Michael Wynn's Occult Reference Library
FENRIS,FENRIR

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DION FORTUNE PSYCHIC SELF DEFENSE

jury from someone who, at considerable cost to myself, i had disinterestedly helped, and i was sorely tempted to retaliate. lying on my bed resting one afternoon, i was brooding over my resentment, and while so brooding, drifted towards the borders of sleep. there came to my mind the thought of casting off all restraints and going berserk. the ancient nordic myths rose before me, and i thought of fenris, the wolf-horror of the north. immediately i felt a curious drawing-out sensation from my solar plexus, and there materialised beside me on the bed a large wolf. it was a well-materialised ectoplasmic form. like z, it was grey and colourless, and like him, it had weight. i could distinctly feel its back pressing against me as it lay beside me on the bed as a large dog might. i knew nothing


GRIMM JACOB TEUTONIC MYTHOLOGY VOL 3

nds it has been transferred to the beast, and so preserved; and as phol is paltar, it may now appear less ventm-esome to bring in as belonging here baltero the boar's name in reinardus. a soul-snatching wolf the devil was already to the fathers (greg. m. opp. 1, 1486. in the laws of cnut he is 'se wodfreca werewnlf (schmid. p. 148; ditmar of merseb. p. 253 calls him lupus vorax, and loki's son is fenris illfr; out of mhg. poets i have not noted down a hellewolf, but i hardly doubt their having used it, as simplic. 2, 72 still does hollenivolf. and a slavic name for the devil, pol. wrog, boh. wrah, serv. slov. vrag, puss, vrag, vorog, though it means malefactor, enemy, latro, is the same as the ohg. tvarg (lupus, reinh. xxxvii. the devil has monstrous jaws and throat in common with the wolf

e-dod, which may be understood of t^r's fight with the wolf, and moreover likened to the wolfs bast and garou* this too in districts that say er-tag and not zis-tag for tuesday (pp. 12j. 201; so that in tho plant's name zio-worship took a wider range. 1194 heebs and stones. above, as several other names waver between daphne and aconitum. and wolfs bast may even suggest the three bands laid on the fenris-ulfr, msesing (dan. lediug, molb. dial. lex. p. 317' dromi' and' gleipnir/ s. 33-4-5. there was yet another name for daphne given on p. 377: wieland's herry, together with a scand. velanch urt for the medicinal valerian; names which carry us back, if not to a god, to one of our greatest heroes of old, whose father was the wise leech wate (see suppi. but there is only a small number of herbs


GRIMM TEUTONIC MYTHOLOGY VOL 2 1883 COMPLETE

1163. according to the edda, a huge serpent, the miffgarfo ormr, lies coiled round the earth s circumference, umgiors allra landa: evidently the ocean. when alexander in the legend was carried up in the air by griffins, the sea appeared to him to twine like a snake round the earth. but that world-serpent/ hateful to all the gods (su er go$ fta, ssem. 55a) was the child of loki, and brother to the fenris-ulfr and hel; he was called idrmungandr (sn. 32, the great, the godlike (conf. p. 351, and like hel he opens wide his jaws, sn. 63 (see suppl. everything shews that the notions of time, age, world, globe, earth, light, air and water ran very much into one another; in earth-ring/ ring indicates the globular shape of the earth and 1 the finnic ilma? festus says mundus meant coelum as well as

ear on other grounds. to the 8th cent. elias might well seem something more than the hebrew prophet, viz. a divine hero, a divinity. the edda makes all the ases, o&inn, thorr, freyr, and tyr, unite their powers to do battle with the sons of fire and their confederates, yet they are beaten like enoch and elias: elias bears a marked resemblance to thorr (or donar, michael to the queller of garmr or fenris-ulfr; i do not say that enoch is equally to be identified with any particular god, but he might. surtr with the flaming sword may remind us of the angel that guards paradise, but he also finds his counterpart in the story of enoch and elias, for these two, at least in the legend of brandan (in bruns p. 187, have an angel with a fiery sword standing by their side.1 an as. homily de temporibu


LINDOW JOHN NORSE MYTHOLOGY A GUIDE TO THE GODS HEROES RITUALS AND BELIEFS

ar is the silent god, that he has a thick shoe, that he is second in might only to thor, and that the gods have great support or consolation from him in all struggles. in skaldskaparmal snorri places 312 norse mythology vidar among the other asir at the banquet of agir and tells us that we may use these kennings for vidar: gthe silent god, h gthe owner of the iron shoe, h genemy and killer of the fenris wolf [fenrir, h gthe vengeance god [ass] of the gods [go, h gthe dwelling god [ass] of paternal properties, h gthe son of odin h and gbrother of the asir. h in his account of thor fs journey to geirrod in skaldskaparmal, snorri says that the giantess grid, who equips thor with various pieces of equipment, is the mother of vidar the silent. in his vision of the dwellings of the gods in grimn


