, invoked within the body of the sorcerer. the eighth is pesh-khent, the birthing knife and cutter of weakness, a weapon held by set. this sigil may be inscribed on a parchment or the handle of a weapon, use as a ritual instrument to begin a process of developing from a weakness of character

in a process of developing from a weakness of character. the seventh is erbeth, a name which can procure love love of another or self love. use while envisioning the object of your desire chant a mantra form of erbeth while doing so while facing a mirror. the sixth is the god of the night sun, seker (he who is shut in, a god of darkness who has a close connection to set in his beginning. use this sigil to invoke the power of death and to isolate the psyche, emerge and begin transforming in the midnight sun of the adversary. the fifth is lerthex, a name of typhon the serpent. this is the body and mind of the magician as he spirals his or her spells as a dragon. use lerthex to visualize a goal and then recite the name as a mantra to manifest the desire. may be used for protection, by imagini

ls as a dragon. use lerthex to visualize a goal and then recite the name as a mantra to manifest the desire. may be used for protection, by imagining a great typhonic dragon to encircle your dwelling. the fourth is saatet-ta, the darkener of the earth. this is the ensorcelled daemon or daeva which the magician may manifest his will and send forth the shadow to bring forth his or her desires. this sigil may be used in dream sorcery, haunting or copulating as the vampire and incubi/succubi with your chosen .the third of the devourer, amam. use this sigil to encircle 9 times around the name of your enemy, to bring the serpent-devils of seba to bring storms against them. burn the sigil in the fire of the noon tide sun while invoking keteb of the twelfth. the second sigil of the adversary, bein

il of the adversary, being hau-hra, the backward face. this is one name of apep, the crocodile-demon shadow of set-heh, that which devours and causes destruction. the purpose of the setanic magician is to master apep within the self and master this demon by the will through the seba, the lesser devils of set. used for controlling the shadow familiars of seba into a form of organization. the first sigil of set-an, being of kolchoi tontonon, a name considered secret of set. by the first shall the ladder of darkness led up towards the light. this sigil represents the continuation of life in a cycle of rebirth and manifestation, the mind strengthened and free. invocation of set-an the adversary (at noon or midnight) before working with the sigils- i conjure thee, bringer of storms and chaos! i

THE STAR IN THE WEST BY CAPTAIN FULLER A CRITICAL ESSAY ON THE WORKS OF ALEISTER CROWLEY

acks and goes crashing within the water! glows the pale pure water, shakes and slides the glittering sun through emerald tides, so that faint ripples of young light laugh on the green. is there a night so still and cold, a frost so chill, that all the glaciers be still? yet in its peace no frost. arise! over the mountains steady stand, o sun of glory in the skies alone, above, unmoving! brand thy sigil, thy restless might, the abundant imminence of light! ah! o in the silence, in the dark, in the intangible, unperfumed, ingust abyss, abide and mark the mind fs magnificence assumed in the soul fs splendour! here is peace; here earnest of assured release. here is the formless all pervading spirit of the world, rising, fading into a glory subtler still. here the intense abode of will, closes

THE WITCH CULT OF ZOS VEL THANATOS

privately published in 1905 and "set in stone" what was to be his path. the images of sexuality, the macabre and of death provided an intense aura of mystery and sensuality. spare had expanded more into the inspired and powerful web of interlocking his art with magick, and how so were both intertwined! around the year 1906, aos had begun signing his paintings and drawings in what was to become a sigil, which is described as a "representation of will, delimiting belief and rendering it transvaluative through desire (zos kia an introductory essay on the art and sorcery of austin osman spare, by gavin semple, flugur limited, oct. 31, 1995) for which much of the latent experience of belief can be absorbed into an eros-thanatos combination of life making elementals. the publication "a book of

created into day side reality the alphabet of desire, a system of point of congress and otherness, a grammar unspeakable yes exceptionally understood in the points of creation and vision. inspiration against all costs. this system would allow a union of zos and kia and behold a view and vision of strength and wonder. sigils would be designed in a fashion which would describe and incode the actual sigil with the desire of the sorcerer. once the sigil is designed, one would concentrate it with focusing upon it with a developed gnosis contributed to what spare termed the "death posture" of which one looses all connection with zos through extreme discomfort and possibly a black out. the result would be the absorbtion of the sigil until it was forgot by the conscious. the subconscious can not o

re of the sorcerer. once the sigil is designed, one would concentrate it with focusing upon it with a developed gnosis contributed to what spare termed the "death posture" of which one looses all connection with zos through extreme discomfort and possibly a black out. the result would be the absorbtion of the sigil until it was forgot by the conscious. the subconscious can not operate towards the sigil's goal and purpose until all was forgot by the conscious. this would prove rather difficult for the beginner and only encrypted in spare's writings of which the acquainted student could understand and learn from this system. a description of the "death posture" was detailed in "the book of pleasure "lying on your back lazily, the body expressing the emotion of yawning, suspiring while concei

belief forced into one thing. by this affectiveness the soul draws near and casts its omniscience over us by inspiration. aos the logomachy of zos spare comprehended the significance of the three united by focus from which nearly any magickal act was possible. gnosis is a state of closing but is fully aligned with the object or system sought. a gnosis state is possible to manifest desires through sigil methods outlined in the book of pleasure and briefly outlined here. it must be understand also the truth is by all contents a lie, the lie is the word of the serpent, lie indicates constant change, thus all magicians are as the adversary/opposer: constant change. the importance of sigils is that such can be any pertinent method of envisioning. sigils can be letters, signs or symbols. sigils

lso be something, which cause a matter of focus for the mind. to invariably forget and absorb the ideas sought. personally, i have used musick (the act of creating) as various sigils, art (much contact and initiation with spiritual and mental forces have been through art as paintings, drawings and the like. through musick sigils can be crafted because due to sonic structures, the idea of what the sigil is can actually be forgotten and buried in the mind. this allows the subconscious to go through the methods of enfleshing the desire. the tones and actual sound of the musick can cause the individual to forget the meaning and the sigilized musick form, all the while causing the brain to dissect, understand and react to the sigil on a subconscious level, guides along the mind. sleeping invoke

a subconscious level, guides along the mind. sleeping invokes a reaction to sound as well, depending on the purpose and focus and if replayed while dreaming increases unconscious awareness of sound vs. wish. spare used sigils as mentioned before, developed from agrippa and various grimoires of the middle ages. as explained in the book of pleasure, spare gives us a clear outline of the effects of sigil methods in action: by projecting the consciousness into one part, sensation not being manifold becomes intensified. by the abstention of desire, except in the object, this is attained (at the psychological time this determines itself aos-the book of pleasure sigils may be constructed through several methods as the following; 1. letter manipulations, from arabic, greek or otherwise. 2. painti

THE BINDING OF SHADOWS

hear my call! face now the altar: before me lucifer; behind me shaitan; on my right hand belial; on my left hand leviathan; for about me flames the pentagram, and in the column stands the seven-rayed star of babalon! ii. the circle of the dead upon the altar a pre-created nganga should be with you (creation of ngangas involves the use of human and animal bones-called a fetish spirit- your blood, sigil, grave soil and snake skin. this nganga will contain active fetish spirits related to the dead. you will use items of the dead which may bring shades or manes of the dead which will allow you to form from your own desire demon servitors of protection. one may fuse animal remains with human to form half beast elementals, or shades that prove useful in defense. do not allow conversation of any

TYSON DONALD NEW MILLENNIUM MAGIC

instruments generate psychic forms that in turn call into operation the superconscious forces. this is magic from the outer to the inner circles of being and is the way of the serpent. sometimes forces beyond the conception of the human mind cause ideas and images to appear in the psyche of the magus, who then uses these images to make material instruments of the art, as in the case of intuitive sigil making. this is magic from the inner to the outer circles and is the way of the lightning. in practice neither of these operations is pure; both are related and interde- pendent. before the instruments can be used to invoke the light they must first be obtained. and in order to facilitate the descent of the light, instruments and ritual methods must be used. magic is therefore an upward spir

the west. they will not hesitate to deceive if it suits them. this applies to the majority of pagan gods. the exceptions are those gods or goddesses specifically connected with truth, such as the teutonic god tyr (the saxon god tiw) and the egyptian goddess maat. therefore you must have a method of discomforting invoked spirits if they refuse to depart from the circle. one way is to subject their sigil, a geometric image of their secret name, to fire or other elements. this should not be necessary, but the sigil should be kept wrapped in a safe place for emergencies. the sigil may also be pierced with the magic sword, which will wound the spirit itself, or put under pressure until the spirit yields. a simpler and more effective way is to earnestly invoke the light, either direct- ly as in

ing to form its body around, such as the smoke rising from a brazier or steam from boiling water; or to provide a reflecting medium for the image of the spirit, such as a crystal ball or a magic mirror; or to give the spirit a physical vessel that it may enter, such as an image formed of stone or some other natural substance agreeable to the spirit. also put into the triangle is the character, or sigil, of the spirit, which draws the spirit into the triangle, and any symbols or natural materials agreeable to the spirit. by extending the magic sword in the right hand, the magus can reach the tri- angle but should never in any other way break the circle with his or her body dur- ing evocation. the power of the sword will protect the hand of the magus, though he or she may feel a slight shock

n. the purpose to be served by the spirit is decided on, and the words and gestures of the working and the actual formula of evocation are composed. the magus undertakes a period of fasting, prayer, and purification. he or she robes, and then lays out the instruments in the ritual chamber, paying particular attention to the symbols, materials, and manifesting medium in the inscribed triangle. the sigil of the spirit is placed in the triangle, wrapped loosely in silk. if the spirit is good or neutral, the silk should be blue; if it is an evil spirit, the silk should be black. the magus centers him or herself and traces the circle clockwise; then, from inside the circle, uses the wand to trace the triangle. with fire and water the circle is cleansed. a vortex is created inside the circle, es

the depths of the chest so that the throat and back of the nose vibrate with the force of the sonic waves. this technique is well known to singers and stage actors, who learn it of necessity. if done properly, the words of the evocation will penetrate and possess a ringing quality even when they are not spoken loudly. at the end of the evocation, the magus uses the tip of the sword to uncover the sigil that is resting in the triangle. the shape of the sigil is traced with the sword in the air over the triangle inside the astral triangle previously formed on the air with the wand. the smoke or water vapor, whichever is used, will begin to coalesce within the glowing psychic triangle. usually the face of the spirit is the first part to emerge. if the magus is using a magic mirror as a manife

il causes the individuals who have surrendered free will (sym- bolized by the signing of the black pact) to do its evil for it. any human being can license demons to kill other humans in his or her own name, and all the conse- quences of these actions fall on the damned soul of the person who gives the com- mand, not the demon who commits the act. once the spirit has been sent on its mission, the sigil is carefully covered once again with silk, by means of the sword. the aperture of the circle is closed, and all lingering influences in the outer darkness are most carefully banished. then the ritual is concluded in the usual fashion, with the magus taking care to put the sigil of the spirit in a secure place. failure in evocations is always attributable to the lack of preparedness on the pa

TYSON DONALD SOUL FLIGHT

of you with the index finger of your right hand, can be used as a sign of power. it will test the truthfulness in the appearance of the astral environment-if the land is out of harmony with the nature of the rune, inscribing the rune upon the air will cause the land to dim and become indistinct. the rune can also be used to subdue the deity of the astral world it governs. it is that god's highest sigil, and it has power over the god, should the god attempt to frighten or threaten you. the following descriptions are subjective. the lands of the runes and their rulers will be different for each soul flyer who encounters them. these descriptions are based on my own early astral investigations of the runes, as presented in my book rune magic.213 the earlier descriptions were quite brief, and t

gs. it is important to understand that even if you do not clearly see or hear the spirit, there is every likelihood that it is present at your side when you call it by its name. the longer you use a name for a spirit, the more forcefully the voicing of that name-either mentally or aloud-will summon the spirit. the link you have with your astral guide can be made even stronger through the use of a sigil that represents the identity of the spirit. a sigil is a symbolic pattern associated with a spirit. it acts as a kind of graphic signature. there are various ways to derive sigils from the names of spirits, but the simplest way is to ask to be given the sigil in the same way you were given the name, by inspiration. very clearly and repeatedly, project your desire that the spirit should send

s the identity of the spirit. a sigil is a symbolic pattern associated with a spirit. it acts as a kind of graphic signature. there are various ways to derive sigils from the names of spirits, but the simplest way is to ask to be given the sigil in the same way you were given the name, by inspiration. very clearly and repeatedly, project your desire that the spirit should send you its identifying sigil. then empty and open your mind. whatever pattern of lines or shapes you perceive, draw it in your journal beneath the name of the spirit. sigils are usually given by spirits as quite simple patterns, allowing them to be easily drawn, but if it happens that you see in your mind a three-dimensional shape or group of shapes, reduce it to its essential lines and use that simplified drawing as th

gil. then empty and open your mind. whatever pattern of lines or shapes you perceive, draw it in your journal beneath the name of the spirit. sigils are usually given by spirits as quite simple patterns, allowing them to be easily drawn, but if it happens that you see in your mind a three-dimensional shape or group of shapes, reduce it to its essential lines and use that simplified drawing as the sigil. how you perceive your guide when you are projecting on the astral levels depends on your psychic ability. ideally, you will be able to see the form of the spirit as a companion who accompanies you, and hear and understand the speech of the spirit. however, if your perception is less developed, you may only sense the presence of the spirit guide, and feel the occasional touch of the guide on

TYSON DONALD THE POWER OF THE WORD

up of the figures. from these examples, it is clear why the kabbalists regarded tetragrammaton not merely as a blueprint of the world, but as the basic fabric of reality. it is this fundamental nature of the name that gives it so much power in modern ritual magic. the tetragram t o use the twelve overt banners of tetragrammaton easily during rituals, they must be converted into a set of sigils. a sigil is a graphic representation of a significant word, usually a name, that may be projected onto the air, or inscribed upon a physical surface, for the purpose of calling forth or commanding the spiritual intelligence of that name, or controlling the lesser spirits ruled by the intelligence of the name. the system of sigils presented here for the permutations of tetragrammaton is completely new

s examined in the previous chapter. as was pointed out, when we look directly down upon one of the edges of a transparent tetrahedron, its outline traces a cross with equal arms enclosed in a square. to each point of this figure is ascribed a letter of tetragrammaton. the result is the tetragram, from which the sigils of the twelve banners are extracted (see figure on preceding page. the invoking sigil of any banner is formed by tracing its lines on the tetragram from letter to letter, beginning with the first letter in the banner. the banishing sigil is formed by mentally inverting the two hs in the 32 tetragrammaton banner, then tracing the lines from letter to letter as before. this inversion of the first and second h causes the banishing sigil to be the exact mirror opposite of the inv

of any banner is formed by tracing its lines on the tetragram from letter to letter, beginning with the first letter in the banner. the banishing sigil is formed by mentally inverting the two hs in the 32 tetragrammaton banner, then tracing the lines from letter to letter as before. this inversion of the first and second h causes the banishing sigil to be the exact mirror opposite of the invoking sigil. in fact, the twelve banishing sigils are based upon the set of twelve hidden, or occult, permutations of the name that result if the hs in each banner are inverted. since there is no way to distinguish the first h in a banner from the second h, unless one is marked, inversion does not change the spelling of the banners. the banishing sigil for the overt form of a banner is actually the invo

. in fact, the twelve banishing sigils are based upon the set of twelve hidden, or occult, permutations of the name that result if the hs in each banner are inverted. since there is no way to distinguish the first h in a banner from the second h, unless one is marked, inversion does not change the spelling of the banners. the banishing sigil for the overt form of a banner is actually the invoking sigil for its opposite, occult form; conversely, the invoking sigil for the overt form of a banner is the banishing sigil for its opposite, occult form. this sounds confusing, but it is simple in practice. when we inscribe the invoking sigil for a banner upon the air during a ritual, we are simultaneously suppressing its opposite occult polarity-the form of the banner that occurs when its first an

il for its opposite, occult form. this sounds confusing, but it is simple in practice. when we inscribe the invoking sigil for a banner upon the air during a ritual, we are simultaneously suppressing its opposite occult polarity-the form of the banner that occurs when its first and second h switch position. later, when we banish the spirit or power of that overt banner by inscribing its banishing sigil upon the air, we are actually invoking its opposite, occult form, which cancels out the already present overt form the way a negative electrical charge cancels a positive. if we were to inscribe the banishing form first, it would invoke the occult form of the banner. to banish this occult form, we would have to inscribe the invoking sigil, which would summon the power of the overt form of th

t banners are called invoking, and the invoking sigils of the occult banners are called banishing-because they banish the overt forms of the name. when projecting the sigils upon the air, they are distinguished by the motion of their formation. when writing or inscribing them upon the magic circle, or upon amulets or talismans, this motion of formation is indicated by marking the beginning of the sigil with a small cross and the termination with an arrowhead. each group of three banners beginning with the same letter is related to the element of that letter. for example, the banners ihvh, ihhv, and ivhh are all banners of elemental fire. the three banners in each elemental group have very distinct forms that are based upon their cardinal, mutable, and fixed energies. the tracing of a cardi

UNLEASHING THE BEAST

c weight six times that of uranium that element could be produced."lix in crowley's revised system, however, the o.t.o.'s nine degrees were expanded to eleven. the eighth, ninth and eleventh of these focused on more explicitly transgressive sexual rites of auto-erotic and homosexual intercourse. as peter koenig summarizes the upper degrees, crowley's viiith degree unveiled. that masturbating on a sigil of a demon or meditating upon the image of a phallus would bring power or communication with a divine being..the ixth degree was labeled heterosexual intercourse where the sexual secrets were sucked out of the vagina and when not consumed..put on a sigil to attract this or that demon to fulfill the pertinent wish..in the xith degree, the mostly homosexual degree, one identifies oneself with

VOX SABBATUM

if possible. this may be used to cover the head in the sabbat ritual dance, thus through movement and excitement; the lack of oxygen itself for a short period will create ecstasy without the outside use of alkaloids or other drugs. when using the waking sabbat rite for spell casting or sorcery, you will want to have a clear idea of what you want to achieve. you will also want to create or adopt a sigil which holds connection to the goal or it may represent the desire of the spell. you may also use a mantra or phrase which holds significance to the same. as you perform the rite, with the decorated chamber or even in the woods, 12 a grimoire of luciferian and nightside witchcraft and vampyric sorcery by the present author. vox sabbatum the witches sabbat 11 envision the demons and familiars

ich holds significance to the same. as you perform the rite, with the decorated chamber or even in the woods, 12 a grimoire of luciferian and nightside witchcraft and vampyric sorcery by the present author. vox sabbatum the witches sabbat 11 envision the demons and familiars in your company and the spirits carrying your will to become flesh. as your rite comes to a climax, loose all desire in the sigil at the moment of exhaustion. if you have a sigil for the working, destroy it and forget it the rite should then be enjoyed as a walking in the crossroads or inbetween worlds. the infernal sabbat and sexual magick sexual magick is significant in the witches sabbat as it allows liberation of self on numerous levels. if partners agree, sex magick may be a part of the rite itself either a lucife

its of lilith az, whom first created and taught demons sexual congress. vox sabbatum the witches sabbat 14 psychological functions of modern society. demoniality is the union of the flesh with the daemon, in much the same way as the ritual of azal ucel brings one in communication with their angel. you may also create succubi and incubi to copulate with by dreams. this is done simply by creating a sigil or image which represents the form you desire. the more advanced sorcerer may invoke by some means of ritual a daemon or spirit intelligence. you visualize the sigil and then forming the body according to your carnal desire. you will then masturbate or use other means of self-stimulation, all the while focusing on the demon in question. at the moment of ejaculation or organism anoint the sig

orm you desire. the more advanced sorcerer may invoke by some means of ritual a daemon or spirit intelligence. you visualize the sigil and then forming the body according to your carnal desire. you will then masturbate or use other means of self-stimulation, all the while focusing on the demon in question. at the moment of ejaculation or organism anoint the sigil with the elixir. you may bind the sigil with a pouch or some way of cover, along with proper oils attributed to the daemon. you may also bury the pouch if you wish, when seeking copulation or inspiration; simply focus upon the sigil itself. you will notice dreaming sexual congress, which may awaken you aroused. to destroy the spirit, burn and cover the pouch and contents with salt. if one is conducting the sabbat rite with a partn

ith az! lucifer triumphans! you may now all begin focusing on the purpose of the rite, with mantras and ravenous and barbarous chants uttered from the blackened robes you may be wearing, allow dance to guide you towards the daemon you seek to become, a flowing of fiery energy under the cloak of darkness. if wearing the caul, ecstasy will take you by a willed and controlled desire, focus upon your sigil and soon forget it in you consciousness. the ritual should end in passion and exhaustion. if attending a dreaming sabbat, these steps should be followed as well. keep a diary by your bedside for a clear record upon waking. it is possible in the infernal sabbat to visualize the osculum infame, the obscene kiss of the devil or man in black. if the rite is solitary, or before dreaming, you may

you consciousness. the ritual should end in passion and exhaustion. if attending a dreaming sabbat, these steps should be followed as well. keep a diary by your bedside for a clear record upon waking. it is possible in the infernal sabbat to visualize the osculum infame, the obscene kiss of the devil or man in black. if the rite is solitary, or before dreaming, you may visualize going before the sigil of desire, being the devil, and announce- i deny christianity and the path of self- disillusion, i affirm life and flesh, i affirm spirit and desire, i seek the path of sorcery and vox sabbatum the witches sabbat 20 the knowledge of being. i kiss the reversed and opposing face of shaitan, that by darkness i shall awaken to the light of self-love and the wisdom of the black flame. with regard

