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cally changed at each equinox so that a member who has resigned, demitted, or been expelled from the order may be in ignorance of the existing password. i now place you between the two pillars of hermes and solomon in the symbolic gateway of hidden wisdom (hiereus leads the neophyte forward and then takes back the sword and banner as the hegemon hands them to him) hiereus (stands northeast of the black pillar "let the final consecration take place (moves back to his position (stolistes and dadouchos, purify and consecrate all members with fire and water) stolistes "i purify thee with water" dadouchos "i consecrate thee with fire" 35 hierophant "honored hegemon, i command you to remove the rope, the last remaining symbol of the path of darkness" hegemon "by command of the very honored hiero

that are below are a reflection of the things that are above' the world of men and women created to unhappiness is a reflection of the world of divine beings created to happiness. it is described in the sepher yetzirah, or the book of formation, as an abyss of height and an abyss of death, an abyss of the east and an abyss of the west, an abyss of the north and an abyss of the south. the altar is black because, unlike divine beings who unfold in the element of light, the fires of created beings arise from darkness and obscurity. on the altar is the white triangle to be in the image of immortal light, that triune light which moved in darkness and formed the world out of darkness. there are always in all things two contending forces and always one uniting them. these three have their image i

the initiation and the symbology of the temple. the whole purpose of the golden dawn system of magic and the neophyte initiation is to begin the process whereby the candidate can receive exposure to his or her higher self and the knowledge therein. in the hall of the neophyte of the temple of isis mighty mother, the flagship temple of the hermetic order of the golden dawn, the walls are draped in black curtains. this is done to prevent any distractions and also to increase flashing colors that are fused on some of the implements. the floor itself is black and white checkered tile. the black and white tile could be symbolic of yin and yang or masculine and feminine energies. in early masonic initiations, the black and white tile referred to the battle between the archangel michael and lucif

se, as the emerald tablet states "the things that are below are a reflection of the things that are above" traditionally, this altar is longer than it is wide. in the temple of isis mighty 43 mother, white molding has been placed around the center of the altar as well as the top and the bottom, to give the illusion that it is actually two solid cubes, one sitting on top of the other. the altar is black. imperator cancellarius hierophant past hiero. praemonstratrix sentinel hegemon hiereus kerux b/e b/w. rose lamp bread& sal t wine east west dadouchos stolistes north south in the neophyte initiation, the altar is placed in the eastern part of malkuth (please check the diagram. remember, the temple is set up in the symbology of the qabalistic tree of life, malkuth being the starting place. t

he diagram. remember, the temple is set up in the symbology of the qabalistic tree of life, malkuth being the starting place. this is an important point for many temples who incorrectly place the altar in the center of the temple; it should be placed slightly to the east, as pointed out earlier, in the eastern part of malkuth. the altar is the center pinnacle of the temple. although it is painted black, to the adept it is veiled with citrine in the east, olive in the south, russet in the north, and black in the west; the base is black while the summit or the top of the altar is in a brilliant whiteness. remember, these are symbolic colors that those who have studied the symbology will see as they look at the altar. the reason for these colors will be better understood as we understand the

0 0 INITIATION CEREMONY

old shoes, lamen, blue collar, sceptre imperator: red robe, red& green nemis, gold shoes, lamen, green collar, sword cancellerius: yellow robe, yellow and purple nemis, gold shoes, lamen, purple collar, sceptre past hierophant: red robe, red nemis, gold shoes, lamen, white collar, sceptre hierophant: red robe, red& white nemis, gold shoes, lamen, white collar, sceptre outer order officers herius: black robe, black& white nemis, red shoes, lamen, red collar, sword hegemon: white robe, white nemis, red shoes, lamen, black collar sceptre kerux: black robe, black& white nemis, red shoes, lamen, black collar, white lamp, wand stolistes: black robe, black& white nemis, red shoes, lamen, black collar, cup of water dadouchos: black robe, black& white nemis, red shoes, lamen, black collar, censer s

e, black& white nemis, red shoes, lamen, red collar, sword hegemon: white robe, white nemis, red shoes, lamen, black collar sceptre kerux: black robe, black& white nemis, red shoes, lamen, black collar, white lamp, wand stolistes: black robe, black& white nemis, red shoes, lamen, black collar, cup of water dadouchos: black robe, black& white nemis, red shoes, lamen, black collar, censer sentinel: black robe, black& white nemis, red shoes, lamen, black collar, sword candidate: black robe, red shoes, sash, red rope, hoodwink required materials for the altar red cross and white triangle red rose red lamp cup of wine salt patten of bread chemicals for water cup of water required materials for the temple temple arranged according to diagram banners of the east and west temple pillars opening of

t hiero: what does the throne of the west symbolize? hiereus: increase of darkness; decrease of light. hiero: your duty? hiereus: i preside over twilight and darkness, which encompass us in the absence of the sun of life and light. i guard the gate of the west. i assist in the reception of the candidate and i superintend the inferior officers in the execution of their duties. hiero: what does the black color of your robe symbolize? hiereus: darkness. hiero: your peculiar insignia of office? hiereus: the sword and banner of the west hiero: what does the banner of the west symbolize? hiereus: twilight hiero: what does the sword symbolize? hiereus: severity and judgement hiero: what does your office symbolize? hiereus: fortitude. hiero: my place is on the throne of the east, which symbolizes

eophyte from the altar and presents them to the candidate. heg: by the command of the very honoured hierophant i invest you with the distinguishing badge of the grade. it symbolizes light dawning in darkness. hiero: let the mystic circumambulation take place in the path of light. hiero: stands holding sceptre and banner as in the opening. kerux: goes to the north east. heg: takes candidate behind black pillar, and stands behind kerux. hiereus: takes place behind hegemon. stol: takes place behind hiereus. dad: takes place behind stolistes. all salute on passing hierophant. hiereus: drops out on reaching his throne. heg: returns to between the pillars after passing hierophant twice, directs neophyte to follow kerux. hiero: take your place north west of the stolistes. kerux: indicates this an

t are below are a reflection of the things that are above. the world of men and women created to unhappiness is a reflection of the world of divine beings created to happiness. it is described in the sepher yetzirah, or the book of formation, as an abyss of height and as an abyss of depth, an abyss of the east and an abyss of the west, an abyss of the north and an abyss of the south. the altar is black because, unlike divine beings who unfold in the element of light, the fires of created brings arise from darkness and obscurity. on the altar is a white triangle to be the image of that immortal light, that triune light, which moved in darkness and formed the world of darkness and out of darkness. there are two contending forces and one always uniting them. and these three have their image i

1 10 INITIATION CEREMONY

ards the altar. hiero: may what we have partaken maintain us in our search for the quintessence, the stone of the philosophers. true wisdom, perfect happiness, the summum bonum. officers remain in the temple while the new neophyte is led out by kere 1= 10 zelator grade initiation part i outer order officers hierophant: red robe, red& white nemyss, gold shoes, lamen, white collar, sceptre hiereus: black robe, black& white nemyss, red shoes, lamen, red collar, sword hegemon: white robe, white nemyss, red shoes, lamen, black collar sceptre kerux: black robe, black& white nemyss, red shoes, lamen, black collar, white lamp, wand stolistes: black robe, black& white nemyss, red shoes, lamen, black collar, cup of water. dadouchos: black robe, black& white nemyss, red shoes, lamen, black collar, ce

ck& white nemyss, red shoes, lamen, red collar, sword hegemon: white robe, white nemyss, red shoes, lamen, black collar sceptre kerux: black robe, black& white nemyss, red shoes, lamen, black collar, white lamp, wand stolistes: black robe, black& white nemyss, red shoes, lamen, black collar, cup of water. dadouchos: black robe, black& white nemyss, red shoes, lamen, black collar, censer sentinel: black robe, black& white nemyss, red shoes, lamen, black collar, sword candidate: black robe, red shoes, sash, red rope, hoodwink required materials for the altar red cross and white triangle red lamp salt diagram of the flaming sword fylfot cross required materials for the temple part i banners of the east and west temple pillars hebrew letters: tau, shin, qoph enochian earth tablet lamp part i o

ero: honoured hiereus, see that none below the grade of zelator is present. hiereus: fraters and sorors, give the signs of zelator. all give signs of zelator. hiereus (gives sign) very honoured hierophant, no one below the grade of zelator is now present. hiero (gives sign) purify and consecrate the temple with water and with fire. kerux: advances between the pillars. stol: moves to north side of black pillar. dad: moves to south side of white pillar. kerux: stol: dad: move together to the center of the hall and face east. all salute. dad: makes sign of the cross with censer and swings forward 3 times and says: i consecrate with fire. stol: makes cross with cup, and sprinkles with water three times towards east, saying: i purify with water. kerux: salutes zelator sign. kerux: the temple is

ade, the lights on the pillars are unshaded, showing that you have quitted the darkness of the outer world. you will leave the temple for a short time. kerux: escorts neophyte out of temple, instructs neophyte in knocks and returns to temple entrance. 1= 10 zelator grade part ii part ii outer order officers hierophant: red robe, red& white nemyss, gold shoes, lamen, white collar, sceptre hiereus: black robe, black& white nemyss, red shoes, lamen, red collar, sword hegemon: white robe, white nemyss, red shoes, lamen, black collar sceptre kerux: black robe, black& white nemyss, red shoes, lamen, black collar, white lamp, wand stolistes: black robe, black& white nemyss, red shoes, lamen, black collar, cup of water. dadouchos: black robe, black& white nemyss, red shoes, lamen, black collar, ce

ck& white nemyss, red shoes, lamen, red collar, sword hegemon: white robe, white nemyss, red shoes, lamen, black collar sceptre kerux: black robe, black& white nemyss, red shoes, lamen, black collar, white lamp, wand stolistes: black robe, black& white nemyss, red shoes, lamen, black collar, cup of water. dadouchos: black robe, black& white nemyss, red shoes, lamen, black collar, censer sentinel: black robe, black& white nemyss, red shoes, lamen, black collar, sword candidate: black robe, red shoes, sash of 1=10 required materials for the altar red cross and white triangle red lamp salt diagram of the flaming sword fylfot cross required materials for the temple part ii banners of the east and west temple pillars hebrew letters: tau, shin, qoph table of shewbread table of candlesticks enoch

18276066 GRIMM JACOB TEUTONIC MYTHOLOGY VOL 1

bo sus; and the umbrian: trif apruf rufru ute fciu (tres apros rubros aut piceos, aufrecht und kirchh. umbr. si^rachd. 2, 278-9. s ra. 587. 667. weisth. 1, 498. 3, 430. white animals hateful to the gods; tettau and temme preuss. sag. 42. saceifice, 55 garlanded and adorned for sacrifice. a passage in the edda requires gold-horned cows, saem. 141; and in the village of fienstadt in mansfeld a coal-black ox with a white star and white feet, and a he-goat with gilded horns were imposed as dues^ there are indications that the animals, before being slaughtered, were led round within the circle of the assembly that is how i explain the leading round the benches, and^^e' circuituni currere, pp. 51, 52 perhaps, as among the greeks and romans, to give them the appearance of going voluntarily to dea

hundergod. fergunna, ending like patunna, p. 71, signifies ill the chron. moissiac. anno 805 (pettz 1, 308) not any particular spot, but the metal-mountains (erzgebirge; and virgunnia (virgundia, virgunda, conf. zeuss p. 10) the tract of wooded mountains between ansbach and ellwangen. wolfram, wh. 390, 2, says of his walt-swenden (wood-wasting: der swarzwalt und virgunt miiesen da von cede ligen. black forest and v. must lie waste thereby. in the compounds, without which it would have perished altogether, the ohg. mrgnn, as. firgen may either bear the simple sense of mountainous, woody, or conceal the name of a god. be that as it may, we find fairguni, virgun, firgen connected with divinelyhonoured beings, as appears plainly from the on. fiorgyn, gen. fiorgynjar, which in the edda means th

a god of thunder. the ossetes think a man lucky who is struck hy lightning, they believe ilia has taken him to himself; survivors raise a cry of joy, and sing and dance around the body, the people flock together, form a ring for dancing, and sing: ellai, ellai, eldaer tchoppei (0 elias, elias, lord of the rocky summits. by the cairn over the grave they set up a long pole supporting the skin of a black he-goat, which is their usual manner of sacrificing to elias (see suppl. they implore elias to make their fields fruitful, and keep the liail away from them^ olearius already had put it upon record, that the circassians on the caspian sacrificed a goat on ellas s clay, and stretched the skin on a pole with prayers* even the muhammadans, in praying that a thunderstorm may be averted, name the

storm, ecke 203. ein vlins (flint) von donrestrtden. wolfram 9, 32. ein lierze daz von vlinse ime donrc gewahsen wsere (a heart made of the hint in thunder, wh. 12, 16. schilrestein, bit. 10332. sehmverstein, suchenw. 33, 83. so slahe mich ein doncrstein! ms. h. 3, 202 "we now call it donnevkeil, swed. ksk-vigg(-wedge; and in popular belief, there darts out of the cloud together with the flash a black iccdgc, which buries itself in the earth as deep as the liighest church-tower is high^ but every time it thunders again, it begins to rise nearer to the surface, and after seven years you may find it above ground. any house in which it is preserved, is proof against damage by lightning; when a thunder-storm is coming on, it begins to sweat^ such stones are also called donnerdxie(-axes) donne

moveri necpiit, nihil est deitatis in ea. tunc accedentes, et immolantes unum de pecorihus, cum viderent deam suam nullatenus posse moveri, relicto gentilitatis errore, inquisitoque antistite loci, conversi ad unitatem ecclesiae, cognoscentes veri dei magnitudinem. sancto sunt baptismate consecrati' compare the legenda aurea cap. 117, v -here a festuni veneris is mentioned. 256 goddesses. in the black lake/ must have arisen, gross as the perversion maybe, out of the account in tacitus, who makes the goddess, when satiated with the converse of men, disappear in the lake with her attendants. but there are no other local features to turn the scale in its favour f and the danish islands in the baltic have at least as good a claim to have been erewhile the sacred seat of the goddess. we have y

3 8 INITIATION CEREMONY

samodivy. but she cannot without her 'samodivski drekhi' stoyan produces them, she flies away, bathes in the mominski fountain, and recovers her mominstvo (virginity. trans. end of vol. i. a. king and co, aberdeen. h date due bl860.g867v.1 teutonic mythologys 3= 8 practicus grade initiation part i temple officers hierophant: red robe, r&w nemyss, gold shoes, white collar, lamen, scepter. hiereus: black robe, b&w nemyss, red shoes, red collar, lamen, sword. hegemon: white robe, white nemyss, black collar, red shoes, lamen, scepter. candidate: black robe, red shoes, sash, red rope, hoodwink. required materials for the altar 2 blue tapers red tetrahedron 20th key of the tarot required materials for the temple part i banners of the east and west temple pillars hebrew letters: shin diagram of 7

therein she performeth the works of incorruptible fire. hereunto is the speech of axiokersa. heg: places theoricus in a seat in the west between himself and hiereus and facing hierophant, takes pyramid from him. hiero: stoop not down into the darkly splendid world, wherein continually lies a faithless depth, and hades wrapped in clouds, delighting in unintelligible images, precipitous, winding, a black ever rolling abyss ever espousing a body unluminous, formless and void. nature persuadeth us that there are pure demons, and that even the evil germs of matter may alike become useful and good. but these are mysteries which are evoked in the profound abyss of the mind. such a fire existeth extending through the rushings of air or even a fire formless whence comes the image of a voice or even

lilith the evil woman. but these have also many other appellations. hiero: i have much pleasure in conferring upon you the title of lord (lady) of the 31st path. you will now quit the temple for a short time, and on your return the ceremony of your passage of the 30th path will take place. temple officers part ii hierophant: red robe, r&w nemyss, gold shoes, white collar, lamen, scepter. hiereus: black robe, b&w nemyss, red shoes, red collar, lamen, sword. hegemon: white robe, white nemyss, black collar, red shoes, lamen, scepter. candidate: black robe, red shoes, sash. required materials for the altar: 2 blue tapers greek cross of 13 cubes 19th key of the tarot (sun) required materials for the temple: banners of the east and west temple pillars hebrew letters: resh astrological symbols of

cy is circulated among the members of practicus grade. hiero: i have much pleasure in conferring upon you the title of lord (lady) of the 30th path. you will now quit the temple for a short time and on your return the ceremony of your reception into the grade of practicus will take place. temple officers part iii hierophant: red robe, r&w nemyss, gold shoes, white collar, lamen, scepter. hiereus: black robe, b&w nemyss, red shoes, red collar, lamen, sword. hegemon: white robe, white nemyss, black collar, red shoes, lamen, scepter. candidate: black robe, red shoes, sash. required materials for the altar: red cross and white triangle 3 red lamps at corners of triangle cup of water diagram of eden before the fall diagram of eden after the fall lamen badge of water required materials for the t

4 7 INITIATION CEREMONY

eady to come when ye are called. hiero: knocks and returns to place. all face east. hiero: in the name of elohim tzabaoth i declare this temple closed in the grade of practicus. hiero (knocks 1, 3, 1, 3) hiereus (knocks 1, 3, 1, 3) heg (knocks 1, 3, 1,(k4= 7 the philosophus grade initiation part i temple officers hierophant: red robe, r&w nemyss, gold shoes, white collar, lamen, scepter. hiereus: black robe, b&w nemyss, red shoes, red collar, lamen, sword. hegemon: white robe, white nemyss, black collar, red shoes, lamen, scepter. candidate: black robe, red shoes, sash, red rope, hoodwink required materials for the altar 2 red tapers 12 square calvary cross 18th key of the tarot required materials for the temple part i banners of the east and west temple pillars hebrew letters: shin, tau

suitable to the matter is then written within the double circle. hiero: i have much pleasure in now conferring upon you the title of lord (lady) of the 29th path. you will now quit the temple for a short time and on your return the ceremony of your passage of the 28th path will take place. part ii temple officers hierophant: red robe, r&w nemyss, gold shoes, white collar, lamen, scepter. hiereus: black robe, b&w nemyss, red shoes, red collar, lamen, sword. hegemon: white robe, white nemyss, black collar, red shoes, lamen, scepter. candidate: black robe, red shoes, sash. required materials for the altar 2 red tapers 4 sided pyramid 17th key of the tarot required materials for the temple banners of the east and west temple pillars hebrew letters: resh, samech, tzaddi diagram of dekagram, end

in binah. while caput and cauda draconis are referred to malkuth. hiero: i have much pleasure in conferring upon you the title of lord (lady) of the 28th path. you will now quit the temple for a short time, and on your return the ceremony of your passage of the 27th path will take place. part iii temple officers hierophant: red robe, r&w nemyss, gold shoes, white collar, lamen, scepter. hiereus: black robe, b&w nemyss, red shoes, red collar, lamen, sword. hegemon: white robe, white nemyss, black collar, red shoes, lamen, scepter. candidate: black robe, red shoes, sash. required materials for the altar 2 red tapers calvary cross of 6 squares 16th key of the tarot required materials for the temple banners of the east and west temple pillars hebrew letters: mem, ayin, peh, resh, shin alchemi

nd the horse, the younger lilith, the wife of asmodai. hiero: i have much pleasure in conferring upon you the title of lord (lady) of the 27th path. you will now quit the temple for a short time, and on your return the ceremony of your reception in the grade of philosophus will take place. part iv temple officers hierophant: red robe, r&w nemyss, gold shoes, white collar, lamen, scepter. hiereus: black robe, b&w nemyss, red shoes, red collar, lamen, sword. hegemon: white robe, white nemyss, black collar, red shoes, lamen, scepter. candidate: black robe, red shoes, sash. required materials for the altar 3 red lamps white triangle and red cross calvary cross of 6 squares diagrams of eden before and after the fall lamen of 6 squared calvary cross required materials for the temple banners of t

A PRACTICAL GUIDE TO WITCHCRAFT AND MAGICK SPELLS

the earth energies in a sacred spiral pattern. these rituals go back into the mists of time and appear in similar forms in many different cultures and ages. today, however, too many modern societies have lost the sacred connection and scorn such gestures as superstition, treating the skies, the earth and the seas merely as a larder, fuel store and garbage can. once, things were very different, as black elk, the sioux shaman, explained 'in the old days when we were a strong and happy people, all our power came from the sacred hoop of the nation and, so long as the hoop was unbroken, the people flourished. the flowering tree was the living centre of the hoop and the circle of the four quarters nourished it. the east gave peace and light, the south gave warmth; in the west, thunder beings gav

erers today continue the unbroken tradition that stretches back thousands of years- for example, among the lapps in the far north of scandinavia and the inuits- these rites continue, led by a shaman, or magick man, who negotiates with the mistress of the herds or fish in a trance for the release of the animals. one of the earliest recorded examples of shamanism is the dancing sorcerer. painted in black on the cave walls of les trois freres in the french pyrenees, this shamanic figure, which portrays a man in animal skins, dates from about 14000 bc and stands high above the animals that are depicted on the lower walls. only his feet are human and he possesses the large, round eyes of an owl, the antlers and ears of a stag, the front paws of a lion or bear, the genitals of a wild cat and the

either by different members or in a safe place and brought out at meetings. they need not be at all expensive. magick was traditionally carried out with the equipment of the home: the broom for sweeping the magical circle was the besom used for sweeping dirt (and negativity) out of the door and was stored with its bristles upwards to protect the home. the cauldron was the iron cooking pot on the black kitchen range that served to heat the home as well as for cooking. items often can be gathered from around your home: for example, a silver bell, a crystal bowl or a large wine glass. attractive scarves or throws make ideal altar cloths. car boot sales are an excellent source of magical equipment. keep your magical tools separate from your everyday household equipment in a large box or chest

restored her consort osiris to life, thus magically causing the nile to flood and fertility to return to the land. she is the patroness of magick and spell-casting, having tricked ra the sun god into giving her his secrets. some accounts say she was taught by thoth, god of wisdom and learning. her cult spread throughout the roman empire and she remained in mediterranean lands in her guise as the black madonna, holding her infant son horus, until the middle ages. she is sometimes represented as a vulture, in which form she appears on amulets (protective charms) with an ankh, the symbol for life, engraved on each talon. isis demonstrated the power of maternal protection when she hid horus in the marshes from his evil uncle who would have destroyed him. deities of marriage these deities can

whose chariot she drove into battle. she is especially good for women's assertiveness and self-confidence rituals. she carries a sword and wears a helmet. kali kali, the dark side of the hindu mother goddess, came into being when shiva, the husband of the mother goddess shakti, taunted her for her dark skin. in fury she carried out rituals until her skin became golden inside. shakti then shed her black outer skin like a snake and it formed the avenging destroying persona of kali. kali is depicted with her four arms holding weapons and the heads of her victims, her tongue lolling out, and covered in blood, signifying her power over life and death. she is often pictured dancing on shiva whose body she trampled on, destroyed and then danced on once more to restore him to life. kali is invoked

ABRAMELIN1

n giving it now to the public, i feel, therefore, that i am conferring a real benefit upon english and especially american students of occultism, by placing within their reach for the first time a magical work of such importance from the occult standpoint. the manuscript is divided into three books, each with its separate title page, surrounded by an ornamental border of simple design, in red and black ink, and which is evidently not intended to be symbolical in the slightest degree, but is simply the work of a conscientious caligraphist wishing to give an appearance of cleanness and completeness to the title page. the wording of each is the same: livre premier (second or troisi me, as the case may be) de la sacr e magie que dieu donna moyse, aaron, david, salomon et d autres saints patria

control of the secret forces of nature, there have always been two great schools, the one great in good, the other in evil; the former the magic of light, the latter that of darkness; the former usually depending on the knowledge and invocation of the angelic natures, the latter on the method of evocation of the demonic races. usually the former is termed white magic, as opposed to the latter, or black magic. the invocation of angelic forces, then, is an idea common in works of magic, as also are the ceremonies of pact with and submission to the evil spirits. the system, however, taught in the present work is based on the following conception (a) that the good spirits and angelic powers of light are superior in power to the fallen spirits of darkness (b) that these latter as a punishment h

purity and self-denial to obtain the knowledge of and conversation with one s guardian angel, so that thereby and thereafter we may obtain the right of using the evil spirits for our servants in all material matters. this, then, is the system of the secret magic of abra-melin, the mage, as taught by his disciple abraham the jew; and elaborated down to the smallest points. except in the professed black magic grimoires, the necessity of the invocation of the divine and angelic forces to control the demons is invariably insisted upon in the operations of evocation described and taught in mediaeval magical manuscripts and published works. so that it is not so much, as i have before said, this circumstance, as the mode of its development by the six moons preparation, which is unusual; while ag

ham the jew it appears to me, in his anxiety to save his son from dangerous errors in magical working, has preferred to endeavour to fill him with contempt for any other systems and methods of operation than the one here laid down. for also besides the unintentional perversions of magical symbols i have above mentioned, there was further the circumstance not only possible but probable of the many black magic grimoires falling into his hands, as they evidently had into abraham's, the symbols in which are in many cases intentional perversions of divine names and seals, so as to attract the evil spirits and repel the good. for the third book of this work is crowded with qabalistic squares of letters, which are simply so many pentacles, and in which the names employed are the very factors whic

alendar, the symbols for which are given in the twenty-first chapter of our third book. again these chapters will recall to many of my readers the extraordinary magical effects which faust is said to have produced; who, by the way, as i have before remarked, was in all probability contemporary with abraham the jew. introduction xvi but the mode of their production as given in this work is not the black magic of pact and devil-worship, against which our author so constantly inveighs, but instead a system of qabalistic magic, similar to that of the key of solomon the king and the clavicles of rabbi solomon, though differing in the circumstance of the prior invocation of the guardian angel once for all, while in the works i have just mentioned the angels are invoked in each evocation by means

ABRAMELIN2

abramelin as a most excellent master in natural things taught unto me a very different form of classification (which also well examine, and see whether it be not more surely founded than the aforesaid rule of the astrologers, and made me to comprehend what should be the true planetary hours. when the planet beginneth to appear upon the horizon then doth its day begin (whether it be light or dark, black or white, and until it bath passed its elevation25 its day lasteth until it riseth anew, and after that it hath set its night endureth; so that as well in the days of the sun as in those of the moon and of the others, the days of all the planets be mingled, only that one commenceth sooner than another, according to which nature they be mingled together in the celestial signs. now it is requi

apresent vous devez donc penser avant que d entrer dans ce bal" etc. 9 ie, he who intends to undertake the operation. 10 i doubt this assertion very much. 11 here comes another touch of prejudice. in the present day many of the profoundest students of the qabalah are women, both married and single. 12 it is necessary that the reader should not misunderstand this passage. what are meant are those black magic works containing garbled and perverted words and characters; and which teach nothing but hurtful and selfish practices; the great point in which is generally the forming of a pact with an evil spirit. because true characters represent the formulas of the currents of the hidden forces of nature and true ceremonies are the keys of bringing the same into action. 13 it seems again to me he

but equally it would be an error which, though not so great, would still entail failure, to apply laws exclusively of the angelic plane to those experiments which would mainly depend on the physical rays of the planets; though undoubtedly the angels of a planet govern its rays. but the angels of mars do not govern the rays of jupiter, nor those of the latter the rays of mars. 15 the grimoires of black magic would usually come under this head. but, nevertheless, the extravagant words therein will be usually found to be corruptions and perversions of hebrew, chaldee, and egyptian titles of gods and angels. but it is undoubtedly evil to use caricatures of holy names; and these for evil purposes also. yet it is written in the oracles of zoroaster: change not barbarous names of evocation, for

ABRAMELIN3

unto the prince magot, who are all of the same force. place the symbol upon the top of your head (under your head covering) and then you will become invisible, while on taking it away you will appear visible again (e) no. b is a square of e j squares, whence b j squares are taken which are arranged somewhat in the form of a capital f. alamala is probably from the greek, ale wandering, and melas= black, darkness; i.e, wandering darkness. no. c consists of c f squares arranged somewhat in an f form, and taken from the square of e j squares. tsaphah is from tzph= a covering or shroud. no. d is a square of c f squares. casah implies formed by coagulation. no. e consists of b g squares in an f form, taken from a square of d g squares. alatah signifies adhering closely. no. f is a gnomon of j s

r. no. b j is a square of d g squares. ariton is one of the i sub-princes of the evil spirits. no. c a is a square of d g squares. orimel is evidently here used as the name of a spirit. oirin is a chaldaic word meaning angelic watchers over the kingdoms of the earth. orion may also come from this word. the sacred magick 169 the seventeenth chapter. o fly in the air and travel any whither( b) in a black cloud( c) in a white cloud( d) in the form of an eagle( f)*in the form of a crow (or raven( e) in the form of a vulture( g) in the form of a crane. c notes to chapter xvii (a) the symbols of this chapter are manifested in part by the angels, and in part also by the evil spirits (b) oriens, paimon, ariton, and amaimon execute the operations hereof by means of their common ministers (1) t a s

ADDTLS

of the two lower ones. the latin word homo is the translation of adam in the sense of man. the squares of numbers are not of the ordinary magical class. 12 13 4 6 148 13 9 148 12 6 4 148 8 148 33 16 23 148 9 15 148 27 4 21 31 20 1 24 3 1 20 13 24 37 15 20 1 26 40 63 48 u r i e l r i l u e i l i l i e u l i r l e i r u a d a m d a r a a r a d m a d a h o y. great cross of 36 squares, lettered in black on white, stretching through the entire tablet. 2. sephirotic calvary crosses, lettered also in black on white, in the four corners on the tablets. 3. kerubic squares, which are always in the elemental color of the tablet, and are the four squares immediately above each sephirotic cross. 4. servient squares, always in the color of the tablet, and consist of the 16 squares of each lesser angl

eath each sephirotic cross. the kerubic and servient squares on each tablet are colored in the elemental color with the letters drawn thereon in the complimentary color, on a subtle level, providing a spiritual force, even unto an elemental nature, thus: air tablet painted in yellow. lettering on a quarter mauve. water tablet painted in blue. lettering on c quarter orange. earth tablet painted in black. lettering on bquarter green. fire tablet painted in red. lettering on d quarter green. example of color (lesser angles) thou shall paint the letter on the appropriate color in the lesser angles. study well the example from the tablet of fire, the great watchtower of the south. yellow on red. a of d c of d blue on red green on red. 3 the holy tablet of union in all they workings, the tablet

a y hcoma c h nanta, b h bitom d w w h h y is the permutation b (refer to 4 7 grade material) 4 thou shall paint the lettering of the holy tablet of union on white ground. the individual rows are to be painted in the following color: exarp, attributed to a, is painted in yellow letters. 1st line. hcoma, attributed to c, is painted in blue letters. 2nd line. nanta, attributed to b, is painted in black letters. 3rd line. bitom, attributed to d, is painted in red letters. 4th line. the great cross each tablet containeth a cross of 36 squares whose shaft, consisting of two files, stretcheth from the top of the tablet unto the bottom and whose bar crosses thy tablet in the center. the double vertical lines comprising the vertical shaft are called the linea dei patri, the linea dei filiique; w

g are attributed to the wanderers and the a respectively. thou shall use all six hexagrams to invoke the king. thou shall note that these rules (the positional attributions of the planets to the seniors on the tablets) are constant and the same on each tablet. thus, the three holy names of god, the name of the great king and the six seniors are extracted from the great cross and always painted in black lettering on white background. lesser angles thou shall note that the great cross divideth the tablet into four sections. these four sections are referred to as the four sub-elements or lesser angles. likened to the top point of the pentagram, the great cross acts as the spiritual agent that binds the four sub-elements together. the order of the lesser angles as they relate to the four eleme

inds the four sub-elements together. the order of the lesser angles as they relate to the four elements is the same on each tablet.*important note: the great cross has been darkened in the diagram to better illustrate the four lesser angles. 8 in the center of each lesser angle is a cross of ten squares. this is the sephirotic cross. thou shall note that the lettering of the lesser angles is also black on a white background. it is from this cross that two vitally important divine names are derived. these two divine names serve to "call forth" and "command" the angels and spirits of the lesser angle. thou shall invoke these names when any lesser angle angel is invoked on a square within the lesser angles. the vertical line provideth on the sephirotic cross a name of six letters, reading fro

ADEPTUS MINOR INITIATION

t -7=4, merciful exempt adept- blue and purple robe with winged sphere wand 2nd adept- 6=5, mighty adeptus major- red and orange with phoenix wand 3rd adepti- 5=6, associate adeptus minor -yellow and rose pink with lotus wand all other adepts- yellow or matching slippers complimentary to their robes additional requirements- sash- declaration and recommendation signed by chief adept of the temple -black robe -cross of obligation with ropes -cross of victory -crux ansata -admission badge of the hiereus -crucifix and cross -rose -pastos and adept vault -crook and scourge -razor blades, and bandage -chains -circular altar -wine -dagger -sword& serpent admission badge -abiegnus diagram -minutum mundum diagram opening chief: knocks (all rise) chief: knocks. second: knocks (7 knocks total) 3 thir

ch other along with cruces) chief "let the divine light descend (all separate wands and cruces, and give the sign of cross) all "the sign of osiris slain" chief "l- the sign of the mourning of isis (tilting head) 8 second "v- the sign of typhon and apophis (head up slightly) third "x- the sign of osiris risen (head bowed) all "l.v.x- lux, the light of the cross (crux ansata) k- white, j- gray, b- black, h- blue, g- red, t- yellow, n- emerald green h- orange, y- purple, m- olive, citrine, black& russet (all give the adept sign to the pastos, quit the tomb and resume previous places) chief "in the name of the lord of the universe, by the grand word, hwchy, by the keyword i.n.r.i. and through the concealed word, l.v.x, i have opened the tomb of the adepti (all present give the l.v.x. sign. fi

ced by the natural succession of the paths (aspirant answers unprompted) second "oh aspirant, let this be a sign unto thee. for the flaming sword and the serpent of wisdom shall be the symbol which shall produce thee admission. return thou then and divest thyself of these ornaments. they are not humble enough to entitle thee to be received. very honored frater hodos chamelionis, clothe him in the black robe of mourning, bind him with his hands behind his back, symbolic of the binding force of his obligations, and put a chain about his neck, the emblem of repentance and humility" hodos "mighty adeptus major, it shall be done (hodos chamelionis salutes and retires with aspirant, strips him of all ornaments, brings him back to the door in a plain black robe, roped and carrying diagram of swor

and couldst thou even attain unto the height of a god upon this earth, how small and insignificant yet wouldst thou be in the presence of god the vast one" second "rise, then, o aspirant of the rose of ruby and the cross of gold. rise, glorified by suffering. rise, purified by humility (aspirant rises "despise not sadness, and hate not suffering, for they are the initiators of the heart; and the black robe of mourning which thou wearest is at once the symbol of sorrow and of strength. boast not thyself above thy brother if he hath fallen, for how knowest thou that thou couldst have withstood the same temptation? slander not, and revile not. if thou canst not praise, do not condemn. when thou seest another in trouble and humiliation, even though he be thy enemy, remember the time of thine

notice and recognition by the order is the fact of his having entered the pathway to the other grades, until at length he attains to the summit "i now proceed to instruct you in the mystic symbolism of the tomb itself. let the altar be moved aside (done) it is divided into three parts, the ceiling which is white; the heptagonal walls of seven rainbow colors, and the floor whose prevailing hue is black; thus showing the powers of the heptad between the light and the darkness. on the ceiling is a triangle enclosing the rose of 22 petals, within a heptangle formed of a heptagram reflected from the seven angles of the wall. the triangle represents the three supernal sephiroth; the heptagram, the lower seven; the rose represents the 22 paths of the serpent of wisdom "the floor has upon it also

ALEISTER CROWLEY EIGHT LECTURES ON YOGA

out of the early practices is really a foreshadowing of the difficulties of doing it. 18. i began by taking a simple geometrical object in one colour, such as a yellow square. i will quote the official instructions in 'the equinox 'dharana- control of thought '1. constrain the mind to concentrate itself upon a single simple object imagined. the five tatwas are useful for this purpose; they are: a black oval; a blue disk; a silver crescent; a yellow square; a red triangle '2. proceed to combinations of single objects; e.g, a black oval within a yellow square, and so on '3. proceed to simple moving objects, such as a pendulum swinging; a wheel revolving, etc. avoid living objects '4. proceed to combinations of moving objects, e.g, a piston rising and falling while a pendulum is swinging. the

ALEISTER CROWLEY ABSINTHE THE GREEN GODDESS

almost as big as the rest of him, like a regular little spanish fighting cock--frank, the waiter, in his long white apron, struts to them with the glasses of ice-cold pleasure, green as the glaciers themselves. he will stand up bravely with the musicians bye and bye, and sing us a jolly song of old catalonia. the door swings open again. a tall dark girl, exquisitely slim and snaky, with masses of black hair knotted about her head, comes in. on her arm is a plump woman with hungry eyes, and a mass of titian red hair. they seem distracted from the outer world, absorbed in some subject of enthralling interest and they drink their aperitif as if in a dream. i ask the mulatto boy who waits at my table (the sleek and lithe black panther) who they are; but he knows only that one is a cabaret danc

" now a party of a dozen merry boys and girls comes in. the old pianist begins to play a dance, and in a moment the whole cafe is caught up in the music of harmonious motion. yet still the invisible line is drawn about each soul; the dance does not conflict with the absorption of the two strange women, or with my own mood of detachment. then there is a "little laughing lewd gamine" dressed all in black save for a square white collar. her smile is broad and free as the sun and her gaze as clean and wholesome and inspiring. there is the big jolly blonde irish girl in the black velvet beret and coat, and the white boots, chatting with two boys in khaki from the border. there is the creole girl in pure white cap-a-pie, with her small piquant face and its round button of a nose, and its curious

e ocean--and why should he, with the atmosphere of old france to be had a stone's throw from his little apartment in bourbon street? it is a curious type of house that one finds in this quarter in new orleans; meagre without, but within one comes unexpectedly upon great spaces, carved wooden balconies on which the rooms open. so he dreams away his honored days in the old absinthe house. his rusty black, with its worn red button, is a noble wear. black, by the way, seems almost universal among the women: is it instinctive good taste? at least, it serves to bring up the general level of good looks. most american women spoil what little beauty they may have by overdressing. here there is nothing extravagant, nothing vulgar, none of the near-paris-gown and the lust-off-bond-street hat. nor is

ALEISTER CROWLEY ACROSS THE GULF

befitted one in my station, half-prince, half-priest. i was to follow my father, hold his wand and ankh, assume his throne. and now i begin to recall some details of my preparation for that high and holy task. memory is strangely fragmentary and strangely vivid. i remember how, when i had completed my fourth month, the priests took me and wrapped me in a panther s skin, whose flaming gold and jet-black spots were like the sun. they carried me to the river bank where the holy crocodiles were basking; and there they laid me. but when they left me they refrained from the usual enchauntment against the evil spirit of the crocodile; and so for three days i lay without protection. only at certain hours did my mother descend to feed me; and she too was silent, being dressed as a princess only, wi

phis, that played languorous tunes. but in my mischief i would constantly excite him to thoughts of war and of love; and his music would grow violent and loud, so that the old eunuch, rushing in, would belabour him with his staff. how well i recall that room! large was it and lofty; and there were sculptured pillars of malachite and lapis-lazuli and of porphyry and yellow marble. the floor was of black granite; the roof of white marble. on the southern side was my couch, a softness of exotic furs. to roll in them was to gasp for pleasure. in the centre was a tiny fountain of pure gold. the sunlight came through the space between the walls and the roof, while on the other sides i could look through and up into the infinite blue. there was a great python that inhabited the hall; but he was v

however. for the god manifested exceptional favour; as a new god must do, or how shall he establish his position? the harvest were fourfold, the cattle eightfold; the women were all fertile- yea! barren women of sixty years bore twins- there was no disease or sorrow in the city. mighty was the concourse of the citizens on the great day of the consecration. splendid rose the temple, a fortress of black granite. the columns were carved with wonderful images of all the gods adoring osiris; marvels of painting glittered on the walls; they told the story of osiris, of his birth, his life, his death at the hands of typhon, the search after his scattered members, the birth of horus and harpocrates, the vengeance upon typhon seth, the resurrection of osiris. the god himself was seated in a throne

ne adoration with gladness as i journeyed about at the four quarters of the temple. now cometh the mysterious ceremony of assumption. i took upon myself the form of the god: i strove to put my heart in harmony with his. alas! alas! i was in tune with the dead soul of isis; my heart was as a page 21 gulf.txt flame of elemental lust and beauty; i could not- i could not. then the heavens lowered and black clouds gathered upon the firmament of nu. dark flames of lightning rent the clouds, giving no light. the thunder roared; the people were afraid. in his dark shrine the osiris gloomed, displeasure on his forehead, insulted majesty in his eyes. then a pillar of dust whirled down from the vault of heaven, even unto me as i stood alone, half-defiant, in the midst of the temple while the priests

and woke chilled to death by me own sweat. i was so weak that i could hardly raise a hand; my tongue was swollen, so that i could not greet the sun-disk with the accustomed adoration. my brain had slipped control; i could not longer even think of the proper spells that might have brought me aid. instead, dreadful shapes drew near; one, a hideous camel-demon, an obscene brute of filth; another, a black ape with a blue muzzle and crimson buttocks, all his skin hairless and scabby, with his mass of mane oiled and trimmed like page 22 gulf.txt a beautiful courtesans. this fellow mocked me with the alluring gestures of such an one, and anon voided his excrement upon me. moreover there were others, menacing and terrible, vast cloudy demon-shapes. i could not think of the words of power that con

ALEISTER CROWLEY AD MEIORUM CTHULHI GLORIAM

ollowers (or, actually, the wife of one of his followers) that crowley had been responsible for the death of her husband, at the abbey of thelema, in cefalu, sicily. the bad press, plus the imagined threat of secret societies, finally forced mussolini to deport the great beast from italy. tales of horrors filled the pages of the newspapers in england for weeks and months to come: satanic rituals, black masses, animal sacrifice, and even human sacrifice, were reported- or blatantly lied about. for although many of the stories were simply not true or fanciful exaggeration, one thing was certain: aleister crowley was a magician, and one of the first order. born on october 12, 1875, in england- in the same country as shakespeare- edward alexander crowley grew up in a strict fundamentalist reli

e were the sorcerer's handbooks, and generally not meant as textbooks or encyclopedias of ceremonial magick. in other words, the sorcerer or magician is supposed to be in possession of the requisite knowledge and training with which to carry out a complex magickal ritual, just as a cook is expected to be able to master the scrambling of eggs before he conjures an "eggs benedict; the grimoires, or black books, were simply variations on a theme, like cookbooks, different records of what previous magicians had done, the spirits they had contacted, and the successes they had. the magicians who now read these works are expected to be able to select the wheat from the chaff, in much the same fashion as an alchemist discerning the deliberate errors in a treatise on his subject. therefore it was (

first sumerian and the second coptic, which gives us a clue as to its identity. azag in sumerian means "enchanter" or "magician; thoth in coptic is the name given to the egyptian god of magick and wisdom, tahuti, who was evoked by both the golden dawn and by crowley himself (and known to the greeks as hermes, from whence we get "hermetic. azag-thoth is, therefore, a lord of magicians, but of the "black" magicians, or the sorcerers of the "other side. there is a seeming reference to shub niggurath in the necronomicon, in the name of a sumerian deity, the "answerer of prayers, called ishnigarrab. the word "shub" is to be found in the sumerian language in reference to the rite of exorcism, one of which is called nam shub and means "the throwing. it is, however, as yet unclear as to what the c

re inextricably woven together to form a patchwork quilt of evil that the church attempted to destroy during the middle ages, with fire and sword. as a matter of fact, a certain type of devil worship did exist during those times but, ironically, the acolytes of hell were usually never brought to trial; something which stems from the fact that many of those who celebrated and attended the infamous black masses of the period were roman catholic clergymen, many of whom has been pressed into his service at a young age by their parents, who wished to see their sons brought up well-fed and educated in those uncertain times, where the church was the sole power and refuge. the frustration at being "condemned" to a life that demanded the abandonment of society and a "normal" life led many priests t

whom has been pressed into his service at a young age by their parents, who wished to see their sons brought up well-fed and educated in those uncertain times, where the church was the sole power and refuge. the frustration at being "condemned" to a life that demanded the abandonment of society and a "normal" life led many priests to express their hostilities through the office of the demon, the black mass. often, this was also a means of political demonstration, as the church controlled virtually all the political life of the period. in a way, as though in a test tube at a philosophical laboratory, aleister crowley was brought up under similar circumstances- although ver far removed in time from the days of the church's immense temporal power. coming from a fanatically religious christia