MANLY P HALL THE SECRET TEACHINGS OF ALL AGES

e grace and speed of this animal caused it to be accepted as the proper symbol of esthetic abandon. deer were objects of veneration with many nations. in japan, herds of them are still maintained in connection with the temples. the wolf is usually associated with the principle of evil, because of the mournful discordance of its howl and the viciousness of its nature. in scandinavian mythology the fenris wolf was one of the sons of loki, the infernal god of the fires. with the temple of asgard in flames about them, the gods under the command of odin fought their last great battle against the chaotic forces of evil. with frothing jowls the fenris wolf devoured odin, the father of the gods, and thus destroyed the odinic universe. here the fenris wolf represents those mindless powers of nature


MICHAEL TSARION ATLANTIS ALIEN VISITATION AND GENETIC MANIPULATION

itation, and genetic manipulation39 the world falls dead their adversarial presence was termed the midgard serpent: the midgard serpent blows so much poison that the whole sky and sea are splattered with it. strange flying craft bringing destruction are described: the mighty flood frees the ship known as naglfar, a vessel that the giants were so long inbuildingloki steers the ship of hel with the fenris wolf aboard.they also speak specifically of ragnarok, the war between the gods: the head of mimir (fountain of all wisdom, counsels odin to meet on the field of vigrid, andto wage there such a war that the power of evil would be destroyed forever, even though hisown world would be destroyed with them. now death is the portion of doomed men, red with blood the buildings of gods, the sun turn


MORALS AND DOGMA

ts of which work together under god's eye to a result which shall be perfection. whether the existence of evil is rightly explained in this creed or in that, by typhon the great serpent, by ahriman and his armies of wicked spirits, by the giants and titans that war against heaven, by the two co-existent principles of good and evil, by satan's temptation and the fall of man, by lok and the serpent fenris, it is beyond the domain of masonry to decide, nor does it need to inquire. nor is it within its province to determine how the ultimate triumph of light and truth and good, over darkness and error and evil, is to be achieved; nor whether the redeemer, looked and longed for by all nations, hath appeared in judea, or is yet to come. it reverences all the great reformers. it sees in moses, the


RUBY TABLET OF SET

charged oil [linda reynolds iv] wepwawet, whose face is black as night and golden as the day. jackal, prowler of the netherworld, you welcome those who perish. to your southern domain march the dead, carrying with them the memories of their existence wepwawet, divide those who bear the semblance of ma'at from those whom we shall devour. guardian of death and the law, wepwawet [ronald barrett iii] fenris-wolf, the terrible, fenris, son of the trickster, your sister is hel and your brother the serpent. fenris, force of change, howler at the end of the world. fenris, bound in the world below, we unchain you to devour thy captor and swallow the sun. fenris [patty hardy iii] kali, mighty goddess, the gods glorify your sport, when in the dance that fills the court of shiva with delight, your foo

the sign of the oath [priest zimmer flexes his left hand like a claw, then relaxes it, drawing the hand back to himself. the other initiates do likewise as a sign of taking the oath] this is the secret of the lion: you can make the world your plaything- mercy and justice lie within your talons [magus flowers walks to the next station. adept gyori lights the candles, and priest rigby speaks] i am fenris, whose howls shake the world tree. i am fenris, who swallowed the hand of tyr and one day will swallow your sun. i am the wolf whose packs persist despite the evil of men. if you would hear my secret, you must swear a terrible oath [magus flowers] we would learn your secret even if the knowledge damns us [fenris] this is the oath: i will find a pack to run with whose members are as strong a

who show intelligence and comprehension in their search for this knowledge shall be welcomed in our ranks and find a place among the elect of set. thus shall the temple of set flourish in the british isles as new setians join with the nucleus of set's elect already working to further the temple and aeon of set and see the continuance of this aeon into the next century. the pylon gates of albion, fenris, anubis, and silver spear, through which those who seek the knowledge of set can pass through in their quest for xeper, stand proudly open. to those who dare. enter and find true wisdom. setian bell's personal text behold i am come to work my will upon the universe. i strive to xeper and remanifest; therefore i struggle with yahweh and his regressive death cult of failure and self-deceit wh

g the wolf pelt draped upon his shoulders. it is always difficult to be accurate when crossing cultural lines to find comparisons. this case is no different. i have been asked if trickster correlates to the norse loki. this may very well be. i am far from expert in the norse religion/cosmogony. however, if i may be permitted an indulgence, i feel more of a connection between trickster and fenrir (fenris. this connection goes deeper than the outward appearance of a wolf. fenrir is feared because of his power and the premonition that he will destroy the established hierarchy at ragnarok. if death itself is viewed as a sort of personal ragnarok, then trickster is providing for the destruction of the established sequence. instead of dropping the physical envelope and fading into the all-nothin