WESTERN MANDALAS OF TRANSFORMATION SR AL

nt, and spiritual development. from the most basic concepts to the most advanced theories, western mandalas of transformation guides you through the process of creating planetary, zodiacal, qabalistic, and other images for use in meditation, ritual, and magic. uncover the mysteries of divine names and the magical power within your own name by learning to convert any name into a magical signature, sigil, or tattwa symbol. radically transform your life through exciting new ways of working with numbers, symbols, and the chakras emerging from the cutting edge of modern-day magical practice. open the magical portal to daath and the secrets which await the seeker beyond the confines of normal existence. western mandalas of transformation explains mysteries hidden in the magical squares which hav

ituation, and draw boundaries around the other elements that it may attract. we refine this by adding more layers of symbolic meaning to the talisman to help clarify our intent and purpose. for example, the symbol of a triangle may mean fire or it may mean a trinity. if we add the name michael in hebrew we clarify our purpose by calling on the fiery energy of michael; or if we include a planetary sigil of mars, it will be a different kind of fiery energy. but if we add other images and god-names which identify it as trinity, or as representing binah on the tree of life, then the image of the triangle changes in psychic structure because we design it in accordance with specific conscious intention. it can't be emphasized enough that it is important to develop a working language with the sub

listen. is he or she able to listen attentively to what other people have to say? does the information he or she claims to receive from the inner teacher agree with ethics and good sense? does the person show self-discipline or does he or she pester everybody with accounts of his or her incredible visions? these are some good criteria to test yourself and others. building a telesmatic figure and sigil when you are building this beautiful relationship with your closest and most trust-worthy friend, begin to discover clues about its nature. does your angel seem male or female? does he or she glow with certain colors? you can determine what colors are actually associated with the letters of the hebrew name (which, ideally, should be 5-7 letters. begin with the first letter. find it in the co

g) are the yellow wings (a) and the green shoes and scales (l. begin to build this image through artwork, meditation, practice and dialogue. you may perceive your h. g. a. to be predominately one sex or the other, and this could change over time. however, sexuality is primarily only an attribution humans attach to angelic entities in order to make our visualization more relatable. next, learn its sigil and use it on all your talismans. the sigil is your special seal of protection. the way of doing this, and the traditional way of creating many sacred and angelic sigils or signatures in the golden dawn tradition, is to take the letters of the name, for instance gabriel (gbrial, and trace them in order onto the golden dawn rose glyph (see figure 2-c) through a thin sheet of paper. it is best

sigil is your special seal of protection. the way of doing this, and the traditional way of creating many sacred and angelic sigils or signatures in the golden dawn tradition, is to take the letters of the name, for instance gabriel (gbrial, and trace them in order onto the golden dawn rose glyph (see figure 2-c) through a thin sheet of paper. it is best to use a ruler. the usual way of making a sigil is to indicate its opening with a circle and close with a small line. in our lodge we usually close with an arrow, so gabriel looks like figure 2-d. what have you just done? you have made a glyph or visual image of an angelic name or vibration. here we have a western technique wherein the image or visual representation is another method of communicating to an entity whose word or name we are

s given in the charts in this book, but there are certain divine names that should be on every talisman. the magician knows that these are symbolic designations of divine qualities and powers: 1. the words "in the name of" followed by one of the names of god, i. e, by referring to the sephira being invoked (see page 25. this could be written in english or abbreviated in the hebrew form (mshb. the sigil of the divine name taken from the rose could also suffice. if the former method is used, the words could be written around the rim, leaving the inside blank for the rest of the design. 2. the name of the archangel associated with the sephira, and again, either the name or the sigil could be used. 3. the name or sigil of your h. g. a. 4. other associations through number, symbol, etc. taken f

WORKBOOK FOR GRADE 0 VOID AND THE ABYSS

to perform the infernal sabbat this will help later on with preparing for task #7 which is mastery over the astral plane as well. task #5 luciferian transference- sigils of mastery and how lucifer represents the self in isolation and beautiful perfection. a minimum three page essay on how the sigils of luciferian transference hold a demonstration in ones personal life. luciferian transference the sigil of calling by michael w. ford 2001 lucifer sigil by shemyaza. the isolate self, independent and awakened from the fall: lucifer is regarded as the bringer of light, knowledge and perception. reason and insight born from experience, this is the essence of the fallen archon. the higher essence of saturn, lucifer is the union of the angelic with the demonic, the daemon eternal. while the work o

he essence of the fallen archon. the higher essence of saturn, lucifer is the union of the angelic with the demonic, the daemon eternal. while the work of the sabbatic path is one of the self being cloaked in darkness and shadow, the initiate within illuminates a light brighter than any star. this is the very essence of lucifer, the promethean fire of independence and willed self perception. this sigil, in it s own unity is the fire of the black flame, the fulgurous flash from which brought the unity of daemon and man to create a divine spirit. 12 the sigil of will, the core attribute of luciferian separation. the will is the key and core of magickal success and self-deification. this is one part of mastery, but essentially the foundation of the great work. the foundations of vampyrism may

of the black flame, the fulgurous flash from which brought the unity of daemon and man to create a divine spirit. 12 the sigil of will, the core attribute of luciferian separation. the will is the key and core of magickal success and self-deification. this is one part of mastery, but essentially the foundation of the great work. the foundations of vampyrism may be found in the exploration of the sigil also. the vampyre is viewed as a being an archetype of the isolate self and the essence of life. blood is the symbol of vitality and immortality, thus a spiritual evolution from the shadow essence of every culture in europe and elsewhere. the vampyre is thus a luciferian being whom has passed from the shadow into the embrace of azrail, the angel of death and emerged as a god or goddess. luci

rection in their own lesser and greater black magick. the sabbatic path flourishes upon the direction chosen within the lunar (lilith hecate) or solar (lucifer saturnus samael) paths of self-deification. mastery over ones environment through lesser black magick and sorcery. the sorcerous path is one of obstacles and tests, strengthening the self and exploring the very essence of what we are. this sigil also represents the fall and obtaining the knowledge of the serpent. this is workable through developing ones own specific system of sorcery the alphabet of desire. ceremonial and solitary magick should be explored through the individual, from whence they become magick themselves, being that change and ones willed desire shall become flesh. one will begin the practical avenues of lesser blac

y magick should be explored through the individual, from whence they become magick themselves, being that change and ones willed desire shall become flesh. one will begin the practical avenues of lesser black magick such as concepts as command to look, wherein ones own design of environments through visuals, music or writing causes willed change according to the individuals wishes. 13 this is the sigil of dream control and astral projection. the witches sabbat is explored in its language of magickal awakening. the dream gateway to the sabbat is the very essence of a gathering of spirits, when the trance by dream is gathered by ones created and ancestral familiars passed from the spirit world to the physical. the sabbat itself is meant to be an encircling or ensorcerling the circle of creat

meet the challenges, and the fulfillment of desires upon the dreaming path. the ritual of luciferian transference: let the magician approach the altar, decorated in the elements of seth and the illuminated archon whom fell from the sky. the pentagram facing downwards as the gift of gnosis be above the altar which is contained within the 8 pointed sabbatic star known as algol, the black mirror and sigil of chosen for the working at hand. prepare thyself in the oil of abramelin and lucifer, allowing the five senses to be enflamed by experience, which symbolizes the pentagram of ascension and descending self-perception. robed and with athame, let the guardians of the four quarters be called. when the circle is opened, widdershin around the very circle, which is the symbolization of ones own s

ZALEWSKI GOLDEN DAWN ENOCHIAN MAGIC OCR

pentacle. set z of zedekiel within the angle which standeth up towards the beginning of the greatest circle: and so proceed towards the right hand. in the middle now of the pentacle, make a cross like a crucifix and write the last of those seven names, levanael thus" the seven names are those of the planets, given earlier. th cross of levanael is shown in figure 15. on the back of the seal i the sigil shown in figure 16. in the golden dawn, the word agla describes the nort and the element of earth. agla is notariqon for "thou ai mighty forever, 0 lord" agla is an angel in its own right and i 17 the rites of exorcism; the vibration of it is used for the exorcising of demons and any negative spirits. its place here, though, should not be associated to earth, but to its powers of exorcism in

ate deosil to the east. stand between the pillars. poir the rose of the lotus wand towards the seal and say "seven rest in seven and the seven live by seven. the seven govern seven all government is. i now invoke ye, ye holy lords of the planets whose sigils are on the seal of truth" 25 draw the invoking unicursal hexagram of the moon over the seal and say "now i invite ye noble one, galas (trace sigil) to send forth your light through the holy seal of truth" draw the invoking unicursal hexagram of saturn over the seal and say "i now invite ye noble one, gethog (trace sigil) to send forth your light through the holy seal of truth" draw the invoking unicursal hexagram of mercury over the seal and say "i now invite ye noble one, thoath (trace sigil) to send forth your light through the holy

nd say "i now invite ye noble one, gethog (trace sigil) to send forth your light through the holy seal of truth" draw the invoking unicursal hexagram of mercury over the seal and say "i now invite ye noble one, thoath (trace sigil) to send forth your light through the holy seal of truth" 26 draw the invoking unicursal hexagram of mars over the seal and say "i now invite ye noble one, innon (trace sigil) to send forth your light through the holy seal of truth" draw invoking unicursal hexagram of the sun over the seal and say: now invite ye noble one, aaoth (trace sigil) to send forth your light through the holy seal of truth" draw the invoking unicursal hexagram of jupiter over the seal and say "i now invite ye noble one, horl vw (trace sigil) to send forth your light through the holy seal

nd say: now invite ye noble one, aaoth (trace sigil) to send forth your light through the holy seal of truth" draw the invoking unicursal hexagram of jupiter over the seal and say "i now invite ye noble one, horl vw (trace sigil) to send forth your light through the holy seal of truth" 27 draw the invoking unicursal hexagram of venus over the seal and say "i now invite ye noble one, gethog (trace sigil) to send forth your light through the holy seal of truth" contemplate the forces making themselves present. circumambulate deosil three time, rising up through the light. finish between the pillars. perform the full vibratory formula of the middle pillar (see appendix g. circumambulate deosil one time, returning to the place between the pillars and vibrate "great ruling angels of the heavenl

uth is not included in each of the individual sephiroth, in much the same manner of the angels of the schemhamphoresch applied to a single tree of life. the names of the 91 governors are taken from the dee manuscript liber scientiae, auxilii, et victoriae terrestris and are derived from the tablets as shown in figures 7 through 10. 42 43 44 there are some squares (eight in all) that do not have a sigil of a governor passing through them, and these are given in the tablets as reversed letters that make up the name paraoan. the dee manuscripts remind us that reversed letters stand for an evil personage. in the tenth aethyr of zax, the dee manuscripts give three names. these are drawn from the tablet of union, as applied to the central cross that holds the four elemental tablets together, wit

s 3 through 6. 2. conduct banishing ritual of the pentagram (appendix d. 3. invoke the divine white brilliance (dwb) according to the l.v.x. formula between pillars (see appendices f and g. 4. go to the tablet that contains the name of the governor of the aethyr, and perform the invoking pentagram ritual (see appendix d. 5. by the three holy names of the tablet, invoke the governor by tracing his sigil over the relative squares with your wand (see figures 7 through 10 for the proper sigil. 6. invoke the qabbalistic angelic names associated with the sephirah with which the governor is related. 7. vibrate the call of the aethyr. 74 8. 75 3 the tablets of the bonorum introduction this section on the angels of the bonorum, or the "heptarchia mystica" is one of the sections of mathers' enochian

ZALEWSKI SECRET INNER ORDER RITUALS OF THE GOLDEN DAWN OCR

the green curtain hangs. he raises his lantern on high, lays his staff across the threshold before the curtain and cries) post "light to light and spirit to spirit. in the name that may not be uttered, i dedicate my spirit to the service of the most high (curtain is withdrawn. shekinah stands within the vault. her veil is thrown back, and she holds in both hands the crystal sphere upon which the sigil of the postulant is engraved) sh "i am he; and he is i, and lo, the creator hath placed the crystal sphere within the starry heavens (she gives him the sphere, takes the lantern and places it on the right side of the altar, then turns again and loosens the cord about his brow, saying) sh "let the silver cord be loosed (she lays the cord across the left side of the altar, takes the silver sta

s delude and rushing streams: we must arise. planets encircle with their spiral light stars call us upward to our faltering flight: thus we arise. into the darkness plunge, fearless of pain, coldness to silence cleanse us again. still we arise. open ye gates of light door, open wide gaze we within at the glories ye hide; we have arisen. 4. get a spherical rock crystal (moonstone will do, and have sigil of 6=5 name painted on it. 5. write thesis (1000 words) on resurrection and life after death. 6. meditate 40 minutes daily (may include prayer) 7. visit vault regularly. 8. study tarot keys fortitude, hermit, wheel of fortune, strength. preparation during the 4 days immediately preceding advancement spend this in some form of real isolation, or retreat, if possible, on a height. bathe ceremo

must now pass f examinations. fifth stage. 14, receive and study z2 rituals, and practice consecration and invocation. practical success in ceremony of z2 is required. theoricus adeptus minor study curriculum a. preliminary (written and vocal) 1. be familiar with all clauses of the obligation, minutum mundum diagrams. names, letters, colours and tarot associations to sephiroth and paths. 2. draw sigil from rose cross for any given name. 3. supreme ritual of pentagram, allotment of elements, names and forces; mode of drawing any or all. note: effect must be shown as well as verbal accuracy. b. elementary (written and vocal) 4. the magical implements: their construction, constitution, symbolism and rules for use. the dangers of imperfect constructions and ignorant use of. ceremonies of cons

ZOETIC GRIMOIRE OF ZOS

ode whores, lined old hags, witches and bitches of all kinds, there being few virgins) the autotelic wish into heterotelic conception is by concummation through using an urn of correct shape and dimension which must correlate nearly to that of the lingam used so that there is sufficient vacuum. at the moment of orgasm the wish must be imperatively stated. after ejaculation seal the vase with your sigil and with the secret formula of your desire. bury same at midnight, the moon being quartered. when the moon wanes, disinter and pour contents as libation into earth with suitable incantation, and re-bury same. this is the most formidable formula known, never fails and is dangerous hence what is not written must be guessed. from this formula was derived the legend of the genii of the brazen ve

ptible only to silent suggestion. so, look into their eyes and convey to them silently that they are the media for the transit of the obsessing elemental desired. they act simply as something en rapport between you and the elemental. to make yourself acceptive and fit for obsession acts of sacrifice and purgation are essential beforehand. also, the elemental must be named and given an appropriate sigil. query to great arrivism: behold everything in the self. thou art this and all that exists but here. s the catch never at one time. mind is universal and includes; ego separates. that art thou. never is. always. i was or may become this, and only. i am. in ego, often losing self-consciousness. i behold multiplicity in all things, and myself as the interrelating oneness, for whatsoever else i

he change is in the wish, the familiar employed, and appropriate ritual modifications. three other alternatives are suggested, the four being classified: no. 1: desire for truth expressed as a question in word-symbols thus("what is consciousness) sigillated thus: no. 2: desire for pleasure. request to realize ideal tactually "i desire a largebottomed woman for social congress. as word-symbols: as sigil: no. 3. desire for unique experience expressed as "i desire intercourse with a vampire. word-symbols: sigil: no. 4: altruistic desire, as "i wish the death of stalin. word-symbols thus (n.b. names always given as sigils) sigil: apart from the above, the rest is symbolic metaphor as an abstract ritual of the thesis, and here the use of spatial and expressive language is justified and gives co

4 7 INITIATION CEREMONY

nemyss, black collar, red shoes, lamen, scepter. candidate: black robe, red shoes, sash. required materials for the altar 3 red lamps white triangle and red cross calvary cross of 6 squares diagrams of eden before and after the fall lamen of 6 squared calvary cross required materials for the temple banners of the east and west temple pillars hebrew letters: kaph, nun, peh, tzaddi, qoph kamea and sigils of venus diagram of tree of life with daath diagram of tree of life in four worlds burnt offering diagram of brazen sea enochian fire tablet 3 red lamps censer 4 chairs 3 cups of water 3 small altars part iv advancement ceremony of philosophus hiero: honoured hegemon instruct the practicus in the proper alarm, present him with the necessary admission badge and admit him (hegemon goes withou

ABRAMELIN1

of the qabalah, their use by a person ignorant hereof might be excessively dangerous through the not only possible but probable perversion of the secret formulas 3 see appendix b. 4 born about 1250. introduction xi therein contained. any advanced student of occultism who is conversant with mediaeval works on magic, whether ms. or printed, knows the enormous and incredible number of errors in the sigils, pentacles, and hebrew or chaldee names, which have arisen from ignorant transcription and reproduction; this being carried to such an extent that in some cases the use of the distorted formulas given would actually have the effect of producing the very opposite result to that expected from them (i have commented at length on this subject in my notes to the key of solomon, published by me a

ABRAMELIN2

are commanded to appear in human form without any deformity or tortuosity. 73 because some of the demonic forms are so terrible that the shock of their sight might cause a person of a nervous temperament to lose his reason. 74 i must again repeat that it is only evil and perverted symbols which come under this denunciation of abraham the jew; for nearly all pentacles and seals are the symbols and sigils of divine and angelic names. 75 i.e, of allegiance to you. 76 the four superior spirits and princes are: lucifer, leviathan, satan, and belial. 77 the eight sub-princes are: astaroth, magoth, asmodeus, beelzebuth; oriens, paimon, ariton, and amaymon. 78 by a very evident slip, chapitre ix. is written in the ms. instead of xix. 79 qui les asoumis atouttes ses creatures et avos pieds. 80 this

ADDTLS

ed in the beginning of the world. to whom belong four characters, being tokens of the son of god, by whom all things are made in the creation, and are the natural marks of his holiness. now thou shalt observe that in the book of the concourse of the forces, a sign is annexed unto each of the four tablets of the elements. that is, unto the tablet of a, a symbol of a t having four y s above it. the sigils of the angelic tablets diagram u unto the tablet of c a cross potent, having two letters b.b. a figure 4 and a figure 6 in the angles thereof. unto the tablet of b, a simple cross potent without additions. unto the d tablet there is a circle having twelve rays. these be the sacred seals or characters alluded to in the preceding quotation. thou shalt know that these four seals be taken from

s. these be the sacred seals or characters alluded to in the preceding quotation. thou shalt know that these four seals be taken from the sigillum dei aemeth, after and according unto a certain guidance of letters which is there set forth. this liber aemeth sive sigillum dei, that is the book of truth, or the seal of god, entereth not into the knowledge of a zelator adeptus minor. from these four sigils there are four names drawn forth. from the t with four y s 4 or t of the sigillum ameth, t and 4 other letters are obtained, counting by the rule of 4 4 32 (from the t which is found at the top of the circle of letters and numbers on the sigillum dei ameth) thus: 4. 22. 20. 18. 1. og. t h a o 8 this yields the name tahaoelog for the a tablelerretac32.doc adeptus minor initiation r.r. et a.c

ADEPTUS MINOR INITIATION

sents the force of the ten sephiroth in nature divided into a hexad and a tetrad. the oval embraces the first six sephiroth and the tau cross, the lower four, that answer unto the four elements" chief "associate adeptus minor, what is the emblem which i bear upon my breast" third "the complete symbol of the rose and cross" chief "mighty adeptus major, what is its meaning" second "it is the key of sigils and rituals, and represents the force of the 22 letters in nature, as divided into a three, a seven and a twelve. many and great are its mysteries" 6 chief "associate adeptus minor, what is the wand which thou bearest" third "a simple wand having the colors of the 12 signs of the zodiac between light and darkness and surmounted by the lotus flower of isis. it symbolizes the development of c

ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

t, to penetrate such sanctuaries as are guarded from the profane, to make such relations with its inhabitants as may avail to acquire knowledge and power, or to command service; all this is a question of the general magical attainment of the student. he must be absolutely at ease in his body of light, and have made it invulnerable. he must be adept in assuming all god-forms, in using all weapons, sigils, gestures, words, and signs. he must be familiar with the names and numbers pertinent to the work in hand. he must be alert, sensitive, and ready to exert his authority; yet courteous, gracious, patient, and sympathetic. 16) there are two opposite methods of exploring the astral plane (a. one may take some actual object in nature, and analyse it by evoking its astral form, thus bringing it

e dragon (nuit) and thereby manifested as a sun (ra-hoor-khuit. the "egg (or heart "girt with a serpent" is a cognate symbol; the idea is thus expressed later in the ritual (see liber lxv. which expands this to the uttermost) section b the adept passes from contemplation to action in the sections now following b to gg. he is to travel astrally around the circle, making the appropriate pentagrams, sigils, and signs. his direction 277 is widdershins. he thus makes three curves, each covering three-fourths of the circle. he should give the sign of the enterer on passing the kiblah, or direction of boleskine. this picks up the force naturally radiating from that point< and projects it in the direction of the path of the magician. t

ils, and signs. his direction 277 is widdershins. he thus makes three curves, each covering three-fourths of the circle. he should give the sign of the enterer on passing the kiblah, or direction of boleskine. this picks up the force naturally radiating from that point< and projects it in the direction of the path of the magician. the sigils are those given in the equinox vol. i, no. 7, plate x outside the square; the signs those shewn in vol. i, no. 2, plate "the signs of the grades. in these invocations he should expand his girth and his stature to the utmost<alpha-tau-rho-alpha-chiomicron- phi-rho-epsilon-nu-omicron-beta-omicron-omicron-kappa-omicron-sigmam

ALEISTER CROWLEY MEDITATION

, based on a renaissance copy of vitruvius' 1st century "de architectura" as interpreted by cesariano in 1521, minus fludd's rope, clouds and winged fawn+hourglass, with the caption beneath "design suitable for top of altar, and below that a geometrical figure of the planets and stars from "the cannon" fig. 3, p. 30, chap. ii. with the under caption "the holy oblation" 62 of the elements, and the sigils of the holy elemental kings, as shown in the equinox, no. vii; for these are syntheses of the forces of nature. yet these are rather special than general symbols, and this book purports to treat only of the grand principles of working. 63 diagram on this page: inside a dashed equilateral triangle are a scourge, chain, dagger and a wide, low perfume bottle shaped like a woman's breast with n

ALEISTER CROWLEY EQ I 1

vaster, vaster, vaster, vaster, grows the stature of the master; all the ringed encampment vies with the infinite galaxies. in the midst a cubic stone with the devil set thereon; hath a lamb's virginal throat; hath the body of a stoat; hath the buttocks of a goat; hath the sanguine face and rod of a goddess and a god! spell by spell and pace by pace! mystic flashes swing and trace velvet soft the sigils stepped by the silver-starred adept. back and front, and to and fro, soul and body sway and flow in vertiginous caresses to imponderable recesses, 40 till at last the spell is woven, and the faery veil is cloven that was sequence, space, and stress of the soul-sick consciousness "give thy body to the beasts! give thy spirit to the priests! break in twain the hazel rod on the virgin lips of

ALEISTER CROWLEY EQ I 5

he last three aethyrs have ten angels attributed to them, and they therefore represent the ten sephiroth. yet these ten form but one, a malkuth-pendant to the next three, and so on, each set being, as it were, absorbed in the higher. the last set consists, therefore, of the first three aethyrs with the remaining twenty-seven as their malkuth. and the letters of the first three aethyrs are the key-sigils of the most exalted interpretation of the sephiroth. i is therefore kether; l, chokmah and binah; a, chesed; n, geburah; 10 r, tiphereth; z, netzach; n, hod; o, jesod. the geomantic correspondences of the enochian alphabet form a sublime commentary. note that the total angels of the aethyrs are 91, the numeration of amen. the cry of the 28th aethyr, which is called bag there cometh an angel

f the superiors, for the performance of the rites of jupiter, and for the postulant at the third gate of the city of the pyramids. the babe of the abyss has no robe. for the performance of the rites of saturn, the magician may wear a black robe, close-cut, with narrow sleeves, trimmed with white, and the seal and square of saturn marked on breast and back. a conical black cop embroidered with the sigils of saturn should be worn. the magister templi robe is fitted for the great meditations, for the supernal rites of luna, and for those rites of babylon and the graal. but this robe should be worn by no man, because of that which is written "ecclesia abhorret a sanguine "any of these robes may be worn by a person of whatever grade on "appropriate occasions" george raffalovich's new works_ the