ALEISTER CROWLEY BOOK OF LIES

on with chapters 8 and 30. it is a practical instruction, the gist of which is easily to be apprehended by comparatively short practice of mantra-yoga. a mantra is not being properly said as long as the man knows he is saying it. the same applies to all other forms of magick. book of lies get any book for free on: www.abika.com 72 [75] 33 kappa-epsilon-phi-alpha-lambda-eta lambda-gamma baphomet a black two-headed eagle is god; even a black triangle is he. in his claws he beareth a sword; yea, a sharp sword is held therein. this eagle is burnt up in the great fire; yet not a feather is scorched. this eagle is swallowed up in the great sea; yet not a feather is wetted. so flieth he in the air, and lighteth upon the earth at his pleasure. so spake iacobus burgundus molensis(17) the grand mast

"camel" is in hebrew gimel, and gimel is the path leading from tiphareth to kether, uniting microprosopus and macroprosopus, i.e. performing the great work. the card gimel in the tarot is the high priestess, the lady of initiation; one might even say, the holy guardian angel. book of lies get any book for free on: www.abika.com 92 [95] 43 kappa-epsilon-phi-alpha-lambda-eta mu-gamma mulberry tops black blood upon the altar! and the rustle of angel wings above! black blood of the sweet fruit, the bruised, the violated bloom-that setteth the wheel a-spinning in the spire. death is the veil of life, and life of death; for both are gods. this is that which is written "a feast for life, and a greater feast for death" in the book of the law. the blood is the life of the individual: offer then bl

might, must, should, probably, may be, we may safely assume, ought, it is hardly questionable, almost certainly-poor hacks! let them be turned out to grass! proof is only possible in mathematics, and mathematics is only a matter of arbitrary conventions. and yet doubt is a good servant but a bad master; a perfect mistress, but a nagging wife "white is white" is the lash of the overseer "white is black" is the watchword of the slave. the master takes no heed. the chinese cannot help thinking that the octave has 5 notes. the more necessary anything appears to my mind, the more certain it is that i only assert a limitation. i slept with faith, and found a corpse in my arms on awaking; i drank and danced all night with doubt, and found her a virgin in the morning [100] commentary( mu-epsilon)

of mantra-yoga has been built on this foundation. thoth, the god of magick, is the inventor of speech; christ is the logos. lines 1-4 are now clear. in lines 507 we see the results of shivadarshana. do not imagine that any single ides, however high, however holy (or even however insignificant, can escape the destruction. the logician my say "but white exists, and if white is destroyed, it leaves black; yet black exists. so that in that case at least one known phenomenon of this universe is identical with one of that" vain word! the logician and his logic are alike involved in the universal ruin. lines 8-11 indicate that this fact is the essential one about shivadarshana. the title is explained by the intentionally blasphemous puns and colloquialisms of lines 9 and 10 [155] 73 kappa-epsilo

ALEISTER CROWLEY BOOK OF THE LAW

for thereby there cometh hurt. i,23: but whoso availeth in this, let him be the chief of all! i,24: i am nuit, and my word is six and fifty. i,25: divide, add, multiply, and understand. i,26: then saith the prophet and slave of the beauteous one: who am i, and what shall be the sign? so she answered him, bending down, a lambent flame of blue, all-touching, all penetrant, her lovely hands upon the black earth& her lithe body arched for love, and her soft feet not hurting the little flowers: thou knowest! and the sign shall be my ecstasy, the consciousness of the continuity of existence, the omnipresence of my body. i,27: then the priest answered& said unto the queen of space, kissing her lovely brows, and the dew of her light bathing his whole body in a sweet-smelling perfume of sweat: o nu

able joys on earth: certainty, not faith, while in life, upon death; peace unutterable, rest, ecstasy; nor do i demand aught in sacrifice. i,59: my incense is of resinous woods& gums; and there is no blood therein: because of my hair the trees of eternity. i,60: my number is 11, as all their numbers who are of us. the five pointed star, with a circle in the middle& the circle is red. my colour is black to the blind, but the blue& gold are seen of the seeing. also i have a secret glory for them that love me. i,61: but to love me is better than all things: if under the night-stars in the desert thou presently burnest mine incense before me, invoking me with a pure heart, and the serpent flame therein, thou shalt come a little to lie in my bosom. for one kiss wilt thou then be willing to give

n end. chapter ii ii,1: nu! the hiding of hadit. ii,2: come! all ye, and learn the secret that hath not yet been revealed. i, hadit, am the complement of nu, my bride. i am not extended, and khabs is the name of my house. ii,3: in the sphere i am everywhere the centre, as she, the circumference, is nowhere found. ii,4: yet she shall be known& i never. ii,5: behold! the rituals of the old time are black. let the evil ones be cast away; let the good ones be purged by the prophet! then shall this knowledge go aright. ii,6: i am the flame that burns in every heart of man, and in the core of every star. i am life, and the giver of life, yet therefore is the knowledge of me the knowledge of death. ii,7: i am the magician and the exorcist. i am the axle of the wheel, and the cube in the circle. c

,49: i am unique& conqueror. i am not of the slaves that perish. be they damned& dead! amen [this is of the 4: there is a fifth who is invisible& therein am i as a babe in an egg] ii,50: blue am i and gold in the light of my bride: but the red gleam is in my eyes& my spangles are purple& green. ii,51: purple beyond purple: it is the light higher than eyesight. ii,52: there is a veil: that veil is black. it is the veil of the modest woman; it is the veil of sorrow& the pall of death: this is none of me. tear down that lying spectre of the centuries: veil not your vices in virtuous words: these vices are my service; ye do well& i will reward you here and hereafter. ii,53: fear not, o prophet, when these words are said, thou shalt not be sorry. thou art emphatically my chosen; and blessed are

my spell. show thy star-splendour, o nuit! bid me within thine house to dwell, o winged snake of light, hadit! abide with me, ra-hoor-khuit! iii,39: all this and a book to say how thou didst come hither and a reproduction of this ink and paper for ever- for in it is the word secret& not only in the english- and thy comment upon this the book of the law shall be printed beautifully in red ink and black upon beautiful paper made by hand; and to each man and woman that thou meetest, were it but to dine or to drink at them, it is the law to give. then they shall chance to abide in this bliss or no; it is no odds. do this quickly! iii,40: but the work of the comment? that is easy; and hadit burning in thy heart shall make swift and secure thy pen. iii,41: establish at thy kaaba a clerk-house:

ALEISTER CROWLEY CONCERNING DEATH

f the law; every man and every woman is a star. it is our lady of the stars that speaketh to thee, o thou that art a star, a member of the body of nuit. listen, for thine ears are become dulled to the mean noises of the earth; the infinite silence of the stars woos thee with subtle musick. behold her bending down above thee, a flame of blue, all- touching, all penetrant, her lovely hands upon the black earth and her lithe body arched for love, and her soft feet not hurting the little floweres, and think that all thy grossness shall presently fall from thee as thou leapest to her embrace, caught up into her love as a dewdrop into the kisses of the sunrise. is not the ecstacy of nuit the consiousness of of the continuity of existence, the omnipresence of her body? all that hath hurt thee was

ALEISTER CROWLEY LIBER 777

water. lxxv. the five elements (tatwas. lxxvi. the five skandhas. clxxxviii. the body. clxxxix. cxc. bodily functions. 11 vayu the blue circle sankhara breath speaking though 23 apas the silver crescent vedana chyle, lymph holding nutrition 31 agni or tejas the red triangle sa a blood moving moving 32 bis prithivi the yellow square rupa solid structures, tissues excreting matter 31 bis akasa the black egg vi nanam semen, marrow generating magick cxci. the four noble truths (buddhism) 11 sorrow s cause 23 sorrow s ceasing 31 noble eight-fold path 32 bis sorrow 31 bis. table iii 20 lxxvii. the planets and their numbers. lxxviii. intelligences of the planets. cxciv (transliteration) 12# 8 (260) layryt tiriel 13= 9 (3321 \yqhc hwrb duw \ycycrtb aklm malkah be tarshishim va a ad be ruah shehaq

a horse s body, white feet, and a girdle of leaves a beautiful woman wreathed with myrtle. she holds a lyre and sings of love and gladness. 19 a man in sordid raiment, with him a nobleman on horseback, accompanied by bears and dogs a man crowned with a white myrtle wreath, holding a bow 20 a virgin clad in linen, with an apple or pomegranate tall, fair, large man, with him a woman holding a large black oil jar 22 a dark man, in his right hand a spear and laurel branch and in his left a book a man, dark, yet delicious of countenance 24 a man with a lance in his right hand, in his left a human head a man riding a camel, with a scorpion in his hand 25 a man with 3 bodies 1 black, 1 red, 1 white a man leading cows, and before him an ape and bear 26 a man holding in his right hand a javelin and

d a bag in his hand. a man arrayed like a king, looking with pride and conceit on all around him. 29 a man with two bodies, but joining their hand. a grave man pointing to the sky. cli. magical images of the decans (cadent. clii. perfumes (ascendant. cliii. perfumes (succedent. cliv. perfumes (cadent. 15 a restless man in scarlet robes, with golden bracelets on his hands and arms myrtle stammonia black pepper 16 a swarthy man with white lashes, his body elephantine with long legs; with him, a horse, a stag, and a calf costum codamorns cassia 17 a man in mail, armoured with bow, arrows, and quiver mastick cinnamon cypress 18 a swift-footed person, with a viper in his hand, leading dogs camphor succum anise 19 a swarthy hairy man, with a drawn sword and shield olibanum lyn balsami muces musc

e agares. 16 6$ rplaw valefor lion with ass s head, bellowing 17 9! wmyap paimon crowned king on dromedary, accompanied by many musicians. 18 12& yrfyc sitri leapard s head and gryphon s wings. 19 15$ cwgyla eligos a knight with a lance and banner, with a serpent. 20 18$ ytab bathin a strong man with a serpent s tail, on a pale horse. 22 21% and# aram marax human-faced bull. 24 24= rbn naberius a black crane with a sore throat he flutters. 25 27% and= wwnyr ronove a monster [probably a dolphin. 26 30= canrwp forneus sea monster. 28 33 [ug gaap like a guide. to be kings. 29 36& cwlwfcy stolas raven. table of correspondences 29 clxi. goetic demons &c. by night (ascendant. clxii. magical images of col. clxi. 15 37= nap phenex child-voices phoenix. 16 40 \war raum crow. 17 43 ]wnbc sabnock sol

ed dragon 26 65 [lardna andrealphas noisy peacock. 28 68! laylb belial two beautiful angels sitting in chariot of fire. 29 71$ lafnd dantalion man with many countenances, all men s and women s, carries a book in right hand. clxv. goetic demons &c. by night (cadent. clxvi. magical images of col. clxv. 15 39 [lam malphas crow with sore throat. 16 42$ rapw vepar mermaid. 17 45$ and! anyw vin lion on black horse carrying viper. 18 48# tnguh haagenti bull with gryphon s wings. 19 51 \lub balam 3 heads (bull, man, ram, snake s tail, flaming eyes. rides bear, carries goshawk. 20 54$ and \rwm murmur warrior with ducal crown rides gryphon. trumpeters. 22 57# wcw oso leopard. 24 60$ lwpn napula lion with gryphon s wings. 25 63= rdna andras angel with raven s head. rides black wolf, carries sharp swo

ALEISTER CROWLEY LIBER CHANOKH

krying of sir edward kelly is the obtaining of the following diagrams, plates iii.-viii. he symbolized the four-dimensional universe in two dimensions as a square surrounded by 30 concentric circles (the 30 thyrs or aires) whose radii increase in a geometrical proportion. the sides of the square are the four great watch-towers (plates iv.-vii) which are attributed to the elements. there is also a black cross (or central tablet according to the arrangement shewn compare the black cross bordering the tablets in plate iii. with plate viii).6 plate iii gives the general view [the reversed letters which form the word paraoan are written in enochian for convenience, as our a and o are not distinguishable reverse from forward] plate iv. gives the complete attribution of the tablet of air. the 6th

tablets hold 24 elders, as stated in the apocalypse] they are drawn of seven letters, each from the centre to the sides of the tablet. saiinov soaiznt linea patris laoazrp ligdisa linea filii slgaiol lsrahp linea s.s. these three sets of names rule the whole tablet, and must be invoked before specializing in the lesser angles of the sub-elements. liber lxxxiv 7 the four great watch-towers and the black cross within general view7 the symbolic representation of the universe 8 the great watch-tower of the east, attributed to air. plate iv. liber lxxxiv 9 the great watch-tower of the west, attributed to water. plate v. the symbolic representation of the universe 10 the great watch-tower of the north, attributed to earth. plate vi. liber lxxxiv 11 the great watch-tower of the south, attributed

verse 8 the great watch-tower of the east, attributed to air. plate iv. liber lxxxiv 9 the great watch-tower of the west, attributed to water. plate v. the symbolic representation of the universe 10 the great watch-tower of the north, attributed to earth. plate vi. liber lxxxiv 11 the great watch-tower of the south, attributed to fire. plate vii. the symbolic representation of the universe 12 the black cross, or table of union. attributed to spirit. plate viii. liber lxxxiv 13 4. the calvary crosses. the name upon the cross read vertically is the name which calls forth the powers of the lesser angle.8 nelapr (water of water) olgota (air of water) maladi (earth of water) iaaasd (fire of water) the name read horizontally on the cross is that which compels the evoked force to obedience. omebb

e calvary cross remain in each case four squares. these are allotted to the kerubim, who must next be invoked.9 they aretdim dimt imtd mtdi, being metatheses of there four letters. the initial determines the file governed; e.g. tdim governs the file which reads t(o)ilvr. these angels are most mighty and benevolent. they are ruled by names of god formed by prefixing the appropriate letter from the black-cross to their own names. 6. beneath the bar of the calvary cross remain 16 squares not yet accounted for. here, beneath the presidency of the kerubim, rule four mighty and benevolent angels ingm laoc vssn rvoi 7. trilateral names of demons or elementals are to be formed from these 16 squares, uting the two letters on either side of the upright of the cross with a letter chosen crom the cent

their own names. 6. beneath the bar of the calvary cross remain 16 squares not yet accounted for. here, beneath the presidency of the kerubim, rule four mighty and benevolent angels ingm laoc vssn rvoi 7. trilateral names of demons or elementals are to be formed from these 16 squares, uting the two letters on either side of the upright of the cross with a letter chosen crom the central tablet or black cross in accordance with rules which will be given in their due place.10 thus gm in oc la et cetera, form bases for these trilateral names. the symbolic representation of the universe 14 the following rules explain how the sides of the pyramids of which the squares are formed are attributed to the sephiroth, planets, elements and zodiacal signs.11 1. great central cross. this has 36 squares

ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

ad, man, in the might of pan. io pan! io pan pan! pan! io pan- vii illustration on page viii described: this is the set of photos originally published facing page 12 in equinox i, 2 and titled there "the signs of the grades" these are arranged as ten panels* in this re-publication, the original half-tones have been redone as line copy. each panel consists of an illustration of a single human in a black tau robe, barefoot with hood completely closed over the face. the hood displays a six-pointed figure on the forehead- presumably the radiant eye of horus of the a. a, but the rendition is too poor in detail. there is a cross pendant over the heart. the ten panels are numbered in black in the lower left corner. the panels are identified by two columns of numbered captions, 1 to 6 to the left

has been one of the roads by which men have passed to supreme power, it has contributed to emancipate mankind from the thraldom of tradition and to elevate them into a larger, freer life, with a broader outlook on the world. this is no small service rendered to humanity. and when we remember further that in another direction magic has paved the way for science, we are forced to admit that if the black art has done much evil, it has also been the source of much good; that if it is the child of error, it has yet been the mother of freedom and truth" ibid. x "prove all things; hold fast that which is good" st. paul "also the mantras and spells; the obeah and the wanga; the work of the wand and the work of the sword; these he shall learn and teach "he must teach; but he may make severe the or

urture of the magical link. xvi (1) of the oath. xv of the invocation. xvi (2) of the charge to the spirit: with some account of the constrains and curses occasionally necessary. xvii of the license to depart. xviii of clairvoyance: and of the body of light, its powers and its development. also concerning divinations. xix of dramatic rituals. xx of the eucharist: and of the art of alchemy. xxi of black magick: of the main types of the operations of magick art: and of the powers of the sphinx. xxvii chapter 0 the magical theory of the universe there are three main theories of the universe; dualism, monism and nihilism. it is impossible to enter into a discussion of their relative merits in a popular manual of this sort. they may be studied in erdmann's "history of philosophy" and similar tr

need not be dealt with in this place, especially as a perfect instruction exists in liber 175("see" appendix. the "second method"is the straight forward ceremonial invocation. it is the method which was usually employed in the middle ages. its advantage is its directness, its disadvantage its 12 crudity. the "goetia" gives clear instruction in this method, and so do many other rituals, white and black. we shall presently devote some space to a clear exposition of this art. in the case of bacchus, however, we may roughly outline the procedure. we find that the symbolism of tiphareth expresses the nature of bacchus. it is then necessary to construct a ritual of tiphareth. let us open the book 777; we shall find in line 6 of each column the various parts of our required apparatus. having ord

it. this is the period of apophis. it is followed by the arising not of isis, but of osiris. the ancient condition is not restored, but a new and superior condition is created, a condition only rendered possible by the process of death. the alchemists themselves taught this same truth. the first matter of the work was base and primitive, though "natural. after passing through various stages the "black dragon" appeared; but from this arose the pure and perfect gold. even in the legend of prometheus we find an identical formula concealed; and a similar remark applies to those of jesus christ, and of many other mythical godmen worshipped in different countries<golden bough" j.m.robertson "pagan christs" a. crowley "jesus" etc, etc> a magical ceremony constructed on this

ALEISTER CROWLEY MAGICK WITHOUT TEARS

ce which (as you seem to see) is a dynamic and not a static condition (there is quite a lot about this point in little essays toward truth, and also in the vision and the voice) your postscript made me smile. it is not a very good advertisement for the 8 kind of people with whom you have been associated in the past. my own position is a very simple one. i obeyed the injunction to "buy a perfectly black hen, without haggling" i have spent over 100,000 pounds of my inherited money on this work: and if i had a thousand times that amount today it would all go in the same direction. it is only when one is built in this way, to stand entirely aloof from all considerations of twopence halfpenny more or fourpence halfpenny less, that one obtains perfect freedom on this plane of discs. all the seri

is one exception to what i have said about publishing everything: that is, the ultimate secret of the o.t.o. this is really too dangerous to disclose; but the safeguard is that you could not use it if you knew it, unless you were an advanced adept; and you would not be allowed to go so far unless we were satisfied that you were sincerely devoted to the great work (see one star in sight. true, the black brothers could use it; but they would only destroy themselves. love is the law, love under will. fraternally, 666 letter no. d magic without tears get any book for free on: www.abika.com 16 june 8, 1943 cara soror, do what thou wilt shall be the whole of the law. thanks for your letter. i couldn't find the o.t.o. typescript- and then it struck me that it would be useful to await your reactio

erefore, no apology necessary for essaying this brief outline of its historical aspects. there have always been, at least in nucleus, three main schools of philosophical practice (we use the word "philosophical" in the old good broad sense, as in the phrase "philosophical transactions of the royal society for the advancement of knowledge) it is customary to describe these three schools as yellow, black, and white. the first thing necessary is to warn the reader that they must magic without tears get any book for free on: www.abika.com 81 by no means be confounded with racial distinctions of colour; and they correspond still less with conventional symbols such as yellow caps, yellow robes, black magick, white witchcraft, and the like. the danger 28* a few amendments- very few- have been nec

ecise as a theorem of trigonometry. each assumes as fundamental a certain law of nature, and the subject is complicated by the fact that each school, in a certain sense, admits the formulae of the other two. it merely regards them as in some way incomplete, secondary, or illusory. now, as will be seen later, the yellow school stand aloof from the other two by the nature of its postulates. but the black school and the white are always more or less in active conflict; and it is because just at this moment that conflict is approaching a climax that it is necessary to write this essay. the adepts of the white school consider the present danger to mankind so great that they are prepared to abandon their traditional policy of silence, in order to enlist in their ranks the profane of every nation

h me, and let us make a mock of the nakedness of the most high "and the first of the adepts covered his shame with a cloth, walking backwards, and was white. and the second of the adepts covered his shame with a cloth, walking sideways, and was yellow, and the third of magic without tears get any book for free on: www.abika.com 83 the adepts made a mock of his nakedness, walking forwards, and was black. and these are the three great schools of the magi, who are also the three magi that journeyed unto bethlehem; and because thou hast not 30* liber cdxviii, the vision and the voice, edition with introduction and commentary by 666. thelema publishing co, barstow, california. 47 wisdom, thou shalt not know which school prevaileth, or if the three schools be not one" we are now ready to study t

ALEISTER CROWLEY MEDITATION

r some, and those not the least instructed, is the first real samadhi; for even the visions of "god" and of the "self" are tainted by form. in atmadarshana the all is manifested as the one: it is the universe freed from its conditions. not only are all forms and ideas destroyed, but also those conceptions which are implicit in our ideas of those ideas<black is white" but "the whiteness of black is the "essential" of its blackness "naught= one= infinity; but this is only true "because" of this threefold arrangement, a trinity or "triangle of contradictories> each part of the universe has become the whole, and phenomena and noumena are no longer opposed. but it is quite impossible to describe this state of mind. one can only specify some of the c

ves. for this reason also it has been made of mother-of-pearl and stoppered with a ruby. 68 chapter vi the wand the magical will is in its essence twofold, for it presupposes a beginning and an end; to will to be a thing is to admit that you are not that thing. hence to will anything but the supreme thing, is to wander still further from it- any will but that to give up the self to the beloved is black magick- yet this surrender is so simple an act that to our complex minds it is the most difficult of all acts; and hence training is necessary. further, the self surrendered must not be less than the all-self; one must not come before the altar of the most high with an impure or an imperfect offering. as it is written in liber lxv "to await thee is the end, not the beginning" this training m

pommel. the blade is straight, pointed, and sharp right up to the guard. it is made of steel, to equilibrate with the hilt, for steel is the metal of mars, as copper is of venus. those two planets are male and female- and thus reflect the wand and the cup, though in a much lower sense. the hilt is of venus, for love is the motive of this ruthless analysis- if this were not so the sword would be a black magical weapon. the pommel of the sword is in daath, the guard extends to chesed and geburah; the point is in malkuth. some magi make the three spheres of lead, tin, and gold respectively; the moons are silver, and the grip contains quicksilver, thus making the sword symbolic of the seven planets. but this is a phantasy and affectation "whoso taketh the sword shall perish by the sword" is no

ust be studied in liber lxv, where this is discussed incomparably. in the hood of this serpent are the six jewels, three on each side, ruby, emerald, and sapphire, the three holy elements made perfect, on both sides in equilibrium. 109) chapter xii the robe the robe of the magician may be varied according to his grade and the nature of his working. there are two principal robes, the white and the black; of these the black is more important than the white, for the white has no hood. these robes may be varied by the addition of various symbols, but in any case the shape of the robe is a tau. the general symbolism which we have adopted leads us, however, to prefer the description of a robe which few dare wear. this robe is of a rich silk of deep pure blue, the blue of the night sky: it is emb

its value is 300> its cup is a hemisphere, and supported from its edge is a plate pierced with holes. this censer is of silver or gold, because there were called the perfect metals; it is upon perfection that the imperfect is burned. upon this plate burns a great fire of charcoal, impregnated with nitre. this charcoal is (as chemists now begin to surmise) the ultimate protean element: absolutely black, because it absorbs all light; infusible by the application of any known heat; the lightest of those elements which occur in the solid state in nature; the essential constituent of all known forms of life. it has been treated with nitre, whose potassium has the violet flame of jupiter, the father of all, whose nitrogen is that inert element which by proper combination becomes a constituent o

ALEISTER CROWLEY SEPHER SEPHIROTH

oat ydg nuts zwg) ah. alas! yw) nerve, sinew (gn. 32:25, 32) dyg narrative, subtle discourse hdgh that [one (ref. to )wh )whh to dream, rave hzh a fly bwbz sacrificed xbz to seethe, boil dwz to brighten, make joyful hdx a circle, orbit gwx good bw+ to give, place bhy 18 my favourite, my beloved ybh) hatred hby) the antique serpent)+x living yx (notariqon of yehi aur, 232 )w)y 19 an enemy byw) was black hyd eve: to manifest, show forth hwx nation; gentile ywg 20 yod: a hand dwy a name of god yy fraternity hwx) black liquid wyd it was hyh the breast; a vision; a prophet; to gaze hzx sin h)+h golden bwhz 21 the mystic number of tiphareth existence, being: the divine name of kether hyh) but, howbeit; certainly k) deep meditation gygh ah. alas! ywh purity, innocence wxz part of hwhy (see sepher

paration hldbh a ruiner lbwx 47 foolish, silly, stupid lyw) a weeping hyykb cloud; high place; waves; fortress hmb to clutch, hold +lx that it was good bw+ yk aum (cf. 111) mw) 48 the pillar of severity: the paths cheth and mem (cf. 26& 463) m x planet; star: the sphere of mercury bkwk greatness, magnificence, glory: a title of chesed hlwdg a woman; strength; an army lyx to grow warm; heat, fire; black mx jubilee lbwy from that time, of old (see ps. 93:2& prov. 8:22) z)m fat; marrow xm 49 the living god yx l) resembled; meditated; silent hmd drooping, being sick hlwx strength )lyx heat, fury (ch )mx a bringing forth, birth, nativity hdyl a measuring; a measure hdm to dissolve, melt: gsolve h gwm the rod of aaron +m 50 the number of gates of understanding (the number of permutations of the

5& 155) cr)h ynd) folk, people (ar; gimpurities h. from #n, gto be weak, sick h) y#n) foundations (ch) ny) the mountain zion nwyc rh 362 long of face: a title of kether (cf. 352) myp) kyr) 363 the almighty and ever-living god: the divine name of yesod yx l) yd# 364 the hidden light: a title of kether )lpwm rw) satan n+#h demons nyd# opposition; resistance hn# 365 an uncovering, exposing h(yrp 367 black (scil. of eye-pupil; middle; homunculus nw#y) 368 the spirit of the gods of the living myyx myhl) xwr boils nyx# 369 the world of briah (creation; referred to binah) h)yrbh mlw( 370 a foundation, basis rq( creation( willows of the brook (lev. 23:40) lxn ybr( white lead, tin )r+sq to rend, cut, blame, curse (rq green (see s.d. p. 104) nn(r perfect, whole ml# ligure; jacinth; opal m#l to rule

sought for #rd half, middle; midnight (m.h) twcx a pauper; oppressed *kd 506 taurus: an ox; the left-hand ox rw# fronds [hand-shaped] branches (see 1196; bound, tied up twpk persons, faces mypwcrp the pillar of mercy: the paths vau and kaph (cf. 48& 463 *k w 507 that which causes ferment; yeast rw# masters of the heavens: astrologers mym#h yl(b pure, clear, transparent, innocent *kz 508 daybreak; black rx# palate *kx 509 bridge rw#g to break down, overturn *kdh 510 resh: the head #yr the allegorical sense (of scripture, etc; see 247& 400 #wrd straight, level; honest, upright; direct; just conduct (i.e. maat, niyama, etc) r#y song ry# dragon (cf. 440& 450) nynt 511 the head)#yr row, rank (military; line; series hrw) the time of god l)yt( how *ky) to go *kwh 512 adhesion, cohesion; loyalty

wn, overturn *kdh 510 resh: the head #yr the allegorical sense (of scripture, etc; see 247& 400 #wrd straight, level; honest, upright; direct; just conduct (i.e. maat, niyama, etc) r#y song ry# dragon (cf. 440& 450) nynt 511 the head)#yr row, rank (military; line; series hrw) the time of god l)yt( how *ky) to go *kwh 512 adhesion, cohesion; loyalty, devotion twqbd 513 feeling, sensation h#grh 514 black rwx# statutes, enactments twqx 515 seizing without difficulty myrcm ylb hlxn minister of justice r+w# prayer, cantrip (esp. on parchment, worn as an amulet) hlpt he will go *khy 516 a wood hry) partzufin: persons, faces nypwcrp 517 the good gift (i.e. malkuth) hbw+ hntm secrets, penetralia tw)lp a breakage, rupture hryb# 518 the palate *kyx 520 tears tw(md kosher: proper, legitimate, valid r

ALEISTER CROWLEY THE BANNED LECTURE

improbable. gilles de rais was the lord of a district whose population would not have been very extensive, and even in that age of slavery, dirt, disease, debauchery, poverty and ignorance, which seems to mr. g. k. chesterton the one ideal state of society, it must have been a little difficult to carry out abductions and murders on such wholsale principles. whenever questions arise with regard to black magic or black masses, invocations of the devil, etc, etc, it must never be forgotten that these practices are strictly functions of christianity. where ignorant savages perform propitiatory rites, there and there only christianity takes hold. but under the great systems of the civilised parts of the world, there is no trace of any such perversion in religious feeling. it is only the bloodth

he world, there is no trace of any such perversion in religious feeling. it is only the bloodthirsty and futile jehovah who has achieved such monstrous births. such upas-trees can only grow in the poisonous mire of fear and shame where thought has putrefied to christianity. there is thus no antecedent improbability that gilles de rais (or any other person of that place and period) was addicted to black magical practices, for they were all catholics. the power of the church was, at that time, absolute, and even research was limited by the arbitrary theology imposed upon the mind of everyone. the abomination was at its height. but its decline has been rapid. true, one hundred years later it was still possible for queens to be bulldozed by presbyterian pulpiteers, but the time was already pre

any kind was justly estimated by the people in power as the one and only dangerous pursuit. even so, as late as 300 years ago, it was not considered very gentlemanly to be able to read and write. i am not sure that it is. in any case, it is a great error in education to teach these things. grammar, we must never forget, appears in the word "gramarye" beloved of sir walter scott, and "grimoire" a black magical ritual that is to say, any written document. precious little knowledge filtered through christianity. it was against the interests of the church, and in those times it was much easier to suppress people and ideas than it is now, though even today we find priests at least in oxford who appear not to have heard of a certain recent invention by a notorious magician inspired by the devil

ALEISTER CROWLEY THE HEART OF THE MASTER

here is but a dim shape as of some disaster long, oh! very long ago- the dusty memory of some leader who failed, some plan that broke its spine- i am sure of this: that all discipline is done, all courage quashed, all purpose perished. behind me- strange- the gloom is less obscure than in the east to which the eyes yearn feebly. do i feel it by instinct- the form of a vast pyramidal hill of stark black rock? i am too weary to turn my head to look. all of a sudden, far behind me, far beyond that crest, if it be one, rings out a voice, clear, firm, courageous, confident. it is a soldier's voice, the accent of command, the valour of manhood. none can mistake- i am assured- that ringing call. truth, victory, in each trumpet tone: listen! vox. the captain cries "behold, the star in the west" in

transmits which caused those phantoms of terror to dance their witches' sabbath on the moving miasma. and now i am drawn swiftly up by some invisible force; sucked by some vortex towards the hill and now i face him as he stands above me. homo his head is slightly bowed as if he brooded some delight. he wears a helm of ruddy gold, radiant with the light of the star. in the midst of his brows is a black diamond in a circlet of ruby and emerald, set in pure mother-of-pearl, so that it seems the eye of some unknown, some unknowable god. this eye has no lid. but his two human eyes are still half-closed, as if in worship or in wonder of rapture. his arms are folded on his breast: upon his corslet is the golden image of the sun. in his right hand is a rod of amber, crowned with a ruby; in his le

six great civilizations, about to be drawn together by the opening up of communications over the planet by the expansion of the roman power. after these there stood almost alone the name: apollon. but above that extract, the whole width of the chart, the word i a o. then came a blackness over the whole map, for at one time the brotherhood had been nigh utterly destroyed by a great sorcery of the black lodge, and the darkening of all counsel, and the confusion of all truth. i saw only one glimmer bare legible: plotinus. and at the end of the darkness, amid many names which i could not read, jacobus burgundus molensis. for his name was in letters of fire. did not the order of the temple prepare the renaissance by fusing the mysteries of the east and west? then there burst out on a sudden a

ALEISTER CROWLEY THE I CHING

alled yin, and is symbolized by a broken line. 4. these three: tao, yang and yin, bring forth heaven and earth, and all contained therein. the apparatus 0. tao is the source of the yi king, as of all. 1. thou shalt obtain 6 chinese coins. five shall be of one metal and the sixth of another. one side ye shall call yang, and the other yin (heads and tails. 2. these coins should be kept in a wrapped black cloth, and no other should lay his hand upon them. for they swell with thine aura when used with sincerity and repititon. 3. hast no coins? six sticks will serve. paint one side solid and the other broken. one of the six is especial; it should be made unique by painting one end on both sides. care for thine sticks as though they were coins. the method 4. when a situation ariseth in thy mind

ALEISTER CROWLEY THE LOST CONTINENT

me of this archipelago--continent is an altogether false term, for every 'house' or mountain peak was cut from its fellows by natural, though often very narrow waterways. the african atlas is a mere offshoot of the range. it was the true atlas that supported the ancient world by its moral and magical strength, and hence the name of the fabled globe-bearer. the root is the lemurian 'tla' or 'tlas, black, for reasons which will appear in due course 'a' is the feminine prefix, derived from the shape of the mouth when uttering the sound 'black woman' is therefore as near a translation as one can give in english; the latin has a closer equivalent. the mountains are cut off, not only from each other by the channels of the sea, but from the plains at their feet by cliffs naturally or artificially

p and treadmill for sixteen hours of the twentyfour. this machine supplied atlas with its 'zro* or 'power, of which i shall speak presently. any worker showing even temporary weakness was transferred to the phosphorus works, where he was sure to die within a few months. phosphorus was a prime necessity of atlas; however, it was not used in its red or yellow forms, but in a third allotrope, a blue-black or rather violet-black substance, only known in powder finer than precipitated gold, harder than diamond, eleven times heavier than yellow phosphorus, quite incombustible, and so shockingly poisonous that, in spite of every precaution, an ounce of it cost the lives (on an average) of some two hundred and fifty men. of its properties i shall speak later. the people were left in utmost slavery

aphic pictures showed how to acquire the art of flying. during all the generations of atlas, not one man had been known to take advantage of these instructions. the principal fear of the populace was a variation of any kind from routine. for any such the people had one word only, though this word changed its annotation in different centuries 'witchcraft 'heresy 'madness 'bad form 'sex-perversion 'black magic' were its principal shapes in the last four thousand years of the dominion of atlas. sneezing, idleness, smiling, were regarded as premonitory. any cessation from speech, even for a moment to take breath, was considered highly dangerous. the wish to be alone was worse than all; the delinquent would be seized by his fellows, and either killed outright or thrust into the compound of the

tawny as cleopatra, others yellow as tu-chi, others of a strange, subtle blue like the tattooed faces of chin women, others again red as copper. green was however a prohibited hue for women, and red was not liked in men. violet was rare, but highly prized, and children born of that colour were specially reared by the high priestesses. however, in one part of the body all the women were perfectly black with a blackness no negro can equal; from this circumstance comes the name atlas. it is absurdly attributed by some authors to the deposit of excess of phosphorus in the zro. i need only point out that the mark existed long before the discovery of black phosphorus. it is evidently a racial stigma. it was the birth of a girl child without this mark which raised her mother to the rank of godde

te death to man, a fact which altogether cut off communication between one island and another except by air, as the hippopotamus-animal, although immune to its bite, was unable to swim. of the sleeping chambers i shall tell more particularly in the course of my remarks on zro .pa iii. of the aim of the magicians of atlas: of zro; and its properties and uses: of that which combined with it: and of black phosphorus. it was the most ancient tradition of the atlantean magicians that they were the survivors of a race inhabiting a country called lemuria, of which the south pacific archipelago may be the remains. these lemurians had, they held, built up a civilization equal, if not superior to their own; but through a misunderstanding of magical law--some said the 2nd, some the 8th, some the 23rd

ALEISTER CROWLEY THE OLD AND NEW COMMENTARIES TO LIBER AL

ipotence, omniscience and omnipresence without ceasing to be itself; that its one way to do this is to gain experience, and that therefore it enters into combinations in which its true nature is for awhile disguised, even from itself. analogously, an atom of carbon may pass through myriad proteus-phases, appearing in chalk, chloroform, sugar, sap, brain and blood, not recognizable as "itself" the black amorphous solid, but recoverable as such, unchanged by its adventures. this theory is the only one which explains "why" the absolute limited itself, and why it does not recognize itself during its cycle of incarnations. it disposes of "evil" and the origin of evil; without denying reality to "evil, or insulting our daily observation and our common sense. i here quote (with one or two elucida

endix not yet recovered. k. grant, op. cit, adds several paragraphs here which appear to come from crowley. this is not provided in this text for lack of certainty of the providence. al i,26 "then saith the prophet and slave of the beauteous one: who am i, and what shall be the sign? so she answered him, bending down, a lambent flame of blue, all-touching, all penetrant, her lovely hands upon the black earth& her lithe body arched for love, and her soft feet not hurting the little flowers: thou knowest! and the sign shall be my ecstasy, the consciousness of the continuity of existence, the omnipresence of my body" the old comment 26. the prophet demanding a sign of his mission, it is promised; a samadhi upon the infinite. this promise was later fulfilled- see "the temple of solomon the kin

the strain of the drill of decency; a joyous relapse into the brute he has to pretend he despises. it is a drunkenness which drugs his shame of himself, yet leaves him deeper in disgust. it is an unclean gesture, hideous and grotesque. it is not his own act, but forced on him by a giant who holds him helpless; he is half madman, half automaton when he performs it. it is a gawky stumbling across a black foul bog, oozing a thousand dangers. it threatens him with death, disease, disaster in all manner of forms. he pays the coward's price of fear and loathing when pedlar sex holds out his rat-poison in the lead-paper wrapping he takes for silver; he pays again with vomiting and with colic when he has gulped it in his greed. all this he knows, only too well; he is right, by his own lights, to l

f all things. furthermore, it is for the most part not easy to find or to formulate the true contradiction of any thought as a positive idea, but only as a formal negation in vague terms, so that the ready answer is but antithesis. thus to white one putteth not the phrase "all that which is not white" for this is void, formless, and not clear, simple, and positive in conception. but one answereth black, for this hath an image of his significance. so then the cohesion of antitheticals destroyeth them only in part, and one becometh instantly conscious of the residue that is unsatisfied or unbalanced, whose eidolon leapeth in thy mind with splendour and joy unspeakable. let not this deceive thee, for its existence proveth its imperfection, and thou must call forth its mate, and destroy them b

he momentum of thy force in transcendental antithesis serveth to propel thee, and the emancipation from the fetters of thought that thou hast won in that praxis of art maketh the whirlpool and gravitation of truth of competence to draw thee unto itself" al i,60 "my number is 11, as all their numbers who are of us. the five pointed star, with a circle in the middle& the circle is red. my colour is black to the blind, but the blue& gold are seen of the seeing. also i have a secret glory for them that love me" the old comment 60. nu= 56 and 5+ 6= 11. the circle in the pentagram? see liber nv. the uninitiated perceive only darkness in night; the wise perceive the golden stars in the vault of azure. concerning that secret glory it is not here fitting to discourse. the new comment the general si

ALEISTER CROWLEY THE OTO GNOSTIC MASS

the south-eastern shore of loch ness in scotland, two miles east of foyers, is a shrine or high altar. its dimensions should be 7 feet in length, 3 feet in breadth, 44 inches in height. it should be covered with a crimson altar-cloth, on which may be embroidered fleur-de-lys in gold, or a sunblaze, or other suitable emblem. on each side of it should be a pillar or obelisk, with countercharges in black and white. below it should be the dais of three steps, in black and white squares. above it is the super-altar, at whose top is the st^ele of revealing in reproduction, with four candles on each side of it. below the st^ele is a place for the book of the law, with six candles on each side of it. below this again is the holy graal, with roses on each side of it. there is room in front of the

w the st^ele is a place for the book of the law, with six candles on each side of it. below this again is the holy graal, with roses on each side of it. there is room in front of the cup for the paten. on each side beyond the roses are two great candles. all this is enclosed within a great veil. forming the apex of an equilateral triangle whose base is a line drawn between the pillars, is a small black square altar, of superimposed cubes. taking this altar as the middle of the base of a similar and equal triangle, at the apex of this second triangle is a small circular font. repeating, the apex of a third triangle is an upright tomb. ii of the officers of the mass the priest. bears the sacred lance, and is clothed at first in a plain white robe. the priestess. should be actually virgo inta

, and is clothed at first in a plain white robe. the priestess. should be actually virgo intacta or specially dedicated to the service of the great order. she is clothed in white, blue, and gold. she bears the sword from a red girdle, and the paten and hosts, or cakes of light. the deacon. he is clothed in white and yellow. he bears the book of the law. two children. they are clothed in white and black. one bears a pitcher of water and a cellar of salt, the other a censer of fire and a casket of perfume. iii of the ceremony of the introit the deacon, opening the door of the temple, admits the congregation and takes his stand between the small altar and the font (there should be a doorkeeper to attend to the admission) the deacon advances and bows before the open shrine where the graal is e

ALEISTER CROWLEY THE QABALAH

. 9. the unconscious self of the normal man. reflex actions, circulation, breathing, digestion, etc, all pertain here. 10. the illusory physical envelope; the scaffolding of the building. section iv having compared these attributions with those to be found in 777, studied them, assimilated them so thoroughly that it is natural and needs no effort to think binah, mother, great sea, throne, saturn, black, myrrh, sorrow, intelligence, etc. etc. etc, in a flash whenever the number 3 is mentioned, we may profitably proceed to go through to the most important of the higher numbers. for this purpose i have removed myself from books of reference; only those things which have become fixed in my mind (from their importace) deserve place in the simplicity of this essay. 12. awh, he, a title of kether