SATANICON

kwise. replace the bell upon the altar. end of ritual -27- book iv: the satanic philosophy -28- pandemonium: the infernal hierarchy princes: lucifer: morning star and light-bringer; satan: adversary of god; belial: a vicious and wicked beast; beelzebub: lord of the flies; leviathan: prince of heresies and serpent of the infernal seas. the first legion: set, tiamat, eblis, mephistopheles, ahriman, fenris, pan, abaddon, apollyon the second legion: asmodeus, adramaleck, astaroth, kali, nergal, lilith, typhon, moloch, midgard, diabolus the third legion: caop, amon, skoll, hati, azazel, marchocias, serapis, bali, orias, maskim, mastema, nebrios, emma, furfur, pazuzu the fourth legion: pursan, nabarus, alastor, silcharde, incubus, succubus, hekate, asag, mara, euronome, forneus, xaphan, ukoback

ist! 5 the holy sacrifice. 6 the celebrant faces the sigil of antichrist and recites the biblical passage, revelation 13: 1-18. 7 the evocation and release of the devils of evilution. the celebrant grasps the sword of satan and steadies the point of the blade in the flame of antichrist as he evokes the devils of evilution thus: pan, come forth and smear the earth with your doctrines of carnality! fenris, come forth and free the beast to wage the war! leviathan, come forth to fill the minds of men with the wisdom of evil! diabolus, come forth to judge and imprison the lambs of the nazarene! set, come forth to destroy the xian faith and its masses! the sword is replaced on the altar. 8 the celebrant closes the rite by dousing the smoldering charcoal with a plentiful amount of conjuration sal


18276066 GRIMM JACOB TEUTONIC MYTHOLOGY VOL 1

and the hephajstus (vulcan) of the greeks; okeanos was a friend and kinsman of the former. but the two get mixed up. in loki, sa er flestu iuu raesr (sn. 4g, who devises the most of ill, we see also the giant demon who, like hephaestus, sets the gods a-laughing; his limping reminds us of hephsestus and the lame fire (n. cap. 76, his chaining of prometheus's, for loki is put in chains like his son fenrir. as hephaestus forges the net for ares and aphrodite, loki too prepares a net (sn. 69, in which he is caught himself. most salient of all is the analogy betw^een hephaestus being hurled down from olympus by zeus (ii. 1, 591-3) and the devil being cast out of heaven into hell by god (ch. xxxiii, devil, though the edda neither relates such a fall of loki, nor sets him forth as a cunning smith

have done this, from the first baptized goths down to the northmen, because that local notion already existed under heathenism, perhaps also because the church was not sorry to associate lost spirits with a heathen and fiendish divinity^ thus hellia can be explained from hellia even more readily than ostara from ostara. in the edda, hel is loki's daughter by a giantess, she is sister to the wolf fenrir and to a monstrous snake. she is half black and half of human colour bid half, en half mes horundar lit, sn. 33, after the manner of the pied people of the mid. ages; in other 1 the trad, patav. pp. 60-2 assure iis of a man's name raan, rhaan (rahan. an ohg. rahana rests on a very slender foundation" hel has no attinity at all avith on. hella petra, hellir antrum, as the goth, hallus petra


GRAHAM HANCOCK FINGERPRINTS OF THE GODS

gh the songs of the norse scalds and sages. the stories those songs retell have their roots in a past which may be much older than scholars imagine and which combine familiar images with strange symbolic devices and allegorical language to recall a cataclysm of awesome magnitude: in a distant forest in the east an aged giantess brought into the world a whole brood of young wolves whose father was fenrir. one of these monsters chased the sun to take possession of it. the chase was for long in vain, but each season the wolf grew in strength, and at last he reached the sun. its bright rays were one by one extinguished. it took on a blood red hue, then entirely disappeared. thereafter the world was enveloped in hideous winter. snow-storms descended from all points of the horizon. war broke out

en entirely disappeared. thereafter the world was enveloped in hideous winter. snow-storms descended from all points of the horizon. war broke out all over the earth. brother slew brother, children no longer respected the ties of blood. it was a time when men were no better than wolves, eager to destroy each other. soon the world was going to sink into the abyss of nothingness. meanwhile the wolf fenrir, whom the gods had long ago so carefully chained up, broke his bonds at last and escaped. he shook himself and the world trembled. the ash tree yggdrasil [envisaged as the axis of the earth] was shaken from its roots to its topmost branches. mountains crumbled or split from top to bottom, and the dwarfs who had their subterranean dwellings in them sought desperately and in vain for entrance

