Michael Wynn's Occult Reference Library
HORUS

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h the incense "i consecrate thee with fire (turns and gives a small head bow to the hierophant and walks back to his quarter) hierophant (stands, and hold the scepter in the right hand, and the banner of east in left. the kerux goes to the northeast, followed by the hegemon, the hiereus with the banner of west and sword, followed by the stolistes, and the dadouchos. each officer makes the sign of horus and harpocrates as they pass the banner of the east "let the mystical circumambulation begin in the pathway of light (hiereus circumambulates once, the hegemon twice, and the other officers circumambulate three times) hierophant "the mystical circumambulation, symbolic of the rise of light is accomplished. let us adore the lord of the universe (sits down (all face east) all (salutes with the

am made even as ye. then comes the mystical eye of osiris representing the orb of the sun, and the cow, symbolic of the great water, the blue firmament of heaven. next the adoration of the lords of truth behind the northern heaven 'hail unto ye, ye lords of truth, ye chiefs behind osiris! ye followers of her whose peace is sure' then the soul arises at the mystic pool of persea trees, wherein is horus, symbolized by the great cat, who slays the evil serpent, apophis. last of the symbols of the 17th chapter is the adoration of the creator in his bark, and the uniting of the purified soul with its maker. the 125th chapter is called' the hall of the two truths, and of separating a person from his sins when he has been made to see the faces of the gods' it opens with a solemn adoration of the

ackal-headed anubis, the guide of the dead, into the hall of truth. the soul then watches the weighing of its actions in earth life against a figure of truth in the mystical scales of ma by anubis. thoth, ibis-headed, records the judgment and the devourer stands ready to seize if the soul has led an evil life. passing through this ordeal, the soul is then introduced into the presence of osiris by horus. osiris sits in his shrine upon a throne, with the crook and scourge, symbols of mercy and severity, in his hands; behind him are isis and nephthys, the 39 goddesses of nature and perfection, and before him are the four genii of the dead, upon the lotus flower, the emblem of the metempsychosis. thus the whole of the symbols upon the pillars represent the advance and purification of the soul

and your left foot forward. your hands should be pointed toward the banner of the east, or the object you wish to charge or affect. be certain that you sink your head until your eyes look exactly between your thumbs. this way, the points of the fingers and the thumbs and the focus of the eyes will all converge upon the object you are charging or attacking. the above posture is called the sign of horus. it is also called the sign of the enterer. most adepts in the order use it as part of their daily ritual work, either at the completion of the l.b.r.p. or after each pentagram is drawn while vibrating the divine name. sign of silence the sign of the enterer of the threshold is always answered, or followed, by the sign of silence. the sign of silence is known as the sign of harpocrates. it i

3 8 INITIATION CEREMONY

fire triangle, and further represent fire operating in the other three elements of air, earth, and water. the central lower figure with his back turned and his arms extended in the sign of theoricus is arel the ruler of latent heat, he is rising from the earth, as if to receive and absorb the properties of the other three. he is also kasmillos the candidate in the samothracian mysteries, and the horus of egypt. he rises from the rock hewn cubical tomb, and also alludes to the candidate who traverses the path of fire. the three lower figures represent the hebrew letter shin to which fire is especially referred. the 7 hebrew yods allude to the sephiroth operating in each of the planets and to the schem-hamphorasch. hiero: returns to his place. heg: leads theoricus to west. hiereus: comes fo

4 7 INITIATION CEREMONY

and still, reflecting all, concealing all. i am the past. i am the inundation. he who riseth from the great waters is my name. hail unto ye, dwellers of the land of night, for the rending of the darkness is near. heg: leads practicus round to seat of hiereus. hiereus: as they approach takes red lamp in his hand and rises. hegemon and practicus halt before him. hiereus: the priest with the mask of horus spake and said, i am water turbid and troubled. i am the banisher of peace in the vast abode of the waters. none is so strong that can withstand the great waters, the vastness of their terror, the magnitude of their fear, the roar of their thundering voice. i am the future, mist-clad and shrouded in gloom. i am the recession of the torrent, the storm veiled in terror is my name. hail unto th

A PRACTICAL GUIDE TO WITCHCRAFT AND MAGICK SPELLS

sacred number in magick and for special ceremonies you can create a triple circle of both power and protection. the number three represents the three aspects of the god figure in many religions: the holy trinity, the triple goddess, the three aspects of the moon -maiden, mother and wise woman or crone- the trefoil or triple god of the celts, and the even older egyptian trinity of isis, osiris and horus, the young sky god. this triplicity is still celebrated when we turn our money over and bow three times to the moon for good luck* create your first two circles of light and salt water* return to the place where you began* place the bowl on the altar and light your incense; you can either light a stick in a secure holder or sprinkle incense on a charcoal block burning within the censer* make

descended into the ocean. homer wrote 'drawn in his swift chariot, he sheds light on gods and men alike; the formidable flash of his eyes pierces his golden helmet, sparkling rays glint from his breast and his brilliant helmet gives forth a dazzling splendour. his body is draped in shining gauze, whipped by the wind' he is especially associated with the life force and renewing health and energy. horus horus was the ancient egyptian sky god, represented as a falcon or a falcon-headed man. his eyes were the sun and moon and his wings could extend across the entire heavens. he was frequently associated with the morning aspect of ra, the sun god, and worshipped as re-harakhte. the son of isis and osiris, he is often depicted as an infant on his mother's lap and together the parents and child

the ancient egyptian sky god, represented as a falcon or a falcon-headed man. his eyes were the sun and moon and his wings could extend across the entire heavens. he was frequently associated with the morning aspect of ra, the sun god, and worshipped as re-harakhte. the son of isis and osiris, he is often depicted as an infant on his mother's lap and together the parents and child form a trinity. horus brings clarity of mind and purpose and the ability to seize upon an opportunity, and is effective for uncovering secrets, deception and illusion. lugh lugh, the celtic 'shining one, who gives his name to lughnassadh, celtic festival of the first harvest, was the young solar deity who replaced the dagda, father of the gods, as supreme king. he was associated with sacrifice, as the sun king wh

thus magically causing the nile to flood and fertility to return to the land. she is the patroness of magick and spell-casting, having tricked ra the sun god into giving her his secrets. some accounts say she was taught by thoth, god of wisdom and learning. her cult spread throughout the roman empire and she remained in mediterranean lands in her guise as the black madonna, holding her infant son horus, until the middle ages. she is sometimes represented as a vulture, in which form she appears on amulets (protective charms) with an ankh, the symbol for life, engraved on each talon. isis demonstrated the power of maternal protection when she hid horus in the marshes from his evil uncle who would have destroyed him. deities of marriage these deities can be invoked in rituals concerning the f

e renewal of life. he is potent for breaking away from destructive situations or, ironically, bad habits such as alcohol. osiris osiris became one of the most important and popular gods in ancient egypt, mainly because he promised non-royal believers that resurrection and salvation from death were for everyone, poor as well as rich. originally he was identified with each dead pharaoh, and his son horus was identified with the reigning successor. osiris married his sister isis, and his brother seth married isis's sister nephthys. according to legend, osiris was at first made an earthly king by his father geb, the earth god. osiris ruled wisely, teaching his people about agriculture and the arts. but osiris's brother seth was jealous and vowed to kill him. seth invited osiris to a feast and

ALEISTER CROWLEY ACROSS THE GULF

this also will i tell in due course. i remember- as i never could while i lived in khemi-land- all the minute care of my birth. for my mother was of the oldest house in thebes, her blood not only royal, but mixed with the divine. fifty virgins in their silver tissue stood about her shaking their sistrons, as if the laughter of the gods echoed the cries of the woman. by the bed stood the priest of horus with his heavy staff, the phoenix for its head, the prong for its foot. watchful he stood lest sebek should rise from the abyss. on the roof of the palace watched the three chief astrologers of pharaoh with their instruments, and four armed men from the corners of the tower announced each god as it rose. so these three men ached and sweated at their task; for they had become most anxious. al

nd birth which we of khemi knew. the next six years of my life have utterly faded. all that i can recall is the vision of the greatness of our city of thebai, and the severity of my life. for i lived on the back of a horse, even eating and drinking as i rode; for so it becometh a prince. also i was trained to lay about me with a sword, and in the use of the bow and the spear. for it was said that horus- or men tu, as we called him in thebai- was my father and my god. i shall speak late of that strange story of my begetting. at the end of seven years, however, so great and strong had i waxen that my father took me to the old astrologer that dwelt in the well to consult him. this i remember as if it were but yesterday. the journey down the great river with its slow days! the creaking benches

c of osiris stronger than the magic of isis. so by my secret practices at night, while my guardians strove to smooth my spirit to page 19 gulf.txt a girl s, had i found the power to bring about that tremendous event, an equinox of the gods. just as thousands of years later was my secret revolt against osiris- for the world had suffered long enough- destined to bring about another equinox in which horus was to replace the slain one with his youth and vigour and victory. i passed therefore into these glowing abodes of amennti, clad in thick darkness, while my body lay entranced at the feet of the osiris in the ruined temple. now the god osiris sent forth his strange gloom to cover us, lest the people should perceive or disturb; therefore i lay peacefully entranced, and abode in amennti. ther

. mighty was the concourse of the citizens on the great day of the consecration. splendid rose the temple, a fortress of black granite. the columns were carved with wonderful images of all the gods adoring osiris; marvels of painting glittered on the walls; they told the story of osiris, of his birth, his life, his death at the hands of typhon, the search after his scattered members, the birth of horus and harpocrates, the vengeance upon typhon seth, the resurrection of osiris. the god himself was seated in a throne set back unto the wall. it was of lapis-lazuli and amber, it was inlaid with emerald and ruby. mirrors of polished gold, of gold burnished with dried poison of asps, so that the slaves who worked upon it might die. for, it being unlawful for those mirrors to have ever reflected

e i stood and gave thanks to the great gods of heaven, the aeons of infinite years, that i had come thus far. for at the sight of nilus new life began to dawn in me. chapter vi without any long delay i descended the slopes and entered the city. not knowing what might have taken place in thebai and what news might have come thither, i did not dare declare myself; but seeking out the high priest of horus i showed him a certain sign, telling him that i was come from memphis on a journey, and intended to visit thebai to pay homage at the shrine of isis. but he, full of the news, told me that the ancient priestess of isis, who had become priest of osiris, had been taken up to heaven as a sign of the signal favour of the god. where at i could hardly hold myself from laughter; yet i controlled my

ALEISTER CROWLEY AD MEIORUM CTHULHI GLORIAM

d, that guards its own from the machinations of evil. extraterrestrial or primevally elemental, alien beings or subconscious repressions, they are powerless against us if we consider deeply the message of this book, and take the seeming ranting of the arab at face value for what they are: a warning, a weapon, and a wisdom. with these three we enter the new age of the crowned and conquering child, horus, not in a slouch towards bethlehem, but born within us at the moment we conquer the lurking fear in our own souls. new york, n.y. december, 1979 "our work is therefore historically authentic; the rediscovery of the sumerian tradition- aleister crowley introduction in the mid- 1920's, roughly two blocks from where the warlock shop once stood, in brooklyn heights, lived a quiet, reclusive man

reference in the book of revelation "the beast 666, was his mother, and he eventually took this appellation to heart. he changed his name to aleister crowley while still at cambridge, and by that name, plus "666, he would never be long out of print, or out of newspapers. for he believed himself to be the incarnation of a god, an ancient one, the vehicle of a new age of man's history, the aeon of horus, displacing the old age of osiris. in 1904, he had received a message, from what lovecraft might have called "out of space, that contained the formula for a new world order, a new system of philosophy, science, art and religion, but this new order had to begin with the fundamental part, and common denominator, of all four: magick. in 1937, the year lovecraft dies, the nazis banned the occult

d, that guards its own from the machinations of evil. extraterrestrial or primevally elemental, alien beings or subconscious repressions, they are powerless against us if we consider deeply the message of this book, and take the seeming ranting of the arab at face value for what they are: a warning, a weapon, and a wisdom. with these three we enter the new age of the crowned and conquering child, horus, not in a slouch towards bethlehem, but born within us at the moment we conquer the lurking fear in our own souls. new york, n.y. december, 1979 prefatory notes the present manuscript was delivered into the hands of the editor by a priest who had managed to get ordained through uncanonical methods which have been entertainingly described in the several books and articles on the ecclesiastic

ALEISTER CROWLEY BOOK OF LIES

-many-all. thou-child! thy name is holy. thy kingdom is come. thy will is done. here is the bread. book of lies get any book for free on: www.abika.com 13 here is the blood. bring us through temptation! deliver us from good and evil! that mine as thine be the crown of the kingdom, even now. abrahadabra. these ten words are four, the name of the one [14] commentary( beta) the "hawk" referred to is horus. the chapter begins with a comment on liber legis iii, 49. those four words, do what thou wilt, are also identified with the four possible modes of conceiving the universe; horus unites these. follows a version of the "lord's prayer, suitable to horus. compare this with the version in chapter 44. there are ten sections in this prayer, and, as the prayer is attributed to horus, they are calle

iii, 49. those four words, do what thou wilt, are also identified with the four possible modes of conceiving the universe; horus unites these. follows a version of the "lord's prayer, suitable to horus. compare this with the version in chapter 44. there are ten sections in this prayer, and, as the prayer is attributed to horus, they are called four, as above explained; but it is only the name of horus which is fourfold; he himself is one. this may be compared with the qabalistic doctrine of the ten sephiroth as an expression of tetrabook of lies get any book for free on: www.abika.com 14 grammaton (1 plus 2 plus 3 plus 4= 10. it is now seen that this hawk is not solar, but mercurial; hence the words, the cry of the hawk, the essential part of mercury being his voice; and the number of the

omega-phi-alpha- lambda-lambda-epsilon,(14) thy right shoulder, and say iota-c?-chi-upsilon-rho-omicron-c, thy left shoulder, and say epsilon-upsilon-chi-alpha-rho-iota-c- tau-omicron-c; then clasp thine hands, locking the fingers, and cry iota-alpha-omega. advance to the east. imagine strongly a pentagram. aright, in thy forehead. drawing the hands to the eyes, fling it forth, making the sign of horus, and roar chi-alpha-omicron-c. retire thine hand in the sign of hoor pa kraat. go round to the north and repeat; but scream beta-alpha-beta-alpha-lambda-omicron-nu. go round to the west and repeat; but say epsilon-rho-omega- c. go round to the south and repeat; but bellow psi-upsilon-chi-eta. completing the circle widdershins, retire to the centre, and raise thy voice in the paian, with thes

i eat. this oath i swear as i enflame myself with prayer "there is no grace: there is no guilt: this is the law: do what thou wilt" he strikes eleven times upon the bell, and cries abrahadabra. i entered in with woe; with mirth i now go forth, and with thanksgiving, to do my pleasure on the earth among the legions of the living. he goeth forth. commentary( mu-delta) this is the special number of horus; it is the hebrew blood, and the multiplication of the 4 by the 11, the number of magick, explains 4 in its finest sense. but see in particular the accounts in equinox i, vii of the circumstances of the equinox of the gods. the word "phoenix" may be taken as including the idea of "pelican, the bird, which is fabled to feeds its young from the blood of its own breast. yet the two ideas, thoug

of lies get any book for free on: www.abika.com 127 o fool! begetter of both i and naught, resolve this naught-y knot! o! ay! this i and o-io!-iao! for i owe "i" aye to nibbana's oe.(28) i pay-pe, the dissolution of the house of godfor pe comes after o-after ayin that triumphs over aleph in ain, that is o.(29) op-us, the work! the op-ening of the eye!(30) thou naughty boy, thou openest the eye of horus to the blind eye that weeps!(31) the upright one in thine uprightness rejoiceth-death to all fishes!(32 [132] commentary( xi-alpha) the number of this chapter refers to the hebrew word ain, the negative and ani, 61. the "fool" is the fool of the tarot, whose number is 0, but refers the the le book of lies get any book for free on: www.abika.com 128 tter aleph, 1. a fool's knot is a kind of k

ALEISTER CROWLEY LIBER 777

rrior on black horse. 28 69= barwakd decarabia a star in a pentacle. 29 72% lamwrdna andromalius man holding great serpent. table v (continued) 30 clxvii. egyptian gods of zodiac (asc. decans. clxviii. egyptian names of asc. decans clxix. as col. clxvii (succedent) clxx. as col. cxviii (succendent. clxxi. as col. cxlvii (cadent) clxxii. as col. cxlviii (cadent) 15 aroueris assicean anubis lencher horus asentacer 16 serapis asicath helitomenos virvaso apophis aharph 17 taautus thesogar cyclops verasua titan tepistosoa 18 apoltun sothis hecate syth mercophta thuismis 19 typhon aphruimis perseus sitlacer nephthe phuonidie 20 isis thumis pi-osiris thoptius panotragus aphut 22 zeuda serucuth omphta aterechinis ophionius arepien 24 arimanius sentacer merota tepiseuth panotragus senciner 25 tolmo

ployed by early 20th-century writers such as budge. line 1: asar is better known by the hellenized form osiris; asar-un-nefer( osiris the beautiful) was a particular epiphet or title of this god. hadith in this line (also hadit in line 0) is not a historical egyptian deity but refers to the entity described in cap. ii of the book of the law; the name is a garbled or corrupt form of heru- behutet (horus of behutet, a solar-martial form of horus symbolized by the winged disk. heru- ra-ha is not a historical egyptian deity but is mentioned in cap. iii of the book of the law and is said to combine hoor-par-kraat (horus the child) and ra-hoor-khuit (ra-horus of the two horizons. line 6: on was not an egyptian deity but a transliteration into hebrew( a or wa) of the name of the egyptian solar cu

d heliopolis by the greeks. the confusion arose through a misreading by freemasons of genesis xli, 45 and 50 where joseph married asenath daughter of poti-phera priest of on. on spelt u as a formula is another matter entirely; see col. clxxxvii. hrumachis is probably a variant spelling of harmachis (hor-maku, said by budge (gods of the egyptians vol. i p. 470) to be the greek name for heru-khuti, horus of the two horizons, who represented the sun from sunrise to sunset. line 13: chomse also spelt khons or khensu. in one legend (cited by budge, op. cit. i, 448) he is said to be the son of the cat goddess bast who was also associated with the moon (to complicate matters bast has solar aspects in some accounts. lines 16, 32-bis: ahapshi is the apis bull (gd coptic spelling. ameshet is amset (

resented the sun from sunrise to sunset. line 13: chomse also spelt khons or khensu. in one legend (cited by budge, op. cit. i, 448) he is said to be the son of the cat goddess bast who was also associated with the moon (to complicate matters bast has solar aspects in some accounts. lines 16, 32-bis: ahapshi is the apis bull (gd coptic spelling. ameshet is amset (or mestha, one of the children of horus. line 17: the rekti goddesses and merti goddesses both appear to have been specific titles or epiphets of isis and nephthys. line 19: pasht (according to budge, op. cit. i, 517) is pekh or pekhit, a minor lioness goddess. mau is onomatopoeic egyptian for cat and appears to have been an epiphet of ra. line 22: ma is more usually spelt maat or ma at. lines 23, 31: auramoth and thoum-aesh-neith

as identified with set in late classical times. add selket, whose symbol was the scorpion. i have no idea what khephra is doing here. line 25: add neith (net) who is traditionally depicted with a bow and arrows. line 26: khem is identified by budge (op. cit, i, 97) with the phallic god min or amsu, and is said to have been the god of apu (panopolis. line 28: ahephi is hapi, one of the children of horus. line 29: add hequet (hekt. line 31: kabeshunt is probably qebhsennuf, one of the children of horus. line 32: i have no idea who mako is. in the golden dawn z1 paper the children of horus or canopic gods had invisible stations in the corners of the temple. the most immediate source for the elemental attributions, though, is the golden dawn paper on enochian chess where the four pawns of each

ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

ing page 12 in equinox i, 2 and titled there "the signs of the grades" these are arranged as ten panels* in this re-publication, the original half-tones have been redone as line copy. each panel consists of an illustration of a single human in a black tau robe, barefoot with hood completely closed over the face. the hood displays a six-pointed figure on the forehead- presumably the radiant eye of horus of the a. a, but the rendition is too poor in detail. there is a cross pendant over the heart. the ten panels are numbered in black in the lower left corner. the panels are identified by two columns of numbered captions, 1 to 6 to the left and 7 to 10 to the right. the description is bottom to top and left to right "1. earth: the god set fighting" frontal figure. rt. foot pointed to the fore

ury should now appear to the magician; and it is so. this egyptian formula is therefore to be preferred to the hierarchical formula of the hebrews with its tedious prayers, conjurations, and curses. it will be noted, however, that in this invocation of thoth which we have summarized, there is another formula contained, the reverberating or reciprocating formula, which may be called the formula of horus and harpocrates. the magician addresses the god with an active projection of his will, and then becomes passive while the god addresses the universe. in the fourth part he remains silent, listening, to the prayer which arises therefrom. the formula of this invocation of thoth may also be classed under tetragrammaton. the first part is fire, the eager prayer of the magician, the second water

f the wielding of the thunderbolt of zeus or indra, the god of air "lamed" is the oxgoad, the driving force; and it is also the balance, representing the truth and love of the magician. it is the loving care which he bestows upon perfecting his instruments, and the equilibration of that fierce force which initiates the ceremony<aeon of horus; they are indeed the key of the book of the law. no more can be said in this place than that aleph is harpocrates, bacchus diphues, the holy ghost, the "pure fool" or innocent babe who is also the wandering singer who impregnates the king's daughter with himself as her child; lamed is the king's daughter, satisfied by him, holding his "sword and balances" in her lap. these weapons are the ju

in masonry, and the 5 degree= 6square ceremony of the g. d. described in equinox i, iii. a ceremonial selfinitiation may be constructed with advantage on this formula. the essence of it consists in robing yourself as a king, then stripping and slaying yourself, and rising from that death to the knowledge and conversation of the holy guardian angel<horus, the crowned and conquering child, remains valid for those who have not yet assimilated the point of view of the law of thelema. but see appendix, liber samekh. compare also "the book of the spirit of the living gods- where there is a ritual given "in extenso" on slightly different lines: equinox i, iii, pages 269-272. there is an etymological identity between tetragrammaton and "i a o, but

w being thelema, whose number is 93, this number should be the canon of a corresponding mass. accordingly, he has expanded i a o by treating the o as an ayin, and then adding vau as prefix and affix. the full word is then vau yod aleph ayin vau whose number is 93. we may analyse this new word in detail and demonstrate that it is a proper hieroglyph of the ritual of self-initiation in this aeon of horus. for the correspondence in the following note, see liber 777. the principal points are these: 31: atu :no: hebrew :no.:correspondence: other :of :of (tarot trump :atu: letters :let: in nature: correspondences :ter: the hiero: v :vau (a nail: 6 :taurus (an :the sun. the son in tephant (osi: english v: earthy sign: tragrammaton (see cap. ris throned: w, or vo: ruled by: iii. the pentagram& cro

ALEISTER CROWLEY MAGICK WITHOUT TEARS

ter" does not produce a gertrud ederle. thank god, the modern girl magic without tears get any book for free on: www.abika.com 238 has cast off at least one of her fetters- the ceinture de chast t! perhaps we have now relaxed enough; we see that the "holy man" is not such a fool as he looks; and we may get on with our excursions into the "morality" of the law of the new aeon, which is the aeon of horus, crowned and conquering child: and "the word of the law is thelema this word in greek caps" 3. so much of the book of the law deals directly or indirectly with morals that to quote relevant passages would be merely bewildering. not that this state of mind fails to result from the first, second, third and ninety-third perusals "when duty bellows loud 'thou must' the youth replies 'pike's peak

ALEISTER CROWLEY SEPHER SEPHIROTH

= 207= rw) pws ny, etc, and rbd= voice( gthe vision and the voice h; thus showing, by yetziratic attribution, the three wands: caduceus: phoenix: lotus. note always rb) are the three supernals. 3rd method. 5a a a d i r b r b a a h give 205+ 213; both mean gmighty h, whence abrahadabra is gthe word of double power h. b) show nb )my) b, viz, amoun: thoth: mout. by yetziratic method, h d r are isis: horus: osiris (also, for h d r, vide i.r.q. 992) dividing as 3 and 8, we get 7 of horus dominating the stooping dragon, w)y rr; also: a r b d a b a r a h a 8= dd, love; and 207= rw, light; 8 207= 18, which is equivalent to yx, living; further, 297= 23 9= hyx, life: hence, licht: liebe: leben. again, 418= t+ w)y= 21+ 397, q.v. rbd and 678= 6+ 7+ 8= 21. 2 b+ 2 r+ d= 32. the five different letters re

ALEISTER CROWLEY THE GREATER RITUAL OF THE PENTAGRAM

m places the magician on the path of samech, so this greater ritual places him on the path of gimel above, instead of below tiphareth. perform the lesser banishing ritual of the pentagram and annoint body with holy oil before performing this greater ritual of the pentagram. take up your position facing the west, strike the bell once and cry aloud abrahadabra! giving the threefold sign of enterer (horus, silence (harpocrates, and apophis (set triumphant. whirl around as on a pivot as rapidly as you can with the wand or sword outstretched, thus making a magick circle. then say, with all the exaltation possible: the light is mine; its rays consume me: i have made a secret door into the house of ra (enterer towards east) and tum (enterer towards west, of khephra (enterer towards north) and of

ALEISTER CROWLEY THE HEART OF THE MASTER

, when the time was ripe, appeared the brethren of the formula of osiris, whose word is i a o; so that men worshipped man, thinking him subject to death, and his victory dependent upon resurrection. even so conceived they of the sun as slain and reborn with every day, and every year. now, this great formula being fulfilled, and turned into abomination, this lion came forth to proclaim the aeon of horus, the crowned and conquering child, who dieth not, nor is reborn, the heart of the master get any book for free on: www.abika.com 18 but goeth radiant ever upon his way. even so goeth the sun: for as it is now known that night is but the shadow of the earth, so death is but the shadow of the body, that veileth his light from its bearer. of this prophet the word is thelema (spelled in greek le

s the star of the north" and this was the proclamation: to man do what thou wilt shall be the whole of the law. my term of office upon the earth being come in the year of the foundation of the theosophical society, i took upon myself, in my turn, the sin of the whole world, that the prophecies might be fulfilled, so that mankind may take the next step from the magical formula of osiris to that of horus. and mine hour being now upon me, i proclaim my law. the word of the law is thelema (in greek letters) given in the midst of the mediterranean sea an xx sol in 3 deg. libra die jovis by me to mega therion (in greek letters) logos aionos thelema (in greek letters) having read these words with deep attention eleven times, i besought mine instructor (for the maiden had returned to her master) t

ALEISTER CROWLEY THE OLD AND NEW COMMENTARIES TO LIBER AL

er" is one who performs a service, in this case evidently that of revealing; he was the intelligible medium between the babe god- the new aeon about to be born- and myself. this book of the law is the voice of his mother, his father, and himself. but on his appearing, he assumes the active form twin to harpocrates, that of ra-hoor-khuit. the concealed child becomes the conquering child, the armed horus avenging his father osiris. so also our own silent self, helpless and witless, hidden within us, will spring forth, if we have craft to loose him to the light, spring lustily forward with his cry of battle, the word of our true wills. this is the task of the adept, to have the knowledge and conversation of his holy guardian angel, to become aware of his nature and his purpose, fulfilling the

s freed hadit, in the core of his star, from the illusion-veils of the khu, so that the two infinities become one, and none; and create, in the manner shortly to be described, a new finite. this finite will evidently be an expression of the particular mood of its father and mother at the moment of its conception. obviously, this "child" cannot add to the universe; it is therefore inevitably twin (horus and harpocrates, osiris and typhon, jesus and barabbas) in nature, formed of equal and opposite elements. when the operation is mystical in character, the "child" does not appear at all in this manifested form as two, but as naught. in the consciousness of the adept, this is called samadhi. he has united himself with, and lost himself in, nuit. when the "child" appears as two, it is magick

me by chance, the question arises, is chance in any way bound by necessity? is there a limit to possibility? could there, for example, be a something which is not resolvable into 0 to the 0 power? the question of alpha-nu-alpha-gamma-kappa-eta confronts the magus in his meditations. for this verse, though, we may take things very simply and obviously: the change from the osiris formula to that of horus is intelligible enough (see comment on verse 49. al i,40 "who calls us thelemites will do no wrong, if he look but close into the word. for there are therein three grades, the hermit, and the lover, and the man of earth. do what thou wilt shall be the whole of the law" the old comment 40. theta-epsilon, the hermit, yod invisible, yet illuminating. the a. a. lambda-eta, the lover, zain visibl

didate, not the hierophant. hoor- see cap. iii- is the initiator. the new comment this verse declares that the old formula of magick- the osiris-adonis-jesus-marsyas-dionysus-attis-etcetera formula of the dying god- is no longer efficacious. it rested on the ignorant belief that the sun died every day, and every year, and that its resurrection was a miracle. the formula of the new aeon recognizes horus, the child crowned and conquering, as god. we are all members of the body of god, the sun; and about our system is the ocean of space. this formula is then to be based upon these facts. our "evil "error "darkness "illusion, whatever one chooses to call it, is simply a phenomenon of accidental and temporary separateness. if you are "walking in darkness, do not try to make the sun rise by self

ess "illusion, whatever one chooses to call it, is simply a phenomenon of accidental and temporary separateness. if you are "walking in darkness, do not try to make the sun rise by self-sacrifice, but wait in confidence for the dawn, and enjoy the pleasures of the night meanwhile. the general illusion is to the equinox ritual of the g. d. where the officer of the previous six months, representing horus, took the place of the retiring hierophant, who had represented osiris. isa is the legendary "jesus, for which canidian concoction the prescription is to be found in my book bearing that title "liber dccclxxxviii. al i,50 "there is a word to say about the hierophantic task. behold! there are three ordeals in one, and it may be given in three ways. the gross must pass through fire; let the fi

ALEISTER CROWLEY THE QABALAH

deber, voice the vision and the voice, a phrase which meant much to me at the moment of discovering this word [by taking each alternate letter] 205= rbg, mighty 213= ryba, mighty this shows abrahadabra as the word of double power, another phrase that meant much to me at the time. a a a a r a d b h b (3) baa at the top of the hexagram gives ba, amya, b, father, mother, child. rdh by yetzirah gives horus, isis, osiris, again father, mother, child. this hexagram is again the human triad. dividing into 3 and 8 we get the triangle of horus dominating the stooping dragon of 8 heads, the supernals bursting the head of daath. also a r b a a a a h d r b the supernals are supported upon two squares: daba= dd, love, 8. arha= rwa, light, 207. now 8 207= 1656= 18= yj, living, and 207= 9 23, hyj, life

e liber cdxiv t.s. 73 comparing this with the mathers translation, this appears to be a loose paraphrase of von rosenroth s glosses rather than a direct quote; the relevant paragraphs are 696 and 697 t.s. liber lviii 42 the five letters used in the word are a, the crown; b, the wand, d, the cup; h, the sword; r, the rosy cross; and refer further to amoun the father, thoth his messenger, and isis, horus, osiris, the divine-human triad. also 418= way ta, the essence of iao, q.v. this short analysis might be indefinitely expanded; but always the symbol will remain the expression of the goal and the exposition of the path. 419. teth, the number of the laughing lion on whom babalon rideth. see liber 418. note 419+ 156= 575= 23 25, occultly signifying 24, which again signifies to them that under

ALEISTER CROWLEY THE SWORD OF SONG

iddled by specific trouble) will grow like eggs a person curries. this line, no doubt, requires an answer. the last ditch. first. here s a johnny with a cancer; an operation may be useless, may even harm his constitution, or cause his instant dissolution: let the worm die, tis but a goose less! not you! you up and take by storm him. you tie him down and chloroform him. you do not pray to thoth or horus, but make one dash for his pylorus: and if ten years elapse, and he complains, o doctor, pity me! your cruel ands, for goodness sakes gave me such orrid stomach-aches. notes 71 you write him, with a face of flint, an order for some soda-mint. so yoga. life s a carcinoma, its cause uncertain, not to check. in vain you cry to isis: o ma! i ve got it fairly in the neck. the surgeon crowley, wit

ALEISTER CROWLEY EQ I 1

modes: a large gold star of six narrow points with point to top is on top of a smaller silver star of six narrow points with two points dead horizontal. the silver star and the gold star create a sort of compass rose, and the silver star has its points filled with gold. the triangle is centered in the golden star, equilateral and apex at top. the triangle is gold with silver edging. the eye is a horus left, gold on white. there are three silver teardrops edged in white depending from the vertices of the triangle and oblating toward the eye. between eye, sides of triangle and tears are three sets of three each white rays, they touch nothing and the center ray in each set is very short. the plate origin is identified under the lower right as "carl hentschell, ltd eng; london, e.c" this illu

vellum of a young male lamb; ink of the gall of a certain rare fish; and a mysterious book. the master drew a number of incomprehensible signs and letters upon the vellum "sleep with this beneath the pillow" he said "you will awake if you are attacked; and whatever it is that attacks you, kill it! kill it! kill it! then instantly go into your temple and assume the shape and dignity of the god 103 horus, send back the thing to its sender by the might of the god that is in you! come! i will discover unto you the words and the signs and the spells for this working of magic art" they disappeared into the little white room lined with mirrors which swanoff used for a temple* hypatia gay, that same afternoon, took some drawings to a publisher in bond street. this man was bloated with disease and

ith his lust. long did they struggle; at last he got the upper, and with all his weight above her drove down his fingers in her neck. she gave one gasping cry- a cry of many devils in hell- and died. he was alone. he had slain the succubus, and absorbed it. ah! with what force and fire his veins roared! ah! how he leapt from the bed, and donned the holy robes. how he invoked the god of vengeance, horus the mighty, and turned loose the avengers upon the black soul that had sought his life! at the end he was calm and happy as a babe; he returned to bed, slept easy, and woke strong and splendid* night after night for ten nights this scene was acted and re-acted: always identical. on the eleventh day he received a postcard from hypatia gay that she was coming to see him that afternoon "it mean

low the fiery girdle of many-breasted tellus blushed red in the arms of the summer sun, did miriam seek the cave below the cavern, in which no light had ever shone, to bring forth the light of the world. and on the third day she departed from the cave, and, entering the stable of the sun, she placed her child in the manger of the moon. likewise was mithras born under the tail of the sea-goat, and horus, and krishna- all mystic names of the mystic child of light. i am the ancient child, the great disturber, the great tranquilliser. i am yesterday, to-day, and to-morrow. my name is alpha and omega- the beginning and the end. my dwelling-house is built betwixt the water and the earth; the pillars thereof are of fire, and the walls are of air, and the roof above is the breath of my nostrils, w

ALEISTER CROWLEY EQ I 5

rase which meant much a-a b d dbr= 206, deber, voice to me at the moment of dis/ covering this word. r (3) a a\ a a b a [by taking each alternate letter] r-b h d/ r 205= gbr, mighty. this shows abrahadabra as 213= abir, mighty. the word of double power, another phrase that meant much to me at the time. aab at the top of the hexagram gives ab, aima, bn, father, mother, child. hdr by yetzirah gives horus, isis, osiris, again father, mother, child. this hexagram is again the human triad. dividing into 3 and 8 we get the triangle of horus dominating the stooping dragon of 8 heads, the supernals bursting the head of daath. also a\ the supernals are supported upon two squares- r--b a--b a--h abad= dd, love, 8. a--d r--a ahra= avr, light, 207. now 8 x 207= 1656= chi, living, and 207= 9 x 23, chih

--b a--b a--h abad= dd, love, 8. a--d r--a ahra= avr, light, 207. now 8 x 207= 1656= chi, living, and 207= 9 x 23, chih, life. at this time "licht, liebe, leben" was the mystic name of the mother-temple of the g. d. 117 the five letters used in the word are a, the crown; b, the wand; d, the cup; h, the sword; r, the rosy cross; and refer further to amoun the father, thoth his messenger, and isis, horus, osiris, the divine-human triad. also 418= ath iav, the essence of iao, q.v. this short analysis might be indefinitely expanded; but always the symbol will remain the expression of the goal and the exposition of the path. 419. teth, the number of the "laughing lion" on whom babalon rideth. see liber 418. note 419+ 156= 23 x 25, occultly signifying 24, which again signifies to them that under

ALEISTER CROWLEY EQ I 5

tting to say that the vault of the adepts is a vile imitation of it. for there are four sides to the chamber, which with the roof and the floor and the chamber itself makes seven. so also is the pastos seven, 52 for that which is within is like unto that which is without. and there is no furniture, and there are no symbols. light streams from every side upon the pastos. this light is that blue of horus which we know, but being refined it is brilliance. for the light of horus only appears blue because of the imperfection of our eyes. but though the light pours from the pastos, yet the pastos remains perfectly dark, so that it is invisible. it hath no form: only, at a certain point in the chamber, the light is beaten back. i lie prostate upon the ground before this mystery. its splendour is

g" and i wave my hand, and the aethyr is empty and dark, and i bow myself before it in the sign that i, and only i, may know. and i sink through waves of blackness, poised on an eagle, down, down, down. and i give the sign that only i may know. and now there is nothing in the stone but the black cross of themis, and on it these words: memento: sequor (these words probably mean that the equinox of horus is to be followed by that of themis) bou-saada "december" 2, 1909. 4.50- 6.5 p.m. the cry of the 15th aethyr, which is called oxo there appears immediately in the aethyr a tremendous column of scarlet fire, whirling forth, rebounding, crying aloud. and about it are four columns of green and blue and gold and silver, each inscribed with writings in the character of the dagger. and the column

d. and this is because she transmitteth the word to the understanding, and therefore hath she many forms, and each goddess of love is but a letter of the alphabet of love. now, there is a mystery in the word logos, that containeth the three letters whose analogy hath been shown in the lower heavens, samech, and lamed, and gimel, that are 93, which is thrice 31, and in them are set the two eyes of horus (ayin means an eye) for, if it were not so, the arrow could not pierce the rainbow, and there could be no poise in the balance, and the great book should never be unsealed. but this is she that poureth the water of life upon her head, whence it floweth to fructify the earth. but now the whole aethyr is the most brilliant peacock blue. it "is" the universal peacock that i behold. 118 and ther

my body. w'ain-t-aissha, algeria "december" 9, 1909. 8.10-10 p.m. 122) the cry of the 6th aethyr, which is called maz there cometh into the stone the great angel whose name is av, and in him there are symbols which strive for mastery- sulphur and the pentagram, and they are harmonized by the swastika. these symbols are found both in the name of av and in the name of the aethyr. thus he is neither horus nor osiris. he is called the radiance of thoth; and this aethyr is very hard to understand, for the images form and dissolve more rapidly than lightning. these images are the illusions made by the ape of thoth. and this i understand, that i am not worthy to receive the mysteries of this aethyr. and all this which i have seen (being all the thoughts that i have ever thought) is, as it were, a

lage in the desert. benishrur, algeria "december" 10, 1909. 7.40-9.40 p.m. the cry of the 5th aethyr, which is called lit there is a shining pylon, above which is set the sigil of the eye, within the shining triangle. light streams through the pylon from before the face of isis-hathor, for she weareth the lunar crown of cows' horns, with the disk in the centre; at her breast she beareth the child horus. and there is a voice: thou knowest not how the seven was united with the four; much less then canst thou understand the marriage of the eight and the three. yet there is a word wherein these are made one, and therein is contained the mystery that thou seekest, concerning the rending asunder of the veil of my mother. now there is an avenue of pylons (not one alone, steep after steep, carved

ALEISTER CROWLEY EQUINOX EQ I 1 2

e figure of the hanged man in the tarot cards. ed. to formulate sacrifice and pain self- inflicted; for i feel such a worm, able only to remain a few minutes at a time in a position long since "conquered. for this reason too i cut again the cross of blood; and now a third time will i do it. and i will take out the magical knife and sharpen it yet more, so that this body may fear me; for that i am horus the terrible, the avenger, the lord of the gate of the west. 4.15- read ritual dclxxi.[the nature of this ritual is 4.30. explained later. ed. 5.10. i have returned from my shopping. strange how solemn and dignified so trivial a thing becomes, once one has begun to concentrate! i bought two pears, half a pound of garibaldi biscuits, and a packet of gaufrettes. i had a citron press too, at t

the osiris risen stage is over; and i think it is a case for violent measures. if one were to slack off now and hope for the morning, like a shipwrecked paul, one would probably wake up a mere man of the world. the question then arises: what shall i do to be saved? the only answer and one which is quite unconnected with the question is that a ritual of adeptus major should display the birth of horus and slaying of typhon. here again horus and harpocrates the twins of the twin signs of 0 0 ritual are the slayers of typhon. so all the rituals get mixed: the symbols recur, though in a different aspect. anyway, one wants something a deal better than the path of p in 4 7 ritual. i think the postulant should be actually scourged, tortured, branded by fire for his equilibrations at the var

nt aspect. anyway, one wants something a deal better than the path of p in 4 7 ritual. i think the postulant should be actually scourged, tortured, branded by fire for his equilibrations at the various "stations of the cross" or points upon his mystic journey. he must assuredly drink blood for the sacrament ah! now i see it all so well! the initiator must kill him, osiris; he must rise again as horus and kill the initiator, taking his place in the ceremony thence to the end. a bit awkward technically, but 'twill yield to science. they did it of old by a certain lake in italy! well, all this is dog-faced demon, ever seducing me from the sacred mysteries. i can't go out and kill anybody at this time o'night! we might make a start, 48 though, with a little scourging, torturing, and branding

sion? and the "poor thing" john st. john moves off 112 shivering and sad, like a sot who has tried to get credit at a tavern and is turned away and that on christmas eve! there is no money in his purse, no steam in his boilers that's what's the matter with john st. john. it is clear enough, what happened yesterday. he failed at the four pylons in turn; in the morning fear stopped him at that of horus and so on; while in the evening he either failed at the pylon of thoth,"i.e. was obsessed by the necessity (alleged) of recording his results, or failed to overcome the duality of thoth. otherwise, even if he comprehended the base, he certainly failed at the apex of the pyramid. in any case, he cannot blame the ceremony, which is most potent; one or two small details may need correction, but

