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GOD-FORM,GOD FORM,GODFORM

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ALEISTER CROWLEY ACROSS THE GULF

gods themselves. this i allowed him to think; meanwhile we went forward into the shrines and stood behind the pillars, unseen, in the prescribed position. now it chanced that the high priestess herself had this day chosen to perform the rite. this was a woman tall and black, most majestic, with limbs strong as a man s. her gaze was hawk-keen, and her brow commanding. but at the assumption of the god-form she went close and whispered into the veil, so low that we could not hear it; but as it seemed with fierce intensity, with some passion that knotted up her muscles, so that her arms writhed like wounded snakes. also the veins of her forehead swelled, and foam came to her lips. we thought that she had died; her body swelled and shuddered; last of all a terrible cry burst from her throat, i

with craft. and suspecting (aright) whose cunning had done this thing she bribed him to reverse the machinery, so that the high priest might be shamed. but shamed he was not; for he lied, saying that the god glowed page 34 gulf.txt brighter than the sun; and he lied securely, for maat the lady of truth had no place in that temple. to such foulness was all fallen by my first failure to assume the god-form, and their priestly falsehood that my sanctity had rapt me into heaven. nor had the wealth they lied to obtain availed them aught; for pharaoh had descended upon thebai, and laid heavy hand upon the coffers of the temple, so that they were poor. even, they sold good auguries for gold; and these were a very destruction to them that bought. then they sold curses, and sowed discord in the ci


ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

y essential to safety. in evocations the danger is not so great, as the circle forms a protection; but the circle in such a case must be protected, not only by the names of god and the invocations used at the same time, but by a long habit of successful defence<banishing ritual of the pentagram (say, thrice daily) for months and years and constant assumption of the god-form of harpocrates (see equinox, i, ii and liber 333, cap. xxv for both of these) should make the "real circle, i.e. the aura of the magus, impregnable. this aura should be clean-cut, resilient, radiant, iridescent, brilliant, glittering "a soap-bubble of razor-steel, streaming with light from within" is my first attempt at description; and is not bad, despite its incongruities: p "frater per

n inch you will be able to "turn on" its eyes and ears- as simply as the man with the microscope (mentioned above) can transfer his complete attention from one eye to the other. now, however unsuccessful your getting out the body may apparently have been, it is most necessary to use every effort to bring it properly back. make the body of light coincide in space with the physical body, assume the god-form, and vibrate the name of harpocrates with the utmost energy; then recover unity of consciousness. if you fail to do this properly you may find yourself in serious trouble. your body of light may wander away uncontrolled, and be attacked and obsessed. you will become aware of this through the occurrence of headache, bad dreams, or even more serious signs such as hysteria, fainting fits, po

will find it difficult to remain standing. 6. it is a sign of success, though only by the student himself is it perceived, when he hears the name of the god vehemently roared forth, as if by the concourse of ten thousand thunders; and it should appear to him as if that great voice proceeded from the universe, and not from himself. in both the above practices all consciousness of anything but the god-form and name should be absolutely blotted out; and the longer it takes for normal perception to return, the better. iv. i. the rituals of the pentagram and hexagram must be committed to memory; they are as follows "the lesser ritual of the pentagram" i. touching the forehead say ateh (unto thee, ii. touching the breast say malkuth (the kingdom, iii. touching the right shoulder, say ve-geburah

the appropriate rituals, facing each sign in turn. 8. let him at each of these 24 banishings make three circumambulations widdershins, with the signs of horus and harpocrates in the east as he passes it. 410 9. let him advance to the square of malkuth in the tau, and perform a ritual of banishing malkuth. but here let him not leave the square to circumambulate the circle, but use the formula and god-form of harpocrates. 10. let him advance in turn to the squares jesod, hod, netzach, tiphereth, geburah, chesed and banish each by appropriate rituals. 11. and let him know that such rituals include the pronunciation of the appropriate names of god backwards, and also a curse against the sephira in respect of all that which it is, for that which distinguishes and separates it from kether. 12

425 tahuti standeth in his splendour at the prow, and ra-hoor abideth at the helm. hail unto thee from the abodes of evening. 5. and after each of these invocations thou shalt give the sign of silence, and afterward thou shalt perform the adoration that is taught thee by thy superior. and then do thou compose thyself to holy meditation. 6. also it is better if in these adorations thou assume the god-form of whom thou adorest, as if thou didst unite with him in the adoration of that which is beyond him. 7. thus shalt thou ever be mindful of the great work which thou hast undertaken to perform, and thus shalt thou be strengthened to pursue it unto the attainment of the stone of the wise, the summum bonum, true wisdom and perfect happiness. 426 liber iii vel jugorum. 0<equinox i


ALEISTER CROWLEY MAGICK WITHOUT TEARS

f blue-black crags. now there appears from their recesses a gigantic being. his strength, especially in his hands and in his loins, it terrifying. he suggests a combination of lion, mountain goat and serpent; and you instantly jump to the idea that this is one of the rare beings which the greeks called chimaera. so formidable is his appearance that you consider it prudent to assume an appropriate god-form. but who is the appropriate god? you may perhaps consider it best, in view of your complete ignorance as to who he is and where you are, to assume the god-form of harpocrates, as being good defence in any case; but of course this will not take you very far. if you are sufficiently curious and bold, you will make up your mind rapidly on this point. this is where your daily practice of the

n well enough. to be on the safe side, you go through the others; but this is a very obvious case- saturn is the only planet that agrees with everything. the only other possibility will be the moon; but there is no trace noticeable of any of her more amiable magic without tears get any book for free on: www.abika.com 129 characteristics. you will therefore make up your mind that it is a saturnian god-form that you need. fortunate indeed for you that you have practiced daily the assumption of such forms! very firmly, very steadily, very slowly, very quietly, you transform your normal astral appearance into that of sebek. the chimaera, recognizing your divine authority, becomes less formidable and menacing in appearance. he may, in some way, indicate his willingness to serve you. very good

ical mode of procedure. you say to yourself: i am here to do this work in accordance with my true will. the gods have got to see to it that i'm not baulked by any blinking messenger (but take care they don't overhear you; they might mistake it for hybris, or presumption. do it all in the sign of silence, under the aegis of harpocrates, the "lord of defence and protection; be careful to assume his god-form, as standing on two crocodiles. then you increase your consumption, and at the same time put in a whole lot of extra work. if you perform this "act of truth" properly, with genuine conviction that nothing can go wrong, your messenger will arrive a day early, and bring an extra large supply. this, let me say at once, is very difficult, especially at first, until one has gained confidence i


ALEISTER CROWLEY EQUINOX EQ I 2

will find it difficult to remain standing. 6. it is a sign of success, though only by the student himself is it perceived, when he hears the name of the god vehemently roared forth, as if by the concourse of ten thousand thunders; and it should appear to him as if that great voice proceeded from the universe, and not from himself. in both the above practices all consciousness of anything but the god-form and name should be absolutely blotted out; and the longer it takes for normal perception to return, the better. 18 iv i. the rituals of the pentagram and hexagram must be committed to memory; they are as follows "the lesser ritual of the pentagram (i) touching the forehead say ateh (unto thee (ii) touching the breast say malkuth (the kingdom (iii) touching the right shoulder, say ve-gebur


ALEISTER CROWLEY EQUINOX EQ I 3 2

vent the squaring of "the circle" i went with him unto the abodes of fire, but must have fallen asleep, or nearly so. anyhow, i regained consciousness in a very singular state half consciousness being there, and half here. i recovered and banished the spirits, but was burning all over, and tossed restlessly about__very sleepy, but consumed of fire! only repeated careful assumption of harpocrates' god-form enabled me to regain my normal state. i had a long dream of a woman eloping, whom i helped, and after of a man stealing my rose cross jewel from a dressing-table in a hotel. i caught him and found him a weak man beyond natural (i could bend or flatten him at will, and then the dream seemed to lose coherence. i carried him about and found a hair-brush to beat him &c &c. query: was i totall

om and understanding are balanced in my thought! wrath in my right hand and the thunderbolts; mercy in my left hand and the fountains of delight! in my heart is aeshoori and the symbol of beauty. 71 see 5= 6 ritual "supra" 72 see "liber o" the equinox, vol i. no. 2. 73 note that the whole operation may be performed mentally and in silence, and that on each occasion of concentrating the shroud the god-form and vibration of harpocrates, as taught, may be employed. my thighs are as pillars on the right and on the left; splendour and victory, for they cross with the currents reflected. i am established as a rock, for jesod is my foundation. 273 and the sphere of the nephesch, and the palaces of malkuth are cleansed and consecrate, balanced and beautiful, in the might of thy name, adonai, to wh


ALEISTER CROWLEY EQUINOX EQ I 4

rds were flying. after this i saw a captain on his ship and also a lover contemplating his bride. the real inhabitants of this land to which i went were as of flame, and the imaginary ones were depicted as we physical beings are. then the images of my vision sped past me rapidly. i saw a mountaineer; my father preaching with me in his old home; my mother, his mother; a man doing rajayoga on white god-form. at last a wave of pale light, or rather of a silky texture passed through and over me; then one of the strange inhabitants passed through me unconscious of me, and i returned. golden dawn symbol. 14 m. three breaks. may 8th. position 1. 22 m. seven breaks. calvary cross. 50 m. did i go to sleep? 11th. designed abarahadabra for a pantacle.180 12th. i performed a magic ceremonial at night

gram and hexagram. invocation of thoth and the elements by keys 1-6182 and g. d. opening rituals. consecrated lamen crown and abrahadabra wand with great force. 16th. did the seven hb:shin of hb:shin operations. worked at a z for 5= 6 ritual.183 17th. position 1. 12 m. not good. evening invocation of mercury, chokmah and thoth. 18th. completed z for 5= 6 ritual. 117 may 19th. 1. assumption of the god-form of harpocrates: it lasted nine minutes: the result was good, for i got a distinct aura around me. 2. physical astral projection. i formed a sphere which took a human shape but rather corpse-like. i then projected a gray184 ray from the left side of my head; this was very tiring and there was no result physically. 3. concentrated on imaginary self for ten minutes, and then projected self i

orce. this cycle repeat until simulacrum is at least capable of audible speech. i tried this and started by invoking the forces of chokmah and thoth, but omitted stating purpose of operation in so many words. yet with three projections (each way) i obtained a shadowy grayness somewhat human in shape. but found difficulty where least expected- in transferring consciousness to simulacrum. may 22nd. god-form thoth. 16 m. result fair. ak sa-ak sa. during the meditation the following vision was seen. all things around me were surrounded by silver flashes or streaks. but about the human corpse which i saw before me was a pyramid of flashing light, and around me purple hangings. five silver candlesticks were brought in, and then i saw a throne with pentagram in white brilliance above it. there wa


ALEISTER CROWLEY EQUINOX EQ I 6

un. tahuti standeth in his splendour at the prow, and ra-hoor abideth at the helm. hail unto thee from the abodes of evening. 5. and after each of these invocations thou shalt give the sign of silence, and afterwards thou shalt perform the adoration that is taught thee by thy superior. and then do thou compose thyself to holy meditation. 6. also it is better if in these adorations thou assume the god-form of whom thou adorest, as if thou didst unite with him in the adoration of that which is beyond him. 7. thus shalt thou ever be mindful of the great work which thou hast undertaken to perform, and thus shalt thou be strengthened to pursue it unto the attainment of the stone of the wise, the summum bonum, true wisdom and perfect happiness. 32 liber a'ash vel capricorni pnevmatici svb figvra


DICTIONARY GLOSSARY OF OCCULT TERMINOLOGY

hat live in the depths of the earth. traditionally, they are said to guard buried treasure. gnosis: greek for "knowledge" a total gestalt comprehension of the universe and the relationship between divinity (god) and humanity. the goal of members of gnostic sects that flourished in the early centuries of the christian era. goblins: evil spirits noted for their ugly appearance and malicious habits. god-form: the outer expression or posture and mindset of a god or entity. the magician takes on the characteristics and powers of a god/entity by invoking (q.v) the god/entity through ritual. this was known in the hermetic order of the golden dawn [g.d (q.v, as assuming a god-form. gods: powerful, immortal, spiritual beings who command the lesser spirits and living creatures of the earth and the u


DION FORTUNE MYSTICAL QABALA

signed to kether that of divine union, of which it is said that those who experience it enter into the light and come not forth again. 20. in order to contact chokmah we must experience the rush of the dynamic cosmic energy in its pure form; an energy so tremendous that mortal man is fused into disruption by it. it is recorded that when semele, mother of dionysos, saw zeus her divine lover in his god-form as the thunderer, she was blasted and burnt, and gave birth to her divine son prematurely. the spiritual experience assigned to kether is the vision of god face to face; and god (jehovah) said to moses "thou canst not look upon my face and live" 21. but although the sight of the divine father blasts mortals as with fire, the divine son comes familiarly among them and can be invoked by the


DION FORTUNE PSYCHIC SELF DEFENSE

true representation of what happens. it has always appeared to me that in obsession we have not got the actual replacement of one soul by another, but the complete domination of one soul by another. it is a hypnotic domination, and we can explain it in terms of the known psychology of hypnosis, the hypnotist in the case being an astral entity. there is an operation in magic known as "assuming the god-form" in which the operator identifies himself in imagination with the god and so becomes a channel for its power. it is one of the special modes of egyptian magic wherein the priest always wore a mask to represent the animal head symbolically attributed to the god he represented. this imaginative identification is a method well known in occultism and is often employed in order to enter into t


FULL MOON RITUALS

s the horrifying mounds that she too will one day be as they are. her thirst increases. soon she passes through the charnel scene and reaches an area of taller pines and other trees bordering a lake. there the air is clear of corruption, sweet now with the scent of the water. sharon kneels on a narrow beach of cold mud and drinks deeply, bending to the life-giving liquid as a suppliant would to a god-form in a temple. water, as much an essence of life as the dirt and decay she passed over and by, refreshes her, renews her and strengthens her for the rest of her journey up the path to the castle. though the deciduous trees along the way are bare of leaves, their skeletal branches do not disturb her, but remind her that even bones can be like beautiful lace when seen with eyes that look beyo