tent transmission of a precessional message in a wide range of ancient myths. and, strangely enough, many of the key images and symbols that crop up in these myths notably those that concern a derangement of the heavens are also to be found embedded in the ancient traditions of worldwide cataclysm reviewed in chapters twentyfour and twenty-five. in norse mythology for example, we saw how the wolf fenrir, whom the gods had so carefully chained up, broke his bonds at last and escaped: he shook himself and the world trembled. the ash-tree yggdrasil was shaken from its roots to its topmost branches. mountains crumbled or split from top to bottom. the earth began to lose its shape. already the stars were coming adrift in the sky. in the opinion of de santillana and von dechend, this myth mixes

avens and that the stars, which have come adrift in the sky, are dropping into the void. 3 such celestial imagery, repeated again and again with only relatively minor variations in myths from many different parts of the world, belongs to a category earmarked in hamlet s mill as not mere storytelling of the kind that comes naturally .4 moreover the norse traditions that speak of the monstrous wolf fenrir, and of the shaking of yggdrasil, go on to report the final apocalypse in which the forces of valhalla issue forth on the side of order to participate in the terrible last battle of the gods a battle that will end in apocalyptic destruction: 500 doors and 40 there are i ween, in valhalla s walls; 800 fighters through each door fare, when to war with the wolf they go.5 with a lightness of to


GRIMM JACOB TEUTONIC MYTHOLOGY VOL 3

tch twisted her girdle together, and laid it on the threshold of a house where there was a wedding; when the newly married pair stepped 1 it is also believed, that every ninth day the seal (selr) doffs his iishy skin, and is for one day a man (thiele 3, 51. in medieval germany the nine years' wolf was supposed to give birth to adders, ms. 2, 234; to which may be compared loki's begetting the wolf fenrir and the snake lormungandr (p. 246, and that gandr again means wolf" a married couple lived in poverty; yet, to the man's astonishment, his wife contrived to serve up meat at every meal, concealing for a long time how she obtained it; at length she promised to reveal the secret, only, while she did so, he must not pronounce her name. they went together to the fields, where a flock of sheep w


GRIMM TEUTONIC MYTHOLOGY VOL 2 1883 COMPLETE

suppl. the mouth or jaws of hell were spoken of, p. 314; hel yawns 1 does eggrunt stand for eck-grunt? das iuwer sele komen uzer eggrunde, cod. pal. 349, 19d. 2 conf. 0. muller s etrusker 2, 96-7. the finn, manala is locus subterraneus, ubi versantur mortui, sepulcrum, orcus, but derived from maa (terra, mundus, and only accidentally resembling manalis. dille-stein. muspilli. 807 like her brother fenrir, and every abyss gapes: 1 os gehennae in beda 363, 17 is the name of a fire-spouting well (puteus; 2 in an as. gloss (mone 887) mud1 (os) means orcus. the same coll. of glosses 742 puts down sedff (puteus, barathrum) for hell, and 2180 cwis for tartarus, 1284 cwis-husle, where undoubtedly we must read cwis-susle. to cwis i can find no clue but the on. qvis calumnia [quiz, tease? queror, que


LINDOW JOHN NORSE MYTHOLOGY A GUIDE TO THE GODS HEROES RITUALS AND BELIEFS

ldskaparmal implies the existence of the wall (the gods put the kettles for it in the enclosure, but the incorporation of the asir and vanir, which is the precondition for the mead, occurred in the near past. another story of the early mythological present would be odin fs sending of hel to the underworld and the midgard serpent to the outer waters of the ocean, as well as the binding of the wolf fenrir, when ty lr lost his hand. in the mythological present hel presides over the underworld, thor fishes up the midgard serpent in offshore waters, and ty lr is without his hand, while fenrir awaits the end of the world. odin fs myths tend toward the early part of the mythic present: already mentioned are the mead of poetry, war and peace with the vanir, oath of bloodbrotherhood with loki, and

the terms of the game. even if it did not make ragnarok inevitable, it made it possible, for now the death of any and therefore of all the gods is a possibility. if we follow the baldr story in snorri fs gylfaginning, we see that odin fs strategy of swearing blood-brotherhood with loki has failed, for it was loki who brought about baldr fs death. the gods now bind loki, and like his sons the wolf fenrir and the midgard serpent, he awaits ragnarok, the end of the world and the final period in the mythology. many of the events in the mythic present look forward to ragnarok: the failed oath of blood-brotherhood, the binding of evil creatures, and the gathering of einherjar, the chosen warriors of odin, at valholl. the mythic future also has two stages. in the near future is ragnarok, when the