ALEISTER CROWLEY EQUINOX EQ I 2 2

l mercury on the tree of life; also the symbols of all the planets resumed in a mercurial figure. 15 "see 777" col. clxxvii, p. 35. 16 "see 777" col. xiv, p. 4. 17 "see 777" col. lxxx, p. 18 18 "see "handbook of geomancy" the equinox, vol. i, no. ii. 19 a kamea is a magic square "see "mathematical recreations" by w. w. rouse ball. illustration on page 274 approximated below. hb:mem/ hb:ayin/ air_ sigils mercury on tree of tablet of life mercury of air. throne of east_ hb:peh. lamp dais pentacle_ kamea of mercury on_ banner stand_(o_ spirit lamp /lamp tablet hiereus/ hegemon of earth_ lamp_ altar. hierophant. hb:resh_ black white_ mercury_ tablet of seven pla- tablet of alchemi- nets in one symbol cal sephiroth) 4 planes lamp) on tree\ cup\ hb:shin\ 7 planets water. on tree tablet_ of water

s him "this cross embraces, as you will see, tiphereth, netzach, hod and yesod, resting upon malkuth. also the calvary cross of six squares forms the cube unfolded, and is thus referred to the six sephiroth of microprosopus, which are: chesed, geburah, tiphereth, hod, netzach and yesod" 23 "see 777" col. xc, p. 18. 24 "see 777" col. viii, p.2. illustration on page 282 approximated below_ hb:koph_ sigils tablet venus on of venus of tree_ air. hb:nun lamp) pantacle/ hierophant_ fall kamea of venus. hb:peh_ hiereus/ hegemon_ t o\ t o a f_ a f b) b l e_ l f e a/ e i r. r t. e h_ black white_ brazen altar of. sea_ burnt of. hb:tzaddi_ water_ path sephiroth/ with tablet on 4/ hb:taw hb:ayin hb:dalet water worlds/ hb:qof_ diagram 49. arrangement of the temple for the ceremony of philosophus in th

ALEISTER CROWLEY EQUINOX EQ I 3 2

ore we can proceed further, it is necessary that thou do assume a shape and form more distinctly material and visible. therefore, in order that thou mayest appear more fully visible, and in order that thou mayest know that we are possessed of the means, rites, powers and privileges of binding and compelling thee unto obedience, do we rehearse before thee yet again the mighty words; the names, the sigils, and the powers of the conjurations of fearful efficacy: and learn that if thou wert under any bond or spell, or in distant lands or elsehow employed, yet nothing should enable thee to resist the power of our terrible conjuration; for if thou art disobedient and unwilling to come, we shall curse and imprecate thee most horribly by the fearful names of god the vast one; and we shall tear fro

i. n. r. i. another form of the rose and cross, the crux ansata, is shown to represent the force of the ten sephiroth in nature, divided into a hexad and tetrad. the oval embraces the first six sephiroth, and the tau cross the lower four, answering to the four elements. the complete symbol of the rose and cross, which the chief adept carries upon his breast, is then explained to mean "the key of sigils and of rituals; and that it 209 represents the force of the twenty-two letters in nature as divided into a three, a seven and a twelve "many and great are its mysteries" the explanation of the rose and cross being ended, the third adept first explains his wand as having marked on it the colours of the twelve signs of the zodiac between light and darkness, and that it is surmounted by the lo

rier and a bar without mine astral form, that it may be unto me as a wall, and as a fortress, and as a defence. and i now declare that it is so formulated, to be a basis and receptacle for the shroud of darkness which i shall presently encincture me withal. and unto ye, o forces of akasa,74 do i now address my will. in the great names exarp, hcoma, nanta and bitom,75 by the mysterious letters and sigils of the great tablet of union.76 by the mighty names of god ahih, agla, ihvh, alhim. by the great god harpocrates; by your deep purple darkness; by my white and brilliant light do i conjure ye: collect yourselves together about me: clothe this astral form with a shroud of darkness: gather, o gather, flakes of astral light: shroud, shroud my form in your substantial night: clothe me and hide

ALEISTER CROWLEY EQUINOX EQ I 3

good telesma or material basis within the triangle. but a bad telesma should be placed to the west of same, holding the sword erect in the right hand for a good purpose, or its point upon the centre of the telesma for evil. j. now follow the performance of an invocation to attract the desired current to the telesma or material basis, describing in the air above the telesma the lineal figures and sigils &c, with the appropriate magical implement. then taking up the telesma in the left hand, smite it thrice with the flat blade of the sword of art. then raise in the left hand (holding erect and aloft the sword in the right, stamping thrice upon the earth with the right foot. k. the telesma or material basis is to be placed towards the north, and the operator repeats the oration of the hierop

general invocation of the forces of the divine light to operate in the work. j. the pronouncing aloud of the invocation of the requisite general forces, answering to the class of alchemical work to be performed. the conjuring of the necessary forces to act in the curcurbite for the work required. the tracing in the air above it with appropriate magical weapon the necessary lineal figures, signs, sigils and the like. then let the alchemist say "so help me the lord of the universe and my own higher soul" then let him raise the curcurbite in the air with both hands, saying "arise herein to action, ye forces of light divine" k. now let the matter putrefy in balneum mariae in a very gentle heat, until darkness beginneth to supervene: and even until it becometh entirely black. if from its natur

ALEISTER CROWLEY EQUINOX EQ I 4 3

he key of solomon the king (clavicula salomonis, translated and edited from ancient mss. in the british museum, by s. liddell macgregor mathers, author of "the kabbalah unveiled" the tarot" etc "with plates" crown 4to "cloth" 21"s "net" the key of solomon gives full, clear, and concise instructions for talismanic and ceremonial magic, as well as for the practical part of occultism. besides seals, sigils, and magical diagrams, nearly 50 pantacles or talismans are given in the plates. among other authors both eliphas l vi and christian mention the "key of solomon" as a work of high authority, and the former especially refers to it repeatedly. jennings (hargrave. the rosicrucians, their rites and mysteries, fourth edition, revised, demy 8vo "with hundreds of illustrations. half morocco" 7"s"

ALEISTER CROWLEY EQUINOX EQ I 4

f the superiors, for the performance of the rites of jupiter, and for the postulant at the third gate of the city of the pyramids. the babe of the abyss has no robe. for the performance of the rites of saturn, the magician may wear a black robe, close-cut, with narrow sleeves, trimmed with white, and the seal and square of saturn marked on breast and back. a conical black cop embroidered with the sigils of saturn should be worn. the magister templi robe is fitted for the great meditations, for the supernal rites of luna, and for those rites of babylon and the graal. but this robe should be worn by no man, because of that which is written "ecclesia abhorret a sanguine "any of these robes may be worn by a person of whatever grade on "appropriate occasions "crown 8vo, scarlet buckram, pp. 64"

ALEISTER CROWLEY EQUINOX EQ I 6 2

ddell macgregor-mathers, author of "the kabbalah unveiled "the tarot" etc "with plates" crown 4to "cloth" 21"s. net" the key of solomon gives full, clear, and concise instructions for talismanic and ceremonial magic, as well as for performing various evocations; and it is therefore invaluable to any student who wishes to make himself acquainted with the practical part of occultism. besides seals, sigils, and magical diagrams, nearly 50 pantacles or talismans are given in the plates. among other authors both eliphas levi and christian mention the "key of solomon" as a work of high authority, and the former especially refers to it repeatedly- wants supplied. new publications supplied to order "out of print books sought for and reported" visitors to london who are interested should make a poi

f the superiors, for the performance of the rites of jupiter, and for the postulant at the third gate of the city of the pyramids. the babe of the abyss has no robe. for the performance of the rites of saturn, the magician may wear a black robe, close-cut, with narrow sleeves, trimmed with white, and the seal and square of saturn marked on breast and back. a conical black cap embroidered with the sigils of saturn should be worn. the magister templi robe is fitted for the great meditations, for the supernal rites of luna, and for those rites of babylon and the graal. but this robe should be worn by no man, because of that which is written "ecclesia abhorret a sanguine "any of these robes may be worn by a person of whatever grade on "appropriate occasions" george raffalovich's new works- the

ALEXANDRIAN BOOK OF SHADOWS OCCULT

goddess, next i present the pantacle. this is for the purpose of calling up appropriate spirits, next i present the scourge. this is the sign of power and domination. it is also used to cause purification and enlightenment. for it is written 'to learn you must suffer and be purified' art thou willing to suffer to learn, c: i am, h: next and lastly i present the cords. they are of use to bind the sigils of the art; also the material basis; also they are necessary in the oath, i now salute thee in the name of aradia, newly made priest[ess] and witch [kiss, h and p now face the new initiate and deliver the charge. the initiate may consecrate his athame here; he must consecrate it before using it. cakes and wine the initiate is now presented to each quarter in turn by the hierophant, saying:

BALANCE J

y portraits of more unearthly denizens. there exist near photographic quality pictures of satyrs and half-human creatures rendered in crisp, lifelike clarity, as if they had just walked in off the walworth road and into his studio for a sitting. all of his portraits of actors and tramps and faerie folk resonate with a strong sense of his london roots. his use of coloured auras, halos, symbols and sigils add up to create an enhanced style of portraiture that he called glyphographs. spare s women are always powerful in a way that strongly links them to the fin de siecle cult of the female in an artistic vision that flows from the sumptuous art nouveau forms through to the streamlined art deco ideal of the feminine. he is subtle and sensitive in his handling of all human and non-human forms

BLACK WITCHCRAFT

rcle of lucifer is complete and the casting has brought forth cain, thus the initiate is the first of witch blood and the skir-hand gnosis of shadow and light. the very foundations of the luciferian witchcraft gnosis is found in the circle, they very place of summoning which has the scribed names of infernal deific forces, from azazel to ahriman in ancient persian cruciform, to medieval luciferic sigils which announce the embodiment of satanic power; our very heritage and spiritual lineage. this article is aimed at enlightening those who would condemn it first hand without the consideration for it s deeper meaning; but it must be known that those who walk this path are considered cursed and condemned by society, once you walk the path of initiation, the devil s blood is within your veins

BOOK T

dical forces. the four aces are said to be placed on the north pole of the universe wherein they revolve, governing its revolution; and ruling as the connecting link between yetzirah and the material plane or universe. i. the root of the powers of fire ace of wands a white radiating angelic hand, issuing from clouds, and grasping a heavy club, which has three branches in the colours, and with the sigils, of the scales. the right-and left-hand branches end respectively in three flames, and the centre one in four flames: thus yielding ten: the number of the sephiroth. two-and-twenty leaping flames, or yodh, surround it, answering to the paths; of these, three fall below the right branch for aleph, men, and shin, seven above the central branch for the double 59 the high priestess the priestes

BOOK OF BLACK SERPENT

hese angelic names: anaphexaton+ primeumaton +tetra- grammaton. it is to be set down for either permanent or temporary use, as we have said before. the magical weapons& tools of the art. the book: it is agreeable to find a pen or quill which can be used for the time of working which you perform. the book is to be used to keep a record of the magick actions and the prayers, invocations, rituals or sigils you will use in this operation. the book should be new, uninscribed by anyone else and should be consecrated for use as we have said. the wand or rod: this should be crafted from rosewood or cedar and should measure half the length of your arm. it is to be used to trace the sigils of the quarters which will be given in the second part of this monograph. it is to be marked with the names of

BOOK OF PLEASURE

ous in intensity*(2, he then sacrifices this desire (or its fulfilment) to the initial desire, by this it becomes organic, the quantum. he has not attained freedom from law (3. hence let him wait for a belief to be subtracted, that period when disillusionment has taken place*(4. verily disappointment is his chance "this free entity of belief" and his desire are united to his purpose by the use of sigils or sacred letters. by projecting the consciousness into one part, sensation not being manifold, becomes intensified. by the abstention of desire, except in the object, this is attained (at the psychological time this determines itself. by non-resistance (involuntary thought and action, worry and apprehension of non-fulfilment, being transient, find no permanent abode: he desires everything

control is given to the presiding obsession, allowing its incarnation in, and swamping of the ego, which has to live and perform its emotional experience. disease and insanity (all disease is insanity) is caused when the the book of pleasure (self love) get any book for free on: www.abika.com 29 disembodied energy has no vital function. it is this energy which is utilised for the vitalization of sigils. sigils. the psychology of believing. if the "supreme belief" remains unknown, believing is fruitless. if "the truth" has not yet been ascertained, the study of knowledge is unproductive. even if "they" were known their study is useless. we are not the object by the perception, but by becoming it. closing the gateways of sense is no help. verily i will make common-sense the foundation of my

ow is called loss, but is theft from time, wholesomeness and rejuvenescence. repeat this delay again and again till you arrive at spontaneity, chance in safety. the pursuit of learning (believing) is the grotesque incubator of stupidity. if you could truly believe, we should realise the virtue of it. we are not free to believe. however much we so desire, having conflicting ideas to first exhaust. sigils are the art of believing; my invention for making belief organic, ergo, true belief. when by the wish to believe- it is of the necessity incompatible with an existing belief and is not realized through the inhibition of the organic belief- the negation of the wish, faith moves no mountains, not till it has removed itself. supposing i wish to be great (is not counting that i am, to have "fai

ial value. the virtue of learning and acquiring knowledge by the ordinary means is in its worry and disappointment, of that degree which causes exhaustion: by that the desire might accidentally reach the real abode of knowledge, i.e, the sub-consciousness. inspiration is always at a void moment, and most great discoveries accidental, usually brought about by exhaustion of the mind. my formula and sigils for sub-conscious activity are the means of inspiration, capacity or genius, and the means of accelerating evolution. an economy of energy and method of learning by enjoyment. a bat first grew wings and of the proper kind, by its desire being organic enough to reach the sub-consciousness. if its desire to fly had been conscious, it would have had to wait till it could have done so by the sa

ad been conscious, it would have had to wait till it could have done so by the same means as ourselves, i.e, by machinery. all genius has an hypothesis (usually natural) in the form of a hobby, which serves to restrain and occupy the conscious mind, to prevent its interference with spontaneous expression. the great leonardo's mathematics, etc, served to "deceive" him as such an hypothesis (and as sigils. our lives are full of the symbolism of those predominating karmas we are governed by. all ornament, useless dress, etc, are such (they please people because they feel the identification, and the means of locating them (karmas. the symbolism of crowning a man king, is that he, resembling the book of pleasure (self love) get any book for free on: www.abika.com 33 god (on earth, has reached t

if you like, which predominate as governing his functions (of course, those crowned kings are never such, they symbolise the "hope" not the reality) hence the floral nature of and precious stones in design of the crown relate to first principles. he is king who has reached the dual principle in its simplicity, the first experience which is all experience. he has no need of crowns and kingdoms. by sigils and the acquirement of vacuity, any past incarnation, experience, etc, can be summoned to consciousness. it may even happen in sleep in the form of dreams, but this means is very difficult (chapters on day and night dreaming for pleasure omitted) total vacuity is difficult and unsafe for those governed by morality, complexes, i.e, whose belief is not entirely self-love. hence this desiderat

CHAOS MAGICK AND LUCIFERISM

be constructed through several methods as the following; letter manipulations, from arabic, greek or otherwise. paintings and other abstractions of sight through art. musick and the creative act of sound production. letter manipulations can be a useful method of enfleshing desires, creating servitors or elementals or to cast hexes or witch-spells. the medieval system of magic and invocation used sigils in this form extensively and almost exclusively. this can be found in various grimoires from the grimorium verum to abramelin the mage. the demons, angels and other spirits are bound and called by their symbols and signs, from which they may be understood and communicated with via ritual and syntax. the medieval systems only understood demons as exterior while beginning with spare and crowl

ia provides the ideal for this theory and how it may be sought and understood to align the mind to scientific ideal: cause and effect. many letters representing the will of the sorcerer may be changed and altered by redrawing and writing the letters to form one or several specific symbols that by this time are unknown in meaning just by viewing them. paintings and art are ideal for other types of sigils. many seem to overlook this. one may approach the written letters and other manipulations with images drawn, painted or drafted with the idea they are seeking to make manifest. one of the specific suggestions is art such as paintings of a particular god or goddess. this image, while focused upon brings the mind to an alliance with the images, creating the gods or goddesses within the sorcer

DEITUS

lf to make his wish a reality, expecting the demon to bring it about independent of his own actions, he will surely fail in his endeavor. near the end of the demonic bible is an invocation entitled the general invocation for calling any of the spirits and a listing of the archetypal devils, demons, and dark gods i have invoked using this formula. the wording of the invocation is not important and sigils, or seals, for the spirits are not necessary. a name when written is a word composed of letters each signifying a sound. the syllables (and sounds) which make up a name identify a particular being which religion, metaphysics, mythology, demonology, folklore, or legend has said to exist. each name represents a unique archetypal being which the magician may identify himself with, bringing abo

DEMONIC BIBLE

e true god. the development of monotheism and mysticism occurred simultaneously among the egyptians and israelites. taken alone, the cabala is purely a mystical system but it lent itself well to magical application. words held the power to change reality and names compelled obedience from elemental beings. grimoires, or books of ceremonial magic based on cabalistic belief, cataloged the names and sigils of countless demons over which it was said the magician could exercise power. many of these books were attributed to biblical figures such as solomon, moses, or enoch. the enochian system of magic adopted by the golden dawn was based on the enochian evocation of dr. john dee. dee, an elizabethan astrologer and magician, working with another man, edward kelly, produced a series of 18 keys in

DION FORTUNE MYSTICAL QABALA

nd is a key to the interpretation of the nature forces. on its petals are marked the thirty-two signs of the natural forces; these correspond to the twenty-two letters of the hebrew alphabet and the ten holy sephi roth; these in their turn are assigned to the thirty-two paths of the tree of life, and this is the key to the understanding of the rosa mundi. the curious scribbles that are called the sigils of the elementary spirits are made by drawing lines from one to another of the letters of their names on the rose. 91. in the light of this exp]anation we are at no loss to understand the value of the claims of those organisations which sport a floral emblem as their symbol. they are on a par with those of the gentleman who demanded of his haberdasher a public school tie with a bit of red i

DONALDTYSON CORONZON

ated openly of the atus (see the book of thoth, but of the 22 cells of the qliphoth and the tunnels of set beneath the paths, he did not write. the present book therefore completes the work he left unfinished (ibid. set is the egyptian god of evil and darkness, one of whose forms is that of a great serpent. he is therefore another name of the death dragon, coronzon. below is a table of qliphothic sigils corresponding to the 22 hebrew letters, the 22 tarot trumps, and the 22 channels on the tree of the sephiroth. it was presented by crowley as part of his liber ccxxxi, and published in the equinox, volume 1, issue 7. this table and its qliphothic spirits provides the structure for part two of kenneth grant's nightside of eden. it was reproduced by grant on page 138 of that work above the ti

rresponding to the 22 hebrew letters, the 22 tarot trumps, and the 22 channels on the tree of the sephiroth. it was presented by crowley as part of his liber ccxxxi, and published in the equinox, volume 1, issue 7. this table and its qliphothic spirits provides the structure for part two of kenneth grant's nightside of eden. it was reproduced by grant on page 138 of that work above the title "the sigils of the 22 sentinels of the tunnels of set (sigils of the qliphoth, from crowley's equinox, 1912) about the nature of the eleventh false sephirah, daath, gareth knight observed: the abyss is the void between force and form and the place where the transmutation takes place is the 'hidden' sephirah daath--meaning knowledge. the mysteries of daath are profound and were little touched upon in ea

DONALDTYSON ELEMENT

nd motives. it is easy to love an undine, or feel fondness for a gnome, but difficult to interact with a sylph. salamanders are best left uncalled. on those occasions when you wish to cause destruction to a specific place or person, a salamander may be sent, but there is always the danger of backlash. salamanders do not like being told what to do, and must be compelled with words of power and the sigils of superior spirits. they resent this control. i should emphasize this point: salamanders are dangerous! leave them alone, and they will leave you alone. return hethome resources demons bios fiction tyson the truth about the evil eye (magic charm in the shape of a hand gesture to ward off the evil eye) the evil eye does exist. your eighty-five year old sicilian grandmother was right after a

DONALDTYSON SIGIL

omach disease: from amulets and superstitions (1930) by e. a. wallis budge) amulet and talisman are frequently confused. an amulet is a small power object such as a pendant or ring that is usually worn on the body for protection. a talisman is a power object with a specific function, and may be used for offensive or defensive magic as the need arises. some amulets and talismans are inscribed with sigils or other occult symbols, but others derive their power from natural substances and objects, or from specific shapes, without the use of esoteric symbols (tibetan thunderbolt dagger talisman, for use against evil spirits) for example, the golden arrow of the scythian magician abaris was a talisman that conferred magical flight. both amulets and talismans are physical things, as opposed to si

ld in the mind("circle or pentacle of solomon" from the grimoire of honorius the great) a pentacle is a magic symbol with specific ritual functions. usually the term is applied to the complex diagrams that were inscribed upon the ground or floor by medieval magicians as protective circles. these were various shapes, composed of several parts, and empowered by means of names, characters, signs and sigils. the magician stood within the pentacle during rituals of evocation, when demonic spirits were called forth into the triangle that was inscribed beyond the boundary of the pentacle. sometimes the pentacle had five points (penta is greek for "five, but the term is employed more generally to include any complex magic circle inscribed on the floor or ground. it is also used, less accurately in

l european witchcraft. in the golden dawn ritual of evocation, mathers advised that the seal of the spirit to be evoked be kept covered with black cloth in the initial stages of the ritual. as the ritual progressed, the seal was unbound and gradually uncovered in stages, to symbolize the gradual materialization of the spirit within the triangle. care must always be exercised when working with the sigils of demons. mathers only uncovered the seal after intimidating the evoked spirit into obedience by repeatedly striking the seal with his sword. many of those who practice this ancient and honorable art believe that merely by gazing overlong at demonic sigils, the demons themselves will be attracted, and will cause trouble or bad luck in the life of the person who disturbs them. there may be

by repeatedly striking the seal with his sword. many of those who practice this ancient and honorable art believe that merely by gazing overlong at demonic sigils, the demons themselves will be attracted, and will cause trouble or bad luck in the life of the person who disturbs them. there may be some truth in this folklore. i found that during the period when i was devoting intense study to the sigils of the goetia, i began to see them in my dreams and was subject to nightmares in which the sigils themselves writhed and twisted as though alive. this was disturbing enough to cause me to suspend my research, at that time. return h, home resources demons bios fiction tyson the truth about ufos (ufos seen over nuremberg on april 14th, 1561) the term ufo is an acronym for "unidentified flying

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

originator of chaos magical theory. spare, an associate of crowley, broke with the order templi orientis that crowley headed and developed a simple form of magical practice that, in his understanding, jettisoned much of the superfluous activity of ceremonial magic that prevented the practitioner from discovering his/her own power. spare developed a very simple form of magic based upon the use of sigils. chaos magick is based on the understanding that order is a concept imposed upon the universe. systems of order, be they religion or science, are attempts to control and subdue, and must find ways to dismiss what is not controllable or understood. chaos magicians, drawing upon eastern philosophical notions, posit the idea that the universe is one vast everchanging whole transcending all cat

