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NYARLATHOTEP

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COMMENTARY ON THE SEAL OF THE NINE ANGLES

n the two; there is only one or the other. in duality geometry creates a single extension (a line. third angle: this is a very critical stage, because the existence of a third element introduces the notion of choice between the two opposites, either absolutely or relatively (aristotelian system) or of choice to aspire or not to aspire to universal perfections= platonic/pythagorean system. this is nyarlathotep, otherwise set, otherwise lucifer/satan, otherwise prometheus, otherwise thoth, who has created the power of perspective and the independent psyche of judgment. here "knowledge" becomes possible. in geometry we now have the triangle, which is the most rigid of figures and also creates a two-dimensional plane. note that, per the book of coming forth by night, the horus/set relationship

DONALDTYSON NOMICON

h forgotten sea-bottoms" connected with the lost city of the old ones is the hideous chant "ph'nglui mglw'nafh cthulhu r'lyeh wgah'nagl fhtagn" which translates into english as "in his house at r'lyeh dead cthulhu waits dreaming" the old ones count among their number the blind idiot god azathoth; the all-in-one and one-in-all yog-sothoth who can travel between time and space; the hideously-piping nyarlathotep who is the unwelcome herald of the old ones; the octopus-like cthulhu who lies dreaming in r'lyeh beneath miles of ocean water; hastur the unspeakable, half-brother to cthulhu who dwells upon the air; and shub-niggureth, the ever-fertile black goat of the woodlands with a thousand young. these dreaded beings are dead in every normal human sense of the word, yet they cling to a strange

FRATER TENEBROUS CULTS OF CTHULHU

way to bizarre scenes of towering, pointed mountain tops an archetypal landscape which was to find expression in his fiction as the abominable plateau of leng. and it was during such nocturnal experiences that many of his most powerful images originated often transferred to paper in an manner virtually identical to that of automatic writing, as was the case in the transcription of his prose-poem, nyarlathotep. in a letter to reinhardt kleiner, dated december 4, 1921, he writes, nyarlathotep is a nightmare an actual phantasm of my own, with the first paragraph written before i fully awaked. i have been feeling execrably of late whole weeks have passed without relief from headache and dizziness, and for a long time three hours was my utmost limit for continuous work. added to my steady ills

e many and diverse strands of occult belief. over the centuries, these ceremonies have been observed and mis-interpreted in terms of black magic and devil worship. a point to note here is that lovecraft never actually used the term cthulhu mythos, which was introduced after his death by his protege, august derleth. cthulhu is only one of a pantheon of deities which includes yog-sothoth, azathoth, nyarlathotep, and shubniggurath, amongst others. the manifestations of these beings varies from story to story sometimes they are described as purely supernatural, while at other times they appear as extraterrestrials with concrete physical existence and sometimes, a particular deity may be referred to in both ways within the same text. by comparing the references to each of these deities in the m

as the vast destructive energy inherent in the atomic particle, which is unleashed via nuclear fusion. he is the antithesis of creation, the ultimately negative aspect of elemental fire. magically, his attribution is to passive spirit. subservient to the idiot god is a group referred to as the other gods the amorphous dancers who attend azathoth at the throne of chaos. their soul and messenger is nyarlathotep, the crawling chaos, who mediates between the old ones and their human followers. his avatar manifests as a human figure dressed in black, with jet black skin but caucasian features. in this form he is recognisable as the black man of the witches sabbath an incarnation commonly associated with satan. he is depicted in seventeenth century tracts on witchcraft as a creature with ebony s

skin but caucasian features. in this form he is recognisable as the black man of the witches sabbath an incarnation commonly associated with satan. he is depicted in seventeenth century tracts on witchcraft as a creature with ebony skin, the long black robe of a priest, and a conical hat a description substantiated by the testimonies of individuals in both europe and lovecraft s own new england. nyarlathotep s physical appearance also compares quite strikingly to that of the astral entity, aiwaz, who communicated the text known as the book of the law to aleister crowley in cairo, 1904, thus inaugurating the present aeon of horus. crowley describes aiwaz as, a tall dark man in his thirties, with the face of a savage king, and eyes veiled lest their gaze should destroy what they saw. accord