ALEISTER CROWLEY EQUINOX EQ I 2 2

thoth osiris hierophant tor isis aroueris\ hb:mem hb:ayin hb:samekh hb:nun hb:koph_ s. d t .the place. thmaist .the place. a o .of the feet .of the feet &d lc of nephthys- hegemon- of isis co iu. scale of. scale of. eu sp. bilanx. harpocrates .bilanx. nc t \hb:resh hb:tzaddi. sh e/ eo s. place of/ rs .evil triad_ apophrasz .satan typh/ hb:shin .on besz. hb:qof. hb:taw\ double_ altar. x /hiereus. horus kerux anubis of e+ w_ sentinel diagram 3. arrangement of the temple in the 0= 0 ritual. upon them should be represented in counterchanged colours any appropriate egyptian design emblematic of the soul. the scarlet tetrahedronal capitals represent the fire of test and trial, and between the balance is the porch way of the immeasurable region. the twin lights which flare on the summits are the

riginal artist. this inversion was perpetuated throughout the golden dawn system, in the present ritual, in design of tarot cards and generally. of the place of harpocrates the next invisible station is in the path of hb:samekh between the place of thmaist and that of the evil triad: and it is the place of the lotus- throned lord of silence, even that great god harpocrates, the younger brother of horus. of isis and nephthys the stations are the places of the pillars in netzach and hod respectively; wherefore these great goddesses are not otherwise shown in this grade, save in connection with the praemonstrator and imperator. of arouerist his secret place is the last of the invisible stations and he standeth with the hierophant as though representing him unto the outer order. for while the

shin and hb:qof (fire, pisces, terminating respectively in the russet and olive quarters of malkuth. there, therefore, is he placed as a mighty and avenging guardian unto the sacred mysteries. his symbols and insignia are: the throne of the west at the limits of malkuth; the robe of darkness; the sword; the banner of the west; the lamen "avenger of the gods" is the name of the hiereus, and he is "horus in the city of blindness" and of ignorance unto the higher. illustration "diagram 7. the banner of the west" this is a black banner; top is aprox. 7/8ths length of sides. sides are parallel. bottom is a downward pointing wedge, with sides about 10 inclined from the horizontal. in the center of the banner is a calvary cross superimposed upon a very slightly larger calvary cross of a different

e" diagram 24. 14 or fylfat "see" diagram 14. 15 the same as "eskato bebeloi" used in the eleusinian mysteries. the fratres and sorores of the order then give the sign of the neophyte, after which the hiereus explains that the names of the three chief officers commence with "the letter of breath" h. but that in the name osiris, the h is silent, and concealed, as it were shrouded in o. in the name horus it is manifested and violently aspirated; while in the name themis it is partly one and partly the other. the hiereus having explained the meaning of the letter h, then recapitulates the stations and duties of the officers, thus occultly affirming the establishment of the temple so that the divine light may shine into the darkness. in explaining his own station the hierophant says "my place

g of the world by fire. but also the circumambulation commences with the paths hb:shin and hb:resh, as though bringing into action the solar fire; whilst the reverse commences by those of hb:qof and hb:tzaddi as though bringing the watery reflux into action. this is the order of the circumambulation; first cometh anubis, the watcher of the gods; next themis, the goddess of the hall of truth; then horus; then the remaining members in order of precedence; and lastly, the goddesses of the scales of the balance, as though a vast wheel were revolving, as it is said "one wheel upon the earth beside the kerub" and also note the rashish ha-gilgalim.16 of this wheel the ascending side commenceth from below the pillar of nephthys, and the descending side from below the pillar of isis, but in the "re

ALEISTER CROWLEY EQUINOX EQ I 2

vra vi a. a. publication in class b. imprimatur: d.d.s.praemonstrator o.s.v.imperator n.s.f.cancellarius illustration facing page 12: the signs of the grades. these are arranged as ten panels* these are all halftone photos of a single human in a black tau robe, barefoot with hood completely closed over the face. the hood displays a six-pointed figure on the forehead- presumably the radiant eye of horus of the a. a, but the rendition is too poor in detail. there is a cross pendant over the heart. the ten panels are numbered in white in the upper left, but the numerals are very dim even in the ist edition (some blurred out entirely in the weiser edition. the panels are identified by two columns of numbered captions, 1 to 6 to the left and 7 to 10 to the right. the description is bottom to to

with the breath("c) let that name descend slowly from the lungs to the heart, the solar plexus, the navel, the generative organs, and so to the feet. 17("d) the moment that it appears to touch the feet, quickly advance the left foot about 12 inches, throw forward the body, and let the hands (drawn back to the side of the eyes) shoot out, so that you are standing in the typical position of the god horus<"see" illustration in vol. i. no. 1 "blind force> and at the same time imagine the name as rushing up and through the body, while you breathe it out through the nostrils with the air which has been till then retained in the lungs. all this must be done with all the force of which you are capable("e) then withdraw the left foot, and place the right forefinger upon the lips, so that you are in

ALEISTER CROWLEY EQUINOX EQ I 3 2

e waters of the west as with a garment! thou, who art, in the beneath as in the above, like to thyself! reflector! transmuter! creator! thee, thee, i invoke! behold, i have set my feet in the west, as r that hath ended his work! toum goeth down into thy waters, and the daylight passeth, and the shadows come! but i, i pass not, nor go down! the light of my godhead gleams ever in thy glowing skies; horus is my name, and the city of darkness is my house: thoth is on the prow of my bark and i am khephera that giveth light! come unto me! come unto me, i say, for i am he that standeth in thy place! behold! ye gathering eagles in the sky! i am come into the west! i am lifted up upon your wings! ye that follow the bier to the place of rest. ye that mourn osiris in the dusk of things! behold he is

e that standeth in thy place! behold! ye gathering eagles in the sky! i am come into the west! i am lifted up upon your wings! ye that follow the bier to the place of rest. ye that mourn osiris in the dusk of things! behold he is in me and i in him! i am he that ruleth in amenta! in sleei (sigma lambda eta iota) is my rule, and in death is my dominion! mine are the eagles that watch in the eye of horus! mine is the bark of darkness, and my power is in the setting sun! i am the lord of amenta! toum maal is my name! hail unto thee! hail unto thee! o mine eagle of the glowing west! toumathph [vibrate by the formulae of the middle pillar and of the mystic circumambulation] o crowned with darkness! mother-bird of the holy ones! o golden-headed soul of sleep! o firm, enduring shoulders! o body o

a great help in properly understanding the 5= 6 ceremony. the reader must, however, bear in mind that it was not written till nearly three years after the present date, and this fact no doubt accounts for several eastern expressions of thought creeping in. frater p.'s sketch for an explanation of the 5= 6 ritual of adeptus minor. in this grade there are three officers: isis, apophis (replaced by horus) and osiris. chesed, geburah, tiphereth. yet their functions are in a sense counterchanged, the chief adept representing 223 osiris in the main ceremony, and the third adept reflecting the benignant character of isis. the knocks which open the ceremony are seven, as it is written "he made them six; and for the seventh he cast into the midst of them the fire of the sun" for tiphereth 5= 6 is

s descending into kether, when the lower is in tiphereth established. for in all things are higher and lower "e.g, binah, chesed and hod are all water, but in a different manner and degree13""the wands."14 isis hath the wand of thoth, its head being in kether and its bands showing hb:nun-final hb:mem hb:aleph= hb:shin hb:taw hb:mem hb:aleph, which shows chesed hb:dalet as summing the supernals.15 horus hath the wand of osiris his father. osiris hath the wand of isis his mother. note especially mercury in virgo: the thoth-wand for isis. sun in leo: the osiris-wand for horus.16 venus in taurus: the isis-wand for osiris. all are thus linked with the higher. also we add mercury virgo sun leo venus taurus and obtain 231= 0+ 1+ 21= the sum of the numbers of the keys of the tarot. further, amoun

of the mysteries. in the first point the chief adept does not appear. he is the slain and hidden osiris in the nether world. therefore the postulant in order to be identified with him must be slain. he is 226 also to be put though the iao formula of creation, death and resurrection, in a lesser way, interwoven with the greater. thus his first admission is of "mourning" the "second adept" is still horus. but the "third adept" is now anubis. introducing adept is still themis. they are, as it were, the guardians of the body of the slain osiris. for initials, c and theta see z. explanation in 0= 0 ritual. a (knock) commences the new vibration. he is prepared by themis. the alarm of hb:yod hb:yod hb:yod hb:yod' hb:yod places the 4 before the 1, and anubis at once challenges. the aspirant, not w

ALEISTER CROWLEY EQUINOX EQ I 3

the light. written in trembling and humility for the brethren of the a. a. by their very dutiful servant, an aspirant to their sublime order, aleister crowley illustration facing page 10 partly described: this is a collotype in bright crimson. it is a photo of crowley in black robe, only visible from diaphragm up. his elbows rest on a table before him, and his hands form the sign of the "horns of horus" against his face on a level with his eyes. his hood is turned back and pulled on as a hat, showing the eye in the triangle and forming a rough triangle in cloth about that device. he wears a serpent ring on the third finger of his right hand. on the table to the left, in the corner of the photo, is a large and circular honey topaz set in a vermilion cross (colors from other sources. a ribbo

ther, chased in gold and embossed (conjectured from surviving diaries of crowley's) the spine of the book has "perdurabomagister" vertically on it. the "p" has alpha and omega to either side, and the last "r" has "2" to the left and "4" to the right. the cover board is engraved with a large pentagram in a circle. the pentagram is interlaced as envoking earth would form, and there is a left eye of horus in the center. the argumentation a little before dawn, the pupil comes to greet his master, and begs instruction. inspired by his angel, he demands the doctrine of being rapt away into the knowledge and conversation of him. the master discloses the doctrine of passive attention or waiting. this seeming hard to the pupil, it is explained further, and the method of resignation, constancy, and

e master replies that only imperfect saints reveal themselves as such. of these are 12 the cranks and charlatans, and those that fear and deny life. but let us fix our thoughts on love, and not on the failings of others! the master invokes the augoeides; the pupil through sympathy is almost rapt away. the augoeides hath given the master a message; namely, to manifest the new way of the equinox of horus, as revealed in liber legis. he does so, and reconciles it with the old way by inviting the test of experiment. they would go therefore to the desert or the mountains_ nay! here and now shall it be accomplished. peace to all beings! 13 aha! olympas. master, ere the ruby dawn gild the dew of leaf and lawn, bidding the petals to unclose of heaven's imperishable rose, brave heralds, banners flu

ALEISTER CROWLEY EQUINOX EQ I 4 2

y, and the coast of south america is no less than 2,300 miles distant. and yet in this tiny island we find proofs of very high civilization, and it is curious that dr. churchward has not mentioned the numerous hieroglyphics found there concerning which a very full account is given in the smithsonian reports of 1889. after these came another exodus, carrying with it the lunar and solar mythos, and horus became under varying names the supreme world-god, and his four sons, or emanations, the four quarters. it is impossible here to enter into the numerous entrancing speculations that dr. churchward draws, or to give any adequate idea of the vast number of proofs that he marshals to convince us- they are quite bewildering. in fact, they completely reverse our conception of polytheism; for it is

ring. in fact, they completely reverse our conception of polytheism; for it is we who are the idolators, and not our ancestors; it is we who sacrifice to many gods, and not those little bushmen who felt and saw and lived with the one great spirit. let us therefore mention that the chief points, a few out of a score, that have struck us are- the custom of the mark sacred stone; the universality of horus worship; the startling identity of hieroglyphics, all over the world, with the egyptian; and the symbolism of the great pyramid, and its use as a temple of initiation. a few others, however, do not understand. on p. 80 dr. churchward traces the "bull roarer" back to egypt. but we can find no proofs of these ever having been used there. in australia, as he states, they were used, and so also

, and building labourers' cottages out of the stones and bricks of the pyramids, because they are so very much more useful "solve" is the cry to-day; the sabbatic finger of the goat points upwards, yet on the clouds of darkness does it scrawl a sigil of light. a new god stirs in the womb of its mother; we can see his form, dim and red, in the cavern of time. dare we pronounce his name? yea! it is horus, horus the child, reborn amsu the good shepherd, who will lead us out of the sheepish stupidity of to-day. how many understand this mystery? perhaps none save those who have seen and subscribed to the law of thelema. j. f. c. f. the lost valley. by algernon blackwood. nash. 6"s" it is the penalty of factitious success that the need of fuel increases like the dose of a drug-fiend. instead of

ALEISTER CROWLEY EQUINOX EQ I 4

e: and this work is to the best of my knowledge a synthesis of what the gods have given unto me, as far as is possible without violating my obligations unto the chiefs of the r. r. et a. c. now did i deem it well that i should rest awhile before resuming my labours in the great work, seeing that he, who sleepeth never, shall fall by the wayside, and also remembering the twofold sign: the power of horus: and the power of hoor-pa-kraat.3 now, the year being yet young, one d. a. came unto me, and spake. 1 ii esdras, viii, 52-54. 2 lamp of invisible light. l.i.l. the title of the first aethyr derived from the initial letters of the three mighty names of god. in all there are thirty of these aethyrs "whose dominion extendedth in ever widening circles without and beyond the watch towers of the u

ALEISTER CROWLEY EQUINOX EQ I 6 2

erpent! bro. mars. amen. i appoint you to lead the army. sor. scorpio. let us carry the holy symbols with sacred song and dance round the altar of mars["the song< is sung as all march round five times deosil before" 50 mars "in procession headed by" scorpio, aries, capricornus] strike, strike the louder chord! draw, draw the flaming sword! crowned child and conquering lord! horus, avenger["all resume stations" brother aries, let us invoke the master of the battle. bro. aries["advances and kneels to" mars. mighty and terrible one, we beseech thee to lead us in the battle. here, by thy symbols, thy spear, the sword, and the drum, we pray thee to strengthen our arms and to defend our hearts. for we are thy chosen warriors, o thou master of the battle["silence" we now in

ALEISTER CROWLEY EQUINOX EQ I 6

re is a flaming gash in the sky. 4. up. 5. thou art tossed about in the grip of the storm for an aeon and an aeon and an aeon. but thou givest not thy sap; thou fallest not. 6. only in the end shalt thou give up thy sap when the great god f. i. a. t. is enthroned on the day of be-with-us. 7. for two things are done and a third thing is begun. isis and osiris are given over to incest and adultery. horus leaps up thrice armed from the womb of his mother. harpocrates his twin is hidden within him. set is his holy covenant, that he shall display in the great day of m. a. a. t, that is being interpreted the master of the temple of a. a, whose name is truth. 35 8. now in this is the magical power known. 9. it is like the oak that hardens itself and bears up against the storm. it is weather-beate

ALEX SANDERS THE KING OF THE WITCHES

must not be able to-see one anotherthroughout the rituals. invocationswere saidto the egyptian gods hapy, qebehsenuf duamutef and .imset: lord hapy, royal sonofhorus, earth god and lord ofthe north, keeper and guardian of the lungs, with the casting of the sacred salt, fertilize.and sanctify this sacred. ground with thy being, so that we may be strong in all things. lord qebehsenuf, royal son of horus, air god and lord of the west, keeper and guardian of the intestines, with the disturbance of the air with. this music descend from thy cardinal point, purify and sanctify the area of this holy sanctum. lord duamutef, royal son of horus, pire god and lord of the east, keeper and guardian ofthe stomach, with the burning of the ritual fire before the great mother isis, the all-consuming elemen

he disturbance of the air with. this music descend from thy cardinal point, purify and sanctify the area of this holy sanctum. lord duamutef, royal son of horus, pire god and lord of the east, keeper and guardian ofthe stomach, with the burning of the ritual fire before the great mother isis, the all-consuming element, sanctify and purify this.sanctum from all.violations. lord imset, royal son of horus, water god and lord of the south, keeper and guardian of th liver, with the sprinkling of this. sacred water sanctify. and .deanse this holy.sanctum of all its impurities and the vanities of men. cladinwhiterobes which opened down the front, andwith feetbare. they burnt kyphi--incense--during the rites. on the third day, they.prayed to the goddessisis, the earth mother: 0, aset, dark and mig

ALICE A BAILEY09 A TREATISE ON THE SEVEN RAYS VOLUME I ESOTERIC PSYCHOLOGY I

o besant) i. will or power. raja yoga. uranus. flame. representing sun. ii. wisdom. balance. intuition. raja yoga .m ercury .y ellow. rose. iii. higher mind .e xactitude in thought .v enus. indigo- 104- a treatise on the seven rays- volume i: esoteric psychology i copyright 1998 lucis trust higher mathematics. blue. philosophy. bronze. iv. conflict .i ntensity of struggle. saturn. green. birth of horus hatha yoga, the most dangerous method of psychic growth. v .l ower mind. exactitude in action. the moon. violet practical science. vi. devotion .b hakti yoga. mars. rose. necessity for an blue. object. vii. ceremonial order. ceremonial observances. jupiter. bright. control over clear. forces of nature. blue. it will be clear that each of the kingdoms elemental, mineral, vegetable, and animal

virtues to be acquired: serenity, confidence, self-control, purity, unselfishness, accuracy, mental and moral balance. this has been called the "ray of struggle" for on this ray the qualities of rajas (activity) and tamas (inertia) are so strangely equal in proportion that the nature of the fourth ray man is torn with their combat, and the outcome, when satisfactory, is spoken of as the "birth of horus" of the christ, born from the throes of constant pain and suffering. tamas induces love of ease and pleasure, a hatred of causing pain amounting to moral cowardice, indolence, procrastination, a desire to let things be, to rest, and to take no thought of the morrow. rajas is fiery, impatient, ever urging to action. these contrasting forces in the nature make life one perpetual warfare and un

ALICE A BAILEY10 FROM BETHLEHEM TO CALVARY

l these sons of god manifest. it is therefore wise and timely to remember that "these events are reproduced in the lives of the various solar gods, and antiquity teems with illustrations of them. isis of egypt, like mary of bethlehem, was our immaculate lady, star of the sea, queen of heaven, mother of god. we see her, in pictures, standing on the crescent moon, star-crowned, she nurses her child horus, and the cross appears on the back of the seat in which he sits on his mother's knee. the virgo of the zodiac is represented in ancient drawings as a woman suckling a child the type of all future madonnas with their divine babes, showing the origin of the symbol. devaki is likewise figured with the divine krishna in her arms, as is mylitta, or istar, of babylon, also with the recurrent crown

and for some centuries before, the mediterranean and neighbouring world had been the scene of a vast number of pagan- 109- from bethlehem to calvary copyright 1998 lucis trust creeds and rituals. there were temples without end dedicated to gods like apollo or dionysus among the greeks, hercules among the romans, mithra among the persians, adonis and arris in syria and phrygia, osiris and isis and horus in egypt, baal and astarte among the babylonians and carthaginians, and so forth. societies, large or small, united believers and the devout in the service or ceremonials connected with their respective deities, and in the creeds which they confessed concerning these deities. and an extraordinarily interesting fact, for us, is that, notwithstanding great geographical distances and racial dif

o calvary copyright 1998 lucis trust india, the god indra in nepal and tibet spilt their blood for the salvation of men; buddha said, according to max m ller `let all the sins that were in the world fall on me, that the world may be delivered' the chinese tien the holy one `one with god and existing with him from all eternity' died to save the world; the egyptian osiris was called saviour, so was horus; so was the persian mithra; so was the greek hercules who overcame death though his body was consumed in the burning garment of mortality, out of which he rose into heaven. so also was the phrygian attis called saviour, and the syrian tammuz or adonis likewise both of whom, as we have seen, were nailed or tied to a tree, and afterwards rose again from their biers or coffins. prometheus, the

ANALYSIS OF THE 5 6 INITIATION

w the candidate is prepared not merely to walk through a skit, but to undergo complete initiation into our sanctioned and sacred order. in the grade of 5=6 there are three chief officers consisting of the chief of the second order (7=4, and the two co-chiefs (6=5) and (5=6. together they act as conductors for the candidate through the process of iao. dsj 7=4=isis, hrwbg 6 =5= apophis (replaced by horus, trapt 5=6=osiris. in one sense, the functions are counterchanged. the chief adept is osiris and the third adept takes on the character of isis. trapt is a solar degree. it is the light of the sun, dawning in the darkness. it is the thrice awakening of the spiritual self. it is a grade of great dedication and loyalty as the sun is loyal in its rising out of darkness. the knocks, which set th

in the center of the rose cross of divine light is the mystery of the higher genius descending into the rtk of man, and the lower genius is now established in trapt. in harmony, one reflects the other. the wands of the chiefs the chief adept holds the wand of thoth; in that his grade of 7=4 is that of isis, we could say isis holds the wand of thoth. the second adept is 6=5 of hrwbg and alludes to horus who holds the wand of his father, osiris. the third adept is 5=6 of trapt which alludes to osiris, and he holds the wand of isis, the lotus wand. observe the correlation in the following diagram: b in f: the thoth wand held by isis. a in e: the osiris wand held by horus. c in b: the isis wand held by osiris. the three wands combined have a total of twenty-eight bands; twenty-eight equals ]j

chief does not appear in the first point. he is slain and is osiris of the nether world. in the egyptian mysteries, the postulant after death is identified with osiris. inasmuch as the candidate is dead already, unless osirified, he too must be slain. like christ, he must be stripped and flogged, and placed on the cross of suffering. but first, he enters. at this point, the second adept is still horus. the third adept is now anubis. hodos, or the introducing adept, is themis. themis is a greek goddess of justice. she is titan like, thus she fits better than maat. anubis now challenges the aspirant who exalteth his ego and lower self with proclamations. the aspirant is seeking the kingdom of heaven by horus and force. horus, the chief guardian of the sacred tomb will not allow him to enter

d out as a symbol of the completion of the great work, though it may be several years before the aspirant fully understands the mysteries of the sublime and sacred symbol. next, the tomb is discovered. this is the tomb of the initiate. l the sign of "l" is the swastika and hidden within is the cross. it is a symbol of the whirling force of m. v the sign of "v" is that of typhon and apophis. it is horus of the pentagram unveiled. thus, it is evil as nature rules over. it is destruction, the sign of a drowning man. in addition, it is duality of force which results in the death of force. no perfection can come from it. x the sign of "x" is that of the pentagram. the point at which they cross is of which should cover all forms of the elements in man. it is a symbol of the triumph of light. it

ARTHUR E WAITE TEMPLAR ORDERS IN FREEMASONRY

ore than the west could teach. out of such elements were begotten some at least of the templar rites and they grew from more to more, till this particular aspect culminated in the templar dramas of werner, in which an order concealed through the ages and perpetuated through saintly custodians reveals to a chosen few among knights templar some part of its secret doctrine-the identity of christ and horus, of mary the mother of god, and isis the queen of heaven. the root of these dreams on doctrine and myth transfigured through the ages- with a heart of reality behind it- will be found, as it seems to me, in occult derivations from templar ritual which belong to circa 1782 and are still in vigilant custody on the continent of europe. i mention this lest it should be thought that the intimatio

BLAVATSKY H P ANTHROPOGENESIS

bodies "the breath returning to the eternal bosom which exhales and inhales them" says our catechism "ideal nature" the abstract space in which everything in the universe is mysteriously and invisibly generated, is the same female side of procreative power in nature in the vedic as in every other cosmogony. aditi is sephira, and the sophia- achamoth of the gnostics, and isis, the virgin mother of horus. in every cosmogony, behind and higher than the creative deity, there is a superior deity, a planner, an architect, of whom the creator is but the executive agent. and still higher, over and around, within and without, there is the unknowable and the unknown, the source and cause of all these emanations. it thus becomes easy to account for the reason why "adam-adami" is found in the chaldean

is said in hermes "satan is the door-keeper of the temple of the king; he standeth in solomon's porch; he holdeth the key of the sanctuary, that no man enter therein, save the anointed having the arcanum of hermes (v. 20 and 21. these suggestive and majestic verses had reference with the ancient egyptians and other civilized peoples of antiquity to the creative and generative light of the logos (horus, brahma, ahura-mazda, etc, etc, as primeval manifestations of the ever-unmanifested principle, e.g, ain-soph, parabrahm, or zeruana akerne- boundless time- kala, but the[[footnote(s[[footnote continued from previous page] incarnating angels. says the letter "now there are, and there must be, failures in the ethereal races of the many classes of dhyan-chohans, or devas (progressed entities of

pages back, namely the mutilation of uranos by his son kronos in the greek theogony, is an allusion to this theft by the son of the earth and heavens of the divine creative fire. if uranos, the personification of the celestial powers, has to stop creating (he is made impotent by kronos, the god in time) so, in the egyptian cosmogony it is thot, the god of wisdom, who regulates this fight between horus and set, the latter being served by the former as uranos is by kronos (see "book of the dead" ch. xvii. v. 26. in the babylonian account it is the god zu, who strips "the father of the gods" of umsimi- the ideal creative organ not the crown) as g. smith thought (see pp. 115 and 116 chaldean account. for, in the fragment k. 3454 (british museum) it is said very clearly, that zu having strippe

s, or the reign of the gods and heroes. at the very outset of this curious[[footnote(s* ch. iv. of "egypt" p. 441[[vol. 2, page] 368 the secret doctrine. papyrus we have to arrive at the conviction that so far back already as the period of ramses, those mythic and heroical traditions were just as manetho had transmitted them to us; we see figuring in them, as kings of egypt, the gods seb, osiris, horus, thoth-hermes, and the goddess ma, a long period of centuries being assigned to the reign of each of these (ann. de philologie chretienne, vol. xxxii, p. 442. the synchronistic tables of manetho, besides the fact that they were disfigured by eusebius for dishonest purposes, had never gone beyond manetho. the chronology of the divine kings and dynasties, like that of the age of humanity, has

become- some deliberately, some forced to by karma- incarnated in man[[vol. 2, page] 374 the secret doctrine. hitherto defied the efforts of botanists to trace it to its origin. and let us bear in mind, in this connection, how sacred was that cereal with the egyptian priests; wheat being placed even with their mummies, and found thousands of years later in their coffins. remember "the servants of horus glean the wheat in the field of aanroo. wheat seven cubits high("book of the dead" chap. xcix, 33; and clvi, 4* the reader is referred to stanza vii, verse 3, book i, wherein this verse is explained in another of its meanings, and also to the "book of the dead" chap. cix, v. 4 and 5 "i am the queen of these regions" says the egyptian isis "i was the first to reveal to mortals the mysteries o

BLAVATSKY H P COSMOGENESIS

ly crystallized into a dogma of the christian church, which carnalized this metaphysical idea beyond any common sense. for one has but to read the kabala and study its numerical methods of interpretation to find the origin of that dogma. it is purely astronomical, mathematical, and pre-eminently metaphysical: the male element in nature (personified by the male deities and logoi- viraj, or brahma; horus, or osiris, etc, etc) is born through, not from, an immaculate source, personified by the "mother; because that male having a mother cannot have a "father- the abstract deity being sexless, and not even a being but be-ness, or life itself. let us render this in the mathematical language of the author of "the source of measures" speaking of the "measure of a man" and his numerical (kabalistic

gods of antiquity are all "sons of the mother" before they become those of the "father" the logoi, like jupiter or zeus, son of kronos-saturn "infinite time (or kala, in their origin were represented as male-female. zeus is said to be the "beautiful virgin" and venus is made bearded. apollo is originally bisexual, so is brahma-vach in manu and the puranas. osiris is interchangeable with isis, and horus is of both sexes. finally st. john's vision in revelation, that of the logos, who is now connected with jesus- is hermaphrodite, for he is described as having female breasts. so is the tetragrammaton= jehovah. but there are two avalokiteshwaras in esotericism; the first and the second logos* no religious symbol can escape profanation and even derision in our days of politics and science. in

the type of buchner, vogt, and others, that thought is molecular motion, necessitates a complete abstraction being made of the fact of our subjective consciousness* see "le livre des morts" by paul pierret "le jour de 'viens a nous. c'est le jour ou osiris a dit au soleil: viens! je le vois rencontrant le soleil dans l'amenti (chap. xvii, p. 61) the sun here stands for the logos (or christos, or horus) as central essence synthetically, and as a diffused essence of radiated entities, different in substance, but not in essence. as expressed by the bhagavadgita lecturer "it must not be supposed that the logos is but a single centre of energy manifested from parabrahmam; there are innumerable other centres. and their number is almost infinite in the bosom of parabrahmam" hence the expressions

s into seven classes, three of which are arupa (bodiless) and four with bodies (see vishnu purana, book i) they are in fact more truly our pitris (ancestors) than the pitris who projected the first physical men (see book ii[[vol. 1, page] 220 the secret doctrine. when man acquires the knowledge of good and evil; also to the "fallen" gods, or angels of every theogony (2 "i am the fish of the great horus (as mankara is the "crocodile" the vehicle of varuna. i am merged in sekten" this last sentence gives the corroboration of, and repeats the doctrine of, esoteric buddhism, for it alludes directly to the fifth principle (manas, or the most spiritual part of its essence rather, which merges into, is absorbed by, and made one with atma-buddhi after the death of man. for se-khen is the residence

crocodile" the vehicle of varuna. i am merged in sekten" this last sentence gives the corroboration of, and repeats the doctrine of, esoteric buddhism, for it alludes directly to the fifth principle (manas, or the most spiritual part of its essence rather, which merges into, is absorbed by, and made one with atma-buddhi after the death of man. for se-khen is the residence or loka of the god khem (horus-osiris, or father and son, hence the "devachan" of atma- buddhi. in the ritual of the dead the defunct is shown entering into sekhem with horus-thot and "emerging from it as pure spirit (lxiv, 29. thus the defunct says (v. 130 "i see the forms of (myself, as various) men transforming eternally. i know this (chapter. he who knows it. takes all kinds of living forms. and in verse 35, addressin

BLUE EQUINOX

sive initiation. the equinox publishes all instructions and pronouncements of the a.a. and o.t.o. it also publishes such poetry, drama, fiction, and essays, as are sympathetic to this programme, so far as space permits. the equinox is so called, firstly because it is the comment upon the word of the new on, qelhma, which was given at the equinox of the gods, when the crowned and conquering child, horus, took the place of the dying god, osiris (the equinox marks a period of a fresh influx of force from our father the sun) secondly, in accordance with this, publication takes place at the equinoxes of spring and autumn of each year. the rule of the a.a. is to alternate 5 years of silence with 5 years of speech. hence publication has been from 1909-1914, an v-ix; and now from 1919-1924, an xv

it to the unity, and beyond. the equinox 36 liber lv. the chymical jousting of brother perardua. an account of the magical and mystic path in the language of alchemy. liber lix. across the gulf. a fantastic account of a previous incarnation. its principal interest is that its story of the overthrowing of isis by osiris may help the reader to understand the meaning of the overthrowing of osiris by horus in the present on. liber cxcvii. the high history of good sir palamedes the saracen knight and of his following of the questing beast. a poetic account of the great work, and enumeration of many obstacles. liber ccxlii. aha! an exposition in poetic language of several of the ways of attainment and the results obtained. liber cccxxxv. adonis. this gives an account in poetic language of the st

l speech it may by some natures be attained. also by images and symbols have men striven to express it: but always in vain. yet those that were ready to apprehend the nature of this light have understood by sympathy: and so shall it be with you who read this little book, loving it. however, be it known unto you that the best of all instruction on this matter, and the word best suited to the on of horus, is written in the the book of the law. yet also the book ararita is right worthy in the work of light, as trigrammaton in that of will, cordis cincti serpente in the way of love, and liberi in that of life. all these books also concern all these four gifts, for in the end you will see that every one is inseparable from every other. i wish to write to you with regard to the number 93, the nu

different from any former experience, especially the earlier part [not very good; seems too much like thinking..o.m] 777 418 13 dja the lamen of frater v.i.o. this lamen is symbolical of the master.s attainment, the great work which he brought to fulfilment. a r b a d a h a r b a trapt hr w b g d s j h ny b h m k j r t k y a twklm dwsy d w h j x n 6=5 7= 4 8=3 9=2 10=1 0=0 0 1=1 2=9 3=8 4= 7 5=6 horus amoun nephthys isis ptah heru-pa-kraat h osiris shu thoth hathoor ra n u i t h h d a i t h gt. one of night of time t a the spirit of aiqhr c spirit of primal fire child of gt. transformers n the magus of power b f daughter of the flaming sword propher of the eternal y p lord of hosts of the mighty daughter of firmament x g priestess of silver star daughter of mighty ones d k lord of forces

ma throughout the whole world. v a.a. publication in class e 93 10 =18 666 9 =28 pro coll. summ. 777 8 =38 d. d. s. 7 =48 o. m. 7 =48 o. s. v. 6 =58 parzival 5 =68 pro coll. int. v. n. pr monstrator p. imperator pro coll. ext. achad cancellarius 173 liber ccc khabs am pekht son, do what thou wilt shall be the whole of the law. firstly, let thine attention be directed to this planet, how the on of horus is made manifest by the universal war. this is the first great and direct result of the equinox of the gods, and is the preparation of the hearts of men for the reception of the law. let us remind you that this is a magical formula of cosmic scope, and that it is given in exact detail in the legend of the golden fleece. jason, who in this story represents the beast, first fits out a ship gui

BUCKLAND RAYMOND COMPLETE BOOK OF WITCHCRAFT

il, about the time of the reformation, it only existed in the outlying country districts. non-christians at that time became known as pagans and heathens "pagan" comes from the latin there were other more definite adoptions from the old religions, especially in the early formative years of christianity. the idea of the trinity, for instance, was taken from the old egyptian triad. osiris, isis and horus became god, mary and jesus. december 25th, as the birthdate of]esus, was borrowed from mithraism which also believed in a second coming and indulged in the "eating of god. in many religions of the ancient world were found immaculate conceptions and sacrifice of the god for the salvation of the people. witchcraft ancient and modern raymond buckland, hc publications, ny 1970. some of the instr

BUDGE E

y, with a similar attribute, called ketuit-tent-ba, i.e "cutter of the soul" all the above gods are in mummied form, and occupy chairs of state. 7. a god standing upright, and holding a kherp sceptre or weapon in his left hand; he is called p. 29 [paragraph continues] sekhem-a-kheftiu i.e "overcomer of the power of the enemy" 8. a hawk-headed god, with a uraeus on his head, called heru-tuat, i.e "horus of the tuat" 9. a god, who holds a knife in his left hand, and has his right raised to strike; he is called seben-hesq-khaibitu. click to view second hour. upper -register. gods nos. 8-15. 10, 11. two ape-headed gods, called respectively benti and aana. 12. a god with the head of a hawk and the head of an animal, set and heru-ur, who is here called "he of the two faces" 13, 14. the crook of

of the p. 32 phallus; the second has the head of a man, and is called akhabit; and the third has the head of a jackal, and is called nebt-ta-tcheser. 12. the god osiris un-nefer, in mummy form, wearing the crown of the south. 13. the god khui, who holds in each hand a long lotus-topped sceptre surmounted by a star. click to view second hour. lower register. gods nos. 9-15. 14. the two-headed god (horus-set) called hra-f-a-f. 15. the god heru-hen. 16, 17. two gods, each holding in his left hand the sign of life inverted; their names are hun and hetchetchtu. p. 33 18-20. three gods, each holding a palm branch; their names are neha (or nareh, makhi, and renpiti. 21. a god, who holds a knife in his left hand, and is called afau, 22. a god, holding in his hand the symbol of "year" who is called

er the waters of the river p. 45 in the underworld. the dead sun-god af stands within a shrine in the form of a ram-headed man, as before, but there is a change in the composition of the crew, which now consists only of four mariners, two of whom stand before the shrine and two behind, and the goddess of the hour and a hawk-beaded deity, one of click to view the boat which capsizeth. the forms of horus, who is occupied in tying loops of rope to the elongated hawk-headed rowlocks in which the paddles may be worked. the boat of af follows in the train of three boats, which may be thus described- the foremost boat is called uaa-penat, p. 46 i.e "the boat which capsizeth; it contains three hawk-headed forms of the god horus, and is steered by two male figures, who stand one in the bows and the

described- the foremost boat is called uaa-penat, p. 46 i.e "the boat which capsizeth; it contains three hawk-headed forms of the god horus, and is steered by two male figures, who stand one in the bows and the other at the stern. in the middle of the boat stand the hawk-god bak, and the hawk-goddess baket, and behind them, standing on a snake, is the click to view the boat of rest. third form of horus. between the front steersman and baket is the serpent teka-hra, i.e "fiery face" and the aft steersman bears a name of similar meaning, nab-hra. the second boat is called uaa-herer, p. 47 i.e "the boat of rest" and has in the middle an osiris god in the form of a mummy; each end of the boat terminates in the head of a cynocephalus, and it is steered by two beings, one of whom is called tesem

nd his bread with ra" in the upper register are the following- 1. a dog-headed ape seated on an oval mass of sand; he is called her-sha-f "he who is on his sand" 2. a dog-headed ape called tcheb-neter, or tebi-neter, seated in a coffer) with a vaulted roof. 3, 4. two jackal-headed gods called anpu and nehem-kheru, or neha-kheru. 5, 6. a man and a woman, who hold in each hand a pupil of the eye of horus, or ra; the man is called p. 51 [paragraph continues] anth, i.e "he who brings" and the woman antet, i.e "she who brings" 7. the ram sma-kheftiu-f. 8. a mummied form, with projecting hands, called pet-ahat. click to view third hour. upper register. gods nos. 1-6. 9. anubis of thebes, in the form of a jackal, couchant on a pylon. 10. a kneeling man, who holds in his left hand a pupil of the e

CASSANDRA EASON A PRACTICAL GUIDE TO WITCHCRAFT AND MAGIC

sacred number in magick and for special ceremonies you can create a triple circle of both power and protection. the number three represents the three aspects of the god figure in many religions: the holy trinity, the triple goddess, the three aspects of the moon -maiden, mother and wise woman or crone- the trefoil or triple god of the celts, and the even older egyptian trinity of isis, osiris and horus, the young sky god. this triplicity is still celebrated when we turn our money over and bow three times to the moon for good luck* create your first two circles of light and salt water* return to the place where you began* place the bowl on the altar and light your incense; you can either light a stick in a secure holder or sprinkle incense on a charcoal block burning within the censer* make

descended into the ocean. homer wrote 'drawn in his swift chariot, he sheds light on gods and men alike; the formidable flash of his eyes pierces his golden helmet, sparkling rays glint from his breast and his brilliant helmet gives forth a dazzling splendour. his body is draped in shining gauze, whipped by the wind' he is especially associated with the life force and renewing health and energy. horus horus was the ancient egyptian sky god, represented as a falcon or a falcon-headed man. his eyes were the sun and moon and his wings could extend across the entire heavens. he was frequently associated with the morning aspect of ra, the sun god, and worshipped as re-harakhte. the son of isis and osiris, he is often depicted as an infant on his mother's lap and together the parents and child

the ancient egyptian sky god, represented as a falcon or a falcon-headed man. his eyes were the sun and moon and his wings could extend across the entire heavens. he was frequently associated with the morning aspect of ra, the sun god, and worshipped as re-harakhte. the son of isis and osiris, he is often depicted as an infant on his mother's lap and together the parents and child form a trinity. horus brings clarity of mind and purpose and the ability to seize upon an opportunity, and is effective for uncovering secrets, deception and illusion. lugh lugh, the celtic 'shining one, who gives his name to lughnassadh, celtic festival of the first harvest, was the young solar deity who replaced the dagda, father of the gods, as supreme king. he was associated with sacrifice, as the sun king wh

thus magically causing the nile to flood and fertility to return to the land. she is the patroness of magick and spell-casting, having tricked ra the sun god into giving her his secrets. some accounts say she was taught by thoth, god of wisdom and learning. her cult spread throughout the roman empire and she remained in mediterranean lands in her guise as the black madonna, holding her infant son horus, until the middle ages. she is sometimes represented as a vulture, in which form she appears on amulets (protective charms) with an ankh, the symbol for life, engraved on each talon. isis demonstrated the power of maternal protection when she hid horus in the marshes from his evil uncle who would have destroyed him. deities of marriage these deities can be invoked in rituals concerning the f

e renewal of life. he is potent for breaking away from destructive situations or, ironically, bad habits such as alcohol. osiris osiris became one of the most important and popular gods in ancient egypt, mainly because he promised non-royal believers that resurrection and salvation from death were for everyone, poor as well as rich. originally he was identified with each dead pharaoh, and his son horus was identified with the reigning successor. osiris married his sister isis, and his brother seth married isis's sister nephthys. according to legend, osiris was at first made an earthly king by his father geb, the earth god. osiris ruled wisely, teaching his people about agriculture and the arts. but osiris's brother seth was jealous and vowed to kill him. seth invited osiris to a feast and