FRATER ELIJAH ANGELS OF CHAOS

t hand rite. purpose: to call upon the god of self (hga) and 'true' purpose. to cause great stirrings in the other consciousness in accordance with one's will. to attune the mind which is not self with it's god path. an advanced initiation to the magical way (this was used as my initiation to the autonomatrix- specifics to this version are in parenthesis. prepare the temple as one sees fit items: sigils of set as isolate intoxication. sigils of lucifer/ christ as unity& love in shadow light. an ice cube. a sacrament (an immediate intoxicant, in this case, ketamine. seal the temple, call watchtowers to bear witness and protect (also familiars. i. open a chaos vortex ii. the performance of grendel's had an accident act i (experience a hurt while acting. iii. a) perform callings of set as iso

moon is normal. it also seemed as if before i heard the voice, when i closed my eyes, a picture, a formulation of some sort was 'mutating. i also noticed i placed a strong emphasis on the setian part of the rite, and the calling of the southern watchtower was very strong. ketamine was used as an intoxicant during the rite, and some pot later that night in celebration at a local rave. no personal sigils were fired and again a somber self-reflective feeling saturates me. this being(s) whose voice(s) i heard, if it is a being at all, frightens me and excites me. more to follow. it feel as if the next part of the rite should be undertaken at the full moon (in a few days. for this part the moon was about 65% full and was performed on 10/30/98 between 6pm and 8pm (members of the autonomatrix se

75- 76= 1 there are only 79 verse to chapter ii 79- 76= 3 there are 66 versus to chapter i 66- 76= 10 from chpt i--iii (liber al) we get the number arrangement 1031) the parenthesis can be considered in absolute value, so the order of the terms under the operation does not matter. today is 11/20/98. running under the influence of ma-huang. a connection! a communication (implied) from my hga. the sigils themselves were precluded by some automatic drawings in the shapes of a phoenix, coatyl, firesnakes moving forward([1. the explosion of the bird (it's death and it's life for [2. the serpent with it's tail coiled up([3. the formula of liber al vs. iii:76 is in the pursuit of ones hga. grant uses the word ipsos as it's word. i need to find this beings name. as of now it seems like a dark pho

beckoning me towards god-hood to form my own manifold and therefore, my own universe. every person was a part of one of these beings (hga's, they were many and there are more others of as. like me, all part of him and he a. this is for all of humanity. the ineffable is; we must reach our own bliss. i was visited by a goddess tonight and it scared the living shit out of me. i finished firing three sigils into the heart of oblivion on the dance floor. i was placing the third one by this "dark" dancing woman's feet. she did not see me. she turned around and came up to me in about a minute and took my hand and said "hello "you know who i am, right" it was fucking babalon! now believe me when i say that i have never fucking seen a manifestation "in the flesh" of a deity. this weirded the shit o

yet: to purify my dreams& submind, and give me the gift of her silence. set: as the dark sun, to show me the majesty and power of self. lucifer-christ (as luciferouschristos) to bring love& unity. the triple goddess of the moon and dyonysis and others (see appendix vii for commentaries on god-forms) all along (months) i have been offering prayers to my "guardian angel" to meet (myself of god. the sigils were received after each ritual of the rog. each rite was performed as instructed by a (this was written of previously, but i did not know it's name. the first two rituals were formalized, but the third was done (astral invocations) on my birthday night with dance astrally. ketamine was used throughout. mdma (babalons sacrament) with ketamine (old ones sacrament) tonight. i offered prayers

ed infections. to the end of this i used mathematical laws for binding chains of these programs numerically. these demons are enclosed in my personal grimoire entitle, the demonology of elijah aka the rite of suffering. v the binding of the will- the binding of the mind included the complete demonic bindings and oaths of the infernal princes dictated under the traditional abramelin operation. the sigils of this section were given by the princes of hell themselves in recognition of divine right. vi the binding unto babalon- there was more than one facet to this binding. one of these facets took place at a party attended in austin texas (see journal exert *b1. the second aspect took place at a rave in seattle wa (see journal exert *b2. in both circumstances the events transpiring were of a s

FRATER U D PRACTICAL SIGIL MAGIC

om the work of agrippa nettesheim, who is above all criticism in this respect, a single glance at other standard works about magical symbols will show that most magicians and alchemists in the middle ages (the supposed gpeak h of occidental magic) largely developed their own sigil language using a rather small number of well.established symbols. the myth that there is a small number of gcorrect h sigils and a great variety of gwrong h ones for entities (generally demons, whose names are often little else but mutilations of misunderstood older terms,1 has confused the minds of even highly experienced old hands. such misinformation should no longer be tolerated. of course, even gwrong' dogmas can develop their own, definitely real, magical egregore in the course of time. but we should no lon

e course of time. but we should no longer be interested in struggling with the astral garbage which others have been creating for centuries. spare has certainly opened.probably without an expressed intention to do so.our eyes to an atavism different from the one discussed in chapter 6, for he has shown us the origin of all magical symbolism.the human soul itself! his message is that those magical sigils which truly work derive from our own unconscious and will return again to their source to begin their work after being impregnated by our will. naturally, and this applies to all magic, one might gain the false impression that it would be much less of a strain to get everything organized and prepared straight from the horse's mouth of a ggreat illuminated true master of wisdom' but this has

gic is probably one of those magical disciplines that may be the fastest and easiest to learn. usually, you will need nothing more than a sheet of paper and a pen. with some experience, you will have finished the whole operation, including activation and subsequent banishing, within less than five to ten minutes. there is no faster way.even in magic! chapter 1 austin osman spare and his theory of sigils* the end of the nineteenth and the beginning of the twentieth century was a time characterised by radical changes and great heretics. the secret lore and the occult in general were triumphant, and there were good reasons for this: the triumph of materialist positivism with its manchester industrialism was beginning to show its first malice, resulting in social and psychological uprooting; t

vocation as an artist and illustrator, and he attended the royal college of art where he soon was celebrated as a forthcoming young artist. but he rebelled against a bourgeois middle-class career in the arts. disgusted by commercialism, he retreated from the artistic scene soon afterwards, though he still continued editing various magazines for quite a while. austin osman spare and his theory of sigils/ 3 from 1927 until his death, he virtually lived as a weird hermit in a london slum, where he sometimes held exhibitions in a local pub. people have compared his life with that of h. p. lovecraft and certainly he too was an explorer of the dark levels of the soul. around the beginning of the first world war, he released some privately published editions, and today one can acquire.at least i

upporter of pragmatic thought in modern magic. but in the end, the master therion preferred to remain within the hierarchical dogmatic system due to his aiwass-revelation in liber al vel legis. his key phrase gdo what thou wilt shall be the whole of the law. love is the law, love under wil1' as well as his whole thelemic concept, prove him a dogmatic magician. austin osman spare and his theory of sigils/ 5 not so austin osman spare. he seems to derive from the individual-anarchistic direction so that we may describe his philosophy, without undue exaggeration, as a mixture of lao-tse, wicca and max stirner. english magic of the turn of the century was also influenced by an important young science which would actually achieve its major triumphs only after the second world war.the psychology

iptive nature and deal with traditions and new interpretations, thus remaining within the context of german magical heritage; however, they do take heed of recent results in scientific psychology and are, therefore, at least partially related to the pragmatic approach. pragmatic magic will become more and more important because today's magicians have to face a austin osman spare and his theory of sigils/ 7 psychologized. and psychologizing. environment whose philosophical relativism has been shaping all of us, and still does. regardless of the significance or amount of truth one concedes to psychology/psychoanalysis, we all are infiltrated by its way of thinking and its vocabulary. so even we magicians will have to attain to a critical, sensible look at it. it will be left to another era t

GILBERT THE GOLDEN DAWN TWILIGHT OF THE MAGICIANS

ring, use and correspondences in manuscript s,thebookof theconcourseof theforces.itexplains why the enochian language is so important:'thesespecial angelical language letters havemore.magical virtue thanthecommon hebrew, or english letters; especially in respect to the working ofthesquaresofthe tablets in spirit vision or the so called methodofskrying in the spirit vision: they are therefore more sigils than simply letters' a modified formofthe whole text is printed in regardie's final volume. a later manuscript, labelled 'y, explains the occult signifi255 canceofthe gameofchess, and gives the basisofoneofmathers'most fascinatinginventions-enochianchess. according to mathers 'like thetarotoriginals the chess pieces were anciently small figuresofegyptian gods, representing the operationofth

GILBERT THE SORCERER AND HIS APPRENTICE

ts.t>.seraph:"e-.6.ariel'vkerub\ltharsis30.the kings of the four orders of elementals. salamanderst>.djin.sylphs.6.panllda. gnomes'y ghob or gob. undines\7nicksa;31. in 'the formation of a magical pentacle or talisman consider first under what planet or element etc, it falls. then collect all the names of the sephira to which it belongs as well as those of its angels, intelligences, etc, also the sigils numbers, geomantic characters, lineal figures, thereunto belonging, then classify and arrange. 32.themethod of forming the tree of life with the cards of the tarot pack is as follows. the four aces are placed on thethe azoth lecture35throne of kether, the remaining small cardsofeach number on the successivesephiroth down to the four tens on malkuth, the twos on chokmah, threes on binah, etc

GNOSTIC STUDIES THE GNOSTIC HANDBOOK II GNOSTIC THEURGY

rite and is used extensively with rites of invocation and evocation. the chalice. water. the chalice is the projection of the intuition of the gnostic. it has many uses including offerings and the eucharist within the gnostic liturgy. the dagger. air. the dagger or small blade is the projection of the intellect. in some rites it is exchanged for a sword. it is used to contain energies and create sigils and signs. the pentacle. earth. the pentacle is the symbol of the body or physical form. it is used to earth the powers that are invoked, at times it is exchanged for a bowl of salt and water. there are many other accessories which can be used in ritual practise, in some sense it is up to you to decide what tools you want to use, and how to use them. incense. incense purifies the air and se

GOETIA LUCIFERIAN

t o n c l a v i c u l a s a l o m o n i s r e g i s reworked, written and inspired from the original manuscript by michael w. ford illustrated by elda isela ford the luciferian edition, houston, tx 2003 2 t h e g o e t i a written and presented anew by michael w. ford akhtya seker arimanius to restore the sorcerous path and the art of luciferian ascension illustrations also by original manuscript sigils, aleister crowley reworked sigils from the 1904-1976 equinox edition with new drawings. inspired from the original manuscript edition, also the irreplaceable goetia translated by samuel liddell macgragor mathers edited, annotated and introduced by aleister crowley re-print issued by equinox publishing, london, 1976. illustration listing at end of book. also inspired by the meticulous and sc

. create or decorate your own wand which shall reflect your sacred symbols and desire of your becoming. austin spare called these sacred letters as the alphabet of desire, a sigillized form of the subconscious and symbols which represent the higher articulation of the self. the luciferian will which is self-immolated unto perfection. the wand should be cut, painted and decorated with the specific sigils from ones alphabet and done so in the noon tide sun, sacred to shaitan, the djinn of fire. the wand corresponds also to the phallus, the solar vessel which spills forth the elixir of the sun. the pentacle of tetragrammaton the symbol of strength and conceptual imagery of the pentacle of solomon, the magus who bound the djinn of this book. the pentacle may be worn as a method of encircling 2

scribed in the blood of the moon. satan, adversarial djinn who dwells in the sun, crowned in the emerald which reflects the noble flame, who resides in the heart of midnight, shadowed and ashen beneath the waters of the moon i charge thee with protecting of this book the mind of the serpent shall open the gates within. by beast we go forth 76 77 the goetia was illustrated by- elda isela ford the sigils given are the manuscript sigils by the assumed original author of the manuscript. they are reproduced here for a return to the source. the redesigned sigils with the circle around the spirit was designed for the aleister crowley and samuel liddell macgregor mathers edition, boleskine, 1904 london, equinox febuary 1976 and the illustrated second edition, weiser, usa 1995. we pay respects to

the crowley edition with accents by e.i. ford demonic servitor pg. 12 adversary-opposer shadow form by e.i. ford pg.19 the luciferian goetic circle by e.i. ford pg. 22 the tetragrammation pentagram by e.i. ford pg.25 the vessel of shadow and light by e.i. ford pg.26 vessel of the adversary by e.i. ford pg.27 the formula of the devil the solar oz 77 sexual formula by e.i. ford/michael ford pg. 34 sigils from the crowley edition pg.35 bael by e.i. ford pg.36 amon by e.i. ford pg.39 paimon by e.i. ford pg.40 astaroth by e.i. ford pg.49 asmodeus by e.i. ford pg.51 gaap by e.i. ford pg.52 andrealphus by e.i. ford pg. 68 belial by e.i. ford pg.70 sigils of crowley edition with accents by e.i. ford pg.74 satan cube from abramelin accented by e.i. ford pg. bthe sanctuary of maat order of the gold

GOLDEN DAWN RITUALS A

anding) 9. make and consecrate the lotus wand [d] 10. the rose cross ritual (commit to memory) 11. make and consecrate the rose cross lamen [e] and [f] 6 12. make and consecrate the sword and four elemental weapons [g] 13. consecration ceremony of the vault of the adepti [k] 14. hermes vision 15. lineal figures 16. minutum mundum (commit to memory [w] 17. z.a.m. first stage lectures 1. lecture on sigils (sigils by g.h. frater d.d.c.f. comentary and addition by g.h. frater p.c.a) 2. concerning the ceremony of consecrating the vault of the adepti 3. analysis of the 5=6 initation by g.h. frater p.c.a. 4. symbology of the banners 5. telesmata and flashing tablets 6. the canopic gods symbolism of the four genii of the hall of the neophyte 7. evil and unclean spirits- by g.h. frater d.d.c.f. 18

GOLDEN DAWN RITUALS C C1

on, the adept can determine which forms are to be invoked or banished. when performing the b.r.h. or the i.r.h. using the four forms, thou shall trace them beginning at the angle of the planet under whose regimen thou art working, following the course of the sun to invoke and reversing the course to banish. in addition, it is important that the symbols of the elements are not usually traced on as sigils but are represented by the kerubic emblems of k, e, b, and. 17 the lesser ritual of the hexagram (i.r.h./b.r.h) step 1 always begin with the qabalistic cross. according to the work you are doing use whatever magical tool may be necessary. in most cases, the lotus wand or the magical sword is appropriate. step 2 stand facing east. to invoke, trace the figure thus: l y f k b c vibrate the nam

sickness and misfortune and thou art thus obliged to deal with the evil force which is injuring him. and even so, it will be better for thee not to do even this until thou hast arrived at a higher grade than that of z.a.m. remember, also, that the, if the apex is downward, is an extremely evil and hurtful symbol. and for this reason is it that the symbols of the elements are not usually traced as sigils, but are replaced by kerubic emblems of k, e, b, and the" addendum: important points 1. when you desire to attract the force of the zodiac in the supreme ritual, trace in the center of the hexagram the planet that rules the zodiacal force desired and the sign of the zodiac beneath the planetary sign. 2. if the desired force is not sufficient, trace also the invoking pentagram of the sign. 3

netary methods of tracing for each form. also, trace the planetary symbol within the center of each, and then vibrate the name atyrara. 8. then, after the above planetary work has been done, turn unto the quarter of the planet of the heavens and trace the invoking hexagram and pronounce the proper names. also, thou may invoke what angels and forces of that nature that may be required. trace their sigils in the air in the center of the supreme hexagram. 9. when thou art finished, perform the banishing ritual of that planet, and give them the license to depart. 10. if you are charging a talisman, remove the talisman from the working space before banishing so as not to dis-empower the talisman. 11. in the case where you may wish to invoke all the planetary forces, perform the l.i.r.h. using l

GOLDEN DAWN RITUALS E

nciler. this gaurantees that the forces of the arms should not over ride the planetary and zodiacal forces in the rose of creation. in other words, the petals of the elements are on the opposite side of the arm elements. the rose is a perfect symbol. the hermetic rose is a fitting symbol of the entire, manifested universe. in another adept manuscript, we will cover the proper method of extracting sigils from the rose. it is a perfect emblem to extract sigils in that it represents the entire universe. back of the rose cross lamen the back bears the inscription in latin "the master jesus christ, god and man" this is written between four maltese crosses which allude to the exploding or 5 manifesting outwards of the four elements. the adept should place this on the top arm because it affirms t

GOLDEN DAWN RITUALS G

iate spirit pentagram and the appropriate invoking pentagram for that particular element. this should almost be an imaginary astral type of experience, as if you were standing in the center of that tool itself. step 10 now invoke the divine and angelic names already engraven or painted upon the implement. be certain to vibrate the names with full meaning and intensity. draw the hebrew letters and sigils over the implement in the air with the lotus wand, holding the wand by the appropriate band (it is appropriate for the adept to place the names of the divine, the angelic names, and the hebrew spelling on a separate 3x5 card so that as you are reciting the script, you may simply look at the 3x5 card of the element that you are consecrating. at the end of this lesson, see the chart with the

GOLDEN DAWN RITUALS K

ten sephiroth in nature, divided into a hexad and a tetrad. the oval embraces the first six sephiroth and the tav cross, the lower four, answering to the four elements" 8 chief adept "associate adeptus minor, what is the emblem which i bear upon my breast" third adept "the complete symbol of the rose and cross" chief adept "mighty adeptus major, what is its meaning" second adept "it is the key of sigils and of rituals, and represents the force of the twenty-two letters in nature, as divided into a three, a seven, and a twelve; many and great are its mysteries" chief adept "associate adeptus minor, what is the wand which thou bearest" third adept "a simple wand having the colors of the twelve signs of the zodiac between the light and the darkness, and surmounted by the lotus flower of isis

GOLDEN DAWN RITUALS VENUSZAM16

mple, know that all is now in readiness to consecrate this talismatic bowl of desire. aid me with your power that i may cause the great angel haniel to give life and strength to this creature of talismans in the name of yhvh tzboath" step 16 go to the east of altar, face west. place the left hand on the talisman, and hold the sword erect over it. make over the talisman such lineal figures, seals, sigils and letters as may be named, and say: 6 "abba, father of all fathers, thee i invoke by thy name yhvh tzboath. descend, i beseech thee, through my being to manifest unto me the desire for the divine and passion and that prodigality of spirit which are the characteristics of nogah so that in the enhancement of my true spiritual nature i may continually aspire unto thy glory and grace. grant u

midst of the exorcism. take on, therefore, manifestation before me for i am the wielder of the forces of the balance. thou hast known me now, pass thou on unto the cubical altar of the universe" step 23 reveil the talisman, pass to the altar, place it on the white triangle, and stand east, facing west, with the left hand on talisman, and the sword held over it with the right hand. retrace all the sigils etc. say: 8 "thou intelligence of nogah named hagiel, i invoke thee in the divine name of yhvh tzboath. o thou, who art the lord of hosts, lift me up, i beseech thee, and manifest through me thy power and grace and thy generosity of spirit. grant unto me the mighty power and help of the archangel haniel who rules over the divine realm netzach, that he may command to my assistance the choir

GOLDEN DAWN RITUALS Z2

a. place a good talisman or material basis within the white triangle 8 on the altar. place bad to the west of same, holding the sword erect in the right hand for a good purpose, or its point upon the center of the triangle for evil. j. now follows the performance of an invocation to attract the desired spirit to the talisman or material basis, describing in the air above it the lineal figures and sigils, etc, with the appropriate instrument. then, taking up the talisman in the left hand, let him smite it thrice with the flat of the blade of the sword of art. then, raise it in the left hand (holding erect and aloft the sword in the right hand and stamping thrice upon the earth with the right foot. k. the talisman or material basis is to be placed towards the north, and the operator repeats

to the east of the altar, holding left hand over the talisman, and sword over it erect. then does he rehearse a most 9 potent conjuration and invocation of that spirit to render irresistible this telesmata or material basis, or to render manifest this natural phenomenon of, using and reiterating all the divine, angelic, and magical names appropriate to this end, neither omitting the signs, seals, sigils, lineal figures, signatures, and the like from that conjuration. q. the magician now elevates the covered talisman or material basis towards heaven, then removes the veil entirely, yet leaving it corded, crying with a loud voice: creature of talismans or material basis, long hast thou dwelt in darkness. quit the night and seek the day. he then replaces it in the altar, holds the magical swo

mence the general invocation of the forces of the divine light to operate in the work. j. the pronouncing aloud of the invocation of the requisite general forces, answering to the class of alchemical work to be performed. the conjuring of the necessary forces to act in the curcurbite for the work required. the tracing in the air above it with appropriate weapon the necessary lineal figures signs, sigils and the like. then, let the alchemist say: so help me the lord of the universe and my own higher soul. let him raise the curcurbite in the air with both hands saying, arise herein to action, o ye forces of the light divine. k. now, let the matter putrefy in the balneum mariae in a very gentle heat, until darkness beginneth to supervene; and even until it becometh entirely black. if from its

GOLDEN DAWN RITUALS ZAM11

temple. step 26 close the vortex. step 27 perform the l.b.r.p. 11 step 28 perform the b.r.tespiritual initiation of the body of light r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 step 1 arrange the temple as in the neophyte grade. step 2 perform the opening by watchtower. step 3 (go to the east, with lotus wand held by the white band and perform the s.i.r.h. of the supernals. trace the sigils in the air as they are vibrated) say "supernal splendor which dwellest in the light to which no human can approach, wherein is mystery and depth unthinkable and awful silence, i beseech thee who art shekinah and aima elohim. look down upon me in this ceremony which i perform not in my honor, but in thy honor, for your kind and generous assistance in aiding me in my understanding of my true

GOLDEN DAWN RITUALS ZAM14

pt "in yehashuah morimer" chief adept "per spiritum sanctum reviviscimus (the bell rings twenty-one timederequiem r. r. e t a. c. z e l a t o r a d e p t u s m i n o r step 1 2 perform the l.b.r.p. step 2 perform the b.r.h. step 3 opening by watchtower. step 4 go to the east and perform the invoking ritual of the supernals by the hexagram while holding your lotus wand by the white band. trace the sigils in the air as they are vibrated. step 6 say "supernal splendor which dwellest in the light to which no man can approach, wherein is mystery and depth unthinkable, and awful silence. i beseech thee who art shekinah and aimah elohim, to look down upon me in this ceremony which i perform to thine honor, and for the assistance of those who have passed through the veil. grant thine aid unto the