of a savage king, and eyes veiled lest their gaze should destroy what they saw. according to grant, the cult of aiwaz can be traced to a period that inspired the age-long draconian tradition of egypt, which lingered on into the dark dynasties, the monuments of which were laid waste by opponents of the elder cult. it is interesting to note that lovecraft himself specifically linked the worship of nyarlathotep to pre-dynastic egypt, in the eponymously titled prose poem. the elemental aspect of nyarlathotep is aether, the communicating medium of interstellar space (or in lovecraft s terminology, the audient void. shub-niggurath is the black goat of the woods with a thousand young a title inferring the geometric proliferation of creatures upon the earth. he is the horned god of the pagan agri

hose traditions and rituals preserve the hidden knowledge of these elder races. lovecraft documents three such cults, the cult of cthulhu, the esoteric order of dagon, centred in innsmouth (actually newburyport, massachusetts, and the starry wisdom sect. in the haunter of the dark, lovecraft describes how the latter sect held meetings in a church in providence, where it communed with an avatar of nyarlathotep via a magical object known as the shining trapezohedron. the name, starry wisdom, recalls that of crowley s argentum astrum, or order of the silver star, founded in 1907. the silver star represents sirius, from which emanates the magical cultent represented on earth by the entity, aiwaz. another contemporary of lovecraft s whose writings contain many similarities and correspondences i

HP LOVECRAFT A DARK LORE

d of my mind. trouble with memory. i see things i never knew before. other worlds and other galaxies. dark. the lightning seems dark and the darkness seems light. it cannot be the real hill and church that i see in the pitch-darkness. must be retinal impression left by flashes. heaven grant the italians are out with their candles if the lightning stops! what am i afraid of? is it not an avatar of nyarlathotep, who in antique and shadowy khem even took the form of man? i remember yuggoth, and more distant shaggai, and the ultimate void of the black planets. the long, winging flight through the void. cannot cross the universe of light. re-created by the thoughts caught in the shining trapezohedron. send it through the horrible abysses of radiance. my name is blake- robert harrison blake of 6

who had ruled that terrible polar land one hundred thousand years before the squat, yellow inutos came from the west to engulf it. i talked with the mind of nug-soth, a magician of the dark conquerors of 16,000 a.d; with that of a roman named titus sempronius blaesus, who had been a quaestor in sulla's time; with that of khephnes, an egyptian of the 14th dynasty, who told me the hideous secret of nyarlathotep, with that of a priest of atlantis' middle kingdom; with that of a suffolk gentleman of cromwell's day, james woodville; with that of a court astronomer of pre-inca peru; with that of the australian physicist nevil kingston-brown, who will die in 2,518 a.d; with that of an archimage of vanished yhe in the pacific; with that of theodotides, a greco-bactrian official of 200 b.c; with th

us pinkish forms spied in thickets at twilight on the hills, and a terrible cosmic narrative derived from the application of profound and varied scholarship to the endless bygone discourses of the mad self-styled spy who had killed himself. i found myself faced by names and terms that i had heard elsewhere in the most hideous of connections- yuggoth, great cthulhu, tsathoggua, yogsothoth, r'lyeh, nyarlathotep, azathoth, hastur, yian, leng, the lake of hali, bethmoora, the yellow sign, l'mur-kathulos, bran, and the magnum innominandum- and was drawn back through nameless aeons and inconceivable dimensions to worlds of elder, outer entity at which the crazed author of the necronomicon had only guessed in the vaguest way. i was told of the pits of primal life, and of the streams that had tric

ome to pass that the lord of the woods, being. seven and nine, down the onyx steps (tri)butes to him in the gulf, azathoth, he of whom thou has taught us marv(els. on the wings of night out beyond space, out beyond th. to that whereof yuggoth is the youngest child, rolling alone in black aether at the rim (buzzing voice..go out among men and find the ways thereof, that he in the gulf may know. to nyarlathotep, mighty messenger, must all things be told. and he shall put on the semblance of men, the waxen mask and the robe that hides, and come down from the world of seven suns to mock (human voice (nyarl)athotep, great messenger, bringer of strange joy to yuggoth through the void, father of the million favoured ones, stalker among (speech cut off by end of record) such were the words for whi

rds as best i know how. it was from the speech-machine that i first picked up a few recognisable phrases (the speech-machine..brought it on myself. sent back the letters and the record. end on it. taken in. seeing and hearing. damn you. impersonal force, after all. fresh, shiny cylinder. great god (first buzzing voice..time we stopped. small and human. akeley. brain. saying (second buzzing voice "nyarlathotep. wilmarth. records and letters. cheap imposture (noyes.(an unpronounceable word or name, possibly n gah-kthun) harmless. peace. couple of weeks. theatrical. told you that before (first buzzing voice..no reason. original plan. effects. noyes can watch round hill. fresh cylinder. noyes s car (noyes..well. all yours. down here. rest. place (several voices at once in indistinguishable spe