GOLDEN DAWN RITUALS Z1

the god-forms they represent. the following are the descriptions of the god-forms of the seven officers of the neophyte grade. hierophant: osiris in the netherland. expounder of the mysteries in the hall of the dual manifestation of the goddess of truth. the hierophant is represented by two god-forms, the passive and active aspects of osiris. seated on the dais as hierophant, he is clothed in the god-form of osiris. he wears the tall white crown of the south flanked by feathers striped white and blue. his face is green, the eyes blue. from his chin hangs the royal beard of authority and judgment, blue in color and gold-tipped. he wears a collar in bands of red, blue, yellow, and black, and on his back is a bundle strapped across his chest by scarlet bands, he is in mummy wrappings to the f

he royal beard of authority and judgment, blue in color and gold-tipped. he wears a collar in bands of red, blue, yellow, and black, and on his back is a bundle strapped across his chest by scarlet bands, he is in mummy wrappings to the feet, but his hands are free to hold a golden phoenix wand, a blue crook and red scourge. the hands are green. his feet rest on a pavement of black and white. the god-form of osiris never moves from the dais. when the hierophant has to move from the dais, he is covered by the form of osiris in action--aroueris, which is built up by the past hierophant, seated on the hierophant s left. if no one is seated as past hierophant, then inner members help formulate the second god-form. aroueris: horus the elder, is very lively to look upon- like pure flames. he wea

and white pavement. praemonstrator: isis isis has a face and body of translucent gold. she is crowned with a throne over a vulture headdress of blue and orange. the vulture head is red. her robe is of blue bordered with gold. her ornaments are blue and orange, and she carries a blue ankh and a lotus wand with a green flower and a blue stem. she stands on blue and orange. cancellarius: tho-oth the god-form of thoth is built up by the cancellarius or the officer seated on the right of the hierophant. this is his visible station, but during a neophyte grade, he also has an invisible station in the east while the obligation takes place. he has an ibis head, black beak and white throat. his nemyss is yellow bordered with mauve. his collar is yellow with a middle band of squares in mauve and gre


GRERALD SCHUELER AN ADVANCED GUIDE TO ENOCHIAN MAGICK

n, but years of tradition attests to its effectiveness. crowley's liber 777 can be used to determine the necessary magical correspondences. however, the very fact that little is known of the enochian deities precludes use of this method for most invocations. it can be used effectively for the egyptian gods and goddesses of the lesser watchtower squares.in 85 this method you assume the appropriate god-form (i.e, let your 13ody of light take on the liken'ss of the god) and then enact well-known incidents that involve the desired deity while assuming the role of that deity. 86 elements of an invocation every magician must compose his ceremony in such a manner as to produce a dramatic clima at the moment when the excitement becomes ungovernable, when the whole conscious being of the magician u


HINE P OVEN READY CHAOS

star trek universe, 39 oven-ready chaos in the comfort of your sitting room. it s relatively easy to generate the star trek world, due to the plethora of books, comics, videos and roleplaying supplements which are available to support that universe. the final proof of all that being that one of my colleagues had to sit a computer exam, and was wracking his brains trying to think of an appropriate god-form to invoke upon himself to concentrate his mind on programming. mercury? hermes? and then he hit on it- the most powerful mythic figure that he knew could deal with computers was mr. spock! so he proceeded to invoke mr. spock, by learning all he could about spock and going round saying i never will understand humans until he was thoroughly spock-ified. and he got an a, so there! and so, ba


LIBER O

will find it difficult to remain standing. 6. it is a sign of success, though only by the student himself is it perceived, when he hears the name of the god vehemently roared forth, as if by the concourse of ten thousand thunders; and it should appear to him as if that great voice proceeded from the universe, and not from himself. in both the above practices all consciousness of anything but the god-form and name should be absolutely blotted out; and the longer it takes for normal perception to return, the better. iv. i. the rituals of the pentagram and hexagram must be committed to memory; they are as follows- the lesser ritual of the pentagram i. touching the forehead say ateh (unto thee, ii. touching the breast say malkuth (the kingdom, iii. touching the right shoulder, say ve-geburah


LIBER O

will find it difficult to remain standing. 6. it is a sign of success, though only by the student himself is it perceived, when he hears the name of the god vehemently roared forth, as if by the concourse of ten thousand thunders; and it should appear to him as if that great voice proceeded from the universe, and not from himself. in both the above practices all consciousness of anything but the god-form and name should be absolutely blotted out; and the longer it takes for normal perception to return, the better* see illustration in equinox vol. i. no. 1 .blind force. or the thumb, the fingers being closed. the thumb symbolizes spirit, the forefinger the element of water [note added in the version of .liber o. in magick in theory and practice. see illustration in equinox vol. i. no. 1 .t


LIBER RESH VEL HELIOS

m bonum, true wisdom and perfect happiness. 1 [for those not in communication with the a a, the adorations from liber legis, ch. iii, from gunity uttermost showed h to gabide with me, ra- hoor-khuit h may be substituted. this is not necessarily the adoration taught in the a a under crowley, or by modern groups claiming to represent the a a. t.s] 2 [this may be read as an instruction to assume the god-form of ra, hathor, tum or khephera as appropriate. see gliber o h for the practices and gods of the egyptians or other works on the subject for the traditional images of these deities. but the instruction can be interpreted in other ways, and is by some. t.s (c) ordo templi orientis. key entry &c. by frater t.s. for celephais press/ niwg. this e-text last revised 26.06.20isliber rv vel spritv


LIBER SEPTEM REGUM SANCTORUM

appropriate masks and weapons. 3 see the golden dawn adeptus minor ritual. 4 the traditional emblems of osiris. the scourge was probably a flail used for threshing grain. the script also has one speech given by the hierophant who is mentioned nowhere else. 2 (note: this ceremony can be adapted for working by two officers, the hegemon assuming each time a different coloured cloak& the appropriate god-form. but it is most desirable that the full complement of nine should assist) hail unto thee, osiris, triumphant, lord of amennta, lord of enenet! hail unto thee, all glorious sun of mercy& justice, upon whose head is the golden crown of light that is invisible to men! hail unto thee, hail unto thee, sole light in our darkness! hail unto thee through whom alone.)5 may attain unto the brotherh


REGARDIE ISRAEL THE COMPLETE GOLDEN DAWN

n the presence of a chief or other qualified adept. the making and consecration are done in the order given abwe unless it is preferred to do all the practical work first, and make arrangements for consecration as convenient <82 "part one. g. neophyte formulae. receive and copy z. 1. on the symbols and formulae of the neophyte ritual. z. 3, the symbolism of the neophyte in this ceremony. copy the god-form designs of the neophyte ritual. the written examination on the z. manuscripts may now be taken "part two. to describe to the chief or other suitable adept in the temple the arrangement of the astral temple and the relative position of the forms in it. to build up any god-form required, using the correct coptic name" the above three sections, a. b. g, completed the course prescribed for th

. on a selected question, either your own, or the examiner's, to work out a divination first by geomancy, then by horary astrology, then by the complete inner tarot system, and send in a correlated account of the result "part one. f. angelic tablets. receive and make copies of the enochian tablets, the ritual of the concourse of the forces, and the ritual of the making of the pyramid, sphinx, and god-form for any square. a written examination on these subjects may now be taken "part two. make and colour a pyramid for a selected square, and to make the god-form and sphinx suitable to it, and to have this passed by an adept. to prepare a ritual for practical use with this square, and in the presence of a chief or other adept appointed to build it up astrally and describe the vision produced

od-forms, there are invisible stations, with associated deities, which do not move in the temple and are very significant as representing the balance of opposing forces in the hall of two truths. the invisible station corresponding to the yesod, the 9th sephirah on the tree of life, immediately east of the altar which is in the upper region of malkuth in the= el temple, is the abode of a set-like god-form associated with the evil triad and at the same time with a dark reptilian god associated with typhon (see description of three in one, in "z. 3" he is the accusor, the evil genius, who would bind the candidate's soul in darkness with forces of the qlippoth. in the neophyte initiation the accusor rises from the base of the altar at the time of the soul's greatest danger. during this vulner

te initiation the accusor rises from the base of the altar at the time of the soul's greatest danger. during this vulnerable time, four invisible stations attributed to the sons of horus3 protect the vital organs, symbolic of the essential life forces, until after the oath has been taken and judgment has been passed. before the hierophant administers the oath he leaves the throne of the east. the god-form of osiris, represented by the hierophant on the throne, remains there maintaining the balance of forces in the temple. as the hierophant passes between the pillars on the way to the altar, he assumes a second form of his office which is having consented to take the obligation, is unprepared for this most delicate hase of initiation. thrice bound and hoodwinked, the seeker is graver than h

but one shall come after me who shall baptise ye with the holy ghost and with fire" this completes the names and titles of the officers of a temple and they are seven in number and may all be taken by a frater or soror. as they represent powers and not persons, the feminine form of the greek names is not usually used, for the powers are positive (male) of negative (female) according to the god-form used.-thus hierophant, hiereus, and kerux are more 342 the golden dawn: volume iii book five natural offices for fratres, while hegemon, stolistes and dadouchos are more natural for sorores -but the office itself carries no implication of sex and sometimes the psychic balance of a ceremony may be better maintained when a frater is hegemon and a soror hierophant. the hierophant must be of

al beard of authority and judgment, blue in colour and gold tipped. he wears a collar in bands of red, blue, yellow, and black <117> and on his back is a bundle strapped across his chest by scarlet bands. he is in mummy wrappings to the feet, but his hands are free to hold a golden phoenix wand, a blue crook and red scourge. the hands are green. his feet rest on a pavement of black and white. the god-form of osiris never moves from the dais. when the hierophant has to move from the dais, he is covered by the form of osiris in action- aroueris, which is built up by the past hierophant, seated on hierophant's left. if no one is seated as past hierophant, then inner members help the hierophant to formulate the second god-form. aroueris, horus the elder, is very lively to look upon- like pure

pavement. praemonstrator: isis. isis has a face and body of translucent gold. she is crowned with a throne over a vulture head-dress of blue and orange. the vulture <120> head is red. her robe is of blue bordered with gold. her ornaments are blue and orange, and she carries a blue ankh and a lotus wand with a green flower and a blue stem. she stands on blue and orange. cancellarius: tho-0th. the god-form of thoth is built up by the cancellarius or the officer seated on the right of hierophant. this is his visible station, but during a neophyte grade, he also has an invisible station in the east while the obligation takes place. he has an ibis head, black beak and white throat. his nemyss is yellow bordered with mauve. his collar yellow with a middle band of squares in mauve and green. his

uccess has been obtained in this formulation, then the vibratory formula should be assiduously practised. its results are salutary- and quite apart from the spiritual and psychic effect, which is that to be aimed at, its reaction incidentally on the physical health and vitality is so marked as almost to be miraculous. the two important adjuncts to success in ceremonial magic <156> are briefly the god-form and the vibration of the divine name. the assumption of the appropriate form of the egyptian god- or the telesmatic image especially built up by the imagination based upon the signification of the letters of the name- and the powerful vibration of the name itself by the vibratory formula of the middle pillar are bound, if all other conditions are complied with, to yield salutary results

the vibration of the divine name. the assumption of the appropriate form of the egyptian god- or the telesmatic image especially built up by the imagination based upon the signification of the letters of the name- and the powerful vibration of the name itself by the vibratory formula of the middle pillar are bound, if all other conditions are complied with, to yield salutary results. the symbolic god-form held firmly in the imagination, the name vibrated with great force- then the subsequent invocations, and the gradual materialisation or other manifestation of the force, require practically no effort. the most frequent mistake, and of course a natural one, is to concentrate upon the stated purpose of the operation. the type of invocation of the higher employed in most of the ceremonies sh

. 0 thou circle of stars whereof my genius is but the younger brother, marvel beyond imagination, soul of eternity before whom time is ashamed, the ruach bewildered, and the neschamah dark, not unto thy majesty may i attain unless thine image be love. therefore by seed and root, and by bud and leaf, and by flower and fruit of my entire being, do i invoke thee, whose name and power is love (assume god-form of amoun) 0 secret of secrets that art hidden in the being of all that lives, lord secret and most holy- source of light, source of life, source of love, source of liberty, be thou ever constant and mighty within me that i may forever remain in thine abundant joy, amoun (vibrate and circumambulate by middle pillar, thou father of all the great gods above, whose name is strength, whose bei

brate it similarly several times. 0 ye mighty ones of the sphere of yesod, i invoke ye by the mighty name of shaddai el chai, whose seat and throne ye are, and by the name of gabriel, your archangel. come unto me now, and let the magical force of yesod flow through me so that i may accomplish this work of transformation. draw sigil of kerubim in the hexagram. pause for some while, formulating the god-form of isis. in the name of shaddai el chai, i proclaim all ye powers and forces of yesod, that i, ad majorem adonai gloriam* neophyte of the golden dawn, and a frater roseae rubeae et aureae crucis, have summoned ye to my presence for the forming of a true and potent link between my human soul in malkuth and the great goddess isis, whose true abode is in the supemals, yet reflected in yesod

ou mayest be a living soul within me, and to prove my transfiguration, a body and soul of resurrection for the desire of the heavenly house hath eaten me up, and i desire to be with thee, 0 isis. 434 the golden dawn: volume 111 book six implant within me the seeds of love and understanding, so that i may prosper in the great work, and assist others to its glory. before leaving the temple with the god-form, say: in the name of yeheshuah, the redeemer, i do now suffer all spirits who may have been bound by this ceremony, and who are not now needed in the work of transformation, to depart unto their abodes and habitations, with the blessing of yhvh. having obtained the desired efect, and when the form no longer is needed, return to temple, and shatter the form with the conjuration. in and by