GOLDEN DAWN RITUALS ZAM15

d be engraved upon it, or upon the hilt in letters of emerald green, in addition to the mystic devices and names. the hilt, pommel and guard are to be coloured a flame red. the blade should be clean and bright. pentagrams should be painted on salient portions because this is the lineal figure of hrwbg. the divine and angelic names related to hrwbg are then to be added in emerald, as well as their sigils taken from the rose. the sword must then be consecrated in due form. 3 here, again, let the adeptus minor remember his obligation to never use his knowledge of practical magic for purposes of evil, and let him be well assured that if he does this, notwithstanding his pledge, the evil he endeavors to bring about will react on himself. he will experience in his own person and affairs that ver

werful angels of the order of the \yprc scorch with their flames the feebleness of purpose which would hinder my search for the true light" step 12 then, slowly trace in the air above the sword as if standing upon it, the invoking hexagram of f. do this with the lotus end, still holding the white band. step 13 next, trace over the sword the letters of the names in the invocation and their several sigils. step 14 put down the wand. take up the cup and purify the new sword with n, making the cross upon it. put down the cup. step 15 take up the incense and wave it over the new sword. step 16 take up the new sword, and with it, perform the lesser invoking ritual of the hexagram of f, and also perform the supreme invoking hexagram of f, repeating "atyrara" and "rwbg \yhla" lay down the sword. s

GOLDEN DAWN RITUALS ZAM16

have invoked to this temple, know that all is now in readiness to consecrate this talisman. aid me with your power that i may cause the great angel layphy to give life and strength to this creature of talismans in the name of la, ab" step 16 go to the east of altar, face west. place the left hand on the talisman, and hold the sword erect over it. make over the talisman such lineal figures, seals, sigils and letters as may be named, and say: 6 "abba, father of all fathers, thee i invoke by thy name la. descend, i beseech thee, through my being to manifest unto me the wisdom and love and that prodigality of spirit which are the characteristics of qdx so that in the enhancement of my true spiritual nature i may continually aspire unto thy glory and grace. grant unto me the power and help of t

midst of the exorcism. take on, therefore, manifestation before me for i am the wielder of the forces of the balance. thou hast known me now, pass thou on unto the cubical altar of the universe" step 23 reveil the talisman, pass to the altar, place it on the white triangle, and stand east, facing west, with the left hand on talisman, and the sword held over it with the right hand. retrace all the sigils etc. say: 8 "thou intelligence of qdx named layphy, i invoke thee in the divine name of la. o thou, who art the father of all things, source of the mighty waters, thou whose heart is mercy and whose being is love, lift me up, i beseech thee, and manifest through me thy power and grace and thy generosity of spirit. grant unto me the mighty power and help of the archangel layqdx who rules ove

GOLDEN DAWN RITUALS ZAM20

selves on a regular schedule of performing this ritual. this allows the divine genius to lead in the process of initiation rather than the mundane ego where little, if any initiating force can be projected and maintained. g.h. frater p.c.a. 7= 4 chief adept r.r. et. a.c. items needed! four elements: wine, bread and salt, rose, fire incenser! lotus wand! fire wand! cup! air dagger! earth pantacle! sigils for: layqpx, yatbc \ylara \yhla hwhy! banishing sword! incenser! large cauldron on the altar with fire burning in it! four watchtower tablets! tablet of union step 1 "hekas, hekas, este bebeloi" 3 face east, perform qabalistic cross, and perform the lesser banishing ritual of the pentagram, then, with the black end of the lotus wand, but holding by the white band, perform the lesser banishi

to look upon me in this ceremony which i perform to thine honor and for my own spiritual development. grant thine aid unto the highest aspirations of my soul, in thy divine name \yhla hwhy, by which thou dost reveal thyself as the perfection of creation, and the light of the world to come. i implore thee to grant unto me the presence of thy archangel layqpx" perform the s.i.r.h. of saturn. trace sigils as required and vibrate powerfully. say "o layqpx, thou prince of spiritual initiation through suffering and of spiritual strife against evil, aid me, i beseech thee, to conquer the evil that is in me by the binding and controlling of my mortal parts and passions. o ye strong and mighty ones of the sphere of yatbc, o ye \ylara, i conjure ye by the mighty name of \yhla hwhy, the divine ruler

GOLDEN DAWN RITUALS ZAM22

efore, take on manifestation before me, for i am the wielder of the forces of the balance. thou hast known me, pass thou on to the cubical altar of the universe. step 6 cover the talisman, bring to the cubical altar, and place it within the white triangle. leave the cord bound, but remove the black cover. move to the east, place left hand on the talisman with right hand holding sword. retrace all sigils (point upward, pommel downward. say: thou intelligence, laykn, i invoke thee in the divine names tudw hwla hwhy, in the letters i.n.r.i, in the grand word hwchy, and the concealed word lvx. thou who art the holy one, blessed be he, the reflected light of rtk, the beauty of the divine, the heart of etzchayim, lift me up, i beseech thee, and manifest through me thy power, grace and generosity

GRERALD SCHUELER AN ADVANCED GUIDE TO ENOCHIAN MAGICK

e ability to reproduce the solution yourself and trace the ufo mystery directly to its startling source! first digital edition, revised and expanded with illustrations and photvithe lower five cosmic planes 18 figure 3. the major magical weapons 56 figure 4. typical circle for conducting enochian magick 62 figure 5. sample talisman for the magical formula of iliatai 94 figure 6. enochian rose for sigils of the watchtower deities 96 figure 7. tracing the pentagram 97 figure 8. a talisman for vovin 263 figure 9.layout for enochian tarot 291 list of tables: table 1. symbols of the cosmic elements 20 table ii. alphabet correspondences 25 table iii. four systems of enochian gematria 26 table w. the thirty aethyrs 139 table v.aiq bkr and the aethyrs 143 table vl aethyrs and magical grades 149 ta

in between. in enochian magick a thought is a thing; an entity, which is composed of the cosmic element, air. an emotion is an object which is composed of the cosmic element, water. table ion the following page contains three symbolic ways of representing these cosmic elements. the first group of symbols are magical and cover all five elements. the second group of symbols are kerubic astrological sigils. the third alternate symbol group are the eastern tattwas adopted by the golden dawn. 20 21 the magical universe 'the magician works in a temple; the universe, which is (be it remembered) coterminous withhimself" aleister crowley, book 4 the magical universe is the macrocosm of the magician. as a magician, you will have your own experiences in your own aspects, but no two magicians will see

ls. use crowley's liber 777 or the signposts provided in enochian magic and in this manual for correct correspondences. as a general rule for charging a talisman: always be in harrnony with the effect that you want to produce. a charged talisman should be wrapped in white silk or finen to avoid contamination or leakage of the charge. figure 5. sample talisman for the magical formula of illatai 95 sigils of watchtower deities if the student uses a little ingenuity and imagination in this matter, he will discover quite a lot as to the nature and import of sigils. the significance of the emblems may be divined, from one point of view, by employing them as "doors" through which to skry in the spirit-vision. more can be learned this way concerning the real implication of sigils than almost by a

a little ingenuity and imagination in this matter, he will discover quite a lot as to the nature and import of sigils. the significance of the emblems may be divined, from one point of view, by employing them as "doors" through which to skry in the spirit-vision. more can be learned this way concerning the real implication of sigils than almost by any other method. the golden dawn's talismans and sigils the rase of letters shown in figure 6 is adapted from the golden dawn rose cross lamen, which is specifically designed for use with the hebrew alphabet. figure 6 contains the enochian equivalent. there are three rows containing a total of 21 regions and 26 letters. the symbolism of the rose is as follows: 1. the inner three regions surrounding the central circle symbolize the active cosmic

small circie. at the last letter, end the sigil with a 96 short fine or dash, perpendicular to the last fine drawn. if two letters come together, represent it by a crook or wavy fine at that point if a sigil has three letters along a single straight fine, and the center letter is needed in the name, then represent it by a small noose or circle tangent to the fine at that point the following five sigils provide typical examples of how to use the rase: 97 tracing the pentagram the pentagram, symbol of the squaring of the circle by virtue of alhim =3.1415, symbol of man's will, of the evil 4 dominated by manis spirit aleister crowley, gematria traced as a symbol of good, itshould be placed with the single paint upward, representing the rule of the divine spirit. for i f thou shouldst write i

archdemon of the abyss. the exact nature of this formula is expressed by the letters themselves: your judgement (the fire of judgement/aeon) should 181 be couched in experience (temperance/art of sagittarius) in order to have true insight (hierophant in taurus. this formula expresses the scientific attitude of tempering judgment with actual experience in order to see things without prejudice. two sigils for kika from the watchtower of earth are: the letters veh, gon, veh, un are written: 182 the formula of toog 0 my beautifulgod! i swim in thy heartlike a trout in the mountain torrent. aleister crowley, liber vii the enochian word toog, pronounced toh-oh-geh, is comprised of the first letters of the phrase, tabges ors-oxex graa which means "an emanation from the dark recesses of the moon"

GRIFFIN DAVID MAGICAL EVOCATION OF THE AVERSE FORCES

out the aid of a magical order. this chapter includes only one ritual, however. the solitary practitioner, if he or she has performed each of the preceding rituals in this book, should have no problem in adapting the following ritual to work, in turn, with each of the averse forces, by employing the hierarchies given within each of the invocation rituals, together with the corresponding names and sigils from the infernal hierarchies listed in appendix ii "magical correspondences" these precautions are necessary to attempt to avoid the catastrophe that would doubtlessly ensue, should the casual reader skip the rest of the work and attempt to begin directly with magical evocation. it remains to clarify how to perform magical evocation in safety. the averse forces are indeed unbalanced forces

HEPTAMERON

subject; so that that spirit which governeth the day, ruleth also the first hour of the day; the second from this governeth the second hour; the third; the third hour, and so consequentkly: and when seven planets and hours have made their revolution, it returneth again to the first which ruleth the day. therefore we shall first speak of the names of the hours. of the names of the angels and their sigils, it shall be spoken in their proper places. now let us take a view of the names of the times. a year therefore is fourfold, and is divided into the spring, summer, harvest and winter; the names whereof are these. hours of the day. hours of the night. 1. yayn. 1. beron. 2. janor. 2. barol. 3. nasnia. 3. thanu. 4. salla. 4. athir. 5. sadedali. 5. mathon. 6. thamur. 6. rana. 7. ourer. 7. netos

HINE PHIL ASPECTS OF EVOCATION

ore things besides. bringing forth the dweller within- its name is legion. i was preparing for a descent into the labyrinth, to make known my .forgotten ones, with only the thinnest of cords with which to map the maze. why risk insanity in such a way? this is the inner journey, the whale.s belly, the feast of the ravening ones. why go alone, without the security of tried and tested banishings and sigils? well i don.t trust those old books, those mad monks with their necronomicons, dead names and blasphemous sigils. what price forbidden knowledge? about 4.50 in paperback actually. ridiculous! so i set forth to compile a .living. grimoire. a product of the technocratic aeon, i use its debris to mould my dreams .the howling- the hiss, roar and static screams of radios tuned to dead channels

cynicism on a cherished ideal or goal. the means of gnosis: sensory overload, hyperventilation, old favourites such as hunger, thirst, exhaustion. 120 hours without sleep produces a fine paranoic .edge. to consciousness. cohering the images that welled up from within- using fingerpainting, moulding clay mixed with body fluids and excreta, sculpture using broken glass; and the more usual methods; sigils, auto-writing, taking a line for a walk. by these means the forgotten ones take shape. these .psychographs. accumulate in corners of the temple, and it takes on the clutter of an austin osman spare print. alas, these psychographs fall far short of the images and visions that flicker around me .another pile of shit for the ledger. i scream and take a hammer to them, only to collapse exhauste

erson, apparently some people have chosen to believe it was me baring my soul. oh dear! 22 functional spirits one approach to evocation is working with spirits which have a provenance over a particular situation or experience. entities such as these are detailed in grimoires such as the lesser key of solomon the king which are handbooks of spirits, giving details of spirits. typical forms, names, sigils, and how to conjure them. the spirits in books such as the lesser key have bizarre names, even more bizarre appearances, yet their powers are directly functional and useful. for example, raum appears as a blackbird, and can create love, reconcile enemies, or destroy cities and reputations. the standard approach to summoning these spirits is to use the time-honoured magical ritual, wherein t

HINE P OVEN READY CHAOS

roaches to this are (a) monogram- write out your intent, knock out all repeating letters, and from the rest, design a glyph (b) mantra- write out intent, scramble into meaningless phrase or word, which can then be chanted. in addition to the above, you can also use other media such as smell, taste, colours, body language, and hand gestures. 33 oven-ready chaos 4.intense gnosis/indifferent vacuity sigils can be projected into the mutliverse via an act of gnosis- usually, but not necessarily, within some kind of ritual/magical context. popular routes to gnosis include: spinning, chanting, dancing, visualisation, sensory overload or sensory deprivation, and sexual arousal. the other altered state is that of indifferent vacuity- a sort of not-particularlybothered state. an example of sigilisat

ked a question about the boring talk that you were supposed to have been listening to. 6.forget once your sigil has been fired, you re supposed to forget the original intent and let the butterfly effect or whatever take its course. forgetting what you just did can often be the hardest part of the process. it s not so bad if the intent is something you don t really care about (hence beginning with sigils for things you aren t really too fussed about is a good way to begin experiments, but is more difficult if it s something you really want to happen. as long as you don t dwell on the thoughts when they pop up, it shouldn t matter too much. time for another analogy. the ever-changing tangle of desires, wishes, fears, fantasies etc jostling around in our minds can be likened to a garden, albe

on. if the intent gets tangled up with all the other stuff in your head, you tend to start projecting various fantasy outcomes- what you ll do with the money when it comes, how will it be with the boy/girl/anteater of your dreams, etc and the desire will get run into all the others, thus decreasing the probability of it manifesting in the way you want it to. a useful attitude to have when casting sigils is that once you ve posted one off to the multiverse (which, like santa, always gets the message, then you re sure that it s going to work, so that you don t need to expend any more effort on that particular one. such confidence tends to arise out of having had some success with sigils previously. the result often comes about when the intent has become latent- that is to say, you ve complet

about it and given up on it coming about. the experience is similar to trying to hitch a lift on deserted road in the dead of night. you ve been there for hours, it s pouring down with rain and you know with an air of dread certainty that no one s going to stop for you now, but you stick your thumb out anyway. what the hell, eh? five minutes later, you get a lift from the boy/girl/anteater of two sigils back, driving a porsche and asking you how far you want to go. maddening isn t it? but sigilisation often seems to work like that. 35 oven-ready chaos belief- a key to magick one aspect of chaos magick that seems to upset some people is the chaos magician s (or chaoist, if you like) occasional fondness for working with images culled from non-historical sources, such as invoking h.p lovecraf

nt into the labyrinth, to make known the forgotten ones, with only the thinnest of cords with which to map the maze. why risk insanity in such a way? this is the inner journey, the whale s belly, the feast of the ravening ones. why go alone, without the security of tried and tested rituals and banishings? well i don t trust those old books, those mad monks with their necronomicons and blasphemous sigils. what price this forbidden knowledge? about 4.50 in paperback actually. ridiculous! so i set forth to compile a living grimoire. a product of the technocratic aeon, i use its debris to mould my dreams. the howling- the hiss, roar, and static screams of radios tuned to dead channels. 57 oven-ready chaos to the work then; some loose structure being required (or so i thought, i devised a hiera

. letting the hyenas of cynicism loose on a cherished idela or goal. the means of gnosis: sensory overload, hyperventilation, old favourites such as hunger, thirst, exhaustion. 120 hours without sleep produces a fine paranoic edge to consciousness. cohering the images: using fingerpainting, moulding clay mixed with body fluids and excreta, sculpture using broken glass; and the more usual methods- sigils, auto-writing, taking a line for a walk. these are the means by which the forgotten ones take shape. these psychographs accumulate in corners of the temple, giving it the clutter of an austin spare print. alas, these psychographs fall far short of the images and visions that flicker around me. another pile of shit for the ledger? i scream, and take a hammer to them, only o collapse exhauste

JENNINGS HARGRAVE ROSICRUCIANS RITES MYSTERIES

apter the twenty-seventh. the rosicrucians amidst ancient mysteries and in the orders of knighthood. 237 chapter the twenty-eighth. rosicrucianism in strange symbols. 253 chapter the twenty-ninth. connection between the templars and gnosticism. 266 chapter the thirtieth. rosicrucian origin of the order of the garter. 282 chapter the thirty-first. rosicrucian supposed means of magic through signs, sigils, and figures. 295 chapter the thirty-second. astro-theosophical system of the rosicrucians the alchemic magisterium. 303 chapter the thirty-third. rosicrucian celestial and terrestrial (means of intercommunication. 317 chapter the thirty-fourth. the pre-adamites. profound cabalistic or rosicrucian speculations. 322 xvi contents chapter the thirty-fifth. page. the adapted rosicrucian contemp

se strange natural things. badge of the sultan of turkey (the crescent and star. the star is the star of the magi, indicating the birth of christ, or the hero, or the prophet-leader. the star is the referring signal in the embrace and issuant out of the crescent, or sickle of the new moon) sigma from the roman catacombs. chapter the thirty-first. rosicrucian supposed means of magic through signs, sigils, and figures. he dragon s head and dragon s tail are the points called nodes, in which the ecliptic is intersected by the orbits of the planets, particularly that of the moon. these points are of course shifting. the dragon s head is the point where the moon or other planet commences its northward latitude; it is considered masculing and benevolent in its influence. the dragon s tail is the

n) is spiritually free (because of her nothingness except possessed) from the curse and corruption of things material. from these ideas came the powers superstitiously imagined to be possible in the virgin state, and capable of being exercised by virgin woman. all the marks and forms connected with these proscribed letters s and z have, on their material and worldly side, the character of charms, sigils, and talismans, in the evil sense, or dark sense. they were supposed to be means of magic by the old soothsayers. the celebrated lord monboddo produced a very elaborate treatise quite contrary to recognised ideas to show that speech was not natural to man, but that language was a result of the primeval fall, and that the punishment of babel signified the acquisition of the tongues, and not

K AMBER THE BASICS OF MAGICK

try 8. telekinesis 9. teleportation m. sympathetic magic (poppets and such) n. runes o. mediumship, necromancy, and spirit guides p. philtres and poteins q. cleansing, purification, protection and blessing; esxorcism; ligature, binding r. power animals, totems and familiars; shapeshifting s. tree magick t. dreamcraft u. ritual tool magick v. invocation, evocation and going into aspect w. symbols, sigils and images; tattvic symbols; numerology x. conjuration or summoning; banishing or exorcism y. commemoration or linking z. past life regression or recall aa. pathworking on the tree of life bb. ceremonial magic viii. timing a. the lunar cycle b. the wheel of the year c. astrological conjunctions d. planetary hours and days e. individual biorhythms ix. creating your own reality, following you

LEMEGETON

igil for agares, from harl. 6483. sigil for vasago, from harl. 6483. magical circle and triangle, from sloane 3648. hexagram to be worn as a lamin, from the hebrew manuscript of the clavicula salomonis (sepher mafteah shelomoh, fol. 38a. gollancz, fol. 38a. or. 14759 pentagram, from harl. 6483. the magic ring, from sloane 2731. brass vessel, from sloane 2731: sigil for carmasiel, from harl. 6483. sigils for some of carmasiel's dukes, from harl. 6483. the seal of solomon, from harl. 6483. seal of solomon from the magical calendar. seal of solomon, frontispiece from british library manuscript lans. 1203, les v ritables clavicules de salomon, traduites de l'hebreux en langue latine, par le rabin abognazar. sigilla, nempe xii signorum zodiaci, from paracelsus, archidoxis magicae, liber ii. ari

LEWIS JAMES SATANISM TODAY AN ENCYCLOPEDIA OF RELIGION FOLKLORE AND POPULAR CULTURE

atanic education would emphasize what was once considered well-rounded literacy. a broad knowledge and application of art, architecture, geography, literature, music, world history, cinema, languages, mathematics, theatre, sciences, etc, is vastly more important to a satanic priest than lessons in multicultural sensitivity. or, for that matter, memorizing the lesser key of solomon and tracing the sigils from avon books necronomicon. a classical curriculum might revive in us some of the magical powers of discernment and discrimination most of us have lost. don t tolerate pretentiousness. when a woman brags that she s getting a degree in women s studies, you can smile sweetly and say (as one of our priestesses did recently, oh great you mean like cooking and cleaning and balancing a budget

LIBER ARCANORUM

parfaxitas tzuflifu qulielfi raflifu shalicu thantifaxath liber ccxxxi 5 [note: x (coptic ksi) is probably an error for (sou) the coptic letter rendered .st. by the golden dawn, attributed to kether and accordingly used to terminate divine names. in accordance with this text.s .class a. status i have not corrected this. ac diary, december 1907: tuesday 3] about now wrote arcana in atus of tahuti, sigils of genii, etc] saturday 14. liber trigrammaton, and copied sigilla 22] monday] curious vague depression most of day. i think the sigilla 22 have a very unpleasant influence. much of the corpus of .class a. texts was written around this time: liber vii? or dcccxiii: the diary entry has .the 7 fold word) 29-30.10 liber lxv 30.10. 3.11 liber lxvi 25.11 liber x 11-12.12 liber cd 13.12 liber xxv

LIBER LLL PARADIGMAT PIRATE

recall that you are dreaming. you must maintain a balance between lucidity and the dream world. too much control and the dream collapses into conscious fantasy. too little control and you simply fall into a deep sleep. once you have achieved a lucid dreaming state, there are three types of magical activity that you may choose to engage in: 1. you may choose to perform enchantments with pre-drawn sigils. 2. you may choose to extend your perception by going to a location beyond your normal awareness to gain the answers to various questions. 3. finally, you may attempt some sort of astral working. effecting change in another location without physically being there. with any of the above techniques it is most important to have what you are planning to do in mind before you begin and to record

this is due to the total focus that your body feels on the need for food, driving all other trivial thoughts from the brain and making your focus on a single point of consciousness easier. there is a tendency towards hostility while attempting this form of gnosis and others have noted that it is an ideal time to curse people. you may wish to come up with a short list of targets and do destructive sigils at this time. however, there isn ft a reason why you can ft do positive workings or simply note the side effects and byproduct states that accompany this form of gnosis. sensory deprivation isolation chambers are hard to come by nowadays. so the magician must resort to several tricks to place herself in a complete isolation of the senses. there are two ways of doing this: overload and solit

rts of workings, or at least that is the history of its use. however, it is apparent how it could be used in any type of magical activity. the effort to maintain continuous motion eventually forces the mind to a single point of concentration, the motions themselves become automatic and there is a feeling of disassociation from the mind. it is at this point that the magician performs rituals, fire sigils and various other magical acts. this is also a great form of gopen handed magic. h you can do it in a club full of people, with dozens watching, and no one has a clue. it takes a lot longer than one might think, though onset can be quick if you fve never tried it before. normal times to reach gnosis range from fifteen to forty minutes of continuous dancing. you can also obtain this type of