HP LOVECRAFT HYPNOS

as could yield, young with the youth that is outside time, and with beauteous bearded face, curved, smiling lips, olympian brow, and dense locks waving and poppy-crowned. they say that that haunting memory-face is modeled from my own, as it was at twenty-five; but upon the marble base is carven a single name in the letters of attica-hypnos. 1998-1999 william johns last modified: 12/18/1999 18:444:nyarlathotep by h.p. lovecraft written early dec 1920 published november 1920 in the united amateur, vol. 20, no. 2, p. 19-21. nyarlathotep. the crawling chaos. i am the last. i will tell the audient void. i do not recall distinctly when it began, but it was months ago. the general tension was horrible. to a season of political and social upheaval was added a strange and brooding apprehension of h

HP LOVECRAFT NYARLATHOTEP

on the land, and out of the abysses between the stars swept chill currents that made men shiver in dark and lonely places. there was a demoniac alteration in the sequence of the seasons the autumn heat lingered fearsomely, and everyone felt that the world and perhaps the universe had passed from the control of known gods or forces to that of gods or forces which were unknown. and it was then that nyarlathotep came out of egypt. who he was, none could tell, but he was of the old native blood and looked like a pharaoh. the fellahin knelt when they saw him, yet could not say why. he said he had risen up out of the blackness of twenty-seven centuries, and that he had heard messages from places not on this planet. into the lands of civilisation came nyarlathotep, swarthy, slender, and sinister

into the lands of civilisation came nyarlathotep, swarthy, slender, and sinister, always buying strange instruments of glass and metal and combining them into instruments yet stranger. he spoke much of the sciences of electricity and psychology and gave exhibitions of power which sent his spectators away speechless, yet which swelled his fame to exceeding magnitude. men advised one another to see nyarlathotep, and shuddered. and where nyarlathotep went, rest vanished, for the small hours were rent with the screams of nightmare. never before had the screams of nightmare been such a public problem; now the wise men almost wished they could forbid sleep in the small hours, that the shrieks of cities might less horribly disturb the pale, pitying moon as it glimmered on green waters gliding und

the small hours were rent with the screams of nightmare. never before had the screams of nightmare been such a public problem; now the wise men almost wished they could forbid sleep in the small hours, that the shrieks of cities might less horribly disturb the pale, pitying moon as it glimmered on green waters gliding under bridges, and old steeples crumbling against a sickly sky. i remember when nyarlathotep came to my city the great, the old, the terrible city of unnumbered crimes. my friend had told me of him, and of the impelling fascination and allurement of his revelations, and i burned with eagerness to explore his uttermost mysteries. my friend said they were horrible and impressive beyond my most fevered imaginings; and what was thrown on a screen in the darkened room prophesied t

me to my city the great, the old, the terrible city of unnumbered crimes. my friend had told me of him, and of the impelling fascination and allurement of his revelations, and i burned with eagerness to explore his uttermost mysteries. my friend said they were horrible and impressive beyond my most fevered imaginings; and what was thrown on a screen in the darkened room prophesied things none but nyarlathotep dared prophesy, and in the sputter of his sparks there was taken from men that which had never been taken before yet which shewed only in the eyes. and i heard it hinted abroad that those who knew nyarlathotep looked on sights which others saw not. it was in the hot autumn that i went through the night with the restless crowds to see nyarlathotep; through the stifling night and up the