COMMENTARY ON THE SEAL OF THE NINE ANGLES

arity identifies a locus only; there is no extension in any direction. even the locus is "both there and not, since it has no dimensions at all. hence there are an infinite number of loci, for example on a one-inch- long line: an interesting mathemagical paradox. second angle: duality. the profound and necessarily total change of unity into symmetry and polarity (and its symbolic representations: horus and set, yang and yin, etc) the "orderer of the planes and angles' is yog- sothoth, who is, as the shaper of energy and matter, described as the author of earth in its matter/energy/evolutionary configuration. note that in pure duality there is no room for judgment between the two; there is only one or the other. in duality geometry creates a single extension (a line. third angle: this is a

orean system. this is nyarlathotep, otherwise set, otherwise lucifer/satan, otherwise prometheus, otherwise thoth, who has created the power of perspective and the independent psyche of judgment. here "knowledge" becomes possible. in geometry we now have the triangle, which is the most rigid of figures and also creates a two-dimensional plane. note that, per the book of coming forth by night, the horus/set relationship actually fits into a threefold matrix rather than a twofold one. set is an independent intelligence with perspective upon the nonconscious objective universe on one hand and the chaos of the anti-objective universe (harwer) on the other. the simple horus/set duality results from primitive aristotelian thinking (so kick me, tharrud terclis. fourth angle: the ram of the sun (s

al forms are carried within them, however, for they necessarily embrace two trapezoids (the four) and the pentagrams defined by those trapezoids (the five; hence 4+5 (the nine. seventh angle: the destruction of the status of monotheism by the addition of a line/angle to the hex. the legacy of the first beast of revelation and his sevenfold seal and star of babalon (a'.a. the forces of the aeon of horus overcoming those of the aeon of osiris. yet the only thing that can be said of seven is that it is an effective destroyer of six. it has no creative properties of its own; it has neither the strength of symmetry nor the magical powers of its asymmetrical predecessors (1,3,5. proponents of six-isms instinctively fear seven: they warn about such things as the seventh son of a seventh son, of t

powers of its asymmetrical predecessors (1,3,5. proponents of six-isms instinctively fear seven: they warn about such things as the seventh son of a seventh son, of the seven towers of satan in yezidi legend, of the seventh seal, of the jewel of the seven stars. seven is thus a harbinger of doom to six: a shadowing- forth of the apocalypse to come. geometrically and numerically, like the aeon of horus, seven has an "identity crisis. additions or multiplications or powers of seven yield all sorts of random values and relationships. eighth angle: the temple containing the trihedral angles is a truncated pyramid: the power of the trapezoid perfectly manifest in a golden section-based threedimensional structure. thus its architects are the masters of the realm (the all-embracing term for the

DAVID ICKE AND THE TRUTH SHALL SET YOU FREE

eer. buddhism replaced his interest in the occult until an experience in cairo in april 1904. crowley was asked by his wife, rose, to perform an esoteric ritual to see what happened. during the ceremony, she entered a trance-like state and began to channel the words of a communicator. the super elite- the black magicians 207 "they are waiting for you, she said to crowley. the "they, she said, was horus, the god of war and the son of osiris, in ancient egyptian belief. crowley did not accept any of this and asked his wife a series of detailed questions in an effort to trick her. but rose, who knew little of the esoteric, gave the correct answer every time. i believe the prison warders were on the line again. the communicator told crowley to be at a desk in his hotel room between noon and on

noon and one o'clock on three specific days. he agreed and in these periods he wrote, via automatic writing, a document called the book of the law. automatic writing is when your arm and hand are guided by another force and often no-one is more surprised at what they are writing than the person involved. crowley's communication said that the old age of osiris was being replaced by the new age of horus. but it said the old age would first have to be destroyed by barbarism and the earth bathed in blood. there would be a world war, it said. the book of the law talked of a race of supermen and condemned the old religions, pacifism, democracy, compassion, and humanitarianism "let my servants be few and secret: they shall rule the many and the known" the 'superman' continued. the message went o

. this is one reason, too, why this knowledge has been suppressed and ridiculed throughout the western world and hidden behind the smokescreens of this-world-is-all-there-is science, and one-life-and-then-heaven-orhell religion. the role of the esoteric in the rise of the nazis has been thoroughly underplayed or ignored except in a few excellent books such as gerald suster's hitler and the age of horus.12 look deeper into any historical situation and you will usually find the esoteric. john ruskin, the man who inspired cecil rhodes, alfred milner, and those who formed the round table secret society, was himself influenced by the esoteric writings of plato and by madame blavatsky the books of lord edward bulwer-lytton, and secret societies in the mould of the order of the golden dawn. the m

ept at spandau prison until his death in 1987. but dr ewen cameron, who became a cia 'mind doctor, said that the cia chief, allen dulles, told him that the 'hess' in spandau was a look-alike. when cameron tried to prove identification by examining 'hess' and locating a first world war wound, he was not allowed to do so. 218..and the truth shall set you free 12 gerald suster, hitler and the age of horus (sphere, london, 1981) 13 enrique de vicente "the occult roots of the new world order, exposure magazine, vol. 1, no. 2 (1993) p7 14 "black magic holds sway over a paranoid kremlin, the european (may llth-15th 1995) p4 15 in 1965, for example, the bilderbergers met alongside lake como in italy, the ancient headquarters of the order of comocine, the forerunners of the medieval masons. i spent

DAVID ICKE CHILDREN OF THE MATRIX

e name "catti" for the ruling clan of the ancient britons on pre-roman coins is a dialectic form of goti or "goth".7 when the illuminati built the great "christian" cathedrals of europe, full of pagan symbolism on ancient pagan sacred sites, they used the "gothic" style of architecture. the symbolism of the "eye of gopta" may relate to the widely used illuminati symbol, the all-seeing eye or eye: horus, which you will find at the top of the pyramid on the us dollar bill and on the reverse of the great seal of the united states. the same symbols used by this ancient sumerian dynasty are still used by the illuminati today, because they are the same bloodlines and are working with the same knowledge, hidden away since ancient times within the mystery school and secret society networks. and th

umerian king, ukusi of ukhu (meaning sun hawk city) and also the first aryan (hybrid) king in the indian epics and their holy books, the vedas, which use the solar title of ikshwaku or ukusi of ukhu.14 all these kings of the sumer empire were given "solar titles" because of the obsession and emphasis on the worship of the sun and the symbolism of the sun as god. indeed it is extremely likely that horus or haru, the egyptian son of god and a mirror of the much later "jesus, came from the sumerian word, hu or ha, meaning hawk. the hawk or sun-hawk was a sumerian symbol for the sun, as we see above in sargon's very title. the heru of the pygmy people, hul-kin of the indians, helios of the greeks, and hurki of the akkadian/chaldeans of mesopotamia probably come from the same source and all rel

ian son of god and a mirror of the much later "jesus, came from the sumerian word, hu or ha, meaning hawk. the hawk or sun-hawk was a sumerian symbol for the sun, as we see above in sargon's very title. the heru of the pygmy people, hul-kin of the indians, helios of the greeks, and hurki of the akkadian/chaldeans of mesopotamia probably come from the same source and all relate to a sun god of the horus mould. in the same way, the mayans of central america had a god called hurakan and the tibetans had the deity, heruka, which later evolved into the herakles and hercules of the greeks, a society that was founded on the sumerian (atlantean) knowledge and beliefs. hercules fought a shape-shifting "river god" called achelous. the word hurricane can be traced to the same "storm god" symbolism, a

crossbreed race. the writer homer (8th-9th century bc) wrote that "the heroes were exalted above the race of common men. the poet, pindar (518-438bc- a very relevant name for readers of the biggest secret- used the term, hero/heru, to describe a race "between gods and men. at this moment 1 have the song playing in my head that goes "search for the hero inside yourself! it is extremely likely that horus or haru, the egyptian son of god and a mirror of the much later "jesus, came from the term heru, which means the sun god's representative on earth, the hybrid or aryan race. there is also the sumerian word, hu or ha, meaning hawk, and the hawk or sun-hawk was a sumerian symbol for the sun.13 the term nibiri or nebiru, the alleged home planet of the anunnaki according to the tablets, is deriv

for the sun.13 the term nibiri or nebiru, the alleged home planet of the anunnaki according to the tablets, is derived from the word found in egypt, neb-heru, according to researcher and author, robert temple.14 he says that neb-heru is clearly described in the sumerian, enuma elish, as a star and not a planet.15 again could the sirius sun or dog star be the true "nibiru/nebiru? maybe, maybe not. horus, the son of god of egyptian myth, was strongly associated with sirius as in heru-sept or "horus of the dog star".16 one depiction of horus was as heru-ami-u, a hawkheaded crocodile with a tail ending as a dog's head. he was also portrayed with a jackal or dog/wolf head, as was an or anu, the royal leader of the anunnaki.17 heru= hero= hybrid bloodline and these "heroes" may be ruling the ear

DAVID ICKE THE BIGGEST SECRET

her olive branch was symbolic of thisoffspring produced through a virgin birth. ninus was alsoknown as tammuz who was said to have been crucifiedwith a lamb at his feet and placed in a cave. when a rockwas rolled away from the caves entrance three days later,his body had disappeared. heard that somewhere before?this husband-wife-son theme of nimrod-semiramis-andninus/tammuz became the osiris-isis-horus mythologyof the egyptians with its equivalent in india, asia, china and elsewhere. much later itwould be joseph, mary and jesus. when the babylonians held their spring rites to markthe death and resurrection after three days of tammuz-ninus, they offered bunsinscribed with a solar cross. yes, even the hot cross buns of british easter traditioncome from babylon. easter comes from another face

blets throughout thewestern provinces of the former roman domain, including germany, france andbritain. christianity and the roman church were based on the persian-roman sun godcalled mithra (nimrod, who has an earlier equivalent in india called mitra. tammuz oradonis (lord, who was revered in babylonia and syria, was said to have been born atmidnight on december 24th. these were also sons of god.horus was the the son of god in egypt. he was derived from the babyloniantammuz and, in turn, provided another blueprint for the later jesus. theconnections are devastating for the credibility of the christian church: jesus wasthe light of the world. horus was the light of the world. jesus said he was theway, the truth and the life. horus said he was the truth, the life. jesus was born inbethlehem

of god in egypt. he was derived from the babyloniantammuz and, in turn, provided another blueprint for the later jesus. theconnections are devastating for the credibility of the christian church: jesus wasthe light of the world. horus was the light of the world. jesus said he was theway, the truth and the life. horus said he was the truth, the life. jesus was born inbethlehem, the house of bread. horus was born in annu, the place of bread.jesus was the good shepherd. horus was the good shepherd. seven fishers board aboat with jesus. seven people board a boat with horus. jesus was the lamb. horuswas the lamb. jesus is identified with a cross. horus is identified with a cross. jesuswas baptised at 30. horus was baptised at 30. jesus was the child of a virgin, mary.horus was the child of a vi

erd. horus was the good shepherd. seven fishers board aboat with jesus. seven people board a boat with horus. jesus was the lamb. horuswas the lamb. jesus is identified with a cross. horus is identified with a cross. jesuswas baptised at 30. horus was baptised at 30. jesus was the child of a virgin, mary.horus was the child of a virgin, isis. the birth of jesus was marked by a star. the91birth of horus was marked by a star. jesus was the child teacher in the temple. horuswas the child teacher in the temple. jesus had 12 disciples. horus had 12 followers.jesus was the morning star. horus was the morning star. jesus was the christ. horuswas the krst. jesus was tempted on a mountain by satan. horus was tempted on amountain by set.23jesus is said to be the judge of the dead. he has some compet

ge of the dead. he has some competition there. this wasalso said of the earlier nimrod, khrishna, buddha, ormuzd, osiris, aeacus and others.jesus is the alpha and omega, the first and the last. so was khrishna, buddha, lao-kiun, bacchus, zeus and others. jesus is claimed to have performed miracles such ashealing the sick and raising people from the dead. so did khrishna, buddha, zoroaster,bochia, horus, osiris, serapis, marduk, bacchus, hermes and others. jesus was bornof royal blood. so was buddha, rama, fo-hi, horus, hercules, bacchus, perseus andothers. jesus was born to a virgin. so was khrishna, buddha, lao-kiun or tsze,confusius, horus, ra, zoroaster, prometheus, perseus, apollo, mercury, baldur,quetzalcoatl and far too many others to mention. jesus will, we are told, be bornagain. t

DEITUS

xistence. the ocean of the universal subconscious has tide currents of its own. when the tide is coming in the cycle is one of restriction and when the tide is going out the cycle is one of expansion. the number and frequency of aeonic words is greater near the start of a cycle because of the change in the current from one of restriction to one of expansion. it is for this reason that the aeon of horus, aeon of set, and aeon of lucifer have followed so quickly one upon another. all of these aeons have the same theme and are part of the cycle of expansion which began in 1904 ce. the difference is that each aeon builds upon the previous aeons. we may see the creation of a new aeon within the next decade but eventually the current of the cycle will be entirely one of expansion no longer affec

e when man lived in harmony with the natural world and the dominant religions involved the worship of nature. he was referring, of course, to the pre-christian pagan world. this was followed, he said, by the aeon of osirus, a time of restriction in which man rejected the natural world and in its place chose denial of the ego and mortification of the flesh. he believed that a new aeon, the aeon of horus, had begun. in egyptian mythology, isis was the goddess of fertility, osirus was the god of death, and horus was the god of rebirth. the period of restriction, he said, had ended and the life-energies had returned to the world. the pre-christian pagan world was more, however, than simply a time of nature worship. men lived in greater harmony with the natural world than they did during the cy

the father. the significance of this is that all aeons established within the cycle of restriction had a common theme: rejection of the natural world, denial of the ego, repression of human needs, mortification of the flesh, and obedience to church and state. crowley identified that a new cycle of expansion had begun and the cycle of restriction had ended. he refered to this cycle as the aeon of horus but the aeon of horus was only the first of many aeons within the cycle he had identified. the god osirus had passed through the land of the dead and was now reborn as horus. the bright and glorious child was reborn and now sat upon the throne of his father. this fit beautifully into crowley s egyptian schema but the doctrine of thelema failed to transform the world as he believed it would

ld as he believed it would. the religion of crowley-anity attracted few followers at the time but the child grew and was weaned. and in 1966 it went out to play with its friends. anton lavey referred to a cycle of expansion as an age of fire and to a cycle of restriction as an age of ice. the age of ice had ended, he said, and a new age of fire had begun. lavey s age of fire was crowley s aeon of horus and lavey s age of ice was crowley s aeon of osirus. it was another way of expressing the same truth. the age of fire began in 1904 with crowley s revelation in the desert but 1966 marked the beginning of the second aeon within the cycle of expansion the aeon of set. the period from 1966 to 1975, often called the age of satan, was a transitional period between the aeon of horus and the aeon

uth. the age of fire began in 1904 with crowley s revelation in the desert but 1966 marked the beginning of the second aeon within the cycle of expansion the aeon of set. the period from 1966 to 1975, often called the age of satan, was a transitional period between the aeon of horus and the aeon of set. the age of satan represents the time during which both aeons were active. in 1975, the aeon of horus had finally ended. the aeon of lucifer, similarly, began in 1991. the period from 1991 to the year 2000 was transitional. both the aeon of set and the aeon of lucifer existed simultaneously during this time. the aeon of set ended in the year 2000. the bright, glorious, and unconquered child had been reborn. it had grown from an infant to a child and then into a teenager. crowley celebrated i

DEMONIC BIBLE

solomonis, another medieval grimoire, but dee& kelly claimed that the keys were revealed to them by the angels, the letters of the words shown to them in a crystal show stone. the enochian evocation of dr. john dee also gives the invocation for various spirits with which dee& kelly communicated. a beast of revelation on april 4, 1904, aleister crowley, declared the start of a new aeon the aeon of horus. in crowley s philosophy each aeon represents a stage in the non-natural evolution of man. the aeon of isis was a time when man lived in close harmony with the natural world and the dominant religions involved the worship of nature. this was characterized by the pre-christian pagan world. the aeon of osiris, which followed the aeon of isis, was a time when man rejected the natural world, acc

he was the beast described in the book of the revelation of jesus to st. john the apostle, wrote the book of the law, which he claimed was revealed to him by the spirit aiwass and was a true revelation from the egyptian deities nuit, hadit, and ra hoor khut. in the book of the law we read dowhat thou will shall be the whole of the law and love is the law, love under will. the word of the aeon of horus was thelema, the greek word for will. the will in this context was a magical will, the true will of the magician s higher self or his holy guardian angel. crowley s magick, as embraced by the order of oriental templars (oto) and order of the silver star (aa) combined eastern mysticism and yoga with the western ceremonial magic of the golden dawn. in practice, however, crowley s magick largel

he titles was that material success is an indication of satanic might and therefore the individuals in question deserved the titles regardless of their knowledge or previous commitment. michael aquino, claiming to be in contact with satan (in the ancient egyptian form of set, wrote the book of the coming forth by night in which he declared the start of the aeon of set, a succession to the aeon of horus. the word of the aeon was xeper, an egyptian word which means to become or to come into being. the egyptian god xepera was associated with the scarab beetle and was the god of expansion of consciousness. michael aquino claimed to be the second beast from the book of the revelation of jesus to st. john the apostle and the spiritual son of aleister crowley described in the book of the law. in

m the book of the revelation of jesus to st. john the apostle and the spiritual son of aleister crowley described in the book of the law. in contrast to the church of satan s professed atheism, the temple of set embraced the literal existence of set, not as a christian devil, but as an ancient egyptian god associated with the night sky and with the expanding of consciousness. according to aquino, horus and set were the gods of ancient egypt prior to the syrian invasion. later, set was personified as evil, the enemy of osiris. one of set s titles, set-hen was adopted by the jews and became satan. by using a more ancient name for satan, the temple of set was able to escape the accusation that satanism is merely an anti-christian religion. the nine angles both before and after the schism with

ll these groups and combined this unified satanic philosophy with the system of ritual revealed to him by his unholy guardian demon, the spirit azael. the declaration of deitus as the word of the aeon of lucifer can be seen as an indication that the embassy of lucifer is the natural successor to the tos, cos, and oto/aa, since the aeon of lucifer succeeded the aeon of set and the previous aeon of horus. unlike most satanic rituals, which invoke demons as beings or forces alien to the magician, the rituals presented in the demonic bible allow the magician to open the gates of hell and become one with the forces of darkness. it can now be seen that the embassy of lucifer fulfills the ona s objectives in presencing the forces of darkness and becoming nexus s or gateways to the acausal as well

DIABOLUS

of the deserts, seth was also revered as a deity over the scorching heat of the desert sands. this concept continued on in the persian ahriman and the islamic shaitan, which shall be discussed in further detail later on in this treatise. verily, the soul of set, which is greater than all the gods, hath departed- from the papyrus of ani set was known as a god of unrest who continually fought with horus, his brother and was the antagonist and murderer of osiris, a god of stasis. set also protected ra on his journeys through the underworld, and was able to master the chaotic force of apep, a serpent of darkness. set is known in the book of the dead as having legions of devils, known as seba as well as smaiu, who obey his commands. it seems also that there were a group of rebels who were of s

nourished and brought moisture. plutarch writes the seth means compelling and overmastering, being a powerful force of chaos and order. typhon was collectively later known and associated to the earth s shadow, which they bring into the lunar cycle and the eclipse. in such an aspect, seth is highly significant to the balance of chaos and order, as he creates situations for both to occur. 5 set and horus indeed have a close connection as not only brothers but also deific opposites. it is suggested by e.a. wallis budge that horus means something similar to he who is above and set therefore he who is below, thus holding a significance to as above, so below and the baphomet idol long regarded as a form of hidden knowledge. considering set s name had similar hieroglyphic connections to stone, it

lands of death, stony land and the desert wastes. set s direction was also often consider south as well, and his opposing side of the north. in later times, as previously mentioned, ahriman has been long associated with not only the north but also the south, making reference to his powers over both scorching heat and cold. the head of ramses ii has been shown being dually crowned by both set and horus indicating power and knowledge. one reference of which set makes comment is in the crowning i will give thee all life, and strength and health, thus although considered often a devil and a most feared god, this power could be used in a positive aspect as well. set was also friendly to the shades of the dead as well, set was said to purify and horus strengthen. the backbone of the dead was co

ontrolling the storm demon and later it becoming a part of sethan himself. set as being not only the lord of the south, he later was associated with the north, becoming the lord of the northern sky in the egyptian book of the dead. his primary associations were hostility, war and storms. thus set may be viewed as a deific force of motion and opposition. the combat which took place on the day when horus fought with seth, during which seth threw filth in the face of horus, and horus crushed the genitals of seth. this storm was the raging of ra at the thunder-cloud which [seth] sent forth against the right eye of ra (the sun. thoth removed the thunder-cloud from the eye of ra, and brought back the eye living, healthy, sound, and with no defect in it to its owner- from the papyrus of ani here

er the battle, and later reached into obscurity to appear again in other cults outside of egypt under different names, all the while possessing the essence of which he created the adversary. set opened the paths of the two eyes (the sun and the moon- from the papyrus of ani the formula mentioned in the book of the dead refers to a magical formula which held associations to set s hostility against horus, but also their connection therein. within the luciferian witch cults set represents the magician which beheld and brought forth the possibilities within, by the unknown and darkened places does he grow strong and reside. 7 the opposing god of horus set are early manifestations of the adversary; that is to say horus represents day or the purity of fire, while set represents night and strengt

DICTIONARY GLOSSARY OF OCCULT TERMINOLOGY

kuth. the primary principle of this grade is based on christian knighthood. adeptus minor: a term used to describe a learned and skilled magician. in the hermetic order of the golden dawn [g.d (q.v) the student of the order was first taught ritual magick once they entered into this degree, which was the first degree of the inner order, the roseae rubeae et aureae crucis [r.r. et a.c (q.v. aeon of horus: the age of oneness between human beings and god that follows after the aeon of osiris where human-god was a duality. according to aleister crowley (q.v, it begin in 1904 with the dictation of the book of the law and is coeval with the astrological age of aquarius. agla: a hebrew notarikon (q.v) for "ah-tah gee-boor lih-oh-lahm ah-doh-nye" which translates in english "thou art great forever

DION FORTUNE MYSTICAL QABALA

is no other method so satisfactory, for the amount of magnetism in a living being is far greater than in any metal or crystal, however precious. 46. this ancient method is also known to us under another name; it is called by moderns, mediumship. when the spirit speaks through the entranced medium, precisely the same thing is happening as happened in ancient egypt when the priest with the mask of horus spake with the voice of horus. 47. when we consider the microcosmic tree, the physical body is malkuth; the etheric double is yesod; the astromental body is hod and netzach; and the higher mind is tiphareth. whatever the higher mind can conceive can readily be brought through into manifestation in the subjective malkuth. we do better to rely upon this method of evocation rather than the extr

EGYPTIAN BOOK OF THE DEAD PAPYRUS OF ANI MALESTROM

f the dead. http//www.sacred-texts.com/egy/ebod/ebod03.htm (5 of 36 [8/10/2001 11:22:54 am] lorsqu'on le r digea sous sa forme actuelle, le r gne de myk rinos, et m me celui d'housapaiti, ne devaient pas soulever dans l'esprit des indig nes la sensation de l'archa sme et du primitif: on avait pour rendre ces id es des expressions plus fortes, qui renvoyaient le lecteur au si cles des serviteurs d'horus, la domination de ra, aux ges o les dieux r gnaient sur l' gypte" revue de l'histoire des religions, t. xv, p. 299. 2 chabas, voyage, p. 46; wiedemann, aegyptische geschichte, p. 191. in the brit. mus. papyrus no. 10,060 (harris 500, herutataf is mentioned together with i-em-hetep as a well known author, and the writer of the dirge says "i have heard the words of i-em-hetep and of herutataf

pter cx. the beginning of the chapters of the fields of peace, and of the chapters of coming forth by day, and of going into, and of coming forth from, the underworld, and of attaining unto the fields of reeds, and of being in the fields of peace. vignette: the fields of peace. chapter cxi (this chapter is now known as chapter cviii) chapter cxii. the chapter of knowing the souls of pe. vignette: horus, mesthi, and ha-pi. chapter cxiii. the chapter of knowing the souls of nekhen. vignette: horus, tuamautef, and qebhsennuf. chapter cxiv. the chapter of knowing the souls of khemennu (hermopolis. vignette: three ibis-headed gods. chapter cxv* the chapter of coming forth to heaven, of passing through the hall of the tomb, and of knowing the souls of annu. vignette: the deceased adoring thoth

gnette: a man standing before a house or tomb. chapter cxxxiii. the chapter of making perfect the khu in the under world in the presence of the great company of the gods. vignette: the deceased adoring ra, seated in a boat. chapter cxxxiv. the chapter of entering into the boat of ra, and of being among those who are in his train. vignette: the deceased adoring shu, tefnut, seb, nut, osiris, isis, horus, hathor. p. xlii theban version: list of chapters. chapter cxxxv* another chapter, which is to be recited at the waxing of the moon [each] month. this chapter has no vignette. chapter cxxxvia. the chapter of sailing in the boat of ra. vignette: the deceased standing with hands raised in adoration. chapter cxxxvib. the chapter of sailing in the great boat of ra, to pass round the fiery orbit

offering chamber. this chapter has no vignette. chapter clxx. the chapter of the roof of the offering chamber. this chapter has no vignette. chapter clxxi. the chapter of tying the abu. this chapter has no vignette. chapter clxxii. here begin the praises which are to be recited in the underworld. p. xlv theban version: list of chapters. this chapter has no vignette. chapter clxxiii. addresses by horus to his father. vignette: the deceased adoring osiris. chapter clxxiv. the chapter of causing the khu to come forth from the great gate of heaven. vignette: the deceased coming forth from a door. chapter clxxv. the chapter of not dying a second time in the underworld. the versions of the book of the dead. http//www.sacred-texts.com/egy/ebod/ebod03.htm (33 of 36 [8/10/2001 11:22:56 am] vignett

ike the theban, usually written upon papyrus. the chapters have no fixed order, and are written in lines in the hieratic character; the rubrics, catchwords, and certain names, like that of apep, are in red. the vignettes are roughly traced in black outline, and are without ornament; but at the ends of the best papyri well-painted scenes, in which the deceased is depicted making adoration to ra or horus, are frequently found. the names and titles of the deceased are written in perpendicular rows of hieroglyphics. the character of the handwriting changes in different periods: in the papyrus of the princess nesi-khonsu (about b.c. 1000) it is bold and clear, and much resembles the handsome style of that found in the great harris papyrus;[1] but within a hundred years, apparently, the fine flo

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

med pranotherapy, a form of healing that used prana, considered by hindus the life force, to heal. he became a pranotheraphist in the early 1970s and soon established offices in several towns in northern italy. he also began to operate as a spiritualist medium and eventually wrote a book on the subject. by 1974 he had attained a following that joined him in the formation of two organizations, the horus centre and an associated school of pranotherapy. airaudi advocated the ideals of the communal life and in 1975 land was rented in the valchiusella valley north of turin as a possible site for the community. the following year some two dozen people moved to what was called damanhur, the name of an ancient egyptian city. the land was eventually purchased and damanhur was officially organized i

upon papyrus is probably contemporaneous. the words of power were not to be spoken until after death. they were a great mystery, but the eye of no man whatsoever must see it, for it is a thing of abomination for every man to know it. hide it, therefore, the book of the lady of the hidden temple is its name. this would seem to refer to some spell uttered by isis-hathor that delivered the god ra or horus from trouble, or was of benefit to him, thus was concluded to be equally efficacious in the case of the deceased. many spells were included in the book of the dead for the purpose of preserving the mummy against molding and for assisting the owner of the papyrus to become as a god and to be able to transform himself into any shape he desired. painted offerings were also provided so the decea

d spiritual life of ancient egypt. standing at the fountainhead is aleister crowley (1875.1947, whose use of egyptian themes date to the first decade of the twentieth century. when in cairo, he found several magical items of special interest, including the stele of revealing. he received a revelation contained in the small booklet the book of the law, the reception of which initiated a new era of horus (an egyptian deity, the crowned and conquering child. he then later integrated egyptian themes into all his magical work. a typical magical ritual with an egyptian theme was published by david conway in his book, magic: an occult primer (1972. although crowley utilized egyptian themes extensively, he never attempted to build a modern egyptian religion. that task was initiated by the church o

program of the college and temple are held confidential for participants only, though it is in line with the teachings of crowley that are available in his many writings. crowley claimed that in 1904 he received, through a process similar to what is now called channeling, the book of the law, from a praeternatural intelligence named aiwass. the book announced a new era for humankind, the aeon of horus, the crowned and conquering child (of isis and osiris. the revelation called upon people to follow their true will (thelema, and to allow their passions to be conformed to their will. magic is the instrument for finding one s true will and the magical life; living in conformation to that true will (destiny) follows. the temple and college may be contacted at p.o. box 415, oroville, ca 95965

nhur is a large esoteric community founded in 1979 in the valchiusella valley north of turin, italy. the community grew out of the work of oberto airaudi (b. 1950, a precocious young man who involved himself in the lively metaphysical community of turin in the early 1970s. he became a psychic healer and a spiritualist medium. by 1974 he had established a following which he brought together in the horus center. airaudi began to advocate the ideal of communal living and in 1976 a settlement was established on the present site of the community, which was officially constituted in 1979. in 1981 the community promulgated a constitution that emphasized the notion that damanhur was a separate state. a government was organized and a currency issued. the idea of operating as a separate state create

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 2

uter head of the order for 15 years (1947.62, but after his death, the order endured a period of leaderlessness and corporate chaos. while several leaders stepped forward with papers and claims from either aleister crowley or germer, robert e. l. snell put forward other credentials. he suggested that the mission of the oto was to facilitate the movement of humanity into the new age of the aeon of horus, which had been announced by crowley in 1904. snell suggested that leaders must validate their role by their allegiance to the law of thelema (will, the primary principle guiding the order. he also claimed direct contact with the secret chiefs, those preternatural beings (similar to the theosophical society s great white brotherhood) believed to be ultimately guiding the order. ordre kabbali

vatory. http//www.dreamscape.com/ morgana. april 10, 2000. montgomery, ruth. the world to come. new york: random house, harmony books, 1999. prophet, elizabeth clare. saint germain on prophecy ii. livingston: summit university press, 1986. rowley, harold h. prophecy and religion in ancient china and israel. new york: harper, 1956. shellhorn, g. cope. surviving catastrophic earth changes. madison: horus house, 1994. stanford, ray. fatima prophecy, new york: random house, ballantine books, 1990. timms, moira. prophecies and predictions: everyone s guide to the coming changes. santa cruz, calif: unity press, 1981. vaughan, alan. patterns of prophecy. new york: hawthorn books, 1973. reprint, london: turnstone, 1974. white, john. pole shift. virginia beach: are press, 1980. the prophet a contro

ce dwelling in ethiopia who modelled in wax a litter with four bearers to whom he gave his life. he sent them to egypt, and at his command they sought out pharaoh in his palace, carried him off to ethiopia, and, after giving him five hundred blows with a cudgel, conveyed him during the same night back to memphis. next morning the king displayed the weals on his back to his courtiers, one of whom, horus by name, was sufficiently skilled in the use of amulets to ward off by their means any immediate repetition of the outrage. horus then set forth to bring from hermopolis, the all powerful magic book of the god thoth, and by its aid he succeeded in treating the ethiopian king as the ethiopian sorcerer had treated pharaoh. the foreign magician then hastened to egypt to engage in a contest with

orus by name, was sufficiently skilled in the use of amulets to ward off by their means any immediate repetition of the outrage. horus then set forth to bring from hermopolis, the all powerful magic book of the god thoth, and by its aid he succeeded in treating the ethiopian king as the ethiopian sorcerer had treated pharaoh. the foreign magician then hastened to egypt to engage in a contest with horus in magic tricks. his skill was shown to be inferior, and in the end he and his mother received permission to return to ethiopia under a solemn promise not to set foot on egyptian territory for a space of fifteen hundred years. seton (or sethon) alexander (d. ca. 1604) one of the very few alchemists, reportedly, who succeeded in the great experiment of the transmutation of metals. he was ency

re the learned magicians skilled in the written language for which thoth had been responsible. at the creation of the world, it was he who reduced to words the will of the unseen and unknown creative power, who uttered them so wisely that the universe came into being, and who proved himself by the exercise of his knowledge to be the protector and the friend of osiris and of isis, and of their son horus. from the evidence of the texts we know that it was not by physical might that thoth helped these three gods, but by giving them words of power and instructing them how to use them. we know that osiris vanquished his foes, and that he reconstituted his body and became the king of the underworld and god of the dead. it is this belief that made the deceased cry out, hail, thoth, who madest osi

EXTRAORDINARY ENCOUNTERS AN ENCYCLOPEDIA OF EXTRATERRESTRIALS AND OTHERWORLDY BEINGS

he beginning, 207 239. detroit, mi: omnigraphics, 2000. the extraterrestrial hypothesis in the early ufo age. in david m. jacobs, ed, ufos and abductions: challenging the borders of knowledge, 122 140. lawrence: university press of kansas. fuller, john g, 1966. the interrupted journey: two lost hours aboard a flying saucer. new york: dial press. hind, cynthia, 1996. ufos over africa. madison, wi: horus house press. hopkins, budd, 1981. missing time: a documented study of ufo abductions. new york: richard marek publishers. hynek, j. allen, 1972. the ufo experience: a scien- tific inquiry. chicago: henry regnery company. hynek, j. allen, and jacques vallee, 1975. the edge of reality: a progress report on unidentified flying objects. chicago: henry regnery company. keyhoe, donald e, 1950. the

radually returned. may 1992 came and went without a further contact. cynthia hind, a ufologist from harare, zimbabwe, who investigated the story, says the women were unread in the ufo literature. they had not heard of other claims of pleiadean contacts, they claimed. see also: abductions by ufos; meier, eduard billy me-leelah 169 further reading hind, cynthia, 1996. ufos over africa. madison, wi: horus house press, 2000. highlights from an african case book. ohio ufo notebook 21: 1 10. melora melora is a channeling entity who communicates through jyoti alla-an of boulder, colo r a d o. alla-an characterizes melora as a higher-dimensional group consciousness f rom the sirius system. as is often the case with such beings, me l o r a greek for golden apple is a name of conve n i e n c e, not

magnetic force field causes havoc on the surfaces of those worlds, both destroying and creating. the planetary council must always monitor the location and effects of phoenix. its members also deal with the periodic arrival of groups from other solar systems. some are highly evolved and benign, others less developed and belligerent. according to korsholm, the members of the planetary council are: horus, representing the sun, coordinates the council s work with that of higher space intelligences and christ councils. hermes (mercury) is in charge of communication through space. adonis (venus) guides the evolution of love and beauty. enoch (earth) oversees prophecy. croesus (mars) is responsible for the coordination of council activities with the dictates of the ascended masters in the brothe

tinued for years. before long, edwin channeled the messages rather than taking them through the radio. many of the messages were of a technical and scientific nature. others were occult and metaphysical. in 1986, south african ufologist carl van vlierden published a book-length account of edwin s alleged experiences and messages. further reading hind, cynthia, 1996. ufos over africa. madison, wi: horus house. van vlierden, carl, and wendelle c. stevens, 1986. ufo contact from planet koldas. tucson, az: ufo photo archives. van tassel, george w (1910 1978) besides being a contactee himself, george van tassel made his mark as the foremost promoter of the early contactee movement. every year he sponsored the giant rock interplanetary spacecraft convention at his residence in the high desert be

FRANCIS A YATES GIORDANO BRUNO AND THE HERMETIC TRADITION

e hieroglyphics of horapollo, translated by george boas, bollingen series 23, new york, 1950. 3 "hunc (hermes) asserunt occidisse argum, aegyptiis praefuisse, eisque leges, ac literas tradidissc. literarum uero characteres in anirnalium, arborumque figuris instituisse (ficino, p. 1836) in one of the plotinus commentaries he relates these figures used by the egyptian priests to those described by "horus, that is to the hieroglyphics of horapollo (ficino, p. 1768; cf. hieroglyphics of horapollo, ed. boas, p. 28. on the hieroglyphs as a medium for transmission of hermetic philosophy, see below pp. 416-8. 163 against magic (2) the humanist tradition an example of "egyptian" infiltration into humanism. pure humanism could, however, turn in a religious direction, and towards a religious and theo

aeus in his anthology. this is the treatise known as the kore kosmou* or 1 see above, p. 64. 2 see above, p. 131. 3 spaccio, dial. 3 (dial, ital, p. 780. 4 c.h, iv, pp. 1-22 (stobaeus excerpt xxiii. 215 giordano bruno in england: the hermetic reform "daughter (or virgin) of the world, or, in patrizi's latin translation as the minerva mundi. it is in the form of a dialogue between isis and her son horus in which momus is also one of the speakers. isis begins by describing the creation, an early stage of which was the arrangement of the celestial images on which all things below depend.1 the things of the lower world were then created, but this lower nature was unsatisfactory. god therefore decided to create man, so he called an assembly of the gods who offered to help, each planetary god gi

nd to slaughter and have restored justice; who having learned from hermes that things below must be kept in sympathy with things above have instituted on earth the sacred functions vertically linked with the mysteries of heaven.5 this treatise is very obscure6 and i have picked out from it only certain points for comparison with bruno's spaccio in which the divine sophia, isis, and momus (but not horus) are among the speakers; which is concerned with the convoking of an assembly of the gods to reform themselves and the celestial images; whence there is to come a general reform of mankind involving a return of egyptian religion and ethics. there is, further, a curious vein of lucianic familiarity in the treatment of the gods in the hermetic treatise (momus is a character much used by lucian

FRATER ELIJAH ANGELS OF CHAOS

6=7+6=13 and we have a ton of links here, but check out the relations to gargophias and the 13'th tunnel of set, in the outer spaces (this comes later) side note on the second sigil: inverse libra) absolute chaos. 7 is also a symbol of set as an ax. sept is seven the sixth and central cosmic power zone: beauty--tiphareth--sun/son. the number 6(sex):vau- sexual union zain: the number 7--twins set/ horus (gemini, 6'th and 7'th months gemini- cancer. sexual polarity. lovers of the tarot. the letter zain spelled in full equal's 67 (reverse 76) which symbolizes the womb of the mother (binah=67. in reversal, the dark) mother, inverse birth (destruction--the phoenix again. there is also some relation to sekmet. on the gateway sigil (i do not know why i name it like this [2: unity in chaos, very s

tics, concerning the way. i/2a: a metaphor for life. i/2b: a brief interchange of the selves. a subconscious parlay with the readers masks. a calling to the readers self. amazing grace. i/3a: the tragedy of each maze is that it is unique. as the reader is drawn out of a state of passivity, the ego must be brought into play, and play this surely is. our sex consumes. gemini, refers to the twins of horus-set, the letter zain. it grows tired of the endless sibling rivalry. another master, this one the lady of understanding (more of a way. we has drank deeply of her cup. this is sure folly. i/3b: 10 being the number of sephira. the face depicted has three blackened lines and one shaded line. a reference to chrnzn and our lady. i/4a: the represents the first excursion. dreamscape, the land of m

FRATER TENEBROUS CULTS OF CTHULHU

skin, the long black robe of a priest, and a conical hat a description substantiated by the testimonies of individuals in both europe and lovecraft s own new england. nyarlathotep s physical appearance also compares quite strikingly to that of the astral entity, aiwaz, who communicated the text known as the book of the law to aleister crowley in cairo, 1904, thus inaugurating the present aeon of horus. crowley describes aiwaz as, a tall dark man in his thirties, with the face of a savage king, and eyes veiled lest their gaze should destroy what they saw. according to grant, the cult of aiwaz can be traced to a period that inspired the age-long draconian tradition of egypt, which lingered on into the dark dynasties, the monuments of which were laid waste by opponents of the elder cult. it

