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INANNA

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ALEISTER CROWLEY AD MEIORUM CTHULHI GLORIAM

ndoubtedly female is to the point; and that the chinese as well as the sumerians perceived of two dragon currents, male and female, gives the researchers a more complex picture. the green dragon and the red dragon of the alchemists are thus identified, as the positive and negative energies that compromise the cosmos of our perception, as manifest in the famous chinese yin-yang symbol. but what of inanna, the single planetary deity having a female manifestation among the sumerians? she is invoked in the necronomicon and identified as the vanquisher of death, for she descended into the underworld and defeated her sister, the goddess of the abyss, queen ereshkigal (possibly another name for tiamat. interestingly enough, the myth has many parallels with the christian concept of christ's death

ale manifestation among the sumerians? she is invoked in the necronomicon and identified as the vanquisher of death, for she descended into the underworld and defeated her sister, the goddess of the abyss, queen ereshkigal (possibly another name for tiamat. interestingly enough, the myth has many parallels with the christian concept of christ's death and resurrection, among which the crucifixion (inanna was impaled on a stake as a corpse, the three days in the sumerian hades, and the eventual resurrection are outstanding examples of how sumerian mythology previewed the christian religion by perhaps as many as three thousand years- a fact that beautifully illustrates the cosmic and eternal nature of this myth. therefore, the goddess of the witches has two distinct forms: the ancient one, go

the christian new testament- an ironic and splendid result of the ignorance of the greek religious historians concerning the ancient mysteries! probable the most inconsistent concept the sumerians possesses with reference to the craft is the naming of the goddess as a deity, not of the moon (as the craft would have it, but of the planet venus. the moon was governed by a male divinity, nanna (like inanna but minus the initial 'i, and was considered the father of the gods by the earliest sumerian religion. it should be noted, however, that all of the planetary deities, termed "the zoned ones" or zonei in greek, and indeed all of the sumerian deities, had both male and female manifestations, showing that the sumerians definitely recognised a yin-yang composition if the universe (the "male moo

ish, although not completely: for the originals in their entirety were evidently not known to the author of the necronomicon, nor are they to present scholarship; the various tablets upon which they were written being cracked and effaced in many places, rendering translation impossible. the magan text, which comprises the creation epic of the sumerians (with much later glosses) and the account of inanna's "descent into the underworld, along with more extraneous matter, is presented. the unique "book of the entrance" has no counterpart in occult literature, and the drawings of magickal seals and symbols are wholly new to anything that has yet appeared on the contemporary occult scene- although bearing some resemblances to various diagrams found in the ancient arabic texts of the last millen

ie in the west of sumer. for a time, it seems the name magan was synonymous with the place of death- as the sun 'died' in the west. hence, it is a bit confusing as to what magan is really supposed to mean in this text, but in context the "place of death" explanation seems quite valid. the magan text is nothing more than an incomplete and free-form version of the creation epic of sumer, along with inanna's descent into the underworld, and many glosses. we are told how marduk slays tiamat- after much the same fashion that the chief of police of amity slays the great white shark in benchley's novel jaws, blowing an evil wind (the oxygen tank) into her mouth and sending in an arrow (bullet) in after it to explode her. surely, the two or three most box-office successful films of the past few ye

the nature of the cosmos before the fall of marduk from heaven (names of zodiacal constellations are after budge's renderings) table vii [a.c] table xxv [s] 0. anu (tiamat) 1. sphere of the primum mobile enlil (absu) 2. sphere of the zodiac or fixed stars enki; lumashi (igigi) 3. sphere of saturn adar 4. sphere of jupiter marduk 5. sphere of mars nergal 6. sphere of the sun utu 7. sphere of venus inanna 8. sphere of mercury nebo 9. sphere of the moon nanna 10. sphere of the elements kia 11. air anna 12. mercury gudud 13. moon sin 14. venus dlibat 15. aries agru (xubur) 16. taurus kakkab u alap shame (kingu) 17. gemini re'u kinu shame u tu'ame rabuti (viper) 18. cancer shittu (snake) 19. leo kalbu rabu (lakhamu) 20. virgo shiru (whirlwind) 21. jupiter umunpaddu 22. libra zibanitum (ravening

which i passed the gate arzir, and passed into the forbidden realms of the foul igigi. i have raised demons, and the dead. i have summoned the ghosts of my ancestors to real and visible appearance on the tops of temples built to reach the stars, and built to touch the nethermost cavities of hades. i have wrestled with the black magician, azag-thoth, in vain, and fled to the earth by calling upon inanna and her brother marduk, lord of the double-headed axe. i have raised armies against the lands of the east, by summoning the hordes of fiends i have made subject unto me, and so doing found ngaa, the god of the heathens, who breathes flame and roars like a thousand thunders. i have found fear. i have found the gate that leads to the outside, by which the ancient ones, who ever seek entrance

o other person about you who may watch you in its construction. being finished, it should be wrapped in a square of the finest silk and lain aside until such time as you desire its use, and then, it should be removed only when its light is in the sky. such is also the best time for its manufacture. the number of nebo is twelve and this is his seal: the goddess of venus is the most excellent queen inanna, called of the babylonians ishtar. she is the goddess of passion, both of love and of war, depending upon her sign and the time of her appearance in the heavens. she appears as a most beautiful lady, in the company of lions, and partakes of a subtle astral nature with the moon god nanna. when they are in agreement, that is, when their two plants are auspiciously arranged in the heavens, it

s, when their two plants are auspiciously arranged in the heavens, it is as two offering-cups split freely in the heavens, to rain the sweet wine of the gods upon the earth. and then there is great happiness and rejoicing. she sometimes appears in armour, and is thereby a most excellent guardian against the machinations of her sister, the dread queen ereshkigal of kur. with the name and number of inanna, no priest need fear to walk into the very depths of the underworld; for being armed, in her armour, he is similar to the goddess. it was thus that i descended into the foul pits that lie gaping beneath the crust of the earth, and commanded demons. she is similarly the goddess of love, and bestows a favourable bride upon any man who desires it, and who makes the proper sacrifice. but know t

na, no priest need fear to walk into the very depths of the underworld; for being armed, in her armour, he is similar to the goddess. it was thus that i descended into the foul pits that lie gaping beneath the crust of the earth, and commanded demons. she is similarly the goddess of love, and bestows a favourable bride upon any man who desires it, and who makes the proper sacrifice. but know that inanna takes her own for her own, and that once chosen by her no man may take another bride. her colour is the purest white. her manifestation is in the metal copper, and also in the most beautiful flowers of a field, and in the saddest death of the battlefield, which is that field's fairest flower. her gate is the third you will pass in the rites that follow, and in which place you will be of a h