truction from ultimate space; whirling, churning, struggling around the dimming, cooling sun. then the sparks played amazingly around the heads of the spectators, and hair stood up on end whilst shadows more grotesque than i can tell came out and squatted on the heads. and when i, who was colder and more scientific than the rest, mumbled a trembling protest about imposture and static electricity, nyarlathotep drove us all out, down the dizzy stairs into the damp, hot, deserted midnight streets. i screamed aloud that i was not afraid; that i never could be afraid; and others screamed with me for solace. we swore to one another that the city was exactly the same, and still alive; and when the electric lights began to fade we cursed the company over and over again, and laughed at the queer fa

heres of light and darkness. and through this revolting graveyard of the universe the muffled, maddening beating of drums, and thin, monotonous whine of blasphemous flutes from inconceivable, unlighted chambers beyond time; the detestable pounding and piping whereunto dance slowly, awkwardly, and absurdly the gigantic, tenebrous ultimate gods the blind, voiceless, mindless gargoyles whose soul is nyarlathotep. 1998-1999 william johns last modified: 12/18/1999 18:4499poetry and the gods by h.p. lovecraft and anna helen crofts written 1920 published september 1920 in the united amateur, vol. 20, no. 1, p. 1-4. a damp gloomy evening in april it was, just after the close of the great war, when marcia found herself alone with strange thoughts and wishes, unheard-of yearnings which floated out o

MICHAEL WYNN THE SOUL TRAVELERS

ost clubs these days. the music at the sabbat sounds a bit chaotic, and without melody; it is frequently described as random tones and bells. satanists often compare and equate baphomet with the biblical cain, who slew his brother able. they claim that cain was not the child of adam and eve, but of satan and a demon named lilith. in the lovecraftian mythos, the black man of the sabbat is known as nyarlathotep, the highly intelligent trickster god who teaches mysteries that lead to evil; he is also the consumer of souls and has a 1,000 faces (forms. nyarlathotep, called the chaos that creeps, is a messenger god who acts as an intermediately between the dark gods and their worshippers on earth. i can t believe it s not fiction: masks of the sabbat eyes wide shut the course of destiny [4.4] t

NECRONOMICON ALAZIF

saturn at a space of three paces. this being done proceed thou widdershins placing at like distances apart ye stones of jupiter, mercury, mars, venus, sul and luna marking each with their rightful sign. at ye center of the so completed configuration set ye the alter of ye great old ones and seal it with ye symbol of yog-sothoth and ye mighty names of azathoth, cthulhu, hastur, shub- niggurath and nyarlathotep. and ye stones shall be ye gates through which thou shalt call them forth from outside man's time and space. entreat ye of ye stones by night and when the moon decreasetth in her light, turning thy face to ye direction of their coming, speaking ye words and making ye gestures that bringeth forth ye old ones and causeth them to walk once more ye earth. al azif page 3 of 18 http//www.ch

ive power! give power! give power! when the flames turn blue it shall be a sure sign that the spirits obey your demands whereupon thou shalt quench the blade in an afore prepared mixture of brine and cock-gall. burn the incense of zkauba as an offering to the spirits thou hast called forth, then dismiss them to their abodes with these words: in the names of azathoth and yog-sothoth, their servant nyarlathotep and by the power of this sign (make ye the elder sign, i discharge thee; go forth from this place in peace and return ye not until i calleth thee (seal ye portals with the sign of koth. wrap the scimitar in a cloth of black silk and setit aside until thou wouldst make use of it; but mark ye well that no other shall lay his hand upon the scimitar lest its vertue be forever lost. editor

seless roaring ever fills the timeless skies of hidden leng. his might teareth the forest and crusheth the city, but none shall know the hand that smiteth and the soul that destroys, for faceless and foul walketh the accursed one, his form to men unknown. hear then his voice in the dark hours, answer his call with thine own; bow ye and pray at his passing, but speak not his name aloud. concerning nyarlathotep i hear the crawling chaos that calls beyond the stars and they created nyarlathotep for their messenger, and they clothed him with chaos that his al azif page 9 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 form might be ever hidden amidst the stars. who shall know the mystery of nyarlathotep? for he is the mask and will of those that were when time was