ast of temple. face quarter, and trace the spirit pentagram of actives and invoking pentagram of air using names as in the supreme ritual of pentagram. at the same time, imagine yourself clothed with the colossal form of fhe god aroueris, and that the words of the invocation travel out infinitely to the ends of the quarter. also imagine that the elements evoked by the pentagrams surge through the god-form, eliminating all impurities. hear me: ar; thiao; rheibet; atheleberseth; a; blatha; abeu; ebeu; phi; thitasoe; ib; thiao. hear me, and make all spirits subject unto me <261> so that every spirit of the firmament and of the ether, upon the earth and under th@earth, on dry land and in the water, of whirling air, and of rushing fire, and every spell and scourge of god the vast one may be obe

unto me <261> so that every spirit of the firmament and of the ether, upon the earth and under th@earth, on dry land and in the water, of whirling air, and of rushing fire, and every spell and scourge of god the vast one may be obedient unto me. make one complete circumambulation deosil, to formulate the angle of kether in the supernal triangle of the genius. pass to the south, assume the astral god-form of horns, and that as the invocation proceeds the fire purges you of all blemish. use spirit pentagram of actives and lnvoking pentagram of fire. i invoke thee, the terrible and invisible god who dwellest in the void place of the spirit. aragogorobrao. sothou. modorio. phalarthao. doo. ape. the bornless one. hear me and make all spirits subject unto me, so that every spirit of the firmame

h. abrasar. aeoou. ischure, mighty and bornless one. hear me, and make all spirits subject unto me, so that every spirit of the firmament and of the ether, upon the earth and under the earth, on dry land and in the water, of whirling air, and of rushing fire, and every spell and scourge of god may be made obedient unto me. circumambulate again, forming the binah angle. pass to north, assume <262> god-form of nephthys, and after invocation imagine that the earth cleanses you. make passive pentagram of spirit, and invoking pentagram of earth. i invoke thee. ma. barraio. ioel. kotha. athorebalo. abraoth. hear me, and make all spirits subject unto me, so that every spirit of the firmament and of the ether, upon the earth and under the earth, on dry land and in the water, of whirling air, and o

without circumambulation. perform qabalistic cross. atoh, malkuth, ve geburah, ve gedulah, le olam, amen. before me raphael, behind me gabriel, on my right hand michael, on my left hand auriel. before me flames the pentagram, and behind me shines the six rayed star. atoh, malkuth, ve geburah, ve gedulah, le olahrn, amen. pass to the west of altar, and face east. imagine yourself as clothed in the god-form of thoth. make the sign of the rending of the veil, and use the exhortation of the portal: 01 sonuf vaorsagi goho iad balata. elexarpeh. comananu. tabitom. zodacara eka zodacare od zodameranu. odo kikale qaa, piape piamoel od vaoanu. make the lnvoking pentagram of spirit active over the altar, vibrating: exarp, bitom, and eheieh, and say: hear me: aoth. abaoth. basum. isak. sabaoth. isa!

ch lesser angle. in the middle of each pyramid is the sphynx of its power. revere then the sacred symbols of the gods, for they are the word manifested in the voice of nature. these be the elohim of the forces of the eternal, and before their faces the forces of nature are prostrate (note: it is perhaps hardly necessary to suggest to the student that he should not attempt to employ the sphynx and god-form formula with the pyramid until he has had much experience in ordinary tattwa vision. when he has become perfectly acquainted with the nature of the subtle planes, and has learned to apply the simple forms of tests, so that he is quick to detect imposition or deception, then he may skry in the planes symbolized by the pyramids.-i.r <318> in order to show something of the nature of these en

however, is indicated not by the squares, but by the pieces and their movements over the board. to be of any real magical value, the board should be a sort of talisman or flashing tablet. that is, it should be fully painted, showing all the triangles of the pyramids as brightly and as flashingly as possible. the little flat squares shown at the summit of the pyramid, indicating the throne of the god-form, are not necessary on these boards. the triangles are completely formed, and the resulting pyramidal shape is not truncated. the four angles of each tablet will thus stand out quite brightly, since the elemental colour of the quarter will show its nature, even though the triangles of yellow, blue, black and red will jostle each other cheek by jowl. when fully painted, the board is most im

lesser angles of the board, thus giving each player one set of five pieces and four pawns. the five pieces represent the operation of the spirit and four elemental rulers- the five points of the pentagram, the five letters of yhshvh, and the tarot ace and court cards. the pawns are their servants or vice-gerents. strictly to be in order, each of the twenty principal pieces represents a different god-form, thus: fire set. king-kneph knight-ra queen-sati-ashtoreth bishop-toum castle-anouke 686 air set. the golden dawn: volume n book nine water set. king-socharis knight-seb queen-knousou pekht bishop-shu zoan castle-tharpeshest king-ptah knight-sebek queen-thouerist bishop-hapimon castle-shooeu-tha-ist <351> earth sef. king-osiris knight-horns queen-isis bishop-aroueris castle-nephthys. howe


RUBY TABLET OF SET

nd then fit those responses to the appropriate category, never forgetting the most basic question: what is the goal of this system for the individual? if it comes down to ultimate union with something-or-other, no matter how mystically attractive or objectively productive, it is the real paganism using the church's own definition- the worship of false gods. if the setian sees self as the ultimate god-form of realization, there can be no other answer. paganism 1. deities: a core pantheon. perhaps one particular deity and his consort were designated as the supreme beings. these were all given human traits in super-human proportions, and linked with cosmic forces or perceived realities in a somewhat archetypal manner. archaeological evidence seems to suggest that the first god forms venerated

ure reminds one of the words of martin buber in the i-thou commentary in the part on judaism. when the setian encounters set, it is the meeting of two entities who can completely experience each other without losing the uniqueness of each other. the god set lives. but the god self does likewise, and if self continues to realize the aeonic words, then in full realization he will be like unto set a god-form in the universe he has created, as in the prophecy of the red magus in the "word of leviathan" 2. mysteries: these are the concepts we hold sacred, and which trigger responses in our innermost being. these include the self, set and his various aspects and names, the black flame, setamorphoses, the aeonic words, and the neters of the various orders. the mysteries are not related to the lif

krates is horus the younger, the later osirian corruption of the great horus (harwer. hence the authenticity of aiwass as an objective entity seems doubtful. more probably he is a subjective idealization of crowley's own personality. the book of the law is most coherently viewed as an "inspired utterance" of the forms identified in #i-1 and #i-2, not a statement by aiwass on behalf of a corrupted god-form. 8. the khabs is in the khu, not the khu in the khabs. khabs is the hieroglyphic term for the gods of the 36 dekans [or for stellar gods in general. khu may be translated from the hieroglyphic in several ways. crowley preferred "spirit. it may also mean "fire" or "flame. corresponding translations would be "the stellar gods are conceived by one's spirit; they do not impart it -or "the ste


SORCERIES OF ZOS

ation, and it is plain to intuitive apprehension that the orgone of reich, the atmosheric 'i' of austin spare, and the dalinian delineations of the 'accommodations of desire' refer in each case to an identical energy manifesting through the mechanics of desire. desire, energized will, and obsession, are the keys to unlimited manifestation, for all form and all power is latent in the void, and its god-form is the death posture. these theories have their roots in very ancient practices, some of which- in distorted form- provided the basis of the mediaeval witch cult, covens of which flourished in new england at the time of the salem witch trials at the end of the 17th century. the subsequent persecutions apparently obliterated all outer manifestations both of the genuine cult and its debased


TECHNICIANS GUIDE TO THE LEFT HAND PATH

properties of the left hand path praxis. additionally, the will is very much the major operating system in creating- what is to be- or future manifestations of oneself. the will is always involved in developing into the present, a future vision. the relationship to the god of the future set-heh, and the actions of the will in creating that future (what-is-to-be, establishes an empathy between the god-form and the actions of the will. by studying the principles related to the god-form, and through understanding intellectually the will- what it is, how it works etc..a unique mental construction can be created that bridges the abstract (the god-form) to the actions within the present. it will be up to the adept to discover the practical application of such a relationship, and then reflect it


TYSON DONALD NEW MILLENNIUM MAGIC

or which the day is named. no one can deny the sheer elegance of this system, which may, indeed, be the explanation for the order of the days of the week. however, an adherence to plan- etary hours is an unnecessary restriction of the powers of the magus. all planetary forces are equally effective at all times. if one believes the position of a planet (the physical representative of the planetary god-form) regulates its powers, that belief causes the planet's magic to be more potent when the planet is in a particular heav- enly position. for example, those times when a planet is at the zenith of the heav- ens, or rising above the horizon, or in a particularly harmonious sign of the zodiac, are considered more powerful than other times. the belief that the planets are allotted certain days

y as on the mor- row; and in no way could it be true that he desireth to be subjected to the day and hour which men would wish to prescribe for him, seeing that he is the master to elect such days as he himself wisheth, and also may they be sanct5ed!12 it being clearly understood that the magus is under no constraint about which day or hour he or she may employ the magic of a particular planetary god-form, it is sometimes useful to use the divisions of astrological times as a kind of esoteric filing system. by allotting certain times to certain gods, the mind is aided in focus- ing upon the qualities and powers of those gods. for example, if each sunday is set apart for ritual observances dedicated to helios, the sun god, the magus will dis- cover that it is easier to communicate with heli

he gleaming, sterile skyscrapers of every modern city. he is even more powerful and insidious because he has not yet been overtly recognized as a god. he is a god of oil and smoke and darkness who cares nothing for the sorrows of humanity. in magic, the common way of utilizing the power of the gods is by putting them on, like a cloak or mantle, over the perceived self. this is called assuming the god-form and is a kind of invocation. if the magus wished to become more attractive, through this method he or she might create a ritual to take on the god-form of apollo or aphrodite, and view the world through the eyes of that lesser deity for a time. if done correctly and repeat- edly, this would give the magus great personal charm and beauty of a combined physical and psychic character. the hi

ctive, through this method he or she might create a ritual to take on the god-form of apollo or aphrodite, and view the world through the eyes of that lesser deity for a time. if done correctly and repeat- edly, this would give the magus great personal charm and beauty of a combined physical and psychic character. the hidden forces of beauty channeled through the magus by the focusing lens of the god-form would transform the personality of the magus by reaction and alter the physical body as well. beauty would be inevitable. its exact quality would depend on the assets and defects of the magus, both physical and mental, for magic always seeks the easiest course to its objective. if the magus were crippled or deformed, the beauty would take on a predominantly mental and emotional character

the magus were crippled or deformed, the beauty would take on a predominantly mental and emotional character. the physical handicap might become lessened through surgery or other treatment. magic uses mundane means to reach its ends as readily as the more esoteric means. magic makes no dis- tinction between the physical and the psychic-these are human distinctions. another function of assuming a god-form is that it better enables the magus to issue commands to the spirits and forces that fall under the rule of that god. in becoming thor, the magus will command the storms; becoming pan, he or she will rule the woodlands; becoming neptune, the sea. it is quite possible to assume a god-form of the opposite sex. every human being has both masculine and feminine qualities, with one or the othe

commands to the spirits and forces that fall under the rule of that god. in becoming thor, the magus will command the storms; becoming pan, he or she will rule the woodlands; becoming neptune, the sea. it is quite possible to assume a god-form of the opposite sex. every human being has both masculine and feminine qualities, with one or the other in a dom- inant or active position. by assuming the god-form of the opposite sex, the magus may learn a great deal of useful information about the other side of his or her nature, which is probably suppressed during ordinary consciousness. before attempting to assume a god-form, the magus should have a thorough knowledge of the basics of ritual working, the ability to compose a personal rite of invocation that is viable, and a complete knowledge of

the ability to compose a personal rite of invocation that is viable, and a complete knowledge of the gods of mythology (their strengths and weaknesses, associated materials and colors, familiar animals, symbols, scents, and so on. it is best to practice by assuming the forms of the angels, as these are unlikely to prove harmful. then the more benevolent gods should be assumed &st. invocation of a god-form is a type of voluntary possession. for a period of time limited by the protective safeguards of the ritual, the magus allows his or her normal personality to be overshadowed and dominated by the character of a par- ticular god. depending on the nature of the invoked god, this can be a pleasant or unpleasant experience, but it is always dangerous. personality is at best a feeble flame that

dipped her infant son into the waters of the :infernal river styx, but neglected to coat his foot with this magical liquid. thereafier achilles was invincible in battle. no weapon could wound him, until the trojan paris shot him in the heel with an arrow and killed him. every god and demon has his or her achilles' heel, which the magus can discover and use as an instrument of control. to assume a god-form, the magus prepares him or herself by meditation, prayer and personal cleansing, then draws a magic circle in the presence of the attributes and associations of the god. he or she wears a symbol of the god next to the skin over the heart. an image of the god is placed upon the altar. the symbol and the image of the god should be formed in part from a common substance con- nected most clos

with its natural weakness. most gods have an affinity with one of the four elements, and the opposite element will affect them unpleasantly. for example, mercury, god of airy motion, can be compelled by the threat to imprison his image in clay; however, mercury is a most tractable deity and will never betray the magus. if it happens that the magus has been very foolish or careless and the invoked god-form has gained the upper hand, remember that all manifest beings are sub- servient to the light. earnest prayer is the one ritual action no demonic force can directly prevent the magus from performing. the magus should open his or her personal self without reservation to the divine spirit, which will wash through the body of the magus like a cool stream and carry away any obsession. the god-f

se northern gods are often used for mali- cious purposes. although not evil themselves, they care nothing about human suf- fering-just the opposite, they delight in seeing the human will struggle against adversity, and view human disputes and wars as sport. these are three of the main pantheons used in modern magic. the gods of voudoun and the celtic gods are also frequently invoked. however, any god-form from any culture, once thoroughly understood, can be invoked and assumed by any magus. it is usually safer and more effective to rely on those gods from civilized soci- eties with which the magus has a personal affinity. for a white european to assume an african tribal god would be foolish, unless he or she were completely in harmony with the culture and beliefs of that african tribe. for

ght. it can be based on an existing traditional pattern or be wholly novel to human experience. it can be the work of one person, or several, or many. it can occur in a single day or extend over years. the existence of the spirit can be brought about on the mental, astral, or physical circles of being. all spirits emanate from the unmanifest. their unity is basic, their differences superficial. a god-form is a spirit of great power created by a society. an angel is a spirit wholly dedicated to the service of the light. this applies to angels of judgment as well as to angels of mercy. a demon is a spirit dedicated to the service of chaos, or shadow. they seek to frustrate cosmic harmony in imitation of the chief apostate angel, lucifer. all demons are fallen angels. an elemental is a spirit

however, the native tongue of the magus is given to him or her by god, and should be used in the majority of ritual workings. the magical, or secret, name of a spirit should be thought of as its true name, or even as its very soul, and will be different for each adept who derives it. the common name of a spirit, such as baal or michael, is the name of a collective rul- ing being-a poorly defined god-form-while the many different secret names apply to the numberless spirits under its rule. these are the armies said to be under the princes and dukes of hell; these are the numerous servants of the archangels, not lesser individual spirits, but particular aspects of the one collective spirit that bears the exoteric name. when the magus calls forth one of the traditional spirits, he or she wil

rm of each god or goddess and its distinguishing characteristics define its magic circle. all of the deities of mythology are god-forms created by human will through the mechanism of ritual. this applies to the manifest forms of the supreme gods of the major religions no less than to the pagan idols of primitive tribes. every god that bears a name, or indeed any other distinguishing feature, is a god-form created by human beings. however, the spiritual virtue inhabiting and animating god-forms is not created by human beings, but is induced to dwell within those forms by human prayer, sacrifice, and worship. invocation: the summoning of spirits or blind forces into the ritual circle, often into the physical body of the magus, for the purpose of experiencing or manip- ulating those beings or