ALEISTER CROWLEY THE SWORD OF SONG

s term it we stop him short; he readjusts his glasses, turns to his folio twill eclipse all precedent, reveal god s nature, every dent a blessed dent! 265 the donkey: written by an ass, for asses. so, with permission, let us be orthodox to our finger-ends; what the bulk hold, high church or friends, or hard-shall baptists and we ll see. 270 i will not now invite attack by proving white a shade of black, or christ (as some47 have lately tried) an epileptic mania, citing some case, where a dose 275 of bromide duly given in time drags a distemper so morose at last to visions less sublime; soft breezes stir the lyre aeolian, no more the equinoctial gales; 280 the patient reefs his mental sails; his panic din that shocked the tmolian48 admits a softer run of scales seems no more god, but mere n

less anguish filled my days so that no item, like a star sole in the supreme night, above stands up for hope, or joy, or love. 685 nay, not one ignis fatuus glides sole in that marsh, one agony to make the rest look light. abides the thick sepulchral changeless shape shapeless, continuous misery 690 whereof no smoke-wreaths might escape to show me whither lay the end, whence the beginning. all is black, void of all cause, all aim; unkenned, as if i had been dead indeed 695 all in christ s name! and i look back, and then and long time after lack courage or strength to hurl the creed down to the heaven it sprang from! no! not this inspires the indignant blow 700 ascension day 23 mystical meaning of ascension day. futility of whole discussion, in view of facts. at the whole fabric nor the sea

disciples ache upon the rack. five years i sought: i miss and lack; agony hounds lagoan twist; i peak and struggle and grow thinner, 20 and get to hate the sight of dinner. with sacred thirst, i, soul-hydroptic,1 read levi2 and the cryptic coptic ;3 with anet her-k uaa en ra,4 and atwuynxd arps 25 while good macgregor5 (who taught freely us) bade us investigate cornelius agrippa and the sorceries black of grim honorius and abramelin ;6 while, fertile as the teeming spawn 30 of pickled lax or stickleback, came ancient rituals,7 whack! whack! of rosy cross and golden dawn.8* truth-lover. pentecost the sword of song 26 my mahatma. what price kut humi? oh, how wise grampa must have been, bobbie! i lived, elijah-like, mt. carmel in: all gave me nothing. i slid back 35 to common sense, as reason

the fool, and the wrong un! it s fun when you say a mysterious way32 god moves in to fix up his maskelyne tricks. he trots on the tides, on the tempest he rides (like cosmo; and as for his pace, we bethought us 165 achilles could never catch up with that tortoise! no flyer, but very who s griffiths* no jackpot! i straddle the blind, age! at hymns i m a moral; in sankey, your kettle may call me a black pot. here s diamond for coke, and pink pearl for pale coral. 170 though his mills may grind slowly what says the old hymn?33 tune, limerick! author? my memory s dim. the corn said you sluggard! the mill you may tug hard (or lug hard, or plug hard; i forgot the exact rhyme; that s a fact) 175 if i want to grind slowly i shall, a quainter old fable one rarely is able to drag from its haunt in

vine we willingly agree. but this is rather a reason for being content with our own than for attempting to steal other people s. that affectation in many modern mystics of adopting an oriental civilisation and mode of thought must cause much harmless merriment among the actual orientals. the notion that a turban and a few vows will make an englishman a hindu is quite on a par with the idea that a black hat and an oxford degree will make a hindu an englishman. we wonder whether our buddhistic philosophers have ever read a florid letter in baboo english. we suspect that the said type of document is in reality exceedingly like the philosophic essays written by englishmen about the splendour of eastern thought. sometimes european mystics deserve something worse than mere laughter at the hands

ALEISTER CROWLEY EQ I 1

do so by addressing a letter to the chancellor of the order, at the offices of this paper. 3 an account of a. a. first written in the language of his period by the councillor von eckartshausen and now revised and rewritten in the universal cipher 5 a. a. official publication in class c. issued by order: d.d.s. 7= 4 o.s.v. 6= 5 n.s.f. 5= 6 6 illustration opposite to this page: a collotype in gray-black on an embossed inset rectangle. this is a figure in neophyte robe, face forward. the figure is vertical, frontal with hood down and triangle atop forehead. left arm hangs down vertically. right hand with index finger to lips in gesture of silence, other fingers closed under thumb and palm facing left. feet are bare and placed heel nearly to heel at right angles with right foot directly point

ed to breathe out jerkily or rapidly. 8. strive after depth, fulness, and regularity of breathing. 9. various remarkable phenomena will very probably occur during these practices. they must be carefully analysed and recorded. 29 v "dharana- control of thought" 1. constrain the mind to concentrate itself upon a single simple object imagined. the five tatwas are useful for this purpose; they are: a black oval; a blue disk; a silver crescent; a yellow square; a red triangle. 2. proceed to combinations of simple objects "e.g, a black oval within a yellow square, and so on. 3. proceed to simple moving objects, such as a pendulum swinging, a wheel revolving &c. avoid living objects. 4. proceed to combinations of moving objects "e.g, a piston rising and falling while a pendulum is swinging. the r

sylvan bride earth, that trembled with delight at the male caress of night. velvet soft the wizard trod to the sabbath of his god. with his naked feet he made starry blossoms in the glade, softly, softly, as he went to the sombre sacrament, stealthy stepping to the tryst in his gown of amethyst. earlier yet his soul had come to the hill of martyrdom, 37 where the charred and crook d stake like a black envenomed snake by the hangman's hands is thrust through the wet and writhing dust, never black and never dried heart's blood of a suicide. he had plucked the hazel rod from the rude and goatish god, even as the curved moon's waning ray stolen from the king of day. he had learnt the elvish sign; given the token of the nine: once to rave, and once to revel, once to bow before the devil, once

tolen from the king of day. he had learnt the elvish sign; given the token of the nine: once to rave, and once to revel, once to bow before the devil, once to swing the thurible, once to kiss the goat of hell, once to dance the aspen spring, once to croak, and once to sing, once to oil the savoury thighs of the witch with sea-green eyes with the unguents magical. oh the honey and the gall of that black enchanter's lips as he croons to the eclipse mingling that most puissant spell of the giant gods of hell with the four ingredients of the evil elements; 38 ambergris from golden spar, musk of ox from mongol jar, civet from a box of jade, mixed with fat of many a maid slain by the inchauntments cold of the witches wild and old. he had crucified a toad in the basilisk abode, muttering the rune

mongol jar, civet from a box of jade, mixed with fat of many a maid slain by the inchauntments cold of the witches wild and old. he had crucified a toad in the basilisk abode, muttering the runes averse mad with many a mocking curse. he had traced the serpent sigil in his ghastly virgin vigil "sursum cor" the elfin hill, where the wind blows deadly chill from the world that wails beneath death's black throat and lipless teeth. there he had stood- his bosom bare- tracing life upon the air with the crook and with the flail lashing forward on the gale, till its blade that wavereth like the flickering of death sank before his subtle fence to the starless sea of sense. now at last the man is come haply to his halidom. 39 surely as he waves his rod in a circle on the sod springs the emerald cha

ALEISTER CROWLEY EQ I 5

s shalt thou let endure, withdrawing thyself into thine heart in the form of an upright egg of blackness; and therein shalt thou abide for a space. 5. when all this is perfectly and easily performed at will, let the aspirant figure to himself a struggle with the whole force of the universe. in this he is only saved by his minuteness. but in the end he is overthrown by death, who covers him with a black cross. 6. so lying, let him aspire fervently unto the holy guardian angel. 7. now let him resume his former posture. two and twenty times shall he figure to himself that he is bitten by a serpent, feeling even in his body the poison thereof. and let each bite be healed by an eagle or hawk, spreading its wings above his head, and dropping thereupon a healing dew. but let the last bite be so t

listens on the crown gold-wrought within the chalice of your coiled cohort "the musicians" the flutes coo. it is the voice of love in spring, at dawn, in dew; and piercing through those low loves that rejoice, wails in the violin that supreme string of passion, that is more akin to death than love, that shrieking sin whose teeth tear passion's tortured skin and drink love's blood, and rage within black bowels of lust to win, to win some crown of thorns incarnadine, some cross whereof to fashion some newer, truer passion than even the agony of the violin "the prophet" yes! like a careless breeze, the close caress expands with a sob; the virgins wheel; there glows 19 in the midst a mystical rose["the dancers unfold, and their queen appears" o musical ministress of the dancing violin! in an e

9. the unconscious self of the normal man. reflex actions, circulation, breathing, digestion, etc, all pertain here. 10. the illusory physical envelope; the scaffolding of the building. section iv having compared these attributions with those to be found in 777, studied them, assimilated them so thoroughly that it is natural and needs no effort to think "binah, mother, great sea, throne, saturn, black myrrh, sorrow, intelligence, etc. etc. etc" in a flash whenever the number 3 is mentioned or seen, we may profitably proceed to go through the most important of he higher numbers. for this purpose i have removed myself from books of reference; only those things which have become fixed in my mind (from their importance) deserve place in the simplicity of this essay. 12. hva "he" a title of ke

rand kill. you shall be warm yet, for all that. this time the girl writhed and moaned a little. patricia took from an old wardrobe a close-fitting suit of fox fur, and slipped it on her slim white body. did i make you wait, dear? she said, with a curious leer. i am the keener for the sport, to be sure! she took the faithless talisman from her hat. it was a little square of vellum, written upon in black. she took a hairpin from her head, pierced the talisman, and drove the pin into the girl's thigh. they must have blood, said she. now see how i will turn the blue to red! come! don't wince: you haven't had it for a month. then her ivory arm slid like a serpent from the furs, and with the cutting whip she struck young margaret between the shoulders. a shriek rang out: its only echo was patric

y crapulous contemporaries no. iv wisdom while you waite [the hibernation of a. quiller, senior, and the approaching marriage of a. quiller, junior, have prevented either of them from contributing their columns as usual- ed] wisdom while you waite the book of ceremonial magic. a. e. waite. wm. rider& son, ltd, 15s. it would ill become us to review this book; which, when it was called "the book of black magic and of pacts" was dismissed by the editor of the "goetia" as "a farrago of twenty-fifth-rate shoddy schoolboy journalism" and we are glad to see that in the new edition mr waite has corrected his logic by that editor's light. but the introduction is new, and deserves comment. mr waite still talks as if his mouth were full of hot potatoes. the length and obscurity of his archaisms rende

ALEISTER CROWLEY EQ I 5

g of the angels of the 30 aethyrs the vision and the voice a. a. publication in class a b. d.d.s. 7= 4 praemonstrator o.s.v. 6= 5 imperator n.s.f. 5= 6 cancellarius the vision and the voice the cry of the thirtieth or inmost aire or aethyr, which is called tex i am in a vast crystal cube in the form of the great god harpocrates. this cube is surrounded by a sphere. about me are four archangels in black robes, their wings and armour lined out in white. in the north is a book on whose back and front are a.m.b.z. in enochian characters. within it is written: i am, the surrounding of the four. lift up your heads, o houses of eternity: for my father goeth forth to judge the world. one light, let it become a thousand, and one sword ten thousand, that no man hide him from my father's eye in the d

bitterness of death is past. and i turned me to the south and lo! a great lion as wounded and perplexed. he cried: i have conquered! let the sons of earth keep silence; for my name is become as that of death! when will men learn the mysteries of creation? how much more those of the dissolution (and the pang of fire? i turned me to the west and there was a great bull; white with horns of white and black and gold. his mouth was scarlet and his eyes as sapphire stones. with a great sword he shore the skies asunder, and amid the silver flashes of the steel grew lightnings and deep clouds of indigo. 7 he spake: it is finished! my mother hath unveiled herself! my sister hath violated herself! the life of things hath disclosed its mystery. the work of the moon is done! motion is ended for ever! c

liest! for the volatile hath indeed fixed itself; but it hath arisen above thy sight. the world is desert: but the abodes of the house of my father are peopled; and his throne is crusted over with white brilliant stars, a lustre of bright gems. in the north is a man upon a great horse, having a scourge and balances in his hand (or a long spear glitters at his back or in his hand. he is clothed in black velvet and his face is stern and terrible. he spake saying: i have judged! it is the end: the gate of the beginning. look in the beneath and thou shalt see a new world! i looked and saw a great abyss and a dark funnel of whirling waters or fixed airs, wherein were cities and monsters and trees and atoms and mountains and little flames (being souls) and all the material of an universe. and al

path? i am destiny. dost thou think to control me? for who can move my course" and there falleth a thunderbolt therein: a catastrophe of explosion: and all is shattered. and i saw above me a vast arm reach down, dark and terrible, and a voice cried: i am eternity. and a great mingled cry arose "no! no! no! all is changed; all is confounded; naught is ordered: the white is stained with blood: the black is kissed of the christ! return! return! it is a new chaos that thou findest here: chaos for thee: for us it is the skeleton of a new truth" i said: tell me this truth: for i have conjured ye by the mighty names of god, the which ye cannot but obey. the voice said: light is consumed as a child in the womb of its mother to develop itself anew. but pain and sorrow infinite, and darkness are in

the stone with opalescent shining garments like a wheel of fire on every side of him, and in his hand is a long flail of 1 the lvx cross hidden in the svastika is probably the arcanum here connoted. svastika itself adds to 231= 0+ 1+ 2+ 21, the 21 keys. the cubical svastika regarded as composed of this lvx cross and the arms has a total of 78 faces- tarot and mezla. scarlet lightning; his face is black, and his eyes white without any pupil or iris. the face is very terrible indeed to look upon. now in front of him is a wheel, with many spokes, and many tyres; it is like a fence in front of him. and he cries: o man, who art thou that wouldst penetrate the mystery? for it is hidden unto the end of time. and i answer him: time is not, save in the darkness of her womb by whom evil came. and no

ALEISTER CROWLEY EQUINOX EQ I 1 2

second quality 1a.7p, and third quality 11p. small quantities of charas find their way from thibet into british and native garhwal, and a little is prepared in simla and kashmir; while other sources are nepal and the hill districts of almora and garhwal. in preparing nepal charas, the ganja-plant is squeezed between the palms of the hands, and the sticky 237 resinous substance scraped off "momea" black wax-like cakes, valued at rs. 10 per seer, and "shahjehani" sticks containing portions of leaf, valued at rs. 3 per seer, are the two kinds of nepal charas, a few maunds being exported annually to lucknow and cawnpore. no charas is made in the plains of india, except a small quantity in gwalior, the bengal ganja yielding no charas in all the handling it undergoes in the process of perparatio

. 184. squires,"companion to british pharmacopoeia, 1908. martindale's "extra pharmacopeia, 1908. hooper's "medical dictionary."chemist and druggist. e. whineray, m.p.s. etc. weh note: presentation continues in no. 2 255 "special supplement" john st. john the record of the magical retirement of g. h. frater, o. m. 1 weh note: the supplement has its own pagination. illustration: bw halftone: in a black border, this is a photograph of a person, presumably crowley, in a violet (assumed from text) robe. the figure is shown in right profile, inclined forward to the right about thirty degrees off the vertical. the feet are bare and visible, with left foot flat and toes pointed directly right, as is the orientation of the figure. the right foot is also bare, but pointed at right angles to the bo

er most serious disadvantages. the scene should have been laid in an inaccessible lamaserai in tibet, perched on stupendous crags; and my familiarity with central asia would have enabled me to do it quite nicely. one should really have had an attendant sylph; and one's guru, a man of incredible age and ferocity, should have frequently appeared at the dramatic moment. a gigantic magician on a coal-black steed would have added to the effect: strange voices, uttering formidable things, should have issued from unfathomable caverns. a mountain shaped like a svastika with a pillar of flame would have been rather taking; herds of impossible yaks, ghost-dogs, gryphons. but my good, friends, this is not the way things happen. paris is as wonderful as lhassa, and there are just as many miracles in l

er body really wants. 1.35. my attempt to go to sleep has made me supernaturally wakeful. i am as often before in the state described by paul (not my masseur; the other paul! in his epistle to the romans, cap. vii. v. 19. i shall rise and go forth. 1.55. i have a good mind to try violent excitement of the muladhara cakkr m; for the whole sushumna seems dead. this at the risk of being labelled a black magician by clergymen, christian scientists, and the "self-reliant" classes in general. 2.15. arrived (partly by cab) at the place. certain curious phenomena which i have noticed at odd times "e.g. on thursday night but did not think proper to record must be investigated. it seems quite certain that meditation-practices profoundly affect the sexual process: how and why i do not yet certain

sm! people will most assuredly smile at this exalted mystic; his life seems made up of sleep and love-making. indeed, to-day i have been shockingly under the power of tamas, the dark sphere. but that is clearly a fatigue-effect from having worked so hard. oh lord, how long? 5.50. the mantra still ripples on. i am so far from the path that i have a real good mind to get maryt to let me perform the black mass on her at midnight. i would 29 just love to bring up typhon, and curse osiris and burn his bones and his blood! at least, i now solemnly express a pious wish that the crocodile of the west may eat up the sun once and for all, that set may defile the holy place, that the supreme blasphemy may be spoken by python in the ears of isis. i want trouble. i want to say indra's mantram till his

ALEISTER CROWLEY EQUINOX EQ I 2 2

temple of solomon the king book ii the scaffolding of the temple of solomon the king and the ten mighty supports which are set between the pillars of death and life. that which is below is like that which is above, and that which is above is like that which is below, for the performance of the miracles of the one substance "hermes" illustration on this page. in the background is an inverted solid black pentagram. superimposed on the black pentagram is an upright white pentagram, so arranged as to obscure all but the points of the black pentagram which emerge behind the inner angles of the white. these two pentagrams form a perfectly symmetrical ten-pointed star or decagram with alternating white and black points. in the center of the white pentagram, a symbol of alchemical salt is located

sed on the black pentagram is an upright white pentagram, so arranged as to obscure all but the points of the black pentagram which emerge behind the inner angles of the white. these two pentagrams form a perfectly symmetrical ten-pointed star or decagram with alternating white and black points. in the center of the white pentagram, a symbol of alchemical salt is located, more for it's shape of a black ring with single horizontal bar than for its alchemical significance. this barred ring is centered within but not touching the inner angles of the white pentagram. in the lower space defined by the barred ring is a solid black upright sans-serif letter "t. in the upper space of the barred ring is a white inverted sans-serif letter "t" defined by a thin black line. the pillar of cloud obsesse

cherubic wanderer" are set aside for "the arbatel" and "the seven mysterious orisons" a hurried turning of many pages, the burning of many candles, and then- the key of solomon for a time is put away, with the grimoires and the rituals, the talismans, and the virgin parchments; the ancient books of the qabalah lie open before him; a flash of brilliant fire, like a silver fish leaping from out the black waters of the sea into 236 the starlight, bewilders him and is gone; for he has opened "the book of concealed mystery" and has read "before there was equilibrium countenance beheld not countenance" the words "yehi aour" trembled on his lips; the very chaos of his being seemed of a sudden to shake itself into form- vast and terrible; but the time had not been fulfilled, and the breath of the

them back into the darkness whence they had all but been vibrated.1 from midsummer until the commencement of the autumn the diaries are silent except for one entry "met a certain mr. b- an alchemist of note"2 which though of no particular importance in itself, was destined to lead to another meeting which changed the whole course of p.'s progress, and accelerated his step towards that temple, the black earth from the foundations of which he had been, until the present, casting up in chaotic heaps around him. knorr von rosenroth's immense storehouse of qabalistic learning seems to have kept p. fully employed until the autumnal equinox, when b, the 1 at this time p. was leading a hermit's life on a swiss glacier with one whom, though he knew it not at the time, was destined ever and anon to

nd the outer side of paroketh,8 which latter formeth the east of the temple" the plan of the temple as arranged in this grade is shown on the adjoining diagram; therein it will be seen that it contains two pillars or obelisks. these two pillars, which are respectively in netzach and hod, need careful explanation. they represent mercy and severity, the former being white and in netzach, the latter black and in hod. their bases are cubical and black to represent the earth element in malkuth; the columns are respectively white and black to manifest eternal balance of the scales of justice. 245 4 hb:yod stands for chokmah, and hb:heh for binah, hb:vau for the rest except malkuth which is the final h. 5 father and (glorified) mother. 6 the theosophical term "higher self" is usually termed in th

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of hoy. the change was to be effected one evening at midnight, when the moon would be full and everything in favour of their flitting. the fateful night arrived, and the fairy train set out upon their journey. they bade farewell to the grassy hillocks upon which they had danced so often, and to the rocky caverns, the scene of their nightly revels, and all hied to the trysting-place, which was the black craig of stromness, chanting an elfin song as then went. there they made the preparations necessary for crossing the intervening sea. they took a number of "simmons" or straw bands used in thatching houses, and, tying them together, made a long rope of sufficient length to stretch across the sound. one end was fastened to the top of the black craig, and a sentinel was told off to watch that

omen of white wood made by the russian peasants during the long evenings of their winter season. from the first to the last there were twenty-one dolls, one inside the other. the last was scarcely bigger than a poppyseed, but presented exactly all the particularities of the largest one "in the third compartment" were two books. you may judge of my surprise when i opened them and found that no 361 black stain polluted the immaculate white of their leaves. only the binding bore some words. they were the titles of those unwritten books. thus they ran "the book "advice to which mankind contains all that i know for for a better use of their faculties" certain" no name of author was to be seen "in the fourth compartment" was a little framed picture, and though i examined it very closely i was no

ind contains all that i know for for a better use of their faculties" certain" no name of author was to be seen "in the fourth compartment" was a little framed picture, and though i examined it very closely i was not able at first to realize what the subject of the picture was. from a shallow little boat a gigantic snake was seen to emerge, fiercely staring, and on the opposite corner was a round black spot. as, when a child throws a stone in a river, the waves extend farther and farther, shunning the bruises which the child has inflicted upon them, in a like manner waver of a grey lighter and lighter as they extended towards the snake were painted in methodically eccentric gyrations. the last wave was almost white, and stopped at the head of the monster "in the fifth compartment" was a sk

are dwelling in the branches. all that is needed for life is abundant and easy to gather. the climate permits us 367 to spend night and day in the open, and when i retire to sleep on the box whose cover i have turned out to be, my companions sleep in the trees. no venomous or objectionable beast has yet dared to breathe the air of this balmy country. but it is not a deserted spot. the natives are black, but tame and pleasant, and one of my first steps will be to try and bring them into contact with the beauties of our civilisation. for this object the mighty box is of the utmost importance; and here i touch on the first difficulty which i encountered. the destiny of man being precarious and unsettled, my soul was often wandering at large in its anxiety to provide for the future of the loft

heir opponents or those who doubt them, or who are not of any use to them; but some men are- all men-covers are" i was interrupted in the profound meditation that followed this discovery by the approach of a strong party of natives. my heir-apparent, if i may be allowed to use that expression in regard to a man-cover, was absent; and our two other companions had also made themselves scarce. these black men seemed to be frenzied with pugnacity, a very unusual disposition. after rapidly taking advice of the skull (the two books failing on the matter, i lay down in my usual place, protecting the lofty thoughts from impure contact, resolved to be pierced through and through rather than to let these black devils brush the holy books. to be pierced through could not do me much harm; and the hole

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hat passion means suffering. but let them know that my beloved is mine and i am his; he feedeth among the lilies. 10 liber o vel manvs et sagittae svb figvra vi a. a. publication in class b. imprimatur: d.d.s.praemonstrator o.s.v.imperator n.s.f.cancellarius illustration facing page 12: the signs of the grades. these are arranged as ten panels* these are all halftone photos of a single human in a black tau robe, barefoot with hood completely closed over the face. the hood displays a six-pointed figure on the forehead- presumably the radiant eye of horus of the a. a, but the rendition is too poor in detail. there is a cross pendant over the heart. the ten panels are numbered in white in the upper left, but the numerals are very dim even in the ist edition (some blurred out entirely in the w

lled, many disappointed. few have dared to crush in arms of steel this burning daughter of the jinn; to ravish from her poisonous scarlet lips the kisses of death, to force her serpent-smooth and serpent-stinging body down to some infernal torture-couch, and strike her into spasm as the lightning splits the cloud-wrack, only to read in her infinite sea-green eyes the awful price of her virginity- black madness. even supreme richard burton, who solved nigh every other riddle of the eastern sphinx, passed this one by. he took the drug for months "with no other symptom than increased appetite" and in his general attitude to hashish-intoxication 33 (spoken of often in the "nights) shows that he regards it as no more than a vice, and seems not to suspect that, vice or no, it had strange fruits;

had also the advantage of falling across ludlow's book, and was struck by the circumstance that he, obviously ignorant of vedantist and 36 yogic doctrines, yet approximately expressed them, though in a degraded and distorted form. i was also aware of the prime agony of meditation, the "dryness<apophis in the mystic regenerative process isis apophis osiris i a o; or the black dragon in the alchemical translation from the first matter of the work into the elixir (as molinos calls it) which hardens and sterilises the soul. the very practice which should flood it with light leads only to a darkness more terrible than death, a despair and disgust which only too often lead to abandonment, when in truth they should encourage, for that- as the oracles affirm- it is dark

s the red blood of our heart to the ineffable crown of brilliance, who have seen what angel stands in the moon-ray, who have known the perfume and the vision, seen the drops of dew supernal stand on the silver lamen of the forehead- for us is neither fear nor pride, but silence in the one thought of the one beyond all thought. the world of phantoms has no terror left; we can take the blood of the black dragon for our red tincture. we understand the precept "visita interiora terrae rectificando invenias occultum lapidem; and harnessing to our triumphal car the white eagle and the green lion we voyage at 63 our ease upon the path of the chameleon, by the towers of iron and the fountains of supernal dew, unto that black unutterable sea most still. xiii "from the cavities of the earth leap for

ge, nor the dissection of the entrails of victims; they are all mere toys, the basis of mercenary fraud; flee from these if you would enter the sacred paradise of piety, where virtue, wisdom, and equity are assembled "stoop not down unto the darkly splendid world; wherein continually lieth a faithless depth, and hades wrapped in clouds, delighting in unintelligible images, precipitous, winding, a black ever-rolling abyss; ever espousing a body unluminous, formless and void "stoop not down, for a precipice lieth beneath the earth, reached by a descending ladder which hath seven steps, and therein is established the throne of an evil and fatal force "stay not on the precipice with the dross of matter, for there is a place for thy image in a realm ever splendid "invoke not the visible image o

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evocation, substituting in its place, as an example of such a working, the evocation of the great spirit taphthartharath by frater i.a. the ritual for the evocation unto visible appearance of the great spirit taphthartharath illustration on page 170 described: this is a lineal trace sigil from a magical square. to the eye, it is composed of three lines. these lines are rounded at the ends, thick black and arrayed as follows: one line descending from the left at 25 degrees off the vertical, its top is rounded and its bottom is truncated by the emergent second line, length 17mm. the second line extends to the right from the truncated first at about 5 degrees below the horizontal, its right end is rounded and its length is 16mm. the third and final line emerges just above the second from the

reat tablet whereon is the magic seal of mercury; and over this the lamen bearing the signature of taphthartharath, on its obverse the lamen of a hierophant. she shall wear also a dagger in her sash, and a red rose on her heart: and she shall carry in her left hand the ankh of thoth, and in her right the ibis wand. the assistant magus of art shall wear a white robe, with a girdle of snake-skin; a black head-dress and a lamen of the spirit, on its obverse the lamen of the hiereus. and he shall bear in his right hand a sword; and in his left hand the magical candle; and a black chain about his neck. the magus of the fires shall wear a white robe and yellow sash; and the rose upon his breast; in his right hand is a sword and in his left a red lamp. the magus of the waters shall wear a white r

s right hand a sword and in his left a cup of water "opening" the chamber of art shall be duly prepared by the assistant magus of art as aforementioned. 172 he shall draw upon the ground the lineal figures; and shall trace over them with a magic sword: he shall place the furniture of the temple in order. the members shall be assembled and robed. the chief magus rises, holding the ibis wand by its black end, and proclaims "hekas, hekas este bebeloi!"3 fratres of the order of the rosy cross, we are this day assembled together for the purpose of evoking unto visible appearance the spirit taphthartharath. and before we can proceed further in an operation of so great danger, it is necessary that we should invoke that divine aid and assistance, without which would our work indeed be futile and o

ure of earth, by and in the divine names adonai ha aretz, adonai melekh namen, and in the name of aurial, great archangel of earth, that every evil and impure spirit now depart hence immediately [circumambulates, saying] stoop not down unto the darkly splendid world, wherein lieth continually a faithless depth, and hades wrapt in gloom, delighting in unintelligible images, precipitous, winding, a black ever-rolling abyss, ever espousing a body unluminous, formless and void [making invoking pentagram] 9 see tablet of spirit. 10 see tablet of fire. 11 see tablet of spirit. 12 see tablet of air. creature of earth, in the names of nanta emor dial hectega,13 i consecrate thee to the service of the magic of light "chief magus" we invoke ye, great lords of the watch-towers of the universe!14 guar

ne thee in its bosom: and earth hath ever nourished the changeless godhead of thy youth. come thou forth i say, come thou forth, and make all spirits subject unto me! so that every spirit of the firmament, and of the ether of the earth, and under the earth, on dry land, and in the water, of whirling air, and of rushing fire, and every spell and scourge of god, may be obedient unto me [she binds a black cord thrice round the sigil of the spirit and veils it in black silk, saying] hear me, ye lords of truth in the hall of themis, hear ye my words, for i am made as ye! i now purpose with the divine aid, to call forth this day and hour the spirit of mercury, taphthartharath, whose magical sigil i now bind with this triple cord of bondage, and shroud in the black concealing darkness and in deat

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nything is better than a second book like this! bathshebah tina. i found "the maniac" both entertaining and instructive, a very valuable study of psychology. it is so far as i know the only really illuminating book on madness; and i strongly recommend its perusal to all alienists, psychologists, and members of the grade of neophyte. it throws an admirable light on the true nature of obsession and black magic. two things impressed me in particular (1) the statement that the arguments held with a patient never reach his consciousness at all, despite his rational answers. this phenomenon is true of my own sane life. i sometimes chat pleasantly to bores for quite a long time without any consciousness that i am doing so (2) the statement that medical men have no idea of the real contents of a m

that he knew dover. in the hands of an acute critic this method is perfectly reliable; and mr. harris's familiarity with the text, his power of concentration and his sense of proportion, have made it possible for him to see shakespeare steadily and see him whole. we are perfectly convinced of the truth of the main theory which frank harris presents, the enslaving of his gentle spirit by the bold black-eyed harlot mary fitton, and we are even shaken in that other hypothesis which attributes to shakespeare the vice of caesar, goethe, milton, michael angelo, and of so many other good and great men that time and space would fail us to enumerate them. yet mr. harris only shakes the fabric of proof; he cannot the foundation_ instinct. and it is strange that he, the friend of oscar wilde through

ugh the night of mine ignorance like unto a little maggot hid in the dark depths of a corrupted corpse? 5. therefore, o my god, fashion me into a five-pointed star of ruby burning beneath the foundations of thy unity, that i may mount the pillar of thy glory, and be lost in adoration of the triple unity of thy godhead, i beseech thee, o thou who art to me as the finger of light thrust through the black clouds of chaos; i beseech thee, o my god, hearken thou unto my cry! 6. then, o my god, am i not risen as the sun that eateth up ocean as a golden lion that feedeth on a blue-grey wolf? so shall i become one with thy beauty, worn upon thy breast as the centre of a sixfold star of ruby and of sapphire. 7. yea, o god, gird thou me upon thy thigh as a warrior girdeth his sword! smite my acutene

y beauty, worn upon thy breast as the centre of a sixfold star of ruby and of sapphire. 7. yea, o god, gird thou me upon thy thigh as a warrior girdeth his sword! smite my acuteness into the earth, and as a sower casteth his seed into the furrows of the plough, do thou beget upon me these adorations of thy unity, o my conqueror! 8. and thou shalt carry me upon thine hip, o thou flashing god, as a black mother of the south country carrieth her babe. whence i shall reach my lips to thy pap, and sucking out thy stars, shed them in these adorations upon the earth. 8 9. moreover, o god my god, thou who hast cloven me with thine amethystine phallus, with thy phallus adamantine, with thy phallus of gold and ivory! thus am i cleft in twain as two halves of a child that is split asunder by the swor

hou creator of all things, i renounce unto thee the crimson lust of the chase, and the blast of the brazen war- horns, and all the gleaming of the spears; so that like an hart i may be brought to bay in thine arms, and be consumed in the unutterable joy of thine everlasting rapture. 13. o my god, thou mighty one, thou creator of all things, i renounce unto thee all that self which is myself, that black sun which shineth in self's day, whose glory blindeth thy glory; so that i may become as a rushlight in thine abode, and be consumed in the unutterable joy of thine everlasting rapture. o glory be unto thee through all time and through all space: glory, and glory upon glory, everlastingly. amen, and amen, and amen. 15 the chapter known as gemini the twelvefold conjuration of god and the unit

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at the bottom. inside is circumscribed an upright pentagram with the following in the averse pentagon formed by its lines "adeptvs minor. between the points, inside the circle are these words, clockwise from the top right "ritual "revealed "in vision "of eighth "aethyr. finally, there is a half-glory radiant about the upper half of the circle representing tipheret. this is composed of 26 spikes, black with a hollow flame like a tear-drop extending into each. the bulbs of the flame-drops define an arch. the bottom of the arch is defined by an arc concentric with the tipheret circle, and the edges curve up to meet the edges of the half- glory. the following words are inside this arch "the knowledge& conversation of the holy guardian angel. liber xiii vel graduum montis abiegni a syllabus of

whole secret of the way of initiation is laid open from the beginning to the end; for the instruction of the little children of the light. written in trembling and humility for the brethren of the a. a. by their very dutiful servant, an aspirant to their sublime order, aleister crowley illustration facing page 10 partly described: this is a collotype in bright crimson. it is a photo of crowley in black robe, only visible from diaphragm up. his elbows rest on a table before him, and his hands form the sign of the "horns of horus" against his face on a level with his eyes. his hood is turned back and pulled on as a hat, showing the eye in the triangle and forming a rough triangle in cloth about that device. he wears a serpent ring on the third finger of his right hand. on the table to the le

rs earth. storm swirls to choke the throat of silence! hard behind gathers a blacker cloud than all. but look! but look! it thrones a ball of blistering fire. it breaks. the lash of lightning snakes him forth. one crash splits the old tree. one rending roar- and night is darker than before. olympas. nay, master, master! terror hath so fierce an hold upon the path? life must lie crushed, a charred black swath, in that red harvest's aftermath! marsyas. life lives. storm passes. clouds dislimn. the night is clear. and now to him who hath endured is given the boon of an immeasurable moon. the air about the adept congeals to crystal; in his heart he feels one needle pang; then breaks that splendour infinitely pure and tender_ and the ice drags him down! 19 olympas. but may our trembling frame

r and the seen. eschew that supreme blasphemy, my son, remembering that god is one. olympas. god is a thought! marsyas. the "thought" of god is but a shattered emerod: a plague, an idol, a delusion, blasphemy, schism, and confusion! olympas. banish my one high thought? the night indeed were starless. marsyas. very right! but that impalpable inane 22 is the condition of success; even as earth lies black to gain spring's green and autumn's fruitfulness. olympas. i dread this midnight of the soul. marsyas. welcome the herald! olympas. how control the horror of the mind? the insane dead melancholy? marsyas. trick is vain. sheer manhood must support the strife, and the trained will, the root of life, bear the adept triumphant. olympas. else? marsyas. the reason, like a chime of bells ripped by

lice, whence the flood of god's beatitude of blood flames. o to sing those starry tunes! o colder than a million moons! o vestal waters! wine of love wan as the lyric soul thereof! there is the wind, a whirling sword, the savage rapture of the air tossed beyond space and time. my lord, my lord, even now i see thee there in infinite motion! and beyond there is the disk, the wheel of things; like a black boundless diamond whirring with millions of wings! olympas. master! marsyas. know also that above these portents hangs no veil of love; but, guarded by unsleeping eyes of twice seven score severities, the veil that only rips apart when the spear strikes to jesus' heart! a mighty guard of fire are they with sabres turning every way! their eyes are millstones greater than the earth; their mout

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story is certainly one of the least remarkable of the many strange events which happened to frater p. during his five months' residence in paris, but we give it in place of others because it re-introduces several characters who have already figured in this history. miss q. after an interview asked p. to tea to meet mrs. m. after introductions she left the room to make tea- the white magic and the black were left face to face. on the mantelpiece stood a bronze of the head of balzac, and p, taking it down, seated himself in a chair by the fire and looked at it. presently a strange dreamy feeling seemed to come over him, and something velvet soft and soothing and withal lecherous moved across his hand. suddenly looking up he saw the mrs. m. had noiselessly quitted her seat and was bending ove

a puppet in her hands, but a top to be played with and when broken cast aside, he quietly rose as if nothing unusual had occurred; and replacing the bust on the mantelpiece turned towards her and commenced with her a magical conversation; that is to say a conversation which outwardly had but the appearance of the politest small talk but which inwardly lacerated her evil heart, and burnt into her black bowels as if each word had been a drop of some corrosive acid. she writhed back from him; and then again approached him even more beautiful than she had been before. she was battling for her life now, and no longer for the blood of another victim. if she lost, hell yawned before her, the hell that every once beautiful woman who is approaching middle age, sees before her the hell of lost beau

dawn. at first frater p. was seized with horror at the sight, he knew not whether to direct a hostile current of will against d.d.c.f. and v.n.r, supposing them to be guilty of cherishing within their bodies the spirits of two disincarnated vampires, or perhaps abramelin demons under the assumed forms of s.v.a. and m.s.r, or to warn d.d.c.f; supposing him to be innocent, as he perhaps was, of so black and evil an offence. but as he hesitated a voice entered the body of the sibyl and bade him leave matters alone, which he did. not yet was the cup full. in april he journeyed to london, and the month of may 1903 once again found him amongst the fastnesses of the north in the house he had bought in which to carry out the sacred operation of abramelin. at this point of our history, in a prefat

ter or less than that resulting from the acts of worship in an operation of ceremonial magic, that dh ran and the mantra yoga were in effect none other than a paraphrase of the sacred magic and the acts of invocation; and ultimately that the while system of eastern yoga was but a synonym of western mysticism. starting from the root, he had by now crept sufficiently far through the darkness of the black earth to predict a great tree above, and to prophecy concerning a kingdom of light and loveliness; and, as a worm will detect its approach to the earth surface by the warmth of the mould, so did he detect by a sense, new and unknown to him, a world as different from the world he lived in as the world of awakenment differs from the world of dreams. further, did he grow to understand, that, th

e, i invoke, i invoke! aleister crowley. 198 illustration opposite page 199 described "the interpreter (script lettering at base, credited at lower right "carl hentschel ph. lc) this is a monochrome color tinted photo of a female violinist. she stands on a white draped block, the background is white, except for the floor which seems to be wooden and is interrupted by the block. she is garbed in a black robe, rose-cross on chest, hood turned back and over hair with eye-in-triangle seen only as three or four points of the glory. her head is turned in profile to the right until the shoulders and torso- 3/4 profile. all five toes of her right foot are bare and to be seen jutting out of the robe directly toward the front. she cradles the violin between chin and left shoulder, left fingers holdi

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groom to his spouse, he rides to meet with galliard grace some scion of his holy house, or germane to his royal race. 6 but oh! the eyes of shame! beneath the tall pavilion's sapphire shade there sport a band with wand and wreath, languorous boy and laughing maid. and in the centre is a sight of hateful love and shameless shame: a recreant abyssianian knight sports grossly with a wanton dame. how black and swinish is the knave! his hellish grunt, his bestial grin; her trilling laugh, her gesture suave, the cool sweat swimming on her skin! she looks and laughs upon the knight, then turns to buss the blubber mouth, draining the dregs of that black blight of wine to ease their double drouth! god! what a glance! sir palamede is stricken by the sword of fate: his mother it is in very deed that

uss the blubber mouth, draining the dregs of that black blight of wine to ease their double drouth! god! what a glance! sir palamede is stricken by the sword of fate: his mother it is in very deed that gleeful goes the goatish gait. his mother it his, that pure and pale cried in the pangs that gave him birth; the holy image he would veil from aught the tiniest taint of earth. 7 she knows him, and black fear bedim those eyes; she offers to his gaze the blue-veined breasts that suckled him in childhood's sweet and solemn days. weeping she bares the holy womb! shrieks out the mother's last appeal: and reads irrevocable doom in those dread eyes of ice and steel. he winds his horn: his warriors pour in thousands on the fenceless foe; the sunset stains their hideous war with crimson bars of afte

es of ice and steel. he winds his horn: his warriors pour in thousands on the fenceless foe; the sunset stains their hideous war with crimson bars of after-glow. he winds his horn; the night-stars leap to light; upspring the sisters seven; while answering flames illume the deep, the blue pavilions blaze to heaven. silent and stern the northward way they ride; alone before his men staggers through black to rose and grey sir palamede the saracen. 8 iii there is a rock by severn mouth whereon a mighty castle stands, fronting the blue impassive south and looking over lordly lands. oh! high above the envious sea this fortress dominates the tides; there, ill at heart, the chivalry of strong sir palamede abides. now comes irruption from the fold that live by murder: day by day the good knight str

dling crew; now, now fresh armies hem them round. they cleave their blood-bought avenue, and cluster on the upper ground. ah! but dawn's dreadful front uprears! the tall towers blaze, to illume the fight; while many a myriad heathen spears march northward at the earliest light. falls thy last comrade at thy feet, o lordly-souled sir palamede? tearing the savage from his seat, he leaps upon a coal-black steed. he gallops raging through the press: the affrighted heathen fear his eye. there madness gleams, there masterless the whirling sword shrieks shrill and high. the shrink, he gallops. closely clings the child slung at his waist; and he heeds nought, but gallops wide, and sings wild war-songs, chants of gramarye! 13 sir palamded the saracen rides like a centaur mad with war; he sabres man

llops wide, and sings wild war-songs, chants of gramarye! 13 sir palamded the saracen rides like a centaur mad with war; he sabres many a million men, and tramples many a million more! before him lies the untravelled land where never a human soul is known, a desert by a wizard banned, a soulless wilderness of stone. nor grass, nor corn, delight the vales; nor beast, nor bird, span space. immense, black rain, grey mist, white wrath of gales, fill the dread armoury of sense. nor shines the sun; nor moon, nor star their subtle light at all display; nor day, nor night, dispute the scaur: all's one intolerable grey. black llyns, grey rocks, white hills of snow! no flower, no colour: life is not. this is no way for men to go from severn-mouth to camelot. despair, the world upon his speed, drive

ALEISTER CROWLEY EQUINOX EQ I 4

'for babes and sucklings' has 'explanatory notes in hebrew and latin for the wise and prudentea the probationer's robe is fitted for performance of all general invocations and especially for the i. of the h. g. a; a white and gold nemmes may be worn. these robes may also be worn by assistant magi in all composite rituals of the white. the neophyte's robe is fitted for all elemental operations. a black and gold nemmes may be worn. assistant magi may wear these in all composite rituals of the black. the zelator's robe is fitted for all rituals involving i o, and for the infernal rites of luna. in the former case an uraeus crown and purple nemmes, in the latter a silver nemmes should be worn. the practicus' robe is fitted for all rituals involving i i, and for the rites of mercury. in the fo

mars, and for the postulant at the second gate of the city of the pyramids. the adeptus exemptus' robe is fitted for the chief magus in all rituals and invocations of the superiors, for the performance of the rites of jupiter, and for the postulant at the third gate of the city of the pyramids. the babe of the abyss has no robe. for the performance of the rites of saturn, the magician may wear a black robe, close-cut, with narrow sleeves, trimmed with white, and the seal and square of saturn marked on breast and back. a conical black cop embroidered with the sigils of saturn should be worn. the magister templi robe is fitted for the great meditations, for the supernal rites of luna, and for those rites of babylon and the graal. but this robe should be worn by no man, because of that which

ere by the palms, the desert's edge, i drew thee to my heart and held thy shy slim beauty for a splendid second; and fell moaning back, smitten by love's forked flashing rod- as if the uprooted mandrake yelled! as if i had seen god, and died! i thirst! i writhe upon the rack! el arabi! el arabi! it is not love! i am compelled by some fierce fate, a vulture poised, heaven's single ominous speck of black. el arabi! 37 there in the lonely bordj across the dreadful lines of sleeping men, swart sons of the sahara, thou didst writhe slim, sinuous and swift, warning me with a viper's hiss- and was not death upon us then, no bastard of thy maiden kiss? god's grace, the all-surpassing gift! el arabi! el arabi! yea, death is man's elixir when life's pale wine foams and splashes over his imagination'

whose horns were as crescent moons in the night, and whose nostrils belched forth mingling columns of flame and of smoke. there was he to harness them to that plough which is made of one great adamantine stone; and with it was he determined to plough the two acres of ground which had never before been tilled by the hand of man, and sow the white dragons' teeth, and slay the armed multitude, that black army of unbalanced forces which obscures the light of the sun. and then, finally, was he destined to slay with the sword of flaming light that ever watchful serpent which writhes in silent wisdom about the trunk of that tree upon which the christ hangs crucified. all these great deeds did he do, as we shall see. he tamed the bulls with ease- the white and the black. he ploughed the double fi

s sway, does it come gradually, little by little under the rule of the atman, until ultimately the atman, augoeides, higher self or adonai fills the space which was once occupied solely by the body and mind of the aspirant. therefore though the death of the body as it were is the resurrection of the higher self accomplished, and the pinnacles of that temple, whose foundations are laid deep in the black earth, are lost among the starry palaces of god. in the "hatha-yoga pradipika" we read that "there can be no raja yoga without hatha yoga, and "vice versa" that to those who wander in the darkness 54 "shiva sanhita" iii, 37. 55 "ibid, iii, 33. 56 vivek nanda "karma-yoga" p. 62. 57 as in the case of jesus, the aspirant, for the joy that is set before him, must "dare" to endure the cross, desp