(she-who-offers-sorrow) giantess mate of loki and mother of monsters. the name is found only once in poetry, in hyndluljod, stanza 40, a part of the gshort voluspa. h loki sired the wolf on angrboda, and got sleipnir on svadilfari; the witch alone seemed most evil the one that came from the brother of byleipt. snorri makes angrboda, ga giantess in jotunheimar, h the mother of three monsters: the fenrir wolf; jormungand, that is, the midgard serpent; and hel. this raises the possibility that the witch in lines 3.4 of the stanza quoted above from hyndluljod may be hel. see also fenrir; hel; loki; midgard serpent arvak and alsvin (early-awake and very-swift) horses that pull the sun. grimnismal, stanza 37, is the main source: arvak and alsvin, they should up from here, the bold ones, pull th

three/ giants the mother h (stanza 13. ggo home, h she says. the next step is ragnarok. the version of the myth of baldr fs death here omits the role of loki, which is so important in snorri fs version, although some observers have seen a reference to loki in the mother of three giants of stanza 13, since loki fs children are three of the most famous giants, namely, the midgard serpent, the wolf fenrir, and hel herself. this version would seem to focus on the essentials: baldr will die, hod will kill him, vali will avenge baldr fs death. that is a departure from snorri fs version far greater, in fact, than the omission of loki fs role, for snorri has nothing to say of vengeance on hod. most sources seem to agree that the vengeance is an integral part of the myth. in form, baldrs draumar s

is found in norse texts and a proverb from medieval iceland: gmen turn out most like their maternal uncles. h certainly odin, of all the gods, turned out most like a giant. see also bestla, odin bound monster enemy of the gods bound or restrained in some way during the mythological present but destined to break free at ragnarok. 82 norse mythology the monster who best fits the pattern is the wolf fenrir, whose sole function in the mythology is to be bound by the gods and then to break free at ragnarok and wreak havoc: to swallow the sun according to vafthrudnismal and to kill odin according to voluspa. fenrir was bound with a magic fetter and bit off ty lr fs hand, which was placed in his mouth as a pledge that the binding was in sport. fenrir may be identical with garm, who according to a

arok and wreak havoc: to swallow the sun according to vafthrudnismal and to kill odin according to voluspa. fenrir was bound with a magic fetter and bit off ty lr fs hand, which was placed in his mouth as a pledge that the binding was in sport. fenrir may be identical with garm, who according to a refrain in voluspa howls before the cave gnipahellir: gthe bond will burst/ and the wolf run free. h fenrir was the son of loki and the giantess angrboda, one of a brood of three. in light of the binding of fenrir, we may be justified in regarding the exile of his siblings.the midgard serpent to the outer waters of the sea and hel to the world of the dead.as a kind of binding. no fetters are used, but the serpent does lied coiled about the earth, biting its own tail, and this linking of mouth to

rboda, one of a brood of three. in light of the binding of fenrir, we may be justified in regarding the exile of his siblings.the midgard serpent to the outer waters of the sea and hel to the world of the dead.as a kind of binding. no fetters are used, but the serpent does lied coiled about the earth, biting its own tail, and this linking of mouth to tail might be taken as a kind of binding. like fenrir, the midgard serpent will be gunbound h from the ocean at ragnarok and will kill thor. there is no parallel gunbinding h for hel, however. loki is the most important and studied of the bound monsters in scandinavian mythology. his binding occurs, according to snorri, as vengeance for the killing of baldr. according to the prose colophon to lokasenna, however, loki was bound as vengeance for

arok and according to voluspa will steer a ship full of the forces of evil against the gods. snorri also grants him a mutually fatal single combat with heimdall. since the early twentieth century, and especially through the influential study of ragnarok by axel olrik, loki as bound monster has been associated with similar figures from traditions of people living in the caucasus. however, at least fenrir and garm are also clearly bound monsters, and the notion of bound forces of evil who will break free at ragnarok could be extended to nearly all the forces who will assail the gods at that time. if we are to take seriously the notion of a loan from the caucasus, it would affect nearly the entire mythology. and of course there was the analog within christian legend of the bound antichrist aw

und monsters, and the notion of bound forces of evil who will break free at ragnarok could be extended to nearly all the forces who will assail the gods at that time. if we are to take seriously the notion of a loan from the caucasus, it would affect nearly the entire mythology. and of course there was the analog within christian legend of the bound antichrist awaiting the last judgment. see also fenrir; garm; hel; loki; midgard serpent; ragnarok references and further reading: the early studies of the bound monster and the caucasian analogs included m. anholm, gden bundne jatte i kavkasus, h danske studier 1 (1904: 141.151; bernhard kahle, gder gefesselte riese, h archiv fur religionswissenschaft 8 (1905: 314.316; and friedrich von der deities, themes, and concepts 83 leyen, gder gefessel