TYSON DONALD SOUL FLIGHT

ey derived from ancient and forgotten languages. however, the words used by the golden dawn were not meaningless, but were hebrew names of god that were sounded by members of the golden dawn in a manner similar to the way that the egyptian magicians and gnostic priests vocalized their barbarous words. israel regardie wrote that the supreme defense when traveling in astral realms was to assume the god-form of harpocrates, the greek god of healing "the astral image should be formulated either as rising from a lotus, or else standing erect over two crocodile^ a manner of testing the truthfulness of spiritual beings was to confront them with the golden dawn symbol known as the banner of the west, a black banner upon which is an upright white triangle having within it a red cross "thus, should


TYSON DONALD THE POWER OF THE WORD

breath the twenty-four banners of tetragrammaton; for using a new technique called the commanding voice to implant instructions directly into the subconscious of others, bypassing their conscious control; for creating a set of powerful banner rings and ritually charging them with the wings of the winds; for resurrecting the lost ancient hebrew divination by urim and thummim; and for assuming the god-form of the warrior christ of revelation to command the enochian and banner angels. the complex structure of tetragrammaton and its various permutations is expressed by two very important symbolic forms: the throne of god, described by st. john in revelation 4; and the cosmic clock, which appears throughout the enochian diaries of john dee, but particularly in the third and fourteenth enochian

of wonder" of the "second of the first (ihshvh) are "mightier" than the "manifold winds" this signifies that christ rules the angels of the elements by means of the vocalization of the twenty-four permutations of tetragrammaton (twelve overt and twelve occult. the "voices of wonder" are these banners of ihvh, which the magician vibrates after first assuming the authority of ihshvh by invoking the god-form of heavenly christ, as this deity is described in revelation 1:13-16. only by taking on the persona of christ can the magus use the pentagrammaton with maximum effect in commanding the wings of the winds. this is a poorly understood secret of magic, but absolutely vital: the magician in him or herself is a fallible human being, and can perform no more than the works of a human, but when h

under the sun and twelve under the moon. the final theorem of dee's book pointed the way to the extraction of the names of the twenty-four wings of the winds, three pairs for each element, each pair made up of a left-hand spirit of judgment and a right-hand spirit of compassion. dee's second enochian key, where the wings of the winds are mentioned, demonstrated that it is necessary to assume the god-form of yehovashah (ihvshh, the creative and compassionate aspect of the heavenly christ, when we seek to command and direct the twelve wings of mercy on the right side through the "invoking" sigils of the banners; and to assume the god-form of yeheshuah (ihshvh, the judicative and vengeful aspect of heavenly christ, when we seek to command and direct the twelve wings of severity on the left s

ly aware of the value of this technique, i can only assume that they regarded it as too powerful to explicitly set forth in detail in the general writings that circulated among the lower ranks of the golden dawn. certainly aleister crowley recognized full well its central role in western occultism and made extensive use of it in his own magical experiments. the rationale for the assumption of the god-form is very simple. to change ourselves in a fundamental way, it is necessary that we become 148 tetragrammaton someone else. to change for the better, we must become one who is better. to become wiser, we must take on the identity and persona of a spirit of wisdom such as the egyptian god thoth. to become more beautiful, we must assume the form and persona of a god of beauty such as apollo o

ian god thoth. to become more beautiful, we must assume the form and persona of a god of beauty such as apollo or aphrodite. to become more courageous and warlike, we must take on the nature of a war god such as mars or the northern god tew. when properly done, the assumed god or spirit actually displaces the thoughts, feelings, and even the physical appearance of the ritualist. while wearing the god-form, the ritualist retains only a detached self-awareness. his or her emotional responses, cogitations, sensations, impulses and motivations are all those of the god or goddess assumed. ideally, when the ritualist looks into a mirror during the invocation, he or she sees, not his or her own features, but the face of the god. by repeatedly assuming a god-form, the soul of the ritualist is tune

g in salt, it is salt" by repeatedly experiencing the thoughts, emotions, attitudes, impulses, beliefs, sensations, and urges of a god as our own, we can gradually evoke these same thoughts and feelings within ourselves even when not ritually assuming the form of that god. this makes available to us the occult virtues of the god whenever we have need for them. the long-term function of assuming a god-form is to change ourselves into stronger, wiser, and better human beings. this is done by repeatedly assuming the same god-form daily over a period of months, or even years. however, the technique has a more immediate application in magic. by assuming the form of a god during a ritual, we magically become that god and are then able to use the authority of that god to command lesser spirits. i

acts 19:15. we can only imagine the expression on the faces of the exorcists as they stared at one another, an instant before the demon tore their clothes off and beat them to within an inch of their lives, but it surely ranks as one of the most amusing scenes of the bible. assuming the christ-form 1 49 these exorcists made the mistake of trying to use the name of jesus without having assumed the god-form of jesus. this is a lesson to later magicians. to effectively use the name of a god, we must at the same time take on the identity of that god by assuming its god-form. if we fail to do this, the name of the god will lack authority. it will remain merely a word. the spirits we seek to command will laugh at us for our audacity and credulity, and will either ignore us if they are higher spi

would be to command the wings by the authority of the archangels of the four beasts, ruling each wing by the name of the beast to which it belongs. the angels associated with the four beasts are michael (lion, gabriel (eagle, raphael (man, and uriel (bull. for example, the angel of severity vabashiah, who is the forward wing on the left side of the back of the bull, would be ruled by assuming the god-form of uriel. there is an easier way that eliminates the necessity of assuming a variety of god-forms, each of which rules a specific wing, or set of wings. it is to assume the god-form of the messiah, who rules all the wings, and all the lesser angels as well. when we successfully take on the identity of the heavenly christ, we are able to command even the highest angel, metatron, who is the

prominent breasts. throughout religious history, messiah figures (incarnations of god in human form) have been given hermaphroditic qualities. they belong to the middle pillar of the tree of the sephiroth. the seated christ is the tendency of this middle pillar emanation toward the right side; the mounted christ is the opposite tendency toward the left side. in order to completely unite with the god-form of heavenly christ, it is necessary to take onto ourselves his magical name. his true magical name is beyond human comprehension, but we can use a symbolic name to represent this true name. for the christian kabbalists of the renaissance, the secret name of christ was ihshvh, or its variant form ihvshh. for ritual purposes, we will assume the god-form of the messiah under the name ihvshh

wings of severity on the left side. we do this because ihvshh initiates a clockwise rotation around the points of the pentagram, whereas ihshvh initiates a counterclockwise rotation around the points of the pentagram. the counterclockwise inward spiral invokes the angels of severity on the left, and the clockwise inward swirl invokes the angels of mercy on the right. the technique of assuming the god-form was common in the religious rites of the ancient world. all types of divine possession by prophets relied upon the prophet becoming, for a time, the god in whose authority he prophesied. the ultimate goal of all worshippers is to become one with god. catholic priests seek as much as possible to embody jesus upon the earth. good moslems strive to pattern themselves upon the prophet mohamme

ssion by prophets relied upon the prophet becoming, for a time, the god in whose authority he prophesied. the ultimate goal of all worshippers is to become one with god. catholic priests seek as much as possible to embody jesus upon the earth. good moslems strive to pattern themselves upon the prophet mohammed. buddhists attempt to become living buddhas. the magical key to successfully assuming a god-form is the change of name. the ritualist sets aside his common name and takes on the magical power name of the god as his own. for this to work, it is necessary to completely identify the self with the names involved. if either common or god name remains a mere label, it will lack efficacy. usually it is easy for us to identify with our own names, which we have used to represent and embody ou

od. even more fascinating, from a magical standpoint, is the last part of the verse, where the author says "i will write upon him my new name" the name of god has become the magical name of st. john, who is possessed with the holy spirit, even as i t becomes the new name of the worthy "names" of sardis. by this literary device, the author shows that he has put off his old identity and assumed the god-form of the heavenly christ by ritually taking onto himself the secret magical name of christ, which he does not reveal. the name of heavenly jerusalem mentioned in the verse refers to the permutations of tetragrammaton. jerusalem is another version of the breastplate of aaron. jerusalem is said to have twelve gates, which are like the twelve stones of the ephod, each gate inscribed with the n

uring battle or other strenuous exertion, because it was believed that in the lower belly lay the source of vitality and strength. about behemoth, the most powerful of all beasts, it is said "lo now, his strength is in his loins, and his force is in the navel of his belly (job 40:16. the flame is told to "harken" to the words of this key; that is, obey the command of the magician, speaking in the god-form of the heavenly christ, to come forth appendix a: the keys 229 into manifest being. the words "be friendly unto me" used here and in many other keys, are presumably considered enough to prevent the ministers of the third flame from creating vexation in the heart of the magiciansomething which, in my opinion, is highly questionable. the eighteenth key 0 thou mighty light and burning flame

the rotten. no place let it remain in one number; add and diminish, until the stars be numbered (i.e, as many times as there are stars in the sky. within this mandate each aether fulfills its own particular responsibility. why are the aethers being so hard on the goddess earth? they are executing the "judgment of the highest" as is their fundamental destiny. the magician, vibrating the key in the god-form of the messiah, reminds the heavens of their duty, saying to them that god "provided you for the government of the earth, and her unspeakable variety, furnishing you with a power of understanding, to dispose all things according to the providence of him that sitteth on the holy throne" these words are voiced to gain power over the heavens of the aethers, by reminding them of their purpose


ZALEWSKI GOLDEN DAWN ENOCHIAN MAGIC OCR

r goodly, virtuously, and perfectly, with an excellent and thorvugh completeness, ac41 cording to their virtues and powers, both general and by your united ministry and office" 6. conduct a suitable banishing ritual. note: the function of this ritual is twofold. the first concerns the purpose of the ceremony in directing a force to a desired end. the second is to skry that particular level of the god-form (one of the twelve holy names of the elemental tables. the 30 aethyrs applied to the kabbalah the 30 aethyrs and their governors are applied to the world of assiah as they control the weather and can open or close various positive and negative energies over certain areas of topography. within this world, we should consider that there are four other worlds the highest being atziluth of ass

net is in. the truncated pyramid square, given in figure 53, shows the full pyrami d associations for baligon, the king of the planetary hour of venus. figures 54 through 58 are five examples of the construction of these pyramid tablets. the remaining two can easily be worked out and are left as an exercise. 91 92 93 94 95 96 egyptian god-forms of the bonorum over each pyramid square, an egyptian god-form rules in much the same manner as in the four elemental tablets [see our enochian magick: a practical manual for details eds. the allocation is designated by way of rank the planetary hours. note: each god-form is colored according to the pyramid square he or she represents, in exact proportion (complementary colors can also be used. sample egyptian god-forms are shown in figures 59 throug

tice, thus representing the forces of darkness. x. the sign of osiris risen! this shows the combination effect of the energy from both the equinox and solstice forces. the energy here is then brought down in an even flow, thus cementing itself into the aura. the entire concept of doing these signs is twofold. the first is that one brings down the solar influences by imitation through a process of god-form assimilation when doing the signs, which interrelates with a force called the ruach, the second functioning part of the kabbalistic soul (for a full explanation of this see regardie's middle pillar, llewellyn publications. the idea is to unify the lower portion of the soul, called the nephesch, with that of the ruach, which is in fact a triggering device by which this is activated and pro


A PRACTICAL GUIDE TO WITCHCRAFT AND MAGICK SPELLS

not doing magical work. the charge of the god for some practitioners, this charge is less important, but i believe that the male polarity or energies are an integral part not only of the seasonal wheel of the year, but also of human experience, whether you are working alone or as part of a coven. it is one i have found helpful, but you can create your own through a god meditation by visualising a god form that seems relevant to you. again i have used celtic god forms: these are the words of the father, who is son and consort of the great mother, born in the beginning of she who created the universe from her own body, from her smiles and tears and ever-fertile womb 'i am he, the wild untamed power of the hunt, the horned beasts and the woodland, that offers food, shelter and protection to p


ALEISTER CROWLEY MEDITATION

se in ordinary specialised working the number of lamps depends on the nature of the work "e.g" three for works of saturn, eight for works mercuial, and so on> in the centre of each of which burns a small lamp; these are the "fortresses upon the frontiers of the abyss" see the eleventh aethyr, liber 418("equinox v. they keep off those forces of darkness which might otherwise break in. the names of god form a further protection. the magician may consider what names he will use; but each name should in some way symbolise this work in its method and accomplishment. it is impossible here to enter into this subject fully; the discovery or construction of suitable names might occupy the most learned qabalist for many years. these nine lamps were originally candles made of human fat, the fat of en