LIBER LXXVIII

dical forces. the four aces are said to be placed on the north pole of the universe wherein they revolve, governing its revolution; and ruling as the connecting link between yetzirah and the material plane or universe. i. the root of the powers of fire ace of wands a white radiating angelic hand, issuing from clouds, and grasping a heavy club, which has three branches in the colours, and with the sigils, of the scales. the right-and left-hand branches end respectively in three flames, and the centre one in four flames: thus yielding ten: the number of the sephiroth. two-and-twenty leaping flames, or yodh, surround it, answering to the paths; of these, three fall below the right branch for aleph, men, and shin, seven above the central branch for the double letters; and between it and that o

LIBER MMM

simple shape, such as a triangle, circle, square, cross, or crescent, is chosen and held in the mind s eye, without distortion, for as long as possible. only the most determined efforts are likely to make the imagined form persist for any time. at first the image should be sought with the eyes closed. with practice it can be projected onto any blank surface. this technique is the basis of casting sigils and creating independent thought forms. the three methods of attaining magical trance will only yield results if pursued with the most fanatical and morbid determination. these abilities are highly abnormal and usually inaccessible to human consciousness, as they demand such inhuman concentration, but the rewards are great. in the magical diary, record each day s formal work and whatever ex

should you select anything with any possibility of failure. by persisting with such simple beginnings you become capable of virtually anything. all works of metamorphosis should be committed to the magical diary. 18 magic success in this part of the syllabus is dependent on some degree of mastery of the magical trances and metamorphosis. this magical instruction involves three techniques: ritual, sigils, and dreaming. in addition, the magician should make himself familiar with at least one system of divination: cards, crystal gazing, runesticks, pendulum, or divining rod. the methods are endless. with all techniques, aim to silence the mind and let inspiration provide some sort of answer. whatever symbolic system or instruments are used, they act only to provide a receptacle or amplifier f

thods are endless. with all techniques, aim to silence the mind and let inspiration provide some sort of answer. whatever symbolic system or instruments are used, they act only to provide a receptacle or amplifier for inner abilities. no divinatory system should involve too much randomness. astrology is not recommended. ritual is a combination of the use of talismanic weapons, gesture, visualized sigils, word spells, and magical trance. before proceeding with sigils or dreaming, it is essential to develop an effective banishing ritual. a well-constructed banishing ritual has the following aspects. it prepares the magician more rapidly for magical concentration than any of the trance exercises alone. it enables the magician to resist obsession if problems are encountered with dream experien

spells, and magical trance. before proceeding with sigils or dreaming, it is essential to develop an effective banishing ritual. a well-constructed banishing ritual has the following aspects. it prepares the magician more rapidly for magical concentration than any of the trance exercises alone. it enables the magician to resist obsession if problems are encountered with dream experiences or with sigils becoming conscious. it also protects the magician from any hostile occult influences which may assail him. to develop a banishing ritual, first acquire a magical weapon- a sword, a dagger, a wand, or perhaps a large ring. the instrument should be something which is impressive to the mind and should also represent the aspirations of the magician. the advantages of hand-forging one s own inst

onal barriers that the magician can create with the magical weapon. third, the barrier is reinforced with power symbols drawn with the magical weapon. the traditional five-pointed star or pentagram can be used, or the eight-pointed star of chaos, or any other form. words of power may also be used. fourth, the magician aspires to the infinite void by a brief but determined effort to stop thinking. sigils the magician may require something which he is unable to obtain through the normal channels. it is sometimes possible to bring about the required coincidence by the direct intervention of the will provided that this does not put too great a strain on the universe. the mere act of wanting is rarely effective, as the will becomes involved in a dialogue with the mind. this dilutes magical abil

state, it is necessary to select a topic for dreaming. the magician should start with simple experiences, such as the desire to see a particular object (real or imaginary) and master this before attempting divination or exteriorization. the dream is set up by strongly visualizing the desired topic in an otherwise silenced mind, immediately before sleep. for more complex experiences the method of sigils may be employed. a record of dreams is best kept separate from the magical record as it tends to become voluminous. however any significant success should be transferred into the magical diary. though one may get to fear the sight of it, a properly kept magical record is the surest guarantor of success in the work of liber mmm: it is both a work of reference with which to evaluate progress

LIBER SAMEKH

dragon (nuit) and thereby manifested as a sun (ra-hoor-khuit. the gegg h (or heart) ggirt with a serpent h is a cognate symbol; the idea is thus expressed later in the ritual (see liber lxv, which expands this to the utmost) section b the adept passes from contemplation to action in the sections now following, b to gg. he is to travel astrally around the circle, making the appropriate pentagrams, sigils and signs. his direction is widdershins.17 he thus makes three curves, each covering three-fourths of the circle.18 he should give the sign of the enterer on passing the kiblah, or direction of boleskine.19 this picks up the force naturally radiating from that point* and projects it in the direction of the path of the magician. the sigils are those given in the equinox i (7, plate x outside

with a replica in the meantime, the original stele is still closed gin locked glass h in a museum in cairo. incidentally the name of the victorious city can be fudged to 418 in hebrew just as easily as that of crowley fs country house. 20 plate x in equinox i (7) was an illustration to ga brief abstract of the symbolic representation of the universe h( gliber lxxxiv vel chanokh h) showing various sigils received during the dee-kelly workings; the four characters outside the square are said to be the sigils of the four gangel overseers h, referred to in liber 84 (possibly following a golden dawn tradition) as gsupreme elemental kings. h in the yorke goetia, the names and sigils appear at the head of each elemental section. the names are as follows: air (ar thiao &c) tahoeloj; fire (arogogor

igils appear at the head of each elemental section. the names are as follows: air (ar thiao &c) tahoeloj; fire (arogogorobrao &c) ohooohaatan; water (roubriao mariodam &c: thahebyobeeatan; earth (ma barraio &c: thahaaotahe. the characters (in order air, fire, water, earth) are: a c a a 21 see gliber o vel manus et saggitta h (liber vi) in the yorke copy of the goetia, in addition to the names and sigils mentioned in the previous note, at the head of each elemental section is a stick figure in the appropriate elemental grade sign, along with the appropriate invoking elemental pentagram and hebrew name (again, see gliber vi, h cap. iv, for these. at the head of the aoth abaoth &c. section are shown the lvx signs, the mark of the beast (see note below) and the invoking active spirit pentagram

LUCIFERIAN SORCERY

e for his/her own alphabet of desire, this is where the connection and development of witches sabbat emerges. witchcraft itself, was silently expanded upon by spare in his later years. it is known that he had many dream experiences which allowed him to attend the witches sabbath, as 8 well as communicate with many of the attendants. zos vel thanatos (aka. austin spare) created numerous glyphs and sigils based on the astral conclave, even writing texts which included a full invocation of the sabbath. above the alphabet of desire the witches sabbat path should be absorbed by the fledgling student, from which as the individual develops may bring forth more tangible and practical ideas to the craft itself. 9 the order of phosphorus is one group formed in america by coven nachttoter, which seek

LUCIFERIAN WITCHCRAFT AN INTRODUCTION

his/her own alphabet of desire, this is where the connection and development of luciferian witchcraft emerges. witchcraft itself, was silently expanded upon by spare in his later years. it is known that he had many dream experiences which allowed him to attend the witches sabbath, as well as communicate with many of the attendants. zos vel thanatos (aka. austin spare) created numerous glyphs and sigils based on the astral conclave, even writing texts which included a full invocation of the sabbath. such art and writings no doubt influenced the magickal stream of initiation within many individuals later on, as well as announcing the formation of the technical term called chaos magick in the 70 s. wisdom is the point of conscious understanding that is essential for the practice and life wor

MASTERING WITCHCRAFT

very useful for the temporary marking out of circles or triangles, particularly where group work is concerned. 6. good-quality plain white drawing paper for your talismans. ideally, sheepskin parchment, but this is very expensive and the paper will do just as well. 7. an elementary schoolboy's geometry set including compasses, protractor, ruler, and set square. this is to draw your talismans and sigils (magical symbols) with. 8. a small sewing kit containing scissors, needles, and thread. 9. a dip pen; your "pen of art (not a ballpoint) for drawing talismans and writing in your workbook. 10. a good-quality (squirrel or sable) paintbrush for painting runes on your magical tools. 11. thick black waterproof ink to use with your dip pen; your "ink of art" to this, you may add a perfume or her

MATHERS MACGREGOR THE GREATER KEY OF SOLOMON VOL 1

. is the veritable keys of solomon translated from the hebrew into the latin language by the rabbin agognazar. it is in french, exquisitely written in printing letters, and the pentacles are carefully drawn in colored inks. though containing similar matter to the others, the arrangement is utterly different; being all in one book, and not even divided into chapters. the antiquity of the planetary sigils is shown by the fact that, among the gnostic talismans in the british museum, there is a ring of copper with the sigils of venus, which are exactly the same as those given by the mediaeval writers on magic. where psalms are referred to i have in all instances given the english and not the hebrew numbering of them. in some places i have substituted the word azoth for alpha and omega, e.g, on

emn rites and observances on our part. the key of solomon page 38 thou shouldest further make a book of virgin parchment paper, and therein write the foregoing conjurations, and constrain the demons to swear upon the same book that they will come whenever they be called, and present themselves before thee, whenever thou shalt wish to consult them. afterwards thou canst cover this book with sacred sigils on a plate of silver, and therein write or engrave the holy pentacles. thou mayest open this book either on sundays or on thursdays, rather at night than by day, and the spirits will come. regarding the expression night, understand the night following, and not the night preceding the aforesaid days. and remember that by day (the demons) are ashamed, for they are animals of darkness. book on

ble virtues, as experience will easily teach thee. we have already said sufficient regarding the solemn conjuration of spirits. we have also spoken enough in our present key, regarding the manner in which it is necessary to attract the spirits so as to make them speak. now, by divine aid, i will teach thee how to perform certain experiments with success. know, o my son roboam, that all the divine sigils, characters, and names (which are the most precious and excellent things in nature, whether terrestrial or celestial, should be written by thee each separately, when thou art in a state of grace and purity, upon virgin parchment, with ordinary ink, in the beginning of the month of august before sunrise, raising thine eyes unto heaven, and turning towards the east. thou shalt preserve them t

er shall have power to harm thee. book one page 41 furthermore thou shalt vanquish all adversities, and shalt be cherished and loved by the angels and spirits, provided that thou hast made their characters and that thou hast them upon thee; i assure thee that this is the true way to succeed with case in all thine operations, for being fortified with a divine name, and the letters, characters, and sigils, applicable unto the operation, thou shalt discover with what supernatural exactitude and very great promptitude, both terrestrial and celestial things will be obedient unto thee. but all this will only be true, when accompanied by the pentacles which hereinafter follow, seeing that the seals, characters, and divine names, serve only to fortify the work, to preserve from unforeseen accident

MATHERS MACGREGOR THE LESSER KEY OF SOLOMON LEMEGETON VOL 1

ces, of which the four principal variations are here composed together in parallel columns as an example of the close agreement of the various texts of the lemegeton. for in the whole work the differences in the wording of the various codices are not sufficient to require the constant giving of parallel readings; but except in the more ancient examples there is much deterioration in the seals and sigils, so that in 7 this preliminary definition of magic is found in very few codices, and is probably later than the body of the work. 8 or actives. 9 or passives. 10 or effect. 11 or the black art, as distinct from mere necromancy, or divination by the dead. 12 or quacks and pretenders. vide note on p. 10. this latter respect the more recent exemplars are not entirely reliable) clavicula salomo

mars, iron; to the sun, gold; to venus, copper; to mercury, mercury and mixtures of metals, and to luna, silver. in a manuscript codex by dr. rudd, which is in the british museum, hebrew names of these 72 spirits are given; but it appears to me that many are manifestly incorrect in orthography. the codex in question, though beautifully written, also contains many other errors, particularly in the sigils. such as they are, these names in the hebrew of dr. rudd are here shown (see figures 81 to 152 inclusive) the magical circle. this is the form of the magical circle of king solomon, the which he made that he might preserve himself therein from the malice of these evil spirits (see frontispiece, figure 153) this magical circle is to be made 9 feet across, and the divine names are to be writt

agla with alpha and omega in red letters) the pentagram of solomon. this is the form of pentagram of solomon, the figure whereof is to be made in sol or luna (gold or silver, and worn upon thy breast; having the seal of the spirit required upon the other side thereof. it is to preserve thee from danger, and also to command the spirits by (colours- circle and pentagram outlined in black. names and sigils within pentagram black also. tetragrammaton in red letters. ground of centre of pentagram, where soluzen is written, green. external angles of pentagram where abdia. ballaton, halliza, etc, are written, blue) the magic ring or disc of solomon this is the form of the magic ring, or rather disc, of solomon, the figure whereof is to be made in gold or silver. it is to be held before the face o

MICHAEL FORD BOOK OF CAIN

uld not turn back. my being was tested, and i could not fail save the scorpions sting which would force me to eternal dreamless sleep the very curse of the profane! it was one night after many days of not finding the caves of which i sought, not seeing a soul or any living thing save the shades of the earth which wander aimless. i visualized this ancient page, and with my minds eye i summoned the sigils to flesh, and a gate opened before me zazas, zazas, nasatanada zazas i saw a great red dragon coming forth, who was surrounded with flame. this dragon looked unto me and a great shadow emerged from its very flesh this shadow, black as pitch arose and took the form of a bearded king, saying in a comely voice- my son, what do you ask of me? my father, i grow weary, little food and water, i am

MICHAEL FORD WITCHMOON

one is in a defensive situation or for physical survival in the extreme cold. i can recall numerous times when i had undertaken some early will training exercises amidst the perils of an extreme winter which often threatened my own personal safety. i had to call upon the wolf then just to carry my mind and body to a heightened sense of strength and power. the werewolf may be invoked with runes or sigils, for which the details are given later in this book. werewolves and such creatures have existed as long as vampires. in france there were "meneurs de loup which were said to lead wolves by playing a bone pipe which would echo the music of the dead. the wolf charmer was by no means a friend of humanity, causing werewolves and servitors to devour any unfortunate soul who walk near them in the

, the same as the abyss. all things manifest from this dimension yet nothing remains within its favor, all returns to it by the way of the grave at some point. life recycles itself. this can also be defined as what spare termed the neither-neither. it should also be pointed out that 26 26 neither-neither is a inner dwelling concept of exploring the self, harnessing personal power and consecrating sigils. neither-neither is in many ways, a way of life. the channel towards to attain this state one must reach a black out point when the mind goes beyond the point of conception, of when nothing matters and all is unintelligible. this is when one assumes the death posture, the flight of the self in ecstasy during which nothing exists, you literally step outside yourself. when the individual ente

en evoking or 31 31 invoking vampire spirits, the use of your blood (you being the sorcerer) will already create a binding effect on them in order to actually containing or absorbing them. there are those however who would use the harm of others to their benefit, which makes such individuals very dangerous and untrustworthy. they who would operate in such ways have no honor and should be avoided. sigils and symbols "sigils are monograms of thought, for the government of energy" sigils are the art of believing, my invention for making belief organic, ergo, true belief- austin spare, the book of pleasure. sigils are the language of the subconscious. it has been mistakenly thought that sigils are letter combinations in the style of austin spare. this is not correct by any means. just as magic

he sethanic mysteries is based on a loose but well practiced doctrine. the witch requires an area of land, preferably wooded, in which solitude is possible. the mentor or partner can be present to give direction and guidance. the witch has a small bonfire going and is draped in traditional garments, hooded robes of white, appropriate to the initiation process. any other objects such as pentacles, sigils and other talismans can be worn as well, depending on the individuals interest and alignment. the color white represents purity, and humility or novice status. it is thus suited to those who have not 45 45 tasted the mysteries of light and dark. thus it precedes the gray of the magickal current that flows towards the toad s moon, to which the night pays homage. a dagger should be present, n

ones, spirits of fire, earth, water and air come forth from thy aethyrs this knife wrought of earth, this athame is to be my magickal weapon. asmodeus, watcher of the circle and space beyond, i charge this athame with your essence, with my blood for i am a guardian of true tradition, whose witch blood speaks through me! amen" begin painting the athame according to your taste.you may wish to paint sigils or tailsmans or even god signs which hold significance to you. once all is complete take the athame and intone "as the calls of lilith are heard, to which hecate looms forth by the moon which hangs above i am childe of the witch moon of blood held by an oath to the shadow, both dawn and twilight by desire, will and belief i mark the path of manifestation. amen! so mote it be" banish and clo

re your service, for we are bound by the laws of death. the shade will feed from your astral body while you dream, giving it nourishment to perform the duties of its creation. i have found such shades are forced away from the body when you arrive back in the flesh. 59 59 the witches alphabet proves a powerful method of scribing ones own magical name on ones instruments of the craft, or inscribing sigils (if you wish a simple means of creating sigils. the witches alphabet, as it is known, is called theban. attributed to honorius, theban is an ancient script of runes from which the sorcerers of old inscribed many of their instruments and the inking of spells to hide from profane eyes. invoking the goddess- manifestation of the lunar current what is the connection between the zos kia cultus

MICHAEL TSARION ATLANTIS ALIEN VISITATION AND GENETIC MANIPULATION

monly insinuated, and it is not happenstance that almost all of the pre-industrial scientists, cosmologists, and chemists were master occultists. when one takes acloser look at the personalities behind the occult societies of the elizabethan age, forinstance, an interesting picture begins to form. competent researchers or students of theoccult, of enochian magic, etc, recall how often the magical sigils resemble, or actuallyare, planetary and cosmic symbols. the full reason for this has long been concealed. themagic of the middle ages and the necromancy of the dark ages was for the same purposesas the technomancy of the modern age. the practitioners and their lackeys are all of one clanwith the self-same agenda. when we hear of magicians in their circles of protection sur-rounded by planet

ls resemble, or actuallyare, planetary and cosmic symbols. the full reason for this has long been concealed. themagic of the middle ages and the necromancy of the dark ages was for the same purposesas the technomancy of the modern age. the practitioners and their lackeys are all of one clanwith the self-same agenda. when we hear of magicians in their circles of protection sur-rounded by planetary sigils and calling out the barbarous names of archangels and familiars,we must realize that this has to do with very physical phenomena. let us look now beyondthe masque to see what lies at the origin of these specific occult sciences and why the profu-sion of occultism among the european aristocratic intelligentsia at this time. the living macroscope86atlantis, alien visitation, and genetic manip

MICHAEL W FORD THE VAMPIRE GATE

those in large public gatherings. tzelladimiron gemini (may 21-june 20) mutable air demons whose congealed blood, bronze and 57 crimson. they are like savage triangular-headed dogs whose teeth tear the limbs of those in nightmares. this is restrained desires they are given substance by such shells. vampyres may enter the nightmare of another by evoking these spirits, sending and binding dog form-sigils and draining life energy in the nightmare. schechiriron cancer (june 21 july 22 -active water spirits whose forms are black their form blended of reptile, insect and like the crab and the lobster, yet demon-faced. the vampyre magickian may seek atavistic knowledge through dreams with these demons, also draining emotions from others when sleeping. shelhabiron leo (july 23 august 22 -fixed fi

MICHAEL W FORD NOX UMBRA

tomb (solitary self initiation) seker is a 'developed' and 'inspired' vampyre archetype of ancient egypt, whom resided as the lord of the tombs in memphis. seker is represented as a mummy- like corpse figure, wearing a shroud, ashen white and gray, black or crimson eyes and various wolf and jackal like hairs upon its palms and body. the face is that of a long dead corpse, streaked with blood red sigils of demonic awakening, saturnus and other relevant symbols. seker was known to often appear with the mask of a predatory hawk, thus his servitors wear this black and gold mask. seker is the lord of the grave, those who taste the ecstasy of azrael and lilith, and the ecstasies of the dead. anubis is the gateway to seker through azrael and lilith. the wisdom of seker is the vampyric solitude

ads and the dead. it is noctulia -hecate (named also lilith) whom we sing hymns of the night unto. the ritual of lycanthropy is a two part process. the first involves the making of a belt of symbolic wolf skin, and possibly obtaining a wolf, dog or coyote skull (if you had a loyal familiar as a dog which had passed, this is perhaps a wonderful way to honor it) the altar should be decorated in the sigils of the beast, the sign of hecate. the evocation dagger should also be upon the altar, with the coyote or dog skull in the center. the individual seeking the darkness of the werewolf must create his or her own wolf belt. this is symbolic of the belt given to the initiate by the devil, and is made of wolf skin. in modern times, wolves are a precious and beautiful animal, which should be respe

should also be upon the altar, with the coyote or dog skull in the center. the individual seeking the darkness of the werewolf must create his or her own wolf belt. this is symbolic of the belt given to the initiate by the devil, and is made of wolf skin. in modern times, wolves are a precious and beautiful animal, which should be respected. a replacement wolf belt may be made from leather, with sigils scribed into it which hold the sigillic wisdom of the beast. if one if fortunate enough, a belt buckle with the image of the devil may prove stimulating to the imagination. stain your belt black as night, perfume it with the oils of saturn, hecate and the moon. a mask may be made and consecrated for this process of transformation, inscribed with the sigils of the beast. noctulia- hecate sta

, luna and hecate within it. the belt buckle was the head of the devil, as iblis the opposer. part one the first night, bath yourself and then anoint your body with the perfumes of hecate and saturn, cover yourself in black and hold forth a hooded robe sacred for this operation. as you enter the circle, which may be under the dark moon (new moon, behold the skull which has been inscribed with the sigils of belial and marchosias, you're your temple area with an x, representing the crossroads. unto those who come to the crossroads (known also as the ghostroads) are inbetween the sun and the moon, from the living and the dead. face the altar "sekah, sekah, zrazza umpesha "by the hidden light known under the black sun, by the prayers whispered in silence unto the blood dripping moon i summon f

MIDNIGHTS CIRCLE A COMMENTARY OF AZOTHOZ

aits (the upper which falls from the sun) to the demonic (which descends but then reaches towards the light again. it is a process of coming into being as the adversary, horned and crowned in the midnight sun, thus emerging shaitan of midnight.[4] the 17th and 18th section of the poem displays the alphabet of desire which presents the language of making and the subconscious spells made flesh. the sigils are aligned within two trapezoids crowned by cain the adversary and the apep demon of chaos, surrounded by sigillic formulas of antinomian self-deification; the making of the luciferian mind through solitude and isolation. this is a process of developing the self through the mark of cain[5] and the declaration of separation from the natural order. this allows the magician to grow without ou