mod leaves the realm of the dead after having acquired hel fs consent to release baldr if all creation will weep, he takes with him draupnir, sent by baldr to odin as a memorial. indeed, skaldskaparmal lists among baldr kennings gowner of draupnir, h and the passage of draupnir through funeral fire and the world of the dead must truly have enhanced its value. see also brokk; eitri; odin dromi see fenrir duneyr according to grimnismal, stanza 33 (and therefore snorri in gylfaginning, one of the four harts that gnaws on yggdrasil. the name appears to mean gdark-ear. h see also dain; durathror; yggdrasil durathror according to grimnismal, stanza 33 (and therefore snorri in gylfaginning, one of the four harts that gnaws on yggdrasil. the meaning of the name is unclear. see also dain; duneyr; y

o panic, and the ring that duplicates itself in multiple copies. thor gets the hammer with which he kills giants, and frey gets the ship that can be folded up and put in a pocket and the gold-bristled boar, gullinborsti. it may be worth noting that each god gets one object of gold and one of iron or wood. furthermore, odin commissioned the dwarfs to make the fetter gleipnir, which he used to bind fenrir. and when odin, hoenir, and loki needed gold to compensate hreidmar for the death of his son otr in skaldskaparmal, it was to the dwarfs that odin sent loki. like the male gods, freyja also had precious objects fashioned by the dwarfs: she had her own gold-bristled boar (hyndluljod, stanza 7) and obtained a necklace (sorla thattr, which is probably a rather late text, perhaps the brisinga m

8 (1977: 46.60; and the wise one of the mountain: a study in folklore, goppinger arbeiten zur germanistik, 379 (gottingen: kummerle, 1983. deities, themes, and concepts 101 eggther in voluspa, stanza 42, the herdsman of a giantess: he sat there on a mound and played a harp, the herdsman of a giantess, happy eggther. the giantess in question might be the one from stanza 40, who raised the brood of fenrir in jarnvid (iron-woods, possibly therefore angrboda. why anyone working for her would be happy is unexplained; perhaps eggther was especially fond of the harp. in any case, his name is identical to that of ecgtheow, who in the old english epic beowulf is the father of beowulf. andy orchard, in his dictionary of norse myth and legend, says that this parallel gis almost certainly a red herrin

word mogr for gson h rather than the usual sonr, so the genealogy is assured. when introducing loki in gylfaginning, snorri tells us that loki is the son of farbauti the giant, and there is no reason to doubt the assignment of farbauti to the giants, especially given the meaning of his name. doubtless loki fs ill will toward the asir had to do with his father fs affiliation. see also laufey; loki fenrir wolf; enemy of the gods. fenrir is also called fenrisulf, that is, the wolf of fenrir, and this usage has never been satisfactorily explained. he has two roles in the mythology: one as the maimer of ty lr early in the mythic present, the other as the killer of odin at ragnarok. in between, he lies bound. hyndluljod, stanza 40, a part of the gshort voluspa, h states that loki sired the (or a

lso called fenrisulf, that is, the wolf of fenrir, and this usage has never been satisfactorily explained. he has two roles in the mythology: one as the maimer of ty lr early in the mythic present, the other as the killer of odin at ragnarok. in between, he lies bound. hyndluljod, stanza 40, a part of the gshort voluspa, h states that loki sired the (or a) wolf on angrboda, and snorri agrees that fenrir is the offspring of loki and this giantess and that their brood also included jormungand (the midgard serpent) and hel. the wolf fs great act in the mythological present is to deprive ty lr of his right hand, an event alluded to directly in lokasenna, stanza 38. loki is upbraiding ty lr: shut up, ty lr. you never knew how to mediate something good between two people deities, themes, and con

t their brood also included jormungand (the midgard serpent) and hel. the wolf fs great act in the mythological present is to deprive ty lr of his right hand, an event alluded to directly in lokasenna, stanza 38. loki is upbraiding ty lr: shut up, ty lr. you never knew how to mediate something good between two people deities, themes, and concepts 111 your right hand, that one will i mention which fenrir tore from you. gto mediate something good between two people h is the standard translation, but an attractive alternative, given what happens next, would be gto carry something well with two [hands. h snorri tells the myth twice in gylfaginning. on the first occasion, he is describing ty lr and cites the episode as a token of ty lr fs bravery: when the asir enticed the wolf of fenrir to per

the sea and hel into the world of the dead. for reasons that are unclear (because odin had a connection with wolves? because loki was odin fs blood brother, the gods raised the wolf with them, and only ty lr was brave enough to feed it. but when they saw how quickly it was growing and reconsidered the prophecies, they decided to bind the wolf. first they brought a great fetter called loeding, but fenrir allowed them to bind him with it and burst it with his first movements. next the gods got a stronger fetter, dromi, and following a thought process that in english is reflected in the proverb gnothing ventured, nothing gained, h the wolf allowed them to bind him with that fetter and burst it into bits. for this reason, snorri tells us, there are proverbs gto loose oneself from loeding h and