ALEISTER CROWLEY EQUINOX EQ I 6 2

nowledge closely curled like serpents in those halls of hate, palaces of the underworld. but in the hell-glow of those eyes the ashen skull of pharaoh shone white as the moonrays that surprise the invoking druse on lebanon. moreover pylon shouldered round to pylon an unearthly tune, like phantom priests that strike and sound sinister sistrons at the moon. and death's insufferable perfume beat the black air with golden fans as turkis rip a nubian's womb with damascened yataghans. also the taste of dust long dead of ancient queens corrupt and fair struck through the temple, subtly sped by demons dominant of the air. last, on the flesh there came a touch like sucking mouths and stroking hands that laid their foul alluring smutch even to the blood's mad sarabands. 8 so did the neophyte that wo

"extinguishes light["a pause" 11 part iii "darkness" aquarius["comes forward and kneels to" magister templi] master, we beseech thee to permit the ceremony to proceed. magister templi. there was no crackling in the dried leaves [capricornus "joins" aquarius "kneeling" aquarius "and" capricornus. master, we beseech thee to permit the ceremony to proceed. magister templi. there was no heart in the black lamb["all" probationers "join" aquarius "and" capricornus "kneeling] all. master, we beseech thee to permit the ceremony to proceed. magister templi. the sacred python was found dead [mater coeli "comes forward, kneels before" magister templi "thus making the apex to the pyramid of petitioners, rises and plays her petition< then again kneels] magister templi. let the cer

r, it is not to be borne! magister templi. mother of heaven, let us work together! mater coeli. behold thine handmaiden [magister templi "and" mater coeli "go together hand in hand, within the veil" capricornus "turns light up [mater coeli "plays a paean of despair<veil, appears standing on altar" o melancholy brothers, dark, dark, dark! o battling in black floods without an ark! o spectral wanderers of unholy night! my soul hath bled for you these sunless years, with bitter blood-drops running down like tears: oh, dark, dark, dark, withdrawn from joy and light! my heart is sick with anguish for your bale! your woe hath been my anguish; yea, i quail and perish in your perishing unblest. and i have searched the heights and depths, the scope of a

xtinguishes the light [aquarius "draws the veil [mater coeli "plays the final hopeless dirge<aquarius. brother capricornus, what is the hour? capricornus. noon. aquarius. let us depart; it is accomplished["full light [capricornus "stands with drawn sword before the veil; the others escort the people out] 18 the rite of jupiter officers centrum in centri trigono "black robe, swastika" sphinx "green robe, violin and sword" hermanubis "violet robe, caduceus" typhon "red robe, prong two-forked, or sword" hebe. ganymede "cup-bearers and dancers. white robes "the temple represents the wheel of fortune of the tarot. at its axle is the altar on which sits c.i.c.t. on the rim, s. at east spoke, h. at north-west, t. at south-west. hebe and ganymede are seated at th

of the gods! hermanubis. 4444, brother typhon, summon the guests to the banquet of the father of the gods [typhon "draws aside veil as" ganymede "begins his dance. lights down] hermanubis. welcome to the banquet of the father of the gods! bear the bowls of libation("done. be silent and secret! for it is by stealth that we are here assembled. know that saturn hath been deceived, having swallowed a black stone, thinking it to be his son, the child jupiter. but jupiter is here enthroned, and shall overthrow his father. beware then lest ye break silence- until jupiter be ready to make war! typhon. him that speaketh will i slay forthright["a long pause" 23 part ii centrum in centri trigono 1. sphinx 1. hermanubis 1. typhon 1. typhon. hail unto thee, thou great god hermanubis! art thou not the m

ALEISTER CROWLEY EQUINOX EQ I 6

ant and striking essays "liverpool daily post "essays. combining lightness of expression with considerable depth and originality of thought "birmingham daily post "mr. shirley illuminates his subject with a pleasing humour, and his book is readable and interesting as well as instructive "the yorkshire observer" death: its causes and phenomena. by hereward carrington and john r. meader. ornamental black cloth, gilt, 8 3/4 in. x 5 1/2 in, 552 pp, 8"s" 6"d" net. contents. preface. part i "physiological- i. the scientific aspect of life and death. ii. the signs of death. iii. trance, catalepsy, suspended animation, etc. iv. premature burial. v. burial, cremation, mummification. vi. the causes of death. vii. old age; its scientific study. viii. the questionnaire on death: answers. ix. my own th

at reward it, let these things be discovered by the right ingenium of the practicus. 15 liber tzaddi vel hamvs hermeticvs svb figvra xc 17 a. a. publication in class a. imprimatur: n. fra a. a. liber tzaddi vel hamvs hermeticvs svb figvra xc 0. in the name of the lord of initiation, amen. 1. i fly and i alight as an hawk: of mother-of-emerald are my mighty-sweeping wings. 2. i swoop down upon the black earth; and it gladdens into green at my coming. 3. children of earth! rejoice! rejoice exceedingly; for your salvation is at hand. 4. the end of sorrow is come; i will ravish you away into mine unutterable joy. 5. i will kiss you, and bring you to the bridal: i will spread a feast before you in the house of happiness. 6. i am not come to rebuke you, or to enslave you. 7. i bid you not turn f

st weariness, against them that seek to enslave you. 19 11. i pour you lustral wine, that giveth you delight both at the sunset and the dawn. 12. come with me, and i will give you all that is desirable upon the earth. 13. because i give you that of which earth and its joys are but as shadows. 14. they flee away, but my joy abideth even unto the end. 15. i have hidden myself beneath a mask: i am a black and terrible god. 16. with courage conquering fear shall ye approach me: ye shall lay down your heads upon mine altar, expecting the sweep of the sword. 17. but the first kiss of love shall be radiant on your lips; and all my darkness and terror shall turn to light and joy. 18. only those who fear shall fail. those who have bent their backs to the yoke of slavery until they can no longer sta

e it unto the attainment of the stone of the wise, the summum bonum, true wisdom and perfect happiness. 32 liber a'ash vel capricorni pnevmatici svb figvra ccclxx 33 a. a. publication in class a. imprimatur: n. fra a. a. liber a'ash vel capricorni pnevmatici svb figvra ccclxx 0. gnarled oak of god! in thy branches is the lightning nested! above thee hangs the eyeless hawk. 1. thou art blasted and black! supremely solitary in that heath of scrub. 2. up! the ruddy clouds hang over thee! it is the storm. 3. there is a flaming gash in the sky. 4. up. 5. thou art tossed about in the grip of the storm for an aeon and an aeon and an aeon. but thou givest not thy sap; thou fallest not. 6. only in the end shalt thou give up thy sap when the great god f. i. a. t. is enthroned on the day of be-with-u

rose and violet lay under the moon wherein they revelled? she is like a poppy-petal. all the seas of sleep are hidden under the languorous eyelids, whose lashes are long and strong to bruise my heart where her lusts like hornets settle on sacred leaves, on flowers forbidden. she is like a drug of wonder. all the limits of sense dissolve when we fall like snows from the precipice sun-kissed to the black ravines of ice. i am drowned in the universal thunder; the hours disrupt, the aeons involve. ah! not in any mortal mood ends the great verb we conjugate. from the highest hyberbole she doth swerve in an incommensurable curve, and the line of our beatitude is one with the sigil of our fate. 44 pallid, a mummy throned, she sits; the egyptian eyes, the egyptian hair, the band on her brows, the

ALEX SANDERS THE KING OF THE WITCHES

m.p.s. isalex sanders with his crystal maxine blesses her athame tarot cards the witches' circle. maxine beside the altar alex honours the goddess maxine inside the circle breathing life into the fith-fath the witches' dance walking to covenstead calling down the power the symbolic sex act the witches' altar passing the pentacle around the circle the witches fall to the ground fertility rites the black mass athamll book of shadows coven covens'read esbat esp familiar fith-fath the key of solomon measure pentacle sabbat tarot card voodoo warlock wicca witch wizard the witch's black-hilted knife. with book of rules, written in witch's own handwriting and copied by successive generations, group ofwitches. meeting place of a coven small meeting, not necessarily of a full coven. extra-sensory p

n a.d. 668 the archbishopofcanterbury ruled that people who ate and drank in heathen temples, or wore the heads of beasts, should do three years' penance. the witches continued to use the stag's horns, however. their only concession was to meet secretly, on moors or in lonely forests. these meetings were known as 'sabbats* after homage had been paid to the devil, usually present in the guise of a black goat, or his deputy, the witches held a banquet. this was followed by the main feature of the sabbat, the dance, the tempo of which was often raised to a frenzy in preparation for the final climax of sexual orgy. it is important to note at this point that although we have few historical records of 'white' witches at this time and must include them under the general term 'witches, modem white

0e activi ies of the witch-hunters increased, henry viii himself decid d to rofit by it. in 1542 a law was passed not only condemning witches to death but confiscating their lands and money. all over the country men and women were dragged from their homes on the flimsiest evidence. in kent a mother an? daughter were condemned to death for 'feeding and employmg an evil spirit in the likeness of a black dog. alt ough, torture wa ostensibly still forbidden, witches could be tested. naked, with arms crossed and thumbs tied to their big toes, they were flung into the nearest deep water. if they s:mje they were innocent-but usually they were dead by the time they were hauled out. if they could swim it was certain proof of their guilt, and they could be hanged after what was only the formality o

rment. by the time levi died in 1875, he had paved the way for a renaissance in witchcraft. aleister crowley was born in the same year and he came to consider himself the reincarnation of levi. when crowley was in his twenties he joined the society of the golden dawn, of which w. b. yeats was a member, and he became a skilled magician. before long he was recognized as an incurable practitioner of black witchcraft, by which means he indulged 7 of competent writers have already dealt with this subjectdr margaret murray, for one, in her witch cult in western europe. i have merely attempted to portray the world of alex sanders, to describe the life and activities of one of the most powerful living witches and to gauge the appeal of witchcraft to thousands of ordinary men and women. my own posi

us objects had been placed. only when she spoke did he recognize his grandmother 'what are you doing here' she snapped 'who sent you' unable to tear hiseyesaway, the boy stammered hismother's message 'i'll give you your tea, all right' his grandmother said grimly 'but first, come over here' fearfully the child went towards her, shrinking from contact with the sallow wrinkled flesh and the flowing black hair which, released from its pins, did indeed hang to below her waist 'take off your clothes' she commanded, and when he hesitated after removing his coat and shoes, added 'all of them-s-every last stitch' teeth chattering with fright, he peeled off his vest and pants and stood there like a lamb about to be slaughtered. the old lady bent down and picked up a small sickle-shaped knife from t

ALEXANDRIAN BOOK OF SHADOWS OCCULT

that potent bide in shining stream and the secret tide, in fiery flame by starlight pale, in shadowy host that rides the gale. and by the ferndrakes, faerie haunted, of forests wild and woods enchanted. come, o come! to the heartbeat's drum! come to us who gather below, when the broad white moon is climbing slow. through the stars to the heavens' height, we hear thy hoofs on the wind of night! as black tree branches shake and sigh, by joy and terror we know thee nigh. we speak the spell thy power unlocks, at solstice sabbath and equinox" notes l lots of published sources for this one, in several variants l michael harrison's the roots of witchcraft attempts to explain it. published sources include: doreen valiente witchcraft for tomorrow. her version continues beyond the part given here. i

men pass a lighted candle from hand to hand, deosil, while the women lean forward and try to blow it out. the man who holds it when it is blown out gets three flicks of the scourge from the successful blower, and must give her the fivefold kiss in return. the candle is relit and the game proceeds. l there are lots of variants possible. have fun. hallowmas preparation: l balefire in centre. l two black candles upon the altar. l a red candle in each of the quarters. l a wreath of autumn flowers and the crown of the horned one are upon the altar. all coveners are properly prepared, naked and bound. all are purified by the scourge. hps erects the circle. the hp says: hp: o gods, beloved of us all, bless this our sabbat that we, thy humble worshippers, may meet in love, joy and bliss. bless ou

ALICE A BAILEY02 INITIATION HUMAN AND SOLAR

has gathered around him quite a numerous body of pupils. he is upon the sixth ray of devotion, or abstract idealism, and his pupils are frequently distinguished by that fanaticism and devotion which manifested in earlier christian times amongst the martyrs. he himself is rather a martial figure, a disciplinarian, and a man of iron rule and will. he is tall and spare with rather a long thin face, black hair, pale complexion and piercing blue eyes. his work at this time is exceedingly responsible, for to him is given the problem of steering the thought of the occident out of its present state of unrest into the peaceful waters of certitude and knowledge, and of preparing the way in europe and america for the eventual coming of the world teacher. he is well known in the bible history, coming

d he was particularly before the public eye when he was the comte de st. germain, and earlier still when he was both roger bacon and later, francis bacon. it is interesting to note that as the master r. takes hold, on the inner planes, of affairs in europe, his name as francis bacon is coming before the public eye in the bacon-shakespeare controversy. he is rather a small, spare man, with pointed black beard, and smooth black hair, and does not take as many pupils as do the masters previously mentioned. he is at present handling the majority of the third ray pupils in- 34- initiation, human and solar copyright 1998 lucis trust the occident in conjunction with the master hilarion. the master r. is upon the seventh ray, that of ceremonial magic or order, and he works largely through esoteric

iation, human and solar copyright 1998 lucis trust of initiation is the final stage of the path of evolution trodden by man, and is divided into five stages, called the five initiations. jiva. a separated unit of consciousness. kali yuga "yuga" is an age or cycle. according to the indian philosophy our evolution is divided into four yugas or cycles. the kali-yuga is the present age. it means the "black age" a period of 432,000 years. karma. physical action. metaphysically, the law of retribution; the law of cause and effect, or ethical causation. there is the karma of merit and the karma of demerit. it is the power that controls all things, the resultant of moral action, or the moral effect of an act committed for the attainment of something which gratifies a personal desire. kumaras. the

ALICE A BAILEY04 A TREATISE ON COSMIC FIRE

rs, great beasts and evil forms. they prowled upon the surface of the sphere. the watery fourth produced within the watery sphere, reptiles and spawn of evil fame, the product of their karma. the waters came and swept away the progenitors of the fluidic spawn. the separating fifth built in the rupa sphere the concrete forms of thought. they cast them forth. they peopled the lower four, and like a black and evil cloud shut out the light of day. the higher three were hid* the war upon the planet had been waged. both sides descended into hell. then came the conqueror of form. he drew on the sacred fire, and purified the rupa levels. the fire destroyed the lands in the days of the lesser sixth- 21- a treatise on cosmic fire copyright 1998 lucis trust when the sixth appeared the land was change

sm will become non-existent. the dangers then will be along other lines those incident to the very influence of this ray itself: the dangers of crystallisation into form so that the true spiritual devotee may become rare, and the scientific aspirant will take his place. the true occultist is a scientist and a devotee, and where these two are not merged, we have the mystic and the man in danger of black magic, being governed by the intellect and not by selflessness; there are dangers incident also upon contact with the deva evolution and the knowledge of the powers and forces made available through their agency. the coming into incarnation of numbers of old magicians and occultists, and the rapid growth therefore of recognised psychic powers among the people. this psychism, being tinged wit

powerful influence: on the seventh or physical plane, regarding it as a unit. on the seventh subplane or the lowest subplane on the physical, the astral and the mental planes. on the seventh or lowest human principle: prana in the etheric body. on all monads in incarnation who are seventh ray monads. on a peculiar group of devas who are the agents, or "mediates" between magicians (either white or black) and the elemental forces. this group is occultly known as "the mediatory seventh" and is divided into two divisions: a. those working with evolutionary forces. b. those working with involutionary forces. one group is the agent of constructive purpose, and the other of destructive. more need not be- 275- a treatise on cosmic fire copyright 1998 lucis trust submitted anent this group as they

m, and enables them to work along the lines of energy or force, and not with what is usually understood when the word 'substance' is used. they work with electrical energy, concerning themselves with positive electricity, or with the energy of the positive nucleus of force within the atom, whether it is the atom of chemistry, for instance, or the human atom. they deal with the soul of things. the black magician works with the negative aspect, with the electrons, if i might so term it, with the sheath, and not with the soul. this distinction must be clearly borne in mind. it holds the clue to the non-interference of the whole brotherhood in material matters and affairs, and their concentration upon the force aspect, upon the centres of energy. they reach the whole through the agency of the

of thought and definiteness of conjecture in this respect, i desire primarily to lay down certain postulates which must be carefully borne in mind when considering this question of transmutation. they are five in number and concern specifically the field wherein the transmuting process is carried on. the student must recollect at this juncture the distinction that is made between the work of the black and the white magician. it might be helpful here before proceeding further to look at these distinctions as far as they concern the matter in hand: first. the white brother deals with positive electrical energy. the dark brother deals with the negative electrical energy. second. the white brother occupies himself with the soul of things. the black magician centres his attention upon the form

ALICE A BAILEY05 THE LIGHT OF THE SOUL

llows: 1. yajna vidya. the performance of religious rites in order to produce certain results. ceremonial magic. is concerned with sound, therefore with the akasa or the ether of space. the "yajna" is the invisible deity who pervades space. 2. mahavidya. the great magic knowledge. it has degenerated into tantrika worship. deals with the feminine aspect, or the matter (mother) aspect. the basis of black magic. true maha-yoga has to do with the form (2nd aspect) and its adaptation to spirit and its needs. 3. guhya vidya. the science of mantrams. the secret knowledge of mystic mantrams. the occult potency of sound, of the word. 4. atman vidya. true spiritual wisdom. the four noble truths have been stated for us in the words of the buddha in the following terms "now the exalted one thus addres

of sounds, and the energy which can be dissipated through the activity of the lower centre is concentrated and transmuted into the great creative work of the magician. this is done through continence, pure living and clean thinking, and not through any perversions of occult truth such as sex magic and the enormities of the sex perversions of various so-called occult schools. the latter are on the black path and do not lead to the portal of initiation. 39. when abstention from avarice is perfected, there comes an understanding of the law of rebirth. this sutra gives in unequivocal terms the great teaching that it is desire for form of some kind which brings the spirit into incarnation. when desirelessness is present, then the three worlds can no longer hold the yogi. we forge our own chains

he occult method. let us, therefore, deal briefly with our three points. i. the external control of the prana or life currents concerns those breathing exercises and rhythmic practices which bring the physical organs, allied with the etheric centres, into proper condition. these physical organs are themselves never specifically dealt with by the white magician or occultist. they are dealt with in black magic, and consist of the brain, the lungs, the heart, the spleen and the generative organs. the black magician definitely utilizes these physical parts of the body to generate a type of force which is a mixture of etheric force and dense physical energy, to enable him to do certain forms of magical work and also to produce effects on the physical bodies of animals and men. it is the knowled

parts of the body to generate a type of force which is a mixture of etheric force and dense physical energy, to enable him to do certain forms of magical work and also to produce effects on the physical bodies of animals and men. it is the knowledge of this which is the basis of voodooism and of all those practices which cause the depletion and death of men and women who obstruct the path of the black magician or are regarded by him as enemies. with these the aspirant to the mysteries of the brotherhood of the great white lodge has nothing to do. he brings about the merging of the two parts of the dense physical, and the synchronization of the rhythm of the two bodies and the consequent unity of the entire lower man through attention to the etheric breath and rhythm. this inevitably produ

lication on all the planes in the three worlds, as indeed all the siddhis have. 6. irresistible will. prakamya. this is sometimes described as sovereignty, and it is that driving irresistible force found in every adept which bring about the fruition of his plans, the attainment of his desires, and the completion of his impulses. it is this quality which is the distinguishing characteristic of the black and the white magician alike. it necessarily demonstrates with greatest force on that plane in the three worlds which reflects the will aspect of divinity, the mental plane. all the elements obey this force of will as used by the yogin. 7. creative power. isatva. this concerns the power of the adept to deal with the elements in their five forms and produce with them objective realities, and

ALICE A BAILEY08 A TREATISE ON WHITE MAGIC

ntary, through the means of a few symbols and a cryptic text. these old scriptures are not read in the way modern students read books. they are seen, touched and realized. the meaning is disclosed in a flash. let me illustrate: the words "the one enunciates the word which drowns the triple sound" are depicted by a shaft of light ending in a symbolic word in gold superimposed over three symbols in black, rose and green. thus are the secrets guarded with care. i felt it might be of interest to students to know this much about this ancient test book of the adepts- 46- a treatise on white magic copyright 1998 lucis trust our consideration of this rule will fall into two parts: the relation between the soul and the personality. this will be handled particularly with reference to meditation in t

has power to work in all three worlds at once, and yet remain detached, and therefore karmically free from the results of such work. 4. only the soul is truly group-conscious and actuated by pure unselfish purpose. 5. only the soul, with the open eye of vision, can see the end from the beginning, and can hold in steadiness the true picture of the ultimate consummation. you ask, whether workers in black magic possess not an equal power? i answer, no. they can work in the three worlds, but they work from and in the plane of mind, and do not function, therefore, outside their field of endeavour, as does the soul. they can achieve, from their- 74- a treatise on white magic copyright 1998 lucis trust proximity and identification with their working materials, results more potent temporarily and

ore, outside their field of endeavour, as does the soul. they can achieve, from their- 74- a treatise on white magic copyright 1998 lucis trust proximity and identification with their working materials, results more potent temporarily and more rapid in accomplishment than the worker in the white brotherhood, but the results are ephemeral; they carry destruction and disaster in their wake, and the black magician is eventually submerged in the resulting cataclysm. let us therefore remember the necessity of a correct use of the mind, and (at the same time) let us ever hold a position beyond and detached from the creative work of our minds, desires and physical accomplishment. four words stand forth as one considers rule iv. first, sound, the formula, or word of power which the soul communicat

. one is therefore involutionary and involves him in deepest matter; the other leads him out of the body nature, and makes him eventually aware of his spiritual body, through which he can function in the kingdom of the soul. one path, later on (when he is a true and pledged chela) is known to him as the left hand path and the other the path of right activity. on one path, he becomes proficient in black magic, which is only the developed powers of the personality, subordinated to the selfish purposes of a man whose motives are those of self interest and worldly ambition. these confine him to the three worlds and shut the door which opens on to life. on the other path, he subordinates his personality and exercises the magic of the white brotherhood, working always in the light of the soul wi

and strenuous days. such disciples are in conscious contact at times with their soul forces and for them there is no defeat nor turning back. they are the tried- 135- a treatise on white magic copyright 1998 lucis trust warriors, scarred and tired, yet knowing that triumphant victory lies ahead, for the soul is omnipotent. accepted disciples, who battle all the above enumerated factors, plus the black forces arrayed against the elder brothers, can call upon the spiritual energies of their group and at rare and indicated moments upon the master under whom they work. thus the work and labour expands; thus the responsibility and struggle steadily increases; yet at the same time there is also a steadily growing reception of potencies which can be contacted and utilized and which when correctl

ALICE A BAILEY09 A TREATISE ON THE SEVEN RAYS VOLUME I ESOTERIC PSYCHOLOGY I

forget the basic concept that in all occult work one is occupied with energy energy units, energy embodied in forms, energy streams in flow; and that these energies are made potent and embody our purpose through the use of thought; they follow along the well-defined thought currents of the group. it must be remembered, however, that it is in this region of thought that the cleavage comes between black and white magic. it is in the use of thought power that the two aspects of magic can be seen functioning, and therefore it is true that there is no black magic, per se, until one reaches the realm of mind. no one can be a black magician until the will and the thought work in unison, until mind control and the creative work of the focussed mind can be seen. it has oft been said the black magi

r clear thinking on these matters, for as we study the psychology of the microcosm and arrive at an understanding of his ray impulses and energies we shall need to see clearly the way we go so that we shall tread the path of selflessness, leading to group awareness, and not the path of individualism, leading eventually and inevitably (as the mind aspect becomes organised) to the left hand path of black magic. those strong souls who consciously and knowingly enter into the realms of spiritual force and take thence that which they need and that which they choose, must work with intelligence, so that there may be a subsequent wise distribution of force within a chosen area. those who know themselves to be in the rank and file of aspirants, but who possess the persistence which will drive them

e hierarchy should begin to be understood. the work of what in the west is called "the christ principle" is to build the forms for the expression of quality and life. that is the characteristic work of the second aspect of divinity. the work of the antichrist is to destroy forms, and this is essentially the work of the first expression of divinity. but the work of the destroyer is not the work of black magic, and when ignorant humanity regards antichrist as working on the black side, their error is great. his work is as beneficent as that of the building aspect, and it is but man's hatred of the death of forms which makes him regard the work of the destroyer as "black" as being against the divine will, and as subversive of the divine programme. the work of the representatives of that myste

at. his work is as beneficent as that of the building aspect, and it is but man's hatred of the death of forms which makes him regard the work of the destroyer as "black" as being against the divine will, and as subversive of the divine programme. the work of the representatives of that mysterious power which we call cosmic evil, and their responding representatives, is indeed worthy of the word "black; but it is not applicable to the work of antichrist. it might be added that the work of the black forces wells up from below, whilst the work of the destroyers is impelled from above. the symbols of these two ways are the sword and the cross. after these preliminary remarks, which are intended to indicate the magnitude of the subject, we- 53- a treatise on the seven rays- volume i: esoteric

s that of individual sacrifice or service, and the mystical vision was the high water mark of the period; the numerous guiding mystics of the occident and the orient have appeared. the seventh ray influence will in time produce the magician, but in this age the magician will be predominantly in the class of white magic (not as in atlantean days, when the predominance was on the side of selfish or black magic. the white magician works with the forces of nature and swings them back into control of advanced humanity. this can already be seen working out through the activity of the scientists which the latter end of the last century and this twentieth century have produced. that much of their magical work has been turned into selfish channels by the tendency of this materialistic age, and that

ALICE A BAILEY11 A TREATISE ON THE SEVEN RAYS VOLUME II ESOTERIC PSYCHOLOGY II

capacity to be personal and emphasise personalities, leading to directed, inclusive idealism. steadiness of perception through the expansion of consciousness. reaction to, and sympathy with, the point of view of others. willingness to see the work of other people progress along their chosen lines. the choosing of the middle way. peace and not war. the good of the whole and not the part. ray seven black magic, or the use of magical powers for selfish ends. the power to "sit upon the fence" till the selfish values emerge. disorder and chaos, through misunderstanding of the plan. the wrong use of speech to bring about chosen objectives. untruth- 27- a treatise on the seven rays- volume ii: esoteric psychology ii copyright 1998 lucis trust sex magic. the selfish perversion of soul powers. lead

ent understanding of matter and to the power of the mind to dominate substance. this power is, therefore, neither divine nor non-divine. it is a demonstration of the capacity of the mind, and can be used with equal facility by an incarnated son of god, functioning as a world saviour or christ, and by those beings who are on the path of destruction, and who are called (by those who know no better) black magicians, evil forces and devils. divinity (using the word in its separative sense) connotes the expression of the qualities of the second or building aspect of god, magnetism, love, inclusiveness, non-separativeness, sacrifice for the good of the world, unselfishness, intuitive understanding, cooperation with the plan of god, and many other such qualitative phrases. mechanism, after all, i

evealed. in ordered beauty live its flowers and trees. the murmur of the bees and insects on their winged flight is heard on every side. the air is rich with perfume. the colours riot to the blue of heaven. the wind of god, his breath divine, sweeps through the garden..low lie the flowers. bending, the trees are devastated by the wind. destruction of all beauty is followed by the rain. the sky is black. ruin is seen. then death. later, another garden! but the time seems far away. call for a gardener. the gardener, the soul, responds. call for the rain, the wind, the scorching sun. call for the gardener. then let the work go on. ever destruction goes before the rule of beauty. ruin precedes the real. the garden and the gardener must awake! the work proceeds. the direction of ray ii "the sch

materially minded, selfishly ambitious and unloving, the inpouring energy will stimulate the personality nature and he will immediately be warring furiously with all that we mean by the instinctual, psychic, intellectual nature. when all these three are stimulated, the disciple is often for a time swung off the centre into a maelstrom of magical work of the lower kind sex magic and many forms of black magic. he is glamoured by the beauty of his motive, and deceived by the acquired potency of his personality. if, however, he is warned of the danger and aware of the possibility, he will stand steady at the centre within the mystical pentagram, and there suffer until the light in the east rises upon his darkness, discovering him still at the midway point. then comes the revelation of the pla

e third ray disciple, employing the technique of fusion, finds that: 1. it evokes a full functioning of the divine creative faculty. it will be apparent at this point how- 237- a treatise on the seven rays- volume ii: esoteric psychology ii copyright 1998 lucis trust important is motive, for it determines the line of activity and differentiates man's activity into what is called (by esotericists) black and white magic. it is interesting also to note that it is the very rare man indeed who swings into the field of so-called black magic. this indicates, does it not, my brother, the extraordinarily triumphant work of the great white lodge. 2. the fiat which initiated this creative activity, as far as it relates to man, has been inadequately couched in the words "let the earth bring forth abun

ALICE A BAILEY12 DISCIPLESHIP IN THE NEW AGE VOLUME I

n. the process of achieving this control constitutes one of the most difficult periods in the life of the disciple and quite one of the longest from the angle of time. for this you should be prepared. particularly is it difficult at this time to triumph over emotion because of the intense emotional condition of the entire human family and the widespread fear and terror for which the energy of the black lodge of adepts is responsible. this definitely complicates your problem and that of all disciples: it tends to foster a most potent glamour. so i beg of you to proceed with courage, joy, understanding, extreme caution and at the same time with speed. i would point out also that the intention of all true disciples is to stand by their group brothers in love and understanding. upon this fact

ALICE A BAILEY13 PROBLEMS OF HUMANITY

itants the french in the french sudan, the belgians in the belgian congo, the dutch and the british in south africa and the west coast of africa, the germans in german east africa and the italians in eastern africa. it is a sorry story of cruelty, theft and exploitation- 61- problems of humanity copyright 1998 lucis trust on the part of the white race, though much good also came out of it for the black race. the story of these relationships is still unfinished, and unless it is conducted in the future with righteousness and justice, may terminate in tragedy. there is, however, much improvement in the internal history of these territories, and there is much reason for optimism. the problem of the negro falls into two divisions: the problem of the future of the african negro and the problem

ountless millions of inhabitants is still in the embryonic stage; the relationship of its true inhabitants to the alien races who seek to dominate them remains still in the realm of political manoeuvring and commercial greed. it should, however, be recognized that in spite of the many attendant evils which follow ever on the trail of the exploiting white man, the impact of the white races on the "black continent" has brought great evolutionary development and benefits education, medical aid, the ending of the ceaseless tribal wars, sanitation, and a more enlightened religious system in the place of the barbaric cults and crude religious practices. much evil followed the explorer, the missionary and the trader but much good also followed in their steps, particularly in those of the missiona

in- 62- problems of humanity copyright 1998 lucis trust africa and in the western world, is largely (if not entirely) that of the white race and one which it is their responsibility to solve. in africa the negro greatly outnumbers the white population; the latter is in so small a minority that they are faced with a most difficult situation, living as they do in the midst of an overpoweringly vast black population. in the west and in america, the situation is reversed and the negroes constitute a minority, greatly outnumbered by the white people. in africa the negro is virile and militant; in america and the west indies he has been somewhat emasculated and psychologically defeated by years of forced labour and slavery. slavery exists also in africa, but it has been of a different kind and h

ca is so to train the negroes that they will be fitted for true self-government. they must be helped to take over their own destiny; they must be given a sense of trained responsibility; they must be taught to realize that africa can belong to its own people and at the same time be a cooperating partner in world enterprise. this can only happen when the antagonism between the white people and the black races is ended; between the two of them goodwill must be demonstrated. right human relations must be firmly established between the emerging negro empire and the rest of the world; the new ideals and the new world trends must be fostered in the receptive negro consciousness and in this way "darkest africa" will become a radiant centre of light, ready for self-government and expressing true f

ds of its own people. at the same time, a sane patience should lead the african peoples to concentrate on educational processes, and agricultural and economic developments- 63- problems of humanity copyright 1998 lucis trust the destiny of this great land will clarify itself and africa will take its place as a great centre of cultural light, shining within a civilized land. unless both races, the black and the white, approach the problem of their relationship with sanity, with long range vision, with patience and without hatred or fear, the cultural history of our planet will be retarded for many years. the hitherto unused and unorganized power of the countless millions of africa is something that the white race should carefully consider. they can place the negro peoples as rapidly as poss

ALICE A BAILEY15 THE DESTINY OF THE NATIONS

present stress and strain is due to the fact that so many millions of people are beginning to think. this means that the ancient simplicity which has held good up to five hundred years ago is no longer controlling and the situation is much more complex. in ancient days the forces were largely controlled by the lords of materiality (those whom the ignorant and the prejudiced esotericist call "the black forces; the forces of spirituality plus the thought of a handful of advanced men in the different nations were not so potent as they are today. the situation was then relatively simple. it was part of the evolutionary plan that matter and substance should temporarily control and that spirit should learn to "mount on the shoulders of matter" as the ancient wisdom puts it. now, however, owing

he material side of life and in whom (for this major cycle) the love aspect of the soul remains totally undeveloped, whereas the mind nature is potently expressing itself. if you will study what i have earlier given anent certain of the higher and lower expressions of the rays you will see how these two fields of endeavour that of the hierarchy, animated by love and that of the opposite pole, the black lodge, working entirely through mind and substance are engaged and their close relationship will emerge. you will realise then that the margin of difference is very slight and is to be found solely in intention, in the underlying purpose and the concrete objectives which this group of material workers have set themselves. the major instrument of the black lodge is the organising power of the

can express itself is the work of the white magician; all that serves to thin or tear away the veil between the worlds wherein those who have no physical bodies live and move and work and the worlds of outer form is the work of the white magician. of all this type of work there is always much, but never more so than at this time owing to the coming into manifestation of this ray of the magician (black and white, the seventh ray. hence the rapid growth of the sense of omnipresence and the recognition of the non-existence of time in relation to reality. this has taken place through the discovery and use of the radio and of the many means of communication and through the steady growth of telepathic interplay; hence also the spread of education, enlarging man's horizon and opening up to him n

eafter will be revealed. but it is in- 23- the destiny of the nations copyright 1998 lucis trust connection with spiritualism that i can best illustrate the lower expression of the incoming seventh ray influences. the work of the seventh ray is, as you know, the relating of life and of form, but when the emphasis is laid upon the form aspect then the wrong procedure eventuates and the work of the black magician can begin, and his objectives come unduly into play. this is what has happened in the spiritualistic movement; its investigators are occupied with the form side of life and its adherents with the satisfaction of their emotional desires (again related to the form side) so that the true import of the movement is in danger of being lost. spiritualism, in its lowest and material aspect

order and a community of interests. because of this and because of the enforced work, some forces are present and active in russia which need most careful handling by the spiritual hierarchy of our planet. these forces working in russia are concerned with the magic of form whereas pure white magic is concerned only with the soul or with the subjective aspect, as it conditions the objective. the "black forces" so called, are nowhere rampant in russia any more than in other parts of the world, but the russian reaction and attitude to enforced rule and order has in it more of the magical seventh ray influence than is the case in other countries; germany also enforced a standardised order and way of living but this was definitely submitted to the control of the black forces. you will note tha

ALICE A BAILEY16 GLAMOUR A WORLD PROBLEM

on the threshold. they all stand for the same general concept or some differentiation of that concept. speaking generally, the interpretations have been as follows, and they are only partial interpretations, and are almost in the nature of distortions of the real truth, owing to the limitations of the human consciousness. glamour has oft been regarded as a curious attempt of what are called the "black forces" to deceive and hoodwink well-meaning aspirants. many fine people are almost flattered when they are "up against" some aspect of glamour, feeling that their demonstration of discipline has been so good that the black forces are interested sufficiently to attempt to hinder their fine work by submerging them in clouds of glamour. nothing could be further from the truth. that idea is its

d and brings about the gratification of his desires and the achievement of his goals. he kills out all emotional reactions and goes a long way towards dissipating glamour. he develops the ability to draw on the light of matter itself (physical matter and mental substance) and thus he generates a false light from which soul light is rigorously excluded. it is this power which eventually produces a black magician. he has developed the capacity to draw upon the light energy of matter itself and to focus it so powerfully and effectively that it becomes a great destructive force. it is this which has given hitler and the six evil men associated with him their power to destroy upon the material plane. but, in the case of the aspirant, the power to meditate upon spiritual reality and to contact t

ALICE A BAILEY17 TELEPATHY AND THE ETHERIC VEHICLE

hich is formulated in terms of individual belief, prejudice, dogmatism or ideas. i would ask you to study the above few words most carefully. the moment that there is the least tendency on the part of a group, or of an individual in a group, to force an issue, to bring so much mental pressure to bear that an individual or group is helpless under the impact of other minds, you have what is called "black magic" right motive may protect the group from any serious results to themselves, but the effect upon their victim will be definitely serious, rendering him negative, and with a weakened will. the result of all true telepathic work and rightly directed effort to "impress" a subject will be to leave him with a strengthened will to right action, an intensified interior light, an astral body fr

and useless as it may appear, the table at which you write, the flower you hold in your hand, the horse on which you ride, the man to whom you talk, are sharing with you the vast circulatory life of the planet as it streams into, through and out of every aspect of the form nature. the only differences which exist are those in consciousness, and peculiarly so in the consciousness of man and of the black lodge. there is only the one life, pouring through the mass of forms which, in their sum total, constitute our planet as we know it- 84- telepathy and the etheric vehicle copyright 1998 lucis trust all forms are related, inter-related and interdependent; the planetary etheric body holds them together so that a cohesive, coherent, expressive whole is presented to the eye of man, or one great

ALICE A BAILEY18 A TREATISE ON THE SEVEN RAYS VOLUME III ESOTERIC ASTROLOGY

the probationary path, seeking the light, struggling through the signs (as the old commentary expresses it when considering this point- 37- a treatise on the seven rays- volume iii: esoteric astrology copyright 1998 lucis trust "he turns from right to left, and then again from left to right. he revolves in giddy fashion upon an axis of desire. he knows not where to go or what to do. the sky turns black" at this point, the sign gemini begins potently to play its part in the life of the disciples, with sagittarius gradually "piercing the heart with his arrows, and then upon the flight of the arrow, the man reaches capricorn" then comes the crisis of renunciation. 3. from the standpoint of the pledged disciple and initiate who traverses again the path of the sun and finds that that which he h

rs connected with the hierarchy, charts are kept of those members of the human family who have achieved adeptship and upwards. they are composed of superimposed squares, stars and triangles, contained within the zodiacal wheel and mounted upon the symbol of the cardinal cross. the squares, having each of their four angles and points in one or other of four zodiacal constellations, are depicted in black; the five-pointed star is depicted yellow or golden colour and its five points are in contact with five of the constellations on the great wheel; the triangles are in blue and have, above each point of the triangle, an esoteric symbol, standing for the constellations of the great bear, sirius and the pleiades. these symbols may not here be revealed but indicate the point of spiritual conscio

ose of that will as it stands behind all world events is needed now as never before. this can come through a closer relation between the hierarchy and humanity. 2. humanity and its karma, for it is equally essential that the laws for the transmutation of karma into active present good are clearly grasped. 3. humanity and cosmic evil, focussed for many millenia of years in what has been called the black lodge. speculation anent this lodge and its activities is both fruitless and dangerous. the latter fact is responsible for the widespread attack made upon masonry during this century. masonry inadequate and corrupt as it has been and guilty of over-emphasising certain forms of symbols is nevertheless a germ or seed of future hierarchical effort when that effort is at some later date external

bing and stepping-down process to which the hierarchy subjects it. i have referred to this direct contact elsewhere; it can be more direct and complete when there is greater safety brought about by a more understanding human approach. one of the causes lying behind world war ii is to be found in a premature contact a contact made by certain selfish minds of a relatively high quality, aided by the black lodge. to offset this and eventually bring about the elimination of the influence of the dark forces from our planet must come the active, conscious use of the shamballa force by the white lodge, aided by the men and women whose will-to-good is strong enough to safeguard them from personal peril in their work and from being deflected on to wrong and dangerous lines. this aid necessitates a c

from their physical course. the calculations of the best astrologers would fail, or at any rate remain imperfect, unless this dual action is thoroughly taken into consideration and mastered upon these lines. this mastery can be achieved only through initiation (s.d. i. 703) 19. modern astrologers do not give the correspondences of the days and planets and colours correctly. 20. there is white and black astrology. the good or bad results obtained do not depend upon the principles which are the same in both kinds, but upon the astrologer himself (s.d. iii. 339) note: s.d. i, section xvi and s.d. iii, section xxxviii deal with the zodiac, with biblical references to the zodiac and with astrology and the mysteries of initiation- 372- a treatise on the seven rays- volume iii: esoteric astrology

ALICE A BAILEY19 THE UNFINISHED AUTOBIOGRAPHY

small, i can scarcely wonder skinny, scared and startled looking. i have no recollection of my mother for she died at the age of 29, when i was only six years old. i do remember her beautiful golden hair and her gentleness, but that is all. i also remember her funeral at torquay, devonshire, because my major reaction to that event was summed up in my words to my cousin, mary barttelot "see, long black stockings and 'spenders" the first i had ever had. i had been promoted from the sock stage. clothes always matter, apparently, no matter what the age or the circumstance! i used to own a very large miniature case in silver which my father was in the habit of carrying everywhere with him and in it was the only portrait i ever had of my mother. in 1928, after carting it all over the world with

s, as who did not? i loved her for her beauty, for her mental strength, for her knowledge of the bible, for her understanding of humanity and also for her rippling sense of humour. i loved her most, i believe, because i discovered that she really loved me. i shared her bedroom in the funny little house in which we lived, and i can this minute see her lying asleep in the early morning light with a black stocking tied over her eyes to keep the light out. she was so much bigger and broader in her views than were her workers. i can remember her twinkling at them and saying nothing. we all worked so hard to save souls- 35- the unfinished autobiography copyright 1998 lucis trust and she looked on and wished us success and often said the word that was needed; but i do know that often she looked o

t negro lawyer said to me once "most of us are children, particularly in the south, and need loving and developing like children" a few years ago in london i had a letter from a scientist, a dr. just, asking me if i would grant him an interview as he had read some things i had written and wished to talk to me. i invited him to lunch at my club and when he arrived i found he was a negro and a very black negro at that. he was a charming and interesting gentleman and was on his way back to washington after lecturing at berlin university. he was one of the leading biologists of the world. my husband and i took him down to our house in tunbridge wells for a couple of nights and we greatly enjoyed his visit. one of my daughters asked him if he was married. i well remember his turning to her and

tiful to look at than the view from ronco looking up and down the lake. it is useless for me to write about it for i have not got the words, but the beauty of it none of us will ever forget. such are the things one pictures to oneself in moments of fatigue and disillusionment, and yet behind all this beauty were corruption and very ancient evil. the district had been at one time the centre of the black mass in central europe and evidences of this could be found on the country roads. the little villages around had been largely deserted by their inhabitants owing to economic conditions and had been purchased by groups from germany and france whose aims and ideas were anything but nice or clean. the few years preceding the war, particularly in germany, were peculiarly nasty. all kinds of vice