ALEISTER CROWLEY EQUINOX EQ I 3 2

nts which bind thee! taphthartharath! taphthartharath! taphthartharath! taphthartharath! taphthartharath! taphthartharath! taphthartharath! arise! move! appear! 187 zod car eca od zodamerahnu odo kikal imayah piap piamoel od vaoan [if at this time that spirit be duly and rightly materialized, then pass on to the request of the mighty magus of art; but if not, then doth the magus of art assume the god form of thoth, and say] thou comest not! then will i work and work again. i will destroy thee and uproot thee out of heaven and earth and hell. thy place shall be come empty; and the horror of horrors shall abide in thy heart, and i will overwhelm thee with fear and trembling, for "soul mastering terror" is my name [if at this point he manifest, then pass on to the final request of the mighty


BANISHING THE SLAVE GODS

's book of thoth: tarot take out the devil and tower cards. you can: a. masturbate while gazing upon the tower card equating its symbology with the procreative force you are generating through arousal, then while holding back orgasm karezza switch attention to the devil card. focus on the "third eye" that is depicted on the goat. take on the head of the goat as in the manner of an assumption of a god form. as your sexual arousal begins to reach its pitch. imagine the focused force of that energy opening and shining out, projecting the pentagram as analogous to a laser projecting an image on a surface. with practice, you will eventually be able to summon this process by sheer will alone when the n arises. also, at the beginning stages you may choose to charge a sigil with the semen you will


BEHOLDERS OF NIGHT

e black light by peter lamborn wilson. gnosis magazine [2] yatuk dinoih, a grimoire of persian and left hand path witchcraft by michael w. ford [3] lilith, awlraun-lilith, see azothoz by michael w. ford [4] azothoz, a book of the adversary by michael w. ford [5] yatuk dinoih, the ritual of infernal union [6] the black flame is the essence of the isolated divinity of self, the unity of the sethian god form of the individual. see azothoz, lords of the left hand path by stephen flowers and the diabolicon by michael aquino [7] fire and ice and lords of the left hand path by stephen flowers [8] ayn al-qozat explained iblis/satan as the gateway between worlds, or the imagination from which we shall manifest ideas [9] shades of algol, a grimoire of left hand path and sabbatic witchcraft by michae


CASSANDRA EASON A PRACTICAL GUIDE TO WITCHCRAFT AND MAGIC

not doing magical work. the charge of the god for some practitioners, this charge is less important, but i believe that the male polarity or energies are an integral part not only of the seasonal wheel of the year, but also of human experience, whether you are working alone or as part of a coven. it is one i have found helpful, but you can create your own through a god meditation by visualising a god form that seems relevant to you. again i have used celtic god forms: these are the words of the father, who is son and consort of the great mother, born in the beginning of she who created the universe from her own body, from her smiles and tears and ever-fertile womb 'i am he, the wild untamed power of the hunt, the horned beasts and the woodland, that offers food, shelter and protection to p


GOETIA LUCIFERIAN

is no turning back only the ascension of the spirit as beyond the mortal clay. 6 in the modern world of magicians, sathan is our initiator and stimulator of the psyche. one should remember, in pre-islamic lore satan/azazel is considered the imagination sufism recognizes satan as the imagination itself. sathan is thus our announcer of the path, the very fountain of our attainment. in the view of a god form and model, lucifer (sathan) is an ideal form to align with in an initiatory sense. azazel rebelled against the natural order (god ain soph) as he sought independence, fell to the realms of earth and awoke in hell (earth the chthonic realm. rather than fearing and cowering, hiding, lucifer understood he was an independent mind and existed independently from the natural order and roused all

s remember this union with both aspects of the shadow, and the light. this is a mirror of yourself, that by magick you become god-like, welcome to the awakening and become! 17 an invocation to the holy guardian angel, spirit of the adversary who resides in darkness and light azal ucel the name azal ucel is a sigillic word manipulation of two words, azazel and lucifer. as this is the initiator and god form of the path of sorcery, lucifer is the illuminator of the soul, the one who allows the magician to bask in the light of self and view ones own reflection in the emerald crown, the very lucifer-stone which fell to earth and remains hidden within the earth, and partially in the heart of man. this rite is designed to provide a short yet inspired working of invoking the holy guardian angel, f

the shape of a man. stolas teaches the ancient art of astronomy and herbalism. he inspires the magician the instinct of wort cunning, the art of the wise. stolas governs 26 legions of spirits, who also teaches astronomy. when one summons stolas this spirit often appears in the black mirror as a raven, which interestingly enough symbolizes hidden wisdom and the darker realms, thus one assumed as a god form by invocation, allows a very interesting prose into the concepts of astronomy and spiritual impulses of that particular spirit. k phenex phenex (also pheynix) is a great marquis who appears like a phoenix bird, who has a voice of a child. phenex creates a form of music which is something described as a child s chorus, a very beautiful and entrancing form of song from which the magician mu


GOLDEN DAWN RITUALS U4

e as it will tend to be less tiring to the adept. the flashing colors are most effective in that it attracts the spiritual essence, but it can become more fatiguing. this is especially true with skrying or clairvoyance. the second method mentioned is the advanced method. it is, in essence, the creation of the body of light as taught in the outer; create the vehicle and project into it. in this, a god form may also be utilized. 3 as in all astral travel and skrying in the spirit vision, it is essential to banish beforehand (so as not to be provoked by unwanted forces) and afterward. test completely. the beginner may experience difficulty in that he/she often commits serious errors in working. one of the most common errors is that the untrained has no clear-cut sense of direction. the untrai


GOLDEN DAWN RITUALS Z1

with n, but one shall come after me who shall baptize ye with the holy ghost and with o" this completes the names and titles of the officers of a temple, and they are seven in number and may all be taken by a frater or soror. as they represent powers and not persons, the feminine form of the greek names is not usually used, for the powers are positive (male) or negative (female) according to the god form used. thus, hierophant, hiereus, and kerux are more natural offices for fraters, while hegemon, stolistes and dadouchos are more natural for sorors, but the office itself carries no implication of sex and sometimes the psychic balance of a ceremony may be better maintained when a frater is hegemon and a soror is hierophant. the hierophant must be of the 5=6 grade and a zelator adeptus min


GOLDEN DAWN RITUALS ZAM10

the righteous. the sphere of my nephesch, and the seven palaces of twklm are cleansed and consecrated, balanced and pure, in the might of thy name, ynda, to whom be twklm, hlwdg, hrwbg, the rose of sharon and the lily of the valley. amen" step 10 perform the advanced middle pillar and the circulation of the body. seal the energy by drawing a rose cross before you. step into it. step 11 assume the god form of hoorpokratist. say "hoorpokratist, thou art lord of the silence. hoorpokratist, thou art lord of the sacred lotus. o thou, hoorpokratist, thou that standest in victory on the heads of the infernal dwellers of the waters wherefrom all things were created, thee, thee i invoke, by the name of hyha and the power of alga. oh thou divine babe in the egg of blue, lord of defense and silence


GOLDEN DAWN RITUALS ZAM11

ler of the light and the darkness, we adore thee and we invoke thee. look with favor upon this traveller of the night who now kneeleth before thee, and grant unto him, the highest aspiration of his soul, to the glory of thy name. amen" step 9 stand up and walk your spirit form to the altar facing east. visualize your spirit form covered in divine white brilliance and move to the east. take on the god form of osiris/hwchy, making it strong and well defined. walk toward your spirit form and say "i come in the power of light, i come in the light of wisdom, i come in the mercy of light, the light hath healing in its wings. i tell thee that as the light can manifest from the darkness, so shall by the rose of red and cross of gold the light descend upon you. long has thou dwelt in the darkness

i tell thee that as the light can manifest from the darkness, so shall by the rose of red and cross of gold the light descend upon you. long has thou dwelt in the darkness, quit the night and seek the day. khabs am pekht. konx om pax. light in extension. iao! let the divine light descend" step 10 walk forth and enter the double, feeling as one glorified in light yet remaining still in the osirian god form. say "do not touch me, for i have not yet ascended unto my father" step 11 now rise in the planes to the highest point of pure white brilliance. atune yourself with your higher genius. feel any inspiration "i am the resurrection and the life. whosoever believeth in me though he were dead yet shall he live, and whosoever liveth and believeth in me shall never die. i am the first and the la


GOLDEN DAWN RITUALS ZAM12

e great unknowable one. i am the lord of life, triumphant over death. he who partaketh with me shall rise with me. i am the manifestor in matter of those whose abode is in the invisible. i am purified; i stand upon the universe, i am reconciler with the eternal gods, i am the perfector of matter, and without me the universe is naught" chief adept (passes from the altar to the east. assumes osiris god form. all assume sign of osiris slain. says the following while moving toward the altar "i come in the power of light! i come in the wisdom of light! i come in the mercy of light! the light hath healing in its wings (all assume sign of osiris risen) chief adept (goes to the east and forms a cross "blessed be thou lord of the universe, for thy glory flows out to the ends of the universe rejoici


GOLDEN DAWN RITUALS ZAM16

seek the day" step 25 replace it on the triangle upon altar, hold the pommel of the sword immediately over it, and say "by all the names, powers, and rites already rehearsed, i conjure upon thee power and might irresistible. khabs am pekht, konx om pax, light in extension. as the light hidden in darkness can manifest therefrom, so shalt thou become irresistible" step 26 pause, and using the amoun god form, invoke amoun as follows "o thou, the concealed one, the opener of the day, thee, thee do i invoke. amoun (vibrate by middle pillar, o thou circle of stars whereof my genius is but the younger brother, marvel beyond imagination, soul of eternity before whom time is ashamed, the ruach bewildered, and the neschamah dark, not unto thy majesty may i attain unless thine image be love. therefor

u circle of stars whereof my genius is but the younger brother, marvel beyond imagination, soul of eternity before whom time is ashamed, the ruach bewildered, and the neschamah dark, not unto thy majesty may i attain unless thine image be love. therefore, by seed 9 and root, and by bud and leaf, and by flower and fruit of my entire being, do i invoke thee, whose name and power is love (assume the god form of amoun) o secret of secrets that art hidden in the being of all that lives, lord secret and most holy, source of light, source of life, source of love, source of liberty, be thou ever constant and mighty within me that i may forever remain in thine abundant joy. amoun (vibrate and circulate by middle pillar, thou father of all the great gods above, whose name is strength, whose being is


GOLDEN DAWN RITUALS ZAM18

rified through trial. the scent of the dying rose is as the repressed sigh of my suffering, and the flame-red fire as the energy of mine undaunted will. and the cup of wine is the pouring out of the blood of my heart, sacrificed unto regeneration, unto the 4 newer life. and the bread and salt are as the foundations of my body, which i destroy in order that they may be renewed" step 11 take on the god form of osiris using middle pillar formula"'for i am osiris triumphant, even osiris onnophris, the justified one. i am he who is clothed with the body of flesh yet in whom flames the spirit of the eternal gods. i am the lord of life. i am triumphant over death, and whosoever partaketh with me shall with me arise. i am the manifester in matter of those whose abode is the invisible. i am the pur

sen offerings. not have i driven back the cattle of divine things. i have not repulsed god in his manifestations. i, even i, am pure; times four. let not evil be done unto me in this land, in the hall of the double maat, because i know the names of these gods who are in it, the followers of the great god" all vibrate several times "ankh ptah sekher osiris" step 19 after, strengthening the osirian god form, after having confessed the negative confession and been found perfect before the forty-two assessors and the judgment of thoth in the hall of maat, stand again in the sign of osiris risen and say "i am the resurrection and the life. whosoever believeth in me though he were dead, yet shall he live, and whosoever liveth and believeth in me shall never die. i am the first, and the last. i a


GOLDEN DAWN RITUALS ZAM21

ects of the golden dawn. use thy mighty forces of air to first create a wall of invisibility and of protection through the radiation of the rosea crucis and in the name of yehashua. stand guard without cessation, and use whatever force is necessary for the defense of (each quarter is stabbed, beginning in the east, and ending in the east) 11 (standing in the proper quarter, each adept creates the god form as fourth adept performs l.i.r.h and the s.i.r.h. of mars) chief adept behind altar of universe, thoth magus of fire south, horus magus of water west, isis magus of earth north, nephthys magus of air east, aroueris (note: if there are less than the required number of adepts, perform the s.i.r.h. first, then form the god shells (all god forms perform the following invocation, one at a time

e of the terrible word (remains in the sign of the enterer (when the invocation is complete by the four god forms, each one moves simultaneously to the other corners, beginning with his own, and ending it with his own, stabbing it with the sign of the enterer, holding it for five seconds, forming a circle) 12 (when all the god forms have finished the invocation, chief adept proclaims in the thoth god form) chief adept "this is he the lord of the gods, thoth, tahuti. behold, he is in me and i am in him. the god who commandeth is in my mouth, the god of wisdom is in my heart, my tongue is the sanctuary of truth, and a god sitteth upon my lips, elohim gibor. i am eternal, and everything acts according to my design, and every element of the firmament and of the ether, upon the earth and under


GOLDEN DAWN RITUALS ZAM22

eplace it upon the altar in the triangle. hold pommel of sword immediately over it. say: by all the names, powers and rites already rehearsed, i conjure upon the power and might irresistible. khabs om pekht, knox om pax. light in extension. as the light hidden in the darkness can manifest there from, so shall thou become irresistible. step 10 pause, and then invoke ra as follows, utilizing the ra god form as well: o thou, the giver of life and of warmth to all; thou who upon thy boat did sail over the heavens illuminating all of creation, thee, thee do i invoke. o thou whose eyes burn as hot as solar o, and whose head is crowned with the disk of scarlet and the serpent of gold, thee, thee do i invoke! o thou, lord of the radiant light and the creator of rays, thee, thee do i invoke. o thou

thou whose eyes burn as hot as solar o, and whose head is crowned with the disk of scarlet and the serpent of gold, thee, thee do i invoke! o thou, lord of the radiant light and the creator of rays, thee, thee do i invoke. o thou majesty! thou whose glory is so brilliant that none can resist thy dazzling beauty, thee, thee do i invoke and call forth from thy throne in the sky! step 11 assume the god form of ra. say: 12 thou art the flame that causeth thine enemies to fall paralyzed with terror, yet thou art also the kind heart unto him that calleth upon thee. hail unto thee, ra (vibrate and circulate by formula of middle pillar, from whose mouth sprang forth the gods. thee, thee do i invoke. o thou whose flaming eyes watcheth endlessly, and from whose gaze causeth hearts to melt at the si