btain a fetter, gleipnir (perhaps gentangler h, made from cat noise and woman beard and mountain roots and bear sinews and fish breath and bird spittle. on the island lyngvi (heathery) in the lake amsvartnir (red-black, they invited the wolf to let himself be bound again. needless to say, the wolf was suspicious. what renown could there be in bursting this fetter, which looked like a silken band? fenrir stipulated that someone had to place a hand in his mouth. and each of the asir looked at another and thought that now their troubles had doubled, but none would put forth his hand, until ty lr stretched forth his right hand and put it into the mouth of the wolf. and when the wolf moved, then the 112 norse mythology fetter hardened, and the more he struggled, the sharper it became. then all

es had doubled, but none would put forth his hand, until ty lr stretched forth his right hand and put it into the mouth of the wolf. and when the wolf moved, then the 112 norse mythology fetter hardened, and the more he struggled, the sharper it became. then all the gods laughed except ty lr; he lost his hand. lokasenna, stanzas 37.40, comprise an exchange between ty lr and loki. loki boasts that fenrir tore off ty lr fs arm; ty lr responds that although he may be missing his hand, loki is missing hrodrsvitnir, that is, the famous wolf, fenrir. malshattakvadi, a poem of the twelfth or thirteenth century and usually thought to have been composed in the orkneys, is the only poem to refer to the binding of fenrir. it has been argued that ty lr and fenrir appear on the eighthcentury alskog tja

only poem to refer to the binding of fenrir. it has been argued that ty lr and fenrir appear on the eighthcentury alskog tjangvide picture stone from gotland. vafthrudnismal gives information about the wolf fs further career. toward the end of the poem odin is asking about the aftermath of ragnarok, and he poses this question to vafthrudnir: whence will come the sun into the smooth heaven, after fenrir has destroyed it? in describing the sun and moon, snorri says in gylfaginning that the sun is ultimately to be swallowed by a wolf called skoll. when he comes to ragnarok, snorri says simply that a wolf swallows the sun, and another the moon, and it is apparent that he regards neither of these as identical to fenrir, for only after describing the swallowing of the sun and moon and a devasta

ng the sun and moon, snorri says in gylfaginning that the sun is ultimately to be swallowed by a wolf called skoll. when he comes to ragnarok, snorri says simply that a wolf swallows the sun, and another the moon, and it is apparent that he regards neither of these as identical to fenrir, for only after describing the swallowing of the sun and moon and a devastating earthquake does he report that fenrir has gotten loose. but fenrir fs subsequent action echoes the swallowing of the heavenly bodies, for he ggoes about with a gaping mouth, and the lower jaw is on the earth and the upper against the sky.he would gape wider if there were room.fires burn from his eyes and nostrils. h in the series of duels that make up the gods f last stand against the forces of chaos, odin fights with and is ki

as gotten loose. but fenrir fs subsequent action echoes the swallowing of the heavenly bodies, for he ggoes about with a gaping mouth, and the lower jaw is on the earth and the upper against the sky.he would gape wider if there were room.fires burn from his eyes and nostrils. h in the series of duels that make up the gods f last stand against the forces of chaos, odin fights with and is killed by fenrir. voluspa, stanza 53, reads: then the second sorrow of hlin [frigg] occurs, when odin goes to fight with the wolf. voluspa gives no details on odin fs death, only on the subsequent vengeance: then comes the great son of sigfather [odin; vidar, to fight with the beast of battle; for the son of hvedrung, he makes stand with his hand a sword in the heart; thus the father is avenged. hvedrung is


MICHAEL FORD WITCHMOON

ttain a mental-shamanistic balance of beast and with a mind sigil of odin and wotan ascend to the battle which would last to the death. their ferocity was legendary and these warriors, who had no one sided concepts of good or evil, found a balance for the love of their culture and family. they fought in harmony with nature. there was however a shadowside within their culture: the great demon-wolf fenrir which devoured the sun; and the woods of "jarnskogarna, which were feared because of the 13 13 supposed werewolf tribes there, which were led by mane-garm, they too were said to devour the sun. this was due to mane-garm's everlasting hunger for flesh and power. many werewolves of this culture had titles as sinfjotle (he with yellow paws, hjarulv (sword wolf) and kveldulf (evening wolf. it i