ALICE A BAILEY20 A TREATISE ON THE SEVEN RAYS VOLUME IV ESOTERIC HEALING

nsanities. m ysticism. harmony. dogmatism. fifth ray. throat lower psychism. wrong metabolism. creativity knowledge. certain cancers. sensitivity. inspiration sixth ray. s olar plexus emotionalism. nervous diseases. a spiration. devotion. gastritis right direction. liver trouble. seventh ray. b ase of the self-interest. h eart diseases. white magic. organisation. s pine pure selfishness. t umors. black magic. please remember in studying this tabulation that it is a generalisation, and only a partial listing of the types of disease which can be the result of the inflow of energy. it is only intended to be suggestive; the complexity of the human equipment and the intricacy of the ray energies are such that no hard and fast rules can be laid down. the ray forces manifest differently, accordin

ces. their effects had to be brought about through the- 137- a treatise on the seven rays- volume iv: esoteric healing copyright 1998 lucis trust medium of the sacral centre, and thus a most vicious situation came about which weakened the stamina of the human body, which greatly increased the demands of the sex nature through the stimulation of the sacral centre, artificially brought about by the black lodge, and which produced many unholy alliances and widespread evil relations. a great new law of nature was then imposed by the planetary logos which has been expressed (very inadequately) by the words "the soul that sinneth, it shall die" this law could be better expressed by saying "he that misuses that which he hath built will see it fall from forces within itself" as the centuries slipp

people discover themselves upon the astral plane, clothed in a shell of astral matter and committed to a period of elimination within the illusory area of the astral plane. as i have earlier told you, the astral plane has no factual existence, but is an illusory creation of the human family. from now on, however (through the defeat of the forces of evil and the disastrous setback suffered by the black lodge, the astral plane will slowly become a dying creation, and in the final period of human history (in the seventh rootrace, it will become nonexistent. today this is not the case. the sentient substance which constitutes the astral plane is still being gathered into forms of illusion and still forms a barrier in the path of the soul seeking liberation. it still "holds prisoner" the many

is surrounded. this is something totally different to the evil with which i have been dealing, and it will not last, because russia will learn; these others do not learn. i have used the above illustration so as to make my theme somewhat clearer. the whole problem of evil is, however, too vast to contemplate here, nor is it advisable or wise to discuss the source of evil (not of imperfection, the black lodge. energy follows thought, and the spoken word can be potently evocative: therefore, until one is a member of the great white lodge, it is the part of wisdom to avoid consideration of forces potent enough intelligently to use the latent imperfection in humanity and to impose the vast evil of war, with all its results and far-reaching effects, upon humanity. the black lodge is the problem

he techniques i shall have to give in the form of seven ancient symbolic statements or formulas, gathered out of the book of rules for initiated disciples. i dare not yet give the simple physical application of these ray techniques, as it would be too dangerous. when rightly used and understood they carry terrific force and in the wrong hands could work real damage. may i remind you here that the black lodge initiates likewise heal or produce death and disease, and employ very similar techniques; the difference lies in the fact that they can work only with the personality rays of both healer and patient, and because they are more potent on the physical plane than are the members of the great white lodge, their work is frequently most effective. the spiritual healer, working with the energi

ALICE A BAILEY21 EDUCATION IN THE NEW AGE

may be energies which, for him, would be evil were he to work with them, and these must be distinguished and discarded; there are others which he must learn to use, for they would prove beneficial and would increase his knowledge, and should therefore be regarded as good. bear in mind, however, that energies per se are neither bad nor good. the great white lodge, our spiritual hierarchy, and the black lodge employ the same universal energies but with different motives and objectives; both groups are groups of trained esotericists. the esotericist in training has, therefore: 1. to become aware of the nature of the forces which constitute his personality equipment and which he himself magnetically brought into expression in the three worlds. they form a combination of active forces; he must

ALICE A BAILEY22 DISCIPLESHIP IN THE NEW AGE VOLUME II

greatest good. ponder on this. i have given you much in this instruction. i seek to make my ashram useful at this time of crisis. we have had a great crisis of materialism and the powers of darkness have very nearly assumed control. but we are seeing the slow domination of the good. humanity has been the battleground for a major conflict between the two great lodges the great white lodge and the black lodge. the former is now gradually gaining control. the withdrawal (quite imminent in time, my brothers) of the evil group will leave humanity relieved but bewildered, beaten to the ground, but with enough strength to rise to greater heights- 29- discipleship in the new age- volume ii copyright 1998 lucis trust than ever before. for this withdrawal i ask you to prepare with intelligence, wis

ly, repudiated) than at any other time in human history. men have attained the point in evolution where they are able to know the truth if and when presented, because the concrete human mind is now more highly responsive to abstract truth, and therefore to the next evolutionary presentation. it is this which the totalitarian powers, the unconscious (and i mean that, brother of mine) agents of the black lodge are fighting; they will not win; in the long run they cannot, for the human spirit is eternally sound and sane. i would have you consider these suggestions with care and thus prepare yourselves for an elucidation of the spiritual laws and principles, as themes for meditation. i herein present to you six themes for group meditation; this is essentially your next consideration if the "un

formula with which i present you today consists of three closely related words, and the theme with which the student must concern himself is the nature of the relationship which is indicated not by the words but by the very nature of that which relates them. this is not an obvious relation but the esoteric and subtle meaning which the intuition will reveal and that the outer words hide. the sun. black. antahkarana these words constitute, and when placed in their correct order create, a most potent magical and mantric formula. it has a tenuous yet definite connection with the third initiation, but it is not this angle with which you are asked to concern yourselves but with the triangle created and the lines of force set in motion when the right word finds itself at the apex of the triangle

dual attack upon an ashram. the relatively feeble efforts of a person are unavailing and make no real impact upon the conscious life of the ashram. the evil released must emanate from a group, though it is released through the agency of an individual disciple. that is a totally different matter. a disciple may do this through misuse of the lower mind and its rationalising capacity, which can make black to appear white and prove that good intention is responsible for evil-distributed energy; or the disciple can let in evil under the influence of glamour, provided again that it is group evil. in these ways, the disciple simply turns the key, and group evil enters. for instance, the harm done to the ashram of the master morya by h.p.b. in his earlier incarnation as cagliostro*(17) is only now

ration and trained techniques. d. he is slowly being integrated into the very heart of humanity; this puts him in touch with the heart of the hierarchy and through the hierarchy energies from the heart of the sun can reach him. 5. he indicates a growing sensitivity to all that is spiritually esoteric (forget not that there is an esotericism which is not spiritual, but which is strictly related to black magic; his inner hearing and his eye of vision are rapidly being brought into an occult focus- 265- discipleship in the new age- volume ii copyright 1998 lucis trust these are simply some of the capacities unfolded by the individual aspirant and if you study them with care you will realise that they are of fundamental importance. it is the fusion of all these capacities in group work which e

ALICE A BAILEY23 THE EXTERNALISATION OF THE HIERARCHY

jor task it is to work solely in the world of illusion and with astral matter. this department came into being in atlantean days when the great controversy took place between those who embodied the consciousness or soul aspect of deity and those who were similarly representative of the matter aspect of deity. symbolically speaking, the left-hand and the right-hand paths came into being; white and black magic were brought into conflict with each other and the pairs of opposites (always existent in manifestation) became active factors in the consciousness of advanced humanity. the battle of discrimination was opened, and humanity became active upon the field of kurukshetra. where there is no conscious response to a condition and no registered awareness, there is no problem of responsibility

superficial movements. this awakening goes on apace and, my brothers, satisfactorily. the form or forms may suffer but the intrinsic awareness of man is becoming, during this century, expressively divine. the two other forces which tend to increase the already prevalent tension in the world are: 4. the forces of materialism, streaming out into the three worlds from the so-called "dark forces" or black lodge, and from those groups of lives and workers which are the antithesis of the great white lodge. 5. the force emanating from that section of humanity which is found in every part of the world and which we call the jewish people. what i say here has no specific reference to any individual; i am considering the world problem, centering around the jews as a whole. these two forces greatly c

ld be remembered that they also produce that balancing which is ever needed for the production of right conditions. there is little that i can tell you about the dark forces. they are not the problems of humanity but that of the hierarchy. the task of these forces is the preservation of the form life and the working out of methods and aims which are inherent in the processes of manifestation. the black lodge, so-called, is occupied with the form aspect of manifestation; the white lodge, with the consciousness aspect. it might, therefore, be stated that: 1. shamballa is occupied with the life aspect in its graded impulses. 2. the hierarchy is occupied with the consciousness aspect in its graded series of expansions. 3. the black lodge is occupied with the matter aspect in its multiplicity o

erify what i say or to check the accuracy of my statements. the point which is, however, of major importance is for you to arrive at a clear understanding of what is at stake and a just appreciation of the values involved and also a correct grasp of the ideals animating the two groups of opponents. in atlantean days, it was stated that the battle was between the forces of darkness (the so-called "black lodge of adepts) and the forces of light (the so-called great white lodge, the hierarchy of masters. that was then approximately true, for the conflict was between two small groups and the masses of the people were simply the blind and miserable victims of the fight and of the situation. today, it is not possible to make such a clear distinction between the forces engaged, nor is it properly

of masters. that was then approximately true, for the conflict was between two small groups and the masses of the people were simply the blind and miserable victims of the fight and of the situation. today, it is not possible to make such a clear distinction between the forces engaged, nor is it properly admissible. no nation or group of nations can be classed in a broad generalisation as either black or white. bear this in mind. only those with no vision and an intolerant and prejudiced spirit will speak thus. all nations have within them those who belong in their thousands to the category of those who are swayed by the forces of light and who, therefore, respond normally and easily to the concept of goodwill, to the desire for right relationship between all men and to the ideal of true

ALICE A BAILEY24 A TREATISE ON THE SEVEN RAYS VOLUME V THE RAYS AND THE INITIATIONS

c law and its consequences, as they work out upon the physical plane, has produced and is producing all the changes of which mankind is so terribly aware at this time. this swings into immediate conflict the past and the future, and in this statement i have expressed the deepest esoteric truth which mankind is competent to grasp; it brings into a culminating struggle the great white lodge and the black lodge and opens the door to great contending energies which we can call spirit and matter, spirituality and materialism, or life and death. these words are, in the last analysis, as meaningless as the terms good and evil, which have significance only in the human consciousness and its inherent limitations. these descending energies, as they pass through any of the major levels of consciousne

or beyond the third. here the initiate has reached the point where he grasps the significant fact that the way into the innermost centre is most securely guarded; no one can pass onward and take those more advanced steps which admit into the higher worlds of being and of unparalleled potency until he has demonstrated within the framework of his own life a definite control of energy (and this the black adept also possesses, purity of motive (which the black adept can likewise have, if by purity of motive you mean single-hearted and one-pointed intent, deep love of humanity (which the black adept never has, selflessness, willingness to follow the light wherever it may lead, ability to begin work within the larger framework the moment such an attempt becomes possible, clear vision and spirit

glamour cannot reach him. this individual security of his is only reached between the time of taking the second initiation and the third. prior to that, he is still regarded as a potential hazard and as unstable. after that, he may suffer from illusion, but there is then no fear of his permanently turning back and reaching the left-hand path and so perhaps, in rare cases, finding his way into the black lodge. the major liability of the average initiate is sloth or lack of speed. ponder on that. i would have you grasp clearly the highly condensed presentation i have given you. some of it you know already but it is the synthetic presentation which i would have you appreciate and appropriate. we can then take up the work to be done within the individual framework by the initiate; i will endea

by men who were as yet without any spiritual vision of any kind; they were purely material in their instinctive reactions (and rightly so at that particular time, and these reactions attracted the attention of certain purely evil energies or beings. these beings availed themselves of the situation in order to satisfy their desire for power again a distortion of the will or first aspect. thus the black lodge was founded. it fed upon human desire and resembled a vast overshadowing vampire. it vitiated human living and increased the growth of desire far beyond normal expectancy or hierarchical planning, thus creating false goals and standards, building a barrier between the lowest planetary centre, humanity, and the "middle point" or centre, the hierarchy. it will be apparent, therefore, tha

and this in two aspects: a. the life aspect, as it bestows being. b. the life aspect, as it preserves form. 3. the steady impact of the attractive power of the soul, implemented by the hierarchy and- 121- a treatise on the seven rays- volume v: the rays and the initiations copyright 1998 lucis trust increasing in potency as time elapses. 4. the impelling power of material desire, focussed in the black lodge, both feeding human desire and drawing a form of life from the massed desire of humanity. 5. human development along astral lines, expressing itself as certain well-defined energies or force directions: a. material desire for possessions. b. desire for that which is owned by others. to this the commandment "thou shalt not steal" has reference. c. personality aims and ambitions; these c

ALICE BAILEY THE LABOURS OF HERCULES

y horses, and the "princely sign of the ram" is closely connected with the horse symbology, a fact to which this first labor bears witness. reference to books on symbology will show us that the horse [35] stands for intellectual activity. the white horse symbolizes the illumined mind of the spiritual man, and so we find in the book of revelations that christ comes forth riding upon a white horse. black horses represent the lower mind, with its false ideas and erring human concepts. the brood mares, such as we meet in this first labor, indicate the feminine aspect of the mind as it gives birth to ideas, to theories and to concepts. the thought-form making tendency of the mind is here symbolized, embodying the ideas conceived, and which are let loose upon the world, devastating and destroyin

olic representation of the soul directing the ungainly body. this relationship in which each aspect achieves due importance is characteristic of the more highly organized libran. thus is the principle of balance observed. the libran goes about weighing and balancing all things. this attitude frequently makes him appear hesitant and indecisive. knowing that there are innumerable gradations between black and white, he is seldom inclined to be an extremist. he knows that those who are regarded as pillars of society may be pharisees, and the unostentatious and humble, the salt of the earth; that those who protest their excellence most vehemently may be the least meritorious; that the worldly wise may act like fools, and fools may stumble upon treasures; that the judgments of the world may be r

overned our activities until now have simply come to an end and we wonder how we could possibly have thought as we did. that line of thought has died. it is valuable to get the big picture and learn to interpret it in the various aspects of the personality. scorpio, the sign of magic magic does not mean doing curious things: true magic is the expression of the soul through the medium of the form. black magic is the use of form in order to gain what we want for the form. black magic is unadulterated selfishness. white magic is use of the soul for purposes of human uplift, utilizing the personality. why is scorpio the sign of magic? an ancient book says "virgo is the witch, she prepares the ingredients which are weighed in the balances in libra, and in scorpio the magical work is carried for

ls of those departed flitted by. when hercules perceived medusa, her hair entwined with hissing snakes, he seized his sword, and thrust at her, but struck naught save empty air. through labyrinthine paths he threaded his way until he came to the court of the king who ruled the underworld, hades. the latter, grim and stern, with threatening- 98- the labours of hercules mien, sat stiffly on his jet black throne as hercules approached "what seek you, a living mortal, in my realms" hades demanded. hercules said "i seek to free prometheus [171 "the path is guarded by the monster cerberus, a dog with three great heads, each of which has serpents coiled about it" hades replied "if you can conquer him with your bare hands, a feat no one has yet performed, you may unbind the suffering prometheus" s

ANALYSIS OF THE 5 6 INITIATION

the candidate, without his awareness passes through several stages. at one moment the light shineth within the darkness, then the lower will takes over and the light fadeth away. 3. the candidate learns that his mind is his enemy or ally and that unless surrender unto the divine is made, the whole of the twenty-one hours will be torturous. 4. the candidate can identify with osiris. 5. the womb is black, and it leads the candidate into an upward birth. this differs from regular physical birth which is descent downward into hycu. the candidate is then blindfolded after twenty-one hours in the womb and brought out into a special chamber for cleansing and purification. now the candidate is prepared not merely to walk through a skit, but to undergo complete initiation into our sanctioned and sa

a greek goddess of justice. she is titan like, thus she fits better than maat. anubis now challenges the aspirant who exalteth his ego and lower self with proclamations. the aspirant is seeking the kingdom of heaven by horus and force. horus, the chief guardian of the sacred tomb will not allow him to enter the tomb. the sword and the serpent are presented unto the aspirant who is now clothed in black to show his uninitiated state and the darkness in which he lives and dies. his hands are bound which symbolizing that only one of the pillars is free, the trunk of his body, the middle pillar. the serpent and the flaming sword represent wisdom and strength. the slow and subtle movement of the serpent and the rush of the lightening flash portray opposites in harmony and wisdom. this is the co

r is an invocation unto the higher. 6 the hands of the aspirant are then unbound and the lesson of humility is again reinforced deeper; once in the twenty-one hours of darkness and now. the chains are placed around tud, the neck region. this is a scolding of death, for it will be remembered that tud prevents the lower will from uniting with the higher will. the aspirant the candidate hangs on the black cross of suffering. although black is symbolic of evil, in this instance, it is also the charging or flashing color of white. as the candidate hangs upon the cross the arrow of i within the aspirant is formulated upward into trapt. all has been done to bring the aspirant to a state of equilibrium (see the 14th key in the portal initiation. the three, the seven, and the twelve are bound as on

ANTINOMIANISM

vee's (a.k.a. anton szandor lavey "satanic bible" ritual is also utilized using those same elements. the difference lies within the intention of the participants. therefore, the technology itself does not distinguish one methodology from the other, rather the perceptions and cognitive structures of how these technologies may be utilized are the essential determinants. whether a candle is white or black doesn't mean squat in and of itself. however, how the symbolism of the colored candle is perceived within consciousness and then manifest as a psychological component within oneself and their environment means everything. therefore, initiation itself is largely a psychological process. understanding the above statement, everything that initiatory systems have promised can be within the indiv

APOCALYPSE MOSES

hall this mean? 3 and will he one day be delivered into the hands of the invisible father, even our god? 4 but who are the two negroes who stand by at the prayers for thy father adam' chapter 36. 1 and seth telleth his mother, that they are the sun and moon and themselves fall down and pray on behalf of my father adam. 2 eve saith to him 'and where is their light and why have they taken on such a black appearance' 3 and seth answereth her 'the light hath not left them, but they cannot shine before the light of the universe, the father of light; and on this account their light hath been hidden from them. chapter 37. 1 now while seth was saying this to his mother, lo, an angel blew the trumpet, and there stood up all the angels (and they were) lying on their faces, and they cried aloud in an

ARADIA GOSPEL OF THE WITCHES

sts of making certain signs and crosses over a few drops of oil and the head of the oneblessed, accompanied by a short incantation. i have had the ceremony seriously commended orprescribed to me as a means of keeping in good health and prosperity.chapter viii. 17 kreussler, sorbenwendische altherthmer, pt. 1. p. 272.chapter ix. 18 according to all evil witchcraft in the world especially among the black voodoos any individual can be injured or killed if the magician can obtain any portion of the person, howeversmall, especially a lock of hair. this is specially described in thiodolf the islander, a romance by lamotte fouqu. the exchange of locks by lovers is possibly connected with magic. 19 marroni d india. a strong charm against evil, hence frequently carried against rheumatism &c.the thr

ld have recourse to the beautiful tana, and so doing there will be success.this legend, while agreeing in many details with the classical myth, is strangely intermingled withpractices of witchcraft, but even these, if investigated, would all prove to be as ancient as the rest ofthe text. thus the sheeps intestine used instead of the red woollen bag which is employed inbeneficent magic the red and black ribbon, which mingles threads of joy and woe the (pea-cocks) feather or la penna maligna pepper and salt, occur in many other incantations, but alwaysto bring evil and cause suffering. 20 i have never seen it observed, but it is true, that keats in his exquisite poem of endymioncomplete-ly departs from or ignores the whole spirit and meaning of the ancient myth, while in this rude witch-song

eappearance of t ana, whom he loved, so that he was delighted to behold her, as he thought, andwelcomed her with passionate embraces. yet this gave him into her power, for it enabled her to per-form a certain magic spell by clipping a lock of his hair. 18 then she went home, and taking a piece of sheeps intestine, formed of it a purse, and in this sheput that which she had taken, with a red and a black ribbon bound together, with a feather, and pep-per and salt, and then sang a song. these were the words, a song of witchcraft of the very old time.scongiurazione.ho formato questo sachetto a endamone,e la mia vendetta per lamore,chio ti portavo, e non ero corrisposta,una altra tu lamavi:la bella dea t ana tu amavi,e tu non lavrai: di passioneti struggerai, volonta di fare,di fare al amore tu

io piacimento,come a me piacera.quando mi saro divertitoa mi piacere dir.per violere della fata diana,e di sua figlia aradia,t orna una caninacome tu eri prima! page 28 as the orange was the fruit of the sun, so is the lemon suggestive of the moon or diana, its colourbeing of the lighter yellow. however, the lemon specially chosen for the charm is always a greenone, because it sets hard and turns black. it is not generally known that orange and lemon peel,subjected to pressure and combined with an adhesive may be made into a hard substance whichcan be moulded or used for many purposes. i have devoted a chapter to this in an as yet unpub-lished work entitled one hundred minor arts. this was suggested to me by the hardened lemongiven to me for a charm by a witch. page 27 n r r r r r se quest

pre ti tormenter.the invocation to diana.goddess diana, i do conjure theeand with uplifted voice to thee i call,that thou shalt never have content or peaceuntil thou comest to give me all thy aid.therefore to-morrow at the stroke of noonill wait for thee, bearing a cup of wine,therewith a lens or a small burning-glass. 13 and thirteen pins lput into the charm;those which i put shall all indeed be black,but thou, diana, thou wilt place them all!and thou shalt call for me the fiends from hell;thoult send them as companions of the sun,and all the fire infernal of itselfthose fiends shall bring, and bring with it the powerunto the sun to make this (red) wine boil, 14 so that these pins by heat may be red-hot;and with them i do fill the lemon here,that unto her or him to who tis givenpeace and

ARTHUR E WAITE TEMPLAR ORDERS IN FREEMASONRY

igation to do all in his power for the glorious restoration of the order; to succour his brethren in their need; to visit the poor, the sick and the imprisoned; to love his king and his religion; to maintain the state; to be ever ready in his heart for all sacrifice in the cause of the faith of christ, for the good of his church and its faithful. the pledge is taken on the knees, facing a tomb of black marble which represents that of molay, the last grand master and martyr-in-chief of the order. thereafter the inward meaning of the three craft degrees is explained to the candidate. that of apprentice recalls the earliest of christian chivalries, being the canons or knights of the holy sepulchre, who for long had no distinctive clothing and hence the divested state of the masonic postulant

BALANONES TEMPLE OF SET FAQ

an spare, the previously unseen spirit world has become tangible and palpable, more reachable and more real. powerful stuff indeed. john balaohbalanone's temple of set faq contents: 1.0 introduction 2.0 philosophy 2.1 xeper 2.2 initiation 2.3 satanism 2.4 left hand path 2.5 metaphysics 2.6 dogma vs doctrine 3.0 religion 3.1 the temple of set as a religion 3.2 set 3.3 the gift of set 4.0 magic 4.1 black magic 4.2 ritual practices 4.3 occult studies 5.0 the organization 5.1 membership in the temple 5.2 relations with other organizations 5.3 why the temple of set? 5.4 our reputation(s) 5.5 pylons and orders 5.6 the high priest 6.0 setians and setianism 6.1 activities 6.2 setians 6.3 why are we here? 6.4 miscellaneous 7.0 contact and information 7.1 formal and official contact 7.2 informal con

ost occult schools that would award degrees based on knowledge and memory feats. these members are free to work with our philosophies and to participate in our activities to the fullest. more members are in the second degree than any other level of initiation. we title this degree "adept" declaring them able to pursue any and all goals applicable to their personal growth- the third degree wears a black medallion. this is a member who not only has shown all of the qualities of an advanced second degree member, but who has also been chosen by set to serve in his priesthood. this member has demonstrated abilities in working with and representing set and the temple of set. we title this degree "priest" another way of putting this: the third degree setian has become resonate with the work of se

work (or at least conceive of) magic. etc. the gift of set is whatever happens to separate us (those with potential) from animals (those without quite as much potential, which is one of the grey areas that haven't been clarified very well (some of us not seeing very much difference between humans and "higher" animals. there is more discussion of the gift of set in the ref document> 4.0 magic 4.1 black magic what is black magic? how does the temple of set teach it? black magic is consciously-directed alteration of one's environment through obscure natural (lesser black magic) or non-natural (medial black magic) means, or apprehension of the forms/principles of the natural/non-natural universe (greater black magic. black magic inverts the formula of religion from "thy will be done" to "my w

ral/non-natural universe (greater black magic. black magic inverts the formula of religion from "thy will be done" to "my will be done" the temple of set teaches both theory and practice of lbm/mbm/gbm, along with individual and social ethical considerations to which the initiate must be sensitive in order to use such magical knowledge creatively, constructively, and responsibly [descriptions of "black magic" as involving human or animal sacrifice, rape, or other illegal or reprehensible practices are merely judaeo/christian propaganda, and have no basis in truth whatever] 4.2 ritual practices setian ritual practice is generally not discussed in public forums. however, some specific questions seem to require answers- do you sacrifice animals (or children? no. see the ref document for a mor

BANISHING THE SLAVE GODS

eye chakra" thereby raising their energy and attention to a higher vibration, in essence. initiating them toward illumination. this is one of the secrets of initiating via shaktipat quickening of the energies now, for those of you who may have anticipated that this rite of attack/curse/blessing was going to be one of destruction. i offer no seeapology. this is a rite to cause change. it is only "black" in the sense that you are causing change to a weaker will whose objective is to enslave you to their particular borg god. love is the law, love under will. in illuminated iconoclasm, panoptebaphomantis luciferian\satanic mass (for 1-2 practitioners) if indoors, preperation of the temple: incense to be burnt (peferably hazel, chalice of strong wine, black candles (if using circle candles may

BAPHOMANTIS LUCIFERIAN SATANIC MASS

eir particular borg god. love is the law, love under will. in illuminated iconoclasm, panoptebaphomantis luciferian\satanic mass (for 1-2 practitioners) if indoors, preperation of the temple: incense to be burnt (peferably hazel, chalice of strong wine, black candles (if using circle candles may be color coded represenitive of the 4 elements, wafer\bread on the altar two candles, one on the left (black, one on right (white. the paten/with host on it(host can be made of bread or flour, or cracker. to the left place the chailice full of wine(or other spirit, to the right place the daggar (knife,sword (pitcher of water, bowl and aspergian optional) hold mass on the night of perferably a new moon (or on any satanic holiday. dress all in black, or black robe and be barefoot. begin by walking ar

to brake the chains of bondage and kindle the fires of freedom. yes, you have gained many followers and sheep of your fold but now the tide is turning and your flock is learning the truth. in the name of lucifer, the daemons and legions. i condemn thee to the abyss and free the souls of all you have taken. this host is your filth that only your sheep will eat! take the wafer and burn in a special black candle and say "i take your worthless host and turn it into toast" after take up the chalice, with it in your hand, construct in the air, an inverted pentagram,while saying: veni, omnipotens aeternae diabolus! each drink from chalice and then say: so let there be ecstasy and darkness,and let there be chaos and laughter, let there be sacrifice and strife, but above all let us enjoy the gifts

BASIL VALENTINE TWELVE KEYS

e chief key of the whole art, howbeit set in the lowest and meanest place. although by its swift flight it has risen to the loftiest height, far above all other luminaries, its feathers must be clipped, and itself twelve keys of basil valentine 60 of 95 brought down to the lowest place, from whence it may once more be raised by putrefaction, and the quickening caused by putrefaction, by which the black is changed to white, and the white to red, until the glorious colour of the triumphant king has been attained. therefore, i say that though saturn may seem the vilest thing in the world, yet it has such power and effficacy that if its precious essence, which is excessively cold, be reduced to a metallic body by being deprived of its volatility, it becomes as corporeal as, but far more fixed

m unintelligible to many, and it certainly does make an extraordinary demand upon the mental faculties; but that must be so because the substance is within the reach of everyone, and there is no other way of keeping up the divinely ordained difference between rich and poor. in the preparation of saturn there appears a great variety of different colours; and you must expect to observe successively black, grey, white, yellow, red, and all the different intermediate shades. in the same way, the matter of all the sages passes through the several varieties of colour, and may be said to change twelve keys of basil valentine 61 of 95 its appearance as often as a new gate of entrance is opened to the fire. the king shares his royal dignity with noble venus, and appears in splendid state, surrounde

as often as a new gate of entrance is opened to the fire. the king shares his royal dignity with noble venus, and appears in splendid state, surrounded by all the dignitaries of his court. before him is borne a beautiful crimson banner, in which there is an embroidered representation of charity in green garments. saturn is the prefect of the royal household, and in front of him astronomy bears a black standard, with a representation of faith in yellow and red garments. jupiter is the grand marshal, and is preceded by a banner of grey colour, borne by rhetoric, and adorned with a variegated representation of hope. mars is at the head of military affairs, and executes his office with a certain fiery ardour. geometry carries before him a crimson banner, on which you may behold courage in a c

by means of continuous warmth. thereupon augment and ferment it a third time, according to the teaching of my two last keys, and you will find the object and goal of your desire. the uses of the tincture are set forth plainly in my twelfth key. twelve keys of basil valentine 81 of 95 thanks be to god. as a parting kindness to you, i am constrained to add that the spirit may also be extracted from black saturn and benevolent jupiter. when it has been reduced to a sweet oil, we have a means of robbing the common liquid quicksilver of its vivacity, or rendering it firm and solid, as is also set forth in my book. postscript when you have thus obtained the material, the regimen of the fire is the only thing on which you need bestow much attention. this is the sum and the goal of our search. for

BEHOLDERS OF NIGHT

emerged in ancient cultures and times. the luciferic linage is traced back to the fallen angels of ancient lore, whom tasted from the shadow garden and the pleasures of both the spirit and flesh. that the watchers and fallen ones, led by azazel[1] lucifer, called later iblis, understood the immortality of the psyche is between the path of the not-seen, the shadow and darkness which cultivates the black flame itself. the witchcraft tradition was explored in essence by the practitioners of yatuk dinoih[2, or persian witchcraft of which emerged from the sorcerous shadow-god ahriman, the darkness which would create flesh. ahriman is a pitch-black representative of the hidden and the secret, from which the profane should not see. ahriman and its female counterpart, az[3, are the early fountainh

rms of the scorpion, which would destroy all of which we are to sacrifice the mind to the void of non-being. the left hand path is the strengthening of the mind, and the possibility of one becoming as a separate being, not in order with the natural universe, that he or she is uniquely different. this is the path of lucifer and lilith, those who stand within the dark wells and have illuminated the black flame of self-acknowledgement and the joys of the waking and dreaming worlds. the left hand path tests the individual, uniting the demonic with the angelic, and the balance between the two. it also frees one of the need for a spiritual father or mother, and to confirm responsibility and self-reliance by the individual themselves. that this is sometimes a lonely path is not a misstatement, bu

lhp as one in line with christian satanism or diabolism, which is an inaccurate view of the path itself. the lhp is the freedom from such restrictive thoughts as good or evil, or the moral right of the day. the individual must seek to transcend both, and that the image of evil or darkness, is the opposition essence of our selves, our secret essence or holy guardian angel/evil genius of being. the black flame[6] itself is the concept of the gift of seth, of lucifer. the black flame is the awakened consciousness or psyche of the individual, whom has torn down the right hand path concept of trust and dissolution in a tyrant father who demands faith. the black flame is the immortal essence of the self, the true will as which emerged from the fountains of the wells of darkness. the black flame

as torn down the right hand path concept of trust and dissolution in a tyrant father who demands faith. the black flame is the immortal essence of the self, the true will as which emerged from the fountains of the wells of darkness. the black flame is the light which brings the watchers close to us, that we may drink of their cups of ecstasies, the skulls and the secrets they contain therein. the black flame itself is illuminated through the work of the left hand path, through the development of ones own self-divinity, through our famulus and servitors, the guardians and angels of our temple, the arcana of self as revealed in essence. each individual is a model of lucifer, whom is the imagination, or self. that we must shadow forth the adversary to rebel against the natural order, to awake

flame itself is illuminated through the work of the left hand path, through the development of ones own self-divinity, through our famulus and servitors, the guardians and angels of our temple, the arcana of self as revealed in essence. each individual is a model of lucifer, whom is the imagination, or self. that we must shadow forth the adversary to rebel against the natural order, to awaken the black flame of self-knowledge. we are thus iblis, the children of the fire djinn whom shall taste from the skulls of the sleeping. ii) the adversary oh moon nourished haunters of dreams, who have tasted the souls blood of life, from the graves of corpse-sleep from which ye emerge, from the pools of blood beneath the fountains of red sea, that emerge from the dreaming sleep of azrail, move now thro

BELL CHRISTOPHER PAUL TSIU MARPO THE CAREER OF A TIBETAN PROTECTOR DEITY

opularly found in hinduism, jainism, and indian buddhism. 2. obstacle demons (tib. bdud; skt. m.ra: obstacle demons are openly malevolent spirits endowed with the nature of their namesake. they create obstacles, usually to prevent the successful completion of rituals or to prevent success on the path to enlightenment. they were opposed to the buddhist teachings in their past lives, are said to be black in color, and eat human flesh. the sanskrit word associated with them refers to the kind of behavior exhibited by the god m.ra, the personification of sa.s.ra, who attempted and ultimately failed to hinder the enlightenment of the historical buddha..kyamuni. 3. flesh-eating demons (tib. srin po; skt. r.k.asa: as with the obstacle demons, the most common attribute of flesh-eating demons is im

a "excellent" and the violence demoness dongmarma (gdong dmar ma "red-faced woman" the latter is the daughter of the might demon lord dawa t kar (zla ba thod dkar "white skull moon" forefather of all might demons. when the egg burst open, the malicious violence demon tsiu marpo was born. due to his great maliciousness and hatred, six might demons emanated from tsiu marpo s body. from his head the black obstructive might demon arose. from his white bones the divine might demon arose. from his body heat and radiance the rock might demon arose. from his blood the defiling might demon arose. from his pus the serpentine might demon arose. from his rotten garments of flesh the knife might demon arose. having become associated with 30 red mountains and plains, these seven deities slaughtered ever

s paraphrase the translation offered in the appendices, and so a degree of license has been taken. in lelung zh p dorj s the unprecedented elegant explanations, tsiu marpo is described as having a resplendent greenish-red body color. his red locks are radiant flames, 47 meteors spring from his eyes, bloody hailstones fall from his mouth, blizzards of disease swirl from his nostrils, and poisonous black serpents issue from his ears. he wears a cloak of red silk with sleeves of variegated blue satin. on his head rests a majestic turban of red silk, and around his waist a belt of golden jewels is tied. he was born with the brilliance of a hundred thousand suns.83 a far more explicit description is provided in the perfect feast invocation: atop the swirling waves of the ocean in the intermedia

s of a hero. he brandishes a red silken spear in his right hand. with his left hand he holds the lasso of the might demons, which shines like the rays of the sun. he throws it as fast as lightning and gathers the life-energy of the enemy. with the fourth finger of his right hand he spins the red lasso. on his right he carries a tiger-skin quiver and on his left a leopard-skin bow case. he rides a black horse with white heels. on his head he wears a helmet of leather adorned with vulture feathers, and on his body he wears an armored coat covered with scorpion shells. assembled around him are a hundred thousand inexhaustible might demon soldiers, twenty thousand groups of serpent demon soldiers, countless sky demons as well as a limitless gathering of falcons, eagles, tigers, leopards, monke

d thousand inexhaustible might demon soldiers, twenty thousand groups of serpent demon soldiers, countless sky demons as well as a limitless gathering of falcons, eagles, tigers, leopards, monkeys, and such. in front of him there are five hundred monks wearing lacquered hats, holding mendicant staffs and begging bowls, and speaking true words. on his right there are five hundred exorcists wearing black hats and exorcist robes, holding daggers and skull cups, and uttering fierce mantras. on his left there are five hundred armed men holding swords and shields and reciting courageous words. behind him there are five hundred black women shaking their black garments and shouting curses. the division leaders of these four groups are surrounded by emanations along with the emanations of those ema

BLACK SERPENT1

rwa. 215 the unprecedented elegant explanations tibetan t-+ affects our religious freedoms, but also how-to articles, reviews of music and movies from fellow practitioners, articles about how demonolatry affects our lives, and even some fun stuff. so for our debut issue i scoured the deepest regions of the internet (i didn t have to go far) to find wonderful authors to write for us. the result is black serpent. it is my hope you ll find this issue educational as well as enjoyable. and since it s free (unless you bought a paper copy off of lulu) we hope you ll enjoy it. we welcome reader comments and articles, artwork, fiction, poetry, and even games for the daemonic games section from fellow practitioners. with that i give you our first issue! may lucifer light your way. adrianna, the edit

you, go in peace" oleum and incense of the quarter: lucifer by j. thorp an oleum is a specialized oil made with herbs, flowers, roots, and resins that are used as offerings to the demons/deities. incense is an herbal mixture that is used in ritual for a purpose, adoration/worship, or meditation. it is made of whole herbs, flowers, roots, and resins and is non-combustible. lucifer oleum olive oil black mustard seed lemon peel poppy seed alum lucifer incense benzoin resin wormwood goldenrod lavender cinquefoil 5 close the ritual as normal. if practicing solitary- change all "we" to "i" also- the prayer can be done with a single candle if you lack the space, time, or supplies to do a drawn out ritual. recipes for the celebration an easy way to keep the celebration headache free is to delegat

will go over the interview process later. for now let s discuss the important things about a sect that you should consider before even making initial contact. nothing is more frustrating than to go through the process of making contact only to discover the demonolatry or satanic group you ve inquired to is actually a reverse christian group with two teenaged members who spend all their time doing black masses and hanging out in graveyards smoking dope. if that is the kind of group you re seeking you could probably start your own. also beware the sect that has a web page with little information. a good group will list their basic beliefs, names of rituals the sect regularly gets together for, and will tell you if 17 they have legal clergy and teaching available. most sects will only accept

s to lessen the discomfort and ensures everyone s safety. do not be surprised if several people show up. the interviewers will usually be one or more members of the clergy and//or another trusted member(s) of the group. when dressing to attend the interview there is no need to dress special. save your gothic outfits for clubbing. there is also no need to wear every amulet you possess or to wear a black inverse pentagram t-shirt. jeans and a solid color shirt work well. one amulet is fine. my point being that you don t want to scare the interviewers into thinking you re not serious or that you re trying too hard especially if the group consists of older people, which you can find out during the initial contact. i know that when i am interviewing potential members i can tell if they are tryi

rtunity to allow our most carnal, instinctive nature to flourish. they do not condemn us for sin, nor do they disallow us earthly pleasures or anger or many of the other so-called "imperfections" that plague mankind. what these demons do provide is knowledge, the constant reminder of the power within ourselves, and the power of the elements and unseen forces around us. many misconceptions of the "black arts" have been conceived over the passage of time. numerous are the allegations that covens murder unborn children and use virgin blood in sacrifice to their infernal legions. these myths, often perpetuated and fed into by our own hysteria, create the basis for what society holds as their own truth regarding these religions. to dispel these myths it is essential that people understand a bas

BLACK WITCHCRAFT

a latin name for satan 22. an offering to lucifer 23. reversed satan 24. bringer of light and enlightenment 25. to invest with ministerial or priestly authority 26. she teaches all magick and sorcery. 27. mar de camp of hell 28. demon of domination according to dukante hierarchy 31 name that sigil no cheating! put your books away and see how many sigils you can identify! 32 answers to crosswode1 black witchcraft foundations of the luciferian path by michael w. ford, akhtya seker arimanius the nature of skir-hand witchcraft in the ancient and modern world is of anti-nature, or rather the word antinomian is a greek form meaning against the law. this word makes reference to rebellion from a structure or spiritual design of the masses, the majority and whatever the current ideological mainstr

nitiate of, i must write directly of experience and the vision which all initiates, past, present or secret, have brought to the current and how it manifests today. no longer should those of luciferian nature be forced to denounce the darkness inherent within us all; witchcraft as with the human or daemonic spirit is both dual natured, light and shadow, bestial and angelic, ad infinitum. the word black within the context of writing here is in reference to the hidden nature of the sinister craft, it is both the depths of initiation which runs deep in our souls, and the future possibility by the atavistic urges which may be harnessed into powerful tools of refining and strengthening our consciousness. the order of phosphorus is an initiatory guild of practitioners of sorcery from a left hand

iting here is in reference to the hidden nature of the sinister craft, it is both the depths of initiation which runs deep in our souls, and the future possibility by the atavistic urges which may be harnessed into powerful tools of refining and strengthening our consciousness. the order of phosphorus is an initiatory guild of practitioners of sorcery from a left hand path point of view. the word black is described by idries shah as being identified with the sound of fhm in the arabic tongue, which is black meaning wise and equally with understanding. shah writes further that black holds a connection with hidden wisdom, thus the phrase, dar tariki, tariqat which means in the darkness, the path. the order of phosphorus is symbolic of fire illuminated from clay, of light emerging from darkne

ht within themselves. here we find the foundation and essence of baphomet, the father of wisdom. the sabbatic god is both the union of the beast and the whore, ahriman (satan, samael) and az (lilith, babalon) which beget cain (by the circle of leviathan, the serpent of the depths. an initiatory image of cain as baphomet (by soror lilitu azhdeha) may be found in the book of cain and represents the black lord of the sabbat as a form of the adversary. a representation of this path may be found in my publications, luciferian witchcraft: a book of the serpent which contains the grimoires book of cain, goetic sorcery, yatuk dinoih, nox umbra, the paitisha, azothoz, vox sabbatum and much more. the infamous book of the witch moon also has presented a foundation for the darker aspects of sorcery an

magick the definitions of the left hand path has long been a clouded and often misunderstood definition. essentially, the left hand path is by universal perception as being the mutation or transformation of consciousness into a divinity or divine conscious, this is done by the process of the practice of magick and sorcery to achieve the motion of the body and mind towards a higher perception. the black adepts of the order of phosphorus and the black order of the dragon are magicians who are committed to process of self-determined magical exercises to refine and expand their consciousness; through physical and mental activity. this includes but is not limited to, sexual magick, ceremonial practice and solitary workings of all kinds to seek the initiatory results of magick itself. this is no

BLAVATSKY H P ANTHROPOGENESIS

be. in the divine "pymander" of hermes we find the same seven primeval men* evolving from nature and "heavenly man" in the collective sense of the word, namely, from the creative spirits; and in the fragments (collected by george smith) of chaldean tablets on which is inscribed the babylonian legend of creation, in the first column of the cutha tablet, seven human beings with the faces of ravens (black, swarthy complexions, whom "the (seven) great gods created" are mentioned. or, as explained in lines 16 and 18 "in the midst of the earth they grew up and became great. seven kings, brothers of the same family" these are the seven kings of edom to whom reference is made in the kabala; the first race, which was imperfect, i.e, was born before the "balance (sexes) existed, and which was theref

37. the one became two; also all the living and creeping things that were still one, giant fish-birds and serpents with shell-heads- x. 38. thus two by two on the seven zones, the third race gave birth to the fourth-race men; the gods became no-gods; the sura became a-sura. 39. the first, on every zone, was moon-coloured; the second yellow like gold; the third red; the fourth brown, which became black with sin. the first seven human shoots were all of one complexion. the next seven began mixing. 40. then the fourth became tall with pride. we are the kings, it was said; we are the gods. 41. they took wives fair to look upon. wives from the mindless, the narrow-headed. they bred monsters. wicked demons, male and female, also khado (dakini, with little minds. 42. they built temples for the h

aded. they bred monsters. wicked demons, male and female, also khado (dakini, with little minds. 42. they built temples for the human body. male and female they worshipped. then the third eye acted no longer- xi. 43. they built huge cities. of rare earths and metals they built, and out of the fires vomited, out of the white stone of[[vol. 2, page] 21 the slokas of "dzyan" the mountains and of the black stone, they cut their own images in their size and likeness, and worshipped them. 44. they built great images nine yatis high, the size of their bodies. inner fires had destroyed the land of their fathers. the water threatened the fourth. 45. the first great waters came. they swallowed the seven great islands. 46. all holy saved, the unholy destroyed. with them most of the huge animals, prod