NECRONOMICON ALAZIF

nse may be rendered more efficacious by the addition of one part powdered mummy-egypticus. employ the perfume of zkauba in all ceremonies of ye ancient lore casting ye essences upon live coals of yew or oak. and when ye spirits drawn near, the vaporous smoke shall enchant and fascinate them, binding their powers to thy will. editor's note: in the published edition a series of planetary glyphs and sigils are shown in reference to the above formula. these have been omitted as they are not illustrated in the original manuscript but were provided from other unrelated texts by the publishers. to make ye powder of ibn ghazi the mystic powder of materialization: take ye dust of ye tomb- wherein ye body has lain for two hundred years or more past, three parts. take of powdered amaranth, two parts;

t and terrible name of damamiach that crom-yha uttered and the mountains shook i mightily compel ye forth o barbuelis, attend me! aid me! give power unto my spell that this weapon that bearest the runes of fire recieveth such vertue that it shall strike fear into the hearts of all spirits that would disobey my commands, and that it shall assist me to form all manner of circles, figures and mystic sigils necessary in the operations of magickal art. in the name of great and mighty yog-sothoth and in the invincible sign of voor (give sign) give power! give power! give power! when the flames turn blue it shall be a sure sign that the spirits obey your demands whereupon thou shalt quench the blade in an afore prepared mixture of brine and cock-gall. burn the incense of zkauba as an offering to

will give true answer to all you desire to know. and he shall reveal unto you the secret of his seal by which you may gain favour in the sight of the old ones when they once more walk the earth* and when his hour be past the curse of the elder lords shall be upon him and draw him forth beyond the gate where he shall abide until he be summoned. editor's note: included on this page are a number of sigils and a magic circle. these illustrations are not in the manuscript but were referenced from other texts, including, but not limited to; key of solomon (see additional ms. 36,674, british museum library) and three books of occult philosophy- cornelius agrippa. they are therefor not included in this version. to conjure of ye globes know ye that the globes of yog-sothoth be thirteen in number

PHOSPHORUS

l workings and how one unites the feminine and the masculine within the self. a minimum two page essay on lilith and samael. 5. study of the 8 pointed luciferian star chaos and baphomet. a detailed study in writing of the results in a minimum of 3 pages and how this primal gnosis relates to the self. baphomet and the basics of sex magick will be sought to be understood. 6. luciferian transference sigils of mastery and how lucifer represents the self in isolation and beautiful perfection. a minimum three page essay on how the sigils of luciferian transference hold a demonstration in ones personal life. 7. creation of ones own alphabet of desire, photocopied and sent to succubus publishing. an example of a successful occurrence with the alphabet. examples of how this alphabet works for the i

REGARDIE ISRAEL THE COMPLETE GOLDEN DAWN

or for two nasa contractors during the apollo missions, a typesetter, a free-lance writer and a practicing astrologer. he has never been to a writers'workshop, owns no cats, and is entirely ignorant of the martial arts. godwin believes in maintaining the open-minded, balanced attitude advocated by the middle path of cabalism. donald tyson of halifax, nova scotia, was born in 1954. his work on the sigils drawn from the planetary kameas (magic squares) has been incorporated into this printing of the golden dawn and is presented in depth in an appendix to his annotated version of the three books of occult philosophy of heinrich cornelius agrippa, forthcoming from llewellyn. tyson is the author of many books and articles on such subjects as the philosophy of magic (the new magus, the history a

y much more on some of this basic golden dawn magical teaching. the material in the 4th volume (first edition) or the last half of this present volume i1 (second edition) is of maximum importance. here are to be found the ground rules as it were governing magic in all of its many branches. would you know what a talisman is? and how it is constructed? the necessary information is to be found here. sigils-what they are, and how made, are also elucidated in this volume. full instruction in all such matters is given in several documents republished in this volume. there is no other text which is as explicit. francis barrett's the magus and henry cornelius agrippa's far older work on magical philosophy give the si@s derived from the magic squares, but neither is particularly explicit in descrip

tial forging of that link is a matter of supreme importance. let me now detail the curriculum of work prescribed in the second <81> order. the training of the adeptus minor consisted of eight separate items, and i quote the following from a syllabus "a-general orders" now in circulation "part one. a. preliminary. receive and copy: notes on the obligation. the ritual of the= grade. the manuscript, sigils from the rose. the minutum mundum. having made your copies of these and returned the originals you should study them in order to prepare to sit for the written examination. you must also arrange with the adept in whose charge you are,about your examination in the temple on the practical work "part two. receive the rituals of the pentagram and hexagram. copy and learn them. you can now sit f

to have this passed by an adept. to prepare a ritual for practical use with this square, and in the presence of a chief or other adept appointed to build it up astrally and describe the vision produced. to study and play enochian chess, and to make one of the chess boards and a set of chessmen "part one. e. talismans. receive a manuscript on the making and consecrating of talismans. gather names, sigils, etc, for a talisman for a special purpose. make a design for both designs of it and send it in for a chief to pass. make up a special ritual for consecrating to the purpose you have in mind and arrange a time with the chief for the ceremony of consecration "h. consecration and evocation. subject: a ceremony on the formulae of ritual z. 2. must be prepared before examiner and must meet with

as also issued a catalogue of manuscripts, enumerating in alphabetical order the documents circulated amongst the zelatores adepti minores. a. general orders. the curriculum of work prescribed. b. the lesser and supreme rituals of the pentagram. c. the rituals of the hexagram. d. description of lotus wand, and ritual of consecration. e. description of rose cross and the ritual of consecration. f. sigils from the rose. g. sword and four implements, with consecration ritual. h. clavicula tabularum enochi. j. notes on the obligation of the adeptus minor. k. consecration ceremony of the vault. l history lecture. m. hermes vision, and lineal figures of the sephiroth. n. 0. p. q. r complete treatise on the tarot, with star maps. s. the attributions of the enochian tablets. t. the book of the ang

work from neophyte to theoricus adeptus minor. some portions of the manuscripts have required editing, principally from the literary point of view. whole paragraphs have had to be deleted, others shortened, sentences made more clear, the redundant use of many words eliminated, and a general coordination of the manuscripts undertaken. certain other sections- those dealing at length with talismans, sigils, clairvoyance, geomancy and the enochian tablets- have been completely rewritten to render them more coherent. but nothing that is essential or vital to the magical tenor or understanding of any document introduction will be omitted, changed oraltered. this i avow and publicly swear. where personally i have seen fit to make comment on any matter in order to clarify the issue or to indicate

REGARDIE TALISMANS

t this testament into the fire, than to abuse the power though wilt have of constraining the spirits, for i warn thee that the beneficent angels, wearied and fatigued by thine illicit demands, would to they sorrow execute the commands of god, as well as to that of all such who, with evil intent, would abuse those secrets which he hath given and revealed unto me the traditional magical squares and sigils and hierarchical names have come down to us through the abbot trithemius, pietro d abano, and henry cornelius agrippa, derived from much earlier but unknown sources. for the most part, these have been reprinted in the magus by barrett, were appropriated by the hermetic order of the golden dawn in the last century, and were once more reprinted by me when compiling the material for the fourth

21. each number total then becomes a name as, for example, in the case of mercury, which represents the eighth sephirah of hod. here the number 64 is din, a name meaning justice, or its variation dni, doni. its next number 260 is tiriel, tirial, the name of the intellegence of this sephirah, while 2080 is taphthartharath, tptrtrt, representing the spirit of mercury. in each one of these examples, sigils would be traced on the appropriate square by following the course of the numbers. basic to the use of the magic squares is a method of permutation of hebrew letters and numbers called the qabalah of nine chambers. it is produced by the interception of two horizontal and two vertical lines, forming nine squares, as follows: this arrangement is called aiq beker. reading from right to left we

called the qabalah of nine chambers. it is produced by the interception of two horizontal and two vertical lines, forming nine squares, as follows: this arrangement is called aiq beker. reading from right to left we have aleph= 1, yod= 10, qoph= 100. in the second chamber are beth= 2, caph= 20, and resh= 200. thus aiq bkr. this arrangement of aiq beker is considered important in the formation of sigils or symbols from the names of the planetary spirits. it is first necessary to reduce those letters and their numbers to tens or units by means of the above. for example, in the case of zazel, the spirit of saturn, the letters are zayin= 7, aleph= 1, zayin= 7, and lamed= 30. the only letter which requires reduction in this instance will be lamed which reduces to 3. the next step is to trace a

ce the same results, with far less effort and bother in their preparation. the principles already described will cover their construction. these personally designed talismans are much preferred to those copied from this or any other text. chapter three words of power in the hermetic order of the golden dawn, a most interesting anachronism was employed to serve as the basis for the construction of sigils. it related to the old symbol of a rose upon a cross not necessarily a new symbol in itself. however, it is not any antecedently known type of rose-cross symbol. it has no parallels in occult or symbolic history. the novelty consisted of drawing the twenty-two hebrew letters in the petals of the rose according to the archaic attributions of the sepher yetzirah. they were placed in a certain

st circle of rose petals. within this ring were the seven double letters attributed to the seven planets. inside this second ring, was a third subdivision of large petals where were found the three mother letters so-called, referred to the three prime elements of fire, water and air. this resulted in the development of a simple but ingenious schema from which could be drawn an entirely new set of sigils, vastly different from those originally derived from the traditional magical squares. this complete symbol of the rose on the cross may be seen in one of the volumes of the golden dawn (llewellyn publications, st. paul, 1969, though the rose itself, which is only part of the symbol that concerns us here, may be found in the appendix. the student will find himself amply repaid by experimenti

t from those originally derived from the traditional magical squares. this complete symbol of the rose on the cross may be seen in one of the volumes of the golden dawn (llewellyn publications, st. paul, 1969, though the rose itself, which is only part of the symbol that concerns us here, may be found in the appendix. the student will find himself amply repaid by experimenting with the drawing of sigils of every conceivable type of name on this rose of twenty-two petals. he may find such sigils of more practical value than those made from the traditional kameas. on the various talismans that the student may perceive in the books referred to in the bibliography, he will find various words and versicles inscribed in the circular margins on the periphery of the talisman. these versicles or wo

RUBY TABLET OF SET

e fact that in australia the hottest part of the day is when the sun is in the north. at her altar was a red candle and a statue of a cat. on each of the other altars were placed a candle, a mirror or bowl of water for sight, a drum for sound, incense for smell, oil or something of fur for touch, wine and grail or red meat for taste. in the centre of the temple was a cauldron in which to burn the sigils. i put on leopard skin tights, painted my eyes so that they were cat-like, and threw on a bone necklace of sculls. invocation of sekhmet [invoke sekhmet and light the cauldron] come mighty one, sekhmet, maned and glorious mistress of set. i love you; i adore you, huntress of the plains. i follow you into the desolate lands. prowler of humanity, i seek to gaze into your eyes; reflected in th

andon that which turns away from you; strengthen that which increases of you, and destroy that which knows not of you. come forth and answer to your names by manifesting my desires! oh hear the names [here recite the names of the governors of the aethyr] taongla gemnimb advorpt dozinal [summon the elements [to the south] bitom [to the east] exarp [to the north] nanta [to the west] hcoma [draw the sigils of the governors of the aethyr you are working with [recite the nineteenth part of the word of set in enochian [recite the nineteenth part of the word of set in english [attend to the vision of the aethyr [when finished, burn the sigils of the governors. then] xeper and remanifest! reyn til runa! hail set [extinguish the black flame/close the gate [ring the bell] so it is done. into the aet

here to experiment with. ultimately, the enochian system is no better nor worse than many another magical codification. the real magic, the focusing power, is the will of the black magician. the means whereby that will is directed and applied is certainly not arbitrary, but is nevertheless largely immaterial. a seasoned and well-read magician can as easily work through enochiana, qabalah, runes, sigils or any other focusing symbol. as ipsissimus lewis is so fond of saying, it is vital to always remember that "us is it" the primary interest of enochian workings to the temple of set is the word of set, and the meaning thereof, for this is not an archaic rehash of esoteric mumbo-jumbo, but a philosophy and approach of central significance to the elect of set and his aeon. apart from that, th

SIX ANGLED RITE OF THE ROYAL SUN OF THE GOAT LORD

tions that accompany it, chie fly the element of awareness, and how it is to be used in the performance of these rites to summon the old one himself. to begin with, this rite does not require an altar, but does use a circle with a triangle in it, with one tip of the triangle pointing east. the circle is to be 9-13 feet in diameter, a fine, comfortable size. along with the circle and triangle, six sigils, shown in the two charts accompanying this ritual record, should be drawn inside the circle, as shown. if you want to use an altar, it should be created just as in the witches dance, and be east of the circle. the x marks on the chart below show the positions of candles, which can be used if the operants wish it. if you choose not to surround the area with six candles, at least try to have

SORCERIES OF ZOS

. eliphaz levi claimed a similar power of reification for the 'astral light, but he failed to show the precise manner of its manipulation. it was to this end that spare evolved his alphabet of desire 'each letter of which relates to a sex-principle( that is to say he noted certain correspondences between the inner movements of the sexual impulse and the outer form of its manifestation in symbols, sigils, or letters rendered sentient by being charged with its energy. dali refers to such magically charged fetish-forms as 'accommodations of desire) which are visualized as shadowy voids, black emptinesses, each having the shape of the ghostly object which inhabits its latency, and which is only by virtue of the fact that it is not. this indicates that the origin of manifestation is non-manifes

TELESMATA AND FLASHING TABLETS

veral times, at least one time for each letter. step 7 make the rose cross over the flashing tablet. step 8 use any appropriate words around the talisman to be consecrated. make the invoking pentagram five times over it as if the pentagram were standing upon it. vibrate the letters of the triplicities involved with the suffix -al added. step 9 read any invocation required while tracing the proper sigils from the rose as you pronounce the names. always follow the hierarchy. step 10 the first portion of the operation is to initiate the work from yourself. the second is to attract the force in the atmosphere into the vortex you have formed. step 11 read the elemental prayer as utilized in the grade rituals. 6 step 12 close with the rose cross and perform the necessary banishing ritual. do not

TELESMATIC FIGURES

. concentrate then upon your trapt, the centre about the heart, and draw down into it the white rays from above. formulate the letters in white light in your heart. inspire deeply, and then pronounce the letters of the name, vibrating each through your whole system as if setting into vibration the a before you, and as if that vibration spread out into space. the whiteness should be brilliant. the sigils are drawn from the lettering of the rose upon the cross, and these are in trapt, which corresponds to the heart. draw them as if the rose were in your heart. in vibrating any name, pronounce it as many times as it has letters. this is the invoking whirl. 6 example: the vibration of rah ynda. perform the banishing ritual of the pentagram in the four quarters of your room, preceded by the qab

THE BOOK OF PLEASURE

ous in intensity 19, he then sacrifices this desire (or its fulfilment) to the initial desire, by this it becomes organic, the quantum. he has not attained freedom from law 20. hence let him wait for a belief to be subtracted, that period when disillusionment has taken place 21. verily disappointment is his chance "this free entity of belief" and his desire are united to his purpose by the use of sigils or sacred letters. by projecting the consciousness into one part, sensation not being manifold, becomes intensified. by the abstention of desire, except in the object, this is attained (at the psychological time this determines itself. by non-resistance (involuntary thought and action, worry and apprehension of nonfulfilment, being transient, find no permanent abode: he desires everything

ere only when some form of resistance is active, when resistance is dormant- control is given to the presiding obsession, allowing its incarnation in, and swamping of the ego, which has to live and perform its emotional experience. disease and insanity (all disease is insanity) is caused when the disembodied energy has no vital function. it is this energy which is utilised for the vitalization of sigils. 49 50 sigils. the psychology of believing. if the "supreme belief" remains unknown, believing is fruitless. if "the truth" has not yet been ascertained, the study of knowledge is unproductive. even if "they" were known their study is useless. we are not the object by the perception, but by becoming it. closing the gateways of sense is no help. verily i will make common-sense the foundation

ow is called loss, but is theft from time, wholesomeness and rejuvenescence. repeat this delay again and again till you arrive at spontaneity, chance in safety. the pursuit of learning (believing) is the grotesque incubator of stupidity. if you could truly believe, we should realise the virtue of it. we are not free to believe. however much we so desire, having conflicting ideas to first exhaust. sigils are the art of believing; my invention for making belief organic, ergo, true belief. when by the wish to believe- it is of the necessity incompatible with an existing belief and is not realized through the inhibition of the organic belief- the negation of the wish, faith moves no mountains, not till it has removed itself. supposing i wish to be great (is not counting that i am, to have "fai

value. the virtue of learning and acquiring knowledge by the ordinary means is in its worry and disappointment, of that degree which causes exhaustion: by that the desire might accidentally reach the real abode of knowledge, i.e, the sub-consciousness. inspiration is 55 always at a void moment, and most great discoveries accidental, usually brought about by exhaustion of the mind. my formula and sigils for sub-conscious activity are the means of inspiration, capacity or genius, and the means of accelerating evolution. an economy of energy and method of learning by enjoyment. a bat first grew wings and of the proper kind, by its desire being organic enough to reach the sub-consciousness. if its desire to fly had been conscious, it would have had to wait till it could have done so by the sa

ad been conscious, it would have had to wait till it could have done so by the same means as ourselves, i.e, by machinery. all genius has an hypothesis (usually natural) in the form of a hobby, which serves to restrain and occupy the conscious mind, to prevent its interference with spontaneous expression. the great leonardo's mathematics, etc, served to "deceive" him as such an hypothesis (and as sigils. our lives are full of the symbolism of those predominating karmas we are governed by. all ornament, useless dress, etc, are such (they please people because they feel the identification, and the means of locating them (karmas. the symbolism of crowning a man king, is that he, resembling god (on earth, has reached the lowest strata of his sub-consciousness (those one-cell organisms if you l

if you like, which predominate as governing his functions (of course, those crowned kings are never such, they symbolise the "hope" not the reality) hence the floral nature of and precious stones in design of the crown relate to first principles. he is king who has reached the dual principle in its simplicity, the first experience which is all experience. he has no need of crowns and kingdoms. by sigils and the acquirement of vacuity, any past incarnation, experience, etc, can be summoned to consciousness. it may even happen in sleep in the form of dreams, but this means is very difficult (chapters on day and night dreaming for pleasure omitted) total vacuity is difficult and unsafe for those governed by morality, complexes, i.e, whose belief is not entirely self-love. hence this desiderat

THE LUCIFERIAN PATH THE WITCHES SABBAT MICHAEL W FORD

ror which causes madness or wisdom, depending on the force of will of the magickian who stares into it. the sigil of the adversary is an image of the egyptian god set with two heads, as he faces darkness and light. this is a two fold state of the sorcerer who is balanced between darkness and light. he has tasted both ecstasies and has grown in wisdom from that experience. the alphabet of desire 5 sigils around the circle are focused forms of power which may arise in the conscious (by results of the will-desire-belief) by the arcana of the subconscious. the daemonic feminine or goddess is indeed lilith hecate. she has many names and masks, but revealed is something more terrible and beautiful than would be expected. she is the mother of all magick, she lives in the blackened flame of both m

er crowley and especially austin osman spare. no longer does the sorcerer stand in a circle and fear what he has called, but rather confronts and commands those forces connected to his 11 or her own being. it is a system of strength and will by the very foundation up no longer is christian dogma infecting the basis of the great work. illustrated heavily by elda isela ford, the original manuscript sigils are given with some new interpretations of the goetic djinn, the luciferian edition of the goetia is a work which boldly presents a new turn in modern magick. the toad rite three roads of satandar, lucifuge and hecate by michael w. ford illustrated by elda isela ford the toad rite is a small grimoire which is a self-initiatory presentation of the toad rite, a form of diabolism from which th

f the rite and lucifuge, the night familiar of sorcery and dreaming projection. this small grimoire contains the rite of the toad but also a ritual of lucifuge for after the working, as well as a solitary black mass, with chants given to charge the toadbone after the ritual. for the road through the rite is through the darkness, it leads towards the light of the sun. illustrated with old grimoire sigils and toadwitch sigils by elda isela ford, the toad rite presents an independent record of 12 the toad rite on the antinomian way of the left hand path and luciferian witchcraft. yatuk dinoih persian sorcery of the adversary- second edition- new version, contents and illustrations by michael w. ford illustrated by elda isela ford the path of persian sorcery has long been overlooked and unknow

THE STAR IN THE WEST BY CAPTAIN FULLER A CRITICAL ESSAY ON THE WORKS OF ALEISTER CROWLEY

it is spontaneous, anarchic; few are its children, and still fewer its warriors. all that this lover sees breathes galice h; all that he hears reverberates with her name; all that he smells holds the clinging scent of her hair, alice, alice, alice! he feels she is beyond him; yet in his ear whispers the master; whose power is rapture. i drew a hideous talisman of lust in many colours where strong sigils shone; crook fd mystic language of oblivion, fitted to crack and scorch the terrene crust and bring the sulphur steaming from the thrust of satan fs winepress, was ill written on the accursed margin, and the orison scrawled backwards, as a bad magician must. by these vile tricks, abominable spells, i drew foul horrors from a many hells. though i had fathomed fate; though i had seen chastity

THE WITCH CULT OF ZOS VEL THANATOS

ructed through several methods as the following; 1. letter manipulations, from arabic, greek or otherwise. 2. paintings and other abstractions of sight through art. 3. musick and the creative act of sound production. letter manipulations can be a useful method of enfleshing desires, creating servitors or elementals or to cast hexes or witch-spells. the medieval system of magic and invocation used sigils in this form extensively and almost exclusively. this can be found in various grimoires from the grimorium verum to abramelin the mage. the demons, angels and other spirits are bound and called by their symbols and signs, from which they may be understood and communicated with via ritual and syntax. the medieval systems only understood demons as exterior while beginning with spare and crowl

ia provides the ideal for this theory and how it may be sought and understood to align the mind to scientific ideal: cause and effect. many letters representing the will of the sorcerer may be changed and altered by redrawing and writing the letters to form one or several specific symbols that by this time are unknown in meaning just by viewing them. paintings and art are ideal for other types of sigils. many seem to overlook this. one may approach the written letters and other manipulations with images drawn, painted or drafted with the idea they are seeking to make manifest. one of the specific suggestions is art such as paintings of a particular god or goddess. this image, while focused upon brings the mind to an alliance with the images, creating the gods or goddesses within the sorcer

TYSON DONALD NEW MILLENNIUM MAGIC

(see chapter 13, the upright triangle was drawn clockwise beginning with the point of the sun; then the inverted triangle of the hexagram was drawn counterclockwise beginning with the opposite point of the moon. the power of the sun was invoked while at the same time the power of the moon (polar oppo- site of the sun) was suppressed. the principle is the same when using the invoking and banishing sigils of the overt and occult banners. overt lnvoking overt banishing overt lnvoking overt banishing occult lnvoking occult banishing occult lnvoking occult banishing when drawing the sigils of the banners upon the air during rituals with the right index finger or the wand, the motion by which they are traced is enough to establish their identity. however, when inscribing the tetragram sigils on

ough to establish their identity. however, when inscribing the tetragram sigils on talismans or other objects, it is necessary to indicate the point of beginning with a small cross, and the point of ending with a small arrow, in order to show the motion that forms and distinguishes them. the magus will find that it makes an excellent meditation exercise upon tetra- grammaton to mentally trace the sigils of the twelve overt banners on the tetra- gram in succession, at the same time linking them with their corresponding sign of the zodiac by means of their initial letters (elements) and shapes (motions. once understood, the tetragram makes it impossible to forget the correct order of the banners, which can be recalled easily without the need for memorization merely by understanding their gra