r genuine goal, unless the goddess choses you. her step on the ladder of lights, built of old in babylon and at ur, is white. this is her seal, which you must engrave on copper, venus being exalted in the heavens, with no one about watching its construction. being finished, it is to be wrapped in the purest silk and lain safely away, only to be removed when need arises, at any time. the number of inanna is fifteen, by which number she is frequently known in the incantations of the dispensation, her seal is the following. this god of the sun is the lord shammash, son of nanna. he is seated upon a throne of gold, wearing a crown of two horns, holding a sceptre aloft in his right hand and a flame disk in his life, sending rays in every direction. he is the god of light and of life. his colour

nd of the west, one lamp. the oil should be pure, with no odour, or else sweet-smelling. the perfumes in the brazier should also be sweet-smelling, or especially appropriate to the star where thou wouldst desire entrance, after the fashion of thy country. the seven gates here follow: this is the first gate the gate of nanna, called sin: this is the second gate, of nebo: this is the third gate, of inanna called ishtar: this is the fourth gate, of shammash, called uddu: this is the fifth gate, of nergal: this is the sixth gate, of lord marduk: this is the seventh gate, of ninib, called adar: and the ritual of the walking must follow the formulae herein described: first, thou must observe the moon of purification. in this time, thou mayest not eat meat for the space of seven days preceding th

thy name, he will forbid thee entrance and thou wilt fall to the earth immediately. when the first gate has been entered and the name received, thou wilt fall back to earth amid thine temple. that which has been moving about thy gate on the ground will have gone. recite thine thanksgiving to the gods upon thine altar, strike the sword of the watcher that it may depart, and give the incantation of inanna which say how she conquered the realm of the underworld and vanquisheth kutulu. all idimmu will vanish thereby and thou wilt be thus free to depart the gate and extinguish the fire. thou mayest not call upon nanna till thou hast passed the gate of nanna. thou mayest not call nebo until his gate hast thou passed. similarly for the rest of the gates. when thou hast ascended to the limit of th

thou wilt have knowledge and power over the spheres, and wilt be able to summon them thereby in times of need. this will not give thee power over the absu, however, this power being obtained differently by the ritual of descent. this ritual thou wilt undertake in the fifteenth day after the thirteenth of the month when thou hast summoned the gate of marduk to open. for marduk slew the fiends, and inanna, the goddess of the fifteen, conquered the netherworld, where some of theirs still dwell. this is a most perilous rite, and may be undertaken by any man who as the formulae, whether he has passes the previous gates or not, save that it is best advised to have passed through marduk gate before venturing forth into the pit. for this reason, few have ever opened the gate of adar, and spoken to

e! hearken and remember! suppressor of the mountains! supporter of arms! deity of men! goddess of women! where thou gazest, the dead live! ishtar, queen of night, open thy gate to me! ishtar, lady of the battle, open wide thy gate! ishtar, sword of the people, open thy gate to me! ishtar, lady of the gift of love, open wide thy gate! gate of the gentle planet, libat, open unto me! ia gushe-ya! ia inanna! ia erninni-ya! ashta pa mabacha cha kur enni-ya! rabbmi lo-yak zi ishtari kanpa! inanna zi amma kanpa! bi zamma kanpa! ia ia ia be-yi razuluki! the invocation of the shammash gate spirit of the sun, remember! shammash, lord of the fiery disk, remember! in the name of the covenant sworn between thee and race of men, i call to thee! hearken and remember! from the gate of the beloved ishtar

he watcher to preside over the outer precincts of the circle or gate. the sword is to be thrust into the ground as before, in the northeast section, but the aga mass ssaratu is not necessary lest thou hast not made sacrifice to thine watcher in the space of one moon in which case it is necessary to sacrifice to it anew whether in that ceremony or at some other, earlier. raise the copper dagger of inanna of the calling, and declaim the invocation in a clear voice, be it loud or soft: ia mass ssaratu! i conjure thee by the fire of girra the veils of sunken varloorni, and by the lights of shammash. i call thee here, before me, in visible shadow in beholdable form, to watch and protect this sacred circle, this holy gate of (n) may he of the name unspeakable, the number unknowable, whom no man

ut the properly instructed. to show them to anyone other is to ask the curse of ninnghizhida on yourself and upon your generations. the book maklu of the burnings: the exorcism of the crown of anu the priest, in time of peril, shall put on the spotless white crown of anu with the eight-rayed seal and stand in the prescribed manner with the tablets of calling on his breast and the copper dagger of inanna in his right hand, aloft. for, it is said, if a man builds a fire, does he no build it in a pit, that he might not be harmed thereby? thus is it true of the uduggu we call, for they are like fire and every caution must be used lest they consume the magician and his entire generation. thus, the exorcism of anu i have put the starry crown of heaven, the potent disk of anu on my head that a ki

's bones! spirit of the sky, remember! spirit of the earth, remember! the exorcism annakia (a conjuration of heaven and earth and all between against the possessing spirit, to be recited seven times over the body of the possessed person till the spirit issueth forth from his nose and mouth in the form of liquid and fire, like unto green oils. then the person shall be whole, and shall sacrifice to inanna at her temple. and this must not be omitted, lest the spirit return to what inanna has cast off) zi dingir anna kanpa! zi dingir kia kanpa! zi dingir uruki kanpa! zi dingir nebo kanpa! zi dingir ishtar kanpa! zi dingir shammash uddu kanpa! zi dingir nergal kanpa! zi dingir marduk kanpa! zi dingir ninib addar kanpa! zi dingir igigi kanpa! zi dingir annunnakia kanpa zi dingir enlil la lugal k

while reciting the conjurations set forth, taking especial care not to venture forth from the boundaries of the circle, the holy mandal of calling, lest thou be consumed by the invisible monsters from the egurra of ereshkigal, as was the priest abdul ben-martu in a public square in jerusalem. and the circle shall be drawn in lime, or barley, or white flour. or dug in the ground with the dagger of inanna of calling. or embroidered in the most precious silk, or expensive cloth. and the colours thereof shall be only black and white, and no other. and the frontlet of calling, and the standards of calling, shall all be of fine cloth, and in the colours of ninib and inanna, that is, of black and white, for ninib knows the outer regions and the ways of the ancient ones, and inanna subdued the und

il! ia nngi! zabao! here follows several particular invocations, for summoning various powers and spirits. there may be words of necromantic art, by which it is desirous to speak with the phantom of someone dead, and perhaps dwelling in absu, and thereby a servant of ereshkigal, in which case the preliminary invocation that follows is to be used, which is the invocation used by the queen of life, inanna, at the time of her descent into that kingdom of woe. it is no less then the opening of the gate of ganzir, that leads to the seven steps into the frightful pit. therefore, do not be alarmed at the sights and sounds that will issue forth from that opening, for they will be the wails and laments of the shades that are chained therein, and the shrieking of the mad god on the throne of darknes

a andagub! to recover potency (tie thee knots in a harp string; entwine around both right and left hands, and chant the following incantation seven times, and potency will return) lillik im linu ush kiri lishtakssir erpetumma tiku littuk ni yish libbi ia lu amesh id ginmesh ishari lu sayan sayammi ye la urrada ultu muxxisha! the crown of anu of calling the frontlet of calling the copper dagger of inanna of calling the seal of the north gate the seal of the east gate the seal of the south gate the seal of the west gate one type of mandal of calling another type the book of fifty names the book of fifty names of marduk, defeater of the ancient ones this is the book of marduk, begotten of our master enki, lord of magicians, who did defeat tiamat, known as kur, known as huwawa, in magick comba