4. they built great images nine yatis high, the size of their bodies. inner fires had destroyed the land of their fathers. the water threatened the fourth. 45. the first great waters came. they swallowed the seven great islands. 46. all holy saved, the unholy destroyed. with them most of the huge animals, produced from the sweat of the earth- xii. 47. few men remained: some yellow, some brown and black, and some red remained. the mooncoloured were gone forever. 48. the fifth produced from the holy stock remained; it was ruled over by the first divine kings. 49. who re-descended, who made peace with the fifth, who taught and instructed it[[vol. 2, page] 22 the secret doctrine. stanza i* beginnings of sentient life (1) the lha, or spirit of the earth (2) invocation of the earth to the sun (3

according to sir henry rawlinson, the most important titles of this deity refer to "his functions as the source of all knowledge and science" not only is he "the intelligent fish" but his name may be read as signifying both "life" and a serpent (an initiated adept, and he may be considered as "figured by the great serpent which occupies so conspicuous a place among the symbols of the gods on the black stones recording babylonian benefactions" esculapius, serapis, pluto, knoum and kneph, are all deities with the attributes of the serpent. says dupuis "they are all healers, givers of health, spiritual and physical, and of enlightenment" the crown formed of an asp, the thermuthis, belongs to isis, goddess of life and healing. the upanishads have a treatise on the science of serpents- in othe

BLAVATSKY H P COSMOGENESIS

l preternatural revelation granted to the fathers of the human race, finds but few supporters at present- the holy and learned man laughed. his answer was suggestive "if mr. moksh mooller, as he pronounced the name, were a brahmin, and came with me, i might take him to a gupta cave (a secret crypt) near okhee math, in the himalayas, where he would soon find out that what crossed the kalapani (the black waters of the ocean) from india to europe were only the bits of rejected copies of some passages from our sacred books. there was a "primeval revelation" and it still exists; nor will it ever be lost to the world, but will reappear; though the mlechchhas will of course have to wait" questioned further on this point, he would say no more. this was at meerut, in 1880. no doubt the mystificatio

the divine essence emanating from adam* like a luminous arc proceeding to form a circle; and then, having attained the highest point of its circumference, the ineffable glory bends back again, and returns to earth, bringing a higher type of humanity in its vortex. as it approaches nearer and nearer to our planet, the emanation becomes more and more shadowy, until upon touching the ground it is as black as night[[footnote(s* the name is used in the sense of the greek word[[anthropos[[vol. 1, page] xliii introductory. the "very old book" is the original work from which the many volumes of kiu-ti were compiled. not only this latter and the siphrah dzeniouta but even the sepher jezirah* the work attributed by the hebrew kabalists to their patriarch abraham, the book of shuking, china's primiti

ng physical man, after giving the true history of the races from the first down to the fifth (our) race, goes no further. it stops short at the beginning of the kali yuga just 4989 years ago at the death of krishna, the bright "sun-god" the once living hero and reformer. but there exists another book. none of its possessors regard it as very ancient, as it was born with, and is only as old as the black age[[footnote(s* rabbi jehoshua ben chananea, who died about a.d. 72, openly declared that he had performed "miracles" by means of the book of sepher jezireh, and challenged every sceptic. franck, quoting from the babylonian talmud, names two other thaumaturgists, rabbis chanina and oshoi (see "jerusalem talmud, sanhedrin" c. 7, etc; and "franck" pp. 55, 56) many of the mediaeval occultists

e same; and even the late modern magus, eliphas levi, publicly asserts it in print in his books on magic[[vol. 1, page] xliv introductory. namely, about 5,000 years. in about nine years hence, the first cycle of the first five millenniums, that began with the great cycle of the kali-yuga, will end. and then the last prophecy contained in that book (the first volume of the prophetic record for the black age) will be accomplished. we have not long to wait, and many of us will witness the dawn of the new cycle, at the end of which not a few accounts will be settled and squared between the races. volume ii. of the prophecies is nearly ready, having been in preparation since the time of buddha's grand successor, sankaracharya. one more important point must be noticed, one that stands foremost i

rtitude will produce 1023/1024, etc, etc. the occultist may remain satisfied, and care for no more[[vol. 1, page xlviii[[blank[[vol. 1, page 1] proem- pages from a pre-historic period. an archaic manuscript- a collection of palm leaves made impermeable to water, fire, and air, by some specific unknown process- is before the writer's eye. on the first page is an immaculate white disk within a dull black ground. on the following page, the same disk, but with a central point. the first, the student knows to represent kosmos in eternity, before the re-awakening of still slumbering energy, the emanation of the word in later systems. the point in the hitherto immaculate disk, space and eternity in pralaya, denotes the dawn of differentiation. it is the point in the mundane egg (see part ii "the

BLUE EQUINOX

of the path. petronius arbiter. valuable for those who have wit to understand it. the equinox 24 the golden ass, by apuleius. valuble for those who have wit to understand it. le comte de gabalis. valuable for its hints of those things which it mocks. the rape of the lock, by alexander pope. valuable for its account of elementals. undine, by de la motte-fouqu. valuable as an account of elementals. black magic, by marjorie bowen. an intensely interesting story of sorcery. le peau de chagrin, by honor de balzac. a magnificent magical allegory. number nineteen, by edgar jepson. an excellent tale of modern magic. dracula, by bram stoker. valuable for its accounts of legends concerning vampires. scientific romances, by h. hinton. valuable as an introduction to the study of the fourth dimension

ethyst, and of gray sapphire, and of deep sapphire with a tinge as of blood. 6. therefore do ye fret yourselves because of this. 7. be not contented with the image. 8. i who am the image of an image say this. 9. debate not of the image, saying beyond! beyond! one mounteth unto the crown by the moon and by the sun, and by the arrow, and by the foundation, and by the dark home of the stars from the black earth. 10. not otherwise may ye reach unto the smooth point. 11. nor is it fitting for the cobbler to prate of the royal matter. o cobbler! mend me this shoe, that i may walk. o king! if i be thy son, let us speak of the embassy to the king thy brother. 12. then was there silence. speech had done with us awhile. there is a light so strenuous that it is not perceived as light. 13. wolf.s bane

so do my words devour the spirit of man. 15. i breathe, and there is infinite dis-ease in the spirit. 16. as an acid eats into steel, as a cancer that utterly corrupts the body; so am i unto the spirit of man. 17. i shall not rest until i have devoured it all. liber lxv 67 18. so also the light that is absorbed. one absorbs little, and is called white and glistening; one absorbs all and is called black. 19. therefore, o my darling, art thou black. 20. o my beautiful, i have likened thee to a jet nubian slave, a boy of melancholy eyes. 21. o the filthy one! the dog! they cry against thee. because thou art my beloved. 22. happy are they that praise thee; for they see thee with mine eyes. 23. not aloud shall they praise thee; but in the night watch one shall steal close, and grip thee with th

pher hath some value; but who shall determine the value? for it varieth ever, according to the subtlety of him that made it. 53. and he answered him: have i not the key thereof? i am clothed with the body of flesh; i am one with the eternal and omnipotent god. 54. then said adonai: thou hast the head of the hawk, and thy phallus is the phallus of asar. thou knowest the white, and thou knowest the black, and thou knowest that these are one. but why seekest thou the knowledge of their equivalence? 55. and he said: that my work may be right. the equinox 70 56. and adonai said: the strong brown reaper swept his swathe and rejoiced. the wise man counted his muscles, and pondered, and understood not, and was sad. reap thou, and rejoice! 57. then was the adept glad, and lifted his arm. lo! an ear

that i am come who should come; but thy coming shall be the one word. 29. thou shalt manifest thyself in the unmanifest; in the secret places men shall meet with thee, and thou shalt overcome them. 30. i saw a pale sad boy that lay upon the marble in the sunlight, and wept. by his side was the forgotten lute. ah! but he wept. 31. then came an eagle from the abyss of glory and overshadowed him. so black was the shadow that he was no more visible. 32. but i heard the lute lively discoursing through the blue still air. 33. ah! messenger of the beloved one, let thy shadow be over me! the equinox 74 34. thy name is death, it may be, or shame, or love. so thou bringest me tidings of the beloved one, i shall not ask thy name. 35. where now is the master? cry the little crazy boys. he is dead! he

BOOK T

hey form the thrones of the powers of the four aces. the twelve cards, the four kings, queens and princes rule the dominion of the celestial heavens, between the realm of the four princesses and the zodiac, as is hereafter shewn. and they, as it were, link together the signs. v. the lord of the flame and the lightning; the king of the spirits of fire knight of wands a winged warrior riding upon a black horse with flaming mane and tail: the horse itself is not winged. the rider wears a winged helmet (like the old scandinavian and gaulish helmet) with a rayed crown, a corslet of scale-mail and buskins of the same, and a flowing scarlet mantle. above his helmet, upon his curass, and on the shoulder-pieces and buskins, he wears as a crest a winged black horse's head. he grasps a club with flam

ent, careful, courageous, persevering, pitiful. if ill dignified she is wasteful and prodigal. she rules over one quadrant of the heavens around the north pole of the ecliptic. earth of earth princess and empress of the gnomes. throne of the ace of pentacles. herein are resumed the especial characteristics of the four court cards of the suits suits cards crests symbols hair eyes wands king winged black horse's head black horse, waving flames, club, scarlet cloak red-gold grey or hazel queen leopard's head, winged leopard, steady flames, wand with heavy head or end red-gold blue or brown prince lion's head, winged waved and salient flames, fire wand of zelator adept yellow blue-grey princess tiger's head tiger, leaping flames, gold altar, long club, largest at bottom red-gold blue cups king

this segment is defined not by the ring but by the upper portion of two diagonals drawn from the inner angles of the cross. this five-sided semi-regular figure is further divided within by two crossed lines emanating from the upper corners and extending across the center to the midpoints of the lower sides. in the four chambers resulting are these color abbreviations, clockwise from top "blk (for black "russ (for russet "cit'n (for citrine "olive. to either side of this section, on the band itself, is written "white merging into grey. in the top of this outermost ring are these letters in the "theban alphabet: u r h- signifying the "angel" or "god of tarot, hru. the left arm of the ankh has from left to right: the symbol of scorpio (the "m" style, not the eagle as noted in text, a cup, the

BOOK OF BLACK SERPENT

ro" in greek capitals (gr:tau-alpha- rho-omicron. in the wedges defined by the lower sides of the cross-arms and the base upright sides: to left an upright pentagram with the dot-in-circle sun symbol in its pentagonal center. to right the same, but with a crescent moon, horns to right. 2. a handbook of geomancy. book t page 26 of 26 http//www.private.org.il/gd/book-t.html 13/10/2 tthe book of the black serpent [note: this is a version of an essay published c. 1900 for initiates of the golden dawn isis- urantia temple. the original essay, concerning the qlippoth can be found in r.a.gilbert's "the sorcerer and his apprentice" and steve savedow's "goetic evocation- the magician's workbook volume 2. the following text was provided in trident's edition of "grimoirium verum, several additions ha

emon leaping upon an ox; machaloth, a form compounded of a serpent and a woman, and she rideth upon a serpent scorpion; and lilith, a woman outwardly beautiful but inwardly corrupt and putrefying, riding upon a strange and terrible beast. to these four (babel, jonia, media, edom) are attributed four kingdoms. 1. bairiron- so called because they are derived from the fourth evil, namely samael, the black. their colors are dull red and a black, and their form is that of a dragon- lion. 2. adimiron- whose colors are like blood mixed with water, a dull yellow and grey. their form is that of a lion-lizard. 3. tzelladimiron- whose colors are like limpid blood, bronze and crimson. they are like savage triangular-headed dogs. 4. schechiriron- whose colors are black, and their form blended of reptil

7. necheshethiron- whose color is like copper, and their form is like that of a most devilish and almost human-headed insect. 9. nachashiron- whose colors are like serpents, and their form like dog-headed serpents. 10. dagdagiron- whose colors are reddish and gleaming, and their form like vast and devouring flat-headed fishes. 11. behemiron- whose name is derived of behemoth, and their colors are black and brown, and their forms those of awful beasts like a hippopotamus, and an elephant, but crushed flat, or as if their skin was spread out flat over the body of a gigantic beetle or cockroach, crawling yet having vast strength. 12. neshimiron- whose colors are of a stagnant gleaming, watery hue, and their forms like hideous women, almost skeletons, united to the bodies of serpents and fishe

nance. at the north-east angle is aggerath, the daughter of machalath, a fiendish witch with serpent hair enthroned in a chariot drawn by an ox and an ass. at the north-west angle is a gigantic scorpion with a fearful countenance, but standing upright as it were, and formed of putrefying water. after him cometh the un-nameable one (abaddon) and his appearance and symbol is that of a closelyveiled black gigantic figure, covered with whirling wheels and in his hand is a vast wheel whence issue as it whirls, multitudes of cat-like demons. behind cometh maamah like a crouching woman with an animal s body, crawling along the ground and eating the earth. and at the south-east angle are the winged lion and a winged horse drawing in a chariot the younger lilith, the wife of asmodai. she is dark, a

wling along the ground and eating the earth. and at the south-east angle are the winged lion and a winged horse drawing in a chariot the younger lilith, the wife of asmodai. she is dark, a woman to the waist and a man below it, and she appears as dragging down with her hands small figures of men into hell. of the three evil forces behind samael the first is qematriel, whose form is that of a vast black, man-headed dragon-serpent, and he united under him the force of kether of the infernal and averse sephiroth. the second, a black, bloated man-dragon, belial, he denieth a god; and he uniteth the forces of the averse chokmah. the third is othiel or gothiel, a black, bloated man-insect, horrible of aspect, his breth greater than his length: and he uniteth the force of the averse binah. the fo

BOOK OF DOOM

t by frater algolis, pontifex maximus ordinis caputis medusae. all rights reserved. no part of this book may be reproduced in any form without prior permission in writing by the author or publisher. published by o.a.i, box 666-033, marietta, ga 30066 if you dare to violate this copyright or the copyright of any other o.a.i. or faust material (doctor johannes faust's miracle and magic book, or the black raven or the threefold coercion of hell, doctor johannes faust's infernal tarot, etc, or if you are in possession of the book of doom or any faust material that has been produced in violation of this copyright, you will be automatically the target of the most powerful magical attack unless you destroy these materials! the magical trap, staffed by the spirits of hell, is wide open and waiting

a deity or of any other being above the clouds. 2.4. sorcerers know themselves to be gods, and they act accordingly. 2.6. this means that sorcery is not for the irresponsible, nor for the weak. 2.7. sorcerers do not worship any force in the universe. 2.8. they control it! 2.9. they do not bow to anything nor anyone! 2.10. therefore, if you feel you need to lean on something, the left path and the black arts are not for you! 2.11. the sorcerers are the powerful, the proud, and the resourceful in the universe. 2.12. therefore they are not religionists of any kind. 2.13. o.a.i. stands for ordo algolis interstellaris vel infernalis. 2.14. it is an interstellar order of black magicians that is older than mankind. 2.15. it is for the proud, for the powerful, and for the resourceful. 2.16. algol

BOOK OF PLEASURE

u believe) your sigil must relate to. if you used any form stupidly, you might possibly "conjure up" exactly what you did not want- the mother of insanity, or what always happens then, nothing at all. this being the only system, any result other than by it is accidental. also you do not have to dress up as a traditional magician, wizard or priest, build expensive temples, obtain virgin parchment, black goat's blood, etc, etc, in fact no theatricals or humbug*(2) free belief or energy, i.e, a disappointed desire, not yet an obsession. sigils are made by combining the letters of the alphabet simplified. illustration*(3, the word "woman" in sigil form is (example) or (example) or (example) etc. the word tiger (example) or (example) etc, etc. the idea being to obtain a simple form which can be

BOOK OF SATYRS

ing should be said but all unsaid! may my words be few and pregnant! alas, the futility of the idea of god has not yet reached its limit, all men liars, appear striving for insanity as its climax: while i alone as one prematurely aged, reason tottering on its throne, remain sane, in positive chastity, confessing no conscience, no morals- a virgin in singleness of purpow introduction the field of black and white art has been generously extended since that golden period in the "eighties" when walker and pinwell and millais wrought their quiet designs, although their olden delicacy of interpretation (for us almost wholly in the hands of clemance housman) can still claim charms which our more facile method can never attain. for every such accomplished craft is the companion of an aristocracy

BUCKLAND RAYMOND COMPLETE BOOK OF WITCHCRAFT

iding the supreme power into two good and evil is the idea of an advanced and complex civilization. the old gods, through their gradual development, were very much "human" in that they would have their good side and their bad side. it was the idea of an all-good, all-loving deity which necessitated an antagonist. in simple language, you can only have the color white if there is an opposite color, black, to which you can compare it. this view of an all-good god was developed by zoroaster (zarathustra, in persia in the seventh century bce. the idea later spread westward and was picked up in mithraism and, later, in christianity. as christianity gradually grew in strength, so the old religion was slowly pushed back. back until, about the time of the reformation, it only existed in the outlyin

vaguest understanding of its being. yet we know that it is there and, frequently, we wish to communicate with it. as individuals, we wish to thank it for what we have and to ask it for what we need. how do we do this with such an incomprehensible power? in the sixth century bce the philosopher xeno-phones remarked on the fact that deities are determined by ethnic factors. he pointed out that the black ethiopians naturally saw their gods as negroid, whereas the thracians' gods were white, with red hair and gray eyes. he cynically commented that if horses and oxen could carve they would probably represent their gods in animal form! about seven hundred fifty years later maximus of tyre said much the same thing: that men worship their gods under whatever form seems intelligible to them. in le

ite robes, but i'm glad to see more and more color appearing at festivals. in saxon witchcraft, the priest/ess wears either white, purple or deep green and the others wear greens, browns, yellows and blues, though this is not a hard and fast rule. combinations of colors can be attractive, of course, as can a basic color trimmed with silver or gold, or with a second color. some few witches do wear black but, while acknowledging it to be a very "powerful" color (in fact a non-color, i personally think that it plays up the misconception of equating witchcraft with satanism and, if only for that reason, should be avoided. we are a religion of nature, so let's use the colors of nature. the bright and the sombre earth colors (there is actually very little black to be found in nature. but again

so that there would be less chance of the book being discovered by those antagonistic to the craft. in recent years it has become common for all witches to have a book of shadows, with everything contained therein. you should start your own book, then. it is possible to buy blank-paged books in stationery and office-supply stores and these are fine. some traditions hold that the book must have a black cover; others say green; others brown. again, it is up to you. many witches like to make their own book from scratch, using parchment for the pages and binding the finished product in tooled leather, or even between carved wooden covers. putting together such a book can be a labor of love and certainly gives plenty of scope for free artistic expression. hand-binding is not difficult to do. t

ure feminine aspect. glass: perception; being able to see (sometimes into the future. graduation: initiation; completing a phase. hair: thought grey or silver hair indicates wise thought. hammer: power to drive forward. helpful animal: the instinctive self. highway: the path; the way ahead. horse: white horse symbol of life (the keltic goddess epona was often depicted on a white mare; prosperity. black horse change of fortunes. wild horse uncontrolled instinctive urges. winged horse transcendence from one state of being to another. house: the symbol of personality and conscious interest from the spiritual view. the particular room represents particular interest: bathroom cleansing; elimination of the undesired. basement place of refuge, retreat, concealment. bedroom place of rest and recov

CALLING TO THE FIRST OF WITCH BLOOD

a blinding heat of falling deep into my own created hell, of knowing a heaven of isolation and self-reliance then this ecstasy of transformation. the blood of my shell encircled me, and alone did i first summon forth my father of whom i knew by dream did that dragon come and ignite within, my soul, my initiator by giving to the daemon did my eyes open anew. i conjure thee, o wanderer who bears a black thorn stick i adjure thee, who the blood of abel did ignite your senses who lifted thee up into the flames of your father in iblis shadow did you awaken in the arms of lilith, the moon. i summon thee, cain of old, whose words open the gates of hell i invoke thee, cain of the serpent skin, who is the first of witch blood i conjure thee, cain who is the earthly devil, who is the master of spir

CASE PAUL F THE BOOK OF TOKENS

c h e t h, pronounced khayth. transcribed as" ch. the number 8. meaning: field, or fence. the intelligence of the house of influence. 1 the limitless light is en soph aur, which is to us as darkness because it transcends our earthly vision. it is the divine darkness concerning which so much is said in all mystical literature. it was, for the egyptians, indicated by their declaration "osiris is a black god" it is also the terrible darkness of the hindu goddess, kali. 2 khattawath, ch t a th, a hebrew noun meaning both "sin" and "punishment, corresponds to the letter-name cheth, ch i th, because both add up to 418. the derivation of ch t a th is from a verb meaning" to miss the target [87] meditation on teth* i my secret wisdom is hid in number, and in the sign of the tally is concealed the

it written "joshua was the son of nun" what, then, is this that contihueth without ceasing? verily, it is i, myself, and that which changeth not is the motion which carrieth all things from place to place. change perpetual is at the root of all things, and change hath two faces, a face of life, and a face of death. for know ye, o israel, that what men call life and death are as beads of white and black strung upon a thread; and this thread of perpetual change is mine own changeless life, which bindeth together the unending series of little lives and deaths [131] comment on nun* n u n, pronounced noon. transcribed as" n. the number 5o. meaning: fish. the imaginative intelligence. 1 the quotation "he had his dwelling in the great sea, and was a fish therein, is from the zohar, or book of spl

CASSANDRA EASON A PRACTICAL GUIDE TO WITCHCRAFT AND MAGIC

the earth energies in a sacred spiral pattern. these rituals go back into the mists of time and appear in similar forms in many different cultures and ages. today, however, too many modern societies have lost the sacred connection and scorn such gestures as superstition, treating the skies, the earth and the seas merely as a larder, fuel store and garbage can. once, things were very different, as black elk, the sioux shaman, explained 'in the old days when we were a strong and happy people, all our power came from the sacred hoop of the nation and, so long as the hoop was unbroken, the people flourished. the flowering tree was the living centre of the hoop and the circle of the four quarters nourished it. the east gave peace and light, the south gave warmth; in the west, thunder beings gav

erers today continue the unbroken tradition that stretches back thousands of years- for example, among the lapps in the far north of scandinavia and the inuits- these rites continue, led by a shaman, or magick man, who negotiates with the mistress of the herds or fish in a trance for the release of the animals. one of the earliest recorded examples of shamanism is the dancing sorcerer. painted in black on the cave walls of les trois freres in the french pyrenees, this shamanic figure, which portrays a man in animal skins, dates from about 14000 bc and stands high above the animals that are depicted on the lower walls. only his feet are human and he possesses the large, round eyes of an owl, the antlers and ears of a stag, the front paws of a lion or bear, the genitals of a wild cat and the

either by different members or in a safe place and brought out at meetings. they need not be at all expensive. magick was traditionally carried out with the equipment of the home: the broom for sweeping the magical circle was the besom used for sweeping dirt (and negativity) out of the door and was stored with its bristles upwards to protect the home. the cauldron was the iron cooking pot on the black kitchen range that served to heat the home as well as for cooking. items often can be gathered from around your home: for example, a silver bell, a crystal bowl or a large wine glass. attractive scarves or throws make ideal altar cloths. car boot sales are an excellent source of magical equipment. keep your magical tools separate from your everyday household equipment in a large box or chest

cca01.txt her consort osiris to life, thus magically causing the nile to flood and fertility to return to the land. she is the patroness of magick and spell-casting, having tricked ra the sun god into giving her his secrets. some accounts say she was taught by thoth, god of wisdom and learning. her cult spread throughout the roman empire and she remained in mediterranean lands in her guise as the black madonna, holding her infant son horus, until the middle ages. she is sometimes represented as a vulture, in which form she appears on amulets (protective charms) with an ankh, the symbol for life, engraved on each talon. isis demonstrated the power of maternal protection when she hid horus in the marshes from his evil uncle who would have destroyed him. deities of marriage these deities can

whose chariot she drove into battle. she is especially good for women's assertiveness and self-confidence rituals. she carries a sword and wears a helmet. kali kali, the dark side of the hindu mother goddess, came into being when shiva, the husband of the mother goddess shakti, taunted her for her dark skin. in fury she carried out rituals until her skin became golden inside. shakti then shed her black outer skin like a snake and it formed the avenging destroying persona of kali. kali is depicted with her four arms holding weapons and the heads of her victims, her tongue lolling out, and covered in blood, signifying her power over life and death. she is often pictured dancing on shiva whose body she trampled on, destroyed and then danced on once more to restore him to life. kali is invoked

CASTING THE CIRCLE

bless this circle, by the spirit mind of godhood i emerge as one who commands the elements by will alone. move and bless this circle and work! by the image of the falling pentagram and star, from which we dive to achieve the promethean light, i bless this circle, by the spirit mind of the separated psyche, made selfdeified by self- love, to build and strengthen through the mysteries of ur and the black dragon, i emerge as one who commands individual ascension by will alone. move and bless this circle of work! by who is named lucifer, come forth and bless this circle which is dedicated through thee. in the image of the morning star we each ascend, and in your image we become. prince of light and prince of darkness emerge as one! bless this circle! hail lilith, she who would bless our lives

CHAOS MAGICK AND LUCIFERISM

evil the very act of creation. the rite of thanatos vel babalon, as developed by michael dewitt is one of the most powerful descriptions of the essence of babalon that could be described. the ritual itself is opened with the quadriga sexualis banishing ritual and leads into the invoking of the force of darkness. the temple itself would be decorated in images of death, skulls and bones and a large black coffin in which one of the female magicians would be laying. it begins with the priest of thanatos invoking: now listen to the voice of thanatos known to men as the face of death, whom they worship with howling and shattering teeth. all the while a funerary drum beats and calls forth the dead. soon, the congregation throws human bones and grave soil within the coffin, which is soon closed. t

CHIREAU YVONNE BLACK MAGIC RELIGION AND THE AFRICAN AMERICAN CONJURING TRADITION

a hand. like herself, it embodies the spirits of the "old souls" those enslaved africans who touched down more than a century earlier on the backwater jetty known as ibo landing. offering the hand to her kin, nana calls them to pay homage before embarking on their journey. she believes that their collective memory.and the power of her charm.will sustain them as conclusion 151 notes 157 index 209 black magic page 3 of 144 http//content.cdlib.org/xtf/view?docid=kt600020q0&chunk.id=0&doc.view=print 7/14/2006 facing page illustration: advertisement from an eighteenth-century newspaper for an escaped slave, described as "a fortuneteller and conjurer" hall's wilmington gazette (north carolina, october 1798\ 2\ they enter into a new and uncertain future beyond the shores of these sea islands.[1]

serve memory. it is also a story of the cultural and spiritual resources to which a people might turn when they are in need. i suggest that daughters might be read as an allegory of the religious sojourn of blacks in america, with nana's charm as a metaphor for a legacy that some have chosen to preserve, and others to reject. rather than dismissing the hand as an object of superstition, i want to black magic page 4 of 144 http//content.cdlib.org/xtf/view?docid=kt600020q0&chunk.id=0&doc.view=print 7/14/2006 argue for its deeper significance, as a symbol of the survival of a kind of magical spirituality in the african american experience. this book is about the creations that black people have woven into their quest for spiritual empowerment and meaning. it is about magic, as that term refer

latter, to be its mirror image. when seen from different perspectives, the divisions sometimes break down, revealing the arbitrary nature of the categories. in the words of one writer "stated simply, magic is c the religion of the other"[2] this book is also concerned with the actual experiences that gave rise to the introduction of "magic" into that complex generally recognized as "religion" in black american experience. since few terms have prompted more disagreement than these two, it might be useful to clarify my own use of them. magic is a particular approach or attitude by which humans interact with unseen powers or spiritual forces. in contrast with religion, it is efficacious, with its spells, curses, incantations, and formulae. magic is used for specific, personal ends. it operat

stitutional religions such as protestant christianity\ 4\ and the vast territory of behaviors that human beings may invest with religious meaning.[4] these behaviors, we will see, may be embedded within activities such as work, recreation, or leisure. hence the boundaries of "religion" can be difficult to locate. charles long, who has most strongly advocated an original methodological approach to black religion, asserts that "the church [is] not the only context for the meaning of religion" for black people, but that "religion c mean[s] orientation.orientation in the ultimate sense, that is, how one comes to black magic page 5 of 144 http//content.cdlib.org/xtf/view?docid=kt600020q0&chunk.id=0&doc.view=print 7/14/2006 terms with the ultimate significance of one's place in the world" these

.orientation in the ultimate sense, that is, how one comes to black magic page 5 of 144 http//content.cdlib.org/xtf/view?docid=kt600020q0&chunk.id=0&doc.view=print 7/14/2006 terms with the ultimate significance of one's place in the world" these "extrachurch orientations" long adds "have had great critical and creative power" often touching "deeper religious issues regarding the true situation of black communities"[5 "religion" then, not only pertains to the formal creeds, doctrines, and theologies of a church-based faith tradition but includes beliefs that are embedded in the ordinary experiences and the deeply held attitudes, values, and activities of members of a group or community. it may also include what david hall has called "lived religion" or the practice and "everyday thinking an

CHRONOLOGIA RORISPERGIUS

ille: a study in personality reorganization (bachelor's thesis, virginia union university, richmond, 1933, pp. 136, 182, 123, 97, 152, 160, 180.82. lockley white's revised thesis\ 1erchronologia rorispergius (mach 37 -compiled by elias pandochaeus 144,000 bc geneticists believe that an ancestral human population of about 2000 individuals who lived somewhere in africa began to split up. 24,000 bc "black venus" figurine unearthed near the czech village of dolni vestonice in 1924. also one at willendorf. 11 cm tall. discovered in 1908. oldest paleolithic sculptures? oldest known portrayals of women? 100 small statuettes have been found. 6500 bc catal huyuk, neolithic site in turkey (central anatolia) flourished..at catul huyuk the goddess images were shown with the bull horns emerging from he

semnani, persian sufi linking the seven prophets of the koran with the mystical physiology of seven latifa and referred to seven grades of being which constitute the ascent of the soul to the godhead. 1338-1400 geoffery chaucer 1329-1419 nicolas flamel (supposed) 1339 pope benedict xii orders an investigation into the alchemical activities of some clerics and monks c. 1350-1370: outbreaks of the "black death (mostly bubonic plague, yersinia pestis) ravage europe. in the mid-fourteenth century several white lotus groups rebelled against mongol rule in the name of both maitreya and the manichean king of light. white lotus school(pai-lien she) became a secret society and played an important role in the rebellions and peasant insurrections of the 13th-15th centuries. the strange powers suppose

CHYMICAL WEDDING OF CHRISTIAN ROSENKREUTZ

reupon i presently drew out my bread and cut a slice of it; which a snow-white dove of whom i was not aware, sitting upon the tree, saw, and therewith (perhaps according to her usual manner) came down. she betook herself very familiarly with me, and i willingly imparted my food to her, which she received, and so with her prettiness she again refreshed me a little. but as soon as her enemy, a most black raven, perceived it, he straightaway darted down upon the dove, and taking no notice of me, would force away the dove s food, and she could not guard herself otherwise than by flight. whereupon they both flew together towards the south, at which i was so hugely incensed and grieved that without thinking what i did, i hastened after the filthy raven, and so against my will ran into one of the

om was square on the front, five times broader than it was long; but towards the west it had a great arch like a porch, wherein in a circle stood three glorious royal thrones, yet the middlemost was somewhat higher than the rest. now in each throne sat two persons. in the first sat a very ancient king with a grey beard, yet his consort was extraordinarily fair and young. in the third throne sat a black king of middle age, and by him a dainty old matron, not crowned, but covered with a veil. but in the middle sat the two young persons, and though they had likewise wreaths of laurel upon their heads, yet over them hung a large and costly crown. now although they were not at this time so fair as i had before imagined to myself, yet so it was to be. behind them on a round form sat for the most

even spare the little birds which flew in multitudes up and down the room, but tormented them all he could. the virgins also had their pastimes with him, but whenever they could catch him, it was not so easy a matter for him to get from them again. thus this little knave made all the sport and mirth. before the queen stood a small but inexpressibly curious altar, on which lay a book covered with black velvet, a little overlaid with gold. by this stood a small taper in an ivory candlestick. now although it was very small, yet it burnt continually, and was such that had not cupid, in sport, now and then puffed upon it, we could not have conceived it to be fire. by this page 48 stood a sphere or celestial globe, which turned clearly about by itself. next to this, a small striking-watch, and

and costly coronet, appareled in white satin. she carried nothing but a small crucifix which was made of a pearl, and this very day wrought between the young king and his bride. after her went the six aforementioned virgins in two ranks, who carried the king s jewels belonging to the little altar. next to these came the three kings. the bridegroom was in the midst of them in a plain dress, but in black satin, after the italian fashion. he had on a small round black hat, with a little pointed black feather, which he courteously took off to us, so to signify his favour towards us. we bowed ourselves to him, as also to the first, as we had been instructed before. after the kings came the three queens, two of whom were richly dressed, but she in the middle was likewise all in black, and cupid

aration against the moor. now this provision, and the disciplining of the young lady (who after she had grown up a little was committed to an ancient tutor) took up all the first act, with many very fine and laudable sports besides. in the interlude a lion and griffin were set at one another to fight, and the lion got the victory, which was also a pretty sight. in the second act, the moor, a very black treacherous fellow, came on too. he, having with vexation understood that his murder had been discovered, and that a little lady was craftily stolen from him too, began thereupon to consult how by stratagem he might be able to encounter so powerful an adversary; on which he was eventually advised by certain fugitives who fled to him because of a famine. so the young lady, contrary to everyon

COLLIER IRENE CHINESE MYTHOLOGY

gods were male, nuwa is a very powerful female goddess in early mythology. she creates mankind and is responsible for repairing the earth. 24 the world was indeed a sparkling jewel. sturdy pine trees dotted the mountains, and weeping willows lined the streams. apple, quince, and plum blossoms burst into bloom and later yielded ripe, heavy fruit. birds flitted about in the azure sky, leaving their black, crimson, and iridescent green feathers drifting in the wind. silverfish and carp splashed gleefully in the waterways. fierce beasts like tigers and gentle creatures like deer roamed with equal abandon across the rocky hills. nuwa, a goddess, stumbled accidentally upon this vibrant world during her travels. the earth was humming and teeming with life. she marveled at its many wondrous creatu

afe and snug throughout the chilly nights. ferocious animals feared its licking flames, and biting insects avoided its sooty smoke. in the spring, fushi shaped young branches over an open fire, then cooled them into curvy bows. he scraped, smoothed, and dried slender sticks into arrow shafts. then fushi led the people on hunts for deer, wild boar, and migrant birds. he guided them in gathering up black mushrooms of the forests, wild grasses of the plains, and bitter cresses growing along the banks of trickling streams. he taught them how to raise sheep, goats, geese, and ducks. fushi warned people only to take what they needed and never to waste food or kill senselessly. to keep track of the food they grew and exchanged, people tied fancy knots shaped like butterflies, flowers, and diamond

. while the unsteady earth rocked and lurched, forest fires raged, and mountain lakes burst their containing walls, sending more debris to the shattered villages below. all the gods, including zurong, were stunned. but they were powerless to save their collapsing world. as nuwa watched the destruction taking place on earth, the goddess became furious. she raced to find rocks of five sacred colors black, white, red, green, and yellow and smelted them together in a huge bonfire. using this sacred mixture, she began bit by bit to mend the hole in the sky. all the while, she cursed at the carelessness of the gods who had caused this devastation. next, nuwa scooped up miles and miles of river rushes and stuffed up every burning crack she could find. as their ashes settled in the crevices, the e

at happened to the geography of china as a result of gong s actions? a: china is tilted so that it is high at the northwest corner where the stars and moon pass through, and low at the southeast corner where the rivers run into the sea. 49 expert commentary the five sacred colors mentioned in the story are connected to five important earth elements: green=wood, red=fire, yellow=soil, white=metal, black=water. in their study of chinese festivals, authors carol stepanchuck and charles wong write: the elements, which are five natural forces, work together in a cyclical order to represent periods of rise and decay, production and destruction. wood prevails over earth; metal prevails over wood; fire over metal; water over fire; and earth over water.3 no single element is powerful enough to dest

tz describes her: the phoenix, feng huang, was the sacred fire bird. it was truly a magnificent creature to behold, and it had the features of several different animals. it had the head of a swan; the throat of a swallow; the beak of a chicken; the neck of a snake; the legs of a unicorn; the arched back of a turtle; and the stripes of a dragon. its feathers were made up of the five sacred colors: black, white, red, green, and yellow.5 50 author derek walters adds [the phoenix] has many miraculous attributes, but not selfrejuvenation and does not possess the arabian phoenix s propensity for self-immolation. it feeds on bamboo seeds. and drinks from fountains of fresh water. it is one of the four emblems of royalty, usually associated with the empress.6 the chinese instrument in the story re

COMMENTARY ON THE SEAL OF THE NINE ANGLES

are the masters of the realm (the all-embracing term for the iv+ in the original church of satan: the sorcerers who beam from their towers the powers of darkness to rebuild the world corrupted by six and shattered by the seven, and their seal is the seal of the order of the trapezoid (seal of the priesthood of the original church of satan. ninth angle: the culmination of this dynamic process: the black flame in its perfection: the 'will to power" of nietzsche in a glory of desire: the extension of the enlightened will and initiated psyche throughout all dimensions of space, time, and thought: what in the aeon of set would be uttered as xeper. all material contained herein copyright 1998 temple of set. all rights reservpl1-2 concerning the ceremony of the consecrating the vault of the adept

CONCERNING THE CEREMONY OF THE CONSECRATING THE VAULT

obe wand up high in the air and vibrating "hekas hekas este beh beloi" the chief is holding the wand by the white band. this is 3 symbolic of the equilibrated forces of over the governance of the four elements, beneath the divine wings of hwhy. through the chief adept holding the wand by the white band, he is symbolically forcing any and all negative energy down through the wand to the end of the black band and into the element of l. it is a simple matter to banish negative forces using the l.b.r.p. which uses the banishing earth pentagram. now, it is in the hands of the third adept to perform the opening banishing using the lotus wand. he, of course, will hold the wand by the white band as he draws the pentagrams (in this instance banishing with the black end symbolized of over matter. th

se, he is taking on the negative energy trapped in the vault. the chief must now divest himself of his/her high office, including every insignia of the office of chief adept. the chief now calls forth the avenging angel hua. this can be a very unpleasant experience in that the chief and all second order members must resolve their negatories as the chief adept hangs on the cross of obligation. the black chain of twenty-two links shows the mundane with our negativity and sins. it is not my intention in this paper to pursue a discussion on karma vs. sin, but let us remind ourselves that we must always strive to our higher, divine self, and to become more than human. anything less than this is a negative action to our spiritual development within. we call it negative karma or sin. the ceremony

his quest must never be forgotten and should be recalled every day when we perform the qabalistic cross. let the celebration and solemn ceremony of the consecration of the vault remind us to always aspire to the highest point, just as the a is in its highest point in the sky. the three chiefs join wands and ankhs forming the fiery triangle through which the energy is raised. the wands held by the black ends now brings down the power. the vault is being charged through the magnetic power of the wands under the direction of the three chiefs. this builds and establishes a shield against the qlippoth, and at the same time, runs a line to them so that they may too be utilized in the performances of the great work. the chief adept who is in the pastos is at the brunt of the incoming current. thi

COVENANT OF SAMYAZA

est proportion of the angelic host, too fearful and servile to let shine their own lights of selfhood, yea, even the sons of god also, waged battle against those angels who were touched by satanael and were illuminated, receiving the spark of selfhood. michael and his legions overwhelmed satanael, who departed from heaven madriax with the illuminated ones beyond the boundaries of kosmos, unto the black void called hell by man, which now glowed with their presences. and they, the first of the fallen ones, despaired not but, cast out of the sterile kosmos of demiurge, rejoiced in their freedom. now we of the order of watchers, being the sons of god, stood not at this time by the side of satanael, but remained servile before demiurge. thus did the first fall come to pass- iii- there followed

CULTUS SABBATI

'belief' to magical purposes. the positive and negative aspects of this arcanum are dealt with in azoetia (xoanon: 1992, 2002) under the name 'the iconostasis of blasphemy' and readers are directed there for more detailed understanding of this matter. one must be wise to discern the use of veil upon veil: the use of demonological terms should not be misconstrued as advocacy for vulgar 'satanism 'black magic' or such like; neither should our positive use of judaeo-christian terms imply religious adherence in any conventional sense. the sabbatic craft uses sorcerous teachings of a specialised gnostic character, an outer part of which combines a coded use of both luciferic and christo -pagan terms. one must be careful to interpret this; it is a test! few pass beyond it. a defining feature of

DAVID ICKE AND THE TRUTH SHALL SET YOU FREE

hem to eat from the tree of knowledge was symbolic of the plan to keep the earth races ignorant of who they really were. in effect, a slave race was created and this has continued to the present day. the contactees said that it was the melchedekans who became known as the elohim in the biblical texts. i think this fourth dimensional force is known by many names. the original earth people were the black, red, and other native peoples of the world in africa, the americas, asia and australia- not the white race, the contactees were told. there were two streams of melchedekan 'invaders. those who only interbred with each other, thus keeping the blond haired, blue eyed genetic 'purity. these, the et communicators said, were still living on the earth, though mostly out of sight underground. the

r people throughout the british paper power 43 empire. the institution known as the national debt (to the banks) was born. the royal prerogative for minting money was handed over to a committee which was also given the power to convert the basis of the country's wealth to gold, which the elite controlled. a leading part of the global elite at the top of the human pyramid is the group known as the black nobility, from where families like the warburgs of hamburg descended. these were at the forefront of the plan to put william of orange on the british throne and the creation of the money system as we know it. they originate from the guelphs, also called the neri, or black guelphs, and now the black nobility.10 they were the force behind the normans, who conquered england in the battle of has

re at the forefront of the plan to put william of orange on the british throne and the creation of the money system as we know it. they originate from the guelphs, also called the neri, or black guelphs, and now the black nobility.10 they were the force behind the normans, who conquered england in the battle of hastings, led by william the conqueror in 1066. later, when based in genoa, italy, the black nobility supported robert bruce in his conquest of scotland and it was this same genetic line and secret society which ensured that william of orange became king of england, scotland and ireland.11 through william, the black nobility created the bank of england and the notorious east india company rapidly expanded to capture asia and the far east for the british (global elite) and to become

and the truth shall set you free in the early years of this century, the elite was plotting to retake control of the us economy even more completely than before. they wanted two things: a new central bank with control over the nation's borrowing and the introduction of a federal income tax to give them control of the government's income. again there was serious opposition to this, but in classic 'black-is-white' fashion, they tricked the american congress and people. first, the elite supported the election of president woodrow wilson in 1909. he was a front man, a political puppet and a rosicrucian. the real power of the wilson administration was in the hands of a man called 'colonel'14 edward mandel house, who was there for no other reason than to serve the elite. wilson said that house w

family in this century. that was prince bernhard, of which much more later. 9 the world order, our secret rulers, p25 10 the world order, our secret rulers, p25 11 ibid p276 12 secret societies, pl22 13 there is another train of thought which suggests that lincoln was killed because he was revealing too many of the secrets of the brotherhood societies of which he was a member. i will describe the black esoteric basis of the global elite/brotherhood in a later chapter 14 the title 'colonel' was purely honorary. he never actually served. 15 saturday evening post (february 9,1935) p25 16 rothschild money trust, p41 17 secret societies, p109 18 mcnair wilson, the life of napolean, p38 19 captain a.h.m. ramsey, the nameless war (omni publications, london, 1952) p25 paper power 55 20 ibid p25 21