ld i maketh thy mighty sign (make the sign of the voor) trace the pentagram of fire and say the incantation that causeth the great one to manifest before the gate: ye incantation zyweso, wecato, keoso, xunewe-rurom xeverator. menhatoy, zywethorosto zuy, zururogos yog-sothoth! orary ysgewot, homor athanatos nywe zumquros, ysechyroroseth xoneozebethoos azathoth! xono, zuwezet, quyhet kesos ysgeboth nyarlathotep; zuy rumoy quano duzy xeuerator, ysheto, thyym, quaowe xeuerator phoe nagoo, hastur! hagathowos yachyros gaba sub-niggurath! meweth, xosoy vzewoth (make the sign of cauda draconis) al azif page 11 of 18 http//www.chaosmatrix.org/library/books/al_azif/al_azif.html 10/10/2003 talubsi! adula! ulu! baachur! come forth yog-sothoth! come forth* and then he will come unto thee and bring his

RUBY TABLET OF SET

seeking ideas and themes of his stories. he reasoned that the best thing to do was to go into comparative religion, into folklore, and into the occult literature available to him and comb those sources looking for concepts that could be distilled down into notions that were unfamiliar, and yet all too familiar. he sought the raw archetypal essence behind various symbols. so for example, there is nyarlathotep, the cryptic messenger of the gods. this being is a sardonic trickster who conveys power and knowledge. it is clear that what lovecraft has taken the traditions surrounding hermes, mercury, and thoth- a being who is the messenger of the gods and a bringer of knowledge, but also a trickster and a thief. people react to the original concept instead of the prettified, sanitized images of

work- where the quest for one's true will really begins in earnest. true will working [the bell is rung 9 times] the litany of the nine angles celebrant: gwe honor the bond upon the world of horrors unto the beginning and ending of dimensions. h ghonor to azathoth, without whose laughter this world should not be. h ghonor to yog-sothoth, without whose sign we ourselves should not be. h ghonor to nyarlathotep, prince of the abyss. h ghonor to shub-niggurath, father of the world of horrors. h gfrom the first angle is the infinite, wherein the laughing one doth cry and the flutes wail unto the ending of time. h gfrom the second angle is the master who ordereth the planes and the angle, and hath conceived the world of horrors in its terror and glory. h gfrom the third angle is the messenger

us with the pentagram of set and the sceptre of tcham, and fortify us with the courage to stand before maat and look upon ourselves in her dark mirror. h gwe invoke and greet the presence of the great old ones who walk serene and primal in the undimensioned spaces between. appear in our midst, reveal yourselves unto us, and aid us in this work whereby we manifest that which is within us. h ghail nyarlathotep! neter of eldritch lore and forbidden knowledge, patron of this pylon here gathered, help us to know ourselves and to find the key of the mysteries in the secret center of our being wherein all power dwells. h ghail anpu-upuat! guide through the night and into the dark places, guardian of the gate and opener of the way, show forth the lonely path through the desert and between the dar

etail. a brief summary follows. the bond of the nine angles distinguishes the first four angles associated with the trapezoid from the subsequent five angles of the pentagram. the first four angles are closely identified with lovecraftian neters, or forms, establishing the fundamental character of our consciousness: azathoth's chaos, the dualistic and dimensional ordering defined by yog- sothoth, nyarlathotep's message of consciousness and the endurance of shub-niggurath who defines temporal perspective. the connection between these concepts and pythagorean numerical philosophy- the point, the line, the triangle and the solid tetrahedron- is evident. these latter powers- self-consciousness and temporal perspective- have triggered an unfolding of various non-natural historical events: the r

mes of the sith doth sting thy essence with the pains of realization, and the minds of the mighty shall rise up illustrious within the throne room of the skull, and that which it conceives, it shall create. move from behind the veil of darkness, o creeping chaos from space; speed thee quickly through the door of thanatos and blast forth from within the angles of the mighty trapezoid, for it is i, nyarlathotep, the dark herald and little horn, who stands before you, and the sacrifice has been offered. through the power of your name azathoth, lord of the first angle, present yourself unto me and be detained no longer. let me gaze upon the semblance of the master of chaos, for the door is open and the stars are right. cloaked in the invisible do they move in the world of men. cloaked are we i