PHILIP NEIL MYTHS LEGENDS EXPLAINED

s tree as a horse. the world tree this manuscript shows yggdrasil, the world or cosmic tree, which supports the nine norse worlds. stags and goats nibble at its twigs, its trunk rots, and the dragon nidhogg gnaws its roots, causing it great suffering. but the tree is saved from decay by the three norns fate, being, and necessity who sprinkle the tree each day with water from the well of fate. gag fenrir howled so terribly when he knew he was bound, that one of the gods stuck a sword between his upper and lower jaw as a gag. river of spittle the drool from fenrir s mouth runs down to form the river of hope. this viking stone at kirk andreas on the isle of man shows fenrir swallowing odin, who has one of his ravens on his shoulder. fenrir the wolf fenrir the wolf was a son of loki, the trick

god tyr dared to feed him. here, he is shown bound and gagged by the gods. they tricked him into letting them bind him with two chains called laeding and dromi by teasing him that he would not be able to escape. he did so with ease. but then they bound him with a magical chain and he was unable to escape. he will remain bound until the final cataclysmic battle of ragnarok (see above. magic fetter fenrir is bound by an unbreakable fetter called gleipnir. it was made by the dark elves from the sound of a cat s footfall, a woman s beard, a mountain s roots, a bear s sinews, a fish s breath, and a bird s spittle. it was as soft and smooth as silk. the battle of ragnarok ragnarok, sometimes called the twilight of the gods, is the final cataclysm that will destroy this world and the gods. after

s footfall, a woman s beard, a mountain s roots, a bear s sinews, a fish s breath, and a bird s spittle. it was as soft and smooth as silk. the battle of ragnarok ragnarok, sometimes called the twilight of the gods, is the final cataclysm that will destroy this world and the gods. after three terrible winters, a universal war will break out and the god loki now an enemy of the aesir and his son, fenrir the wolf, will break from their bonds. loki will then sail with an army of the dead to the final battle, in which fenrir will swallow the sun, and kill odin; thor will slay the world serpent, but die from its poison; and the gods will perish. finally surt, guardian of the fires of muspell since the beginning of time, will release them and engulf the world in flame. after this world is destr

left his great horn until he should need it to summon all creation to the final battle of ragnarok (see above. squirrel messenger the squirrel, ratatosk, runs up and down the tree, carrying insults from the dragon at the roots to the eagle at the top. special fruit the cooked fruit of yggdrasil ensured safe childbirth. the tree drips dew so sweet that bees make honey from it. strange new fetters fenrir was suspicious of the strange new fetter, and agreed to be bound only if one of the gods put their hand in his mouth. tyr thrust his right hand into the beast s mouth and when fenrir realized he had been tricked, he bit off tyr s hand. trembling leaves when ragnarok approaches, the world tree will begin to shake and tremble. four deer four horned deer dain, dvalin, duneyr, and durathror liv

dvalin, duneyr, and durathror lived on yggdrasil s trunk, nibbling the fresh green shoots. sheltering tree yggdrasil shelters the nine worlds. at the end of the world, during the battle of ragnarok, it will provide shelter for a man and woman, lif and lifthrasir, who will feed on the sweet morning dew, and be the source of new life in the age to come. although it was prophesied that at ragnarok, fenrir would swallow the sun and devour odin before being killed in turn by odin s son vidar the gods refused to profane the holy ground of asgard by killing him, so they chained him up instead. spawn of loki fenrir was the son of loki and the giantess angrboda. his brothers, also fathered by loki, were jormungand, the world serpent, which encircled middle earth, and was once fished up by thor, an


SATANGEL

his name probably derives from the egyptian horus. hecate (greek. triple headed queen of sorcery, who dwells where the roads meet. known also as enodia, trioditus, and antaia, she who encounters you. identified in some witch traditions as the mother of lucifer. hel (old norse. the queen of the underworld, and the name of the realm itself. the daughter of loki and the giantess angrboda, sister of fenrir and the midgard serpent. even the gods must tread the way of hel. helel ben shachar (hebrew, morning star, shining one. the phrase as it appears in the original hebrew, isaiah 14:12. thus taken to be a name of lucifer. heramael (grimorium verum. a subordinate spirit of satanachia. teaches the art of medicine, gives absolute knowledge of all diseases, with their full and radical cure, makes


SATANISM AN EXAMINATION OF SATANIC BLACK MAGIC

: shrewsbury, 1992. 23. the right hand and left hand paths are distinguished primarily in that whilst the right hand path primarily accepts an absolute duality, understood to a certain extent in the belief in an absolute morality, the left hand path accepts an interaction of what may be inadequately termed good and evil. see appendix 1. 24. order of nine angles 'notes on esoteric tradition- x' in fenrir vol. iv no 1 (rigel press: york, 1996. 25. society of dark lily 'crossing the abyss' dark lily 4 (dark lily: london, 1988, pp. 18-19. 26. newton, toyne. the demonc connection (blandford press: poole, 1987, between pp. 96 and 97. 27. order of nine angles 'esoteric tradition vi: baphomet, opfer and related matters' in hostia volume ii (thormynd press: shrewsbury, 1992. 28. order of nine angle

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