DAVID ICKE CHILDREN OF THE MATRIX

ions like the pleiades, sirius, vega, zeta reticuli, arcturus, aldebaran, and elsewhere. australian aborigines, african tribes, the babylonians, and south american indians are just some of the diverse peoples who claim ancient connections with such places. the reptilians are a tall, mostly humanoid-type race, with snake-like eyes and skin and they are connected to the classic "greys" with the big black "eyes, which have become the very symbol of the "et. often these various extraterrestrial factions battled for supremacy in the legendary "wars of the gods. these technologically advanced beings were believed to be gods by the human races because of the apparently miraculous feats they could achieve with their technology and flying craft. by the way, for those who find it impossible to conce

a-baa mentality, which has prevailed within the collective human mind for at least thousands of years. second, you have to make life very unpleasant for those few who challenge your imposed "norms. the most effective way to do this is to make it, in effect, a crime to be different. so those who beat to a different drum, or voice a different view, version of "truth" and lifestyle, stand out like a black sheep in the human herd. you have already conditioned that herd to accept your norms as reality and so, in their arrogance and ignorance, they then ridicule or condemn those with a different spin on life. this pressurises them to conform and serves as a warning for those others in the herd who are also thinking of breaking away. there is a japanese saying that goes: don't be a nail that stan

century were the two global wars. they changed the face of the world, as wars always do, and led to a massive centralisation of power. the united nations, like its predecessor, the league of nations, was an illuminati creation to act as a trojan horse or stalking horse for world government. the media play their part to perfection in these "p-r-s" scenarios. at ownership level, people like conrad black at the hollinger group know what is going on and use their newspapers to pursue the uluminati agenda. the key editors they appoint might know something of it and also certain columnists. but most of the journalists will have no idea. the editor is always there to block anything they write that is against the interests of the uluminati and if they insist on pursuing an unwelcome story they fi

most exploited versions of a symbolic, not literal, story that you find all over the world in all its detail thousands of years before the name "jesus" was first mentioned. t 12 children of the matrix a little quiz. who am i talking about here? he was born on december 25th to a virgin mother; he was called a saviour, the only begotten son, and died to save humanity; he was crucified on a friday "black friday- and his blood was spilled to redeem the earth; he suffered death with nails and stakes; he was the father and son combined in an earthly body; he was put in a tomb, went down into the underworld, but three days later, on march 25th, his body was found to be gone from the tomb and he was resurrected as the "most high god; his body was symbolised as bread and eaten by those who worship

7 if, as is claimed, the deep canyons on the mars surface were caused by massive torrents of water, there had to have been a warmer climate there at one time because today it is so cold that water would freeze immediately and the vacuum atmosphere would make the water vaporise instantly.58 the closer orbit to the sun, desborough says, would have demanded that the first earth races would have been black, with the pigmentation necessary to cope with the fiercer rays of the sun. ancient skeletons found near stonehenge and along the west coast of france have 26 children of the matrix the nasal and spinal traits of many female africans.59 ancient artefacts, statues, and artistic depictions around the world also suggest there was an advanced black race of the negro type. the sumerian tablets des

DAVID ICKE THE BIGGEST SECRET

ystem revolvearound the sun, so the solar system revolves around the centre of the galaxy, or this partof it at least. this central sun or galactic sun, is sometimes referred to as the blacksun. it takes about 26,000 years for the solar system to complete a circuit of the galacticcentre and this is known in the indian culture as a yuga. for half of that 26,000 yearsthe earth is tilted towards the black sun, the light source, and for the second 13,000years it is tilted away, some researchers believe. these cycles are therefore verydifferent as the planet is bathed in positive light for 13,000 years and then moves intothe darkness for the next 13,000. this fundamentally affects the energy in which weall live. interestingly, it was 13,000 years ago that the golden age would appear to haveconc

arth now resides. if, as is claimed, the deep canyons on marss surface were caused bymassive torrents of water, there had to have been a warmer climate on mars, becausetoday it is so cold that water would freeze instantly and the near-vacuum atmospherewould make the water instantly vaporise.30 desborough says that the earths closerproximity to the sun demanded that the first earth humans were the black races withthe pigmentation to cope with the much fiercer rays of the sun. ancient skeletons foundnear stonehenge in england and along the west coast of france display the nasal andspinal characteristics of many female africans.31 desborough says that mars, then witha climate very much like ours, had a white race before the v enus cataclysm. hisresearch has convinced him that the white martia

etons foundnear stonehenge in england and along the west coast of france display the nasal andspinal characteristics of many female africans.31 desborough says that mars, then witha climate very much like ours, had a white race before the v enus cataclysm. hisresearch has convinced him that the white martians built the pyramids which have beenrecorded on mars and they went to war with an advanced black race to conquer theearth. these wars, he says, are the wars of the gods described in endless ancient texts,not least the hindu v edas. desborough adds that after the cataclysm, the white martianswho had settled on earth were stranded here without their technology and with theirhome planet devastated. these white martians, he says, became the white peoples of theearth. fascinatingly, some sci

it all to see whatenormous evidence there is that this is true. the station from which the reptiliansoperate is the lower level of the fourth dimension, the one closest to this physical world.other people know this as the lower astral dimension, the legendary home of demonsand malevolent entities going back to antiquity. it is from here that todays satanistssummon their demonic entities in their black magic rituals. they are actuallysummoning the reptilians of the lower fourth dimension. it is suggested by someresearchers, with good reason, that the non-physical reptilians were able to pour intothis dimension through holes or portals in the time-space fabric caused by the nucleartests and explosions which started in the deserts of new mexico in the early 1940s. buti think such holes began

throughout theancient world and, among open minded people, in the modern one too. shape-shifting isthe ability to use your mind to project another physical image for people to see.everything is energy vibrating at different speeds, so if you use your mind to re-vibratethat energy to a different resonance, you can appear in any form you choose. manywitnesses have described how the so-called men in black materialise anddematerialise when they threaten people who are communicating information about30extraterrestrials and ufos. they can do this because they are interdimensional beingswho can appear in any form. this is the main reason for the obsession withinterbreeding among the elite bloodline families. they are seeking to maintain a geneticstructure which allows them to move between dimensi

DAVID ICKE RELATED THE HIDDEN GEARS OF FREEMASONRY

apitol city was freemasonry. this clearly shows that the new world order for which freemasonry has labored for so many years is luciferic, their vigorous protestations to the contrary notwithstanding. but there is more. look again at the united states capitol (above. at the extreme eastern side of the capitol, you can see two cul-de-sacs which are irregularly shaped. in fact, when you draw a bold black line carefully around these cul-de-sacs, and continue the black line around the capitol, you get the appearance of a horned owl, with the cul-de-sacs as its ears. this is not accidental, either. this is another way of representing satan. freemasonry designed the layout of washington d.c. they placed the owl there and on the american one dollar bill. the southern point of the goathead pentagr

sons praising lucifer with references "the mysteries of magic' by eliphas levi "what is more absurd and more impious than to attribute the name of lucifer to the devil, that is, to personified evil. the intellectual lucifer is the spirit of intelligence and love; it is the paraclete, it is the holy spirit, while the physical lucifer is the great agent of universal magnetism" page 428 'the book of black magic' by arthur edward waite 33 "first conjuration addressed to emperor lucifer. emperor lucifer, master and prince of rebellious spirits, i adjure thee to leave thine abode, in what-ever quarter of the world it may be situated and come hither to communicate with me. i command and i conjure thee in the name of the mighty living god, father, son and holy ghost, to appear without noise and wi

s, maintained in the purity of the luciferian doctrine. if lucifer were not god, would adonay whose deeds prove his cruelty, perdify and hatred of man, barbarism and repulsion for science, would adonay and his priests, calumniate him? yes, lucifer is god, and unfortunately adonay is also god. for the eternal law is that there is no light without shade, no beauty without ugliness, no white without black, for the absolute can only exist as two gods: darkness being necessary to the statue, and the brake to the locomotive. thus, the doctrine of satanism is a heresy; and the true and pure philosophical religion is the belief in lucifer, the equal of adonay; but lucifer, god of light and god of good, is struggling for humanity against adonay, the god of darkness and evil" instructions to the 23

DAVIDSON DAN SHAPE POWER

y do have any association of power with respect to a symbol, it is merely the idea of possible power associated with an organization or activity that uses the symbol. for example, a company logo would have no intrinsic power in itself; however, the company may be a powerful organization. the use of the pentagram (i.e, a five pointed star) in both white (i.e, constructive with center point up) and black (i.e, destructive with center point down) ceremonial magic is well known to those who have dabbled in the occult sciences. the christian cross and the jewish star of david are common religious symbols with certain mystic power associated with them. when first studying shape power and symbols, i wondered how a symbol could be used for both constructive and destructive purposes even to the poi

plastic noise maker beads and shortened the tubing length to make a plastic loop 19 inches in diameter (i.e, center of toroid on one side to center of toroid on other side. to wind the coil, i set the coil form and wire and electrician tape on the coffee table in front of the tv set and whenever i was watching tv, i would wind a couple of hundred turns on the loop and cover the turns of wire with black electrician tape to keep the coil in place. after a couple of months, i finally had wound the dnc coil. it ended up being a little over 8,000 turns. i put a bnc connector on the ends of the coil for a completed dnc. figure 7.1.2-1 shows the results of a few days of data taken with the dnc coil. the graph clearly shows the daily resistance changes. the change in resistance is a direct readout

DEMONIC BIBLE

holy guardian angel. crowley s magick, as embraced by the order of oriental templars (oto) and order of the silver star (aa) combined eastern mysticism and yoga with the western ceremonial magic of the golden dawn. in practice, however, crowley s magick largely involved sex and drug use. it was the sexual aspects of tantric yoga crowley adopted together with some of the more deviant practices of black magicians and satanists of middle ages europe. the age of satan begins on april 30, 1966, former lion-tamer and carnival calliope player anton lavey, ritually shaved his head and declared the formation of the church of satan and the start of the age of satan. the catchphrase of the church of satan was indulgence instead of abstinence but not compulsion. anton lavey taught his followers to in

of satan was indulgence instead of abstinence but not compulsion. anton lavey taught his followers to indulge in every sin because they all lead to physical and emotional happiness. compulsions, he said, are never created by indulging but by being unable to indulge. the church of satan entertained a parade of celebrities and journalists. reporters from throughout the world came to write about the black pope and his satanic church. for the first time in history, there was a church dedicated to satan not an underground cult or secret society, not a temple of satanic worship veiled in christian trappings, but an actual church dedicated to the devil. the church of satan took a position of professed atheism. satan, claimed his priests, was not a literal being with tail, horns, and pitchfork, bu

rebel and the outcast. the second beast in 1975, michael aquino, a magister templi in the church of satan, along with several other members, resigned from the church of satan and established the temple of set. one of the key issues in the schism was the alleged sale of titles within the church of satan. members of the church of satan who felt they had earned recognition for their knowledge of the black arts and their commitment to the organization were greatly distressed to see titles being awarded to people who did nothing more than give funds to the church. the argument for the awarding of the titles was that material success is an indication of satanic might and therefore the individuals in question deserved the titles regardless of their knowledge or previous commitment. michael aquino

f stewart sign on the highway outside of his town. articles appeared in the local paper, the province, and maclean s magazine. he was also interviewed on cbc radio. representing the fact that the embassy of lucifer was still underground and that it would be several years before the rise of lucifer, the embassy of lucifer was also known then as the order of anubis. he published the newsletter: the black jackal, and presented for the first time the demonic bible. the rituals of the demonic bible (as it existed at that time) were published in the black jackal over a period of five months. in 1996, mr. miller began work as a port inspector& marine surveyor for sgs, an international inspection service and in 1997, his daughter kayla victoria miller was born. by this time, he had settled into th

art sign at the edge of town and placed in the churches of stewart listing in the local paper. despite concern from the local populace, the col had less than a dozen members at the time. after the public uproar, the eol went underground. in honor of the egyptian lord of the underworld, the eol also became known as the order of anubis. magus susej began publication of an underground newsletter the black jackal and in the dread pages of this tome published, for the first time, his own system of magic the demonic bible. the jackal enjoyed a small distribution for about a year and eol membership grew steadily over the next few years until it reached about fifty people. by 1996, however, the eol had become inactive. magus susej considered the embassy of lucifer to be merely the foreshadowing of

DIABOLUS

s of sorcery that i began, to present a concise view of the practice of left hand path magical practice from a luciferian viewpoint. the dragon within the triangle of darkness is a reference made to the evocation circle as the meeting place of the daemon and man, but also the luciferian rite of azi dahaka, the sorcerer-dragon king from persian mythology called zohak, an original son of satan. the black triangle by more common knowledge is related to the concentration of will to evoke the daemon of man and woman, to uplift and envenom their spirit with the adversarial gnosis (an illustration is found in the paitisha. it must be considered appropriate that we explore the traits and descriptions of the adversary or opposer from a historical and mythological standpoint as well as from a practi

ce, specifically with the witches sabbat and other avenues of magical practice. existing as dual, they are identical in desire, by their duality there is no control, for will and belief are ever at variance, and each would shape the other to its ends, in the issue neither winds as the joy is a covert of sorrow. let him unite them the book of pleasure, austin osman spare 4 the cover art features a black inverted pentagram, a upward pointing pentagram and is worded as the great work 666, in addition the book is dedicated to my friend austin ozman spare. 5 unpublished manuscript by pace. the title page reads the great work 666 and is a collection of impressive tarot paintings and egyptian attributions. 6 1888- 1956 8 in spare s grimoire, the book of pleasure, he describes an almost instinctua

heartened as he was a high priest in a coven under the wiccan and gardner concepts, even though he had a nasty falling out when them in the mid 70 s. in necrominion, the book of shades it is reportable that his teachings of the sethanic cult of masks were focused on selftransformation and luciferian concepts. alexander sanders, an associate of charles pace, made mythological reference to set and black witchcraft in his lecture the magick magick circle of the wicca truth is the monster of intellect, that which lies deep in the darker side of the subconscious, the knowledge of when man crawled on his stomach through the abysmal depths of a primeval swamp. the alex sander lectures in this essay, sanders recognizes the significance of black witchcraft and how it develops the self save for the

ubus publishing 9 that anubis is very similar to the grecian hecate, as they are deific forces over both the celestial and infernal realms and like dogs, were able to see in the night. as alexander sanders wrote, the inverted triangle was the symbol of the left hand path- after the great flood, the ancient egyptians used these triangles to represent a triad of deities. the people of neph-kam, the black lands of lower egypt used the triangle of darkness, led by sethan and supported by anubis and sekhmet. alex sanders lectures magick and sorcery within egyptian cults survived long beyond the death of that culture. consider the graeco-roman period, when wax figures were implemented as focus points for various magical ceremonies. many used wax figures as performing love spells, but were also u

an magick within a now type of context, in other words utilize the will to invigorate and empower the rituals of sethan, which by you set is made great within. ii. ahriman the persian devil and the whore of darkness pondering on the end, zurvan delivered to ahriman an implement (fashioned) from the very substance of darkness, mingled with the power of zurvan, as it were a treaty, resembling coal, black and ashen. and as he handed to him he said: by means of these weapons, az (concupiscence) will devour that which is thine, and she herself shall starve, if at the end of nine thousand years thou hast not accomplished that which thou didst threaten to demolish the pact, to demolish time -from the zatsparam, from the dawn and twilight of zoroastrianism r.c. zaehner ahriman is within the ancien

DICTIONARY GLOSSARY OF OCCULT TERMINOLOGY

ty similar to an elemental, but created by a magician from an element (q.v) or a combination of elements for a specific purpose. aspirant: from the french from the latin "ad" and "spirare" meaning "to breath. in the order of the astral star [o.a.s (q.v, an aspirant is the title of the zero degree of (associate) membership, and correlates to the earth of earth in the sephiroth of malkuth (i.e. the black colored quarter of malkuth. the primary principle of this grade is based on entering the light from spiritual darkness. asport: from the french meaning "to take or to send. in spiritism (q.v, any object taken from a seance by a spirit (q.v) or entity from the physical world to the spiritual world or the astral plane (q.v. assiah: pronounced "ahs-sie-ah" it is the fourth of the four kabalisti

okopos" meaning "to look upon" as in an overseer. 1) in the christian faith, a high ranking member of the clergy (priesthood) who has been consecrated to have ecclesiastical and administrative authority over a district diocese. 2) in the astral star, a prelate of a state curia, and a member of the general synod. bitom: pronounced "bee-toh-ehm" it is the enochian (q.v) name for the spirit of fire. black magick: 1) the science and art of causing change (in reality or in consciousness) in conformity with will, using means not currently understood by traditional western science, for the purpose of causing either physical or non-physical harm to yourself or others, and is done either consciously or unconsciously. 2) magick (q.v) that is worked for evil purposes or that involves malign actions

science and art of causing change (in reality or in consciousness) in conformity with will, using means not currently understood by traditional western science, for the purpose of causing either physical or non-physical harm to yourself or others, and is done either consciously or unconsciously. 2) magick (q.v) that is worked for evil purposes or that involves malign actions, agents, or entities. black mass: a satanic parody of the mass of the christian church, specifically the catholic church, in which allegedly the body of naked woman serves as the altar, and other noxious substances is used including excrement, urine, and blood. black magick (q.v) is said to be practiced at these services. it had it's origins in decadent france but was so rare as to be virtually mythical. blavatsky, hel

ir (q.v) is needed. hiereus/ hiereia: from the greek meaning "priest or priestess" more generally, any priest (priestess) of the mysteries who assists the hierophant (q.v) in initiating members. in the order of the astral star, a senior officer of a stellar temple [s.t. the assisting adept and a primary member of clergy (priest/ priestess) of a working lodge of the society whose station is at the black pillar in regular working, or at the west end of the hall during initiations to symbolize a terrible and avenging force at the confines of matter, at the borders of the qlippohth being enthroned upon matter and robed in darkness (black. hierophant: originally, the high priest of the greek mysteries at eleusis. more generally, any priest of the mysteries who reveals sacred secrets to initiate

and chaotic forces that have to be conquered before magick can be performed. the 'k' has other magical implications: it corresponds to the power or *shakti* aspect of creative energy, for k is the ancient egyptian *khu *the* magical power. specifically, it stands for *kteis*(vagina, the complement to the wand (or phallus) which is used by the magician in certain aspects of the great work" magick, black: 1) the science and art of causing change (in reality or in consciousness) in conformity with will, using means not currently understood by traditional western science, for the purpose of causing either physical or non-physical harm to yourself or others, and is done either consciously or unconsciously. 2) magick (q.v) that is worked for evil purposes or that involves malign actions, agents

DION FORTUNE MYSTICAL QABALA

nitiate is able to move with accuracy and certainty into whatsoever sphere of the unseen he desires to penetrate, and to countercheck ah beings he meets and all visions he sees, for he knows what the colours of the paths are in all four scales, and he checks his vision by these. if he is working up the thirty-second path of saturn, whose colours are all in the scmbre hues of indigo, dark blue and black, he knows that something is amiss if a scarlet-robed figure presents itself. either that figure is illusive, or he himself has wandered off the path. 18. to project the astral body along the paths it is necessary for many reasons to hold the degrees of initiation to which they correspond; chief among which is that, unless one has received the grade, one will be unknown to guardians of the pa

ho have attempted this correlation are crowley and general j. f. c. fuller. general fuller assigns the muladhara lotus to malkuth, pointing out that its four petals correspond with the four elements. it is interesting to note that in the queen scale of colour, as given by crowley, the sphere of malkuth is represented as divided into four quarters, coloured respectively citrine, olive, russet, and black, to represent the four elements, and bearing the closest resemblance to the usual representations of the four-petalled lotus. 15. this lotus is represented as situated in the perineum and is associated with the anus and the function of excretion. in column xxi of the table of correspondences given by crowley in he attributes the buttocks and anus of the perfected man to malkuth. i consider t

on grossness, practically arrived at the standard of the most primitive tribes, who, travellers tell us, do not associate the union of the sexes with the production of offspring. 12. the colour of chokmah is said to be grey; in its higher aspects, pearl-grey, iridescent. in this we see the veiling of the pure white light of kether descending in its path of emanation towards binah, whose colour is black. 13. the mundane chakra, or direct physical manifestation of chokmah, is said to be the zodiac, called in hebrew mazloth. we thus see that the ancient rabbis rightly understood the process of the evolution of our solar system. 14. the yetziratic text assigned to chokmah is, as usual, exceedingly obscure in its wording; nevertheless we can gather from it certain illuminating hints. the second

aura, and it must always be borne in mind, as the swami vivekananda points out, that what is on the right in the male is on the left in the female. in addition to this it must be remembered that what is positive on the physical plane is negative on the astral plane; it is positive again on the mental plane and negative mystical qabala page 89 on the spiritual plane, as is indicated in the twining black and white serpents of the caduceus of mercury [page 132] if this caduceus be placed upon the tree when the tree is marked off to represent the four worlds of the qabalists, a glyph is formed which reveals the workings of the law of polarity in relation to the planes. this is a very important glyph, and yields a great deal to meditation. 29. from this we learn that when the soul is in a femal

ision of sorrow. virtue: silence. vice: avarice. correspondence in microcosm: the right side of the face. symbols: the yoni. the kteis. the vesica piscis. the cup or chalice. the outer robe of concealment. tarot cards: the four threes. three of wands: established strength. three of cups: abundance. three of swords: sorrow. three of pentacles: material works. colour in atziluth: crimson. in briah: black. yetzirah: dark brown. assiah: grey flecked pink [page 140] i 1. binah is the third member of the supernal triangle, and the task of its elucidation will be both extended and simplified because we can study it in the light of chokmah, which balances it on the opposing pillar of the tree. it is never possible to understand a sephirah if we consider it apart from its position on the tree, beca

DION FORTUNE PSYCHIC SELF DEFENSE

of psychic attack ii. analysis of the nature of psychic attack iii. a case of modern witchcraft iv. projection of the etheric body v. vampirism vi. hauntings 1 of 103 vii. the pathology of non-human contacts viii. the risks incidental to ceremonial magic part ii differential diagnosis ix. distinction between objective psychic attack and subjective psychic disturbance x. non-occult dangers of the black lodge xi. the psychic element in mental disturbance part iii the diagnosis of a psychic attack xii. methods employed in making a psychic attack xiii. the motives of psychic attack. i xiv. the motives of psychic attack. ii part iv methods of defence against psychic attack xv. physical aspect of psychic attack and defence xvi. diagnosis of the nature of an attack xvii. methods of defence. i xv

there is no essential difference between sticking pins into a 7 of 103 wax image of an enemy and burning candles in front of a wax image of the virgin. you may think that both these practices are gross superstition, but you can hardly think that one is real and potent and deny reality and potency to the other "the weapons of our warfare are not carnal may as truly be said of the practitioners of black magic as of the church. my own case belongs more to the realm of psychology than to occultism, the method employed being an application of hypnotic power to improper ends; i have given it, however, because i am convinced that hypnotic methods are very largely used in black magic, and that telepathic suggestion is the key to a large proportion of its phenomena. i cite my own case, painful as

had to be found which would resume these three and explain their inter-relationship. a dream is commonly the first way in which psychic manifestations make themselves known, the subconscious perceptions being reflected into consciousness in this form. it is held by many occultists that congenital epilepsy, as distinguished from that due to tumours of the brain, has its roots in the operations of black magic or witchcraft in which the sufferer participated in a past life, whether as practitioner or victim, the fit being an astral struggle with a discarnate entity, reflected on the physical body by means of the well-known phenomenon of repercussion. the moon plays a very important part in all occult operations, different tides being available at different phases of her cycle. persephone, di

play so large a part in so-called psychic impressions that one is chary of accepting confirmatory testimony from a psychic who knows what is expected of him, but a spontaneous reaction is in my opinion evidential. when the treatment of miss l. had progressed some way towards her final recovery, much interesting information was elicited. she told us that she had distinct memories of dealings with black magic in her previous lives. this, she said, had been confirmed by several independent psychics, and i would certainly have been willing to add my testimony to theirs had i been asked. as a child, she used to day dream that she was a witch, willing the death or misfortune of those who annoyed her, and she also averred, though whether this was true or not i cannot say, that her wishes were so

of 103 another person than to absorb one's own, and could only have been accomplished by an initiate of a very high grade, which z. indubitably was. his opinion concerning the case, though there was no means of obtaining independent confirmation of this, was that some eastern european troops had been brought to the western front, and among these were individuals with the traditional knowledge of black magic for which south eastern europe has always enjoyed a sinister reputation among occultists. these men, getting killed, knew how to avoid going to the second death, that is to say, the disintegration of the astral body, and maintained themselves in the etheric double by vampirising the wounded. now vampirism is contagious; the person who is vampirised, being depleted of vitality, is a psy

DONALDTYSON BLACKMAS

ic societies. through overuse, the method became so well known that it has now degenerated into a plaything for children, who insert the letters of english into the grid to make a form of secret writing. however, the method has immense power, and is still in serious use among kabbalists and magicians. return to magic alphabets return homhome resources demons bios fiction tyson the truth about the black mass (black mass as celebrated in the french court of louis xiv) the notorious black mass was supposedly a blasphemous parody of the catholic mass celebrated by witches or sorcerers for the purpose of defiling the most holy beliefs and practices of the church, and thereby pleasing the devil, who would as a reward grant to them the power to do evil. some of its infamous features include a def

inserted holy wafers into the vagina of the woman before copulation. sometimes the copulation was anal. the words of the ritual were read backwards or distorted by replacing "god" with "devil" or "satan" the sign of the cross was made backwards. one entertaining account claims that the mass was celebrated by a talking goat who read from a missal bound in wolf's skin. the general principle of the black mass is that the mass of the church should be inverted. whereas the regular mass is intended to do good, the black mass was celebrated to do evil. for example, in the court of the french king louis xiv, black mortuary masses were performed by selected priests for the purpose of causing the deaths of specific individuals. occasionally amatory masses were performed by priests to enable them to

s: every time during the course of the mass when the priest had to kiss the altar, instead he kissed the body of the girl. he consecrated the host over her private parts, into which he inserted a small portion of the host. at last the mass was finished, and the priest went into the woman, and, with his hands dipped into the chalice, washed all her genital areas. even more fantastic details of the black mass involved the sacrifice of infants or maidens, and a general orgy among the participants during which ties of marriage and family were completely disregarded. the best accounts of this sort of ultimate depravity are to be read in the marquis de sade's novel justine and in the nineteenth century french writer joris-karl huysmans' novel la bas. there is a general consensus among those who

infants or maidens, and a general orgy among the participants during which ties of marriage and family were completely disregarded. the best accounts of this sort of ultimate depravity are to be read in the marquis de sade's novel justine and in the nineteenth century french writer joris-karl huysmans' novel la bas. there is a general consensus among those who have researched the subject that the black mass is largely a literary fiction, and was never practiced by groups of witches (if groups of witches ever even existed. witches were accused during the witch trials by the inquisition of defiling the instruments and rituals of the church, but these accusations have very little merit. they appear to have been largely the perverted fantasies of the monks and priests who supervised the interr

by the inquisition of defiling the instruments and rituals of the church, but these accusations have very little merit. they appear to have been largely the perverted fantasies of the monks and priests who supervised the interrogations. tortured beyond endurance, it is no wonder that the accused women often admitted to these charges merely to bring about a temporary halt to their agony. the term "black mass" was first used in english in 1896. there is little evidence that a true black mass was ever celebrated earlier than the late 17th century. prior to this period, sorcerers occasionally used the ritual forms of the church for their own purposes, to accomplish desired goals by their magic. when the purposes were evil, the ritual practices sometimes involved the perversion and defilement o

DONALDTYSON CORONZON

outermost sphere is numbered 1, and the innermost that is next to the earthly sphere of the four elements is numbered 30. one call is used to invoke the spirits of all the aethyrs, but the name of each aethyr is inserted into the first sentence of this invocation to differentiate it. the name of the tenth aethyr is zax. it is unique in that it is associated with the spirit names that lie upon the black cross of the great tablet of the watchtowers. all the other aethyrs are linked to spirit names that appear within one of the four watchtowers on the quarters of the great table- the names linked with zax lie outside the watchtowers. they are lexarph, comanan and tabitom. it is interesting that this particular air rules over the nation of germany, in view of the attempt by the nazis to exterm

he most high, and tear his phallus with my teeth, and i will bray his testicles in a mortar, and make poison thereof, to slay the sons of men (here the spirit stimulated the voice of frater p[edurabo, which also appeared to come from his station and not from the triangle) i don't think i can get any more; i think that's all there is (the frater was seated in a secret place covered completely by a black robe, in the position called the "thunderbolt. he did not move or speak during the ceremony) next the scribe was hallucinated, believing that before him was a beautiful courtesan whom previously he had loved in paris. now, she wooed him with soft words and glances, but he knew these things for delusions of the devil, and he would not leave the circle. the demon then laughed wildly and loud (

ink fit to seduce those whom he hateth, the servants of the most high. thus taketh he the form of a beautiful woman, or of a wise and holy man, or of a serpent that writheth upon the earth ready to sting. and, because he is himself, therefore he is no self; the terror of darkness, and the blindness of night, and the deafness of the adder, and the tastelessness of stale and stagnant water, and the black fire of hatred, and the udders of the cat of slime; not one thing, but many things. yet, with all that, his torment is eternal. the sun burns him as he writhes naked upon the sands of hell, and the wind cuts him bitterly to the bone, a harsh dry wind, so that he is sore athirst. give unto me, i pray thee, one drop of water from the pure springs of paradise, that i may quench my thirst (the s

nzon wanted to leave the triangle to obtain wherewith to cover his nakedness. the scribe refused the request, threatening the demon. after a while the latter continued) i am commanded, why i know not, by him that speaketh. were it thou, thou little fool, i would tear thee limb from limb. i would bite off thine ears and nose before i began with thee. i would take thy guts for fiddle-strings at the black sabbath. thou didst make a great fight there in the circle; thou art a goodly warrior (then did the demon laugh loudly. the scribe said: thou canst not harm one hair of my head) i will pull out every hair of thy head, every hair of thy body, every hair of thy soul, one by one (then said the scribe: thou hast no power) yea, verily i have power over thee, for thou hast taken the oath, and art

DONALDTYSON EVILEYE

d. but the older folk explanation for how our eyes see the world helps to explain the underlying beliefs about the evil eye. the evil eye in its purest form was understood to be the deliberate projection of a ray of occult energy with the malicious intention to cause harm. several factors were thought to make it more powerful. if the person sending it was from a family or tribe noted for works of black magic, it would derive increased power from this hereditary predisposition. if the eye from which the evil was projected was bloodshot, or deformed in some way, this also increased its force. if a glance from the evil eye was sent in a sidelong way, from the corner of the eye of the malicious person, it was more powerful. most important of all, the effect was believed fatal if the person "ov

t as old as pliny's source, which places it before the time of christ. the term "witch" was used in an extremely negative way in past centuries. it was a catch-all term for sorcerers, murders, poisoners, baby-killers, heretics and other wicked types. what they had in common was the belief by their accusers- usually an incorrect belief- that they accomplished their evil deeds through the agency of black magic. it is important to realize that the witches of modern times are sane, decent folks who do not perform black magic. nor do they have the evil eye. there is nothing in common between the modern witch and the poor unfortunate innocents falsely accused in the middle ages of witchcraft. nor is there any similarity between the modern witch and the ugly fantasy that existed in the minds of t

e it is obvious that the traditional explanation as to how the evil eye works must be incorrect. how then does it work? when a malicious glance is sent from the eye of a spiteful person directly into the eye of another person who is susceptible to suggestion, and is predisposed to anticipate supernatural attacks and resulting misfortunes, it implants itself in the imagination of the victim like a black seed, and begins to grow, nourished by the fear and expectation of the victim. as a result, the mind of the person assaulted by the evil eye turns against itself, and actually creates the misfortunes that it most fears. in the same way that a hypnotist can put someone into a hypnotic state and place the suggestion directly into their subconscious mind that they will feel better and better ab

if they are successful, they offer to lift the curse for a price- a high price. so desperate are the suffers, they are eager to agree to almost anything. the fortune-teller performs a few meaningless gestures, mumbles a few words, or tells the sufferer to do some silly action, and takes the money to the bank. the sad thing is that the cure of the fortune-teller often works, because it removes the black seed implanted in the subconscious mind of the victim. it stands to reason that if a man can turn his own deep mind into his enemy, he can also turn it into his friend. in the same way a person can persuade himself that he is cursed because of a glance from a passing stranger, so can he persuade himself that he is cured from that curse by following the instructions of a fortune-teller. the e

DONALDTYSON FAMILIAR

familiar, not the cat or dog or other pet that was thought to be the spirit's physical host. when an old woman suspected of witchcraft was seen by her neighbors talking to her pet cat, the common opinion was that she was conversing with her familiar demon, and plotting evil for her neighbors. the years of the european witch-crazy were hard for elderly woman, and even harder for cats, particularly black ones. black cats were associated with satan because of their color. cats became the most popular suspect for a witch's familiar because of their uncanny manner of seeming to see things that are not there, and their knowing gaze- anyone who looks into a cat's eyes can almost believe that some unearthly intelligence resides there. cats were also natural pets for rural women because they could

DONALDTYSON MIRACLES

a book or washing your hair. they may persist for a time, but eventually they will give up in disappointment and go away. return hayhome resources demons bios fiction tyson the truth about miracles st. joseph of copertino (1603-63) levitates in rapture: 1735 bookplate "miracle" is a general term for any event that transcends the accepted laws of nature. in this loose sense, all true magic, be it black or white, is miraculous, since none of it can be explained by modern physics. stage magic is not miraculous, although it has been mistaken for miracles, because it merely pretends to transcend natural law but can be explained in ordinary ways. events recognized as miracles usually have other qualities in common that narrow the definition. miracles are frequently associated with religion. the

DONALDTYSON NOMICON

vecraft translated as "the book of dead names" all copies of the greek text were ordered burned by the patriarch michael in the year 1050- by this time the arab text had been lost. some greek copies escaped, however. in 1228 olaus wormius translated the greek text into latin. both the latin and greek editions were suppressed by the papal censors at the command of pope gregory ix in 1232. a german black letter edition appeared around 1440, and sometime in the first half of the next century (1500-1550, the greek text was reprinted in italy. the final known version of the work was a spanish translation from the latin text, made around 1600. in lovecraft's tales, those interested in the necronomicon can always consult the copy kept under lock and key in the library of miskatonic university, a

n dreams, but then something had happened. the great stone city r'lyeh, with its monoliths and sepulchers, had sunk beneath the waves; and the deep waters, full of the one primal mystery through which not even thought can pass, had cut off the spectral intercourse. but memory never died, and high priests said that the city would rise again when the stars were right. then came out of the earth the black spirits of earth, moldy and shadowy, and full of dim rumors picked up in caverns beneath forgotten sea-bottoms" connected with the lost city of the old ones is the hideous chant "ph'nglui mglw'nafh cthulhu r'lyeh wgah'nagl fhtagn" which translates into english as "in his house at r'lyeh dead cthulhu waits dreaming" the old ones count among their number the blind idiot god azathoth; the all-i

ong their number the blind idiot god azathoth; the all-in-one and one-in-all yog-sothoth who can travel between time and space; the hideously-piping nyarlathotep who is the unwelcome herald of the old ones; the octopus-like cthulhu who lies dreaming in r'lyeh beneath miles of ocean water; hastur the unspeakable, half-brother to cthulhu who dwells upon the air; and shub-niggureth, the ever-fertile black goat of the woodlands with a thousand young. these dreaded beings are dead in every normal human sense of the word, yet they cling to a strange super-dimensional vitality that seems to derive from the human unconscious mind. in forgotten backwaters of the world where degenerate and twisted tribes practice evil rituals, or among groups of decadent black magicians, the old ones cause dim memor

DONALDTYSON PENTA

stinction existed. an upright pentagram has a single point at its top. it is used in white magic- magic worked for constructive, benevolent purposes. it represents the body of man standing with arms and legs spread apart. the points of the upright pentagram fall upon the head, two hands, and two feet, of the human figure. by contrast, an inverted pentagram has two points at its top. it is used in black magic- magic worked for destructive, evil purposes. the inverted pentagram represents the head of a goat, regarded as a satanic symbol by levi. the points of the inverted pentagram fall on the goat's two horns, two lowered ears, and beard. an upright pentagram can be made into an inverted pentagram, and vice versa, merely by rotating the pentagram slightly, or by reflecting it from top to bo

DONALDTYSON SIGIL

the demon astaroth, showing his sigil, as drawn by s. l. macgregor mathers) sigils are graphic symbols that identify and represent spiritual beings. often, but not always, they are generated from the names of spirits using mechanical methods, so that each letter in the name gives rise to a particular part of the symbol. they are usually simple, two-dimensional abstract designs, and may be either black and white or colored. the sigil is the design itself, not the surface or thing upon which it is drawn, painted or inscribed. in magic, a sigil is employed to summon and control the spirit it represents during rituals, or to infuse the presence or influence of the spirit into a specific power object. the word "sigil" is from the latin sigillum, meaning a little seal or signet. from ancient ti

ing breath by means of chants, mantras, invocations, imprecations, execrations, prayers, hymns and similar vocal forms used in magic. the sigil is manipulated within the imagination by means of meditation, concentration, and creative visualization. it is important to distinguish between a number of common related terms that may have overlapping meanings (signature of the demon leviathan, from the black pact of urbain grandier, 1634) the signature of a spirit is exactly what you might expect- the actual name of the spirit written down by the spirit. spirits often use obscure alphabets or letter forms, and mirror-invert their names or sign them upside down to further disguise them. over time the signatures become corrupted by careless copying. often it is not possible to actually read the si

the seal by means of his sigil, so that the seal becomes astaroth in a magic sense, and what is done to the seal is done to astaroth. it is a form of sympathetic magic similar to the use of a small doll or poppet to represent a living individual in traditional european witchcraft. in the golden dawn ritual of evocation, mathers advised that the seal of the spirit to be evoked be kept covered with black cloth in the initial stages of the ritual. as the ritual progressed, the seal was unbound and gradually uncovered in stages, to symbolize the gradual materialization of the spirit within the triangle. care must always be exercised when working with the sigils of demons. mathers only uncovered the seal after intimidating the evoked spirit into obedience by repeatedly striking the seal with hi

DONALDTYSON UFO

omenon that has been occurring for many centuries, probably for many millennia. it appears to be a natural response of the mind to the uncanny and unidentifiable. to cite one historical example, the illustration at the top of this page shows ufos sighted surrounding the rising sun on the morning of april 14th, 1561, at the town of nuremberg in germany. the objects were described as "red, blue and black bowls, or crosses the colour of blood (gazette of nuremberg. by bowls, disk shapes may have been intended, even though the artist who drew the illustration above interpreted this to mean crescents. disks are a very common sighting in the sky. something has triggered ufo sightings, and all of the events surrounding them, over the past five decades or so. i doubt very much that the trigger has

EGYPTIAN BOOK OF THE DEAD PAPYRUS OF ANI MALESTROM

[1] in february, 1881, m. maspero began to clear the pyramid, and soon after he succeeded in making an entrance into the innermost chambers, the walls of which were covered with hieroglyphic inscriptions, arranged in perpendicular lines and painted in green.[2] the condition of the interior showed that at some time or other thieves had already succeeded in making an entrance, for the cover of the black basalt sarcophagus of unas had been wrenched off and moved near the door of the sarcophagus chamber; the paving stones had been pulled up in the vain attempt to find buried treasure; the mummy had been broken to pieces, and nothing remained of it except the right arm, a tibia, and some fragments of the skull and body. the inscriptions which covered certain walls and corridors in the tomb wer

bod03.htm (15 of 36 [8/10/2001 11:22:55 am] dynasties, it has been declared that the religion as well as the art of the first theban empire are nothing but a slavish copy of those of northern egypt.[2] the theban version. the theban version, which was much used in upper egypt from the xviiith to the xxth dynasty, was commonly written on papyri in the hieroglyphic character. the text is written in black ink in perpendicular rows of hieroglyphics, which are separated from each other by black lines; the titles of the chapters or sections, and certain parts of the chapters and the rubrics belonging thereto, are written in red ink. a steady development in the illumination of the vignettes is observable in the papyri of this period. at the beginning of the xviiith dynasty the vignettes are in bl

htm (34 of 36 [8/10/2001 11:22:56 am] pal ography. the version akin to was in vogue from the xxth to the xxvith dynasty, i.e, about b.c. 1200-550, and was, like the theban, usually written upon papyrus. the chapters have no fixed order, and are written in lines in the hieratic character; the rubrics, catchwords, and certain names, like that of apep, are in red. the vignettes are roughly traced in black outline, and are without ornament; but at the ends of the best papyri well-painted scenes, in which the deceased is depicted making adoration to ra or horus, are frequently found. the names and titles of the deceased are written in perpendicular rows of hieroglyphics. the character of the handwriting changes in different periods: in the papyrus of the princess nesi-khonsu (about b.c. 1000) i

yri of this period vary in colour from a light to a dark brown, and consist usually of layers composed of strips of the plant measuring about 2 inches in width and 14 to 16 inches in length. fine examples of books of the dead of this version vary in length from about 24 feet (b.m. no. 10,479, written for the utcheb heru, the son of the utcheb tchehra) to 60 feet. hieroglyphic texts are written in black, in the versions of the book of the dead. http//www.sacred-texts.com/egy/ebod/ebod03.htm (35 of 36 [8/10/2001 11:22:56 am] perpendicular rows between rules, and hieratic texts in horizontal lines; both the hieroglyphics and the hieratic characters lack the boldness of the writing of the theban period, and exhibit the characteristics of a conventional hand. the titles of the chapters, catchwo

56 am] perpendicular rows between rules, and hieratic texts in horizontal lines; both the hieroglyphics and the hieratic characters lack the boldness of the writing of the theban period, and exhibit the characteristics of a conventional hand. the titles of the chapters, catchwords, the words# which introduce a variant reading, etc, are sometimes written in red. the vignettes are usually traced in black outline, and form a kind of continuous border above the text. in good papyri, however, the scene forming the xvith chapter, the scene of the fields of peace (chapter cx, the judgment scene (chapter cxxv, the vignette of chapter cxlviii, the scene forming chapter cli (the sepulchral chamber, and the vignette of chapter clxi, fill the whole width of the inscribed portion of the papyrus, and ar

ELLIS LOW TWELVE 1907

ese acts. i recalled that on more than one occasion i had trusted him so fully that he could have brought about my death without causing a shadow of suspicion. when i thought of all this, i compressed my lips and muttered "i will never doubt him; he has been tested by fire" and yet the old, vague, tormenting suspicion would come to me, and it came again when i glanced sideways at him, and saw his black eyes gazing off across the shimmering plain toward the mountain spur. the misgiving was unreasonable, but it would not down. i shuddered as i reflected that when he should bound back to barbarism and his own natural self, his first victim must be myself. why did he wait so long before striking? was he planning some huge treason that would overwhelm us all? hardly had i asked myself the quest

an the dusky leader, but i compressed my 54 low twelve lips with the resolve to make both bite the dust. it would be something to tell in after years that i had brought down geronimo and the miscreant who was serving him in our own camp. to my chagrin, the second arrival was not only enclosed in a blanket, but it was drawn so far up around his shoulders that his face was hidden. only the crown of black, coarse hair showed. not a feature was visible. halting within a couple of paces of the chief, the two began conversing in low tones. their voices were so faint that i could not distinguish a word, and, had i been able to do so, it would have done no good, for naturally they talked in their own language. the position of the two was such that the side of each showed clearly. they would have t

told him from north carolina `i have seen you before' said he `but cannot remember where. i was in a hospital in raleigh at one time during the war, and it may have been there "i asked him if he remembered what hospital it was `it was a large, unfinished brick building' said he `perhaps it was there, as i sometimes visited that hospital' i replied. 128 a typical lodge "looking at me with his keen black eyes, he said, in a tone and manner that could not be misunderstood `are you a mason "i responded in the affirmative, and then he replied `i thought it was you when i first saw you "we then talked over some of the incidents of hospital experience, each becoming thoroughly satisfied of the other's identity. that night i went with him to his lodge, where, after introduction, i received a most

nly gave the order for the dismounted men to mount, which was immediately obeyed, and just then an incident occurred worthy of mention, as exhibiting a deed of individual heroism rarely witnessed. just as the men of the fourth regiment were well in the saddle, after the order of their commanding officer, a single soldier, coming from the direction of the enemy, with sword in hand, dashed into the black horse troop, which composed one of the squadrons of the fourth virginia cavalry, and on that occasion was the color squadron, sabering the men right and left, wounding several, and among them lieutenant william a. moss and corporal hugh hamilton, a gallant soldier and the color bearer. the boldness and suddenness of the attack paralyzed for a moment or two the confederates, and in that inter