FREEMASONS SATANISM AND SYMBOLISM

stern star, p. 20; alain danielou, the gods of india, p. 385. shiva is another name for satan in the occult. the triangle with one point pointing up is a symbol for satan. most likely this is the reason why the pyramid is such an important symbol to the mason. this is the symbol on the reverse of the one dollar bill. this symbol contains two triangles: the pyramid itself and the all-seeing eye of horus (osiris. occultists know that both horus and osiris are alternate names for satan. there is one more proof from masonic authors, that satan is the one they worship. masonic authors tell us that they worship lucifer in yet another way. lynn perkins (a masonic author, states that "shamballa has a bearing on the ancient origins of freemasonry and upon its future in the coming aquarian age [maso

ason learns later on that columns represent gods[ joseph fort newton, the builders: a story and study of masonry, cedar rapids, iowa, the torch press, 1914, p. 9] a different hidden meaning for the broken column is learned later on by the mason "in egyptian mythology, isis is sometimes pictured weeping over the broken column, which conceals the body of her husband, osiris, while behind her stands horus, or time, pouring ambrosia over her hair" isis was both virgin and mother, so the 'beautiful virgin is isis weeping. the broken column is the missing member of osiris, the phallus [short talk bulletin "the broken column" feb, 1956, p. 6-7; also edmond ronayne, the master's carpet (mah-hah-bone, 1879, p. 387-88, and several other masonic authors] horus is another name for satan. isis is the c

in new england will tell you. you can tell which graves are masonic by the obelisks as their headstone. of course, not all masons choose the obelisk for their headstone. the triangle and hexagram maso mong egyptians, the base nic author, r.h. mackenzie, states that "a [of the triangle] represented osiris, or the male principle; the perpendicular, isis, or the female principle; and the hypotenuse, horus, their son [kenneth r.h. mackenzie, the royal masonic cyclopaedia of history, rites, symbolism, and biography, new york, j.w. bouton, 1877, p. 743] thus, you can see that the hypotenuse was conceived as a result of the sexual union of the base and the perpendicular. within masonic symbolism, the sex act is portrayed as the union of the perpendicular and the base. we have pictured the triangl

GAMBLE ELIZA BURT THE GOD IDEA OF THE ANCIENTS OR SEX IN RELIGION

st order. within these apartments are pictured the mysteries of birth, together with the symbols of generation emblems of procreation. on the banks of the river nile are observed the ruins of the temple of philae, which structure, it is said, represents the most ancient style of architecture. within these ruins is to be seen an inner chamber in which are depicted the birth scenes of the child god horus, and, indeed, everywhere among the monuments and ruins of egypt, is plainly visible the fact that the creative power and functions in human beings, in animals, and in vegetable life, together with wisdom, once constituted the god-idea. between the ruins of the palace of amunoph iii. and the nile are two colossal statues, each hewn from a single block of stone. these figures, although in a si

y-fingered mother whom he acknowledges as the source of all light and wisdom. the bodies are described as being "without motion, the faces without expression, the eyes looking straight forward, yet a certain grand simplicity occasions them to be universally admired" the goddess disa or isa of the north, as delineated on the sacred drums of the laplanders, was accompanied by a child similar to the horus of the egyptians.[29] it is observed also that the ancient muscovites worshipped a sacred group composed of a mother and her children, probably a representation of the egyptian isis and her offspring, or at least of the once universal idea of the deity [29] jennings, phallicism. the following is from payne knight "a female pantheitic figure in silver, with the borders of the drapery plated w

ss exalted attributes, or lower degrees of wisdom, under the appellations of sate, kneph, and the child anouk; and thus downward, through the varying spheres of celestial light and life involved in their theogony are observed the divine creative energies represented under the figures of mother, father, and the life proceeding therefrom, until, finally, when the earth is reached, isis, osiris, and horus appear as the representation of the creative forces in human beings, and therefore as the embodiment of the divine in the human. the deity invoked in all the earlier inscriptions is a triad, and we are assured that in babylonia, where beltis is associated with belus "no god appears without a goddess" the supreme deity of assyria was asshur, who was worshipped sometimes as female, sometimes a

ion. boodha in the garden of loobim through which flowed a holy stream, and christ by the brook at bethlehem, nay, the first pair in the garden of the four rivers, are all the same idea--fertility and creation. the high russian pontiff now slowly and solemnly stooped, and taking up some of the holy water, proceeded to sprinkle the vernal child--jesus, whispered these crowds, but the ancients said horus. the sacred fluid was then sprinkled on the clergy, the czar, and all dignitaries, and finally on the sacred emblems, banners, guns, etc. men and women, aye, wise as well as foolish, of every rank, now crowded forward, and on bended knee besought their patriarch to sprinkle and to bless them. finally, the great czar put the cup to his lips, humbly and reverently, and then filled it to overfl

in man. seth, the destroyer, had been deposed, but, so deeply rooted in the human mind had become the idea of a female creator, that isis, the queen of heaven, a somewhat lower conception of muth, or of universal womanhood, soon assumed the place of seth beside osiris. later in the history of egypt, when the gods have become greatly multiplied, and the original significance of the deity obscured, horus, the child and the third member in the later egyptian triad, not unfrequently appears in her place as one of the eight great gods. the fact is observed that the history of osiris is not alone the "history of the circle of the year, or of the sun dying away and resuscitating itself again, but that it is also the history of the cycle of 600" it has been said that of the component elements of h

GILBERT THE GOLDEN DAWN TWILIGHT OF THE MAGICIANS

preme over a bandofsome seventy-eight rosicrucians scattered about the country and gathered into its three temples.thesiting of these temples indicates the order's dependence upon the s.rj.a. for a con255 tinuing supply of members. isis-urania in london was, of course, the hub of the rosicrucian universe and held fifty-five members in its orbit, while osiris at weston-super-mare claimed eight and horus at bradford thirteen, including one woman. bradford contained numerous freemasons from the york college of thes.lu.a.as well as many active theosophists; but weston-super255 mare owed its temple solely to the enthusiasm of its borough treasurer, benjamin cox, an ardent occultist who was active in the rosicrucian society's bristol college and managed to draw half-a-dozen of his fellow freemas

of the names and rank ofalltheir members and very great reticence is shewn by them in their communications. very soon after the formation of this temple no.3 permission was granted for the consecration of osiris temple no. 4 at weston super mare under the rule of our very honoured frater 'crux dat salutem' and the west of england has been assigned to him as a province. almost at the same time the horus temple no.5 under the rule of the v.h. frater 'vota vita mea' was also consecrated at bradford in yorkshire. these three temples have now members not only in this country but in the united states, hindustan, palestine, denmark etc. it will be convenientifinow give you the name of our order in the severallanguages-inhebrew the title is chabrath zerek aour bokhr, which means society of the shi

GILBERT THE MAGICAL MASON

.m.d, became the chiefs, and the latter wrote the rituals in modern english from old rosicrucian mss (the property of frater s.a, supplemented by his own literary researches. fraterd.d.c.f.,in 1892, supplied the ritual of an adept grade from materials obtained from a frater,l.e.t.,a continental adept. several other temples sprang from the isis255 urania, viz, the osiris, at weston-super-mare; the horus, at bradford; the amen ra, at edinburgh, and the ahathoor, at paris, in 1894, which was consecrated byf.e.r.frater s.a. resigned from this association in 1897, and these english temples soon after fell into abeyance. in 1888 was publishedbacon, shakespeare, and the rosi255 crucians,by w.f.c. wigston, a critical volume containing much curious speculation. in thesphynxan excellent article appe

ndidate is restored to light is a direct imitation of the sudden crash of feigned thunder and lightning by which the neophyte of the eleusinian mysteries was greeted.thedeath of osiris and resurrection ashorusarerepresented as the decease of the fellow craft and the raising of a new master mason.theentered apprentice is referred to three lights, these are osiris in the east, isis in the west, and horus, who was master or living lord in place of osiris, in the south. note also that there is no light in the north, the type of night,and of darkness, in this also the idea is an ancient one.thethree great, though emblematic, lights compose a bright triangle, the three lesser lights an inferior or darker one, the two combined may be considered in a group as a six-pointed star, the hexapla, or se

nced certain white stones, loaf255 shaped, and bathed them with milk, anointed them with butter, and at christmas times washed them with beer.thescandinaviane ddaor book of legends refers to a sacred white stone which was venerated, and oaths were taken upon it.farin the wilds of africa were found in the ruins of zimbabwe curious stone pillars with bird-headed tops; these may have been related to horus of egypt, often seen hawk255 headed.theroman catholic church found it difficult to abolish the worship of stones in europe, and so several church councils condemned the practice; the council of arles held in 452, the council of tours in 567, nantes, 658, and that of toledo in 681.thecouncil of tours ordered the exclusion from the churches of all who venerated stones. we read also that charle

is system lasted down to the greek conquest of egypt about600b.c.,butappearstohave gradually lost its early power and dignity.thegreatest gods of egypt seem to have been types of the sun: as aten the sun's disc, amoun at thebes, and ra at heliopolis.thecreator god ptah at memphis, and the spirit god kneph, were also deities greatly reverenced.theworship of the triad, composed of osiris, isis, and horus, was only completely developed at a later period,butit appears then to have become widespread. osiris was fabled to be a divine king of egypt, and isis was his mother, sister and wife; horus was their son.themyth told that the king osiris was murdered by his brother typhon or set, and was then received into amenti, the underworld- the abode of the dead- where he reigned as king of the souls

en to have become widespread. osiris was fabled to be a divine king of egypt, and isis was his mother, sister and wife; horus was their son.themyth told that the king osiris was murdered by his brother typhon or set, and was then received into amenti, the underworld- the abode of the dead- where he reigned as king of the souls of the dead. isis was the goddess of nature, the mother of us all, and horus became the274themagical masontype of the beneficient son and sun. hence arose a public worship of this triad, and to them prayers for future happiness were directed, and to these deities temples were built, and public worship directed. supplementary to the cult of the triad was a system of adoration of sacred animals as emblems of the gods, notably of the bull or cow, and of the serpent.theb

GILBERT THE SORCERER AND HIS APPRENTICE

h, for i am made even as ye. then comes the mystical eye of osiris representing the orb of the sun, and the cow, symbolic of the great water, the blue firmament of heaven. next the adorationofthe lords oftruthbehind the northern heaven 'hail unto ye, ye lords oftruth,ye chiefs behind osiris! ye followers of her whose peaceissure' then the soul arises at the mystic pool of persea trees, wherein is horus, symbolised by the great cat, who slays the evil serpent, apophis. last of the symbols of the 17th chapter is the adoration of the creator in his bark, and the uniting of the purified soul with its maker.the12sth chapter is called 'the hall of the two truths,50 the sorcererand his apprenticeand of separating a personfromhis sins when he has been madetosee.thefacesofthe gods'itopens with a .s

theby the jackal-headed. anubis, the. guide ofthedead, into the. halloftruth.thesoul then watches the weighing of its actions in earth life against a figure oftruthinthe mystical scales ,of ma by anubis. tl).oth, ibis-headed, records the judgement and the devourer stands readytoseizeifthe soul has ledaneviuife.passing through this ordeal, the soul is then introduced into the presence of osiris by horus. osiris sits in his shrine upon a throne, with the crook and scourge. symbols.of mercy and severity, in, his hands; behind him are isis and nephthys, the goddesses()f nature and perfection, and before him are the four genii ofthedead, upon the lotus flower, the emblem of the metempsychosis.thusthe whole of the symbols upon the pillers.represerit the advance and purification of the soul, and

ate symbols. but at one time the82thesorcerer and his apprenticesword of justice wastheegyptian 'knife' symbol of the*'sickle of leo, while the scales represented the sun having'.just quitted the balance point of highest declination. similarly the female and the lionrepresentedthe idea of venus (lady) offire of vulcan (hinexalted).but'the earliest attribution was the lion-goddess (or lion-god of.'horus)to.q.andmatthegoddess oftruthwith herscales'to, and this is therefore better. alsowas attributed to.225..horus at one time. so unto the 'foolish man' is attributed air, moveable .and'.never permanent.the'juggler' isthenatural symbol of mercury, the god of tricksters and also of thedeeper.knowledge.the'high priestess'267 findeth her natural correla. tive in the]j 225venus is the 'empress';cy>

ies to the zodiacal signs, thus:cy>minervatheowlt5venusthedoveiiapollothetripodalimercurytheturtle[i,jupitertheeagletjyceresthebasket'-vulcanthecap with serpent1tlmarsthewolftdianathedogv'svestathelamp=junothepeacock)(neptunethedolphin pairing the opposite signs together we obtain known affinities of the gods and goddesses, thus:"the. name of the forepart of that constellation under the title of 'horus of the solar mountain'.onthetarot trumps83and""minerva a. d vulcan8andttjvenus and man;dandtapollo and.dianaljzlandmercury and vestaandjupiter aj:l.djuno1ij1and)(ceresandneptunethusitmay beremarkedeilpassantistotallydifferenttotheastrological attribution of the. planets bearing the names of certain of tbe deities tothesigns.[officialpublication ofthea-:0:.copiedfrommathers'ms byj.w,brodie

your heads, 0 ye gates! and be ye lift up, ye everlasting doors! and the king of glory shall come in.'itseems almost like an echo across the centuries of the old egyptian formula. in the temple of amen ra the same ceremonies were gone through, but with more elaboration. the officiating priest spat four times on the image of apophi, he degraded it with his left foot, taking on himself the form of horus, he made a steel lance (this was a later addition to the ritual, which in its origin dated from the time when only flint weapons were known, with this he pierces the heads of theclemonswhom the heart fears, saying 'therefore shalt thou be exalted, ra, for thy fiendish enemies are pierced, apophi is slaughtered, and fiends of the devil have been cast down (compare 'be thou exalted, lord, in t

GLOBAL FREEMASONRY

a memorial to solomon; they are an expression of those corrupt insinuations against solomon. the origins of these columns again go back to ancient egypt. in the article entitled "allegory and symbols in our rituals" mimar sinan magazine states: various masonic symbols: the double column, the eye, and the compass and the square. global freemasonry lg materialism revisited lh for example, in egypt, horus and set were twin architects and supports of the heavens. even bacchus in thebes was one too. the two columns in our lodges have their origin in ancient egypt. one of these columns was in the south of egypt in the city of thebes; the other was in the north in heliopolis. in the entrance to the amenta temple dedicated to ptah, the chief god of egypt, there were two columns as in the temple of

les and lectures and is the closest of the ancient egyptian myths to masonry. the test to become a priest of the temple of isis is the masonic initiation itself. it would be tedious to have to repeat it. there, light was one of the most important elements; in order to be buried in the darkness of the east, the morning sun begins to descend after noon and takes on osiris' duty every day, just like horus who more brilliantly took the place of his murdered father. so, the "widow" whose children we are is none other than osiris' widow isis.77 we see that masonry, which portrays itself as being founded on reason and science, is actually a mythological doctrine full of superstitious beliefs. the compass and square among the most familiar symbols of masonry is the compass superimposed over a squa

GNOSTIC HANDBOOK

sign there is much transformation, for example, the change from aries to pisces at approximately 6 bce triggered a wide range of spiritual manifestations. it would be possible to link zoroaster, gautama buddha and jesus/james all into the nexus of the movement from aries to pisces. indeed the imagery of pisces as the fish has much in common with jesus and early christianity. in egyptian mythology horus is also sometimes seen as the fisherman. there are many ways to image the astrological ages, in one egypt tradition isis is related to taurus, osiris to aries, horus to pisces and maat to aquarius. the start of the pyramid age was linked to leo and many believe that the sphinx was carefully ligned to the image of leo at the horizon, while it forms embodied the priestess of virgo and the form

changeover to the new cycle. the cycle itself encompasses four different co-ordinates, these can be related to the four letters of the divine name (yhvh, the four elements, the four canopic jars of mummification and the four phases of the temple. heraldic cycle element god- name pisces year initiation fire yod 1844 transmission air he 1904 consolidation water vau 1964 manifestation earth he 2024 horus son head neter contents direction duamutef jackal neith stomach north qebsennuf hawk selkit intestines south hapi baboon nephthys lungs east amset man isis liver west probably the most expressive image of the four elements of the heraldic cycle are seen reflected in egyptian temple architecture. the general style of egyptian temples includes a great court, vestibule, hypostyle hall and the g

d transit the energies to the priesthood and to egypt. to fully appreciate the heraldic cycle as it leads towards aquarius, we should examine the four dates at the climax of pisces. from 18444 to 21024 we have the piscean heraldic cycle ruled by the sign of aries. aries is ruled by the planet mars and hence this suggests the violent and martial tone that pisces, which is assigned the egyptian god horus, has taken in this last age. while pisces is water, aries is fire and hence we have the interaction of will and emotion, while pisces distributes power, aries generates it and hence the combination of these powers brings great changes. the attribution of horus to pisces is controversial and will raise the hackles of the disciples of aliester crowley who believe the aeon of horus began with h

horus began with his revelation in 1904.i do not aim to debate the gnostic versus thelemite position here, the linked document will cover that in some detail if you want further information. the classic gnostic position is to align isis with taurus, taurus being the earth goddess, osiris is assigned to aries and it the imagery of the sacrifice of rams to the father god are throughout that period. horus is pisces, the imagery is related to jesus as the fisherman, the ocean of mankind, the fish as christian symbols is also founder as a symbol of horus as fisherman. horus as a semi-solar image is found throughout religions of that period, christianity representing the misapplication of horus to become a violent martial force. maat is aquarius, the outpouring of truth and gnosis. the first dat

ological cycles and hence we can easily relate the quasi- christian imagery to the esoteric tradition. 1904 as the transmission period of the heraldic cycle certainly is expressive. aliester crowley declared that in 1904 aiwass, a being he claimed was a secret chief or master, revealed that a new age was dawning. the matter is made more complex as crowley interpreted this to mean that the aeon of horus had began in 1904. however, from a gnostic perspective this is unlikely. the aeon of horus was the age of pisces and crowley had experienced a further transmission of the energy which was becoming aquarius. at the same time this energy restated much of the teachings of the solar tradition since it had become garbled through the ages. however, since this knowledge was filtered through crowley

GNOSTIC STUDIES THE GNOSTIC HANDBOOK II GNOSTIC THEURGY

ts of the demiurge, these must be resisted and controlled if liberation is to be achieved. fig 32: veils on the tree of life gnostic theurgy page 117 this destructive current is known as the y factor, and also has twin poles, the x and y factors create a solar cross of four energy forces (fig 33) the solar sphere is, hence, the focus of the mystery tradition, whether it be apollo, mithra, christ, horus or ra, we can see the secret teachings in application. the solar sphere itself became a symbol of the hidden mysteries. at rising it is the logos, at the height it is the christ, at setting it is sophia. this represents the doorway through which fallen mankind can awaken. i am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture. john 10:9 the ima

the static kingdom, to allow this imagery to degenerate into nature worship or the idolisation of family is a great aberration. it must always be remembered that the sun being the gateway to the lower world also transmits the forces of the demiurge. the solar sphere can destroy as well as heal, corrupt as well as make whole. this tradition is embodied in many early myths and legends. for example, horus and set of ancient egypt, the twins of the sun, where horus is the power and glory of the solar sphere, and yet hidden within his breast is set, the fallen and dark one. in nature this can also be readily discerned, the sun can create deserts, as well as sustain the beauty of the forest- the sun burns just as quick as its causes growth. fig 34 setting sun (sophia) sun at midday: mithra/chris

cs. the yetzirah card is five of swords. it is connected to four other centres on the tree of life: gnostic theurgy page 167 binah, tiphareth, chesed and hod. these are attributed to the following tarot trumps: geburah- binah: chariot. geburah -chesed: lust. geburah- tiphareth: justice or adjustment. geburah- hod: hanged man. geburah is also related to the following correspondences. egyptian god: horus and nepthys colours (emperor scale of colour) bright scarlet. greek: thor, aries and hades. stone: ruby plants: nettle, oak. perfume: tobacco. believe it or not, here he has all the information required to create his ritual. on the altar will be the five of swords, the major working will be to travel through this card and come back with a sense of power. he will place the tarot trumps of the

us spiritual means. each period radiates an influence within the historical continuum, and brings man to consider his development. whether this consideration is positive or negative depends on the evolution of the individual and the world as a whole. each of the ages has a specific formula, and a means of spiritual illumination. for example, the age of pisces can be correlated with the imagery of horus and is the time which focuses on reconciliation of man with the light worlds. however, just as powerful as the formula of light, is the misuse of the aeonic force by the archons to create an unbalanced current. for example, in this same period, the apostate christian churches (under the direction of emperor constantine) re-edited the bible and created a political force which has decayed west

ed perceptions. in many cases the dictum that a little knowledge is a dangerous thing certainly applies to the organisations that resulted. gnostic theurgy page 211 the nature of the change the heraldic age is in preparation for a transition which is a changeover in the energy form that exists in the solar logos. in simple terms, the archetype which is the focus of the seat of ra will change from horus to maat, pisces to aquarius. this change will bring about a significant variation in the experience of humanity, both in terms of light and darkness, positivity and negativity. all aspects of the fourfold solar cross (negative and positive x and y factors) are influenced by the changeover. as the heraldic period takes hold, humanity is drawn throught the transition and experiences vibrations

GOLDEN DAWN LESSER BANISHING RITUAL OF THE PENTAGRAM LBRP

as an exorcism the lesser ritual of the pentagram can be used by the neophyte as a protection against impure magnetism, and as a practical form of exorcism, to eliminate obsessing or disturbing thoughts. in this the neophyte should first formulate a mental image of the obsession or disturbing thought, then s/he should project the image outside of his/her aura with the sign of projection (sign of horus, and when the image is approximately three feet away, the neophyte should give the sign of silence (sign of harpocrates) to prevent the image from returning unto him or her. with the image of the obsession or disturbing thought in the east, the neophyte should then perform the lesser banishing ritual of the pentagram to disintegrate the image, seeing it in his/her mind's eye dissolving on th

GOLDEN DAWN RITUALS VENUSZAM16

tory formula of the middle pillar) before thee i have covered my face. arise, great queen, arise and shine now upon me, for i have clothed myself in thy image, and stand humbly before thy face. thy divine lady of a thousand names, if i call thee astarte, venus, or aphrodite, thou art nameless unto eternity. mistress of the evening, guide me unto the sacred light, let me call my home, the house of horus. the house above, het- heru is thy name, and through thee i shall arise into my higher selfhood which is found in god the vast one. step 27 pause while circulating the force within. say "this is the lord of the gods! this is he, lord of the universe! this is he whom the winds fear. this is he who having made voice by his commandment is lord of all things, king, ruler, and helper. i am he, th

GOLDEN DAWN RITUALS Z1

transverse bar and the lance point may be golden or brass and the tassels scarlet as in the case of the banner of the east, and for the same reasons. the banner of the west, when it changes its position in the temple, represents that which bars and threatens, and demands fresh sacrifice before the path leading to the higher be attained "avenger of the gods" is the name of the hiereus, and he is "horus in the abode of blindness unto, and ignorance of the higher" hoor is his name. the station of the hegemon is between the two pillars whose bases are in jxn and dwh at the intersection of the paths p and s in the symbolic gateway of occult science as it were, at the beam of the balance, at the equilibrium of the scales of justice; at the point of intersection of the lowest reciprocal path wit

tations on the dais, it is well to have these stations filled by an adept should a chief be absent. these stations and those of the officers are called the visible stations of the gods, and descriptions of the forms which an adept officer builds upon as a focus of force are given in another paper. the invisible stations these are: 1. the stations of the kerubim. 2. the stations of the children of horus. 3. the stations of the evil one. 4. the station of harpocrates. 5. the stations of isis, nephthys, and aroueris. 1. the kerubim: the stations of the man, the lion, the bull and the eagle are at the four cardinal points without the hall, as invisible guardians of the limits of the temple. they are placed according to the winds beyond the stations of hierophant, 15 dadouchos, hiereus, and sto

hind the throne of hiereus. he is a power of the great god tho-om mo-oo, and his operation is by the sign of h, which is called in egyptian szlae-ee. the kerub of l has the face and form of a bull with heavy and darkening wings. he formulates behind the throne of stolistes and he is a power of the great god ahaphshi and his operation is by the sign b, called ta-aur in egyptian. 2. the children of horus: between the invisible stations of the kerubim are those of the four vice-gerants of the elements and they are situated at the four corners of the temple, at the places marked by the four rivers of eden in the warrant; for the body of a warrant, authorizing the formation and establishment of a temple, represents the temple itself of which the guardians are the kerubim and the vice-gerents in

ce, bessz. the synthesis of this evil triad "the mouth of the power of destruction" is called ommoo-szathan. 4. the station of harpocrates: the invisible station of harpocrates is on the path of s, between the station of hegemon and the invisible station of the evil triad. harpocrates is the god of silence and mystery, whose name is the word of this grade of neophyte. he is the younger brother of horus, hoor-po-kratt-l st. 5. the stations of isis and nephthys are respectively at the places of the pillars in jxn and dwh, and these great goddesses are not otherwise shown in the grade, save in connection with the praemonstrator and imperator, as operating through the hierophant, seeing that isis corresponds to the pillar of mercy and nephthys to that of severity. therefore, the positions of t

these great goddesses are not otherwise shown in the grade, save in connection with the praemonstrator and imperator, as operating through the hierophant, seeing that isis corresponds to the pillar of mercy and nephthys to that of severity. therefore, the positions of the pillars or obelisks are but, as it were, the places of their feet. the station of aroueris: the invisible station of aroueris (horus the elder) is beside the hierophant as though representing the power of osiris to the outer order. for while the hierophant is an adeptus, he is shown only as lord of the paths of the portal so that when the hierophant is on the dais, the station of aroueris is that of the immediate past hierophant who sits on the hierophant's left. aroo-ouerist. this ends the constitutory symbolism of a tem

GOLDEN DAWN RITUALS Z3

t, the hegemon on his right, thus formulating about him the symbol of the higher triad before he places his hand upon the symbol of the three supernals upon the altar. again, before doing so, he has been bidden to kneel in adoration of that symbol, as if the natural man abrogated his will before that of the divine consciousness. as he kneels in the presence of the triad of aroueris, thmaa-est and horus, he places his left hand in that of his initiator as affirming his passive reception of the ritual, but his right hand is on the white triangle to symbolise his active aspiration towards his higher self. his head is bowed to represent the voluntary submission of the human will to the divine, and for this latter reason, he repeats in the obligation his name in the outer world. the hierophant

, the pillars about his sphere of sensation being rendered more manifest. after this second consecration, the candidate is allowed to approach the place of the twilight of the gods and for a brief space, the hoodwink is slipped up, to present a glimpse, but a glimpse only, of the beyond. the knowledge of the formulae is signified in the challenge of the hiereus to know the name. if the formula of horus be not with the candidate, that of osiris cannot be grasped, but to the candidate, the power of horus as yet can only appear as a terrible and incomprehensible force, the force of the avenger of the gods, hence, the speech of the hegemon for him. the candidate cannot as yet comprehend that before mildness can be exercised rightly, the forces of severity and mercy must be known and wielded. t

hys. the final consecration now takes place by the goddesses of the scales of the balance. the candidate stands for the first time during the ceremoy at the point representing the equilibrium of the balance. meanwhile, the kerux goes to the north, ready for the circumambulation so as to link that with the final consecration of the candidate. the final consecration is also demanded by the hiereus, horus, the powerful avenger of osiris, as still menacing to the evil persona of the candidate. its affect is to seal finally, in balanced formation, the four pillars in the sphere of sensation of the candidate. this does not imply that they were not naturally there before, but in the natural man, the symbols are unbalanced in strength, some being weaker and some stronger. the effect of the ceremon

nless ones of time referred to are those corruscations of the divine light which are above rtk of twlyxa. in such supernal realms, the [ws ya, though negative to us, is there intensely positive. thence came forth the gods, the voice, the aeons, and the name. the egyptian gods are generally most differentiated by their crowns: amen-ra, by the high feathers, mo-ooth (maut) has the same headdress as horus. she corresponds to \yhla amya. the high hermes-tho-oth has the same headdress as amoun kneph, the sacred spirit. remember that tho-oth, truth, has two aspects- the higher and the lower. the higher is absolute,.and the lower is suitable to human comprehension. to tell the higher form of a truth to one who cannot understand it is to lie to him because, though correctly formulated, it will not

GOLDEN DAWN RITUALS ZAM21

of the rosea crucis and in the name of yehashua. stand guard without cessation, and use whatever force is necessary for the defense of (each quarter is stabbed, beginning in the east, and ending in the east) 11 (standing in the proper quarter, each adept creates the god form as fourth adept performs l.i.r.h and the s.i.r.h. of mars) chief adept behind altar of universe, thoth magus of fire south, horus magus of water west, isis magus of earth north, nephthys magus of air east, aroueris (note: if there are less than the required number of adepts, perform the s.i.r.h. first, then form the god shells (all god forms perform the following invocation, one at a time, in the following order) 1. horus 2. isis 3. nephthys 4. aroueris (chief adept performs the middle pillar silently behind altar of t

GRAHAM HANCOCK FINGERPRINTS OF THE GODS

arn more of the mythological significance of dogs in part v of this book. 16 details are reproduced in john romer, valley of the kings, michael o mara books limited, london, 1988, p. 167, and in j. a. west, the traveller s key to ancient egypt, harrap columbus, london, 1989, pp. 282-97. 17 in the case of ancient egypt the dog represents upuaut, the opener of the ways, the bird (a hawk) represents horus, and the ape, thoth. see the traveller s key to ancient egypt, p. 284, and the ancient egyptian book of the dead, pp. 116-30. for ancient central america see note 15. 18 pre-hispanic gods of mexico, p. 40. 19 the egyptian book of the dead (trans. e. a. wallis budge, arkana, london and new york, 1986, p. 21. graham hancock fingerprints of the gods 146 and believed by archaeologists to date ba

usband s body from the pillar and takes it back to egypt to undergo rebirth.43 the osiris myth also includes certain key numbers. whether by accident or by design, these numbers give access to a science of precession, as we shall see in the next chapter. 43 ibid. though a mill, as such, is nowhere to be seen, many ancient egyptian reliefs depict two of the principal characters in the osiris myth (horus and seth) jointly operating a giant drill, again a classic symbol of precession. hamlet s mill, p. 162: this feature is continuously mislabelled the uniting of the two countries whether horus and seth serve the churn or, as is more often the case, the so-called nile gods. graham hancock fingerprints of the gods 250 chapter 31 the osiris numbers archaeo-astronomer jane b. sellers, who studied

ds of egyptian history assert that the jackal-god anubis ministered to the spirit of osiris after his death and acted as his guide through the underworld.34 (surviving vignettes depict anubis as virtually identical in appearance to upuaut, the opener of the ways) last but not least, osiris himself was believed to have taken the form of a wolf when he returned from the underworld to assist his son horus in the final battle against set.35 investigating this kind of material, one sometimes has the spooky sense of being manipulated by an ancient intelligence which has found a way to reach out to us across vast epochs of time, and for some reason has set us a puzzle to solve in the language of myth. if it were just dogs that kept cropping up again and again, it would be easy to brush off such w

equinoxes) are kept open by another strange common factor. family relationships are involved. amlodhi/amleth/hamlet is always a son who revenges the murder of his father by entrapping and killing the murderer. the murderer, furthermore, is always the father s own brother, i.e, hamlet s uncle.36 this is precisely the scenario of the osiris myth. osiris and seth are brothers.37 seth murders osiris. horus, the son of osiris, then takes revenge upon his uncle.38 another twist is that the hamlet character often has some sort of incestuous relationship with his sister.39 in the case of kullervo, the 32 for details of these complicated family relationships, see egyptian book of the dead, introduction, p. xlviiiff. 33 the gods of the egyptians, volume ii, p. 366. 34 the traveller s key to ancient

athering berries. they lie together. only later do they discover that they are brother and sister. the maiden drowns herself at once. later, with the black dog musti padding along at his heels, kullervo wanders into the forest and throws himself upon his sword.40 there are no suicides in the egyptian myth of osiris, but there is the incest of osiris and his sister isis. out of their union is born horus the avenger. so once again it seems reasonable to ask: what is going on? why are there all these apparent links and connections? why do we have these strings of myths, ostensibly about different subjects, all of which prove capable in their own ways of shedding light on the phenomenon of precession of the equinoxes? and why do all these myths have dogs running through them, and characters wh

GREENFIELD ALLEN SECRET CIPHER OF THE UFONAUTS

es unorthodox. they are unfailingly self-consistent. indeed, in recent years, there has been some effort by orthodox thelemites to posthumously rehabilitate achad whose decidedly unorthodox views led to a permanent break with crowley in 1919 ev. in 1948 e.v. achad further alienated conservative thelemites and endeared himself to radicals by proclaiming the aeon of ma, which superseded the aeon of horus proclaimed by crowley in 1904. achad s proclamation, be it noted, was a quiet one, made to a few individual friends and initiates. some of these quietly formed a fellowship of ma-ion including high-level a:.a. initiates following upon 54 allen h. greenfield achad s work. the ma-ion fellowship should not be confused with the later would-be rehabilitators of achad, notably kenneth grant, who h

fulfillment in a very real sense of liber legis, as ever i was. i can t get away from that, any more than he could, whether either of us liked it or not. the proofs are overwhelming. we are dealing with a full-size world-mystery and a real fight between the black and white brotherhoods. the scientific illuminism of the a:.a. must continue. the system of initiation came to an end with the aeon of horus, but must be revised and continue according to new aeon lines. i may well have been over optimistic in thinking that the aeon of truth and justice secret cipher of the ufonauts 55 is very near at hand -frater achad, various letters, 1948 e.v. using new aeon english qabala classic cipher (naeq6, we find an impressive cipher trail involving the work of frater achad. aleister= 117= frater achad

GRERALD SCHUELER AN ADVANCED GUIDE TO ENOCHIAN MAGICK

ra "please tell me your name, o divine father, for the life of a person is invested in his narre. the divine majesty, ra, said "i will give in, and go to isis and senil the divine name from my body to her body" t h e divinity hid himself, from the gods in the vast throne room on the boat of millions of years. when events corresponded to the 'time of coming forth of the heart' she said to her son horus "forces of attraction are from the iiving mirad of god. god has turned his two eyes. the mighty god has gven up his divine name. indeed, the mighty god has given up his divine name: ra. this was spoken by isis, the great one, the divine n stress of the gods, who knew ra by his own name. the legend of ra and .isis figures 1 to 16, appendix b, show the names of the major deities of the 16 subq

e egyptian deities that preside over the iesser watchtower squares. figures 1 to 16, appendix c, show the sixteen watchtower subquadrants with the appropriate egyptian deity. as an aid to properly understanding these deities, study the table below. table of egyptian deities os iri s re n ewa l, r e g e n e r a t i o n, r e i n c a r n a t i on, reimbodiment. osiris is the son of ra, the father of horus and the brother of isis and nephthys. he is the god of the dead. isis solidification, manifestation, nature, law, principie, l o v e. i s i s g o v e r n s t h e f o r c e s o f sol idi f icat ion. she gives form to the formless and thus rules over all birth processes. her name rneans'throne' and she is the source or seat of creative power. isis is similar to the tantric goddess, kundalini

er name rneans'throne' and she is the source or seat of creative power. isis is similar to the tantric goddess, kundalini. 66 nephthys dispersion, fragmentation, dissociation, severity. she is the counterpart of her sister,'sis. her name means 'lady of the house' nephthys roles over all dispersion processes. she turras forro into formless essence. nephthys is similar to the tantric goddess, kali. horus attainment, fruition, man, humanity, the present as a result of the past. his title is 'the avenger of his father' because he fought set and avenged his father, osiris, whom set slew. horus is shown as a warrior. he is dynamic and aggressive. he is the spring which wins against winter and avenges the past summer. ur-heru cause, maturity, responsibility. his name means 'the elder horus' and h

r of his father' because he fought set and avenged his father, osiris, whom set slew. horus is shown as a warrior. he is dynamic and aggressive. he is the spring which wins against winter and avenges the past summer. ur-heru cause, maturity, responsibility. his name means 'the elder horus' and he is the counterpart of the child, harpocrates. harpocrates effect, faith, acceptance, innocence. he is horus, the child. he is like the fool of the tarot. he is often shown sitting on a lotus with the first finger of his right hand resting against his closed lips in his role ofthe god of silence. hathor maternal force, protection, sustenance, fertility. hathor is the consort of horas. her name means 'house of horus' she has the form of a cow in role of the eternal mother. sothis initiation (femirii

to the heavens marked 67 the advent of the nile river's inundation and thus assured another year of bounty. she is shown naked to ind cate that she holds no secrets from her followers. apis emotions, sacrifice, passion, lust, desire. apis has the form of a bula. anubis initiation (masculine, intelligence, wisdom, rational mvnd_ anubis is the son of osiris and nephthys and thus the step brother of horus. he is called the'initiator of the temple' his chief function is to serve as a guide through the tuat and to assist the dead through the after-death state. he is shown with the head of a jackal. bast intuition, magick, irrational mirad. bast is shown as a cat. like a cat sees in the dark, so bast can see into the past and future. mestha endurance, mental protective force, conscious control

HANDBOOK OF EGYPTIAN MYTHOLOGY

ern kings in the late fourth millennium bce. the hieroglyphic system of writing may have been invented for administrative and ritual purposes at the court of these kings.9 two early towns were associated with their rule: nagada, later known as ombos, where the local god was seth, and nekhen, later known as hierakonpolis, where a falcon god was prominent. this falcon god came to be identified with horus, although horus seems to have been a northern god in origin. there is much less evidence for a unified northern kingdom at this time. the gods seth and horus were later presented as warring opposites in need of reconciliation. some egyptologists have argued that a historical war between ombos and hierakonpolis, or between the north and south of egypt, was the origin of the myth of the confli

ough horus seems to have been a northern god in origin. there is much less evidence for a unified northern kingdom at this time. the gods seth and horus were later presented as warring opposites in need of reconciliation. some egyptologists have argued that a historical war between ombos and hierakonpolis, or between the north and south of egypt, was the origin of the myth of the conflict between horus and seth.10 this kind of historicizing approach to myth has been out of fashion for many years but has recently been revived. introduction 5 objects from the late protodynastic period belonging to kings called narmer, aha, and scorpion have been recovered from temple deposits at hierakonpolis and abydos. these kings may have been rulers of most of egypt. they probably all contributed to the

r 3,000 years.11 myths often focus on episodes of intense conflict or tragedy, but the egyptian rules of decorum usually made it impermissible to illustrate such episodes in formal art. the images used in art were felt to have power to affect the real world, so order had to be shown triumphing over chaos and good over evil. violent mythical episodes such as that in which seth tears out the eye of horus were not represented directly. the king and the gods from the first dynasty onward, every egyptian king was called a horus. the extent to which egyptian rulers were regarded as divine is much disputed,12 but the kings of the early dynastic period certainly enjoyed more power and responsibility than anyone else in their culture. they were rulers of the first large nation-state in history. the

isolation may have generated myths. among the earliest pairings of deities were the two ladies and the two lords. the two ladies were the goddesses nekhbet and wadjyt. in the symbolic language that had developed to express ideas about kingship, the two ladies represented upper and lower egypt and were identified with the white crown of the south and the red crown of the north. the two lords were horus and seth. most early dynastic period kings associated themselves with horus by showing a horus falcon on the serekh that enclosed their names. the names and titles taken by a king at the start of his reign identified the ways in which he manifested horus and acted as a kind of policy statement. during the second dynasty a king called peribsen replaced the horus falcon with the curious compos

ways in which he manifested horus and acted as a kind of policy statement. during the second dynasty a king called peribsen replaced the horus falcon with the curious composite animal that represented the god seth. peribsen may have been trying to assert the primacy of his local god, but he seems to have lost his throne to a king called khasekhemwy from hierakonpolis. khasekhemwy placed both the horus falcon and the seth animal above his name and included the phrase the two lords are at rest in him in his title. this seems to be an early example of the egyptian tendency to present actual conflicts in mythological terms. two sculptures of khasekhemwy wearing the white crown may be the oldest known statues of a specific historical ruler from anywhere in the world. the king s enemies are sho