. it is the size of the center part of the palm and may be inscribed on metal or painted on wood. it rests over the heart of the magus, his or her natural body center. in times of great distress the magus will use the lamen to command unruly spirits, as a weapon of last resort. the lamen is more personal to the magus than even the wand. it is constructed out of his or her magical name even as the sigils are based on the magical names of the spirits. since it is so much a part of the magus, he or she must never allow the lamen to be seen or touched by another human being. the magus is extremely vulnera- ble to its misuse through the personal magical name written on it. the ring is the natural balance to the wand. it corresponds to the cup in the set of elemental weapons. it releases creativ

is suffi- cient for the possession of this sacred magic.34 this truth should provide a constant hope for the student of the art in times of discouragement. all magic lies within the higher self of the magus. books, images, and names are only symbolic vessels that may or may not be useful in call- ing forth the magical potency hidden within his or her own inner being. this is why the pentacles and sigils of magic are observed to have a finite life span, and why they gradually iose their power as they grow older. symbols above the elementary level are made to serve an individual, a social class, a race, or a peri- od in history. as the human condition changes, these complex symbols lose their relevance, and new ones must constantly be created under the guidance of the light by the adepts of

for attaining the conversation of the guardian angel. the ritual process in abramelin should not necessarily be copied, but rather should be used as a pattern and guide. the spirit names and magic squares that appear in the book belong to the writer, abraham the jew, and should not be used by the magus, who must rely on his or her own guardian to provide a personal hierarchy of spirits and their sigils. the book ofthe sacred magic ofabrarnelin recommends a physical withdrawal from society for a period of six lunar cycles, during which the working to achieve the conversation of the guardian is prepared. this withdrawal into isolation will not be- possible for most modern magi, who live submerged (and drowning) in a sea of human communications. therefore it becomes necessary for the magus t

trating the creative will on the sigil, the magus is able to call forth the spirit it represents into his or her conscious awareness. since it is a graphic representation of the name, the sigil is more amenable to mental reten- tion and handling than the name itself. ideally, the lines and angles of the sigil intuitively reflect the nature of the spir- it it designates. placid spirits should have sigils made up of horizontal lines, gentle curves, and rounded shapes. fiery spirits should be represented by sharp zigzags, pointed angles, and prickly shapes. evil spirits might have sexual imagery worked into their sigils. the intuitive sigils of demons often contain some sort of insect imagery-bristles, or hooks, or antennae, or stings. as a general rule, spirits of cosmic order such as the an

TYSON DONALD SOUL FLIGHT

ards of the geomantic symbols painted in their appropriate colors, for these make perfect 'doors' through which the seer can pass. and while these symbols are also attributed to the elements, the visions acquired from the geomantic symbols using the names of the appropriate rulers and genii will be quite distinct in character from those of the tattwa cards. the hebrew letters, the tarot cards and sigils, the planetary and zodiacal signs, and sigils of every description may be used to yield the symbolic door to a subtle plane."144 the geomantic symbols are formed by randomly poking four rows of holes into the ground with a stick and counting up the number of holes in each row. an even number of holes results in two small marks that usually resemble stars or crosses, but an odd number of hol

TYSON DONALD THE MAGICAL WORKBOOK

knife, the tattwa symbols cut from cardboard, various receptacles to hold common substances such as water and salt, candles, regular coins, a deck of tarot cards, incense sticks and cones, a dowsing pendulum that can be made from a piece of thread and a ring, and simple objects such as a watch and a kettle. no ritual clothing is needed, nor is it necessary to create magic talismans, pentacles, or sigils. xvi introduction exercises complete and practical this book was written in direct response to numerous letters received over the years, in which readers have asked for a manual of simple instructions that would allow them to actually begin to practice magic rather than merely reading about it. the exercises will be of greatest help to anyone seriously interested in learning magic, but bewi

pect to build up their body without daily exercise, or to get through university without regular study, but those who approach magic for the first time often have the childish notion that magic will work independently, without any effort required on their part. this naive expectation stems from the mistaken belief that magic is something external and separate from the self, that its incantations, sigils, and pentacles function by themselves, in much the same way that a car engine runs by itself with a turn of the key. this is false. there is no such thing as a word or a symbol that has power inherent in itself. these things are tools, nothing more, and must be skillful manipulated. learning how to use them properly takes practice, determination, and most of all, plain old hard work. the to

gic is not in the wand, it is in the magician. the ritual is not worked in the external environment with physical objects, it is worked in the unity of the personal universe that embraces both inside and outside without division. most basic texts of western ritual magic focus on externals. they describe which physical tools should be used, how to dress, what to say, how to move, which symbols and sigils must be employed, the best color for a given purpose, the most appropriate incense, which zodiac sign or planet to invoke, and so on. there is nothing wrong with this approach, as far as it goes. this information is necessary for the practice of magic. however, it is not enough by itself. without the ability to focus and sustain the will, to channel the energy of the emotions, to visualize

alf, then your right calf, and so on. the procedure outlined in the exercise results in the minimum acceptable duration of practice, and should not be shortened, but it may be lengthened with beneficial results. this reclining posture is known in hatha yoga as the death pose (shavasana. it should not be confused with the death posture of austin osman spare, which was employed by spare to energize sigils and has no similarity to shavasana apart from its name. inward perception 11: elemental orientation l ie upon your back on the floor, your feet six inches apart and your arms spread wide with palms turned upward, so that your body forms a cross. if you are uncomfortable on the bare floor, lie on a mat and place a folded towel under your head. take care to orient yourself so that your head p

s conflict, and it often causes confusion in the minds of students. the tattwa symbols were used mainly as astral gateways during scrying in order to access the elemental planes of the astral realm, or as representatives of the elements during meditations upon the natures of the elements. they were also sometimes employed to graphically embody the forces of the elements on talismans, amulets, and sigils. they are encountered in modern systems of magic that have descended from the original golden dawn teachings, so it is necessary to be familiar with their meanings and functions. the correspondence that i have set forth between the five workdays of the week and the five tattwa forms is not exact, but is close enough to be serviceable. monday, the day of the moon, is watery in nature; tuesda

get used to visualizing with eyes open from the start of practice, since this is necessary in subsequent: ritual work. if your find your eyes straining to see what is only in your mind, deliberately relax them. this exercise has proven extremely useful to me over the years. i do it more often than any other visualization. it is especially valuable as a conditioning exercise when preparing to draw sigils and other symbols on the astral level. visualization 11: leaving the body s it in a plain wooden chair without arms facing a blank wall or curtain in the sitting posture already described, with both feet flat on the floor and your hands cupping the tops of your knees. look straight ahead and focus your gaze on infinity, as though you are able to look through the wall. take several deep, reg

TYSON DONALD THE POWER OF THE WORD

magus? where i presented the correct order of the twelve banners of tetragrammaton for the first time, i applied each elemental trine of banners to its corresponding elemental trine of signs counterclockwise around the zodiac, in the order cardinal, fixed, mutable, because this is the usual order of the signs and i saw no reason to depart from it. however, in developing the invoking and banishing sigils of the banners presented in the present work, i became aware that each elemental trine of banners should have been applied to its elemental trine of signs clockwise, in the order cardinal, mutable, fixed. this important change is necessitated by the inherent, underlying graphic structure of the banners, which was only revealed when i applied *new millennium magic, an updated and expanded ve

, in the order cardinal, mutable, fixed. this important change is necessitated by the inherent, underlying graphic structure of the banners, which was only revealed when i applied *new millennium magic, an updated and expanded version of the new magus, will be available in may 1996 from llewellyn worldwide, ltd. introduction xvii the banners to the tetragram in the course of generating the banner sigils. since i had not developed the sigils when i wrote the new magus, i was unable to take advantage of this new information, which is completely set forth in chapter v. this book offers the most complete treatment of the name, both in theory and practice, that has ever been presented. the sections on the sigils of the tetragram, the hieroglyphic monad of john dee, the angels known as the wings

he name. the system of sigils presented here for the permutations of tetragrammaton is completely new, but its usefulness has been verified many times in ritual workings. it allows each form of the name to be quickly and easily projected, both for invoking and banishing, and also acts as a mnemonic, making it impossible to forget the correct spelling and order of the banners. the structure of the sigils is based upon the two-dimensional representation of the tetrahedron, the meaning of which was examined in the previous chapter. as was pointed out, when we look directly down upon one of the edges of a transparent tetrahedron, its outline traces a cross with equal arms enclosed in a square. to each point of this figure is ascribed a letter of tetragrammaton. the result is the tetragram, fro

present overt form the way a negative electrical charge cancels a positive. if we were to inscribe the banishing form first, it would invoke the occult form of the banner. to banish this occult form, we would have to inscribe the invoking sigil, which would summon the power of the overt form of the banner, neutralizing or cancelling out its opposite, occult form. so, in actuality, all twenty-four sigils invoke the banners they represent. but once a banner has been invoked, whether it is an overt or an occult form, the invocation of its mirror opposite twin neutralizes it and dissolves its power to nothingness, in effect sending it away. the overt and occult forms of each banner are like matter and antimatter-they cannot coexist. however, for the sake of convenience, the invoking sigils of

igil creates a circular, or spiraling, energy flow. the tracing of a mutable sigil creates a linear zig-zag like a lightning bolt. the tracing of a fixed sigil creates a crossing pattern, as shown in the illustration on page 34. invoking banishing invoking banishing tetragrammaton cardinal mutable fixed the three sigil forms it is useful to remember that the initial turning motion in all invoking sigils for the overt banners is clockwise. even in the case of the mutable sigils, the first diagonal line is traced clockwise to invoke. contrarily, when using the sigils to banish the intelligence of a particular overt banner, or the spirits ruled by that banner, the first movement around the tetragram is counterclockwise. once this underlying pattern is understood, it becomes impossible to forg

s banner will be of the circular kind, its initial movement in a clockwise direction because we wish to invoke an overt form. remembering the tetragram and the position of the letters at its corners, and knowing the cardinal sigil form, we mentally trace around the edge of the tetragram clockwise from the second he of earth, which gives us the correct banner of capricorn, hihv. the uses for these sigils of tetragrammaton are endless and scarcely need to be enumerated to the working ritualist. they are especially potent in invoking the name 35 commanding the spirits of the heavens. for example, when a planet is passing through a sign of the zodiac, particularly its ruling sign, the banner of that sign and its sigils are powerful tools to command the spirits of that planet. they are effectiv

VOX SABBATUM

e. dissolution. this process is a slow and gradual one, invoking and propagating selfdevelopment over a stretched out period of time. the god forms of the luciferian and witches sabbat path are masked and anthropomorphic energies and collections of power. thus lucifer, cain, lilith, ahriman, leviathan and such are all gateways of power from which the initiate passes through. all symbols, objects, sigils and other talismans including statues and crystals hold deific power between the mind of the sorcerer, they are a type of magickal link from which the self holds common association in reference to the triad of will- desire-belief. this embodies such objects with the very power envisioned within them to transform, to curse, to invoke imagination and inspiration. the witches sabbat is thus a

ze and x or a+ as the meeting place of the dreaming sabbat. the imagination is the ultimate key of the black magician or sorcerer who seeks to go forth to the sabbat it is the vehicle of self-assumption of deific forms or masks of lycanthropy. when preparing for the dream sabbat, decorate your temple or sleeping area in accordance with that which reminds you of a sabbat images from old grimoires, sigils, demonic images, masks or other elements which aid the working. the most important however is the control of the mind. sit comfortably before and clear all thoughts. begin a slow chant which you know that activates the imagination towards the sabbat. use the five senses to activate and aid this transformative in-between state hearing, sight, smell, touch and taste. have some pleasant sabbat

ts which aid the working. the most important however is the control of the mind. sit comfortably before and clear all thoughts. begin a slow chant which you know that activates the imagination towards the sabbat. use the five senses to activate and aid this transformative in-between state hearing, sight, smell, touch and taste. have some pleasant sabbat incense and perfect lighting in place, have sigils and images which invoke this place in the mind. your goal is to align the senses with the focus of the going forth by night that is by harmony with the willed choice of desire. preparing for the sabbat by decorating and proper self-alignment creates a heightened inner excitement for the initiatory act itself thus allowing the success to occur, a seeming selfpermission! the sabbat is a subje

WESTERN MANDALAS OF TRANSFORMATION SR AL

que vuestro padre que esta en secreto y que vuestra divina madre kundalini os bendigan. samael aun weor ha cross the threshold to the future of magic once the exclusive secret of the select few, the secrets of magical symbolism are now revealed in western mandalas of transformation. updated and refined through practical experience, the full range of talismans, mandalas, flashing tablets, kameas, sigils, and seals are made understandable and readily available to you. numerous illustrations demonstrate how to properly create and use these powerful images to positively change your life. use sound qabalistic principles derived from the tree of life to fashion powerful, transformative mandalas and seals. work with a wide range of energies to facilitate healing, personal empowerment, and spirit

you are. special thanks to: all golden dawn friends, both living and dead, and la and lux for proofreading table of contents introduction chapter chapter chapter chapter chapter chapter chapter chapter chapter chapter chapter chapter chapter chapter chapter 1: 2: 3: 4: 5: 6: 7: 8: 9: 10: 11: 12: 13: 14: 15: appendix qabalistic talismans: how do getting started correspondences magical squares and sigils the kamea of binah/saturn the kamea of chesed/jupiter the kamea of geburah/mars the kamea of tiphareth/sun the kamea of netzach/venus the kamea of hod/mercury the kamea of yesod/moon the kamea of daath/pluto talisman of the name using tattwas for healing and consecration bibliography they work? balancing xiii 1 11 23 53 71 81 89 97 107 115 125 135 145 153 189 193 201 and mercurius trismegis

ery bold; for another michael may be the benevolent but powerful protector. so we draw on that tremendous storehouse of energy to come to our aid in specific ways. if one examines many talismans of the middle ages (when times were bad, indeed) or in the ancient world, one can sometimes go through a lot of trouble (as i have on a number of occasions) deciphering a lot of strange symbols, including sigils (or angelic signatures) and seals, and decoding words in some esoteric script.including hebrew, which is considered an esoteric or sacred language.only to discover that the talisman was made for what would appear to be a very mundane reason. love, power, and riches seem to be the strongest motivating factors for much of the amulet or talisman making of the past (although amulets have been p

every talisman is unique and very personal. this is why it is difficult to decipher a seal or talisman made by someone in the distant past. this is also the reason, in my opinion, it is useless to copy or reproduce talismans from other magical books. only by completely understanding the meaning of the symbols on the talisman will the magician get any results. most books with pictures of seal, and sigils are of little value to us because we have no idea what was in the mind of the creator when the talisman was being made. moreover, ancient seals could have been recopied many times before publication, resulting in many errors. or some could have encoded information (such as the arrangement of certain letters) that were an abbreviation or formula known only to the magician who made them. to a

imes before publication, resulting in many errors. or some could have encoded information (such as the arrangement of certain letters) that were an abbreviation or formula known only to the magician who made them. to attempt to reconstruct such a formula, even if one has a good working knowledge of hebrew or latin, may be of little avail; if the formula was intended for publication, the seals and sigils could well be blinds anyway. we will examine the problem of mistakes as well as blinds in magic squares and sigils in chapter three. in the qabalistic tradition there is a certain sense of correctness: one does not just formulate a desire and put things together. it should be clear by now that one needs a set of correspondences which, because it has the backbone of tradition, has certain bu

, i. e, they were incorporated into the golden dawn tradition late and have been used as symbols for the planets, tarot keys, and elements, as well as elemental combinations, by different people with different variations in meaning. correspondences relating to the tree.which have a much longer history.will have a greater tendency to be interpreted by most qabalists in the same way. some seals and sigils (if they are not blinds or mistakes) can therefore be re-interpreted centuries after the fact by those who know what sphere or planetary energy they represent. this is not to say we understand the intention in the mind of the person making the talisman. however, some symbols (i. e, planetary signs, the sigils, and hebrew letters which spell the god-names, angels, etc) have remained the same

WORKBOOK FOR GRADE 0 VOID AND THE ABYSS

ight have to improve in the future you are more than welcome to add to it. the instruments of sabbat art are as follows taken from 'shades of algol' pages 5- 7 for information of each please read 'shades of algol' the athame- air the evocation knife the wand- fire the pentacle- earth the cup- water the altar- earth within its foundation the mirror- the mind the circle- hecate the quill- blood and sigils the kangling- to summon the dead 3 the drum- to call earth bound spirits baciph ashara- earth (night- wand fetish made of human bones. the grand sabbatic circle fetish vessels below are two rituals for grade 0) void and the abyss these are two which specifically are building areas for the initiate. the goetia should be studied (the luciferian version) yatuk dinoih (persian sorcery) second e

guardian angel- sabbatic familiar- angelic familiar -this is the higher self, what aleister crowley called the true will. the goal of the magician is to create what are twin vessels or pots which contain a solar and lunar essence. the lunar is created first, the contents are based on the sorcerers choice, but generally involve blood, grave soil, semen or sexual fluids (menstrual blood if female, sigils which are created based on a demonic aspect, ect. it is buried and focused upon for half a month. the the solar one is created. semen, 6 image of lucifer as an angel, blood and buried for half a month next to the other. each night you will burn incense at the site, invoking both the light and the shadow *the pots were buried on two separate workings. the red or shadow vase is buried on the

inoih methods of sorcery is the body of light reunited and to recreate the body of shadow, the darkness and chthonic joy of becoming as ahriman..masks may be made in luciferian or egyptian godforms and images. this is depending on which god forms the individual prefers, such as set, lucifer, etc. some may use the image of the peacock angel, malak tauus, a black serpent or the traditional grimoire sigils of lucifer. you may wear the mask and sit in front of a mirror, or place in front of you while focusing on the body of light..the first process is control. find a comfortable place, sit and begin to slow your breathing and heart rate. when you have done this, close your eyes and focus on moving upwards. visualize which aethyr you to ascend to, your place of mental creation or enochian aeyth

ZALEWSKI GOLDEN DAWN ENOCHIAN MAGIC OCR

ix h sign and color correspondences 187 appendix i 189 viii ix preface if you believe the legends, enochian magic was originally delivered to man by enoch, the mysterious prophet of genesis. the enochian calls are reputed to be in the language of the angels, of which hebrew is said to be but a faint echo. the enochian tablets, according to the story, are the talismans from which all other magical sigils are descended. small wonder enochian magic is reputed to be the most powerful (and dangerous) blanch of the occult! enochian magic originated, of course, with a series of crystalgazing experiments that dr. john dee conducted in the late sixteenth century. the foremost scholar of his era, dee turned away from mundane knowledge to seek what he called "radical truth" dee believed that enoch ha

tabula sancta. the holy twelvefold table, which was devised by dee and kelley. it contains seven different talismans and includes enochian writing (see figure 86, page 130. 3. liber scientia auxilii et victoria terrestris. the book of science, of help and of victory. this work contains the names of the governors of the thirty aethyrs, or aires. 4. heptarchia mystica. this work contains the names, sigils, and invocations of the angels and lesser spirits of the planets. 5. tablet of nalvage. this is a rounded tablet with letters arranged in rows and columns (see figure 107, page 152. xvii xviii 6. liber logeath. the four elemental tablets. these comprise the four watchtowers, or watch towers, of fire, air, water and earth (see figures 3-6. the names of the governors of the 30 aethyrs are fou

(page xvii. the published papers on enochiana state that within the golden dawn's inner order (the rosea rubea et aurea crucis, the main framework rests on the application of the "four watch towers" or the four elemental tablets and the tablet of union. little else is given on this very complicated system other than a reference to the name "sigillum dei aemeth" and a brief explanation of how four sigils and four names can be drawn from it to control the power of the elemental tablets. the only recorded use by dee and kelley of this seal was to place a crystal upon it for the purposes of scrying. the archangel uriel gave the following instructions on its use "you must use a four square table, two cubits square, whereon must be set the sigillum dei, which is already perfected in a book of th

that therein may be manifested which is emethsh or amethsh, herein as the shin of the divine fire entered, and this order of letters is that of the angles of the tablets, and of the 4 tablets themselves, viz: first is air and aleph. second is water and mem. third is earth and tau. fourth is fire and shin "this again is the order of the elements in the sepher yetzirah' of the qabalah. from these 4 sigils there are the 4 names drawn forth as may follow in order. from the tau with 4 yods or a t surmounted by four yods of the sigillum ameth, t and 4 other letters counting by the rule of 4, 22, 20, 18. from the first letter t thus: this yields the name tahaoelog for the air tablet "the 4th square each time from the last will shew the letter and figure given. you are not to count, say, 22 or 20

in the center of the seal, and its controlling point, the whole seal colored in the purple of yesod does produce some startling effects in the ceremony. introduction to the ritual of opening the seal dei aerneth campbell's notes on this were very sketchy. they read as follows "garstin insisted that one stand in the east facing the west while invoking each name from the seal along with the various sigils from the seal and also use the hexagram ritual but a peculiar design where it can be done in one movement without breaking it up from a design i have found in the order papers. all five tablets are present" from this i have reconstructed a ritual; the most significant thing is the use of the unicursal hexagram which many have attributed to crowley. in 1983, regardie was surprised to find it

ares which were added by various adepti over the years. these were appendices to a copied version of wynn wescott's original tablets, which i currently have in my possession. trying to give an original version of these tablets is something of an impossibility due to the ongoing debate among occultists. some versions do not allow the formation of the names of the governors of the aethyrs and their sigils. dee even had a numbex of different versions which were also corrected. the final version does not fit well either, although it was corrected by the archangel raphael. making changes using the raphael revised version to the various subsystems would be a monumental undertaking, an article written by christian wilby in adam mclean's prestigious hermetic journal (volume 30) discusses the four

ZOETIC GRIMOIRE OF ZOS

mple thesis of the great inner truth only a rag-bag remains of this..wonder. cult. but, one cannot dismiss modern magicians so easily. yes and no, there is something in most things and little enough in much, if any. ability to enact is the denominator of our truth. all parasitical longing seeks flesh to feed on. whether by magic or otherwise. the deliberate transference of a desire by symbols and sigils with their meanings to the subconsciousness, thus sublating them from the conscious, is a magical act. it works on the thesis that the subconscious is. all knowing, all memory, and, being universal can. tap. any source of knowledge. the veriest moron, even, may have dreams as wonderful as those of a genius, whatever their difference of level. dreams are a..mental conation, unrecognized as p

e acts he can synchronize desire and event. as now, i.e, as though arbiter. that any desire, sufficiently dynamic, compressed into a single wish or belief (as..question-request, if arabesquely formulated, will fulfil its evolution expediently and return its conative possibility. transference from the conscious to the subconscious is automatic when [the wish is] suppressed and sublated by symbols, sigils or glyphs understood either personally or universally. man is a ratio of his experience, but the subconsciousness is all-knowing (limit unknown. the mind grants limitless power (will, only measured against belief, and indifferent re: quo animo. familiarity breeds all things, including gods, and virus, the rare compathy or the commonplace: either we are. arrivists. or recidivists. anyone is

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