ALEISTER CROWLEY EQUINOX EQ I 6 2

ll resume stations" brother aries, let us invoke the master of the battle. bro. aries["advances and kneels to" mars. mighty and terrible one, we beseech thee to lead us in the battle. here, by thy symbols, thy spear, the sword, and the drum, we pray thee to strengthen our arms and to defend our hearts. for we are thy chosen warriors, o thou master of the battle["silence" we now invoke thee, o ama-inanna, whom our brethren worshipped in the days of ancient babylon, great goddess of love and war, who made love and war to gilgames, the ruler of thine own city erech. we invoke thee, our mother, that thou entreat for us with the master of battles. sor. scorpio. to what end do we ask the aid of the lord mars? bro. aries. unto jupiter we have given the thunderbolt and the lightning- flash; for we

DAVID ICKE CHILDREN OF THE MATRIX

e can be found to this day with its giant stones weighing more than three jumbo jets. enlil's younger son was given control of anatolia, now turkey. this was ishkur or "he of the mountain land" and he became the god of the nordic-aryan hittites. the old testament calls him adad and the hadad. r.a. boulay believes this is also the hebrew god, yahweh/yahveh or jehovah. the daughter of sin, known as inanna or ishtar (semitic, was a warrior goddess deity of many lands under different titles. ishtar's symbol was the lion and also the pleiades and venus. together with sin (shamash) and ishkur (adad, she became part of another ancient trinity of gods under many different names. sin was the father, ishkur the son, and ishtar the female. from ishkur and ishtar, we get the new age myth of the "ashta

DEMONIC BIBLE

the queen of the earth i have called upon the lord of the earth, the horned god of the earth. and in calling upon the lord of the earth i have become the horned god of the earth. i am pan; i am bacchus; i am dionysus; i am kernunnos; i am herne. i sit upon the throne of the infernal empire, as lord of the living and the dead. i take the queen of the earth also as my wife and as my lover. ishtar, inanna, isis, demeter, ceres, queen of the earth, goddess of pleasure and fertility, come forth and manifest thyself. queen of the earth, i invoke thee. queen of the earth, i summon thee. queen of the earth, i conjure thee. come forth, queen of the earth, and manifest thyself within this body, this temple which i have prepared. come forth, queen of the earth, and manifest thyself. for i have cross

HEKAS

uneral vestment was the garment used by the aforementioned sect in their rituals; this was indicative of the symbolic interconnection of life and death. sgian-dhu- the scottish knife- speculatively analogous to the skan-do-la, the mandaean ritual knife. sabbat- the witches' rite- stemming from az-sabbat, meaning' the forceful occasion' and from the sa-ba-tu- the sumerian lunar rite of the goddess inanna; this term by means of linguistic confluence equates with the semitic sabbath. note also that the ahl-i-haq, the people of truth- a middle-eastern tribal group, preserve a rite called the sabz which means 'the making green of things; they also sacrifice a cockerel at dawn to mark the liminal edge of night: a custom which has become a glyph of a certain arcanum in sabbatic lore. esbat- the w

KASAK VEEDE UNDERSTANDING PLANETS IN ANCIENT MESOPOTAMIA

. sumerians honoured ca 1000 gods, about fifty of whom were considered the main gods, and especially important were seven gods. the great seven. the functions of different gods tended to vary by city states, but of the great seven an was universally the god of heaven, enlil. the god of air and earth, and enki. the god of water and wisdom; less important were utu. the sun god, nanna. the moon god, inanna. the goddess of love and war, and ninhursag, the mother of gods (kramer 1977: 122.130; 146.152. the name and status of the main god depended on who had the power. in sumerian times, the greatest god was an, whose son was enki. in the old babylonian period, of course, the city god of babylon, marduk became the main god and was also to be son of enki and grandson of an. as an was more like a

ddon, a megalomanic assyrian king, said all the stars to be letters in which his name is written (rainer 1995: 9. subsequently, sumer akkad planet main portfolio of the god in akkadian tradition an anu god of heaven enlil marduk (b l) jupiter main god, god of air and earth enki ea god of waters and wisdom nanna sin moon moongod, god of fertility and prosperity utu .ama. sun sungod, god of justice inanna i.tar venus goddess of love and war (ninurta) nabu mercury god of wisdom and writing (savior, redeemer) ninurta ninurta saturn god of war and hunting? nergal mars god of plague, famine, war, and the underworld 15 we bring an excerpt of a list of witnesses from a pact between the same assyrian king and median king ramataia (672 bc, signs denoting the planets are translated as modern planet n

is predominant (see e.g. reiner 1998. other gods have been related to venus as one of the most popular celestial bodies, but these do not always appear in the names of the planet. e.g. nanaya, sumerian goddess of physical love, semitic goddess aya and west semitic a.tarte. an important appellation dnin.an.na is actually nin-ana, elady of heaven f, the earlier form of sumerian war and love goddess inanna fs name (ninurta was often called inurta in assyria) likewise, du.dar/di.-tar marks the semitic goddess i.tar (neo-assyrian iss r) who corresponds to inanna. there are also similar-sounding designations coming from the meaning elady of heaven f: dnin.an.na figure 9. common versions of venus in cuneiform: d15, muldil(i)-bat, di.-tar and dnin.si4.an.na. in gossmann fs time, the last sign row

LEWIS JAMES SATANISM TODAY AN ENCYCLOPEDIA OF RELIGION FOLKLORE AND POPULAR CULTURE

or finding a person or a lost object, or guiding the wandering spirits of the dead to the realm of the dead. in the ancient western world there were a number of myths that recounted descent into the underworld of an heroic or divine being, who aimed to rescue a beloved one or to obtain immortality and wisdom. in one of the most ancient accounts of a journey to the underworld, the sumerian goddess inanna (in the akkadian civilization she was called ishtar) experienced a descent into the underworld where she underwent a sort of initiation process of death and rebirth. during the journey, the goddess went through seven gates, gradually taking off all of her clothes and ornaments. at the end of the journey, the goddess died and the vegetation on earth immediately wilted. when sprinkled with th

e of many of her subjects: i weep for young men forced to abandon sweethearts. i weep for girls wrenched from their lovers laps. for the infant child i weep, expelled before its time (dalley 1989, 156. one of the more widespread mesopotamian stories involved the descent of the goddess ishtar to the underworld. the first version of this tale was recorded by the sumerians, whose name for ishtar was inanna. the second version was a later, akkadian text. ishtar was the most important goddess in all periods of mesopotamian history, the parallel of the mediterranean aphrodite/ venus. precisely why ishtar should have undertaken such a perilous journey is obscure. some interpreters have speculated that ishtar wished to usurp her sister and extend her rule to the underworld; others that she simply