HEAVEN HELL

so far as they are concerned, ani has committed neither sin nor evil. further, they go on to say that he shall not be delivered over to the monster amemet, and they order that he shall have offerings, that he shall have the power to go into the presence of osiris, and that he shall have a homestead, or allotment, in sekhet-hetepet for ever. we next see ani being led into the presence of osiris by horus, the son of isis, who reports that the heart of ani hath sinned against no god or goddess; as it hath also been found just and righteous according to the written laws of the gods, he asks that ani may have cakes and ale given to him, and the power to appear before osiris, and that he may take his place among the "followers of horus" and be like them for ever. now from this evidence it is cle

their tombs, and it must now be noted that rameses iii. decorated his red granite sarcophagus with scenes relating to the course of the sun in the other world. 4 this sarcophagus is preserved in the museum p. 83 of the louvre in paris, and its cover is in the fitzwilliam museum, cambridge. among other sarcophagi inscribed with text and pictures from the book am-tuat may be mentioned those of: 1. horus, son of tarut-en-sekhet; 1 2. tchet-hra, a priest of ptah; 2 3. qem-hap, 3 the son of takhaau; and nekht-neb-f. now, whilst on the walls of tombs, and on the side of sarcophagi, divisions nos. i.-xi. are found, the only divisions which are met with on papyrus are nos. ix.-xii. thus the louvre papyrus, no. 3071, which formed the subject of a special study by dev ria 4 and pierret, 5 and the t

only through his knowledge of the proper words of power, and of magical names and formulae, before the -utterance of which every denizen of the tuat was powerless. osiris had, of course, passed through the tuat, and seated himself on his throne in the "house of osiris" but even he would have been unable to perform his journey in safety through the tuat without the help of the words of power which horus, the son of isis, the son of osiris" had uttered, and the magical ceremonies which he had performed. words and ceremonies alike he learned from isis, who, according to a later tradition, obtained the knowledge of them from thoth, the divine intelligence. now if osiris and ra had need of such magical assistance in their passage through the tuat, how much greater must have been the need of man

are connected with the growth of the grain (vol. i, p. 31, gods armed with knives, and connected with the harvest, gods of the seasons, each holding a notched palm-stick, the god of the year, the gods of sothis and orion (vol. i, p. 32) osiris-unnefer, akhabit, anubis, the "eater of the ass" 1 etc. to the left of the boat are six deities, each with a phallus in the form of a knife, the double god horus-set (vol. i, p. 29, various animal- and bird-headed gods, goddesses both with and without uraei on their heads, the "crook (mest) of osiris, the serpent-protector of osiris, and so on. the gods on the right of afu-ra are they who give him "the seasons, and the years which are in their hands" and so soon as he speaks to them "they have life through his voice; he, moreover, tells them what to

side of him (vol. i, p. 66, but knowing they are there, he cries out to them, and they hear him. the hidden gods who march in front of the boat are few in number, and the names of many of them are unfamiliar; some of them are connected with osiris, and all of them are under the control of anpu, or anubis, and perform some act which helps the boat along. among them may be specially noted thoth and horus, above whose outstretched hands is the eye which is here identified with sekri (vol. i, p. 75. as afu-ra journeys on his way there are on his right three serpents, a scorpion, a uraeus serpent, a three-headed serpent with wings and human legs, a few of the gods of the hour, a serpent with two necks and heads proceeding from one body, and a tail which terminates in another head (vol. i, pp. 6

HINE PHIL ASPECTS OF EVOCATION

the building i had .seen. was leeds polytechnic, and that the room with .boxes (where the vision had become unclear) was he computer department! this led us to feel that computers were outside the experience of vassago, as were digital watches. whilst working through the series of evocations we also attempted various modifications to the conjurations. invocation of appropriate god-forms, such as horus, prior to beginning the evocatory process, seemed to make the conjuration of spirits such as haures or andromelius easier. during an evocation of glasyglabolas, we preceded the conjurations with an invocation of chaos .the unsealing of the vortices, which was originally designed for a series of eris workings. as we did this, a windstorm blew up about the house we were working in, but the spi

HOWE THE ALCHEMIST OF THE GOLDEN DAWN

d by the t[heosophical] p[ublishing] s[ociety] are some on the yoga philosophy which will give you some idea of the process for gaining the higher spiritual powers. in the "arya magazine" there were advertisements of publications on it, such as "a treatise of the sublime science1 t. w. wilson 'sub rosa' in the g.d, was at 63 cross street, manchester, when he became a founder member of the order's horus temple at bradford in may 1888. he was also a member of the soc. ros. the letters 4 27 chacombe vicarage 12 april 1889 i have just heard today that a chemist of occult proclivities a theosophist, has just succeeded in making some incense, the formula for which was given him by h.p.b. he had not before been able to get the drugs, one of which was verbena, which he had to get from spain. i had

from the golden dawn at madame blavatsky's behest. he evidently supposed that she was an adept of the highest class. 2 dr westcott, who was a london coroner had a financial interest in the s nitary wood,'y0ol c?mpany, suppli rs of surgical dressings. at that time the g.d. s inner circle met at its hatton garden premises. 1 ayton's 'yorkshire chelas (i.e, pupils) were members of the golden dawn's horus temple at bradford. by the end of 1888 it had about a dozen members, mainly recruited from the s.r.i.a, although there were a few women. the deputation to h.p.b. would have included t. h. pattison, 8 honoris causa in the soc. ros. and frater 30 the alchemist of the golden dawn she had made a mistake and she wrote to me for advice, which i gave, and the consequence was, she withdrew this ukas

ded that the world was not ready for this great revelation. and suppressed his daughter's book when less than 100 copies had been distributed. the withdrawn copies were burnt and the authoress spent much time and money obtaining as many of the issued copies as she could, destroying most of these also' the book was reissued in 1918 with the sanction of isabelle de steiger (formerly a member of the horus and amen-ra temples of the golden dawn at bradford and edinburgh) who had inherited both mrs atwood's papers and, according to mr gilbert, her prophetic mantle 'such a sanction, mr gilbert added 'accords well with the complete lack of recognition given to the suggestive inquiry by more scholarly students of its subject matter' isabelle de steiger (1836-1927) was acquainted with many of the l

d not approve of the b.b [jesuits] various mss were not sent to me, and i find that it was the same with wilson and all who were my friends. this has kept me back. i am now much better in health, and more capable of attention in the occult and i mean to do it. wilson is with me for the present and we are trying various scientific experiments but not with metals. what a frightful shew-up as to the horus [sic] couple. in the d[aily] t[elegraph] of yesterday, a great part of the g.d. ritual was exposed, even as to the "current" which was to blot the renegade. also i am told that the police have the whole of the ritual and that it is stenographed. you may consider yourself as lucky to be out of the g.d. for it is the finishing stroke. in the "standard" yesterday, there are rather more details

] couple. in the d[aily] t[elegraph] of yesterday, a great part of the g.d. ritual was exposed, even as to the "current" which was to blot the renegade. also i am told that the police have the whole of the ritual and that it is stenographed. you may consider yourself as lucky to be out of the g.d. for it is the finishing stroke. in the "standard" yesterday, there are rather more details as to the horus exploits at the cape, and her giving herself out as having been taught by the mahatmas. this reflects on the t[heosophical] s[ociety, and, i should suppose, the b.b. will i i.e, for copies of g.d. manuscripts. 100 thealchemist of the golden dawn not fail to make use of this exposure against both the t.s. and the g.d. it would seem as ifthe hori had bought their initiation for the express pur

ISIS UNVEILED

any thousands we must suppose a precious brazilian jewel. above this body of a modem portuguese dandy is a head with the hair parted in the middle; a sad and solemn face, and eyes whose patient look seems to reflect all the bitterness of this last insult flung at the majesty of the crucified" the egyptian isis was also represented as a virgin-mother by her devotees, and as holding her infant son, horus, in her arms. in some statues and biuso-rilievot, when she appears alone she b either complete- ly nude or veiled from head to foot. but in the mysteries, in common with nearly every other goddess, she is entirely veiled from head to foot, as a symbol of a mother's chastity. it would not do us any harm were we to borrow from the ancients some of the poetic sentiment in their religions, and t

ames" he says, treating of the constantine period "the mtrinity in accordance with the egyptian tradi- tions were established. not only was the adoration of i^ under a new name restored, but even her image, standing on the crescent moon, reappeared. the well-known e sgy of that goddess with the infant horus in her arms has descended to our days, in the beautiful artistic creations of the madonna and child" but a still earlier origin than the egyptian and chaldaean can be asngned to the virgin 'mother of god' queen of heaven. thou^ 98. pluurch: on itu and oitrii. 90. galkeiu: summ. ckau (pmth expos, in appz (p. ill) to sib. oraeata: amst fd ni, 1689. 100. nmvarette: traladot kitl. he, dt china

itlian sipamitm the author gives a figure from a medieval woodcut the like of which we have seen by dozens in old psalters in which the virgin marv. with her infant, is repieaented as the queen of heaven on the "crescent moon, the emblem of virginity. being before the sun, she almost eclipses its light. than this, nothing could more completely identify the christian mother and child with isis and horus, ishtar, venus, juno, and a host of other pagan goddesses, who have been called 'queen of heaven 'queen of the universe 'mother of god 'spouse of god' the 'celestial virgin' the 'heavenly peace-makn* etc" such pictures are not purely astronomical. they represent the mole god and the female goddess, as the sun and moon in conjunction "the union of the triad with the unit" the horns of the cow

KNOWLEDGE LECTURE ONE

as an exorcism the lesser ritual of the pentagram can be used by the neophyte as a protection against impure magnetism, and as a practical form of exorcism, to eliminate obsessing or disturbing thoughts. in this the neophyte should first formulate a mental image of the obsession or disturbing thought, then s/he should project the image outside of his/her aura with the sign of projection (sign of horus, and when the image is approximately three feet away, the neophyte should give the sign of silence (sign of harpocrates) to prevent the image from returning unto him or her. with the image of the obsession or disturbing thought in the east, the neophyte should then perform the lesser banishing ritual of the pentagram to disintegrate the image, seeing it in his/her mind s eye dissolving on th

ong upon earth with the strength of ra. i have come into harbour as osiris made perfect. let priestly offerings be made to me as one in the train of the ancient of days. i brood as the divine spirit. i move in the firmness of my strength. i undulate as the waves that vibrate through eternity. osiris has been claimed with acclamation, and ordained to rule among the gods. enthroned in the domain of horus where the spirit and body are united in the presence of the ancient of days. blotted out are the sins of his body in passion. he has passed the eternal gate, and has received the new year feast with incense, at the marriage of earth with heaven "tum has built his bridal chamber. rururet has founded his shrine. the procession is completed. horus has purified, set has consecrated, shu made one

LEADBEATER C W THE HIDDEN LIFE IN FREEMASONRY 2E

of the temple in egypt was 7. figure 1 8. 9. a double square, and in the centre were three cubes standing one upon another, forming an altar(*churchward, the arcana of freemasonry, p. 43) upon which were laid their volumes of the sacred lore- not the same as our own, of course, for ours had not yet been written. those cubes represented the three aspects or persons of the trinity- osiris, isis and horus- as may be seen from the signs engraved on them (see fig. 1) which, however, is copied not from an egyptian altar, but from an illustration in mr. evans f book on crete; but at a later period we find only a double cube. 10. there were two pillars at the entrance to the temple, and on them were squares representing earth and heaven(*ibid, p. 44) one of them bore a name which signified gin str

plate ii a) it is intended to represent an initiation, and the word given is gmaat-heru, h which means gtrue of voice h or gone whose voice must be obeyed h(*churchward, the arcana of freemasonry, p. 49) i have also seen a painting in which four attendants are depicted saluting a pharaoh with the p c s c of an i.m, and the s c of s c is often to be found on the monuments, and is characteristic of horus. the gavel was then made of stone, and was a model of the double-headed axe. 13. plate i 14. 15. in those days the aprons were made of leather, and were triangular. that of the first degree was pure white, as it is now; but the m.m. fs apron was brilliantly coloured and heavily jewelled, with tassels of gold (see plate i) our t c f c i c g c was represented by a cubit of twenty-five inches

of the first degree was pure white, as it is now; but the m.m. fs apron was brilliantly coloured and heavily jewelled, with tassels of gold (see plate i) our t c f c i c g c was represented by a cubit of twenty-five inches. the blazing star in the centre of the lodge existed, but it had eight points instead of six or five. it was called gthe star of dawn h or gthe morning star, h and represented horus of the resurrection, who is pictured as bearing it upon his head and as having given it to his followers. 16. the masonic square was well-known, and was called neka. it is to be found in many temples, and also appears in the great pyramid. it is said that it was used for squaring stones, and also symbolically for squaring conduct, which once more resembles the modern interpretation. to build

, and was brought forth from the virgin neith. the symbol attached to that bringing forth was that of the pelican, who was fabled to draw blood from her own breast in order to feed her young; this later became a prominent symbol in the rosicrucian philosophy, which seems to have been derived largely from egyptian teaching. we read in egyptian hieroglyphics of gthe one and the four, h referring to horus and his four brothers. of that we also read in the stanzas of dzyan; and another expression common to both is gthe one from the egg h. in egypt the egg was the symbol for the setting sun, which is often seen in that shape when about to touch the horizon. that egg passed into the underworld, and was hatched there, and out of it came the young sun the next morning, rising in his strength, whic

and saints in the catholic church. just as christians look to st. michael and to our lady as real personages and hold festivals in their honour, so in ancient egypt adoration was offered to isis and osiris, and to other deities likewise. in the ultimate these august names referred to aspects of the godhead, amen-ra, for the trinity in egypt was represented by father, mother, son- osiris, isis and horus instead of the christian presentation of father, son, and holy spirit; but below that divine level there were then, as there are now, great beings in whom the ideal was embodied, who acted as representatives and as channels of god fs threefold power and grace to man. furthermore there are hierarchies of angels belonging to these different lines, just as there are hierarchies of angels who fo

LEADBEATER CW GLIMPSES OF MASONIC HISTORY

f masonry. the authentic school. the anthro-pological school. the mystical school. the occult school. the knowledge of the occultist. the occult records. the sacramental power. the form and the life. orthodoxy and heresy. chapter ii the egyptian mysteries the message of the world teacher. the gods of egypt. isis and osiris. animal deities. the practice of embalming. other deities. the brothers of horus. consecration. the purpose of the mysteries. the degrees of the mysteries. the mysteries of isis. the preliminary trials. the mystery language. the duality of each degree. the inner mysteries of isis. the mysteries of serapis. the inner degree of serapis the mysteries of osiris. the legend of osiris. the meaning of the story. the inner mysteries of osiris. the office of master. the higher bl

gned before the coming of manu. 53. according to manetho, the egyptian historian of the ptolemaic period, whose works are now lost (except for certain fragments preserved in quotations, the gods and demigods reigned for 12,843 years. after these came the nekyes or manes, who are said to have reigned for 5,813 years; and some of these may perhaps be identified with the shemsu heru, or followers of horus, who are frequently mentioned in egyptian texts(*sir e. a. wallis budge. the nile, p. 26) diodorus siculus, who visited egypt about 57 b.c, tells us that it was traditionally believed that the gods and heroes had reigned over egypt for a little less than eighteen thousand years before the time of mena(*diod. sic, hist, bk. i, xliv) the book man: whence, how and whither carries us much furthe

ny, he goes to osiris, he goes to the light, the light amen-ra, from which all came forth, to which all shall return. 57. osiris is in the heavens, but osiris is also in the very heart of men. when osiris in the heart knows osiris in the heavens, then man becomes god, and osiris, once rent into fragments, again becomes one. but see! osiris the divine spirit, isis, the eternal mother, give life to horus, who is man, man born of both, yet one with osiris. horus is merged in osiris, and isis, who had been matter, becomes through him the queen of life and wisdom. and osiris, isis, and horus are all born of the light. 58. two are the births of horus. he is born of isis, the god born into humanity, taking flesh of the mother eternal, matter, the ever-virgin. he is born again into osiris, redeemi

had taught handed on his teachings and his secret instructions, which they enshrined in their mysteries, and students came from all nations to learn the wisdom of the egyptians, and the fame of the schools of egypt went abroad to all lands(*man: whence, how and whither, pp. 284-7) 62. the gods of egypt 63. it will be seen from the above that the deities, or rather forms of deity, osiris, isis and horus were already familiar to the people, and the world teacher made it part of his work to draw their attention to the true meaning of the three persons. at what time knowledge of these three aspects of god was introduced into the land we do not know, but at the date of our experience they had their places in the symbology of the mysteries. 64. isis and osiris 65. isis, to whom the lesser myster

liant blue light veined with delicate silver, as of shimmering moonbeams, the very touch of which brought upliftment and ecstasy. 66. osiris was the embodiment of god the father in a mighty planetary spirit. his symbol was the sun, and the influence which he outpoured was a dazzling glory of light shot through with gold, like the rays of the sun caught upon the surface of a lake. the influence of horus, who represented the divine child, was the glowing rose and gold of the eternal love which is perfect wisdom. 67. animal deities 68. the egyptians also followed the ancient practice of regarding certain animals as mirroring various aspects of the divine, because of their outstanding qualities. thus they took the intelligence of the ape, the clear-sightedness of the hawk, the strength of the

LEWIS JAMES SATANISM TODAY AN ENCYCLOPEDIA OF RELIGION FOLKLORE AND POPULAR CULTURE

od(dess) has been and continues to be a popular amulet theme. catholics utilize figurines and pictures of certain saints in a similar manner. the ancient egyptians used eye amulets to protect good health. they also used the udjat eye on pottery, rings, and other amulets to ward off the forces of darkness. the udjat eye was the characteristic stylization of the eye of the youthful egyptian sun god horus. the udjat eye was placed on rings in ancient egypt. the scarab beetle symbolized resurrection after death and protection against evil magic. mummies wore a heart scarab as an amulet on their breasts. seals and jeweled charms in the form of scarabs protected wearers against evil. the hebrews, as early as 2200 b.c, wore crescent moons to ward off the evil eye and attached bells to their cloth

pantheon, whose domains covered everything from natural phenomena like air (the god shu) to cultural phenomena like writing (the goddess safekht. many gods were represented as e 77 78 egypt an animal or part-human/part-animal, perhaps the residue of earlier animal worship. generally, egyptians gave most prominence to those gods associated with the nile (hapy, sothis, sebek, the sun (re, re-atum, horus, and helping the dead (osiris, anubis, sokaris. during the time of the old kingdom, the sun god re was the dominant god. re served to give immortality to the collective state through the pharaoh, his son. the sun seemed to the egyptians and to many other ancients to be clearly immortal, as it died every evening, traveled through the underworld, and was reborn every morning. the sun was also

s so great that the people envied the dead (bierlein 1994, 213) when nephtys and isis discovered the deed, isis (his wife as well as sister, according to the tradition of royal inbreeding) vowed to find the pieces and put the body back together. being a great magician, she was able to do so and even to become pregnant by him, but otherwise she could not bring life to him and had to bury him. when horus, the posthumous son, grew up, he desired to avenge his father s death. he first tried the legal approach, taking the murder charge against set to the court of deities.when the court seemed unable to act,horus took matters into his own hands and killed set in a monumental battle.horus then went to the land of the dead,where he was recognized as osiris s legitimate successor and crowned the ne

up, he desired to avenge his father s death. he first tried the legal approach, taking the murder charge against set to the court of deities.when the court seemed unable to act,horus took matters into his own hands and killed set in a monumental battle.horus then went to the land of the dead,where he was recognized as osiris s legitimate successor and crowned the new king of egypt. at that point horus was able to revive osiris, who became ruler of the underworld, symbolic of resurrection and fertility, and judge of the dead for the rest of eternity. originally, the story of osiris seems to have been merely the story of a vegetative cult, where osiris s fate represented the flooding of the nile in the spring and its recession in the fall, and/or the regular agricultural cycle of seed, grow

c of resurrection and fertility, and judge of the dead for the rest of eternity. originally, the story of osiris seems to have been merely the story of a vegetative cult, where osiris s fate represented the flooding of the nile in the spring and its recession in the fall, and/or the regular agricultural cycle of seed, growth, death, and rebirth. the story began to gain a greater significance when horus became identified with the living pharaoh, which may have happened as early as 2800 b.c.e. that identification perhaps occurred because the immortality of osiris could be functional for reinforcing the royal dynasty. if every living pharaoh is horus and every recently deceased pharaoh is osiris, the prosperity of the orderly succession is assured. the osiris story, however, also grew in impa

LIBER O

ing with the breath (c) let that name descend slowly from the lungs to the heart, the solar plexus, the navel, the generative organs, and so to the feet (d) the moment that it appears to touch the feet, quickly advance the left foot about 12 inches, throw forward the body, and let the hands (drawn back to the side of the eyes) shoot out, so that you are standing in the typical position of the god horus, and at the same time imagine the name as rushing up and through the nostrils with the air which has been till then retained in the lungs. all this must be done with all the force of which you are capable (e) then withdraw the left foot, and place the right forefinger note 2- 1. this injunction does not apply to gods like phthah or harpocrates whose natures do not accord with this gesture. 2

LIBER 777

ntinued) 7 xix* selection of egyptian gods. xx. complete practical attribution of egyptian gods. xxi* the perfected man. 0 harpocrates, amoun, nuith[[nuit and hadit] heru-pa-kraath nu the hair 1 ptah, asar un nefer, hadith[[heru-ra-ha] ptah 2 amoun, thoth, nuith [zodiac] isis [as wisdom] 3 maut, isis, nephthys nephthys disk (of ra) the face [in daath, asi the neck] 4 amoun, isis[[hathoor] amoun 5 horus, nephthys horus neith the arms 6 asar, ra[[on, hrumachis] ra the mighty and terrible one the breast 7 hathoor hathoor 8 anubis thoth the lords of kereba the reins. nuit the hips and legs. 9 shu[[hermanubis, all exclusively phallic gods] shu asar and asi the phallus and vulva. sati the spine 1010 seb. lower (i.e. unwedded) isis and nephthys[[sphinx as synthesis of elements] osiris the eye of

hoor the buttocks and anus 11 nu[[hoor-pa-kraat as atu 0] mout as 6 12 thoth and cynocephalus thoth anpu the lips 13 chomse chomse hathor the left eye 14 hathor hathoor khenti-khas the left nostril 15 men thu isis 16 asar, ameshet, apis osiris ba-neb-tattu the shoulders 17 various twin deities, rekht, merti &c[[heru-ra-ha] the twin merti. 18 khephra hormakhu. 19 ra-hoor-khuit, pasht, sekhet, mau horus as 6. 20 isis [as virgin] heru-pa-kraath. 21 amoun-ra amoun-ra apu-t the left ear 22 ma maat. 23 tum, ptah, auramoth (as c, asar (as hanged man, hekar, isis[[hathor] i#qhourey as 24 24 merti goddesses, typhon, apep, khephra hammemit sekhet the belly and back 25 nephthys arwueri. 26 khem (set) set as 10, for u means eye 27 horus menqu khenti-khas the right nostril 28 ahepi, aroueris nuit the

kar, isis[[hathor] i#qhourey as 24 24 merti goddesses, typhon, apep, khephra hammemit sekhet the belly and back 25 nephthys arwueri. 26 khem (set) set as 10, for u means eye 27 horus menqu khenti-khas the right nostril 28 ahepi, aroueris nuit the lords of kereba the reins 29 khephra (as scarab in tarot trump) anubi 30 ra and many others ra hathor the right eye 31 thoum-aesh-neith, mau, kabeshunt, horus, tarpesheth. mau [serqet the teeth] as 6. 32 sebek, mako see note* apu-t the right ear 32 bis satem, ahapshi, nephthys, ameshet \yyj \yla the bones. as 16 31 bis asar. table of correspondences 8 xxii. small selection of hindu deities. xxiii* the forty buddhist meditations. 0 aum nothing and neither p nor p' f space f consciousness f 1 parabrahm (or any other whom one wishes to please[[shiva

on black horse. 28 69= barwakd decarabia a star in a pentacle. 29 72% lamwrdna andromalius man holding great serpent. table of correspondences 30 clxvii. egyptian gods of zodiac (asc. decans. clxviii. egyptian names of asc. decans clxix. as col. clxvii (succedent) clxx. as col. cxviii (succendent. clxxi. as col. cxlvii (cadent) clxxii. as col. cxlviii (cadent) 15 aroueris assicean anubis lencher horus asentacer 16 serapis asicath helitomenos virvaso apophis aharph 17 taautus thesogar cyclops verasua titan tepistosoa 18 apoltun sothis hecate syth mercophta thuismis 19 typhon aphruimis perseus sitlacer nephthe phuonidie 20 isis thumis pi-osiris thoptius panotragus aphut 22 zeuda serucuth omphta aterechinis ophionius arepien 24 arimanius sentacer merota tepiseuth panotragus senciner 25 tolmo

ployed by early 20th-century writers such as budge. line 1: asar is better known by the hellenized form osiris; asar-un-nefer( osiris the beautiful) was a particular epiphet or title of this god. hadith in this line (also hadit in line 0) is not a historical egyptian deity but refers to the entity described in cap. ii of the book of the law; the name is a garbled or corrupt form of heru- behutet (horus of behutet, a solar-martial form of horus symbolized by the winged disk. heru- ra-ha is not a historical egyptian deity but is mentioned in cap. iii of the book of the law and is said to combine hoor-par-kraat (horus the child) and ra-hoor-khuit (ra-horus of the two horizons. line 6: on was not an egyptian deity but a transliteration into hebrew( a or wa) of the name of the egyptian solar cu

LIBER AASH

3. there is a flaming gash in the sky. 4. up. 5. thou art tossed about in the grip of the storm for an aon and an aon and an aon. but thou givest not thy sap; thou fallest not. 6. only in the end shalt thou give up thy sap when the great god f.i.a.t. is enthroned on the day of be-with-us. 7. for two things are done and a third thing is begun. isis and osiris are given over to incest and adultery. horus leaps up thrice armed from the womb of his mother. harpocrates his twin is hidden within him. set is his holy covenant,that he shall display in the great day of m.a.a.t, that is being interpreted the master of the temple of a a, whose name is truth. 8. now in this is the magical power known. 9. it is like the oak that hardens itself and bears up against the storm. it is weather-beaten and sc

LIBER ALEPH

o oppose it. and in this matter thou shalt read especially the record of thy father his workings with soror ahita (blessed be her name unto the ages) and certain others to boot. n the book of wisdom or folly 85 gz de missa spiritus sancti (of the mass of the holy ghost) ow at last, o my son, may i being thee to understand the truth of this formula that is hidden in the mass of the holy ghost. for horus that is lord of the on is the child crowned and conquering. the formula of osiris was, as thou knowest, a word of death, that is, the force lay long in darkness, and by putrefaction came to resurrection. but we take living things, and pour in life and nature of our own will, so that instantly and without corruption the child (as it were the word of that will) is generated; and again immediat

long in darkness, and by putrefaction came to resurrection. but we take living things, and pour in life and nature of our own will, so that instantly and without corruption the child (as it were the word of that will) is generated; and again immediately taketh up his habitation among us to manifest in force and fire. this mass of the holy ghost is then the true formula of the magick of the on of horus, blessed by he in his name ra- hoor-khuit! and thou shalt bless also the name of our father merlin, frater superior of the o.t.o, for that by seven years of apprenticeship in his school did i discover his most excellent way of magick. be thou diligent, o my son, for in this wondrous art is no more toil, sorrow, and disappointment, as it was in the dead aeon of the slain gods. n liber aleph v

by science how the death of the sun is in truth but the shifting of a shadow; and in this on (o my son, i lift up my voice and i make prophecy) so shall it be proven as to death. for the body of man is but his shadow, it cometh and goeth even as the tides of ocean; and he only is in darkness who is hidden by that shadow from the light of his true self. now therefore understand thou the formula of horus, the lion god, the child crowned and conquering that cometh forth in force and fire! for thy changes are not phases of thee, but of the phantoms which thou mistakest for thy self. c liber aleph vel cxi 100 gu de sirenis (of syrens) oncerning the love of women, o my son, it is written in the book of the law that all is freedom, if it be done unto our lady nuit. yet also there is this consider

proportion. now therefore see from yet another art of heaven the absolute virtue of our law. t the book of wisdom or folly 151 et de sphinge gyptiorum (of the sphinx of the egyptians) t is now expedient that i instruct thee concerning the four powers of the sphinx, and firstly, that this most arcane of the mysteries of antiquity was never at any period the tool of the slave-gods, but a witness of horus through the dark on of osiris to his light and truth, his force and fire. thou canst by no means interpret the sphinx in terms of the formula of the slain god. this did i comprehend even when as eliphas levi zahed i walked up and down the earth, seeking a reconciliation of these antagonisms, which was a task impossible, for in that plane they have antipathy (even so may no man form a square

teness should increase upon thee. for this cause he that is defective in courage becometh a black brother, and to dare is the crown of all thy virtue, the root of the tree of magick. o the book of wisdom or folly 155 ey altera de leone (futher concering the lion) o! in the first of thine initiations, when first the hoodwink was uplifted from before thine eyes, thou wast brought unto the throne of horus, the lord of the lion, and by him enheartened against fear. moreover, in minutum mundum, the map of the universe, it is the path of the lion that bindeth he two highest faculties of thy mind. again, it is mau, the sun at brightness of high noon, that is called the lion, very lordly, in our holy invocation. sekhet our lady is figured as a lioness, for that she is that lust of nuith toward had

LIBER ASTARTE

y of the symbol for the idea made concrete thereby. 32. considerations of further danger to those not purged of material thought. let it be remembered that in the nature of the love itself is danger. the lust of the satyr for the nymph is indeed of the same nature as the affinity of quicklime for water on the one hand, and of the love of ab for ama on the other; so also is the triad osiris, isis, horus like that of a horse, mare, foal, and of red, blue, purple. and this is the foundation of correspondences. but it were false to say .horus is a foal. or .horus is purple. one may say .horus resembles a foal in this respect, that astarte vel liber berylli 12 he is the offspring of two complementary beings. 33. further of this matter. so also many have said truly that all is one, and falsely t

LIBER CCC KHABS AM PEKHT

minion of the law of thelema throughout the whole world. v a a publication in class e 93 10 =18 666 9 =28 pro coll. summ. 777 8 =38 d. d. s. 7 =48 o. m. 7 =48 o. s. v. 6 =58 parzival 5 =68 pro coll. int. v. n. pramonstrator p. imperator pro coll. ext. achad cancellarius 1 son,1 do what thou wilt shall be the whole of the law. firstly, let thine attention be directed to this planet, how the aon of horus is made manifest by the universal war. this is the first great and direct result of the equinox of the gods, and is the preparation of the hearts of men for the reception of the law. let us remind you that this is a magical formula of cosmic scope, and that it is given in exact detail in the legend of the golden fleece. jason, who in this story represents the beast, first fits out a ship gui

lew, and slew. now then, the dragon being asleep, we may step 1 [this epistle was addressed to charles stansfeld jones (frater achad, who at the time crowley believed to be his magical son. t.s] liber ccc 2 quietly past him, and .rending the branches of that wizard oak, with a strong grasp tear down the fleece of gold..1 let us only remember not to repeat the error of jason, and defy ares, who is horus in his warrior mood, that guardeth it, lest he strike us also with madness. nay! but to the glory of ra-hoor-khuit and the establishment of his perfect kingdom let all be done! now, o my son, thou knowest that it is our will to establish this work, accomplishing fully that which we are commanded in the book of the law .help me, o warrior lord of thebes, in my unveiling before the children of

LIBER CCXLII AHA

the master replies that only imperfect saints reveal themselves as such. of these are the cranks and charlatans, and those that fear and deny life. but let us fix our thoughts on love, and not on the failings of others! the master invokes the augoeides; the pupil through sympathy is almost rapt away. the augoeides hath given the master a message; namely, to manifest the new way of the equinox of horus, as revealed in liber legis. he does so, and reconciles it with the old way by inviting the test of experiment. they would go therefore to the desert or the mountains_ nay! here and now shall it be accomplished. peace to all beings! 1 aha! olympas: master, ere the ruby dawn gild the dew of leaf and law, bidding the petals to unclose of heaven.s imperishable rose, brave heralds, banners flung

LIBER CLXV A MASTER OF THE TEMPLE

nctly different from any former experience, especially the earlier part [not very good; seems too much like thinking. o.m] 777 418 13 dja the lamen of frater v.i.o. this lamen is symbolical of the master s attainment, the great work which he brought to fulfilment. a r b a d a h a r b a trapt hr w b g d s j hny b hmk j r t k y a twklm dwsy dwh j x n 6=5 7= 4 8=3 9=2 10=1 0=0 0 1=1 2=9 3=8 4= 7 5=6 horus amoun nephthy s isis ptah heru-pa-kraat h osiris shu thoth hathoor ra n u i t h h d a i t h gt. one night of time t a the spirit of aiqhr c spirit of primal fire child of gt. transformers n the magus of power b f daug hter the flaming sword propher of the eternal y p lord of h osts of t he m ighty daughter of firmament x g priestess of silver star daughter of mighty ones d k lord of forces o

LIBER CXX

as they go "i am a swallow! i am a swallow! i am the scorpion, the daughter of ra. hail thou flame whose scent is sweet! hail, ye gods whose scent is sweet! hail thou flame that cometh from the horizon! hail thou lord of the city; stretch out thy hand unto me, let me advance with my tidings, for my speech is of great gladness. open the doors to me, and i will declare the things that i have seen! horus hath become the divine prince of the boat of the sun; unto him hath been given the name of his father osiris. i have stretched out my arms at the word of osiris; i am entered in, i am justified, i come forth worthy at the gate. i am pure at the palace of the passage of souls; i have destroyed the evil that clung to my members upon earth. hail, ye twin hawks upon your pinnacles, ye that guard

LIBER DCCCLX JOHN ST

he figure of the hanged man in the tarot cards..ed] to formulate sacrifice and pain self-inflicted; for i feel such a worm, able only to remain a few minutes at a time in a position long since .conquered. for this reason too i cut again the cross of blood; and now a third time will i do it. and i will take out the magical knife and sharpen it yet more, so that this body may fear me; for that i am horus the terrible, the avenger, the lord of the gate of the west. read ritual dclxxi [the nature of this ritual is explained later..ed] 5.10 i have returned from my shopping. strange how solemn and dignified so trivial a thing becomes, once one has begun to concentrate! i bought two pears, half a pound of garibaldi biscuits, and a packet of gaufrettes. i had a citron presse, too, at the dome. at

y all other forces. 2. the invocation of the word. death consecrates life, who in her whirling dance invokes that word. 3. they salute the word. the signs1 and m..m2 must be a chorus, if anything. 4. the miraculous appearance of iacchus, uninvoked. 1. the 3 questions.3 2. the 4 ordeals. warning and comfort as an appeal to the officers. 3. the threshold. 1 [the signs in ritual 671 are the signs of horus (the enterer) and harpocrates (silence, the old g.d. neophyte signs. t.s] 2 [the .secret word. of ritual 671. it is said to enumerate to 93. t.s] 3[.who art thou? whence came thou? whither goest thou? what seekest thou (the second and third are bracketed together. t.s] john st. john 35 the chorus of purification. the hymn .my heart, my mother. as already written, years ago.1 4. at the altar

ly the osiris risen stage is over; and i think it is a case for violent measures. if one were to slack off now and hope for the morning, like a shipwrecked paul, one would probably wake up a mere man of the world. the question then arises: what shall i do to be saved? the only answer.and one which is quite unconnected with the question.is that a ritual of adeptus major should display the birth of horus and slaying of typhon. here again horus and harpocrates.the twins of the twin signs of 0= 0 ritual.are the slayers of typhon. so all the rituals get mixed: the symbols recur, though in a different aspect. anyway, one wants something a deal better than the path of pe in 4= 7 ritual. i think the postulant should be actually scourged, tortured, branded by fire for his equilibrations at the vari

, one wants something a deal better than the path of pe in 4= 7 ritual. i think the postulant should be actually scourged, tortured, branded by fire for his equilibrations at the various .stations of the cross. or points upon his mystic journey. he must john st. john 41 assuredly drink blood for the sacrament.ah! now i see it all so well! the initiator must kill him, osiris; he must rise again as horus and kill the initiator, taking his place in the ceremony thence to the end. a bit awkward technically, but .twill yield to science. they did it of old by a certain lake in italy!1 well, all this is dog-faced demon, ever seducing me from the sacred mysteries. i can.t go out and kill anybody at this time o.night! we might make a start, though, with a little scourging, torturing, and branding b

illusion? and the. poor thing. john st. john moves off shivering and sad, like a sot who has tried to get credit at a tavern and is turned away.and that on christmas eve! there is no money in his purse, no steam in his boilers. that.s what.s the matter with john st. john. it is clear enough, what happened yesterday. he failed at the four pylons in turn; in the morning fear stopped him at that of horus and so on; while in the evening he either failed at the pylon of thoth, i.e, was obsessed by the necessity (alleged) of recording his results, or failed to overcome the duality of thoth. otherwise, even if he comprehended the base, he certainly failed at the apex of the pyramid. in any case, he cannot blame the ceremony, which is most potent; one or two small details may need correction, but

LIBER DCLXXI VEL PYRAMIDOS

the white flame of breath. i am under the shadow of the wings! i am a traitor! die the traitor.s death! he is slain by the sword. i am under the shadow of the wings! this last raises candidate erect. 8 liber dclxxi invoking spiral dance. now let me pace the path, bind on the girdle of the starry one! bar in northwest asar! who clutches at my throat (etc, to .balance, assain, assoil) in north. see horus. soul mastering terror is thy name! lord of the gods! dread lord of hell! i am come. i fear thee not. thy flame is mine to weave my maiden spell! i know thee, and i pass thee by. for more than thou am i! bar in southeast asar (rubric as before) in south. see isis. sorrow that eateth up the soul! dam of the gods! the blue sky.s queen. this is thy name. i come, control, and pass! i know thee

LIBER LIBERI VEL LAPIDIS LAZULI

ls; from the pearls black specks of nothing. 25. i based all on one, one on naught. 26. afloat in the athyr, o my god, my god! 27. o thou great hooded sun of glory, cut off these eyelids! 28. nature shall die out; she hideth me, closing mine eyelids with fear, she hideth me from my destruction, o thou open eye. 29. o ever-weeping one! 30. not isis my mother, nor osiris my self; but the incestuous horus given over to typhon, so may i be! 31. there thought; and thought is evil. 32. pan! pan! io pan! it is enough. 4 liber liberi vel lapidis lazuli 33. fall not into death, o my soul! think that death is the bed into which you are falling! 34. o how i love thee, o my god! especially is there a vehement parallel light from infinity, vilely diffracted in the haze of this mind. 35. i love thee. i

LIBER LVII

eber, voice. the vision and the voice. a phrase which meant much to me at the moment of discovering this word [by taking each alternate letter] 205= rbg, mighty 213= ryba, mighty this shows abrahadabra as the word of double power, another phrase that meant much to me at the time. a a a a r a d b h b (3) baa at the top of the hexagram gives ba, amya, b, father, mother, child. rdh by yetzirah gives horus, isis, osiris, again father, mother, child. this hexagram is again the human triad. dividing into 3 and 8 we get the triangle of horus dominating the stooping dragon of 8 heads, the supernals bursting the head of daath. also a r b a a a a h d r b the supernals are supported upon two squares: daba= dd, love, 8. arha= rwa, light, 207. now 8 207= 1656= 18= yj, living, and 207= 9 23, hyj, life

e supported upon two squares: daba= dd, love, 8. arha= rwa, light, 207. now 8 207= 1656= 18= yj, living, and 207= 9 23, hyj, life. at this time .licht, liebe, leben. was the mystic name of the mother- temple of the g d. the five letters used in the word are a, the crown; b, the wand, d, the cup; h, the sword; r, the rosy cross; and refer further to amoun the father, thoth his messenger, and isis, horus, osiris, the divine-human triad. on the qabalah 51 also 418= way ta, the essence of iao, q.v. this short analysis might be indefinitely expanded; but always the symbol will remain the expression of the goal and the exposition of the path. 419. teth, the number of the .laughing lion. on whom babalon rideth. see liber 418. note 419+ 156= 575= 23 25, occultly signifying 24, which again signifie

LIBER LXVII THE SWORD OF SONG

iddled by specific trouble) will grow like eggs a person curries. this line, no doubt, requires an answer. the last ditch. first .here.s a johnny with a cancer; an operation may be useless, may even harm his constitution, or cause his instant dissolution: let the worm die .tis but a goose less. not you! you up and take by storm him. you tie him down and chloroform him. you do not pray to thoth or horus, but make one dash for his pylorus. and if ten years elapse, and he complains .o doctor, pity me! your cruel .ands, for goodness sakes gave me such .orrid stomach-aches. 68 the sword of song you write him, with a face of flint, an order for some soda-mint. so yoga. life.s a carcinoma, its cause uncertain, not to check. in vain you cry to isis .o ma! i.ve got it fairly in the neck. the surgeo

LIBER O

with the breath (c) let that name descend slowly from the lungs to the heart, the solar plexus, the navel, the generative organs, and so to the feet (d) the moment that it appears to touch the feet, quickly advance the left foot about twelve inches, throw forward the body, and let the hands (drawn back to the side of the eyes) shoot out, so that you are standing in the typical position of the god horus* and at the same time imagine the name as rushing up through the body, while you breathe it out through the nostrils with the air which has been till then retained in the lungs. all this must be done with all the force of which you are capable (e) then withdraw the left foot, and place the right forefinger. upon the lips, so that you are in the characteristic position of the god harpocrates