m of death. i'a yog-sothoth. the sith bell has been cracked, and the yellow sign seen within the eye of the star of wrath. yea! moving unseen upon the laird of mentu, the fiends without faces have welcomed me, and within the ebon keep the horrors in yellow hold council, seeking to devour the souls of the profane. from an angular matrix born of the asylum, my voice blasts forth unto my soul image, nyarlathotep, and screams of terror and merriment are forever heard unto the ending of the cycle. moving upon the winds of the abyss do the elder daemons shriek my name, proclaiming "ias aem'nh ci-cyzb vyni-weth w'ragn jnusf whrengo j nusf'wi klo zyah zsybh kyn-talo huz-u kyno" behold all ye death defiant! the stone with faces unrecognized by the profane and the fearful! within its windows doth re

eral to lucifer as a maestro of sonic (musical) dimensions. yog-sothoth: lord of the second angle. bio-mechanical architect of the trapezoid. responsible for the angular chemistry constituting the flesh vehicle of man's objective experience. master of dimensions, known and unknown. patron daemon of the yellow sign, who extends the promise of his will and word, immortality, unto the hornless ones. nyarlathotep: the black herald, who brings forth visions of the world of horrors. daemon responsible for the magical link, the satanic umbilical cord bonded between the black magician in the objective universe, and the subjective personal asylum. nyarlathotep expounds his logos or magical philosophy embodied in a word death, ie: transition or the knowledge of the world of horrors, to his students

aming chaos from the pit of space, whose flutes wail unto the ending of time. he who broke the sonic sleep that we may be. ia asathoth. we move our swords within the second angle, and therein summon yog-sothoth, master of the angles and dimensions, faceless abomination who bestows his yellow sign unto the hornless ones. ia yog-sothoth. we move our swords within the third angle, and therein summon nyarlathotep, the black herald and unsleeping one, dark prince of the abyss who through sinister images gives knowledge of the world of horrors. ia nyarlathotep. we move our swords within the fourth angle, and therein summon shub-niggurath, black goat of a thousand, prince of decadent khar, lord of the blasted heath and deathscapes. ia shub-niggurath. we move our swords within the fifth angle, and

honor with thy presence of being here on this night. that which i will shall be manifest in all the realms of hell and earth. the very fabric of the universe shall vibrate with the waves of my will, and remanifest as i command. stand with me and hear this doom which i pronounce, and beware the ka which now comes into being through that art which is mine to command [summoning of the elements] rise nyarlathotep, bringer of strange joy, herald of the barrier! move and appear to join me in this great working, and celebrate the rekindling of that flame which you delivered on behalf of all the great old ones to this world of horrors in the aeons of the past! rise yog-sothoth, all-in-one, one-in-all, faceless master who doth order the planes and angles! move and appear to join me in this great wo

house is raised from beneath the abysmal waters in which it has lain for so long. your barnacled tower shall once again pierce the surface of this world of horrors, that you may reign in terror and glory! awaken from your sleep of dreams, for the stars are aright and your time is come! rise great r'lyeh; this portal shall serve as barrier no longer by decree of your priest manifest on earth! ia! nyarlathotep! ia! yog-sothoth! ia! shub-niggurath! ia! azathoth! ia! ia! ia! cthulhu fhtagn [graal sequence. fill the graal as these words are spoken over and into the liquid used. i have chosen a darkly colored fruit juice, apple/grape/raspberry to be specific] behold this brother, a child of darkness, who once again lifts this graal of truth in the continuance of my pact with the powers of darkn

(2. the cosmic flutes of azathoth shall again wail unending, and shall sing into the deepest reaches within the hearts and minds of men. shub-niggurath, black goat of the thousand young, shall come forth from the primal core of being to spawn and multiply and witness the raising of his great copper temple, as it was before the reign of the elder gods of death [k'bhal'dysngha. the dark messenger, nyarlathotep, shall again carry the word and speak with men, granting them knowledge of all the great old ones. yog-sothoth, being the key and the way, master who doth order the planes and angles, shall once again give form to the ancient dreams which the cylth[elect of humankind] shall glimpse with renewed vigor of curiosity. then great cthulhu, still dreaming in his house, will wait as all his m