and extend her rule to the underworld; others that she simply wished to visit her sister. before embarking, she has the wisdom to inform her chief minister that she is about to undertake a journey to the underworld, and instructs him to appeal to the gods in heaven to intervene should it become necessary to retrieve her from her sister s realm.as it turns out, ishtar is unable to return. because inanna/ishtar is the goddess of sex and therefore the goddess of fertility, her absence from the earth is immediately noticed: no bull mounted a cow, no donkey impregnated a jenny. no young man impregnated a girl. the young man slept in his private room. the girl slept in the company of her friends. in order to reactivate the natural forces of life and reproduction, the gods in heaven are forced t

tar is the goddess of sex and therefore the goddess of fertility, her absence from the earth is immediately noticed: no bull mounted a cow, no donkey impregnated a jenny. no young man impregnated a girl. the young man slept in his private room. the girl slept in the company of her friends. in order to reactivate the natural forces of life and reproduction, the gods in heaven are forced to come to inanna/ishtar s aid. the ancient mesopotamians also told several variants of another, more upbeat, story of descent to the underworld, the tale of nergal and ereshkigal. in this story nergal, as a consequence of an affront to ereshkigal s vizier, is required to appear in the queen of the underworld s court to offer an apology. ereshkigal finds herself attracted to this upper world god and attempts

MICHAEL WYNN THE SOUL TRAVELERS

. venus is the roman goddess of love and fertility. the goddess venus is so closely related to the greek goddess aphrodite that one could hardly pull them apart categorically. aphrodite, from whom came the word aphrodisiac, is also a goddess of love and fertility. aphrodite is also associated with another greek goddess astarte. in mesopotamia, this goddess goes by the names ishtar, ashtoreth, and inanna. ishtar is also a fertility and love goddess who is further associated with the planet venus. the multiple aspects of the goddess inanna, or the concept of multiple aspects, seem to surface in the story of her descent into the underworld. here, inanna descends into the land of the dead, ruled by her dark sister (aspect) ereshkigal. at the end of this story the reader may have the impression

net venus. the multiple aspects of the goddess inanna, or the concept of multiple aspects, seem to surface in the story of her descent into the underworld. here, inanna descends into the land of the dead, ruled by her dark sister (aspect) ereshkigal. at the end of this story the reader may have the impression that erishkigal, queen of the underworld, absorbed the qualities( or body) of her sister inanna. yet another copy of this goddess is queen semiramis. the average american is more familiar with semiramis than they realize; it is her likeness that graces the statue of liberty. even though the statue of liberty is a spiting likeness of queen semiramis of assyria, the french freemasons that funded the statue s construction left subtler clues as to the true identity of our lady liberty. in

o/villain swapping that they re so good at; everyone knows jesus went up, not down. but then i was directed to this bible verse, which shook my view regarding the nature of his sacrifice. i can t believe it s not fiction: osiris& horus, vader& luke starwars lilith [5.4] the goddess lilith is associated with a host of other goddesses, including hecate, astarte, isis, sekhmet, virgo, venus, ishtar, inanna, aradia, davcina, selene, diana, az, babylon, kali, tiamat, al-uzza, and gaia. although this goddess is mostly associated with the moon, she is said to have both good and bad aspects, and true to that logic she if often spoke of as lilith who was consumed or possessed by a much more ancient goddess named tiamat. as if lilith is now the body that tiamat walks in. lilith is the feminine princ

PHILIP NEIL MYTHS LEGENDS EXPLAINED

e consort of the god shiva (see pp. 112 13, and is worshiped as benign parvati or uma or as ferocious and vengeful durga or kali. sankara wrote of her in the 9th century, your hands hold delight and pain. the shadow of death and the elixir of immortal life are yours. the combination of delight and pain is not confined to india. the great goddess of ancient mesopotamia, variously called ishtar and inanna, also combined the roles of goddess of love and goddess of war. these dual aspects are explored in the epic of gilgamesh, in which she first desires gilgamesh and then, when he rejects her, exacts a terrible revenge (see p. 18. the egyptian isis became absorbed into roman myth, and it is she who speaks, with the unmistakable voice of the great goddess, to lucius, the hero of apuleius novel

en a swallow, then a raven. when the raven did not return, utnapishtim knew it had found a resting place and the waters were subsiding. in thanks, he lit a fire to make a sacrifice to the gods. enlil was furious when he smelled the smoke, but wise ea interceded, and enlil made utnapishtim and his wife immortal; they are the ancestors of all humanity. ishtar, goddess of love the goddess ishtar (or inanna) was the mistress of heaven, a powerful goddess of both love and war. her first consort was her brother tammuz (see p. 33. when tammuz died, ishtar descended to the underworld to wrest the power of life and death from her sister, the dread ereshkigal. leaving her servant papsukal with orders to rescue her if she did not return, ishtar descended into the dark land. she started full of bold d

SATANGEL

risoned by aaron. khil (grimorium verum. occasions great earthquakes. kimaris, cimejes, cimeies (goetia, 66th spirit. rules over all spirits of africa. a marquis commanding 20 legions, appearing as a valiant warrior on a black horse. teaches grammar, logic, rhetoric. discovers things lost or hidden. kiskil-lilla (sumerian, lillu meaning night. female night demon who dwelled in the haluppa tree of inanna, which was later felled by gilgamesh. see lilith. kobal. manager of the infernal theatre who tempts men to pretence and fraud. lahash once led 184 spirits to prevent the prayers of moses from reaching god, and was thus expelled from the presence. leraikha, leraje, leraie (goetia, 14th spirit. marquis commanding 30 legions. appears as an archer dressed all in green. causes battles and contes

SCHLAGER NEIL WORLD RELIGIONS REFERENCE LIBRARY

y gods and goddesses personified elements of nature. in the mesopotamian pantheon, or collection of gods, the most important were the trio of the sky god, an (or anu; the god of storm and the earth, enlil; and the water god, ea (or enki. these were followed in importance by a second triad comprised of the moon god, nanna (or sin; the sun god, utu (or shamash; and the goddess of fertility and war, inanna 37 (also called ishtar. in the later stages of mesopotamian civilization the local god marduk became head of the pantheon. in egyptian religion the primary god was amen (amon or amun, king of the gods. next in importance was ra (or re, the sun god. these two were eventually joined in the cult of amen-ra. a cult is a religion considered to be outside the mainstream. then came osiris, god of

rats stretched tower-like toward the sky, forming a bridge between earth and heaven, like the mountains that were sacred to the sumerians. each mesopotamian city had at least one temple complex, and each complex was dedicated to the worship of a single deity. the temple complex in ur, for instance, honored the moon god sin (also called nanna by the sumerians. the city of uruk had both a temple to inanna and a ziggurat dedicated to anu. the complexes were managed by specialist priests, who were the only people allowed to worship the deities. the akkadians the development of religion in mesopotamia followed the movement of peoples in the region. historians say that the sumerian civilization lasted from about 3500 to about 2000 bce. sargon the great (reigned c. 2334 c. 2279 bce, the king of a