LIBER SAMEKH

god on! thou, lady of the understanding of the ways! h asal-on-ai g hail thou, the unstirred! hail, sister and bride of on, of the god that is all and is none, by the power of eleven! h aphen-iaf g thou treasure of iaf! h i g thou virgin twin-sexed! thou secret seed! thou inviolate wisdom! h photheth g abode of the light c h abrasax g c of the father, the sun, of hadit, of the spell of the aon of horus! h aeoou g our lady of the western gate of heaven! h ischure g mighty art thou! h8 mighty and bornless one (vide supra (the conception is of water, glowing, inhabited by a solar- phallic dragon-serpent, of a neptunian nature) hear me, and make all spirits subject unto me, so that every spirit of the firmament and of the ether: upon the earth and under the earth: on dry land and in the water:

inviolable. in the neophyte ritual of g d (as it is printed in equinox i (2, for the old aon) the hierophant is the perfected osiris, who brings the candidate, the natural osiris, to identity with himself. but in the new aon the [see al ii, 22] any such formula should be used only when the adept has full knowledge based on experience of such matters. liber samekh svb figvra dccc 12 hierophant is horus (liber ccxx i, 49* therefore the candidate will be horus too.13 what then is the formula of the initiation of horus? it will no longer be that of the man, through death. it will be the natural growth of the child. his experiences will no more be regarded as catastrophic. their hieroglyph is gthe fool h: the innocent and impotent harpocrates babe becomes the horus adult by obtaining the wand

performed, and now having written it down for the world, it shall be an ornament for the adept who adopts it to cry hail to his name at the end of his work. this shall moreover encourage him in magick, to recall that indeed there was one who attained by its use to the knowledge and conversation of his holy guardian angel, the which forsook him no more, but made him a magus, the word of the aon of horus! for know this, that the name iaf in its most secret and mighty sense declareth the formula of the magick of the beast whereby he wrought many wonders. and because he doth will that the whole world shall attain to this art, he now hideth it herein so that the worthy may win to his wisdom. let i and f face all* yet ward their a from attack. gthe hermit h to himself, gthe fool h to foes, gthe

e. 13 in a copy of the goetia with notes to the preliminary invocation by gerald yorke, some transcribed from crowley fs personal copy, others of uncertain provenance (possibly summarised by yorke from samekh, indeed, a note to the corresponding line runs: gosorronophris= the perfected osiris. the hierophant in the g.d. neophyte ritual. but for those who accept qelhma variation, the formula is of horus. evergrowing child, not dying god. candidate is horus& the perfected horus is ra hoor khuit. h 14 see parsifal for this symbolism. 15 the greek spelling in the original enumerates to 915, 3 5 61. 16 there is no obvious reference to any gmagical race h in any of the oaths of a a grades up to and including adeptus minor as given in gliber collegii sancti, h unless one considers the a a itself

LIBER SEPTEM REGUM SANCTORUM

t t.s. 6 which implies, although it is not stated in the text, that at the start of the ritual the candidate is hoodwinked. the hoodwink would be lifted briefly at each of the seven planetary stations. 7 the text i was sent had posers but this was probably an ocr error; other such errors, e.g. 0 for o have been silently corrected. 8 this statement may seem strange given the whole big deal made of horus replacing osiris, etc, but a few things are perhaps worthy of mention here. firstly, in the early years of the a\a, crowley may have considered this a mystery pertaining to a higher degree than probationer; e.g, only giving liber legis to zelators, and believed that even in the on of horus, the formula of osiris still needed to be assimilated before it could be transcended; further, note tha

the early years of the a\a, crowley may have considered this a mystery pertaining to a higher degree than probationer; e.g, only giving liber legis to zelators, and believed that even in the on of horus, the formula of osiris still needed to be assimilated before it could be transcended; further, note that in this ritual it is the hiereus who represents osiris, wheras in the g.d. the hiereus was horus in the avenger of the gods aspect and the hierophant osiris; so in fact, they have been changed ovn liber stella rvbea a secret ritual of apep, the heart of iao-oai, delivered unto v.v.v.v.v. for his use in a certain matter of liber legis, and written down under the figure lxvi v a a publication in class a imprimatur: n. fra. a a 1 1. apep deifieth asar. 2. let excellent virgins evoke rejoic

LIBER V

y and might; they shall be beautiful and joyous; they shall be clothed with victory and splendour; they shall stand upon the firm foundation; the kingdom shall be theirs; yea, the kingdom shall be theirs. in the name of the lord of initiation. amenliber v vel reguli a: a: publication in class d. being the ritual of the mark of the beast: an incantation proper to invoke the energies of the aeon of horus, adapted for the daily use of the magician of whatever grade. the first gesture. the oath of the enchantment, which is called the elevenfold seal. the animadversion towards the aeon. 1. let the magician, robed and armed as he may dee to be fit, turn his face towards boleskine, that is the house of the beast 666. note 1: boleskine house is on loch ness, 17 miles from inverness, latitude 57.14

is thumb from right to left across his abdomen, at the level of the hips (thus shall he formulate the sigil of the grand hierophant, but dependent from the circle) the asseveration of the spells. 1. let the magician clasp his hands upon his wand, his fingers and thumbs interlaced, crying latsal! ehma! fiaof! aaph! aumn (thus shall be declared the words of power whereby the energies of the aeon of horus work his will in the world) the proclamation of the accomplishment. 1. let the magician strike the battery: 3-5-3, crying abrahadabra. the second gesture. the enchantment. 1. let the magician, still facing boleskine, advance to the circumference of his circle. 2. let him turn himself towards the left, and pace with the stealth and swiftness of a tiger the precincts of his circle, until he co

ccomplishment. 1. let the magician strike the battery: 3-5-3, crying abrahadabra. the second gesture. the enchantment. 1. let the magician, still facing boleskine, advance to the circumference of his circle. 2. let him turn himself towards the left, and pace with the stealth and swiftness of a tiger the precincts of his circle, until he complete one revolution thereof. 3. let him give the sign of horus (or the enterer) as he passeth, so to project the force that radiateth from boleskine before him. 4. let him pace his path until he comes to the north; there let him halt, and turn his face to the north. 5. let him trace with his wand the averse pentagram proper to invoke air (aquarius. 6. let him bring the wand to the centre of the pentagram and call upon nuit! 7. let him make the sign call

LIBER V VEL REGULI

and in the column stands his six-rayed splendour (this dance may be omitted, and the whole utterance chanted in the attitude of phthah) the final gesture. this is identical with the first gestufiliber v vel reguli the ritual of the mark of the beast v a a publication in class d liber v vel reguli being the ritual of the mark of the beast; an incantation proper to invoke the energies of the aon of horus, adapted for the daily use of the magician of whatever grade the first gesture the oath of the enchantment, which is called the elevenfold seal. the animadversion towards the aon. 1. let the magician, robed and armed as he may deem to be fit, turn to face towards boleskine, that is the house of the beast 666* 2. let him strike the battery 1.3.3.3.1. 3. let him put the thumb of his right hand

im draw his thumb from right to left across his abdomen, at the level of the hips (thus shall he formulate the sigil of the grand hierophant, but dependent from the circle) the asseveration of the spells. 1. let the magician clasp his hands upon his wand, his fingers and thumbs interlaced, crying lashtal! fiaof! aumgn!1 (thus shall be declared the words of power whereby the energies of the aon of horus work his will in the world) the proclamation of the accomplishment. 1. let the magician strike the battery: 3.5.3, crying abrahadabra. the ritual of the mark of the beast 5 the second gesture the enchantment. 1. let the magician, still facing boleskine, advance to the circumference of his circle. 2. let him turn himself towards the left, and pace with the stealth and swiftness of a tiger the

rike the battery: 3.5.3, crying abrahadabra. the ritual of the mark of the beast 5 the second gesture the enchantment. 1. let the magician, still facing boleskine, advance to the circumference of his circle. 2. let him turn himself towards the left, and pace with the stealth and swiftness of a tiger the precincts of his circle, until he complete one revolution thereof. 3. let him give the sign of horus (or the enterer) as he passeth, so to project the force that radiateth from boleskine before him. 4. let him pace his path until he comes to the north; there let him halt, and turn his face to the north. 5. let him trace with his wand the averse pentagram proper to invoke air (aquarius. 6. let him bring the wand to the centre of the pentagram and call upon nuit! e 7. let him make the sign ca

r knowledge of any one thing varies therefore with the number of ideas with which we can compare it. every new fact not only adds itself to our universe, but increases the value of what we already possess. in al this .the. or .god. arranges for .countenance to behold countenance. by establishing itself as an equilibrium,10 a the one-naught conceived as l the two-naught. this l is the son-daughter horus-harpocrates just as the other l was the ritual of the mark of the beast 11 the father-mother set-isis. here then is tetragrammaton once more, but expressed in identical equations in which every term is perfect in itself as a mode of naught. sht supplies the last element; making the word of either five or six letters, according as we regard sht as one letter or two. thus the word affirms the

LIBER XLIV THE MASS OF THE PHOENIX

his is generally taken to refer to the four stanzas of crowley.s paraphrase from the st l in cap. iii. vv. 37-38 .unity uttermost showed. to .abide with me, ra-hoor-khuit. t.s] 2 [what exactly constitutes .the proper sign. was either privately communicated to a.a. aspirants by their superivisors, or left to the ingenium of the magician. t.s] the mass of the ph.nix 3* this is the special number of horus; it is the hebrew blood3 and the multiplication of the 4 by the 11, the number of magick, explains 4 in its finest sense. but see in particular the accounts in equinox i, vii, of the circumstances of the equinox of the gods.4 the word .ph.nix. may be taken as including the idea of .pelican. the bird which is fabled to feeds its young from the blood of its own breast. yet the two ideas, thoug

ual formed chapter (44) of the book of lies. it appeared in appendix vi of magick in theory and practice with no substantial changes (c) ordo templi orientis. original key-ebtry by frater e.a.d.n; further formatting, proofreading and notes by frater t.s. for niwg/ celepha s press. this e-text last revised 17.07.2004] 3 [hebrew \d, blood= 44] 4 [see also the equinox of the gods. the .invocation of horus according to the divine vision of ourada the seer. is divided into 44 sections (4 divisions of 11 sections each, with a string of 44 pearl beads to be told.the string broke after the first performance; the suggestion perhaps is that 44 had been communicated by rose as a particular number of horus prior to the ritual, though there is no clear statement to that effect in the account of the cai

LIBER XXV THE STAR RUBY

great sweep back and out, expelling forcibly thy breath, cry .1 with the same forefinger touch thy forehead, and say ,2 thy member, and say ,3 thy right shoulder, and say ,4 thy left shoulder, and say ;5 then clasp thine hands, locking the fingers, and cry. advance to the east. imagine strongly a pentagram. aright, in thy forehead. drawing the hands to the eyes, fling it forth, making the sign of horus, and roar .6 retire thine hand in the sign of hoor pa kraat.7 go round to the north and repeat; but scream .8 go round to the west and repeat; but say .9 1 [grk, approx gaway all evil spirits. h] 2 [grk, gunto thee. h] 3 the secret sense of these words is to be sought in the numeration thereof [note in first edition of the book of lies (grk, go phallus h= 1366. see also stirling, the canon

nd to the north and repeat; but scream .8 go round to the west and repeat; but say .9 1 [grk, approx gaway all evil spirits. h] 2 [grk, gunto thee. h] 3 the secret sense of these words is to be sought in the numeration thereof [note in first edition of the book of lies (grk, go phallus h= 1366. see also stirling, the canon, p. 219 n] 4 [grk, gmighty. h] 5 [grk, ggrateful. h] 6 [chaos. the sign of horus is the sign of the enterer described in gliber o. h the version of the star ruby in magick has groar h (grk, gbeast h. 7 [the sign of silence, see gliber o. h magick has g c of hoor-paar-kraat. h] 8 [babalon. magick has gsay nuit. h] 9 [eros. magick has gwhisper babalon. h] liber xxv, the star ruby 2 go round to the south and repeat; but bellow .10 completing the circle widdershins, retire t

LUCIFERIAN SORCERY

he triple hermetic circle used by coven nachttoter/the order of phosphorus differs from the original, the foundation is in itself similar if not the same. the triple hermetic circle is presented here anew, that the student makes use this by daring to do so. the reworked version is attributed to the four elements as follows: direction element god form planet north earth set saturn/sothis east fire horus mars/sun south water thoth moon west air anubis venus while pathal attributions are based on the elements in a different manner, this hermetic version in the directions and elements were first developed by hamara t however the god forms were developed through the order of phosphorus. one may develop their own circle based on the pathal elements within a left hand path manner as the following

h towards this circle. anubis, god of the twilight from which the guardians shall watch; bring forth thy jackals howling at the barrier anubis, who initiates unto the path of the dead, come forth! by the mask of the jackal and wolf, i call thee forth to charge this circle! azatum ashramu likiahaka southern quarter guardian of the gateway- hawk headed lord of fire, guardian of the eastern quarter. horus ialanpa zarasu manifest unto this circle, blood covered hawk of sunrise! come forth and guard this rite! zariza nalaia sroha 20 eastern guardian of the gateway- thoth, lamp and wisdom of the moon, guardian of the arte magickal come forth and guard the southern quarter open thy scrolls of sorcerous knowledge i seek the gateway of lunar awakening! azothoz thoth likalia northern quarter guardia

he will enter the luciferian gnosis with ease. i call forth the infernal shadows which nourish my body and soul; i invoke the circle which empowers my form of being, from the north, i invoke the force of set, being my shadow of self from the west, i invoke the force of anubis, the opener of the way from the south, i invoke the force of thoth, whose lamp illuminates my path from the east, i invoke horus, being the fire and strength of spirit cain, bringer of the cauldron of change and self transformation do protect my very being of self, that i may grow and ascend in our family born of witch blood pure. i seek the coils of leviathan, the darkend grave earth of ahriman and the dream plane of lucifer. allow the gates to open before me! so it is done! 27 the rite of shaitan a self-initiation i

LUCIFERIAN SORCERY AND SET TYPHON

in early persian manifestation, ahriman and the archdaevas. in egyptian lore, apep is by cipher and study nothing more than set revealed, his primal draconian aspect of self. apep embodies the very essence of set and may even be considered associated with his shadow or demonic form. in the tenth and eleventh sections of the tuat set-heh is shown as being to the left of the gods in a fiery place, horus standing in front of setheh in the form of a serpent. anubis the lord of jackals and opener of the way, anubis is hermes, the gateway unto death. anubis is a tester, one who would way the heart of he or she that sought to emerge or dive unto the celestial or infernal realms. anubis is also a mortuary god, residing over embalming and funeral preparations. within luciferian sorcery, one undert

MAGIC AND SPELLS

h elementals or animals only) deities: aerdrie faenya, angharradh, anhur, arvoreen, baervan wildwanderer, baravar cloakshadow, berronar truesilver, chaun-tea,clangedin,corelon larethian,cyrolale,dep sashelas, t magic 63 deneir, dugmaren brightmantle, eilistraee, eldath, flandal steelskin, gaerdal ironhand, garl glittergold, gorm gulthyn, gwaeron windstrom, haela brightaxe, hanali celanil, hathor, horus-re, ilmater, isis, labelas enoreth, lathander, lliira, lurue, marthammor duin, mielikki, milil, moradin, mystra, nephthys, nobanion, osiris, rillifane rallathil, segojan earthcaller, sehanine moonbow, sel ne, sharess, sharindlar, shiallia, solonor thelandira, sune, thard harr, torm, tymora, tyr, valkur, yondalla. deities: arvoreen, brandobaris, cyrrollalee, sheela peryroyl, urogalan, yondall

edge domain deities: angharradh, azuth, deep sashelas, deneir, dugmaren brightmantle, dumathoin, goud, gwaeron windstrom, labelas enoreth, milil, mystra, oghma, savras, sehanine moonbow, shar, siamorphe, thoth, tyr, waukeen. law domain' deities: arvoreen, azuth, bane, berronar truesilver, clangeddin, cyrrollalee, deep duerra, gaerdal ironhand, gargauth, garl glittergold, gorm gulthyn, helm, hoar, horus-re, ilmater, jergal, kelemvor, laduguer, loviatar, moradin, nobanion, osiris, red knight, savras, set, siamorphe, tiamat, torm, tyr, ulutiu, urogalan, yondalla. illusion domain spells 1 silent image 6 mislead 2 minor image 7 project image 3 displacement 8 screen 4 phantasmal killer 9 weird 5 persistent image hatred domain spells 1 doom 6 forbiddance 2 scare 7 blasphemy 3 bestow curse 8 antip

a standard action. the mental ward is an abjuration effect with a duration of 1 hour that is usable once per day. nobility domain' deities: eilistraee, hathor, malar, sehanine moonbow, sel ne, sharindlar. granted power: turn or destroy lycanthropes as a good cleric turns or destroys undead. you can use this ability a total number of times. per day equal to three+ your charisma modifier. deities: horus-re, lathander, milil, nobanion, red knight, siamorphe. granted power: you have the spell-like ability to inspire allies, giving them a +2 morale bonus on saving throws, attack rolls, ability checks, skill checks, and weapon damage rolls. allies must be able to hear you speak for 1 round. using this ability is a standard action. it lastsa number of rounds equal to your charisma bonus and can

wer: if you fall below 0 hit points, you regain a number of hit points equal to 1d8+ your charisma modifier. this supernatural ability functions once per day. if an attack brings you to -10 hit points or less, you die before this power takes effect. 1 charm person 2 lesser restoration 3 remove disease 4 reincarnate f atonement renewal domain spells 6 heroes' feas retribution domain deities: hoar, horus-re, kiaransalee, loviatar, osiris, shevarash, tyr, uthgar. granted power: if you have been harmed by someone in combat, you may make a strike of vengeance with a melee or ranged weapon against that individual on your next action. if this attack hits, you deal maximum damage. you may use this supernatural ability once per day. retribution domain spells 1 shield of faith 6 banishment 2 enduran

instant summons 2 gust of wind (air spell only) 3 glyph of warding 8 symbol 3 call lightning 7 control weather 4 explosive runes 9 teleportation circle 4 sleet storm 8 whirlwind s lesser planar binding 5 ice storm 9 storm of vengeance 1 bane 6 harm 2 endurance 7- eyebite (sicken effect only) 3 bestow curse 8 symbol (pain effect only) 4 enervation 9 horrid wilting 5 feeblemind sun' domain deities: horus-re, lathander .r time domain' deities: grumbar, labelas enoreth. granted power: free improved initiative feat. time domain spells 1 true strike 6 contingency 2 gentle repose 7' mass haste 3 haste 8 foresight 4 freedom of movement 9 time stop 5 permanency deities: abbathor, nephthys, shaundakul, vergadain, waukeen. granted power: you may use detect thoughts once per day as a spelllike ability

MANLY P HALL THE SECRET TEACHINGS OF ALL AGES

right arm of the figure also descends a thread, to the end of which is fastened a pair of scales, to denote the exactitude of nature in her weights and measures. isis is often represented as the symbol of justice, because nature is eternally consistent. click to enlarge thoth, the dog-headed. from lenoir's la franche-maconnerie. aroueris, or thoth, one of the five immortals, protected the infant horus from the wrath of typhon after the murder of osiris. he also revised the ancient egyptian calendar by increasing the year from 360 days to 365. thoth hermes was called "the dog-headed" because of his faithfulness and integrity. he is shown crowned with a solar nimbus, carrying in one hand the crux ansata, the symbol of eternal life, and in the other a serpent-wound staff symbolic of his dign

360 days to 365. thoth hermes was called "the dog-headed" because of his faithfulness and integrity. he is shown crowned with a solar nimbus, carrying in one hand the crux ansata, the symbol of eternal life, and in the other a serpent-wound staff symbolic of his dignity as counselor of the gods. click to enlarge the egyptian madonna. from lenoir's la franche-maconnerie. isis is shown with her son horus in her arms. she is crowned with the lunar orb, ornamented with the horns of rams or bulls. orus, or horus as he is more generally known, was the son of isis and osiris. he was the god of time, hours, days, and this narrow span of life recognized as mortal existence. in all probability, the four sons of horus represent the four kingdoms of nature. it was horus who finally avenged the murder

the lost key of masonry, for when the spirit fire is lifted up through the thirty-three degrees, or segments of the spinal column, and enters into the domed chamber of the human skull, it finally passes into the pituitary body (isis, where it invokes ra (the pineal gland) and demands the sacred name. operative masonry, in the fullest meaning of that term, signifies the process by which the eye of horus is opened. e. a. wallis budge has noted that in some of the papyri illustrating the entrance of the souls of the dead into the judgment hall of osiris the deceased person has a pine cone attached to the crown of his head. the greek mystics also carried a symbolic staff, the upper end being in the form of a pine cone, which was called the thyrsus of bacchus. in the human brain there is a tiny

, and mayhap jonah was merely picked up by click to enlarge the first incarnation, or matsya avatar, of vishnu. from picart's religious ceremonials. the fish has often been associated with the world saviors. vishnu, the hindu redeemer, who takes upon himself ten forms for the redemption of the universe, was expelled from the mouth of a fish in his first incarnation. isis, while nursing the infant horus, is often shown with a fish on her headdress. oannes, the chaldean savior (borrowed from the brahmins, is depicted with the head and body of a fish, from which his human form protrudes at various points. jesus was often symbolized by a fish. he told his disciples that they should became "fishers of men" the sign of the fish was also the first monogram of the christians. the mysterious greek

properties, but the modern world may yet find it profitable to consider the findings of the early philosophers who determined these relationships by extensive experimentation. out of such research arose the practice of identifying the metals with the bones of the various deities. for example, the egyptians, according to manetho, considered iron to be the bone of mars and the lodestone the bone of horus. by analogy, lead would be the physical skeleton of saturn, copper of venus, quicksilver of mercury, gold of the sun, silver of the moon, and antimony of the earth. it is possible that uranium click to enlarge examples of herm. from christie's disquisitions upon the painted greek vases. the primitive custom of worshiping the gods in the form of heaps of stones gave place to the practice of e

MICHAEL FORD BOOK OF CAIN

from the north, i invoke the force of set, being my shadow of self let the blackened flame illuminate from this very forge! from the west, i invoke the force of anubis, the opener of the way let the violet light of the dead empower my spirit! from the south, i invoke the force of thoth, whose lamp illuminates my path let the fires of wisdom and self-discover guide my path! from the east, i invoke horus, being the fire and strength of spirit reveal thy essence as azal ucel, the fiery djinn of change and rebellion! cain, bringer of the cauldron of change and self transformation do protect my very being of self, that i may grow and ascend in our family born of witch blood pure. i seek the coils of leviathan, the darkend grave earth of ahriman and the dream plane of lucifer. allow the gates to

MICHAEL FORD WITCHMOON

tagram, such as the varcolaci sigil, while one invoking babalon would implement the seal of babalon, known simply as the seven pointed star of babalon. the athame-dagger, wand, sword and chalice would always be used. ceremonial training is the most demanding in the advanced study and practice of a warlock or witch. each weapon should be consecrated at the appropriate time. the sword is blessed by horus, or baphomet, the chalice by 54 54 hecate or the goddess of the sea (witch queen, the wand by babalon or another fire associated elemental or spirit, the pentagram by the green man, pan or the witches sabbat goat. remember success is based upon an intent focus of will and investment in belief. belief, desire and will are the power points of success in any working. the kangling is an instrume

MICHAEL TSARION ATLANTIS ALIEN VISITATION AND GENETIC MANIPULATION

intained a garrison of 400,000 men, whence he repaired every summerfrom memphis, where he principally dwelt.the hyskos overlordship lasted for 511 years when they were driven away after a long and bitter war.(p. 62)set as an evil comettyphon was another name for set, the evil brother of osiris, whom he murderedwho breathed fire,lightening, and destructive winds, and was hurled to earth by zeus or horus. set was figured as a hugecelestial serpent with a hundred writhing heads and various fearsome voices, all of which imageryappendix b: book abstracts258atlantis, alien visitation, and genetic manipulation pointed to the comet, a fearful god who rained down rocks and stones, and hence the myth of thedragons bones sown by cadmus (p. 63)mizpahcentral emblem of israel, as the place of the sacred

MICHAEL WYNN THE SOUL TRAVELERS

birth and evolution of humanity (and they re not, then it means these stories stem from the time when man was of one blood (race) and in one location. that was, admittedly, a long time ago; 15,000 years at bare minimum (according to the timelines established by evolutionists. how, and why, did collective humanity cling to such stories for so long? i can t believe it s not fiction set, osiris, and horus: the lion king (1994) the great name game [1.5] mythological stories are loaded with fanciful, and often racy imagery, characters, and storylines. the coming and goings of the gods seem more akin to the machinations of a drunk poet, rather than a true record of history; it s easy to see how men like freud came to their conclusions about mythology (being nothing more than stories that symboli

lically represent the inner and outer struggles of the individual. there is yet another source of confusion that pervades some mythologies (especially the egyptian stories, and that confusion is borne from multiple names and titles associated with a single god. for example, the egyptian goddess hathor is associated with 2 other goddess, isis and bast. sometimes hathor is spoke of as the mother of horus, which would mean hathor and isis were the same entity; in other cases, the title hathor is associated with bast, who is known to not be isis. also, in egyptian mythology, ra is the sun god, but then again so is osiris and osiris son, horus; all three are known as sun gods, and all three are confirmed as different beings--michael wynn's "the soul travelers" 12 i suspect that the hindus has t

m the bible, who once stood beside the throne of god, set was once the guarding of the sun god ra. apparently, it was after set s battle with apep, the serpent of chaos, that he became the new villain in the egyptian tales; the first to play this villain role was apep himself. the evil god set kills his benevolent brother osiris, twice; then begins to make war with the seed of osiris, a god named horus. in jewish folklore, satan was called samael. samael, whose name meant venom of god, was considered a dark angel of death, and also the true father cain (the first child of adam and eve. satanists repeatedly reinforce this association, frequently suggesting that it was the serpent who was true father of cain, rather than adam (the first human. occultists will also freely refer to satan as ah

water. i have long heard satanists make reference to the time when jesus descended into the prison of spirits after his death, but i just thought it was more of their hero/villain swapping that they re so good at; everyone knows jesus went up, not down. but then i was directed to this bible verse, which shook my view regarding the nature of his sacrifice. i can t believe it s not fiction: osiris& horus, vader& luke starwars lilith [5.4] the goddess lilith is associated with a host of other goddesses, including hecate, astarte, isis, sekhmet, virgo, venus, ishtar, inanna, aradia, davcina, selene, diana, az, babylon, kali, tiamat, al-uzza, and gaia. although this goddess is mostly associated with the moon, she is said to have both good and bad aspects, and true to that logic she if often spo

MICHAEL W FORD NOX UMBRA

towards this circle. anubis, god of the twilight from which the guardians shall watch; bring forth thy jackals howling at the barrier anubis, who initiates unto the path of the dead, come forth! by the mask of the jackal and wolf, i call thee forth to charge this circle! azatum- ashramu- likiahaka southern quarter guardian of the gateway- hawk headed lord of fire, guardian of the eastern quarter. horus- lalanpa- zarasu manifest unto this circle, blood covered hawk of sunrise! come forth and guard this rite! zariza- nalaia- sroha eastern guardian of the gatewav- thoth, lamp and wisdom of the moon, guardian of the arte magickal come forth and guard the southern quarter open thy scrolls ofsorcerous knowledge i seek the gateway of lunar awakening! azothoz- thoth- likalia northern quarter guard

MORALS AND DOGMA

o worship the sun, in whom they saw the manifestation of the deity. the moon was the symbol of the passive capacity of nature to produce, the female, of which the life-giving power and energy was the male. it was the symbol of isis, astarte, and artemis, or diana. the"_master of life" was the supreme deity, above both, and manifested through both; zeus, the son of saturn, become king of the gods; horus, son of osiris and isis, become the master of life; dionusos or bacchus, like mithras, become the author of light and life and truth* the master of light and life, the sun and the moon, are symbolized in every lodge by the master and wardens: and this makes it the duty of the master to dispense light to the brethren, by himself, and through the wardens, who are his ministers "thy sun" says i

e roof, and representing the universe, the images of the sun, moon, and mercury, were represented "the sun and moon" says the learned bro. delaunay "represent the two grand principles of all generations, the active and passive, the male and the female. the sun represents the actual light. he pours upon the moon his fecundating rays; both shed their light upon their offspring, the blazing star, or horus, and the three form the great equilateral triangle, in the centre of which is the omnific letter of the kabalah, by which creation is said to have been effected" the ornaments of a lodge are said to be "the mosaic pavement, the indented tessel, and the blazing star" the mosaic pavement, chequered in squares or lozenges, is said to represent the ground-floor of king solomon's temple; and the

allusion to the divine providence, is also fanciful; and to make it commemorative of the star that is said to have guided the magi, is to give it a meaning comparatively modern. originally it represented sirius, or the dog-star, the forerunner of the inundation of the nile; the god anubis, companion of isis in her search for the body of osiris, her brother and husband. then it became the image of horus, the son of osiris, himself symbolized also by the sun, the author of the seasons, and the god of time; son of isis, who was the universal nature, himself the primitive matter, inexhaustible source of life, spark of uncreated fire, universal seed of all beings. it was hermes, also, the master of learning, whose name in greek is that of the god mercury. it became the sacred and potent sign or

the same day was at rome the _dies natalis solis invicti, the festal day of the invincible sun. under this title, hercules, har-_acles, was worshipped at tsur. thus, while the temple was being erected, the death and resurrection of a sun-god was annually represented at tsur, by solomon's ally, at the winter solstice, by the pyre of mal-karth, the tsurian haracles. aroeris or har-_oeris, the elder horus, is from the same old root that in the hebrew has the form _aur, or, with the definite article prefixed _haur, light, or _the_ light, splendor, flame, the sun and his rays. the hieroglyphic of the younger horus was the point in a circle; of the elder, a pair of eyes; and the festival of the thirtieth day of the month _epiphi, when the sun and moon were supposed to be in the same right line w

the form _aur, or, with the definite article prefixed _haur, light, or _the_ light, splendor, flame, the sun and his rays. the hieroglyphic of the younger horus was the point in a circle; of the elder, a pair of eyes; and the festival of the thirtieth day of the month _epiphi, when the sun and moon were supposed to be in the same right line with the earth, was called"_the birth-day of the eyes of horus" in a papyrus published by champollion, this god is styled"_har-oeri, lord of the solar spirits, the beneficent eye of the sun" plutarch calls him"_har-pocrates" but there is no trace of the latter part of the name in the hieroglyphic legends. he is the son of osiris and isis; and is represented sitting on a throne supported by _lions; the same word, in egyptian, meaning _lion_ and _sun. so

MOTTA MARCELO THE COMMENTARIES OF AL

e who performs a service, in this case evidently that of revealing: aiwass was the intelligible medium between the babe god the new aeon about to be born and myself. this book of the law is the voice of the god's mother, his father, and himself. but on appearing, the god assumes the active form twin to harpocrates, that of ra-hoor-khuit. the concealed child becomes the conquering child, the armed horus avenging his father osiris. so, also, our own silent self, helpless and witless, hidden within us, will spring forth, if we have craft to loose him to the light, spring lustily forward with his cry of battle, the word of our true wills. this is the task of the adept, to have the knowledge and conversation of his holy guardian angel, to become aware of his nature (the adept's) and his purpose

t the old formula of magick the osiris-adonis-jesus-marsyas-dionysus- attis-etc. formula of the dying god is no longer efficacious (it never was efficacious; it was merely the least deficient formula possible in the aeon of pisces just past) it rested on the ignorant belief that the sun died every day, and every year, and that its resurrection was a miracle. the formula of the new aeon recognizes horus, the child crowned and conquering, as god. we are all members of the body of god, the sun; and about our system is the ocean of space. this formula is then to be based upon these facts. our "evil "error "darkness "illusion, whatever one chooses to call it, is simply a phenomenon of accidental and temporary separateness. if you are "walking in darkness, do not try to make the sun rise by self

ess "illusion, whatever one chooses to call it, is simply a phenomenon of accidental and temporary separateness. if you are "walking in darkness, do not try to make the sun rise by self-sacrifice, but wait in confidence for the dawn, and enjoy the pleasures of the night meanwhile. the general allusion is to the equinox ritual of the g. d, where the officer of the previous six months, representing horus, took the place of the retiring hierophant, who had represented osiris. the "general allusion" is nothing of the sort. this verse is a categorical statement, to be taken in the most objective way by any aspirant to initiation. all the rituals, words and signs of past initiatic orders are abrogate. you must not 1 et yourself be conned by any of them. see "the ship. asar and isa are one, that

ou must not 1 et yourself be conned by any of them. see "the ship. asar and isa are one, that is, they are different forms of the same formula, the central formula of the minor mysteries. the difference between their rites is simply a matter of psychological convenience. see liber 175, verse 2, for this important point "let asar be the adorant. in our system, the candidate presents himself before horus, to invoke him, under the paraphernalia of asar. if the candidate is wise, he will make sure that he possesses the magical and mystical powers of which the paraphernalia are merely the symbols. for ra-hoor-khuit demands that you bind the words and the deeds "isa the sufferer. this expression needs no explanation if you have any acquaintance with the sado-masochistic nature of christian mysti

hold! the rituals of the old time are black. let the evil ones be cast away; let the good ones be purged by the prophet! then shall this knowledge go aright. the "old time" is the aeon of the dying god. some of its rituals are founded on an utterly false metaphysics and cosmogony; but others are based on truth. we end those, and mend these. this "knowledge" is the initiated wisdom of this aeon of horus. see book 4, part iii, for an account of the new principles of magick. note that knowledge is daath, child of chokhmah by binah, and crown of microprosopus; yet he is not one of the sephiroth, and his place is in the abyss. by this symbolism we draw attention to the fact that knowledge is by nature impossible; for it implies duality, and is therefore relative. any proposition of knowledge ma

NEW WORLD ORDER OR OCCULT SECRET DESTINY

ays, in part, that we must transform ourselves before we can change the world, and that it is during the process of self-transformation that we can catch a glimpse of what part we are to play in national and global transformation. the mandala of the new world order and illuminati control. annuit coeptis he has blessed our beginning, novus ordo seclorum new order of the ages. the all-seeing eye of horus, the resurrected egyptian sun god, biblically refered to as lucifer, the angel of light. in occult doctrine it is thought that from the union of spirit and matter (the pyramid is made of stone, rock, and earth and represents the unconscious. the capstone is made of an immaterial substance light or spirit and is conscious, a new being a transformed being is created. the seal s reverse depicts

ONYX TABLET OF SET

d mythologically and in the nature of egyptian priesthoods in general. such details may be studied in categories #1 and #2 of the reading list, and it is assumed that you, by virtue of your recognition to the priesthood, have surveyed this field. here we wish rather to call attention to the four most significant facts known about the priesthood of set. they are (1) together with the priesthood of horus [the elder, it was the oldest of the egyptian priesthoods. if we date it to the earliest predynastic images of set found by archaeologists, we can establish an origin of at least 3200 bce. working with the egyptians' own astronomically-based records [cf #2f, we may approximate 5000 bce. if we are to assume the final eclipse of the priesthood at the end of the xix-xx [setian] dynasties ca. 10

PHILIP NEIL MYTHS LEGENDS EXPLAINED

r geb and the birth of her children, the stars (often shown as decoration on her clothing, infuriated her father shu, who cursed her so that she would never again give birth in any month of the year. but nut gambled with thoth, the moon god and reckoner of time, and won from him five extra days outside the 12 lunar months of 30 days each. in these days she gave birth to her children osiris, blind horus, seth, isis, and nephthys. scarab beetle the winged scarab beetle of re is shown joined with the mummified body of osiris, which rises from the fertile earth. this motif symbolizes the resurrection of osiris and the daily rebirth of re. tending the earth men plow the earth and sow seed. as re makes his daily journey across the sky (center, the warmth of the sun will make the crops grow anoth

rn where the water makes contact with the earth. eye of the sun god the sun was said to be the eye of re, which he sent to seek shu and tefnut. when it returned, another eye had taken its place. the first eye wept, and its tears became the first human beings. so re placed it on his brow as the uraeus, or cobra, to rule the world and spit fire at his enemies. wedjat eye the left eye of the sky god horus (see p. 16) was identified with the moon. it was destroyed in his fight with his uncle seth, but made whole again; the symbol of the wedjat eye stands for wholeness and renewal. this tomb painting shows the worship of the benu bird. the egyptian world picture this image shows the egyptian gods in relation the world. in the center, the sky (nut) arches over the body of earth (geb, his bent kn

of his pain, isis offered to counteract the poison if he would tell her his name. at last, he passed his name from his heart to hers, giving her power even over himself. using re s name, she commanded the poison to flow away, leaving him fit and strong. the text of this story also had a practical purpose as a spell against poison. reciting the text over the images of four gods, including isis and horus, and making the patient eat a paper inscribed with the spell was guaranteed to be successful a million times. 15 re, the sun god the egyptian cat goddess bastet uraeus the enraged cobra is the symbol of the sun god (and of the pharaohs, who wore it on their foreheads; it is often depicted attached to the sun disc. according to one myth, the world was created by the archer goddess neith from

the mythology of ancient egypt simply reflects the land of egypt itself. egypt was described by the greek historian herodotus as the gift of the nile, and without the annual flooding of the nile, which made a strip either side of the river fertile, egypt could not have survived. the importance of the sun god s journey from east to west, and the primeval flood represented by the god nun, is clear. horus the falcon-headed horus, son of isis and osiris, was one of the greatest egyptian gods. he was essentially a sky god; his left eye was the moon and his right eye was the sun. in his role as the sun god he merged with re as re-harakhty. oh you who are great in your barque, bring me to your barque, so that i may take charge of your navigating in the duty which is alloted to one who is among th

was the moon and his right eye was the sun. in his role as the sun god he merged with re as re-harakhty. oh you who are great in your barque, bring me to your barque, so that i may take charge of your navigating in the duty which is alloted to one who is among the unwearying stars. the book of the dead company of gods re is accompanied on his journey by seven (four not shown here) other gods with horus at the helm. the other gods cannot be identified beyond doubt. the company usually includes three of the earliestcreated gods, sia (perception, hu (utterance, and hike (magic) as well as such important gods as shu, geb, osiris, horus, and thoth. sometimes there are also goddesses in the barque, especially hathor. barque of the sun re is shown in his solar barque, in which he travels through

REGARDIE ISRAEL THE COMPLETE GOLDEN DAWN

on earth with the strength of ra. i have come into harbour as osiris made perfect. let priestly offerings be made to me as one in< 114> the train of the ancient of days. i brood as the divine spirit. i move in the firmness of my strength. i undulate as the waves that vibrate through eternity. osiris has been claimed with acclamation, and ordained to rule among the gods. enthroned in the domain of horus where the spirit and the body are united in the presence of the ancient of days. blotted out are the sins of his body in passion. he has passed the eternal gate, and has received the new year feast with incense, at the marriage of earth with heaven "tum has built his bridal chamber. rururet has founded his shrine. the procession's completed. horus has purified, set has consecrated, shu made

with a dark reptilian god associated with typhon (see description of three in one, in "z. 3" he is the accusor, the evil genius, who would bind the candidate's soul in darkness with forces of the qlippoth. in the neophyte initiation the accusor rises from the base of the altar at the time of the soul's greatest danger. during this vulnerable time, four invisible stations attributed to the sons of horus3 protect the vital organs, symbolic of the essential life forces, until after the oath has been taken and judgment has been passed. before the hierophant administers the oath he leaves the throne of the east. the god-form of osiris, represented by the hierophant on the throne, remains there maintaining the balance of forces in the temple. as the hierophant passes between the pillars on the w

n the pathway of light. hierophant stands holding the sceptre in his right hand, the banner of the east in his left. kerux goes to the north-east with lamp and wand. then follow hegemon, hierus with banner and sword, stolistes with cup. dadouchos with censer and last, sentinel with sword. they all line up in this order behind the kerux who leads the procession past hierophant, making the signs of horus and liarpocrates as he passes. each qcficer in tum does the same. hierus falls out as soon as he reaches his throne. hegemon returns to his place after passing hierophant twice. the other officers pass hierophant three times and then take their places as they come to them. the mystical circumarnbulation symbolical of the rise of light is accomplished. let us adore the lord of the universe an

rus falls out as soon as he reaches his throne. hegemon returns to his place after passing hierophant twice. the other officers pass hierophant three times and then take their places as they come to them. the mystical circumarnbulation symbolical of the rise of light is accomplished. let us adore the lord of the universe and space. members rise. all face east and make the saluting or the enterer (horus) sign following the lead of hierophant. the sign of silence is made at the end of the prayer. holy art thou, lord of the universe (salute) holy art thou, whom nature hath not formed (salute) holy art thou, the vast and the mighty one (salute) lord of the light and of the darkness (sip of silence) hierophant, hierus and hegemon raise wands and sword in salute, and sink them. all face as usual

ence, the stone of the philosophers. true wisdom, perfect happiness, the summum bonum. officers remain in the temple while the new neophyte is led out by kerux (note: full instructions as to the magical work performed by the officers during the ceremony are given in documents z.1 and 2.3. these latter will be found in volume 111 of this work. i. r) the neopirye signr sign of iiaiipocratps sign of horus 0 signs of eiementni cradcs slcn of theoricus slgn of zllator slgn of practicvs slcn of philosophus the l.y. x. signz l slgn of mourning tlie sign of oslrls slain of isis- v. sign of apophis and typhon x. slgn of oslrls risen elemenfa1 grade ceremonies 135 introduction to the elemental grade ceremonies the initiation ceremonies of the zelator, theoricus, practicus and philosophus grades are