GOLDEN DAWN RITUALS ZAM23

i do now suffer all spirits bound by this ceremony, no longer needed in the service of this telesmata, to depart in peace unto their places. may the blessing of hcwhy hwchy be with you now and forever more, and let there be peace between me and you. step 4 close the temple and do final banishings. 20 21 a m c p t b g d k r w h z j f y l n s u x q tudw hwla hwhy lapr \yklm trapt trws lakym las ra god form r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 ra is the great god of the sun, and it is he who sails across the sky, causing it to rise in the east and set in the west. his beak is of emerald, and his skin is of a natural flesh tone. his eyes are as burning coals, and upon his head rests a solar disk of red with a yellow serpent surrounding it. this is mounted upon a red nemyss


GOLDEN DAWN RITUALS ZAM5

g should now remain brilliant white. step 2 in the circulation of this geyser fountain of white light, the power and energy should, by force of will, be drawn up through center of your body, and then with an exhalation, the energy should be directed down the left side and so on until all areas of your aura have been expanded to its maximum potential. as the aura expands, begin forming it into the god form of osiris. step 3 when the god form becomes extremely strong, make the lvx symbols with your arms, and vibrate hcwhy hwchy. feel the energy expand from your heart center until it encompasses your whole body. concentrate, now, only on the divine white brilliance above you, and vibrate iao and command the divine light to descend. feel yourself connected and in union with your higher genius


GOLDEN DAWN RITUALS ZAM7

hen came forth the gods thereof: the aeons of the bornless beyond: then was the voice vibrated: then was the name declared. at the threshold of the entrance, between the universe and the infinite, in the sign of the enterer, stood tho-oth, as before him were the aeons proclaimed. in breath did he vibrate them: in symbols did he record them: for betwixt the light and the darkness did he stand. the god form of thoth 3 "procol oh procol, este profani. barlasti ompala. in the name of the mighty and terrible one, i proclaim that i have banished the shells unto their habitations. i invoke tehuti, the lord of wisdom and of utterance; the god that cometh forth from the veil. oh thou, majesty of the godhead, wisdom-crowned tehuti, lord of the gates of the universe, thee, thee i invoke. oh, thou of


LUCIFERIAN SORCERY

ght owl, go forth to feed quietly from the profane sleeper. the ritual of going forth by night announces the separation of the spirit from the flesh, thus the witches sabbat is the supreme luciferian awakening, and it is when we become just as lucifer, who is the spirit of the air whom resides upon the astral plane. below lucifer is the puzzle of the black one, being baphomet. baphomet, being the god form of sorcerers and magickians of chaos and witches sabbat currents, is the model of union. consider lilith, the witch queen of the sabbat and of lillitu, the succubus and vampire phantoms and samael, the fire djinn which is considered the same as asmodeus, their infernal union is the manifestation and birth of baphomet. thus the horned one brings the wisdom of the earth (asmodeus-samael) an

uch a fitting manner, was a mortuary technician. while the triple hermetic circle used by coven nachttoter/the order of phosphorus differs from the original, the foundation is in itself similar if not the same. the triple hermetic circle is presented here anew, that the student makes use this by daring to do so. the reworked version is attributed to the four elements as follows: direction element god form planet north earth set saturn/sothis east fire horus mars/sun south water thoth moon west air anubis venus while pathal attributions are based on the elements in a different manner, this hermetic version in the directions and elements were first developed by hamara t however the god forms were developed through the order of phosphorus. one may develop their own circle based on the pathal

on west air anubis venus while pathal attributions are based on the elements in a different manner, this hermetic version in the directions and elements were first developed by hamara t however the god forms were developed through the order of phosphorus. one may develop their own circle based on the pathal elements within a left hand path manner as the following for an example. direction element god form archetypical image planet south fire satan-shaitan peacock saturn/mercury east air lucifer eye venus north earth belial goat or ram sun/saturn west water leviathan serpent/snake moon 18 while the alternate version may be used for many witches sabbat callings and works of lesser or greater black magick, the suggested use of the triple hermetic circle of the different representations and eg

cle is by design not held to keep forces out, rather a power circulation of the arcana of energy within. end of ritual 21 the grand luciferian circle (above) would be used in the following manner (but not limited to: low ceremonial or solitary sex magick sexual congress with daemons or succubi. the bornless or headless one ritual congress cum daemone or the ritual of the evil genius immolation or god form absorbing evocation/invocation rituals (meaning you would invoke the spirit within you after it was evoked, the act of possession which allows one who is strong of will to absorb it thus it shall have no power over you. vampiric rituals of qlippothic power channeling. the triple hermetic circle is a foundation of the darker luciferian aspects of black magick, thus the god forms are indeed


MICHAEL FORD A RITE OF THE WEREWOLF

erge from us. nightside or shadowside as a term is defined in witches sabbat and luciferian9 terminology as averse dreaming practice. in islamic mythology and lore, shaitan is the lord of rebellious spirits, a djinn made of fire. it is this fire10 which leads the individual towards the wall looking down into the abyss, and the infinite possibilities of being. the sorcerer thus begins to adopt the god form of shaitan to master the spirits and djinn of the self all of those elements which command mastery of the self. night is the in-between point which later unveils the light, therefore being a barrier and initiation aspect of the self and such conceptual matter. the numerical 666, described by aleister crowley is the number of the beast11, which is inherent in the sun in the zodiac. the sun

of a man with the head of an ass, or an elongated snout with red hair. red 17 in widdershins, counter-clockwise movement 18 the black book, the mes haf, a holy book of the yezidi. 19 called also seth or set-an. 20 force of nature or that of a god, indicating by definition a separate or antinomian force. 11 was traditionally the color of set, lucy lamie21 held the connection that set- typhon was a god form which burns and consumes, he is a lord of the desert. the fire concept would not be new to this deity, as set was essentially shaitan the opposer/adversary. the egyptian god seker is also a god form which the sorcerer may visualize and use as a mask of dreaming22. seker is an ancient death-god, who was considered older than osiris and who resided around the city of memphis. seker resided

own admission of transformation from life to death and finally, to the psyche becoming immortal. if this test failed, set in the form of seker, devoured the soul. later on seker was merged with ptah, a blacksmith god24 and took the form of a mummy with a visage of an old man. 21 egyptian mysteries, lucy lamie 22 a mask of dreaming is focusing and projecting the psyche or self into the mask of the god form in question, going forth to the sabbat masked in the cloak of the god form you are assuming. this is a development from older golden dawn practices and enables the mind to grow strong through understanding and experiencing on dreaming levels other significant god forms, demons and angelick spirits. 23 the egyptian book of the dead, the abode of the blessed, edited by e.a. wallis budge. 24


MICHAEL FORD WITCHMOON

ly as a choice for group gatherings. the purpose of coven maleficia and the current aligned is not to hold group gatherings and become a social event. however when ceremonials are employed they are a focus and celebration of power, will and strength. the most significant ceremonial is "towards the vampiric godhead (12) which is a mass of vampiric god forms and energy. each magickian will take the god form of a certain vampiric archetype which represents something of his/her self. this can prove most interesting in the aspect of astral blood. ceremonials are also called upon for a great purpose or astral blood sacrifice. each god form would sacrifice an amount of collected astral energy into what is known as a psychomantieon. a psychomantieon or necromantieon is a mirror that is 37 37 used

nd enemies. once erected, with will, sweat and blood it is very difficult for another to trespass these walls. the vampiric strength of astral shape shifting is through dream manipulation and awakening. the vampire who is able to alter his/her form in the dream is an awakened avatar of the great vampiric spiral force. for if opened one is able to take on the personal and psychic attributes of the god form they most assume. the wolf offers speed, the bat offers flight, excellent night vision (in bat assumed forms on the dream plane, from personal experience and others testimony, you are usually able to see perfectly compared to the bats' own lack of eyesight) and a heightened predatory instinct involving the smell for blood and the speed of quick attack. the beast-wolf form is excellent for

s which take place within each sorcerer's life unless they live with a harem far away from civilization. the sabbat as described in general takes place deep in the forest, when the moon stands full in the night. witches, both male and female attend with their elemental servitors and imps, who participate in the ceremony, celebrating according to their masters' will while in their astral form. one god form often presiding over the sabbath is known as oz or baphomet, among other names. this god form often manifests on the astral plane as either: a mental or psychic focus of the group, wherein the form is mutually established so that each thought pattern establishes a common link of subconscious thought between the witches; alternatively the form is assumed naturally by a magus who is in atte

e astral plane as either: a mental or psychic focus of the group, wherein the form is mutually established so that each thought pattern establishes a common link of subconscious thought between the witches; alternatively the form is assumed naturally by a magus who is in attendance. if more than one magickian assumes the form then it will become fused as one which will hold no identity beyond the god form they assume. 85 85 the sabbat is a source of self-recreation and observation of pleasure and self-love. nothing becomes nothing, all similarities to the day side aspect of study is thrown aside. that side is forgotten in the world of the dream that is waking- where sorcery dances in embers of witch flame. an astral musick takes onwards the desire of the sabbath, known as the flute of pan

orm they assume. 85 85 the sabbat is a source of self-recreation and observation of pleasure and self-love. nothing becomes nothing, all similarities to the day side aspect of study is thrown aside. that side is forgotten in the world of the dream that is waking- where sorcery dances in embers of witch flame. an astral musick takes onwards the desire of the sabbath, known as the flute of pan. the god form of pan is always present in essence at the sabbath, not always as a god form but in essence. the great shadow of pan (another aspect of oz but as all and shadow) guards the night and the forests, creator of the music of the dead. a great fire will spring up in a clear place in a field where all have gathered. the bonfire will be great and beautiful, showing glimpses of spectral faces in i

wn but had never found. it was like finding a long lost friend who, with many tears and struggles, you had finally found. in front of the bonfire, with flames showing the faces of the dead, stood what was known to me as the witches sabbat goat- the god of witches. this beast stood with arms folded, you could feel a strong sense of strength and beauty within its essence. i was not sure if it was a god form taken by another celebrant or a collection of astral forms and energies into this great being. the devil was a sigil of our desire however and not a symbol of anthropomorphic worship or death-lust as christians often view this form. the morning star nestled between his horns, and its eyes were a burning red. i could feel no evil that night, however for the uninitiated i knew there could b

ith a pure heart, and the serpent flame therein, thou shalt come a little to lie in my bosom. for one kiss wilt thou then be willing to give all; but whoso gives one particle of dust shall lose all in that hour (liber al vel legis. i. 61) a partial difference is recognized between magick and sorcery. magick is the essence of the sun, being the conscious rise towards godhead. this suggests the key god form of magickal work is lucifer, the bringer of wisdom and the angel of light. magick is of elevation and the noble control of the will through focus and discipline. sorcery and witchcraft are most significant to magick itself due to the essence of such. sorcery is the reverse of the solar path, it is of the moon, hereditary of the exploration of atavisms and the hidden aspects of the self. s

if charged with either fresh blood or a sealed container of old blood. the latter gives a feeling of death and decay, due to the decomposition and coagulation of the blood. such would prove helpful in revenge or defense evocations. the death posture -vampyric inversion- the zos kia cultus often presents the death posture as a 'backwards' or 'inverse' birth, by which means the sorcerer assumes the god form of thanatos, as a glyph of the cabalistic 127 127 power zone of da ath. knowledge of the dark or hidden resources is present in the annihilation of the self, which entails understanding the clear and defined purpose of one s individual genetic idenity. the correspondence between da ath and the death posture lies with the nature of the death posture as a method. when one assumes the death


MICHAEL WYNN THE SOUL TRAVELERS

infernal sabbat is a gathering that happens here on earth, but most who attend arrive in an astral body. this earthly sabbat, sometimes called black sabbath, usually occurs in remote and secluded places. it is sometimes the case with the earthly sabbat, that those who attend arrive in their fleshly bodies. most vampires who arrive to the sabbat, do not arrive in the flesh but instead in an astral god form. a god form is an astral body that has been temporarily converted into that of ancient god or animal; godforms are archetypal forms whose image is predetermined. god forms must be used with caution, however, as the nature of the magician will slowly be consumed by the nature of the ancient god or animal frequently invoked. the field of astral energy that changes one s appearance is called

. because of his two faces, this baphomet character is often equated with janus, the roman god of gates and time. the face on the devil s posterior is said to be without the power of speech, and maintains a demonic expression. sometimes baphomet would arrive as a extremely pale man, whose flesh is ice-cold, wasted, and hanging off the bones. this personage s eyes were large and jet-black. another god form baphomet may arrive as was that of the size and shape of a tree trunk with a human face. this being has no arms or legs, was jet-black, and upon the face was the expression of a frightful man. still others described him as a black man with caucasian features, whose eyes burned like hot coals and was enveloped in a misty cloud. coinciding with baphomet s hermaphroditic and androgynous natu