urther refined. through successive rulers, including hammurabi (1792 1769 bce) and a host of others, the religious system continued. there may have been new rulers, but the gods were eternal. the names of the gods changed, however, as did the emphasis of religion. for example, nanna was the sumerian god of the moon. in akkadian, the language of sargon and his people, nanna was called sin or suen. inanna, mistress of heaven, became ishtar in akkadian. the direction of religion also changed over time. the early sumerians believed that humanity, after it was created, was given a divine spark by the god enlil. this not only made people the servants of the gods during their lifetimes, but also assured them an afterlife. the coming to power of the babylonians in the second millennium bce changed

t/ corbis. 46 world religions: almanac ancient religions of egypt and mesopotamia the three chief gods in the sumerian pantheon were an, the sky god, enlil, the god of weather and storms, and enki, god of wisdom and the abzu. other important deities included the mother goddess, ninhursag; nanna, god of the moon who helped travelers find their way; utu, sun god and the watchful eye of justice; and inanna, the goddess of love and war and the one who guaranteed the kingship. inanna in particular had a strong and lasting influence on mesopotamian culture. she was featured in many fertility rites, but was also called upon in time of war. over the course of time, with movements of new people into the area, the names of the gods changed. for instance, the sumerian goddess innana received the akka

ious centers, but also served as storehouses for the surplus harvest. in effect, they were banks of deposit for community wealth. daily offerings to the deities were made in the temples, and cleaning and purification rituals took place. offerings were made by royal and commoner alike, and these were taken by the temple personnel. each cult or worship of a deity had special festivals. for example, inanna or ishtar was, among other things, goddess of fertility and protector of the storehouses. each year a ritual marriage took place between the goddess and the ruler at the time of harvest. marduk was the deity at the center for the annual new year s festival, held at the spring equinox. at these times, statues of the gods and goddesses were paraded through the streets for all to see. normally

itual recognized the divine authority of the king to rule by marrying him to innana. it also promoted the king s fertility through the symbolic consummation of marriage with the goddess. pilgrimage sites for mesopotamians are not recorded. historians suspect that the nanna ziggurat, a great temple complex at ur to the moon god, was a major center for travelers who devoted that god. similarly, the inanna or ishtar ziggurat at uruk made have been a pilgrimage site for that important goddess. egypt one of the most important festivals in ancient egypt was opet. it took place yearly at the temple of luxor in thebes. the festival brought world religions: almanac 57 ancient religions of egypt and mesopotamia together the human and divine aspects of the pharaoh. in the earliest days of its celebra

i. in a babylonian myth similar to that of the judeo-christian story of noah s ark, ea reveals to utnapishtim that enlil intends to destroy mankind in a flood. enlil: the god of air, wind, and storms. enlil is one of the most important mesopotamian gods. he guards the tablets of destiny, on which the fate of everything on earth is written. ishtar: the goddess of love and war. she is also known as inanna. ishtar journeyed to the underworld to retrieve her love, tammuz. she is often described as very violent and is depicted holding several weapons and standing on a lion. marduk: the god of babylon who later came to be the supreme god. marduk fought an army of demons led by the goddess tiamat. the new year s festival celebrates the king s fitness to rule through a ceremony in which he bows to

wk s head, wearing a headdress with a sun disk. world religions: almanac 61 ancient religions of egypt and mesopotamia divorce was allowed, but usually only when requested by the man. in this case the woman s property had to be returned to the bride s family. little is known about the actual ceremony of the wedding, but some archaeologists assume there was a strong religious component to it, with inanna, goddess of fertility, the primary deity worshipped. death was the final rite of passage for ancient mesopotamians, who believed that the gods had decreed the end to a person s life. after death, the corpse was washed and perfumed, then placed in a coffin. for poorer families, these coffins would be of simple wood or the body would be wrapped in a reed mat. more wealthy family used elaborat

o the practice of mummification and the use of herbs to treat illnesses. these contributions have greatly aided later societies. mesopotamian influences mesopotamian religion was one of the earliest organized religious systems. it had a formal structure, hierarchy (chain of command, and rituals for worship. it influenced all later religious tradition, not only with its gods (some of whom, such as inanna, were adapted into later religious traditions, but also with its central myths. during the babylonian period the state cult of marduk was an important early step toward the nationalistic monotheism later developed by judaism, christianity, and islam. although marduk was only the foremost among a pantheon of other gods, his elevation to national god was a beginning in a gradual process towar

ionally left blank timeline of events c. 2300 c. 2260 bce life span of enheduanna. the daughter of the sumerian ruler sargon of akkad, enheduanna is made high priestess to the sumerian moon god, nanna, beginning a tradition that will last for the next five hundred years among the princesses of the kings of the middle eastern region of mesopotamia. enheduanna also establishes the religious cult of inanna, the daughter of the moon god. c. 2050 c. 1950 bce life span of abraham, a central figure in three major religions: judaism, christianity, and islam. 1353 bce akhenaten, also known as amenhotep iv, becomes pharaoh of egypt. c. thirteenth century bce according to judeo-christian belief, moses leads the israelites, the jewish people, out of slavery from egypt. c. 1200 bce date perhaps marking

eduanna is often referred to by historians as the first female poet and is even considered by some to be the first known author in all of literature. the daughter of the sumerian king sargon i of akkad (ruled c. 2334 c. 2279 bce, enheduanna was a high priestess to the sumerian moon god, nanna. as a priestess, enheduanna was regarded as having near-divine power herself. she chose nanna s daughter, inanna, a fertility goddess and the goddess of war, to be her personal goddess and protector. enheduanna established the religious cult of inanna and helped to spread belief in the goddess throughout the region. enheduanna also composed several hymns to inanna, including the exaltation of inanna, the oldest poem credited to a specific author. historical background by the time of enheduanna s birth

honor of one of the many gods in the mesopotamian pantheon, or collection of gods and goddesses. the most important of these were the sky god, an; the storm god and earth god, enlil; and the water god, ea, who was sometimes also called the god of wisdom. these were followed in importance by a second threesome composed of the moon god, nanna; the sun god, utu; and the goddess of fertility and war, inanna. the temple complex in the city of ur honored nanna. uruk, one of the leading cultural centers of the early sumerian period, had temples to inanna and an. priests managed the running of the temples. ordinary citizens did not take part in the worship of the statues built to represent the various deities (gods and goddesses. enheduanna is depicted making offerings to inanna. university of pen

he empire lasted some 160 years, and sargon himself ruled for fiftyfive of those years. little is known of sargon s early life. according to one sumerian legend, he was born near the banks of the euphrates river to a high priestess who found it necessary to hide her baby. she set him afloat in a reed basket that was later found by a gardener named akki, who raised the baby as his own. the goddess inanna took a liking to the boy and protected him. before long he became a cupbearer to the king of kish, a city in the north of sumer, and then later king himself. he founded the city of akkad, which archaeologists (people who study the remains of past human life) believe was located near the modern-day city of baghdad, iraq. sargon fought many battles during his reign. some accounts total his vi