RITUEL ET DOGME DE LA HAUTE MAGIE BY ELIPHAS LEVI PART II

es, which she conceals with her mantle. the protestant author of a pretended history of pope joan has met with, and used, for good or bad, in the interests of his thesis, two curious and ancient 134 the ritual of transcendental magic figures of the female pope or sovereign priestess of the tarot. these figures ascribe to her all the attributes of isis; in one she is carrying and caressing her son horus; in the other she has long and unbound hair. she is seated between the two pillars of the duad, has a sun with four rays on her breast, places one hand upon a book and makes the sign of sacerdotal esotericism with the other. that is to say, she uplifts three fingers only, the two others being folded, to signify mystery. a veil is thrown behind her head, and on each side of her chair the flow

RUBY TABLET OF SET

aspect of man, which the satanist feels to have been not only neglected by conventional religions but also actively repressed, at the cost of inducing a great many neuroses and much unnecessary suffering. in a broader, more general sense, i apply the term to the setian philosophy (whose patron is the oldest semblance of the prince of darkness known to us, the egyptian set, brother of the sun god horus, and symbolic of the night and the lunar principle 4, the first principle of which is the egyptian hieroglyph xeper 5, which means "become" or "come into being" and is symbolized by the scarab beetle. the setian philosophy espoused by the temple of set is highly eclectic and highly existential. for this reason, the sacred and mythical animals associated with the neters 6 are interpreted in a

sm" and its affiliates as "satanists. setians accept such labels only to the extent that the christian satan represents certain qualities of individualism and independence. setians reject any interpretation of satanism that glorifies or promotes evil or destructiveness. leadership: michael a. aquino, high priest of set membership: not published. historical origins: together with the priesthood of horus, the original priesthood of set was the most ancient of the egyptian religious orders, dating (by surviving predynastic images of set) to at least 3200 bce and by the egyptians' own astronomically-based records to approximately 5000 bce. the setian religion played a prominent role in egyptian society throughout its development, to include being the state religion of the xix-xx dynasties of t

thief in the night. but you o setian have cheated him. the treasure of your xeper cannot be taken. your self, your will, live on. to laugh again in the caverns of the tuat. let the ceremony of the four flames begin. h someone takes a light from the black flame and lights the candles of the neters. when all are lit they speak in turn. gi am selket, and my flame honors you who have eaten the eye of horus. immortality is yours as you will. you are a living being like unto no other. h gi am sothis, and my flame honors you who have destroyed in your own life the lie that is osiris and the aberrations that followed him. you have left footprints in stone upon the face of gebb. h gi am sekhmet, and my flame honors you whose courage did not falter. you raised the black flame in your life, and it ig

ntroduction: on march 18, 1904 ce aleister crowley and his wife rose visited the old boulak museum in cairo. she drew his attention to the xxvi dynasty funerary stele of the theban priest ankhf- n-khonsu. represented on this stele are two egyptian god-figures and a winged solar disc, which crowley identified respectively as nuit, ra-hoor-khuit, and hadit. he thought ra- hoor-khuit to be a form of horus the younger (the egyptological term for the son of osiris and isis in the osirian mythos) and thus the symbol of an "aeon of the son" to follow those of the mother-goddess (isis) and the father-god (osiris. he also believed hadit to be "heru-pakraath (harpokrates, the infant form of horus the younger. he identified nuit [correctly] as the egyptian goddess of the sky. an examination of the hi

nuit [correctly] as the egyptian goddess of the sky. an examination of the hieroglyphs on the stele. called by crowley the "stele of revealing. indicates that it was not conceived or executed according to the osirian mythos [save that the dead priest is referred to as "an osiris" i.e: a dead soul "ra-hoor-khuit" is correctly translated to "ra-harakte, master of the gods" this is a form of harwer (horus the elder. the great horus of pre-osirian legend, literally "horus of the horizon" in his solar aspect of xepera. ra-harakte had been the judge of the dead in non-osirian egypt, and he was also cast as the champion of set in the osirian-mythos trial between set and horus the younger. the curious term "hadit" is simply the islamic word for a divinely inspired utterance of any sort; hence it i

SAPPHIRE TABLE OF SET MAIN

telligence. just like the individual, the on as a whole (a common creation of the principle of isolate intelligence and those facets of its gift that have become fully self-aware and independent of the pull of the cosmos) needs to retain a matrix of communication with the ou in order to grow and evolve. the outer manifestation (the matrix) of the on must constantly be modified because the ou (and horus) are in a constant flux. only this way can the impact of the on of set be safeguarded (and this, at the same time, safeguards the nourishment of the on itself. the master speaks because if she doesn't, the on and her very essence do not "really" exist (save in the realm of the non-natural/being. simply the being of the master draws people (who possess the gift) to attain what she has- to rea

and practice of the desired transformation must be taught/demonstrated. in creating a plan/system to achieve this the iv has but her own experiences and understanding to draw on. she must ask what brought her here? what has worked, can work again. so the master needs to review her path and try to distill what s/he feels to be essential. then this must be cast reflecting on the state of the ou and horus- how must this method be presented so that it will transform present day people? creating the methods is not always enough; also a school with various levels of people will often be needed to make the passage into higher realms possible (not to mention probable. this is where the orders and various other mundane and initiatory projects come to play. the world must be prepared to receive the

ster may apparently be doing nothing much, but the plans she has implanted can still have their effect with a minimum of personal intervention. failure can be seen when the iv is not focusing on the specific initiatory task that beings on her level have. the iv must see the larger scheme of the war against the forces of non-consciousness. she must look deeply into the on, the cycles of the ou and horus- and then create the creations that only she can conceptualize and launch to safeguard the future of the on. it is no failure if the iv does not create an order. neither is it a failure if the iv does not take part in as many temple projects as possible. failure comes when the iv does not use her/his unique isolate locus to further the war against the forces of non-consciousness. if the iv c

SAPPHIRE TABLET OF SET

telligence. just like the individual, the on as a whole (a common creation of the principle of isolate intelligence and those facets of its gift that have become fully self-aware and independent of the pull of the cosmos) needs to retain a matrix of communication with the ou in order to grow and evolve. the outer manifestation (the matrix) of the on must constantly be modified because the ou (and horus) are in a constant flux. only this way can the impact of the on of set be safeguarded (and this, at the same time, safeguards the nourishment of the on itself. the master speaks because if she doesn't, the on and her very essence do not "really" exist (save in the realm of the non-natural/being. simply the being of the master draws people (who possess the gift) to attain what she has- to rea

and practice of the desired transformation must be taught/demonstrated. in creating a plan/system to achieve this the iv has but her own experiences and understanding to draw on. she must ask what brought her here? what has worked, can work again. so the master needs to review her path and try to distill what s/he feels to be essential. then this must be cast reflecting on the state of the ou and horus- how must this method be presented so that it will transform present day people? creating the methods is not always enough; also a school with various levels of people will often be needed to make the passage into higher realms possible (not to mention probable. this is where the orders and various other mundane and initiatory projects come to play. the world must be prepared to receive the

ster may apparently be doing nothing much, but the plans she has implanted can still have their effect with a minimum of personal intervention. failure can be seen when the iv is not focusing on the specific initiatory task that beings on her level have. the iv must see the larger scheme of the war against the forces of non-consciousness. she must look deeply into the on, the cycles of the ou and horus- and then create the creations that only she can conceptualize and launch to safeguard the future of the on. it is no failure if the iv does not create an order. neither is it a failure if the iv does not take part in as many temple projects as possible. failure comes when the iv does not use her/his unique isolate locus to further the war against the forces of non-consciousness. if the iv c

SATANGEL

nding 26 legions. appears as a stock dove, speaks hoarsely. builds towers and supplies them with armaments, sends warriors. haurus, haures (goetia, 64rh spirit. who manifests as a leopard, man, or theriomorph, a master of divination. destroys and burns the enemies of the summoner. tells of the creation of the world, and how he and the fallen came to be. his name probably derives from the egyptian horus. hecate (greek. triple headed queen of sorcery, who dwells where the roads meet. known also as enodia, trioditus, and antaia, she who encounters you. identified in some witch traditions as the mother of lucifer. hel (old norse. the queen of the underworld, and the name of the realm itself. the daughter of loki and the giantess angrboda, sister of fenrir and the midgard serpent. even the gods

SCHLAGER NEIL WORLD RELIGIONS REFERENCE LIBRARY

n. in egyptian religion the primary god was amen (amon or amun, king of the gods. next in importance was ra (or re, the sun god. these two were eventually joined in the cult of amen-ra. a cult is a religion considered to be outside the mainstream. then came osiris, god of the nile and also god of the kingdom of the dead. his wife, isis, was the moon goddess and mother of the universe. their child horus was god of the sky; set, their brother, was the god of chaos and of the desert; and thoth, the god of writing and knowledge. in addition to these was a vast array of other gods and goddesses that sometimes duplicated each other s functions. the current pharaoh, as a living god, worked with all of these deities to create maat, or divine order and justice. these ancient religions affected ever

ion lasted from about 3110 bce to 550 ce. the official beginning of the religion is the date that menes (c. 2925 bce, a king of upper egypt, is believed to have defeated a king of lower egypt and unified the nation. menes set up a national religion in the process, worshipping the creator god ptah at his new government center of memphis. historians believe that the story of the war between the god horus and his uncle set (the result of set s murder of horus s father osiris) reflects the war between upper and lower egypt, with horus s eventual victory reflecting the unification of the two countries by menes during his sixty-two year reign. world religions: almanac 41 ancient religions of egypt and mesopotamia before this time, however, nature gods and animals had been worshipped for at least

h the sun god ra was the official national god and was worshipped at heliopolis, the cult of osiris became stronger as the central government went into decline. osiris was an early fertility god who, when killed by his brother set and cut into pieces, was put back together again by his wife sister isis. he then became god of the underworld. osiris became identified with the dead pharaoh. his son, horus, became associated with the living pharaoh. osiris eventually became a symbol of immortality and resurrection, or returning to life after death, and, as such, symbolized the annual renewal of fertility to the soil by the flooding of the nile. a lengthy annual festival was held for him to celebrate this rebirth. the middle kingdom came to an end with the hyksos invasion of lower egypt, with t

in mesopotamia. the sumerians had their city gods and harvest gods, but nomads who invaded mesopotamia from the north or the east brought with them water gods and sand gods. people who came from high mountain regions brought gods of thunder and lightning. ancient egyptian gods were often depicted in human form, although they could appear with the head of an animal. among the central deities were horus (left, with the head of a falcon, osiris, and isis. adam woolfitt/ corbis. 46 world religions: almanac ancient religions of egypt and mesopotamia the three chief gods in the sumerian pantheon were an, the sky god, enlil, the god of weather and storms, and enki, god of wisdom and the abzu. other important deities included the mother goddess, ninhursag; nanna, god of the moon who helped travel

number as high as one or two thousand different deities. what began as animal worship led to an immense pantheon. amen or amen-ra became the most powerful of the gods, center of the national cult; the cult of osiris was second most powerful. the worship of the sun god ra led to the construction of immense pyramids for the pharaohs, sons of ra. the pharaoh was considered a living god, appointed by horus (son and avenger of osiris. for ancient egyptians the gods were subject to the same sense of order and justice, maat, that mortals were. the universe had been created through maat as a replacement for the chaos that once existed. interaction with the gods was intended to establish maat in society. it was the duty of the pharaoh to interpret the word of the gods in order to establish order an

SET IN EGYPTIAN THEOLOGY

y paintings he is portrayed as bearer of a harpoon at the prow of the boat of ra, warding off the serpent apep. yet the warlike and resolute nature of set seems to have been regarded with ambivalence in egyptian theology, and the portrayal of this neter went through many changes over a period of nearly three thousand years. pictures of a god bearing two heads, that of set and his daylight brother horus the elder, may be compared to the oriental yin/yang symbol as a representation of the union of polarities. in time, the conflict between these two abstract principles came to be emphasized rather than their primal union. set's battle with horus the elder grew from being a statement of the duality of day and night into an expression of the political conflict among the polytheistic priesthoods

cities (each being a cult-center) is enough to dispel this idea. one controversial egyptologist has suggested that the worship of set might have predated the concept of paternity. later cults incorporating a father god would reject this fatherless son. this introduces another bizarre factor in the transformation of the night/day battle between brothers into an inheritance dispute between set and horus the younger. any book on egyptian myth you pick up contains the gory details of this cosmic lawsuit, which includes things that make dynasty look like a prayer breakfast. i have always been intrigued, though, that while all books affirm that set tore osiris to pieces, everybody knows about osiris, and it is quite hard to collect the pieces of the puzzle that is set. egyptologists have never

SETH IN THE MAGICKAL TEXTS

. m.w. meyer in the greek magical papyri in translation, ed. h.d. betz (chicago and london 1986) 36, n. 3, simply cites preisendanz without showing knowledge of peterson's article; cf. r. kotanski "incantations and prayers for salvation on inscribed amulets" in magika hiera, ed. c.a. faraone and d. obink (new york-oxford 1991) 137, n. 110. 7 although seth in ancient egypt could be reconciled with horus and seen as the defender of the solar bark, his cult seems to have disappeared after the assyrian period and the god himself began to be turned into a demon; see h. te velde, seth, god of confusion, probleme der agyptologie 6 (leiden 1967) 139-151. 88 jarl fossum and brian glazer two points only need to be made in this connection. firstly, typhon in the spell contained in pgm iv.154-285 is n

SIR WALLIS BUDGE EGYPTIAN MAGIC

numerous. they are made of green basalt, green p. 40 granite, limestone, green marble, blue paste, blue glass, purple, blue and green glazed porcelain, etc; and the words of power are usually cut in outline on the base. in rare instances, the scarab has a human face or head, and sometimes the backs are inscribed with figures of the boat of ra, of the bennu bird "the soul of ra" and of the eye of horus. the green stone scarabs are often set in gold, and have a band of gold across and the scribe ani holding a necklace with pectoral, on which is a figure of the boat of ra containing a scarab, or beetle, in the presence of anubis, the god of the dead (from the papyrus of ani, plate 15) down the back where the wings join; sometimes the whole back is gilded, and sometimes the base is covered wi

a and into several countries which lay on the mediterranean, and those who wore it seem to have attached to it much the same idea as its early inventors, the p. 42 egyptians. from a greek magical papyrus translated by goodwin 1 we may see that certain solemn ceremonies were performed over a scarab before it was worn, even in the period of the rule of the greeks and romans. thus about the "ring of horus" and the "ceremony of the beetle" we are told to take a beetle, sculptured as described below, and to place it on a paper table, and under the table there shall be a pure linen cloth; under it put some olive wood, and set on the middle of the table a small censer wherein myrrh and kyphi shall be offered. and have at hand a small vessel of chrysolite into which ointment of lilies, or myrrh, o

the mason's table nor a nilometer, as some have thought, it is always associated with the clvth chapter of the book of the dead, which reads "rise up thou, o osiris! thou hast thy backbone, o still-heart! thou hast the fastenings of thy neck and back, o still-heart! place thou thyself upon p. 45 the mummy of ani the scribe, lying on a bier, attended by isis, nephthys, anubis, the four children of horus, the ushabti figure, his soul, the tet, etc (from the papyrus of ani, plates 33, 34. p. 47 thy base, i put water beneath thee, and i bring unto thee a tet of gold that thou mayest rejoice therein" like the buckle, the tet had to be dipped in the water in which ankham flowers had been steeped, and laid upon the neck of the deceased, to whom it gave the power to reconstitute the body and to be

ead of the deceased; it is usually made of hamatite, and is inscribed with the text of the clxvith chapter of the book of the dead, which reads "thou art lifted up, o sick one that liest prostrate. they lift up thy head to the horizon, thou art raised up, and dost triumph by reason of what hath been done for thee. ptah hath overthrown thine enemies, which was ordered to be done for thee. thou art horus, the son of hathor. who givest back the head after the slaughter. thy head shall not be carried away from thee after [the slaughter, thy head shall never, never be carried away from thee" p. 48 6. the amulet of the vulture, this amulet was intended to cause the power of isis as the "divine mother" to be a protection for the deceased, and was made of gold in the form of a vulture hovering in

ture hovering in the air with outstretched wings and holding in each talon the symbol of "life" and was placed on the neck on the day of the funeral. with this amulet the clviith chapter of the book of the dead was associated, and it was ordered by the rubric to it to be recited over it; this text reads "isis cometh and hovereth over the city, and she goeth about seeking the secret habitations of horus as he emergeth from his papyrus swamps, and she raiseth up his shoulder which is in evil case. he is made one of the company in the divine boat, and the sovereignty of the whole world is decreed for him. he hath warred mightily, and he maketh his deeds to be remembered; he hath made the fear of him to exist and awe of him to have its being. his mother the mighty lady, protecteth him, and she

SIX WAYS OF KNOWLEDGE

f an overseer, visually checking that your will is working in the world. it has a constancy of purpose. if you've ever had a job supervising others, you know this word. it is going from one person to the next being sure that they are all doing their tasks. it is also looking at a task and dividing it into sections so that it's do-able. it is action-oriented consciousness. the work of the order of horus is found within this word. this is the solar aspect of the work of the magus anton la vey, and at the simplest approach may be seen as "looking out for number 1" learning good scientific management techniques, the lessons of the satanic bible, or the lateral thinking techniques of edward de bono are good exercises for iri. sight (other-centric. the verb "to see" maa connected with the left e

SORCERIES OF ZOS

es in the tranquillity of total negation. the identity of these concepts is explicit in the ancient chinese equation 0=2, where naught symbolizes the negative, unmanifest potential of creation, and the two the two polaritites involved in its realization. the goddess represents the negative phase: the atmospheric 'i' symbolized by that -asleleing eye with all its ayin symbolism; and the twins- set-horus- represent the phase of 2, or duality. the lightning-swift alternations of these terminals, active-passive, are positive emanations of the void, i.e. the manifestation of the unmanifest, and the hand is the symbol of this creative, power-manifesting duality. the supreme symbol of zos kia cultus therefore resumes that of the scarlet woman, and is reminiscent of crowley's cult of love under wi

SPENSER THE CULT OF THE ALL SEEING EYE 1960

r apollo, the eye of baal, and as the eye of providence. the eye of jove appeared on the front of jove's temple at peloponnessus. as the solar eye it was the symbol of the arabian god of. jethro, the black father-in-law of moses, and of the arabic motto "allah" or "i am that i am" all ancient temples of arabia were decorated with the eye, which had first appeared as the symbol of osiris, isis and horus of egypt.42 the eye represented the mystic symbol of the so-called egyptian "trinity" expressed in these words, often inscribed on the statues of isis "i am all that has been, that is, or shall be, and none among mortals has hitherto taken off my veil" she was the daughter of saturn and her name meant ancient. she married her brother osiris, and was pregnant by him even before she had left h

ark his presidency over the dead. when represented as a man walking, he has the lappeted wig, crowned with two wavy horns, above which are. two feathers. the wavy horns are also found with the plumed crown above them, and serpents (uraei) on either side, surmounted by disks. isis, at one time his mother, at another his sister, at another his daughter, is always his wife, and their child is har or horus."55 the 42 demons who aided osiris in the infernal regions were known as "the assessors" and had such names as "eyes of flame "breath of flame "cracker of bones "devourer of shades "eater of hearts "swallower "white tooth" and "smoking face" they "lived by catching the wicked "fed off their blood" and "devoured their hearts before horus" they were judges, accusers and punishers of crime "gui

when osiris returned he found that his brother set (typhon) had aroused his subjects against him (set's name was expressed by a hieroglyphic containing the black half-sphere seen in the meditation room murai) set murdered his brother and cut his body into fourteen pieces. isis recovered all the mangled pieces, with the exception of the privities of her husband, which had been thrown into the sea. horus defeated set and osiris was proclaimed to he a resurrected god. his body, encased in fourteen different statues, was worshipped with divine honors. that part of the body not recovered was rendered homage during festivals called phallica, which were introduced into europe by the athenians. the entire system of phallic worship in the ancient world originated in this festival held in honor of o

STEINER RUDOLF CHRISTIANITY AS MYSTICAL FACT

take possession of it; he tore it into fourteen pieces, which were dispersed in different locations; several tombs of osiris were shown in egypt. the limbs of the god were thus to be found scattered here and there in widely separated places. osiris himself, however, came forth from the netherworld and vanquished typhon. a ray from him fell upon isis, who in consequence bore his son, harpocrates (horus).77 and now compare with the myth the world-view presented by the fifth century b.c. greek philosopher empedocles. he asserted that an original unity was torn apart into the four elements (fire, water, earth, and air) or into the multiplicity of existent beings. he posited two opposing powers, which bring about within the world of existing things the processes of becoming and passing-away, n

out the nature of humanity and the cosmos transcend considerations of sense experience. they are ideas that the mystai found in their myth of osiris: the god, the creative power is poured out into the world. this appears in empedocles four elements. god osiris is slain. human beings, with their knowledge (which is divine in nature) will restore him to life. we are to rediscover him in the form of horus (son of god, logos, wisdom) in the opposition between strife (typhon) and love (isis. in a greek way, empedocles expresses his basic ideas in terms that still have a mythical ring; his love is the goddess aphrodite, his strife is neikos, divine beings who bind and loose the elements. myths of initiation the style in which the content of myth has been described here should not be equated with

iris myth takes on its deeper dimensions of meaning, becoming the paradigm of life for someone who wants to awaken eternal being within the egyptian and other eastern mysteries 89 him- or herself. osiris is torn to pieces by typhon; he is killed. the members of his body are cherished and cared for by his consort isis. after his death, he caused a ray of light to fall upon her and she bore his son horus, who then takes over the earthly tasks of osiris; he is the second, still immature osiris, but he is in process of becoming an osiris in the full sense. this true osiris is to be found in the human soul. for although the soul is to begin with connected to the transitory realm, it is destined to give birth to the eternal. humanity may therefore be termed the tomb of osiris; it is our lower na

to be found in the human soul. for although the soul is to begin with connected to the transitory realm, it is destined to give birth to the eternal. humanity may therefore be termed the tomb of osiris; it is our lower nature typhon, or set that has killed him. the love that is present in his soul isis must cherish and care for the members of his corpse, and then the higher nature or eternal soul horus can be born, and in due course rise to the state of being an osiris. this then is the initiation practiced in egypt. it taught that whoever aspires to the highest stage of being must recapitulate, inwardly microcosmically, the universal and macrocosmic events connected with osiris. plato has described such a cosmic process: the creator had stretched out the world-soul on the world-body in th

brilliant remarks by h. frankfort, kingship and the gods, ch. 11. steiner was far ahead of his time in recognizing the initiatory significance of becoming osiris. a fine study of the pharaoh from an anthroposophical point of view is furnished by f.teichmann, die kultur der empfindungsseele (stuttgart n.d. the pharaoh, who becomes osiris and mystically begets his successor from the other world as horus, the living power of the sun on earth, is the prototype of all egyptian initiates. he is a link between the worlds of life and death; cf. above, pp. 38 41. 87. book of the dead, ch. 125. 88. loc. cit. 222 christianity as mystical fact 89. in many of the mysteries, the sufferings and eventual triumph of the god in the myths provides a model for the struggle of initiation. cf. f.h.borsch, the

TECHNICIANS GUIDE TO THE LEFT HAND PATH

change be made in accord with the true will of the initiate. the implication of this being that if one discovers what their true will is, then the manifestation of that will into meaningful and useful creations is greatly enhanced. now, this didn t keep crowley from using magical formula in attempts to obtain money and items somewhat distanced from his true will (that of establishing the aeon of horus and his word- thelema. crowley s diaries very candidly detail that of the two types of magical operations he performed- rites intended to manifest items related to physical procurement such as money, and rites intended to secure knowledge, information and insight, that those intended to manifest information were far more successful than those intended to acquire items such as money. an exami

TEXE MARRS CODEX MAGICA SECRET SIGNS MYSTERIOUS SYMBOLS AND HIDDEN CODES OF THE ILLUMINATI

from ethereal sources (hell. yet another meaning is that the hand with all five fingers showing, palm outward, indicates that one is giving honor and admiration to the underworld deity. its essential meaning "thank you o subterranean lord for your deceptive wisdom and for your cunning aid in our struggle to overcome our enemies and to effect the great work" pharaoh ramses paying homage to the god horus, son of osiris, the sun god deity symbolized as the allseeing eye in the capstone on the u.s.a.'s dollar bill. quite possibly, the masons' sign of admiration and astonishment came from practices of adherents to the old mystery religions of babylon and egypt (from book, other worlds, hilary evans, readers digest books, 1998) on all occasions when the egyptian high priest was called to officia

, as names of the sun, airo, ayero, eer, uiro, ghurrah, and the like. the royal name rendered pharaoh, was phra, that is, pai-ra, the sun. the legend of the contest between hor-ra and set, or set-nu-bi, the same as bar or bal, is older than that of the strife between osiris and typhon; as old, at least, as the nineteenth dynasty. it is called in the book of the dead "the day of the battle between horus and set" the later myth connects itself with phoenicia and syria. the body of osiris went ashore at gebal or byblos, sixty miles above tsur. you will not fail to notice that in the name of each murderer of khurum, that of the evil god bal is found* har-oeri was the god of time, as well as of life. the egyptian legend was that the king of byblos cut down the tamarisk-tree containing the body

ned gods of egypt, horns and set. two entities represented by one body. once again, we discover the principle of integration, or synthesis. horns is the son of the sun god and is said to be one with his father, osiris. the god set is the dialectical opposite, or mirror of horns and osiris, but rather than the sun and its light, he represents the darkness of the underworld. set is god of the dead, horus-osiris, god of the living. that ravenous dark bird 259 this cover of a book by w. bruce lincoln about russia's czars, the romanov dynasty, pictures the dynasty's fascinating symbol, the double-headed phoenix serpent. eyeopening is the crowned victorious hero figure with a cape, carrying a lance, riding a white horse found within the "heart" of the doubleheaded black bird. the symbolical mean

d now you know the true, occultic meaning of the word. peering into the all-seeing eye simply put, freemasons, under the direction of haym salomon, ben franklin, and others, designed the great seal with its all-seeing eye in the capstone amidst the radiant sun background. as followers of egyptianism, it has long been assumed that the eye is that of osiris, the egyptian sun god, and/or of his son, horus. this is true, but there is much more. osiris, of course, was worshipped as the sun. albert pike, former sovereign grand commander, wrote "the sun..is the all-seeing eye in our lodges."2 pike goes on to say that "the blazing star (the pentagram deity) has been recognized as an emblem of omniscience, or the all-seeing eye, which to the ancients was the sun."3 the illuminati and their subordin

, former sovereign grand commander, wrote "the sun..is the all-seeing eye in our lodges."2 pike goes on to say that "the blazing star (the pentagram deity) has been recognized as an emblem of omniscience, or the all-seeing eye, which to the ancients was the sun."3 the illuminati and their subordinates, the masons, honor the deity of countless names. yes, one of those names is osiris, with his son horus. but the illuminati deity is a concealed god who hides his true identity in a multitude of disguises and subterfuges. he is called "the sun" the "central sun "hiram abiff" the one with the "ineffable name "ein soph" the "great architect of the universe "abaddon "mahabone" and "jahbuhlun" ostensibly the illuminati worship a pantheon, a multiplicity of gods. but, not so. these are all fronts f

THAGIRION

a draconian magician. tiphereth corresponds with the sun in the form of light, while thagirion represents the black sun. the black sun represents the sun in its inner form where it shines inside man and reveals the hidden qliphotic worlds. the ordinary sun is the outer sun that shines on the ordinary world. the black sun is the god set in the typhonian alchemy, while the ordinary sun is sets twin horus. in old norse mythology balder corresponds with the ordinary sun and his blind brother h der or loke with the black sun. h der is similar with odin and also odin corresponds with the black sun. thagirion is the sun of the shadow side, which can be interpretated as the sun in the underworld balder in hel, ra in amenti etc. the sun is the symbol of the unity of the whole self that can be aware

THE CANOPIC GODS SYMBOLISM

i of the hall of the neophyte in a temple of the grade of neophyte, the four gods, ameshett, ahephi, tmo-oumathu, kabexnuv, are said to be vice-gerants of the elements, and answering to the rivers of eden as drawn in the warrant of the temple, are said to rule in the four corners of the hall between the stations of the kerubim. in egyptian mythology, these gods are also said to be the children of horus, and partake of his symbolism. if now, we regard the neophyte ceremony as representing the entrance into a new life, regeneration- mors janua vitae- the egyptian symbolism wherein that idea was so clearly and exactly worked out becomes important. bear in mind that a new life means a new plane or a higher world, a passing, say, from the rtk of hycu to the twklm of hryxy. now, as behind rtk de

ole. the division was into 14 parts, 1 plus 4= 5, the five wounds) for even as hwhy must be known before hwchy can be comprehended, and as moses must precede christ, so must the mysteries of osiris first be known. now, the guardian of the hall and of the neophytes against the twpylq (whose rtk is laymwat, the dual or two-headed one, the demons of corruption and 3 disintegration) is the hiereus or horus, and to the children of horus, who partake of his symbolism are the viscera committed, to guard them against the demons of disintegration and corruption. as the elements and the forces of the elements are to the world, so are the vital organs and the life which animates them, placed under the charge of the vice-gerents of the elements, the children of horus, the great gods ameshett, ahephi

the quarter of m, has the head of a man. tmo-oumathu, to the south has the head of a jackal who is the purveyor of the lion (for these are the vice-gerents of the elements, while the kerubim are the lords thereof; so tmo-oumathu is properly a jackal. kabexnuv in the west, in the region of n, has the form of a hawk, the subordinate form to the alchemic eagle of distillation, and the form also, of horus, the hiereus, beside whom is his station, and of whose symbolism he partakes. ahephi in the north, has the head of an ape. the symbology of the ape in ancient egypt is very complex. here it may be taken that while apis, the bull, represents the divine strength of the eternal gods, the ape represents the elemental strength which is far inferior and blended with cunning. ahephi, however, has o

THE CRAFT GRIMOIRE OF ECLECTIC VERSION 2

llowing days growing cooler. mabon, the second harvest festival, the fall equinox. once again daylight and night are in balance. now is the time to celebrate the gifts of the earth mother. page 6 grimoire of eclectic magick) archetype gods and goddesses( all gods are one god, all goddesses are one goddess, and there is one initiator! from aspects of occultism by dion fortune gods of ancient egypt horus imiut isis khepera khnum maat min nekhbet nephthys nut osiris ptah ra re sekhmet selket seshat set shu sobek taweret tefnut thoth wadjet agou ayizan baron cimeti re baron la croix baron samedi dambalah danbalah erzulie fr da gu d legba loco-d ogoun simbi voudoun loa celtic-gaulish deities aengus aine anu bave (babd, badhbh) belen blathnat blodeuwedd boann brigid cerridwen cernunnos danu donn

THE GALE ENCYCLOPEDIA OF THE UNUSUAL UNEXPLAINED VOL 1

beings, appear to be the only common denominator in primitive art around the planet. these werewolves, were-lions, and werebats belonged to an imagined world which early humans saw as powerful, dangerous, and frightening. images of these creatures persisted into the historical period. the ancient egyptians often depicted their gods as human-animal hybrids. pharaoh identified himself with the god horus, who could be represented as a falcon or a falcon- headed human. anubis, the god of the necropolis, can be shown as a jackal-headed man, probably because such carrion-eating jackals prowled egyptian cemeteries. many other civilizations felt the power of these kinds of images. for example, the ancient greeks fashioned the minotaur (half-human, halfbull, the satyr (half-human, half-goat, the h

lieved that they would inherit eternal life, just as he had done. the ancient myths proclaim that osiris first received renown as a peaceful leader of a higher culture in the eastern delta, then as a powerful ruler over all the delta, a veritable god of the nile and its vegetation, growth, life, and culture. he was the husband of isis, goddess of enchantment and magic; father of the great war god horus; and finally conqueror of northern upper egypt with his principal city at abydos. it was then that he came into conflict with set, who killed and dismembered him. the dark mists of death didn t t h e g a l e e n c y c l o p e d i a o f t h e u n u s u a l a n d u n e x p l a i n e d 18 afterlife mysteries in ancient egypt, dead people s bodies were prepared for mummification. it was believed

hadowed that of the sun god ra and became the dominant feature of all egyptian religion. ra was a creator god, fundamentally solar, a king by nature, whose theology concerned itself with the world, its origin, creation, and the laws that governed it. osiris and his doctrines were concerned with the problems of life, death, resurrection, and an afterlife. the connection between the two deities was horus, who was a sky god of the heavens and also the dutiful son and heir of osiris. the general influence of ra and osiris can be traced back to the time of the pyramid texts and forward to the decline of egyptian religious history. the cosmology of osiris may be divided into two periods. the earlier one extended up until the time of the pyramid texts, during which he was a peaceful political pow

ge. choosing to call himself akhenaten (it is pleasing to the aten, the pharoah declared that there was only one god, his father aten. by his royal decree, the worship of amun was to be suppressed and his very name was to be chiseled away from any statues, monuments, temples, or city walls throughout all of egypt. likewise, images of all of the ancient representations of the egyptian gods osiris, horus, isis, and so forth were to be destroyed. even the centuries- old osirian funerary rites were to be abandoned and the name of osiris was to be replaced in the mortuary texts by prayers to the aten. aten also directed akhenaten to disassociate himself with the city sacred to amun, and to establish a new holy city, a new capital for egypt, called akhetaton or amarna t h e g a l e e n c y c l o

old traditions and believed in a time when the dynasties of egypt would be restored in all their magnificence. t h e g a l e e n c y c l o p e d i a o f t h e u n u s u a l a n d u n e x p l a i n e d 260 mystery religions and cults it was during this time that the priests began to propagate the legend of isis, goddess of enchantment and magic, and her husband osiris, father of the great war god horus, finally conqueror of northern upper egypt. osiris came into conflict with set, who killed and dismembered him, scattering his body parts in the nile. death didn t eliminate osiris, for isis, incarnation of the divine mother goddess, used her magic to put him back together. osiris and his doctrines were concerned with the problems of life, death, resurrection, and an afterlife. the initiate

THE GALE ENCYCLOPEDIA OF THE UNUSUAL UNEXPLAINED VOL 3

beings, appear to be the only common denominator in primitive art around the planet. these werewolves, were-lions, and werebats belonged to an imagined world which early humans saw as powerful, dangerous, and frightening. images of these creatures persisted into the historical period. the ancient egyptians often depicted their gods as human-animal hybrids. pharaoh identified himself with the god horus, who could be represented as a falcon or a falcon- headed human. anubis, the god of the necropolis, can be shown as a jackal-headed man, probably because such carrion-eating jackals prowled egyptian cemeteries. many other civilizations felt the power of these kinds of images. for example, the ancient greeks fashioned the minotaur (half-human, halfbull, the satyr (half-human, half-goat, the h

nd has ever created. when modern anthropologists or archaeologists enter the caves with electric lights, he said, the paintings are still frightening. once humankind s psyche had absorbed such hybrid monsters from the stone age, it continued to fashion human-animal deities of great power, such as the gods of ancient egypt, which included the cat goddess bast, the canine-headed anubis, the hawkman horus, and so on. from such were-beings, it was a natural progression to fashion other mystical creatures, such as the minotaur (half-human, half-horse, the satyr (half-human, half-goat, the harpy (half-woman, half-bird, and a host of other hybrid entities the vast majority unfavorably disposed toward humankind. and somewhere along the way, certain people developed a genetic disorder known as porp

relationship with one another and with the infinite intelligence that pervades and controls the universe. fry remained active as a lecturer in the flying saucer movement until his death in 1992 and directed one of the largest of the ufo groups, comprising more than 60 units. m delving deeper fry, daniel w. to men of earth. elsinore, calif: el cariso, 1973. the white sands incident. madison, wis: horus house, 1992. gibbons, gavin. they rode in space ships. new york: citadel press, 1957. klass, philip j. ufos explained. new york: random house, 1974. sachs, margaret. the ufo encyclopedia. new york: perigee books, 1980. story, ronald d, ed. the encyclopedia of extraterrestrial encounters. new york: new american library, 2001. betty (1920) and barney hill (1922 1969) the case of betty and barn

THE GALE ENCYCLOPEDIA OF THE UNUSUAL UNEXPLAINED VOL

beings, appear to be the only common denominator in primitive art around the planet. these werewolves, were-lions, and werebats belonged to an imagined world which early humans saw as powerful, dangerous, and frightening. images of these creatures persisted into the historical period. the ancient egyptians often depicted their gods as human-animal hybrids. pharaoh identified himself with the god horus, who could be represented as a falcon or a falcon- headed human. anubis, the god of the necropolis, can be shown as a jackal-headed man, probably because such carrion-eating jackals prowled egyptian cemeteries. many other civilizations felt the power of these kinds of images. for example, the ancient greeks fashioned the minotaur (half-human, halfbull, the satyr (half-human, half-goat, the h

wass h suddenly took possession of crowley fs wife after she had uttered something to the effect that gthey h wished to communicate with him. at the time, they were standing before the stele of revealing in the cairo museum. there followed three days of dictation by aiwass to crowley. the text of this dictation forms the book of the law (1904, which was supposed to herald the coming of the age of horus, the child. crowley won the distinction of being the gwickedest man in the world h while he was conducting an institution he called the sacred abbey of thelema. located on the island of sicily, the abbey was dedicated to the practice of magic, uninhibited sex accompanied by liberal use of drugs, and worship of ancient gnostic deities. ritual intercourse, both hetero and homosexual in nature

THE KEY TO THE MYSTERIES

rophants, as our learned and witty friend desbarolles is about to explain in an admirable book which is at present in the press, had given a complete "resume" of magical science in the human hand. the forefinger, for them, represented jupiter; the middle finger, saturn; the ring-finger, apollo or the sun. among the egyptians, the middle finger was ops, the forefinger osiris, and the little finger horus; the thumb represented the generative force,and the little finger, cunning. a hand, showing only the thumb and 151 the little finger, is equivalent, in the sacred hieroglyphic language, to the exclusive affirmation of passion and diplomacy. it is the perverted and material translation of that great word of st. augustine "love, and do what you will" compare now this sign with the doctrine of

THE MAGICIAN S KABBALAH

"shemittah, are said to last 6000 years, and are associated with the 7 sephiroth below the abyss, thus making 42,000 years (or 49,000 years if the cycle is 7000 years, leaving the last 8000 or 1000 years to complete the "great jubilee (the jubilee is a period of 50 years. it is said that we are currently in the shemittah of judgement, presided over by geburah, which matches the thelemic "aeon of horus" and the "kali yuga" of the hindu system. if this system is applied to the big bang cosmological model, then it is immediately apparent that we had exactly 50 cycles to reach the epoch of recombination, the first cosmic jubilee, and that cycle would have been that of malkuth, or manifestation! the process of gematria may be applied in a number of ways to this sephiroth, as follows: geburah i

dim, equalling 654, as do lhtim (secret arts, enthusiasm, witchcraft) and dmdvm (twilight, dim light. this again suggests the mastery of practical magic as the skill attained in the initiatory system. the twilight follows the day of tiphareth and precedes the night of the abyss during the ascent of the tree. the gods associated with geburah are those of a martial nature, such as thor, ares, mars, horus, and montu. obviously, warfare and revenge are amongst the attributes given to such deities, but one should also see that geburah embodies strict rulership and kingly attributes as well. despite their superficiality, the "conan" adventure stories of robert e. howard depict the translation of the barbarian aspects of geburah into those required by the just king of a realm (learning when to ho

ath atu connecting netzach to tiphareth. nuit resided in the "lower mansion of heliopolis, which is the house of the sun, and again refers to netzach's relationship to tiphareth, to which the sun is ascribed. she also was responsible for keeping the forces of chaos breaking through into the world, which denotes netzach function in maintaining a regularity to the expansions of chesed. harmachis is horus of the horizon, and is connected with the sphinx, which in turn is symbolic of the four elemental sephiroth. the horizon is that of the veil of paroketh. the sephirah embodies the energies of transmutation through sacrifice, hope and rebirth. this sequence is explored in the appropriate ritual of the sapphire temple given later. chapter eleven; hod, the crystal watercourse in the psyche, hod