MICHAEL W FORD NOX UMBRA

da- who is drunk from the blood of sheep i become! as i stand at the head of arezura- i enter in flesh the material world to manifest my desires- to become, advance and change the world according to my will by zazas i become by zazas i am always by nasatanada in opposition i become by zazas i change the world by my will" so it is done the opener of the way anubis is considered to be an initiatory god form, one which one assumes as a form of passage unto the celestial/luciferian realms of spirit and the infernal sabbat. anubis, as defined by e.a. wallis budge in "the gods of the egyptians" presents am ut, the "dweller in the chamber of embalmment" as the opener of the north (ap-uat) to the realm of set. anubis is also called hermanubis and death. heru-em-anpu is a dual god form, which holds

h the celestial/luciferian and infernal regions. this draws a close connection between the egyptian anubis and grecian triple moon goddess hecate. as anubis is the jackal headed lord of the dead, he presides in the west. charles pace (hamara't) mentions in the "book of tahuti" that west is the direction of water, as well as darkness. according to his hermetic teachings, anubis is also death and a god form of necromantic power. anpu is also a gateway to amethes- amenta- amentet. this 'underworld' is the equivalent to the grecian hades. this is the meeting place of spirits, where the dead gather. the word hell derives from the angelo-saxon 'helan, meaning to 'cover' or conceal. the hebrew equivalent of hades-amentet is sheol, which is said to come from the root-word "to ask" and "demand. the

the son of set and nephthys. this mortuary god was worshipped in such places as the abt, the papyrus swamps and the lycopolis (the city of wolves- jackals. in the funeral procession, anubis received the mummy, and lays his hands upon the body in initiation and protection. in the dreaming gnosis of wither the celestial/luciferian or infernal sabbat, one assumes anubis as the opener of the way, the god form of mortal (mundane) and vampyric (immortal) rebirth. the altar should be placed in the north. the west wall should have a small table to which you may have an image of anubis and the bones or images of the dead. west is the gateway of which you enter and dwell, then you shall emerge in the north from the gates of amenta. west holding the anthame focus on image of anpu and recite "i stand


PHOSPHORUS

rcery -the self-transformative benefits of the celestial sabbat and solar/twilight rebirth -the self-deification process of the infernal sabbat shape shifting and sexual congress via dreaming and astral projection -shape shifting and vampyric sorcery purpose and practice -the black eagle as the initiator of the vampyric and ahrimanic path consistent and successful work with this spirit guide -the god form of anubis the mask of the shades of the dead and the gateway of twilight. 1. mephistopheles, how this daemon represents both earth and spirit and the unity within. the evocation and invocation of mephistopheles to absorb a hidden atavistic knowledge of the daemonum of the earth. see mephistopheles conjuration by michael w. ford 2. the assumption of the flesh of the devil, the power of ini

e gateway of twilight. 1. mephistopheles, how this daemon represents both earth and spirit and the unity within. the evocation and invocation of mephistopheles to absorb a hidden atavistic knowledge of the daemonum of the earth. see mephistopheles conjuration by michael w. ford 2. the assumption of the flesh of the devil, the power of initiation and the mark of the devil as a rite of passage. the god form of satan the adversary is to understand the fallen aspect of darkness to the 12 rise into the dark light, thus a balanced initiation of flesh and spirit. see book of the witch moon. 3. the astral sabbath, dedication to, preparation and emergence into the astral plane. complete records and insight through including if famulus attends the self. 4. averse tree of life (daath) and the spheres

of set, ahriman and hecate. it is both daimon and seraph, a mirror and a gate of hell. meditate and focus upon this mirror. 6. the sigil of lucifer is the mark of the rebellion of spirit, the separation of ain soph (limitless light) to the dual ecstasies of shadow and flame. mark thy soul/spirit/consciousness with the sigil of adonai, the lord of the earth called also shaitan. 7. baphomet is the god form of the luciferian path, enfleshed as the witch begetter and the lord of the blackened fires of the forge. the black man of the sabbat is the one passed into the devil s flesh and walked the dreams of lilith-hecate s bloodied caul of initiation. succubus publishing 18 p.o. box 926344 houston, tx 77292 united states of america e-mail: keteb75@yahoo.s phosphorus- the shadowing forth of lucif


PHOSPHORUS THE SHADOWING FORTH OF LUCIFER

inverse pentagram is itself symbol of exploring and controlling the dark side powers which exist within every man and woman. christian attempts of labeling lucifer as a god of death only proves the extent of brainwashing which only mirrors their subconscious desire to be bound, that fragile and undeveloped flame to be extinguished. lucifer as being the prince of the powers of air establishes this god form as the fountainhead of astral magick. the varcolaci sigil or devilcosm is the mirror of lucifer, the bringer of light through astral projection and search of balance of knowledge. the applications of such magick can be used in every facet of ones' life. it is only limited by the imagination "ain soph" indeed! aleister crowley's patterns and formation of "thelema" is based within the lucif


REGARDIE ISRAEL THE COMPLETE GOLDEN DAWN

monies, when it becomes a highly useful gift, sometimes a necessity; and also in observing what occurs astrally when certain sigils or pentagrams are traced or names vibrated. there are several methods of testing and protection, in addition to those already mentioned. the supreme method of protection- though it is infinitely more than technical means of banishing- is through the assumption of the god form harpocrates. the astral image should be formulated either as rising from a lotus, or else standing erect over two crocodiles. little need be said about this technique; it is adequately described elsewhere, in z.1. incidentally, this is an excellent preparation for meditation or vision, to formulate the form about and around one, and to identify oneself with it. in the event, during any vi


RUBY TABLET OF SET

rickster is that spirit who makes you think. he is the spirit who is unpredictable in his actions or reactions, who gets himself and everyone else into trouble. in the process of doing so. most often after everyone is already in trouble. he makes people think, and in the end he generally gets everyone out of trouble by thinking. to represent the trickster, each culture used that type of symbol or god form which for them was most appropriate for that type of character. the coyote is a fairly independent and hard to track animal in america, requiring more than the usual amount of intelligence and stealth to catch. monkeys similarly were appreciated for their seeming intelligence and playfulness, and so egyptians assigned the trickster attribute and the monkey's form to thoth. the question be

s is how i planned to bring the reality of my xeper into manifestation. the following working is a result of those questions from magister menschel. certain african religions initiate an adept into their systems by a method of trance induction. the devotee is put into a state of hypnosis whereby his astral body goes into the nether world to seek information of importance to himself. sometimes the god form is brought into this reality by means of drumming or dancing. once the adept is possessed, the god or goddess begins to speak. during the speech the information that is given will guide the adept on the correct path, thereby enhancing his/her xeper. such were the results of this rite. the operation was performed over a 30-day period with the actual rite being done on the last day of the m


SYMBOLISM

rickster is that spirit who makes you think. he is the spirit who is unpredictable in his actions or reactions, who gets himself and everyone else into trouble. in the process of doing so- most often after everyone is already in trouble- he makes people think, and in the end he generally gets everyone out of trouble by thinking. to represent the trickster, each culture used that type of symbol or god form which for them was most appropriate for that type of character. the coyote is a fairly independent and hard to track animal in america, requiring more than the usual amount of intelligence and stealth to catch. monkeys similarly were appreciated for their seeming intelligence and playfulness, and so egyptians assigned the trickster attribute and the monkey's form to thoth. the question be


THE LUCIFERIAN PATH THE WITCHES SABBAT MICHAEL W FORD

opposing force of darkness but intelligence and isolate consciousness. to be set-like is to be individual, willdriven and balanced. the center of the averse pentagram is called the eye of set or the eye of satan, the adversary. this symbol also represents the union of the empyrean (in this context that which fell from heaven) and the infernal (earth based. this is sigillized and explored via the god form cain or tubal-cain, who has been illustrated with horns and cloven hooves, the awakened sorcerer. the algol sigil is an 8-pointed chaos star with an averse pentagram in the center. this is explained in the glossary section and beholds a powerful but dangerous magical formula. algol is a mirror which causes madness or wisdom, depending on the force of will of the magickian who stares into

merge from us. nightside or shadowside as a term is defined in witches sabbat and luciferian1 terminology as averse dreaming practice. in islamic mythology and lore, shaitan is the lord of rebellious spirits, a djinn made of fire. it is this fire2 which leads the individual towards the wall looking down into the abyss, and the infinite possibilities of being. the sorcerer thus begins to adopt the god form of shaitan to master the spirits and djinn of the self all of those elements which command mastery of the self. night is the in-between point which later unveils the light, therefore being a barrier and initiation aspect of the self and such conceptual matter. the numerical 666, described by aleister crowley is the number of the beast3, which is inherent in the sun in the zodiac. the sun

the north, was a sender of nightmares who was identical to the greek daemon typhon. set was viewed as a god of such dangerous and desolate places of the earth, but at the same time was a friend to the dead. the form of set was that of a man with the head of an ass, or an elongated snout with red hair. red was traditionally the color of set, lucy lamie13 held the connection that set- typhon was a god form which burns and consumes, he is a lord of the 9 in widdershins, counter-clockwise movement 10 the black book, the mes haf, a holy book of the yezidi. 11 called also seth or set-an. 12 force of nature or that of a god, indicating by definition a separate or antinomian force. 13 egyptian mysteries, lucy lamie 18 desert. the fire concept would not be new to this deity, as set was essentially

rshins, counter-clockwise movement 10 the black book, the mes haf, a holy book of the yezidi. 11 called also seth or set-an. 12 force of nature or that of a god, indicating by definition a separate or antinomian force. 13 egyptian mysteries, lucy lamie 18 desert. the fire concept would not be new to this deity, as set was essentially shaitan the opposer/adversary. the egyptian god seker is also a god form which the sorcerer may visualize and use as a mask of dreaming14. seker is an ancient death-god, who was considered older than osiris and who resided around the city of memphis. seker resided in the tomb and the complete darkness. around his lands were winged serpents, demonic spirits and dragon like beings with three heads. seker was often featured as a mummified man who had a mask of a

and set tested the spirit by it s own admission of transformation from life to death and finally, to the psyche becoming immortal. if this test failed, set in the form of seker, devoured the soul. later on seker was merged with ptah, a blacksmith god16 and took the form of a mummy with a visage of an old man. 14 a mask of dreaming is focusing and projecting the psyche or self into the mask of the god form in question, going forth to the sabbat masked in the cloak of the god form you are assuming. this is a development from older golden dawn practices and enables the mind to grow strong through understanding and experiencing on dreaming levels other significant god forms, demons and angelick spirits. 15 the egyptian book of the dead, the abode of the blessed, edited by e.a. wallis budge. 16


THE MAGICIAN S KABBALAH

s this philosophy wonderfully in his fiction "contact, where the heroine finds, by using a computer to arrange the infinite regressions of the number pi in base 11 arithmetic "a miracle- another circle, drawn kilometres downstream of the decimal point (see diagram 6. he calls it the "artist's signature, and again we return to the idea of the recursive universe, where the ripples of the thought of god form patterns always showing the way home. the tree as a communications system (lattice theory) i will briefly mention here that another of the implications of the recursive metaconcept in its relation to the tree, and as rediscovered in modern quantum theory, is the so-called "butterfly effect" as found by lorenz in weather pattern modelling. basically, as francis thompson put it in "the mist


VOX SABBATUM

of developing and exploring your consciousness, that by challenging, strengthening and developing your mind you start to become something godlike. the black man of the sabbat the sabbat rite is a constant widdershins movement in the realm of dream and twilight, however the pole or axis of the ritual is based around the sabbatic goat, called the black man or the devil of the infernal sabbat. this god form in flesh is always portrayed by the master or magister of the coven, a chosen individual who will wear robes and the mask of sathan. cain is considered a form of the black man in the sabbat as well, the book of cain presents an illustration of cain as the adversary and the sabbatic goat a point of initiation and an enfleshed avatar of the witch cult. the black man of the sabbat is a symbo


ALEE J BOOK OF AIWASS

ctive wisdom of the group soul during its human phase of evolution- nothing more, nothing less! the term "daemon" can be misleading because the oversoul has not yet entered the daemonic phase of incubation. and yet, the initiate may still benefit from the wisdom of his guardian. the most direct method of acquiring knowledge and conversation of the holy guardian daemon is through the assumption of godform. let's examine this process; daemons or godforms behave as energy amplifiers/equalizers because they interact on a certain frequency or resonance unaffected by a cosmic buffer. at no time does the magician share consciousness with the deity he affixes his mind to. what the initiate is really doing is tuning his awareness to the godform's resonance. this creates a reverberation across all t

deity he affixes his mind to. what the initiate is really doing is tuning his awareness to the godform's resonance. this creates a reverberation across all time lines in all of his physical forms! the group soul experiences singularity for less than a minute. the magician is temporarily awakened to his holy guardian daemon. he feels invincible, godlike. the gifts of the gods the assumption of the godform requires focus, self-discipline, hours of concentration with no guarantee of immediate result. invariably, the initiate will ask if the effort is worth the fleeting insight that comes and goes in less than a minute. there is a benefit; a gift from the daemon (god) with whom you choose to resonate- you must ask for your gift once you've assumed godform. it is also important to know what gif

all come to you. harpocrates grants the power of invisibility. hermes grants healing for a friend, loved one or relative. amon grants rain where you reside for two days. thoth grants you clairvoyance and clairaudience- the ability to see and hear spirits. athena grants clairsentience- experiencing realities or entities via physical senses. once more, you must ask for your gift when you've assumed godform. you may also request that the gift be given to someone else. assumption of the godform: a unique approach "think of a place and thou art there. think of a thing and thou art it" much has been written on this subject and it has all been lies and utter nonsense. let us briefly explain the various techniques and explain why; the first suggestion is that you sit in a chair and imagine you are

en on this subject and it has all been lies and utter nonsense. let us briefly explain the various techniques and explain why; the first suggestion is that you sit in a chair and imagine you are a certain deity and build upon its appearance, gestures, mannerisms, etc. this form of auto suggestion is useful, but it is analogous to yanking yourself up by your own bootstraps. it fails to utilize the godform's ability to amplify energy, which could be used as a pulley! occultnik experts insist that when picking a godform, one should choose from the same pantheon or pick carefully according to planetary powers. this is completely absurd and entirely untrue. all daemons do is amplify your own power. when you assume godform, the effect is the same whether you choose pan or isis as a model! it mak

lain view, at eye level, along with the sigil. 4. make sure you're seated comfortably, either on a chair or cushion. 5. fixing your eyes on the likeness of the deity, keep repeating the obvious in a forceful and compelling manner. for example "you are satan, creator of all things" do this until you are exhausted or it is time to go to sleep. 6. keep repeating this ritual. do not look for results. godform will happen when you least expect it. the effect is unmistakable. the birth of a daemon we have discussed the spiritual evolution of the human soul, the expansion and contraction of the group soul until it's eventually distilled into one form, occupying a single time line. the oversoul (guardian) occupies this body. the daemonic incubation process now begins and lasts about five centuries