gon on the other. most likely a religious artifact from the temple, the disk shows the priestess performing a ritual. the disk also serves as an introduction to the duties of a priestess, such as making daily offerings to the god or goddess honored by the temple. these offerings consisted of foods such as grain, honey, and dates that were carried in a basket called a gimasab, which is represented inanna most gods and goddesses in the mesopotamian pantheon represented some element of nature. inanna, or ishtar in akkadian, was one of the pantheon s most complex deities. she was the goddess of such unalike forces as love, fertility, and war. a pantheon is a group of gods and goddesses. inanna was described as cruel, vengeful, warlike, and destructive, but also as peaceful, tender, comforting

s most complex deities. she was the goddess of such unalike forces as love, fertility, and war. a pantheon is a group of gods and goddesses. inanna was described as cruel, vengeful, warlike, and destructive, but also as peaceful, tender, comforting, and mystical. she was seen as the protector of both sargon and his daughter, enheduanna. it was partly due to enheduanna s focus on the goddess that inanna became the most important deity in mesopotamia for more than five hundred years. inanna was the daughter of nanna, the moon god, and the twin sister of utu, the sun god. she was represented in the heavens by the planet venus. in fact, astronomers (scientists who study the planets and the stars) named a continent on that planet after her. in sumerian the name inanna means great lady of an, w

inanna was the daughter of nanna, the moon god, and the twin sister of utu, the sun god. she was represented in the heavens by the planet venus. in fact, astronomers (scientists who study the planets and the stars) named a continent on that planet after her. in sumerian the name inanna means great lady of an, with an being the god of heaven. when she first began to be worshipped by the sumerians, inanna symbolized the life force and was the goddess of both sexuality and fertility. when displeased, she could destroy crops and make women unable to bear children. among the assyrians and akkadians to the north, she was worshipped as the goddess of war and the hunt and was often pictured in battle dress with bow and arrow. inanna is at the center of several powerful myths, including one that te

ear children. among the assyrians and akkadians to the north, she was worshipped as the goddess of war and the hunt and was often pictured in battle dress with bow and arrow. inanna is at the center of several powerful myths, including one that tells of her descent into the underworld to claim control of it. her sister, ereshkigal, who already ruled the underworld, was upset by this and sentenced inanna to death. when inanna died, however, the world dried up and crops would no longer grow. the water god, ea, arranged to save inanna, with the agreement that someone else would have to take her place in the underworld. inanna chose her lover, dumuzi. dumuzi then ruled from the underworld for half of each year and rejoined inanna for the other half. 124 world religions: biographies enheduanna

ed inanna for the other half. 124 world religions: biographies enheduanna on the disk. other duties included conducting a ceremony to purify water and caring for the giparu, the building attached to the temple that contained the priestess s private residence. enheduanna s position took her to the other major cities of mesopotamia, where she promoted not only her deity, nanna, but also the goddess inanna, whom enheduanna took as her personal deity and protector. priestesses were also responsible for composing hymns, songs, and poetry honoring the deities. some of the historical knowledge of enheduanna comes through the hymns she composed to inanna. these hymns were later transcribed in cuneiform, wedge-shaped writing carved with a pointed stick on clay tablets. more than one hundred such ta

rm, wedge-shaped writing carved with a pointed stick on clay tablets. more than one hundred such tablets are believed to be the work of enheduanna because they were written in sumerian. her father, sargon, typically wrote in akkadian. at least six different compositions have been attributed to enheduanna from the tablets, the most well-known and completely translated of which is the exaltation of inanna. historians and archaeologists have given these hymns sumerian titles taken from their first lines. therefore the exaltation of inanna is also sometimes called nin-me-sar-ra (queen of countless divine powers. the exaltation of inanna is 153 lines long and begins with a description of inanna s characteristics. the second part details inanna s powers as a goddess of battle. the third section

ays the exaltation in translation for modern readers. this excerpt is from the section in which enheduanna praises innana s powers in battle: at your battle-cry, my lady, the foreign lands bow low. when humanity comes before you in awed silence at the terrifying radiance and tempest [storm or upheaval, you grasp the most terrible of all the divine powers. because of you, the threshold the goddess inanna, or ishtar, was worshipped by the priestess enheduanna. innana was the mesopotamian goddess of love, fertility, and war. head of a statue of ishtar, wearing a headdress from the temple of ushtar at mari, syrian, 2800 2300 bc (alabaster)/assyrian school/national museum, damascus, syria, giraudon/the bridgeman art library international. world religions: biographies 125 enheduanna [door] of te

charging storm. you roar with the roaring storm, you continually thunder with ickur [god of storms. you spread exhaustion with the stormwinds, while your own feet remain tireless. with the lamenting balaj drum a lament is struck up. another verse written by enheduanna is in-nin sa-gur-ra (stouthearted lady, the longest of her surviving works at 274 lines. this hymn s main theme is the power that inanna has over all aspects of human life. another group of hymns that has been translated into english is e-u-nir (temple hymns. this is a collection of forty-two verses written or gathered by enheduanna. each verse is addressed to a different temple in sumer or akkad. more hymns to inanna are included in in-nin me-hus-a (inanna and ebih. fragments of verses and hymns are also found in two smalle

THE GALE ENCYCLOPEDIA OF THE UNUSUAL UNEXPLAINED VOL 1

his message was being shouted down by the crowds at ephesus who pledged their obeisance to diana. until they had been romanized and westernized, diana/artemis, together with the other two preeminent goddesses of the east, isis and cybele, were first represented as black madonnas. and before the people of the east bent their knees to diana, isis, and cybele, they had worshipped the great mother as inanna in sumeria, as ishtar in babylonia, and as astarte among the hebrews. most scholars agree that among the first images of the black madonna and her son were representations of isis and horus. the black madonna may also refer to mary magdalene, who, in the traditions of many christian sects, such as the gnostics, was the wife of jesus (c. 6 b.c.e. c. 30 c.e) in this interpretation of the even

THE MIDDLE PILLAR

the senses, the intellect, and the imagination. to carry out these duties, the ego relies on discrimination, reason, and certain defense mechanisms that often conflict with other aspects of the psyche, sometimes posing obstacles to growth and healing. archetypes of the ego include all deities who have "walked between the worlds" of life and death (conscious and subconscious, such as the sumerian inanna and the egyptian osiris. 4. the field of consciousness, whch contains the ego, is the incessant flow of observable images, feelings, thoughts, sensations, and impulses. archetypes of this region include several groups of deities with a variety of attributions: wisdom (enki, thoth, hermes; love (hathor, aphrodite; war (horns, ares; pleasure (bes, pan; etc. 5. the higher unconscious or superc