THE MIDDLE PILLAR

iation of opposing forces. it is this which has been called the development of the golden flower.10 before proceeding further, it is a very interesting piece of speculation to consider the trinities of various religions. most of them resolve themselves when all theological argument and intellectual quibbling are eliminated, into some such relationship as father, mother, and son. osiris, isis, and horus are an excellent example. this is true also of the christian system where, upon careful consideration we find the holy ghost defined as a feminine aspect of godhead.11 and in the hebrew qabalah we have the trinity on the tree of life of chesed("mercy, gevurahl2("might) and tiphareth("equilibrium" or "beauty. co-relating this latter triad with traditional symbolism, chesed is masculine, refer

it is the way of the reconciler, path between the two pillars, that balanced and in which the candidates of the ancient initiation at the major crisis and climax of their initiation. of bringing to birth the golden sun of tiphareth, beauty and harmony who is the t h d person of that one system nowadays15 conceives of the great of the recognition of the crowned and the two pillars of the temple 11 horus-he who, while partaking necessarily of the nature of both the father and the mother, is simultaneously an entirely different and unique being. through the result of the union of opposing forces, his nature tends to a new viewpoint in the conquest of life. for the father and mother are "those forces whose reconciliation is the key of life."l6 to illustrate in another way the import of ths con

ove me shines tau nudjer("the star of godu).28 repeat the egyptian qabalistic cross as in the beginning. egyptian banishing rituals alternative versions the student may choose to replace the pentagram in the above ritual with symbols that retain a more egyptian character. rather than tracing the pentagram in the four quarters, the magician could draw the sign of the ankh or the wedjat (the eye of horus. both were considered powerful amulets for protection. the ankh is the symbol of eternal life, while the wedjat is the symbol for health, wholeness, protection, and general well-being (see figure 14, p. 198) to trace the ankh in the air before you, start on the left side at the point where the circle meets the crossbar and, drawing in a clockwise motion, trace the circular "head" of the ankh

r before you, start on the left side at the point where the circle meets the crossbar and, drawing in a clockwise motion, trace the circular "head" of the ankh. next, trace the shaft of the ankh, leading from the middle of the crossbar to the lowest point of the shaft. finally, start at the left point of the crossbar and move straight across to the right point of the crossbar. to trace the eye of horus in the air before you, start at the left point of the eyebrow line and trace clockwise. next, trace the outline of the eye itself, starting from the left and proceeding clockwise, around the pupil, and back around the bottom of the eyelid, ending at the left side of the eye near the starting point. then trace the lowermost line of the figure starting from the right-hand point and tracing tow

of the eyebrow line and trace clockwise. next, trace the outline of the eye itself, starting from the left and proceeding clockwise, around the pupil, and back around the bottom of the eyelid, ending at the left side of the eye near the starting point. then trace the lowermost line of the figure starting from the right-hand point and tracing toward the left. projection sign sign of silence eye of horus the ankh the cross circled cross figure 14: ritual signs and symbols of protection. the pentagram 199 a greek banishing pentagram ritual the greek qabalistic cross (stauros kabalistikos) stand and face east. imagine a brilliant whte light touching the top of your head. reach up with the index finger or blade of a dagger to connect with the light and bring it to the forehead. touch the forehe

THE NECRONOMICON SIMON VERSION

reference in the book of revelation "the beast 666, was his mother, and he eventually took this appellation to heart. he changed his name to aleister crowley while still at cambridge, and by that name, plus "666, he would never be long out of print, or out of newspapers. for he believed himself to be the incarnation of a god, an ancient one, the vehicle of a new age of man's history, the aeon of horus, displacing the old age of osiris. in 1904, he had received a message, from what lovecraft might have called "out of space, that contained the formula for a new world order, a new system of philosophy, science, art and religion, but this new order had to begin with the fundamental part, and common denominator, of all four: magick. in 1937, the year lovecraft dies, the nazis banned the occult

THE BOOK OF GATES

ing over mr. sharpe's further remarks, which assert that the sarcophagus was made in the year b.c. 1175, we must consider briefly the arrangement of the texts and scenes upon the insides and outsides of the sarcophagus and its covers. on the upper outside edge of the sarcophagus runs a single line of hieroglyphics which contains speeches supposed to be made to the deceased by the four children of horus; this line is in two sections, each of which begins at the right hand side of the head, and ends at the left hand side of the foot. below this line of hieroglyphics are five large scenes, each of which is divided into three registers, and these are enclosed between two dotted bands which are intended to represent the borders of the "valley of the other world" on the inside of the sarcophagus

use, which shall be doubly established, by the command of ptah, by the command of ra himself" speech of anpu "i am anpu, who dwelleth in (or, with) the funeral chest" he saith "mother isis descendeth. bandages for me, osiris, king men-maat-ra, whose word is maat, son of the sun, seti mer-en-ptah, whose word is maat, from him that worketh against me" speech of tuamatef "i am tuamatef, i am thy son horus, i love thee, and i have come to avenge thee, osiris, upon him that would work his wickedness p. 51 upon thee, and i will set him under thy feet for ever, osiris, king, lord of the two lands, men-maat-ra, son of the sun [proceeding] from his body, loving him, lord of crowns (or, risings) seti mer-en-ptah, whose word is maat, before the great god" to be said "ra liveth, the tortoise dieth! st

m he loveth, lord of diadems, seti mer-en-ptah, whose word is maat. thy mother nut hath added the magical powers which are thine, and thou art in her arms, and thou shalt never die. lifted up and driven away are the calamities which were to thee, and they shall never [more] come to thee, and shall never draw nigh unto thee, osiris, king, the lord of the two lands, men-maat-ra, whose word is maat. horus hath taken up his stand behind thee, osiris, son of ra, lord of diadems, seti mer-en-ptah, whose word is maat, for thy mother nut hath come unto thee; she hath purified (or, washed) thee, she hath united herself to thee, she hath supplied thee as a god, and thou art alive and stablished among the gods" v. the great goddess nut saith "i have endowed him with a soul, i have endowed him with a

whose word is maat [the chapter of causing the soul to be united to its body in the underworld] 1 hail, ye gods who bring (anniu [hail] ye gods who run (pehiu [hail] thou who dwellest in his embrace, thou great god, grant thou that may come unto me my soul from wheresoever it may be. if it would delay, then lot my soul be brought unto me from wheresoever it may be, for thou shalt find the eye of horus standing by thee like those watchful gods. if it lie down, let it lie down in annu (heliopolis, the land where [souls are joined to their bodies] in thousands. let my soul be brought p. 67 unto me from wheresoever it may be. make thou strong, o guardian of sky and earth, this my soul. if it would tarry, do thou cause the soul to see its body, and thou shalt find the eye of horus standing by

ummied form, and wearing on his head the crown of the south, standing on a serpent, and partially covered by the earth of a mountain; his head only is above the ground, and he stands in a naos with a vaulted dome. his name or title, khent amenti, is written by his side. before the shrine is a flame-goddess in the form of a uraeus, and behind her are twelve gods, who stand in front of heru-ur (or, horus the aged, the haroeris of the later greek writers. heru-ur is in the form of a hawk-headed p. 133 man, who leans on a staff. behind the shrine which contains osiris stand twelve gods, who are described as "the gods who are behind the shrine" behind, or by the side of these, are four pits or hollows in the ground, by the side of each of which stands a god, with his body bent forward in adorat

THE GOD SET

gauge that seperate it from other semitic languages including ba, ka, neter, etc. if somebody really wants to find the roots of the egyptian religion, they should go up the nile and do some serious anthropology among hamitic speaking native cultures- the roots of the nile may hold keys to egyptian thought that mute stones do not. archaic egypt: set generally occupies a secondary role to his enemy horus, champion of the people of the north (except in the 2nd dynasty when one pharaoh took a "set" name rather than a horus name) set is intimately connected with teaching astronomy,the methods of agriculture, medicine, and above all magic. he is said to have opened the mouth of the other gods, and is the patron of the sem ritual. his cult titles include "great of magic" and "eternal. there is in

his cult titles include "great of magic" and "eternal. there is indeed evidence that set is set apart from other gods to die (bonnet's commentaries on the pyramid texts. the astronomical cult, which placed the afterlife in the region of the northern heavens- particularly in and around the constellation of the great bear was replaced in the fourth dynasty by a growing sun cult centering on re and horus. the great stellar monument that imhotep designed were replaced by the solar pyramids of the fourth and fifth dynasty's (notably cheops took no chances in the great pyramid's design- although outwardly a solar monument he had a hole bored through the stones aligned with the position of alpha draconis (a star in the great bear called thuban "the subtle one" a set cult title) just in case that

htmares, desert fiends, and bad animals such as the hippo and the jaguar of the south. he is mentioned in a famous 12th dynasty writing called the discourse of a man with his ba in which his solar aspect iaa is referred to. bikka reed has a great translations of this text. in the 18th dynasty a remarkable pharoah hatshepsut reintroduced the worship of set by building a temple dedicated to him and horus the elder at ombos. this marked a strong interest in set's eternal nature, for example in hatshepsut is the prophecy (which she had placed in her tomb at der el-medina) that "she will not only enjoy the days of horus, but the days of set will be added to her span" she was also interested in the antinomian nature of the set cult- in fact she preformed one of the most scandalous acts available

THE SECRET RITUALS OF THE OTO

t rituals of the o.t.o. the nature of thelemite religion and the story of how it came into existence are now too well known for it to be worth while recounting at length. suffice to say that in 1904 crowley received a direct voice communication entitled, the book of the law, an intensely beautiful prose-poem in three short chapters purporting to give an initiated interpretation of the new aeon of horus, or, as it is now often called, the age of aquarius .20 under crowley s influence the rituals of the o.t.o. were revised in order to conform to the book of the law; simultaneously crowley produced the gnostic mass (for both the o.t.o. and reuss s gnostic catholic church) and, at reuss s request, revised some of the o.t.o. instructional material pertaining to the ninth degree.21 reuss resigne

spake in his name toum and said. i copulated with my fist, i emitted semen into my shadow, i ejaculated into my own mouth, i sent forth issue as shu, i poured myself out as tefnut. shu and tefnut. brought to me my eye. i wept over them: mankind came into being from the tears which came forth from my eye. shu and tefnut brought forth keb and nut, and keb and nut brought forth osiris and the blind horus and set and isis and nephthys from the belly, one after another, and they brought forth their multitudes upon this earth. and again: i copulated with my fist, my heart came to me into my hand, the semen fell into my mouth. i sent forth issue as shu, i poured myself out as tefnut: from one god i was three gods. thus then did the sun formulate male and female, whose children are earth and heav

image of babalon. 8. the eye within the triangle. 9. the rosy cross. 10. the image of harpocrates upon the lotus, or standing upon crocodiles. 11. the image of babalon with the phallic reference om mani padme hum. file//c /documents%20and%20settings/michael..secret%20rituals%20of%20the%20o.t.o/p3c2.html (10 of 12 [12/28/2001 2:05:25 pm] the secret rituals of the o.t.o. 12. the figure of isis with horus. 13. the crucifix, but only if its solar-phallic significance be most firmly grasped, and if it be a shield of secrecy against the vulgar. 14. talismans appropriate to this matter. 15. a living flame. 16. the symbols and insignia of the o.t.o. which your degree entitles you to bear. magical rings and neck-jewels should also be worn by night and day. the rituals of defence and protection shou

THOUGHTS ON SETH

which are written in this book. 22:20 he which testifieth these things saith, surely i come quickly. amen. even so, come, lord jesy thoughts on seth (in het-nuit temple work) by fra. ananael od caosgo[ from: www.osogd.org] since we've placed seth on the throne of the west, i'd like to do more research on him since it's (obviously) lacking in the original gd materials. seth only gets mentioned as horus' evil uncle, and implies simply that horus kicked seth's butt and that makes him the baddest god of all and the avenger of evil, etc. etc. the mythology we discussed on saturday morning tells how horus made peace with seth after thoth helps him rediscover his true nature. this is nowhere in any gd materials i can find. as far as the stella matutina (as recorded in regardie's books) goes, set

and the avenger of evil, etc. etc. the mythology we discussed on saturday morning tells how horus made peace with seth after thoth helps him rediscover his true nature. this is nowhere in any gd materials i can find. as far as the stella matutina (as recorded in regardie's books) goes, seth is simply the golden dawn's "satan" in the christian sense of the word. this won't do (note: the idea that horus could ever completely defeat and destroy seth is nonsense anyway. seth is the foundation of the material realm. seth is form and structure. he unlies malkuth in such a way that were he removed, reality itself would collapse into the primal chaos. according to his legend, every night seth rides the barque of millions of years the solar boat and every morning before the dawn he slays apep, the

TYSON DONALD NEW MILLENNIUM MAGIC

e basic concept of choice was the varieties of possi- bility inherent in any decision. every question can yield three possible answers: yes; no; and yesino. this triplicity is expressed in all the holy trinities of gods the world has known. in christianity it is father, holy ghost, and son. in hinduism it is brahma, shiva, and vishnu. tn the faith of the ancient egyptians it was osiris, isis, and horus. symbolically it is embodied in the triskelion, a design of three appendages radiating from a center point, which occurs in such diverse cultures as the celtic, greek, and native american. 7: affirmation the seventh point is the essential yes, a rushing forth with purpose, an assertion that may be called male in character, although in manifest nature each sex embod- ies all three choices. th

three points trace the line of a circle, which has no top or bottom, illustrating that from table of triangle babylonian egyptian hindu creek roman teutonic christian motions colors elements heavens earth speech space anu osiris brahma chaos jupiter woden father linear red fire sun lightning subject up-down ea lsis siva gaea juno frija holy ghost rotary blue water moon rain verb left-right enlil horus vishnu eros minerva donar son vibratory yellow air star wind object front-back a change of perspective any point of the triangle can be made to replace any other. all spring from the unity of the first point, kether, the white head. the child is formed from the equal participation of the male and female, just as any point of the triangle gains its identity by virtue of its relationship with

e is no rea- son to stop with a ninefold division. kabbalists also divide creation into nine emana- tions that are materially embodied in the tenth. the tenth emanation then becomes the first on a lower plane of being. there are four of these planes, or worlds. but they table of nonagram c, c, n 1 2 3 4 5 6 7 8 9 i family emotions gods muses elements descriptions examples occupations cc obedience horus clio air of air childish child joseph goebbels disciples cf exuberance apollo terpsichore fire of air fatherly child sir francis drake explorers fc petulance thor thalia air of fire childish father alexander the great conquerors ff confidence love calliope fire of fire fatherly father augustus caesar rulers fm contemplation hermes euterpe water of fire motherly father king james i priests mf

TYSON DONALD SOUL FLIGHT

surface of the eyelids. before it fades, the experimenter must mentally sustain and strengthen the image, and imagine that it is becoming larger until it is large enough for him to pass through as a kind of gateway. the experimenter should stand from his chair, and with eyes still closed imagine passing through this gateway. regardie recommended the golden dawn ritual gesture known as the sign of horus-which is a reaching forward with the extended two arms as through groping in the darkness-as a way of facilitating this passage. from his comments, it appears that mathers used the gesture known as the rending of the veil, which simulates the drawing open of two panels of a closed curtain. both may be used: first the sign of horus, then the rending of the veil. it is useful to imagine the en

that haushofer was a student of the mystic gregor ivanovich gurdyev, better known as g. i. gurdjieff (c. 1866-1949 "both gurdjieff and haushofer maintained that they had contacts with secret tibetan lodges that possessed the secret of the 'superman. the lodge included hitler, alfred rosenberg, himrnler, goring, and hitler's subsequent personal physician dr. morell."15* adolf hitler and the age of horus it is doubtful that hitler himself ever engaged in astral projection or met the spiritual beings known as masters that controlled the dark occult current of national socialism. the sensationalizing writers bauwels and bergier, authors of the 1960 book le matin des magiciens, mention an anecdote related by hermann rauschning, the governor of danzig, who one day was chatting with hitler about

te viewing and the cia 123 is interesting in the context of the belief of writer gerald suster that hitler was the living fulfillment of the prophetic document received by aleister crowley titled the book of the law. this document, transmitted to crowley psychically by his guardian angel aiwass in 1904, formed the basis for crowley's later cult of thelema. it foretells of the coming of the age of horus that will sweep christianity off the face of the world in a holocaust of warfare and bloodshed. summing up his views on the almost ceaseless military conflicts that characterized the twentieth century in the context of hitler's rise to political power, suster wrote, at the conclusion of his book hitler and the age of horus, of his conviction that the violence had at its root a mysterious hid

nflicts that characterized the twentieth century in the context of hitler's rise to political power, suster wrote, at the conclusion of his book hitler and the age of horus, of his conviction that the violence had at its root a mysterious hidden force unknown to science, which he called an eruption of the demonic. after the example of aleister crowley, suster personified this force in the form of horus, egyptian god of war. it was suster's view that certain individuals had practiced magic as a way of controlling this demonic energy for their own political purposes, and that one of them was adolf hitler, whom suster called "the greatest black magician of the century."160 a black magician hitler may well have been, but it is my own view that he was a natural magician, similar in this respect

independent thought brought 175. jung, flying saucers, 15. 144 soul flight about by the emancipation of the individual was dawning that would be initiated by a horrific period of bloodshed and chaos. jung did not mention crowley, but he must have had some passing familiarity with crowley's cult of thelema. prophecies of aleister crowley in crowley's prophetic the book of the law, the warrior god horus in his form raheru- khuti (horus of behutet, which crowley chose to render as ra-hoor-khuit, spoke through crowley's spirit control, his guardian angel aiwass, these words: i am the warrior lord of the forties: the eighties cower before me& are abased i will bring you to victory &joy: i will be at your arms in battle& ye shall delight to slay. success is your proof; courage is your armour; g

TYSON DONALD THE MAGICAL WORKBOOK

lain. when his arms are raised at a sharp angle, though not quite straight overhead, with the palms turned up and in, the pose is a modified form of the sign of apophis and typhon (in this sign the palms are more usually turned outward. the posture with the right leg extended in a step and the arms held outward in front of the chest is a version of the sign of the enterer, also called the sign of horus, the projecting sign charging an object 101 and the attacking sign. when the forearms are crossed over the heart-center to form an x, the posture is very similar to the sign of osiris &sen. crowley was especially fond of using the sign of the enterer for projecting occult power. he advised that the rays from the eyes be directed along the thumbs. the hand gesture illustrated by israel regard

TYSON DONALD THE POWER OF THE WORD

n" telocvovim (him-that-is-fallen, who is mighty coronzon, or lucifer. the notion that the firmament of heaven is sustained above the floor of the world by four supports is very old. the ancient egyptians believed that 182 tetragrammaton four pillars supported the sky at the cardinal points. later these pillars became the scepters of four gods "four elder spirits who dwell in the locks of hair of horus" namely amset (south, hap (north, tuamutef (east, and qebhsennuf (west. the supporting pillars were formed from the hair of horus, whose head was the heavens and whose eyes were the sun and moon (see budge, gods of the egyptians, vol. i, pp. 157-8. each of the sets of angels described in kelley's vision has a corresponding set of enochian names which are extracted by various techniques from

g before it is perfected, and the world as we know it ends. one magician who worked the keys with single-minded ardor during the early part of the twentieth century was aleister crowley, a former member of the hermetic order of the golden dawn. it is perhaps no coincidence that from childhood crowley had called himself the "great beast" and saw his role in life as the herald of the coming aeon of horus, an age of warfare and destruction soon to sweep the face of the world. in 1909 crowley conducted a series of rituals to invoke the angels of the enochian keys in the desert of north africa (see the confessions of aleister crowley, chapter 66. it is possible that he succeeded in opening the gates of the four watchtowers a small crack, and that the continuing warfare, crimes and moral decay t

e aethers will pay attention to the magician. as a mere human being, the magician is under the authority of the heavens; as the messiah incarnate, the heavens fall under his or her authority. the eyes of god are the sun and moon, the "brightness of the heavens" in astrology, these are called the great lights, to distinguish them from the lesser lights, the planets. many egyptian gods, such as ra, horus, and ptah, possessed the sun and moon for eyes. the sun is the right eye and the moon the left eye of god. the heavens are only fulfilling their appointed function in vexing the earth. what, then, does god have against her? in the key, words are put into the mouth of god to explain and justify the function of the heavens of appendix a: the keys 233 the aethers. first, god delivers his condem

UNLEASHING THE BEAST

the book of the law announces the dawn of the third aeon of mankind: the first aeon was that of the goddess isis, centered around matriarchy and the worship of the great mother; the second aeon was that of osiris, during which the patriarchal religions of suffering and death- i.e, judaism and christianity- rose to power. finally, with the revelation of the book of the law, a new aeon of the son, horus, was born "in this aeon the emphasis is on the self or will, not on anything external such as gods and priests."xix the peak of his magical career- and also of his infamy as the wickedest man alive- was in the period after 1920, when he founded his own ideal spiritual community called the abbey of thelema at a farmhouse in cefalu, sicily. the original inspiration derived from rabelais' class

WALLIS BUDGE E A LEGENDS OF THE EGYPTIAN GODS

d brief descriptions of the contents of the egyptian texts, in which their general bearing and importance are indicated, and references given to authoritative editions of texts and translations. e. a. wallis budge. british museum, november 17,1911. contents chapter i. the legend of the creation ii. the legend of the destruction of mankind iii. the legend of ra and the snake-bite iv. the legend of horus of edfu and the winged disk v. the legend of the origin of horus vi. a legend of khensu nefer-hetep and the princess of bekhten vii. the legend of khnemu and a seven years' famine viii. the legend of the death and resurrection of horus ix. the legend of isis and osiris according to classical writers list of plates and illustrations on or following page: the history of creation i. horus holdi

the origin of horus vi. a legend of khensu nefer-hetep and the princess of bekhten vii. the legend of khnemu and a seven years' famine viii. the legend of the death and resurrection of horus ix. the legend of isis and osiris according to classical writers list of plates and illustrations on or following page: the history of creation i. horus holding the hippopotamus-fiend with chain and spear ii. horus spearing the hippopotamus-fiend iii. horus spearing the hippopotamus-fiend iv. horus and isis capturing the hippopotamus fiend v. horus on the back of the hippopotamus-fiend vi. the slaughter of the hippopotamus-fiend vii. horus of behutet and ra-harmakhis in a shrine viii. horus of behutet and ra-harmakhis in a shrine ix. ashthertet in her chariot x. horus holding captive foes and spearing

ppopotamus-fiend iii. horus spearing the hippopotamus-fiend iv. horus and isis capturing the hippopotamus fiend v. horus on the back of the hippopotamus-fiend vi. the slaughter of the hippopotamus-fiend vii. horus of behutet and ra-harmakhis in a shrine viii. horus of behutet and ra-harmakhis in a shrine ix. ashthertet in her chariot x. horus holding captive foes and spearing typhonic animals xi. horus spearing human foes xii. horus spearing the crocodile xiii. horus in the form of a lion xiv. the procreation of horus, son of isis. xv. the resurrection of osiris. xvi. the bekhten stele xvii. the metternich stele--obverse xviii. the metternich stele--reverse introduction i. the legend of the god neb-er-tcher, and the history of creation. the text of the remarkable legend of the creation whi

ming of light was to separate them. as long as the sun shone, i.e, as long as it was day, nut, the skygoddess, remained in her place above the earth, being supported by shu; but as soon as the sun set she left the sky and gradually descended until she rested on the body of the earth-god, keb [fn#4] pepi i, l. 466. the embraces of keb caused nut to bring forth five gods at a birth, namely, osiris, horus, set, isis, and nephthys. osiris and isis married before their birth, and isis brought forth a son called horus; set and nephthys also married before their birth, and nephthys brought forth a son named anpu (anubis, though he is not mentioned in the legend. of these gods osiris is singled out for special mention in the legend, in which khepera, speaking as neb-er-tcher, says that his name is

n passed through his veins like fire, he said "isis shall search in me, and my name shall pass from my body into hers" at that moment ra removed himself from the sight of the gods in his boat, and the throne in the boat of millions of years had no occupant. the great name of ra was, it seems, hidden in his heart, and isis, having some doubt as to whether ra would keep his word or not, agreed with horus that ra must be made to take an oath to part with his two eyes, that is, the sun and the moon. at length ra allowed his heart to be taken from his body, and his great and secret name, whereby he lived, passed into the possession of isis. ra thus became to all intents and purposes a dead god. then isis, strong in the power of her spells, said "flow, poison, come out of ra. eye of horus, come

WEOR SAMAEL AUN ESOTERIC COURSE OF KABBLAH

th arcanum of the tarot corresponds to this lecture. the hieroglyphic of this arcanum is a beautiful woman crowned with the sacred sign of infinity and who very gently (with olympic serenity) closes with her own hands the jaws of a furious lion. divine kings thrones were adorned with lions made out of massive amounts of gold. the gold signifies the sacred fire of the kundalini; this reminds us of horus18, oro [spanish for gold. we need to transmute the lead of the personality into the gold of the spirit and this work is only possible within the alchemist s laboratory. when the alchemist fledgling is crowned, he transforms himself into a god of fire; it is then that he opens with his own hands the terrible jaws of the furious lion. the potable gold of alchemy is the sacred fire of the holy

e sacred fire, and then learn how to project it. the key to this is the connection of the membrum virile with the genitalia murielis, quietude of the membrum virile and the genitalia murielis, and the use of a very gentle movement occasionally. transmuting the animal instincts into willpower; the sexual passion into love, the lustful thought into comprehension, and vocalize the secret mantras. 18 horus: pronounced ah-oh-rue-sss in gnosis arcano xi corresponde a esta lecci n el estudio del arcano once del tarot. el jerogl fico de este arcano es una mujer hermosa coronada con el signo sagrado del infinito, que tranquilamente y con una serenidad ol mpica, cierra con sus propias manos las fauces de un furioso le n. los tronos de los reyes divinos estuvieron adorna-dos con leones de oro macizo

lecci n el estudio del arcano once del tarot. el jerogl fico de este arcano es una mujer hermosa coronada con el signo sagrado del infinito, que tranquilamente y con una serenidad ol mpica, cierra con sus propias manos las fauces de un furioso le n. los tronos de los reyes divinos estuvieron adorna-dos con leones de oro macizo. el oro significa el fuego sagrado del kunda-lini. esto nos recuerda a horus, oro. necesitamos transmutar el plomo de la personalidad en el oro del esp ritu, ste trabajo s lo es posible en el laboratorio del alkimista. cuando el pich n del alkimista es coronado, se transforma en un dios del fuego, entonces abre con sus propias manos las fauces terribles del furioso le n. el oro potable de la alkimia es el fuego sagrado del esp ritu santo. ser a imposible el ligamen d

WICCA EIGHT SABBATS OF WITCHCRAFT

luther and john calvin abhorred it, why the puritans refused to acknowledge it, much less celebrate it (to them, no day of the year could be more holy than the sabbath, and why it was even made illegal in boston! the holiday was already too closely associated with the birth of older pagan gods and heroes. and many of them (like oedipus, theseus, hercules, perseus, jason, dionysus, apollo, mithra, horus and even arthur) possessed a narrative of birth, death, and resurrection that was uncomfortably close to that of jesus. and to make matters worse, many of them pre-dated the christian savior. ultimately, of course, the holiday is rooted deeply in the cycle of the year. it is the winter solstice that is being celebrated, seed-time of the year, the longest night and shortest day. it is the bir

WICCA WITCHCRAFT TODAY

lth and power. writers say that this would seem to be a garbled account of a ceremony of death and resurrection, perhaps seen by some outsider. there are many ancient legends of such heads or skulls: that of bran the blessed in the mabinogion, the bleeding head in the story of peredur, and others, all bringers of victory and prosperity, reminiscent of the old legends of adonis and astarte, and of horus who was begotten by the dead osiris. the templars may have attempted practices which, while sheer heresy to a witch, were founded on her methods. witches teach that to work magic you must start with a couple, a male and a female intelligence being necessary, and they must be in sympathy with each other; and they find that in practice they become fond of each other. sometimes it is undesirabl

WILLIAM WESCOTT GOLDEN DAWN HISTORTY LECTURE

efly in privacy and in the presence of two or three members, so there is no accurate record of name and rank of all these members. soon after the formation of temple no. 3, permission was granted for the consecration of osiris temple no. 4 at weston-super-mare under rule of v.h. frater "crux dat salubrem" and the west of england has been assigned to him as a province. almost at the same time, the horus temple no. 5 under the rule of v.h. fratre "vote vita mea" was also consecrated at bredford in yorkshire. these three temples have members also in the united states, hindustan, palestine, denmark, etc. the name of the order in various languages is: in hebrew: morning light shining society (chabrath (or chaorah) zoreh aour bakker) which means the society of the shining light of dawn. in latin

WILLIAM WESCOTT NUMBERS THEIR OCCULT POWER AND MYSTIC VIRTUES

ughout the world, without being struck by the peculiar persistence of the triple number in regard to divinity. whether as a group of deities, a triformed or 3- numbers--th eir occu lt power an d mys tic vir tu es by w. wyn n wes tcott headed god, a mysterious triunity, a deity of 3 powers, or a family relationship of 3 persons, such as the father, mother and son of the egyptians, osiris, isis and horus. and again in the various faiths we see the chief dignity given in turn to each person of the triad. some rejoice in the patriarchal unity, some in the greater glory of the son, and others again lavish all their adoration on the great mother. even in trinities of coequal males, each has his own special worshippers. note this especially among the hindus, where for example, the followers of vi

sos, axiokersa and kasmillos, children of sydyk, are named by sanchoniathon and quoted by eusebius. in the ancient egyptian form of burial, while the body was made into a swathed mummy, the internal organs of the chest and abdomen were removed and preserved in 4 jars, often called the canopic jars; they were dedicated to the 4 genii of the cardinal points, who were at times called the children of horus. the jar of amset, amesheth or mestha, the south, was man-shaped, and in it were put the stomach and large intestines; in the jar of hapi, or ahephi, the north, dog-headed, were the small intestines; in the jar of tuamutef or toumathpath, the east, jackal-headed, were the heart and lungs, and in the jar of khebsenuf or kabexnuf, hawk-headed, the west, were the liver and gall bladder. these v

WILLIAM WESCOTT THE CHALDEAN ORACLES OF ZOROASTER TRANSLATION

ibutes the authorship to the persian zoroaster_ 2. theurgists assert that he is a god and celebrate him as both older and younger, as a circulating and eternal god, as understanding the whole number of all things moving in the world, and moreover infinite through his power and energizing a spiral force. proclus on the tim us of plato, 244. z. or t. the egyptian pantheon had an elder and a younger horus a god son of osiris and isis. taylor suggests that he refers to kronos, time, or chronos as the later platonists wrote the name. kronos, or saturnus, of the romans, was son of uranos and gaia, husband of rhea, father of zeus_ 3. the god of the universe, eternal, limitless, both young and old, having a spiral force. cory includes this oracle in his collection, but he gives no authority for it

the soul, and the soul in dull body, even so the father of gods and men placed them in us. proclus in tim, plat, 124. z. or t. 19. natural works co-exist with the intellectual light of the father. for it is the soul which adorned the vast heaven, and which adorneth it after the father, but her dominion is established on high. proclus in tim, 106. z. or t. dominion, krata: some copies give kerata, horus. 20. the soul, being a brilliant fire, by the power of the father remaineth immortal, and is mistress of life, and filleth up the many recesses of the bosom of the world. psellus, 28; pletho, 11. z. 21. the channels being intermixed therein she performeth the works of incorruptible fire. proclus in politica, p. 399. z. or t. 22. for not in matter did the fire which is in the first beyond enc

WORKBOOK FOR GRADE 0 VOID AND THE ABYSS

om the north, i invoke the force of set, being my shadow of self let the blackened flame illuminate from this very forge! from the west, i invoke the force of anubis, the opener of the way let the violet light of the dead empower my spirit! from the south, i invoke the force of thoth, whose lamp illuminates my path 4 let the fires of wisdom and self-discover guide my path! from the east, i invoke horus, being the fire and strength of spirit reveal thy essence as azal'ucel, the fiery djinn of change and rebellion! cain, bringer of the cauldron of change and self transformation do protect my very being of self, that i may grow and ascend in our family born of witch blood pure. i seek the coils of leviathan, the darkend grave earth of ahriman and the dream plane of lucifer. allow the gates to

WORKING CEPHALOEDIUM VERSION 1

f the house of god' 4. it is the third equilibrating path on the tree. as stability is only perfec t as infinite change (see xith aethyr) so construction is only solid if based o n war. 5``i am a god of war' etc. is ra hoor khuit. 6. the word in the mouth is 93: aiwaz is the lord of the fortress or house of god, which is the abbey of thelema. 7. aiwaz is spelt ayin, the eye, i.e. that of shiva or horus, the meatus penis and the anus; yod, the phallus, spermatozoon; and hand, vau, the fertility of the testes and uterus as well as the nail of the mentula, being taurus the cow isis and the bull apis or shiva, the son in tetragrammaton, the redeemer by rep roduction, the mithraic bull of resurrection and initiation in the strength of the body. and lastly zain is the sword of the phallus, and g

ility of the testes and uterus as well as the nail of the mentula, being taurus the cow isis and the bull apis or shiva, the son in tetragrammaton, the redeemer by rep roduction, the mithraic bull of resurrection and initiation in the strength of the body. and lastly zain is the sword of the phallus, and gemini the double se xual nature, the murder-lust between the incestuous twins cain and abel, horus and set or harpocrates, osiris and typhon, etc. and gemini is the airy pulse th at gives a basis for the voice of the messenger, the menstruum of the holy ghos t, the swing of the motion of love, the house of the sun in may, when he impreg nates maia with mercurius whose mouth uttereth his father. and zain spelt fully is 67, the number of binah the all-mother. ayin is moreover the devil of l

mighty redemption and nourish ment of love, for nuith the womb of space wherein her lord worketh his work. by this cometh forth the sign of the child, the star-cluster of the twins, un der hermes the word, airy, elastic, bisexual, eternally young, the lovers born of one womb, made two that by love they may make themselves one. so then in this name aiwaz is every rite of the magick of the aeon of horus d eclared in detail, and in his number 93 is shewn forth not only the word of the law, but the ways of the word and the mysteries of truth. this name then and this number shall be the glyph hieratic to unlock the fort ress of the aeon; captain is he of all the hosts of mars, and ra hoor khuit cro wned king in that palace of force and fire. set, the beast, for ayin; thoth, al astor the logos

hall bear a golden cup for wine, blood, or poison& be girt with a sword, as it is written in the "book of the law" she shall wear a girdle of white or of mixed colours. in her hair she shall wreathe her serpent. 2. the beast shall wear an orange slip& sash as proper to (a) hod (b) the sun (c) gemini: for he is prophet of the gods& he is the beast 666, of the sun& he is innocent, a child, even, as horus-harpocrates, with the double function in love. over this shall he wear the robe of blue for nuit lined with scarlet for hadith& the sun is gold on his breast. he shall wear the crimson cap for binah, that covereth him, with the white cross of john for kether. he shall wear his ring of a magus& his rosy cross. he shall bear the wand of obeah, with its janus-head of man& woman& its four snakes

WORKING CEPHALOEDIUM VERSION 2

of the house of god' 4. it is the third equilibrating path on the tree. as stability is only perfect as infinite change (see xith aethyr) so construction is only solid if based on war. 5``i am a god of war' etc. is ra hoor khuit. 6. the word in the mouth is 93: aiwaz is the lord of the fortress or house of god, which is the abbey of thelema. 7. aiwaz is spelt ayin, the eye, i.e. that of shiva or horus, the meatus penis and the anus; yod, the phallus, spermatozoon; and hand, vau, the fertility of the testes and uterus as well as the nail of the mentula, being taurus the cow isis and the bull apis or shiva, the son in tetragrammaton, the redeemer by reproduction, the mithraic bull of resurrection and initiation in the strength of the body. and lastly zain is the sword of the phallus, and ge

rtility of the testes and uterus as well as the nail of the mentula, being taurus the cow isis and the bull apis or shiva, the son in tetragrammaton, the redeemer by reproduction, the mithraic bull of resurrection and initiation in the strength of the body. and lastly zain is the sword of the phallus, and gemini the double sexual nature, the murder-lust between the incestuous twins cain and abel, horus and set or harpocrates, osiris and typhon, etc. and gemini is the airy pulse that gives a basis for the voice of the messenger, the menstruum of the holy ghost, the swing of the motion of love, the house of the sun in may, when he impregnates maia with mercurius whose mouth uttereth his father. and zain spelt fully is 67, the number of binah the all-mother. ayin is moreover the devil of lust

e mighty redemption and nourish ment of love, for nuith the womb of space wherein her lord worketh his work. by this cometh forth the sign of the child, the star-cluster of the twins, under hermes the word, airy, elastic, bisexual, eternally young, the lovers born of one womb, made two that by love they may make themselves one. so then in this name aiwaz is every rite of the magick of the aeon of horus declared in detail, and in his number 93 is shewn forth not only the word of the law, but the ways of the word and the mysteries of truth. this name then and this number shall be the glyph hieratic to unlock the fortress of the aeon; captain is he of all the hosts of mars, and ra hoor khuit crowned king in that palace of force and fire. set, the beast, for ayin; thoth, alastor the logos, for

hall bear a golden cup for wine, blood, or poison& be girt with a sword, as it is written in the "book of the law" she shall wear a girdle of white or of mixed colours. in her hair she shall wreathe her serpent. 2. the beast shall wear an orange slip& sash as proper to (a) hod (b) the sun (c) gemini: for he is prophet of the gods& he is the beast 666, of the sun& he is innocent, a child, even, as horus-harpocrates, with the double function in love. over this shall he wear the robe of blue for nuit lined with scarlet for hadith& the sun is gold on his breast. he shall wear the crimson cap for binah, that covereth him, with the white cross of john for kether. he shall wear his ring of a magus& his rosy cross. he shall bear the wand of obeah, with its janus-head of man& woman& its four snakes

ZALEWSKI GOLDEN DAWN ENOCHIAN MAGIC OCR

the white band, and circumambulate deosil three times, making the 0.0 signs each time you pass east, as shown in appendix e. halt in the east, between the pillars. face east. raise the wand to the east and say adorat ion "holy art thou, lord of the universe! holy art thou, whom nature bath not formed! holy ar t thou, vast and mighty one! lord of the light and of the darkness" perform the sign of horus, after the first three lines. perform the sign of silence, at the end of the fourth line (see appendix e. bring down the divine white brilliance (by lvx formula as shown, in appendix f, circumambulate deosil around the altar. put down the lotus wand and pick up the fire wand. continue circumambulating deosil until reaching the south again. face south and draw the invoking pentagram of spirit

ZALEWSKI SECRET INNER ORDER RITUALS OF THE GOLDEN DAWN OCR

answering to the diagram of the table of the shewbread" which was part of the old g.d. practicus adeptus minor curriculum. i frankly doubt if mathers could have done a better job of it than regardie. in fact, another three parts were drafted up which included practical uses of the angels of the bonorum and the shewstone, and the holy table. in 1986, the three chiefs of thoth hermes chartered the horus temple of the golden dawn foundation in the u.s. as an independent body, and promoted the chief of the horus temple (who was a long time friend and student of regardie) to the rank of 6=5. thoth hermes temple study course for adeptus minor 5=6 1. zelator adeptus minor 2. theoricus adeptus minor 3. practicus adeptus minor 4. philosophus adeptus minor rosea rubea et aureae crucis study curricu

ve paper by mathers shows the complexity of the energies employed within the 5=6 grade and gives some indication of the variation of energies one has to be able to recognize and control. by now it will become obvious to those who study both the outer order and inner order rituals that there are six major currents or levels of energies applied during ritual. these are the currents of: thoth, isis, horus, nephthys, osiris, and christ. these can be fused together when needed to produce a very potent force, with the currents of the minor godforms working under these main ones. all other side potencies of energies take a back seat to these energies, because it is they who give the other powers a chance to operate during ritual. how this comes about can be best explained in a speech from the neo

the veil closes, and the magus withdraws. all leave the vault. t h e e n d general notes on the 7=4 grade 1. thoth i will contemplate (sign of the word brought down to the soul from the central realisation thereof) 2. hathor with my right hand i will reach up to heaven, and my left hand i place upon earth (a sign of him who having ascended into heaven is desireous to draw all things after him) 3 horus i will turn away from evil (casting out image of matter: active detachment) 4. osiris in silence (he who sees in the great silence, the dawning truth) the four cords: amber: declares the mystery of souls yet unborn. purple: the mystery of incarnation. black: mystery of death. silver: mystery of eternal life. path tette gives power of utterance. it is the vibrating path. osiris: right forefin

llowed up in righteousness of god. pride becomes humility. the rain glorious become as a chill. the hard of heart become merciful. violence becomes meekness. malice becomes charity. wrath becomes peace making. dishonesty is forgotten in supreme truth `darkness is overwhelmed by light, till the ego of humanity merges in the 'selfhood of god''password: abider in the mountains menes theoros. signs 4 horus: casting out the image of matter. osiris: silence thoth: contemplation athor: reaching up to heaven and down to earth. the whare ra teaching of 7=4 the postulant's sphere is gradually developing from the first admission into the order. at grade of chesed, it is clearly differentiated in all its parts, but there must be further purification before one can advance and pass the veil dividing th

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