SATANIC RITUALS

f the individual can be increased by a rejection of the carnal and an obedience to morality. lovecraft recorded bis aversion to conventional religious dogma in the silver key, and he regarded with a similar scorn those who, rejecting religion, succumbed to a controversial substitute, i.e. the popular notion of witchcraft. the concept of worship per se is strikingly absent from the cthulhu mythos. nyarlathotep, shub- niggurath, yog-sothoth and cthulhu are all honored through bizarre festivals, but their relationship to their followers is invariably that of teacher to students. compare the description of a lovecraftian ceremony to that of a christian mass or a voodoo rite, and it is clear that the element of servility is definitely lacking in the first. lovecraft, like the miltonian satan, c

ll sleep, and we shall die, but we shall return through them. we are their dreams, and they shall awaken. hail to the ancient dreams. participants: i'a ry'gzengrho. hail to the ancient dreams [the celebrant now tarns to face the altar] celebrant: kh'rensh n'fha'n-gnh khren-kan'g n'yra-l'yht-otp hfy'n chu-si whr'g zyb'nos thu'nby jne'w nhi quz-a. i call now to the unsleeping one, the black herald, nyarlathotep, who assureth the bond between the living and the dead. participants: i'a n'yra-l'yht-otp. hail, nyarlathotep. celebrant: kh'rengyu az'pyzh rz'e hy'knos zhri ty'h nzal's za naagha hu'hnby jne'w nhi quz-al hjru-crusk'e dzund dkni-nyeh ryr'ngkain-i khring's naaghs pyz'rn ry'gzyn rgy-namanth el-aka gryenn'h tko f'unga l'zen-zu dsi-r p'ngath fha'gnu nig-quz'a i'a n'yra-l'yht- otp. o dark

quz-al hjru-crusk'e dzund dkni-nyeh ryr'ngkain-i khring's naaghs pyz'rn ry'gzyn rgy-namanth el-aka gryenn'h tko f'unga l'zen-zu dsi-r p'ngath fha'gnu nig-quz'a i'a n'yra-l'yht- otp. o dark one, who rideth the winds of the abyss and cryeth the night gaunts between the living and the dead, send to us the old one of the world of horrors, whose word we honor unto the end of the deathless sleep. hail, nyarlathotep. participants: i'a n'yra-l'yht-otp. hail, nyarlathotep. celebrant: i'as urenz-khrgn naaghs z'h hlye fer-zn cyn. i'as aem'nh ci-cyzb vyni-weth w'ragn jnusf whrengo jnusf'wi klo zyah zsybh kyn-tal-o huz-u kyno. hail to thee, blade prince from the grotto whose charge we bear. hail to thee and to thy fathers, within whose fane thou laughs and screams in terror and in merriment, in fear an

. i'as aem'nh ci-cyzb vyni-weth w'ragn jnusf whrengo jnusf'wi klo zyah zsybh kyn-tal-o huz-u kyno. hail to thee, blade prince from the grotto whose charge we bear. hail to thee and to thy fathers, within whose fane thou laughs and screams in terror and in merriment, in fear and in ecstasy, in loneliness and in anger, upon the whim of thy will. participants: i'a n'yra-l'yht-otp urz'n naagha. hail, nyarlathotep, prince of the abyss. celebrant: v'hu-ehn n'kgnath fha'gnu n'aem'nh. kzren ry'gzyn cyzb-namanth el-aka gryenn'h kh'renshz k'rahz'nhu zyb'nos y'goth-e vuy-kin'eh nals zyh. in thy name let us behold the father. let the old one who reigneth upon the world of horrors come and speak with us, for we would again strengthen the bond that liveth within the angles of the path of the left [the c

pants] celebrant: ty'h nzal's kra naaghs n'ghlasj zsyn'e ty'h nzal's za'je oth'e kyl-d zhem'n f ungh'n. nal y'gs- othoth krell n'yra-1'yht-otp. i'a y'gs-othoth. i'a n'yra-l'yht- otp. the gaunts are loose upon the wold, and we shall not pass; but the time shall come when the gaunts will bow before us, and man shall speak with the tongues of the hornless ones. the way is yog-sothoth, and the key is nyarlathotep. hail, yog-sothoth. hail, nyarlathotep. participants: i'a y'gs-othoth. i'a n'ya-1'yht- otp. i'a s'ha-t'n. hail, yog-sothoth. hail, nyarlathotep. hail, satan. the call to cthulhu [this ceremony is to be performed in a secluded location near a major body of water-a large river, lake, or ocean. the ideal site for the proceedings would be a natural stone cavern at the water's edge, but a

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