THE NECRONOMICON SIMON VERSION

ndoubtedly female is to the point; and that the chinese as well as the sumerians perceived of two dragon currents, male and female, gives the researchers a more complex picture. the green dragon and the red dragon of the alchemists are thus identified, as the positive and negative energies that compromise the cosmos of our perception, as manifest in the famous chinese yin-yang symbol. but what of inanna, the single planetary deity having a female manifestation among the sumerians? she is invoked in the necronomicon and identified as the vanquisher of death, for she descended into the underworld and defeated her sister, the goddess of the abyss, queen ereshkigal (possibly another name for tiamat. interestingly enough, the myth has many parallels with the christian concept of christ's death

ale manifestation among the sumerians? she is invoked in the necronomicon and identified as the vanquisher of death, for she descended into the underworld and defeated her sister, the goddess of the abyss, queen ereshkigal (possibly another name for tiamat. interestingly enough, the myth has many parallels with the christian concept of christ's death and resurrection, among which the crucifixion (inanna was impaled on a stake as a corpse, the three days in the sumerian hades, and the eventual resurrection are outstanding examples of how sumerian mythology previewed the christian religion by perhaps as many as three thousand years- a fact that beautifully illustrates the cosmic and eternal nature of this myth. therefore, the goddess of the witches has two distinct forms: the ancient one, go

the christian new testament- an ironic and splendid result of the ignorance of the greek religious historians concerning the ancient mysteries! probable the most inconsistent concept the sumerians possesses with reference to the craft is the naming of the goddess as a deity, not of the moon (as the craft would have it, but of the planet venus. the moon was governed by a male divinity, nanna (like inanna but minus the initial 'i, and was considered the father of the gods by the earliest sumerian religion. it should be noted, however, that all of the planetary deities, termed "the zoned ones" or zonei in greek, and indeed all of the sumerian deities, had both male and female manifestations, showing that the sumerians definitely recognised a yin-yang composition if the universe (the "male moo

ish, although not completely: for the originals in their entirety were evidently not known to the author of the necronomicon, nor are they to present scholarship; the various tablets upon which they were written being cracked and effaced in many places, rendering translation impossible. the magan text, which comprises the creation epic of the sumerians (with much later glosses) and the account of inanna's "descent into the underworld, along with more extraneous matter, is presented. the unique "book of the entrance" has no counterpart in occult literature, and the drawings of magickal seals and symbols are wholly new to anything that has yet appeared on the contemporary occult scene- although bearing some resemblances to various diagrams found in the ancient arabic texts of the last millen

ie in the west of sumer. for a time, it seems the name magan was synonymous with the place of death- as the sun 'died' in the west. hence, it is a bit confusing as to what magan is really supposed to mean in this text, but in context the "place of death" explanation seems quite valid. the magan text is nothing more than an incomplete and free-form version of the creation epic of sumer, along with inanna's descent into the underworld, and many glosses. we are told how marduk slays tiamat- after much the same fashion that the chief of police of amity slays the great white shark in benchley's novel jaws, blowing an evil wind (the oxygen tank) into her mouth and sending in an arrow (bullet) in after it to explode her. surely, the two or three most box-office successful films of the past few ye

the nature of the cosmos before the fall of marduk from heaven (names of zodiacal constellations are after budge's renderings) table vii [a.c] table xxv [s] 0. anu (tiamat) 1. sphere of the primum mobile enlil (absu) 2. sphere of the zodiac or fixed stars enki; lumashi (igigi) 3. sphere of saturn adar 4. sphere of jupiter marduk 5. sphere of mars nergal 6. sphere of the sun utu 7. sphere of venus inanna 8. sphere of mercury nebo 9. sphere of the moon nanna 10. sphere of the elements kia 11. air anna 12. mercury gudud 13. moon sin 14. venus dlibat 15. aries agru (xubur) 16. taurus kakkab u alap shame (kingu) 17. gemini re'u kinu shame u tu'ame rabuti (viper) 18. cancer shittu (snake) 19. leo kalbu rabu (lakhamu) 20. virgo shiru (whirlwind) 21. jupiter umunpaddu 22. libra zibanitum (ravening

which i passed the gate arzir, and passed into the forbidden realms of the foul igigi. i have raised demons, and the dead. i have summoned the ghosts of my ancestors to real and visible appearance on the tops of temples built to reach the stars, and built to touch the nethermost cavities of hades. i have wrestled with the black magician, azag-thoth, in vain, and fled to the earth by calling upon inanna and her brother marduk, lord of the double-headed axe. i have raised armies against the lands of the east, by summoning the hordes of fiends i have made subject unto me, and so doing found ngaa, the god of the heathens, who breathes flame and roars like a thousand thunders. i have found fear. i have found the gate that leads to the outside, by which the ancient ones, who ever seek entrance

o other person about you who may watch you in its construction. being finished, it should be wrapped in a square of the finest silk and lain aside until such time as you desire its use, and then, it should be removed only when its light is in the sky. such is also the best time for its manufacture. the number of nebo is twelve and this is his seal: the goddess of venus is the most excellent queen inanna, called of the babylonians ishtar. she is the goddess of passion, both of love and of war, depending upon her sign and the time of her appearance in the heavens. she appears as a most beautiful lady, in the company of lions, and partakes of a subtle astral nature with the moon god nanna. when they are in agreement, that is, when their two plants are auspiciously arranged in the heavens, it

s, when their two plants are auspiciously arranged in the heavens, it is as two offering-cups split freely in the heavens, to rain the sweet wine of the gods upon the earth. and then there is great happiness and rejoicing. she sometimes appears in armour, and is thereby a most excellent guardian against the machinations of her sister, the dread queen ereshkigal of kur. with the name and number of inanna, no priest need fear to walk into the very depths of the underworld; for being armed, in her armour, he is similar to the goddess. it was thus that i descended into the foul pits that lie gaping beneath the crust of the earth, and commanded demons. she is similarly the goddess of love, and bestows a favourable bride upon any man who desires it, and who makes the proper sacrifice. but know t

na, no priest need fear to walk into the very depths of the underworld; for being armed, in her armour, he is similar to the goddess. it was thus that i descended into the foul pits that lie gaping beneath the crust of the earth, and commanded demons. she is similarly the goddess of love, and bestows a favourable bride upon any man who desires it, and who makes the proper sacrifice. but know that inanna takes her own for her own, and that once chosen by her no man may take another bride. her colour is the purest white. her manifestation is in the metal copper, and also in the most beautiful flowers of a field, and in the saddest death of the battlefield, which is that field's fairest flower. her gate is the third you will pass in the rites that follow, and in which place you will be of a h

r genuine goal, unless the goddess choses you. her step on the ladder of lights, built of old in babylon and at ur, is white. this is her seal, which you must engrave on copper, venus being exalted in the heavens, with no one about watching its construction. being finished, it is to be wrapped in the purest silk and lain safely away, only to be removed when need arises, at any time. the number of inanna is fifteen, by which number she is frequently known in the incantations of the dispensation, her seal is the following. this god of the sun is the lord shammash, son of nanna. he is seated upon a throne of gold, wearing a crown of two horns, holding a sceptre aloft in his right hand and a flame disk in his life, sending rays in every direction. he is the god of light and of life. his colour