BEHOLDERS OF NIGHT

e nectar of the mind, the imagination, thus revealing the vampyre as a solitary being who holds no need in the actual draining of blood. the blood itself is symbolic, as an invocation to the dark well of the fallen angels, the subconscious or imagination (iblis, shaitan. az is connected with the word, azhi, meaning a serpent. the chaos of the divine feminine or lunar essence is explored through a godform relation to this goddess, thus the magician invokes az to understand the feminine within. it is the serpent and dragon which are the immortal avatars of the well of the imagination, the blood pool of immortality and the endless existence of the psyche. death and the grave exists a challenge and significance within the shadow sabbatic path, being of two primary points. one is that death and


BLACK WITCHCRAFT

of these ritual tools are required for practice, which depends solely on the means and predilection of the sorcerer. godforms hold specific power within the cults of witchcraft as what is empowered from the practitioner themselves. the gods and goddesses would not exist in any tangible form if humanity did not empower them; either subconsciously or consciously, thus by the adept becoming does the godform become. deific energy is a source not only based within the blood of the practitioner, of the atavistic or primal recesses of the human mind. this deific energy or power may be recalled into the flesh and conscious mind of the practitioner, thus one finds the knowledge undertaken by earlier sects such as the golden dawn, the maskhara of the arabic and asian tribes, austin osman spare s zos


GOETIA LUCIFERIAN

energy and the spirits of the dead and the subconscious around the self; to strengthen and explore the avenues of a strong and open mind. the black magician also understands the respect which is necessary with working with exterior forces which often relate in an interior context. this is the key to the goetic sorcery path which is for this reason considered dangerous. the path of magick is that godform of lucifer, the angel perfected. the luciferian spirit is fire born, alive, vigorous and strong in will and pride. lucifer ascends in the sun, and falls with the darkening of the moon. this is the path of magick itself as above, so below. the luciferian model is presented strongly in this book, as this is a gateway or key to the mind expanding and developing. no longer shall the horrid sic


LIBER RESH VEL HELIOS

. tahuti standeth in his splendour at the prow, and ra- hoor abideth at the helm. hail unto thee from the abodes of evening! 5. and after each of these invocations thou shalt give the sign of silence, and afterwards thou shalt perform the adoration that is taught thee by thy superior.1 and then do thou compose thyself to holy meditation. 6. also it is better if in these adorations thou assume the godform of whom thou adorest,2 as if thou didst unite with him in the adoration of that which is beyond him. 7. thus shalt thou ever be mindful of the great work which thou hast undertaken to perform, and thus shalt thou be strengthened to pursue it unto the attainment of the stone of the wise, the summum bonum, true wisdom and perfect happiness. 1 [for those not in communication with the a a, the


MICHAEL FORD WITCHMOON

by the i or self, in a luciferian/sethian sense, the sorcerer becomes or develops from the spirit called inward. invocation is the direct subconscious communication with the forces of outer and inner planes of being. as with the sabbat, both infernal and celestial, one enters the ecstasy trance of the inbetween (inbetween the dreaming and waking world) to emerge eventually as the adversary, that godform of both sides. evocation to summon or call spirits outward, often projected into a circle or area from which you may bind such forces or spirits to a specific area. in goetic sorcery, the individual summons or evokes a spirit or energy into a circle, when the sorcerer is satisfied; they banish/release the spirit so it may leave. evocation can be the sorcerer summoning or calling forth the


MICHAEL W FORD THE VAMPIRE GATE

eva-yasna or yatukih 78 sorcery. arezur or arzur is the name of an early son of ahriman who killed the first man. asana posture relating to the practice of yoga. in reference to the luciferian path, posture is anything which is steady or consistent. there is no defined posture in ahrimanic yoga, although there are suggestions. astovidad [avestan/pahlavi] the demon of darkness who is utilized as a godform for the vampyre magickian in terror or atavistic feeding rituals. astovidad is a demon of death, who has great powers given to him by ahriman. he is called the evil flyer. az [avestan/pahlavi] called concupiscence, az is represented as primal sexual hunger, that which eventually devours all things. az is also related to menstruation (the kiss of ahriman causes menstruation in women) and is


MIDNIGHTS CIRCLE A COMMENTARY OF AZOTHOZ

sabbatic/luciferian path as well as others. in the brotherhood of saturn the god of the saturnian sphere is baphomet temohpab, being a angel-demon of both a positive and negative side. in azothoz, lucifer is the baphometic spirit which presents in lyrical prose the sides of the adversary, in terms of sethanic (of set) witchcraft and the left hand path. set is presented in azothoz as the egyptian godform of chaos, darkness and storms. he is in this sigillic mask the initiator and tester, the opposer and flame giver. it is indeed the mask of set which was given unto his bride, lilith, to spawn cain, the first sorcerer and initiator of witchblood. as written in azothoz- lilith came unto the prince of darkness whom found the shores of the red sea in passion and nocturnal lust knew the passion


PHOSPHORUS

oth. devotion to the essence of each sphere and its daemonic attributes to be used in a positive way. 5. a working of the black eagle as the initiator unto the path of shadow, records in a detail of 2 pages on successful contact with the black eagle. examples, records, etc. iii the adversary ascending into the noon-tide sun 13 -color red symbol shaitan of midnight -adversary in flesh the egyptian godform of set-an -mastery over spiritual and material planes -isolated and perfected strength of will and independence -the self as a gateway to vampyric and necromantical transformation -the work of the holy guardian angel advanced self-transformation and deification through working with the initiatic guide or genius -color red symbol shaitan of midnight -adversary in flesh the egyptian godform


REGARDIE ISRAEL THE COMPLETE GOLDEN DAWN

of the god-forms they represent. the following are the descriptions of the god-forms of the seven officers of the neophyte grade. hierophant: osiris in the netherland. expounder of the mysteries in the hall of the dual manifestation of the goddess of truth. hierophant is represented by two god-forms, the passive and active aspects of osiris. seated on the dais as hierophant, he is clothed in the godform of osiris. he wears the tall white crown of the south flanked by feathers striped white and blue. his face is green, the eyes blue, and from his chin hangs the royal beard of authority and judgment, blue in colour and gold tipped. he wears a collar in bands of red, blue, yellow, and black <117> and on his back is a bundle strapped across his chest by scarlet bands. he is in mummy wrappings

e it on the triangle upon alfar, hold the pommel of the sword immediately over it, and say: by all the names, powers, and rites already rehearsed, i conjure upon thee power and might irresistible. khabs am pekht, konx om pax, light in exten ,sion. as the light hidden in darkness can manifest therefrom, so shalt thou become irresistible. pause and then invoke amoun as follows, also using the amoun godform: 0 thou the concealed one, the opener of the day, thee, thee do i invoke. arnoun (vibrate by middle pillar. 0 thou circle of stars whereof my genius is but the younger brother, marvel beyond imagination, soul of eternity before whom time is ashamed, the ruach bewildered, and the neschamah dark, not unto thy majesty may i attain unless thine image be love. therefore by seed and root, and by

form gradually filled the place till the scene disappeared altogether. tested by the letters, it grew immensely larger, and seemed to have a yellow and blue striped nemyss, whitish wrappings, with broad blue bands round it, and a greenish yellow light shown about it. i gave the l.v.x. signs and asked to be shown the sphynx of its power. this gradually appeared through the yellow light behind the godform, human head, very fair and bright face, wings, yellow and blue nemyss, claws of eagle extended in front, and hind-legs and tail of a lion in reclining position <319 "on asking for the action of the force of the square, was shown a bubble of water into which air was continually pouring, and expanding it till it burst and disappeared, the energy seeming then to pass spirit: or one triangle o


SATANGEL

he merged with hekate. originally a babylonian goddess lilitu, or ardat-lilil. lucifer (latin, bringer of light. the rebel angel who was cast from heaven (isiah 14:12. certain gnostic sects regard lucifer as a divine power in his own right, and the witches recognise him as the initiator and bringer of illumination. in etruscan gypsy lore he is the father of aradia and consort of diana. it is this godform that became the emperor of hell (grimorium verum. roman god of the morning star (venus. luciftias (enochian, brightness) whose return is heralded, alongside babalon, in the call of the thirty aethers. lucifuge (latin, running from the light. servants of lucifer who hunt for souls to damn. they are the henchmen who come to collect when a pact has been fulfilled, who tear the soul from the b


THE MIDDLE PILLAR

horoughly conversant with magical principles and with the basic principles of the tree of life, would be a celebration in dramatic form of the powers of these ten sephroth.33 the celebration of it physically, with each officer aware of the sephirah represented and knowing how to bring the power of that sephirah into operation either by the vibratory formula or by the assumption of the traditional godform ascribed to that sephrah, will have made available an enormous amount of power. the penetration of this spiritual force into the sphere of sensation, and its reaction upon the consciousness of all present, is likely to produce a result in consciousness similar to, but much more concentrated and powerful than, the effects of the magical methods above described. little more need be said, but

the reconciler between the ego and the outer world, the soul image is the reconciler between the ego and inner world. once fully realized and integrated, the soul image can bring incredible enrichment into consciousness and a vital expansion of the true self. archetypes the third step in the process of individuation is the manifestation of archetypes. an archetype is an idea, mode of thought, or godform that has manifested from the inherited experiences of humankind-from the collective unconscious. the concept of the archetype .is derived from the repeated observation that, for instance, the myths and faiytales of world literature contain definite motifs which crop up everywhere. we meet these same motifs in the fantasies, dreams, deliria, and delusions of individuals living today. these

issuing up the shaft. 4. in the circulation of the fountain, the power goes up the centers. then with the exhalation down the left side, and the nhalation up the right side, exhale down the front of the body, inhale up the back of the body. ths will cause the aura to be in a subtle state of great activity, the light pouring through and making it a great and dynamic power. 5. close with the osiris godform. keep that as long as you like. 6. perform the lesser banishing ritual of the pentagram. regardie's notes on the revised middle pillar ritual part i: spirit@ the top center is above the head. its color is whte, and its divine name will be ahih [or eheieh (ytyytk, and agla (8538. you will vibrate these names in the usual way and concentrate on the white light. after a few minutes when you f

tion of power issuing up through the shaft. then follow with the other two methods. the circulation down the left side and up the right, and the circulation from the head down the front of the body, under the feet and up the back. use the inhalation and exhalation. the aura will be in a state of great activity. the light is pouring through and making it a great power. in order to close assume the godform of osiris and keep that as long as you feel like it. i the middle pillar exercise 219 want you to make the banishing ritual a habit. begin and end every ritual with it. this middle pillar ritual can be done either sitting or lying flat. the tree of life exercise (the rite of three pillars (see figure 15, p. 220) this exercise can be performed either standing, sitting, or lying down. after

iment of the creative masculine nature of woman's subconscious. apas: derived from a sanskrit word meaning "water" the tattva associated with the element of water. its symbol is the silver crescent. aral: a ruling spirit traditionally associated with fire, though in modern times associated with air. archetype: often referred to in jungian psychology to mean a preexistent idea, mode of thought, or godform that manifests through the collective unconscious of humanity. asanas: various positions used in hatha yoga. assiah: the qabalistic world of action and matter attributed to malkuth and the element of earth. atah: see atoh. hebrew word meaning "thou art" used in the qabalistic cross. atoh: see atah. atziluth: the qabalistic world of archetypes attributed to kether and the element of fire. g


THOUGHTS ON SETH

, reality itself would collapse into the primal chaos. according to his legend, every night seth rides the barque of millions of years the solar boat and every morning before the dawn he slays apep, the demon of chaos and entropy who blocks its passage, so that the barque may rise aga in. without seth, the sun would never rise and the darkness would be eternal) so meditating on what i know of the godform, i come up with. material world as has been said, seth grounds the temple in the material realm, in malkuth, which is where his throne is on the tree of the 0=0 temple. in fact, he sits in the black area of the circle of malkuth. then there is "xepher, as the temple of set understands it the drive "to become. this encompasses some attributes that can (obviously) be taken to evil extremes;


ZALEWSKI SECRET INNER ORDER RITUALS OF THE GOLDEN DAWN OCR

could equate to the godname of the sephirah of netzach. there is also evidence that thela0 was also an alchemical process whose meaning has been lost with time. the current order teaching considers that ia0 fuses the isis, apophis and osiris energies together into one workable formula, being at the hands of the adept to direct for a specific purpose. in the 5=6 ritual, the adept first experiences godform assumption when lashed to the cross of suffering; and later in the role of the chief adept in the pastos, who assumes the astral body of the postulant, and later when the postulant holds the crook and scourge of osiris. the energies of the various godforms, plus the rituals and props, amount to what could be described as a mass attack on the psyche of the individual. those who go through t

te. jack taylor revealed to us that before each grade ceremony, the hierophant had to go down to the temple, and with his sphere of sensation (aura, link directly into the astral shells of each of the godforms in the rituals. taking the 0=0 as an example, the hierophant would have to "bring through" the astral shells of (1) the invisible stations (2, the officers of the temple, and (3) the osiris godform on the dias. this is an example of the verbal information that the former hierophant would divulge and show to the present hierophant (providing the present never held the hierophant position before, after the equinox ceremony. this practice was not restricted to a particular grade, but to the "office" some of those hierophants who were 6=5 or 7=4, and who never held the position before, m

one for kabbalistic sephirah he has been initiated into. this also shows the number of spheres in the yetziratic world (including daath, which is the framework one is currently working in. commitment the divine force is then petitioned to receive the astral body of the postulant through the link of the second order. 36 bells each bell represents a decan in the zodiac, and most important of all, a godform. the astral and soul in fact leave the body of the postulant, and with each sounding bell, traverse the zodiac which is a representative of the soul's progress through the different forms of energy governing it, until a complete cycle is done. the egyptian zodiac has 37 decans: the first is the actual leaving of the body to meet this godform, while the next 36 are aspects of its journey. t

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