nd of the west, one lamp. the oil should be pure, with no odour, or else sweet-smelling. the perfumes in the brazier should also be sweet-smelling, or especially appropriate to the star where thou wouldst desire entrance, after the fashion of thy country. the seven gates here follow: this is the first gate the gate of nanna, called sin: this is the second gate, of nebo: this is the third gate, of inanna called ishtar: this is the fourth gate, of shammash, called uddu: this is the fifth gate, of nergal: this is the sixth gate, of lord marduk: this is the seventh gate, of ninib, called adar: and the ritual of the walking must follow the formulae herein described: first, thou must observe the moon of purification. in this time, thou mayest not eat meat for the space of seven days preceding th

thy name, he will forbid thee entrance and thou wilt fall to the earth immediately. when the first gate has been entered and the name received, thou wilt fall back to earth amid thine temple. that which has been moving about thy gate on the ground will have gone. recite thine thanksgiving to the gods upon thine altar, strike the sword of the watcher that it may depart, and give the incantation of inanna which say how she conquered the realm of the underworld and vanquisheth kutulu. all idimmu will vanish thereby and thou wilt be thus free to depart the gate and extinguish the fire. thou mayest not call upon nanna till thou hast passed the gate of nanna. thou mayest not call nebo until his gate hast thou passed. similarly for the rest of the gates. when thou hast ascended to the limit of th

thou wilt have knowledge and power over the spheres, and wilt be able to summon them thereby in times of need. this will not give thee power over the absu, however, this power being obtained differently by the ritual of descent. this ritual thou wilt undertake in the fifteenth day after the thirteenth of the month when thou hast summoned the gate of marduk to open. for marduk slew the fiends, and inanna, the goddess of the fifteen, conquered the netherworld, where some of theirs still dwell. this is a most perilous rite, and may be undertaken by any man who as the formulae, whether he has passes the previous gates or not, save that it is best advised to have passed through marduk gate before venturing forth into the pit. for this reason, few have ever opened the gate of adar, and spoken to

e! hearken and remember! suppressor of the mountains! supporter of arms! deity of men! goddess of women! where thou gazest, the dead live! ishtar, queen of night, open thy gate to me! ishtar, lady of the battle, open wide thy gate! ishtar, sword of the people, open thy gate to me! ishtar, lady of the gift of love, open wide thy gate! gate of the gentle planet, libat, open unto me! ia gushe-ya! ia inanna! ia erninni-ya! ashta pa mabacha cha kur enni-ya! rabbmi lo-yak zi ishtari kanpa! inanna zi amma kanpa! bi zamma kanpa! ia ia ia be-yi razuluki! the invocation of the shammash gate spirit of the sun, remember! shammash, lord of the fiery disk, remember! in the name of the covenant sworn between thee and race of men, i call to thee! hearken and remember! from the gate of the beloved ishtar

he watcher to preside over the outer precincts of the circle or gate. the sword is to be thrust into the ground as before, in the northeast section, but the aga mass ssaratu is not necessary lest thou hast not made sacrifice to thine watcher in the space of one moon in which case it is necessary to sacrifice to it anew whether in that ceremony or at some other, earlier. raise the copper dagger of inanna of the calling, and declaim the invocation in a clear voice, be it loud or soft: ia mass ssaratu! i conjure thee by the fire of girra the veils of sunken varloorni, and by the lights of shammash. i call thee here, before me, in visible shadow in beholdable form, to watch and protect this sacred circle, this holy gate of (n) may he of the name unspeakable, the number unknowable, whom no man

but the properly instructed. to show them to anyone other is to ask the curse of ninnghizhida on yourself and upon your generations. the book maklu of the burnings: the exorcism of the crown of anu the priest, in time of peril, shall put on the spotless white crown of anu with the eightrayed seal and stand in the prescribed manner with the tablets of calling on his breast and the copper dagger of inanna in his right hand, aloft. for, it is said, if a man builds a fire, does he no build it in a pit, that he might not be harmed thereby? thus is it true of the uduggu we call, for they are like fire and every caution must be used lest they consume the magician and his entire generation. thus, the exorcism of anu i have put the starry crown of heaven, the potent disk of anu on my head that a ki

's bones! spirit of the sky, remember! spirit of the earth, remember! the exorcism annakia (a conjuration of heaven and earth and all between against the possessing spirit, to be recited seven times over the body of the possessed person till the spirit issueth forth from his nose and mouth in the form of liquid and fire, like unto green oils. then the person shall be whole, and shall sacrifice to inanna at her temple. and this must not be omitted, lest the spirit return to what inanna has cast off) zi dingir anna kanpa! zi dingir kia kanpa! zi dingir uruki kanpa! zi dingir nebo kanpa! zi dingir ishtar kanpa! zi dingir shammash uddu kanpa! zi dingir nergal kanpa! zi dingir marduk kanpa! zi dingir ninib addar kanpa! zi dingir igigi kanpa! zi dingir annunnakia kanpa zi dingir enlil la lugal k

while reciting the conjurations set forth, taking especial care not to venture forth from the boundaries of the circle, the holy mandal of calling, lest thou be consumed by the invisible monsters from the egurra of ereshkigal, as was the priest abdul ben-martu in a public square in jerusalem. and the circle shall be drawn in lime, or barley, or white flour. or dug in the ground with the dagger of inanna of calling. or embroidered in the most precious silk, or expensive cloth. and the colours thereof shall be only black and white, and no other. and the frontlet of calling, and the standards of calling, shall all be of fine cloth, and in the colours of ninib and inanna, that is, of black and white, for ninib knows the outer regions and the ways of the ancient ones, and inanna subdued the und

il! ia nngi! zabao! here follows several particular invocations, for summoning various powers and spirits. there may be words of necromantic art, by which it is desirous to speak with the phantom of someone dead, and perhaps dwelling in absu, and thereby a servant of ereshkigal, in which case the preliminary invocation that follows is to be used, which is the invocation used by the queen of life, inanna, at the time of her descent into that kingdom of woe. it is no less then the opening of the gate of ganzir, that leads to the seven steps into the frightful pit. therefore, do not be alarmed at the sights and sounds that will issue forth from that opening, for they will be the wails and laments of the shades that are chained therein, and the shrieking of the mad god on the throne of darknes

a andagub! to recover potency (tie thee knots in a harp string; entwine around both right and left hands, and chant the following incantation seven times, and potency will return) lillik im linu ush kiri lishtakssir erpetumma tiku littuk ni yish libbi ia lu amesh id ginmesh ishari lu sayan sayammi ye la urrada ultu muxxisha! the crown of anu of calling the frontlet of calling the copper dagger of inanna of calling the seal of the north gate the seal of the east gate the seal of the south gate the seal of the west gate one type of mandal of calling another type the book of fifty names the book of fifty names of marduk, defeater of the ancient ones this is the book of marduk, begotten of our master enki, lord of magicians, who did defeat tiamat, known as kur, known as huwawa, in magick comba

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