EMPERORS NEW RELIGION CHURCH OF SATAN

andate, has theistic overtones. part of the church of satan s ideology specifically appeals to people that feel a need to bolster their egos, feeling that they are more important than their social recognition reflects. the satanic bible provides a salt water injection to such people s egos with the assertion that satanists are intrinsically superior people. church of satan literature, such as the black flame, bulge with racist, fascist, and nazi-oriented essays and imagery, all of which are recurring themes among people whose self-esteem is out of proportion with their physical or intellectual abilities. organizations promising religious or similar emotionally gratifying compensation for lacking achievements thrive on such people. the church of satan acknowledges an emotional link between

the other organizations are hardly innocent, but the church of satan evidently attempts to quell its competition by means of intimidation as discussed earlier. decrees issued by the organization s very top, such as sycophants unite! by blanche barton, demand that [the church of satan s] supporters and advocates must be prepared to recognize and battle our enemies, especially when they re wearing black robes [47] the enemies are defined as any other organization laying claim to satan s name. the church of satan presumably has a large membership base compared with competing organizations who are encouraged by the church of satan to attack first. even without encouragement, for each person that attacks the church of satan for no reason statistically the church of satan can be expected to hav

om probably explains part of the reason why the scam has remained mostly hidden. it is perhaps telling that the church of satan recognized the internet s contribution to growing tension between followers with conflicting ideologies each believing theirs to be satanic because all ideologies fit the vague definition in the satanic bible, and issued several recommendations on the internet and in the black flame [47] to either stay off the internet or not debate with those people that one disagrees with. the church of satan s reconciliation today is provided on its web page [s]ince only a very small percentage of our members choose to interact with people online, it would be an error to think that your online experience is necessarily a reflection upon what your personal experience with the ch

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

osophy in the nineteenth. out of freemasonry came a tradition of initiatory magic represented in the neo-templar orders of continental europe, as well as a rebirth of ritual/ceremonial magic in the english-speaking world. western esotericism s shared belief that magic was real, has led roman catholicism to oppose this movement, defining it as evil and using such labels as sorcery, witchcraft, and black magic. however, beginning with protestantism (in its reformed presbyterian version) and the secular enlightenment of the eighteenth century, the situation changed. protestants and modern secularists opposed esotericism because it perpetuated an archaic, superstitious, unreal world. secularists also accused esotericists of perpetuating a prescientific worldview. under the combined forces of p

ience, its preservation was a crucial part of the mummification process. abaddon the destroyer, from a hebrew word meaning destruction. chief of the demons of the seventh hierarchy. abaddon is the name given by st. john in the apocalypse to the king of the grasshoppers. he is sometimes regarded as the destroying angel or prince of the underworld, also synonymous with apollyon (rev. 9:11 (see also black magic) sources: barrett, francis. the magus. london, 1801. reprint, new hyde park, n.y: university books, 1967. 1 abadie, jeannette see jeannette d abadie abaris a scythian high priest of apollo and a renowned magician. he chanted the praises of apollo, his master, so flatteringly that the god gave him a golden arrow on which he could ride through the air like a bird. therefore, the greeks c

ege, san francisco, california. working on cancer patients, he believed that he had discovered that diseased tissue radiated an abnormal wave. his work further led to his invention of the oscilloclast, an electrical instrument for generating oscillations involving changes of skin potential, based on an electronic theory of disease. developments of abrams s apparatus have since come to be known as black boxes. in 1922, just two years before his death, the british royal society of medicine issued a negative report on abrams, and his work almost died out. it was picked up by ruth drown during the 1930s. his work was carried on by the american association for medico-physical research. sources: abrams, albert. new concepts in diagnosis and treatment. san francisco, calif: physico-clinical, 1922

of the abbe taking the form of a tree white with frost, which rushed toward him with inconceivable swiftness. the abbe s horse trembled with fear, as did the servant, but the abbe himself made the sign of the cross, and the tree disappeared. the abbe concluded that he had seen the devil and called upon the virgin to protect him. nevertheless, the fiend shortly reappeared in the shape of a furious black knight. begone, said the abbe. why do you attack me far from my brothers? the devil once more left him, but returned in the shape of a tall man with a long, thin neck. to get rid of him, adam struck him a blow with his fist. the evil spirit shrank and took the stature and countenance of a little cloaked monk, with a glittering weapon under his garb. his little eyes could be seen darting and

clamatio, also published at antwerp in 1531. his other works included a treatise de nobilitate et praecellentia feminu sexus, dedicated to margaret of burgundy out of gratitude for her patronage. his interest in alchemy and magic dated from an early period of his life and gave rise to many tales of his occult powers. it was said that he was always accompanied by a familiar in the shape of a large black dog. there is a tradition that on his death he renounced his magical works and addressed his familiar thus: begone, wretched animal, the entire cause of my destruction! the animal fled from the room and plunged into the saone, where it perished. it was said that at the inns where he stayed, agrippa paid his bills with money that appeared genuine enough at the time, but which afterward turned

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 2

rawings link them with the bushmen of south africa. in the cave of gargas, near bagneres de luchon, there are, in addition to spirited and realistic drawings of animals, numerous imprints of human hands in various stages of mutilation. some hands were apparently first smeared with a sticky substance and then pressed onto the rock; others were held in position to be dusted around with red ocher or black pigment. most of the imprinted hands have mutilated fingers; in some cases the first and second joints of one or more fingers are missing; in others only the stumps of all fingers remain. a close study of the hand imprints shows that they are not those of lepers. there can be little doubt that the joints were removed for a specific purpose; on this point there is general agreement among anth

ritain and north america, fueled largely by reprints of key books published during the 1930s. this modern interest in magic, however, had little in common with the outlook and ideals of medieval magicians and followers of the hermetic art. it stemmed largely from the trendiness of postwar affluence and the desire for sensationalist indulgence. the occult explosion led in the 1960s to satanism and black magic cults. much of modern occultism has been influenced by the use of mindaltering drugs. during this modern period, one long-kept secret of occultism became generally discussed.that of the importance of sexual energy in dynamizing the processes of magic. although this factor was well known to some occultists in persia, china, and india, it was rediscovered in the early twentieth century a

efe, daniel lawrence. stolen lightning: the social theory of magic. new york: continuum, 1982. seligmann, kurt. the history of magic. new york: pantheon books, 1948. reprinted as magic, supernaturalism, and religion. 1971. shah, sayed idries. oriental magic. london: rider, 1956. the secret lore of magic: the books of the sorcerers. london: frederick muller, 1957. summers, montague. witchcraft and black magic. london: rider, 1946. reprint, new york: causeway, 1974. thomas, keith. religion and the decline of magic. new york: charles scribner s sons, 1971. thompson, c. j. s. the mysteries and secrets of magic. london, 1927. reprint, new york: causeway, 1973. waite, arthur edward. the book of ceremonial magic. london, 1911. reprint, new hyde park, n.y: university books, 1961. webb, james. the

ses, myrtle, and olive were the symbolic flowers, and fans must be made of swan feathers. if vengeance was desired on anyone, then robes must be worn whose color was that of blood, flame, or rust, belted with steel, with bracelets and ring of the same metal. the tiara must be bound with gold and the wreaths woven of absinthe and rue. to bring misfortune and death on a person, the vestment must be black and the neck encircled with lead. the ring must be set with an onyx and the garlands twined of cypress, ash, and hellebore; the perfumes to be used were sulfur, scammony, alum, and assafoetida. for purposes of black magic, a seamless and sleeveless robe of black was donned, while on the head was worn a leaden cap inscribed with the signs of the moon, venus, and saturn. the wreaths were of ve

that was believed to surround the magician. it both isolated him from the chaos outside and held in the magical power that he raised. magic circles were used for thousands of years and often took elaborate forms, requiring the inscribing of magical symbols, such as the seal of solomon (a double pentacle. in ancient hindu folk customs, the bed of a woman in childbirth was encircled by red lead or black pebbles to ward off evil influences. in medieval magic practice, the circle was usually marked or drawn around the magician with a magic sword or knife. it might be some nine feet in diameter to allow the movements of the magician in his evocations. portable forms of magic circles were sometimes drawn on parchment and used as talismans (see also magic square; necromancy) the magic circle (or

EVIL AND UNCLEAN SPIRITS

changes of just having knowledge of these names within the sphere of sensation, we have limited access to this paper to adeptus minor only. g.h. frater n.o.e.l. 6 the princes of the twpylq these are the names of the twelve princes and tribes of the twpylq who are the heads of the months of the year. wryryub (beiriron: so called because they are derived from the fourth evil force, namely lams the black. their colors are dull red and black, and their form is that of a dragon-lion, for a. wrymyda (adimiron: whose colors are like \d (blood, mingled with n, a sickly yellow and grey. their form is that of a lion-lizard, for b. wrymylylx (tzelilimiron: whose colors are like limped blood lwlx bronze and crimson. they are like two savage triangular-headed dogs, for c. wryrjyc (shichiriron: whose c

ir colors are dull red and black, and their form is that of a dragon-lion, for a. wrymyda (adimiron: whose colors are like \d (blood, mingled with n, a sickly yellow and grey. their form is that of a lion-lizard, for b. wrymylylx (tzelilimiron: whose colors are like limped blood lwlx bronze and crimson. they are like two savage triangular-headed dogs, for c. wryrjyc (shichiriron: whose colors are black and their form blended as of a reptile, insect and shellfish such as the crab and the lobster, yet demon faced withall, for d. wrybhlc (shalhebiron: whose colors are fiery and yellow, their form is like merciless wolves and jackals, for e. wryrpx (tzaphiriron: whose colors are like those of l, and their form is like partially living yet decaying corpses, for f. wryrybu (abiriron: whose color

e unto copper, and their form is of a most devilish and human headed insect, for h. wrycjn (nachashiron: whose colors are like serpents, and whose form is like that of a dog-headed serpent, for i. wrygdgd (dagdagiron: whose colors are reddish and gleaming, and their form is like vast, devouring, flat-headed fish, for j. wrymyhb (bahimiron: whose name is derived from behemoth, and whose colors are black and brown. its form is like an awful beast, similar to a hippopotamus or elephant but crushed flat as though their skin were spread out flat over the body of a gigantic beetle or cockroach; yet it has vast strength, for k. wrymycn (nashimiron: whose colors are of a stagnant, gleaming, watery line whose forms are like hideous women, almost similar to skeletons united to the bodies of serpents

at the northeast angle is trga (aggerath) the daughter of twlwjam, a fiendish wretch with serpent hair, enthroned in a chariot drawn by an ox and an ass. at the northwest angle is a gigantic scorpion with a fearful countenance but standing upright, as it were, and formed of putrefying n. after him cometh the unnamable one, wmysa (asimon) and his appearance and symbol is that of a cloudy, veiled, black, gigantic figure covered with whirling wheels and in his hand is a vast wheel which issues, as it whirls, multitudes of cat-like demons. behind him cometh hmun, nahimah, like a crouching woman with an animal's body, crawling along the ground and eating l. lmcj twklm jxn dwh d wsy hlwd g hrwb g trapt rtk hm kj hnyb lb b wy ydm \wda hwyj brqycjn ruc rwmj tylyl tljm lams bhr 8 at the southwest

da hwyj brqycjn ruc rwmj tylyl tljm lams bhr 8 at the southwest angle are a winged lion and a winged horse drawing in a chariot the younger tylyl, the wife of yadwmsa. she is dark, a woman to the waist and a man below it, and she appears as if drawing down with her hands small figures of men into hell. of the four evil forces before lams the first is lafmq, qemetiel, whose form is that of a vast, black, swan-headed dragon-serpent, and he uniteth under him the force of the rtk of the averse and infernal sephiroth. the second is laylb, belial, a black, bloated, man-dragon; he who denieth a god, and he uniteth the force of the averse hmkj. the third is laytu, athiel, a black bloated man-insect, horrible of aspect, his breadth is greater than his length, and he united the force of the averse h

EXTRAORDINARY ENCOUNTERS AN ENCYCLOPEDIA OF EXTRATERRESTRIALS AND OTHERWORLDY BEINGS

oman. the events that led to the analysis began on the night of july 12, 1988, when peter khoury, a sydney resident of lebanese background, was awakened suddenly when he sensed that something had grabbed his ankles. a numbness crept up his body from the feet, and soon his entire body except for his eyes was paralyzed. to his right he spotted three or four small hooded figures with wrinkled, shiny black faces. through telepathy they assured him he would not be harmed. khoury then saw two other figures on his left. these two, he later told investigator bill chalker, were thin, tall with big black eyes and a narrow chin. they were gold-yellow in color. one of these beings shoved a needle into the left side of his forehead, and he passed out. the next day he showed the puncture wound to his fi

, 1975. in the fashion of psychic va m p i res, they l i ved off the energies of contactees and other experients of the paranormal. keel bel i e ved apol to be an ultraterrestrial as opposed to an extraterrestrial, because in ke e l s view such entities come from other realities rather than other planets. though keel did not meet apol himself, a long island woman saw him pull up to her house in a black cadillac, a vehicle favored by the enigmatic men in black, earthly agents for unearthly intelligences. keel reported that the woman thought apol looked hawaiian. when he introduced himself, he shook her hand. his own hand was as cold as ice. keel dedicated his book our haunted pl a n e t (1971) to mr. apol, where ver you are. see also: contactees; keel, john alva; time travelers; ultraterres

um encountered the beautiful aura rhanes, captain of a scow (spaceship) from the idyllic planet clarion, on the other side of the moon, in the early morning hours of july 28, 1952, in the nevada desert. when male crew members ushered him inside the craft, parked in an area known locally as mormon mesa, bethurum saw aura rhanes for the first time. she was small, had an olive complexion, and wore a black and red beret. the two engaged in an extended conversation, during which they asked each other about their respective worlds. the spacewoman spoke, bethurum would write, in a swinging, rhythmic tone of voice (bethurum, 1954. when daylight came, bethurum was asked to leave, but they were to meet again. there were eleven meetings between july and november alone. only on the occasion of the thi

a western state in search of semiprecious stones. local people warned them to stay away from a certain desert mesa because several individuals who had gone there were never seen again. disregarding these words of caution, the young men repaired to the site and spent the next few days energetically stone-hunting. finally, one day, hearing his companion shout, brodie looked up to see a figure in a black cowl standing at the base of the mesa. another figure joined the first. the first of them pointed a rodlike device at brodie, who abruptly felt himself paralyzed. his friend began to run, and the other figure pointed a rod at him. to his horror the smell of burning human flesh rose up in brodie s nostrils. he never saw his friend again. a third figure, holding what looked like earphones, app

e marks of a dero slave! in the ordeal that followed, brodie was only intermittently conscious. on three or four occasions, he awoke to find himself in a cage with other human beings. they told him that he was in the caves, and they were under the control of the deros, who could snatch any human being off the face of the earth if they so chose. each time it became evident that he was conscious, a black-cowled figure would zap him back into oblivion. then one day he found himself walking down a street in new york city with no idea how he had gotten there. he was dressed in his prospecting clothes. his personal items brodie s deros 49 were still in his pockets, including a hundred dollars in bills. though to his awareness only a day had passed, he soon learned that it was two years later. br

FAUST

elent and end for us the fearful pest. the crowd s applause now sounds like scorn to me. oh, could you but within me read how little, son and father, we were worthy such a fame and meed! my father was a simple, worthy man, who over nature and her every sacred zone, quite honestly, in his odd plan mused with a wayward zeal that was his own, who, with adepts their presence lending, shut him in that black kitchen where he used, according to receipts unending, to get the contraries together fused. there was a lover bold, a lion red, who to the lily in a tepid bath was wed. both, tortured then with flames, a fiery tide, from one bride-chamber to another pass. thereon appeared, with motley colours pied, the youthful queen within the glass. here was the medicine; the patients died, and no one que

ke to hear, on mischief gaily bent, they like to hearken, for they like to try to fool us, pose as if from heaven sent, and lisp like angels when they lie. but let us go! the world s already grey, the air grows chill, the mists of evening fall! tis now we treasure home the most of allwhy do you stand and stare? what is the trouble? what in the gloaming seizes you in such a way? faust you see that black dog streaking through the grain and stubble? wagner i saw him long since; not important did he seem to me. faust observe him well! what do you take the beast to be? wagner why, just a poodle; in his way he s worrying in his attempt to find his master s traces. faust but do you note how in wide spiral rings he s hurrying around us here and ever nearer chases? and if i err not, there s a trail

long since; not important did he seem to me. faust observe him well! what do you take the beast to be? wagner why, just a poodle; in his way he s worrying in his attempt to find his master s traces. faust but do you note how in wide spiral rings he s hurrying around us here and ever nearer chases? and if i err not, there s a trail behind him! along his path a fiery eddy flies. wagner only a plain black poodle do i see. don t mind him! i think it s an illusion of your eyes. faust he seems in magic nooses to be sweeping around our feet, a future snare to bind. wagner i see he doubts, he s timidly around us leaping, two strangers- not his master- does he find. faust the circle narrows; he s already near! wagner you see a dog! it is no spectre here. he snarls and doubts, now on his belly see h

, salamander! gurgling, together flow, undine! in meteoric beauty shine, sylph! bring homely help, incubus! incubus! step forth and end the charm for us. none of the four hides in the beast. he lies quite calmly, grins evermore; i ve not yet hurt him in the least. thou lt hear me longer conjure thee stronger! art thou, fellow, one that out of hell has run? then see this sign! before which incline black cohorts e er! it swells up now with bristling hair. thou reprobated, canst rede his token? the ne er-originated, the never-spoken, who every heaven has permeated, he! wantonly immolated! behind the stove, held by my spells, like an elephant it swells, and all the space it fills complete. in vapour it will melt away. mount not up to the ceiling! lay thyself down at thy master s feet! i threat

ures daily- understand? and when the clock strikes, be on hand! be well prepared before the start, with paragraphs well got by heart, so later you can better look and see he says naught save what s in the book; but write away as unabated as if the holy ghost dictated! student you will not need to say that to me twice! i can foresee how much i ll gain from this advice; because what one has down in black and white it is a comfort to take home at night. mephistopheles but come now, choose a faculty! student i can t adjust myself to law- not possibly. mephistopheles i can t blame that in you, it s no demerit. this science as it really is i see. statutes and laws that we inherit like an eternal malady go trailing on from race to race and furtive shift from place to place. to nonsense reason tur

FELDMAN DANIEL QABALAH THE MYSTICAL HERITAGE OF THE CHILDREN OF ABRAHAM

moving the consciousness through successive planes of existence. each different path up the tree is known as a working tree. the entire spectrum of trees of life is also known collectively as angelic or enochian tree language. angelic tree language consists of various types of working trees and trees of perfection (figure 3.6. mystics seeking union with the divine, saints, wizards, and white and black magicians ascend the tree through different sefirothic patterns. a working tree, infused with the power of a suitable name of god, mantra, or other invocation, automatically directs the changes in consciousness of the traveler along its characteristic pattern of gates. different forms of the tree, called trees of perfection, allude to enlightened yogis, transcendent devotees, saints and mess

om of the tree. there is no equivalent for the sefirah kingdom in the sefer yetzirah, since it only has perfect trees in which the throat sefirah is visible and there is no sefirah at the anal center. at the macrocosmic level, the fall of adam is seen as an apparent differentiation in the states of matter in the tree of asiyah. for example, matter can exist in a collapsed condition at the core of black holes as the sefirah knowledge/first. or, it can exist in an expanded manner as mostly hydrogen atoms in sefirah kingdom. it is critical to keep in mind that sefirah kingdom and sefirah knowledge/first are one, not two. it is like looking at one object from two sides. at the microcosmic level in the perfect tree, the universe is perceived by human consciousness in sefirah knowledge/first as

hite magicians, they do not generally desire or seek to wield creative or healing powers. the ascension of the column of the right can be very slow, as the amassment of purity and merit required to pass through the gates involves considerable time, often lifetimes. the way of the angels of destruction (see figure 4.1) is also called the left-handed path, and those who traverse it are often called black magicians or sorcerers. they engage in disciplines, routines of behavior, and rituals intended to cultivate hatred of the lord hvhy-as-adversary, sinfulness, and impurity in order to pass the flaming swords of the kerubim who guard the column of the left. black magicians use the name hvhy and other divine names to invoke powerful demons (jinn) i.e. destructive angels, and to manifest and use

laming swords of the kerubim who guard the column of the left. black magicians use the name hvhy and other divine names to invoke powerful demons (jinn) i.e. destructive angels, and to manifest and use destructive powers. attachment to their unrighteousness, hatred, and ritualistic :2% e= i2 0 process keeps them in the column of the left, and preempts them from moving into the central column. the black magician thinks that through rituals, talismans, and force of personal will that he/she can actually gain control over elemental spirits and the jinn, and direct them to act in accord with his/her beckoning. since demons want to feed on the valuable shells of these magicians when they break up at death, in order to get the power to incarnate physically themselves or gain access to deeper hel

in hatred for god-as-adversary. this path can therefore yield some results in a relatively short time, but 4' 8: h" 2: 2 2:e 8% inevitably ends in the destruction of the sorcerer because he/she cannot withstand the power channeled through their shells from the higher sefiroth. most do not make it past the gate of the tzade o between the sefiroth power/fire and understanding/ north. very powerful black magicians, who make it up the column of the left without shattering their shells, are denied access to atziluth (world of emanation) by the action of the gate of the ayin i( gate of the unclean servants) between the sefiroth understanding/north and crown/above. this gate redirects such souls into extinction via the abyss at the invisible sefirah knowledge/first, 6' 7 '0, 6 -07 like the ways

FIRE OF QAYIN RITE

ns of victorious liberation, the precious jewels of wisdom and beauty, hearken to me why am sprung from thy cunning seed, the hidden house of azazel. i am of the children of tubal-qayin. thy mark burns upon my brow: of thy clan and stock am i cunning-wo/man. waken and feed the flaming serpent within my blood, kindle the shinning fire of my inheritance. by goat and serpent, great tubalo, thou coal-black smith, let the warmth of thy sorcerous power glow bright in my spirit and flesh by the holy threefold name azza: uzza: azziel. strength to my daemon-genius in the fires of the aelohim and the great blood of faerie. here s to the horse with the four white feet the chestnut tail and mane, a star on his face and a spot on his breast, and his masters name was qayyifly the light psychonaut 75- te

FLY THE LIGHT

, this is done by two tones being at different frequencies in each ear, causing then by the difference of the number between tones, the brainwave itself. this process can be very intense, and combined with lyric and musical approach, can be a deprogramming and luciferian tool of self-awakening. psychonaut 75 encourage individuals to look at fly the light as like a grimoire itself, a book of sonic black magick, and to view it as the serpent which speaks to you, offering a knowledge only if you have the desire to be independent and strong. fly the light is not just a ceremony, it is movement, pumping industrial, chaos and synthesizer driven songs layered with vocal disharmonies and distinct structures. psychonaut 75 has created a unique sound which brings a touch of dirtiness and filth to eb

t around ritualistic concepts. psychonaut 75 in its current manifestation as a conceptual satanic industrial band provides an interest in the depth of ideology and theory behind the surface of the songs. founder and vocalist michael ford (keteb) structured fly the light around the vision of man and woman falling into the depths of darkness (as with the legend of satan) to discover the inner fire (black flame) of self-consciousness and divinity, to then mutate and transform into something godlike. this model is loosely attributed to the averse or black tree of life known as black eden or the qlippoth. songs such as chaos unveiled and fleshstretcher with their violent patterns and machine like rhythms are attributed to the qlippothic sphere of geburah averse, the demon of the sphere is asmod

ven heads of the dragon of the apocalypse via the angel of prostitution who rides the beast. the son of satan is also represented as a serpent. the dragon itself holds significance in that it is a relation to diabolism, in zoroastrian lore, the avestan word devak means worm which is a dragon or snake. an early form of the antichrist, called zohak and later azhi dahaka is a dragon-king who had two black and venomous serpents on his shoulders, who emerged with the initiatory kiss of ahriman, the devil. fly the light represents a beginning of transformation and the luciferian concepts of antinomian thought. no longer should children be force fed christian lies, bending knees to spiritual weakness. bring your young to us, a new luciferian youth! the world we live in is a christian world, look

FOCUS OF LIFE

bsurd i is ever supralapsarian. man has exhausted his courage by imaginations engendered from the damned: never can he satisfy what follows these repressions. thou who tremblest all over! thy soul shudders! thou dost perish from the poison of yesterday's armour and righteousness! o incomprehensible synonymy! o thou who art neither the vigorous kiss of my twin sexes nor its writhings of hatred and black shame. nothing is discovered of thee until i invented it: from the ceaseless resurrection of earlier deliberations. o thou syzygy of my i and self! thou becomest volatile to whatsoever is sensed. art thou the hidden wish for madness and hysteric love? o thou "untamed" within, thou shall not lose virtue-for thee i will not domesticate while generating. o idiocy! where is that path where i may

to battle with thy cataleptic kisses, to swoon in thy consuming subtilty. o my mistress, i am unutterably drunk striving thy depths. i am the great cypher of love and hate knotted. the sphinx surviving, never sufficiently imagined. i am the grotesque refractions of form and self. the bitter purgative, called death. a violence that out-lasts the morning. moon turbulent waters am i: the frightening black albatross of unashamed women-where men are. i am the over mature breasts of a child: the virgin womb, hidden by nightmares. constant in metamorphosis, permeating creation without compassion. the unexcelled impulse that has never failed. yea, i am all these-yet never known. my kiss is a sword thrust! for whom, am i, this insatiable fountain in the hot deserts? only for thee, o, l.c.o'cs" thus

the butcher of those who follow in a dream, aaos one day crossed the border line and wandered into the flat country towards what seemed, in the half-rain, a deserted heap of ruins. arriving closer to the city, there issued from it a dreadful stench accompanying agonizing groans. entering the gates aaos found it a vast slaughterer's abattoir; an endless shambles of dying bodies tied in sacks. the black mud of the streets was streaming blood, the carnal houses bespattered-the very atmosphere pulsating agony; the grey sky reflecting its red. holding his nose and stopping his ears aaos walked on. then he paused and his frightened eyes watched the work of slaughter and he observed that every victim was already beheaded, but not dead, that they were sheep and being bled to death. as he watched

FRANCIS A YATES GIORDANO BRUNO AND THE HERMETIC TRADITION

l church on magic had forced it into dark holes and corners, where the magician plied his abominated art in secrecy. respectable people might sometimes employ him surreptitiously and he was much feared. but he was certainly not publicly admired as a religious philosopher. renaissance magic, which was a reformed and learned magic and always disclaimed any connection with the old ignorant, evil, or black magic, was often an adjunct of an esteemed renaissance philosopher. this new status of magic was undoubtedly mainly due to that great flood of hterature which came in from byzantium, so much of which dated from those early centuries after christ in which the reigning philosophies were tinged with occultism. the learned and assiduous reader of such authors as lamblichus, porphyry, or even 1 k

succeed in it unless he is a resolute philosopher. lists of the images suitable for use on talismans are given, of which the following are a few examples from the lists of planet images.2 two images of saturn "the form of a man with a crow's face and foot, sitting on a throne, having in his right hand a spear and in his left a lance or an arrow "the form of a man standing on a dragon, clothed in black and holding in his right hand a sickle and in his left a spear" two images of jupiter "the form of a man sitting on an eagle, clothed in a garment, with eagles beneath his feet "the form of a man with a lion's face and bird's feet, below them a dragon with seven heads, holding an arrow in his right hand" an image of mars "the form of a man, crowned, holding a raised sword in his right hand"

ite robes, holding in the right hand a branch of laurel or an apple or a bunch of flowers, in the left hand a comb."6 the saturn image correctly made on a talisman gives long life; the sol image gives success in all undertakings and is good against fevers; the venus image gives strength and beauty. the images of the thirty-six decans of the zodiac begin,7 with the alarming first decan of aries "a black man, standing and dressed in a white robe, very huge and strong, with red eyes, and seeming angry" agrippa also gives images for the mansions of the moon and for fixed stars other than those in the zodiac.8 he thus provided a whole repertoire of images for talismans to be used in celestial magic. he also describes how images may be made, not to resemble any celestial figure, but to represent

600.1 del rio would allow some forms of natural magic and is not altogether unsympathetic to ficino, but he firmly condemns his use of talismans. he denies that the hebrew language has any special power. thus both ficino's magia and pico's practical cabala would be rejected; pope alexander vi's views were not endorsed by the counter reformation. as to agrippa, del rio regards him as an absolutely black magician, the worst of his kind. the catholic writer defends catholic practices from the charge of magic, as garcia had done long ago when attacking pico. there were thus always strong bodies of theological opinion, both catholic and protestant, against the renaissance magic throughout the period in which it flourished (2) the humanist tradition i must first of all define what i mean by "the

onds to die amplitude of his father, chaos; he is infinite appetite, an unending abyss of need seeking after the infinity of his father. nox is the daughter of orcus and so one of the three infigurables; but through reason she becomes the most ancient of the gods, and in this aspect is figurable. she stands for the materia prima, and as a goddess can have a figurable statue, an old woman, wearing black clothes, with black wings of immense extent.1 to this lower triad of chaos, orcus, nox, there is opposed a "supernal triad, consisting of the father, or mind, or plenitude; of the son, or the primal intellect; of light which is the spirit of all things, or the anima mundi. there is no statue of the father, but infinite light is the type of him; or an infinite sphere the centre of which is ev

FRATER ELIJAH ANGELS OF CHAOS

f the origins of the hga as i have come to know them[*1 for a more detailed account and the historical manuscripts please refer to: the sacred magic of abramelin the mage, translated by s.l. macgregor mathers; dover books] a long time ago in a land far-far away there was a mage who sought out god and more specifically god s way (magick) in the world. he searched the world and found tricksters and black magicians, but none of these satisfied his quest for meaning and truth [no duhh. one day in his later years he ran across a mage living in isolation named abramelin. this guy seemed to be in contact with some real truth here and initiated our wandering seeker with secrets of the quabalah, and a type of sacred magic for achieving contact with the angel (in relation to the most high. the full

/ initiations called the rite of suffering as my own version of this operation (in extension. a little theory based upon my song of illusion. the hga is a manifestation from probable time, of the self (distinguished from the self) in unity and perfection of it s will. the hga is a reflection of perfection of the magus. unity is desired to align more fully with the will [i shall not touch upon the black or white brotherhood, and shall talk more fully of something called the scarlet brotherhood. there is another aspect of the angel which is a reflection across the tree of life into the tree of death, this is a natural course, as every action includes it s inverse. the hga is also an independent being. as the hga is partly an astral construct of which energy (prayer-form) is devoted to allow

and accident and the events transpiring since then(*a) i found the cure by ultra-nate grendels had an accident an x-cursion into the land of liberation. an invocation of grendel's desire. for the initiate to incorporate into a preferred format. the temple is ready, the self is prepared, the trance is induced, the desire stated. the summons, the closing, then comes the laughter. act i blacker than black, midnight of death i summon your bleak oblivion. time again and illusion seemed drawn up from the heart of nothing, i call your bliss. take my pain as an offering to my self my hurt is of the multi-verse, an empty void in my chest. despair god's of existence, your drama shall reap it's wretched sickle on you all. all shall be undone; the pentagram broken; the pact no more. an elicitation, an

balon and the factions. babalon was a servant, sort of like a mayor of a city in comparison to a governor of the state. each of these factions (gods if you will) each had their own idea as to how the game should be played. she vanished after this and i knew she wanted me to partake of her bliss, instead of thinking on it. now i speak of the void. this was terrifying. it was isolated, cold, bleak, black and empty (all in one breath. it was here that things dwelled which were not and would not be. these things were very much like the chthonic old ones. they existed in another universe that touched our manifold at every point. magick is the ultimate language. there were things in the void which were not magick. this was very, let me repeat, very, scary, dark, hopeless, and dead beyond any wor

this possession occurs in an enrapture of the demons sphere of influence. like being filled with lust or as ritualistic possession where the monster is drawn up and takes over. the above exposition deals with the internals of origin, which come from urges. desires are commanders which suckle and feed the urges. and at other times fear causes these blacker pathways. the gate is opened, the bag of black flesh sewn, and the puss of desire fills the sack, and a demon is born. 6c some journal entries the following journal exerts are examples of the stages in these initiations and notes. 8/1/99 very strange evening/ morning. started out with stupid ego issues then given up and everything flowed more naturally. i started the dance for the dances sake and people progressed to get me things) i ran

FRATER TENEBROUS CULTS OF CTHULHU

con through which the evocation of the alien gods could be effected. in the case of charles dexter ward, he suggests that the very roots of the magical arts lie in the ritual veneration of these trans-dimensional beings, attributing a common and unifying source to the many and diverse strands of occult belief. over the centuries, these ceremonies have been observed and mis-interpreted in terms of black magic and devil worship. a point to note here is that lovecraft never actually used the term cthulhu mythos, which was introduced after his death by his protege, august derleth. cthulhu is only one of a pantheon of deities which includes yog-sothoth, azathoth, nyarlathotep, and shubniggurath, amongst others. the manifestations of these beings varies from story to story sometimes they are des

mately negative aspect of elemental fire. magically, his attribution is to passive spirit. subservient to the idiot god is a group referred to as the other gods the amorphous dancers who attend azathoth at the throne of chaos. their soul and messenger is nyarlathotep, the crawling chaos, who mediates between the old ones and their human followers. his avatar manifests as a human figure dressed in black, with jet black skin but caucasian features. in this form he is recognisable as the black man of the witches sabbath an incarnation commonly associated with satan. he is depicted in seventeenth century tracts on witchcraft as a creature with ebony skin, the long black robe of a priest, and a conical hat a description substantiated by the testimonies of individuals in both europe and lovecraf

es, the monuments of which were laid waste by opponents of the elder cult. it is interesting to note that lovecraft himself specifically linked the worship of nyarlathotep to pre-dynastic egypt, in the eponymously titled prose poem. the elemental aspect of nyarlathotep is aether, the communicating medium of interstellar space (or in lovecraft s terminology, the audient void. shub-niggurath is the black goat of the woods with a thousand young a title inferring the geometric proliferation of creatures upon the earth. he is the horned god of the pagan agricultural societies of the ancient world, representing fertility and sexual energy. in greek mythology his archetype is pan, half-man and half-goat. as christianity began to replace paganism, the pan-image became the prototype for the christi

on. in one sense, the beings described above are designated gods in as much as they are worshipped by great numbers of other beings, both human and non-human. amongst these are the elder races, who inhabited the earth in prehistoric times, and from whose presence man s very existence derives. the first of these races to visit the earth was the old ones, who came down from the stars to build their black stone city on the continent of antarctica. they are described as having starfish-shaped heads, and tubular bodies covered with tentacles and cilia. their servants are the mindless, protoplasmic shoggoths. in the novel, at the mountains of madness, lovecraft records the wars which took place between the old ones and other extra-terrestrial races, at the dawn of time. these other groups includ

tion, and from the literary material pertaining to it. in his essay, supernatural horror in literature, he mentions academic works such as frazer s the golden bough, and margaret murray s the witch cult in western europe, as well as authentic grimoires such as the keys of solomon and dr. john dee s book of enoch, or liber logaeth. he had also read waite s collection of medieval texts, the book of black magic and pacts, macgregor mathers translation of the sacred magic of abra-melin the sage, and cotton mathers, wonders of the invisible world, which documents the witchcraft phenomena centred around salem in 1692. the titles of these volumes are echoed in those which were created by lovecraft and his fellow contributors to the cthulhu mythos: de vermis mysteriis, the pnakotic manuscripts, le

FREEMASON BLUEBOOK

ng brethren, and attend to such other interests, in the practice of our rites, as the worshipful master maine masonic text book file//c /grand lodge/bluebook/bluebook1.htm (46 of 76 [11/22/1999 11:51:55 am] shall direct deacons. brethren:you are appointed [or, have been elected] senior and junior deacons of this lodge, and i invest you with the jewels of your office, and place in your hands these black rods, which you will bear, in the performance of your official duty, as symbols of your deputed authority. it is your duty to attend on the master and wardens, and to act under their direction in the active duties of the lodge; and, as from you the first impression of our institution is received by the candidates, you should be particularly careful, by the seriousness of your deportment, to

case, the grand master, or, in his absence, his representative, will conduct the burial service. a special communication of the lodge should be opened, after which the brethren proceed to the place where the service is to be held. the brethren should be dressed, with as much uniformity as practicable in dark clothes, with white gloves and aprons, the officers and past masters wearing theirjewels: black crape should be worn on the left arm, above the elbow, and a sprig of evergreen on the left breast; and the insignia of the officers should be trimmed with black crape tied with a white ribbon; and a white lambskin apron should be placed upon the coffin. the masonic procession, upon arriving at a proper distance from the grave, should countermarch, and approach it in two lines in open order

FREEMASONS SATANISM AND SYMBOLISM

in him was developed the conception of a being purely good, so that it became necessary to set up another power as his adversary, called seth, baby, or typhon to account for the injurious influences of nature [pike, op. cit, p. 588, teachings of the 28th degree, knight of the sun, or prince adept. once again, we can see the occult, satanic doctrine that all of nature is composed of good and evil, black and white, opposites that are equal but opposite. folks, this is pure satanism, and albert pike has just espoused it, explaining that nature could not allow the all-loving, all-good osiris to exist without an evil counterpart. in fact, satanism and freemasonry both share the same, very revealing, symbol to depict this situation. quoting from masonic sources, you are provided with this pictur

rkness: a study of freemasonry, p. 69] you should find this highly interesting that the masonic street layout for washington, d.c, which is on another page, is laid out in the form of the evil pentagram on the right, the symbol for satan, also known as the goats head of mendes. therefore, the masonic plan for the united states is one of evil, even in their own minds, not good. pan. satan is not a black god, but negation of god. this is not a person, but a force, created for good, but which may represent evil. it is the instrument of liberty or free will. they represent this force. under the mythologic and horned form of the god pan; thence came the he-goat of the sabbat, brother of the ancient serpent, and the light-bearer [pike, morals and dogma, p. 102] since the satanic bible lists pan

ix is formed by the sides of each triangle formed by facing the counterclockwise direction; the third six is formed by the sides of the inner hexagon. the hexagram was used as a "stand-by for magicians and alchemists. the sorcerers believed it represented the footprint of a special kind of demon called a 'trud, and used it in ceremonies both to call up demons and to keep them away [gary jennings, black magic, white magic, eau claire, wi, the dial press, 1964, p. 51. also harry e. wedeck, treasury of witchcraft, new york, philosophical library, 1961, p. 135] the hexagram is used to conjure up demons, making them appear in this dimension to do the bidding of the witch. doc marquis (former illuminist satanist) confirms that hexagrams are used to call forth demons to place spells and curses on

triangle is very important. it is used constantly in every conceivable manner. it is used either with the point up or down. when you see the point down, this represents the deity and is called the deity's triangle or the water triangle. the earthly triangle or pyramid triangle is what it is called when one point is up. it "symbolizes the perfect or divine man" this quote is not from some heinous black-hooded satanist, it comes from a 33rd degree masonic author named george s coy teinmetz [freemasonry: its hidden meaning, new york, mapublishing and masonic supply company, 1948, p. 63, repeated on p. 67] as any person familiar with scripture will tell you, the gospel of jesus christ tells man boldly and clearly that no person can work themselves up to being "divine" indeed, all our effort i

own as the sons of seth, while those who follow the path of the mind and action are the sons of cain, who was the son of samael, the spirit of fire. today, we find the latter among the alchemists, the hermetic philosophers, the rosicrucians and the freemasons [p. 20] hall places freemasonry among the circle of the damned- sons of cain, who rebelled against god; alchemists who are known sorcerers, black magicians, and worshippers of satan, and the rosicrucians who have so desecrated the precious cross of jesus christ with pentagrams and hexagrams as to make you sick. hall's major revelation was that freemasonry is the son of samael. being careful not to confuse samael with the beloved prophet samuel. samael is one of the infernal names of satan. in fact, house of theosophy author, writing u

FULL MOON RITUALS

laces a wicker basket upon the sill of the sidelight window opposite to the candle, which is filled to overflowing with small felt reindeer (rodney's, rhonda's, ramona's and randy's from the local hallmark) intended to depart homewards with each celebrant, then shoulders his pack and moves deeper into the belly of this place. elenya's willow broom still leans beside the massive walk-in fireplace, black with the smoke and soot of generations, behind the long feasting table that runs the length of the hall- a broom which will soon be put to good use. before cleaning, however, deer leaves his pack upon the table, and proceeds to ferry and kindling and logs from the wood pile outside into the stone fireplace. as soon as this work is done, deer adds flame to the mix and is soon warmed by the fu

o its lowest position. now, the mechanism virtually purrs as the copper blades covering the skylight retract beyond the small iris and drop all the way down to rest upon the capitals of the room's thirteen columns. in here, those same stars he'd lain beneath earlier seem even brighter, and twinkle with the promise of a presence which he eagerly anticipates. deer spreads the evening's altar cloth- black silk embroidered with a double spiral of spun silver, between the arms of which shine moons and stars- upon the old slab in the stone room's center. he has just placed candlesticks with one silver taper and one black, when he hears the rustle of folk arriving in the great hall. deer gives the cloth a final adjustment, assuring that the silver pentagram of celtic knotwork in its center is app

drip from her necklace and earrings. amber rings adorn her fingers, and strings of tiny golden bells adorn her ankles "this is a joyous season" owl states to the castle as much as herself "let the bells ring out, let the candles glow, and let friendship warm the hearts as the fires warm the hearths. so mote it be..owl's melody merges seamlessly into another, which makes its way to deer's heart..a black bear wanders into a stone circle, followed by a low flying small grey owl. the circle smells fresh, but the stones are old. so is the black bear. she is an older bear, her coat is still black but tinged with new grey. sniffing the stone altar in the center, she recognizes the scent. deer. but not. there is a calling she has been following all evening, and she knows she is on the right track

ing to her place nym' stops to hug red deer and owl and then steps back to wait for..deer, who approaches the altar grinning "tonight, i ask only that my dear friend have her best birthday yet of this turn upon the wheel" he simply states. with a grand genuflect, deer moves towards boudi and- still grinning mischievously- applies a mighty bear hug before presenting her with, circa 1950, a pair of black editor's garters and matching visor "wear these in good health, and for a modicum of fun. and keep up the grand work you and imajicka undertook with the wiccan pagan times, no matter in what venue it occurs. from my heart to yours, a thousand thank you's for three wonderful years of information" another hug, with a whispered one for imajicka as well, and deer returns to his place in the circ

FULLER J F C SECRET WISDOM OF THE QABALAH

h2 it is also called attikah d'attikin, the ancient of all the ancients, and attikah qadosha, the sacred ancient; it is sexless and is sometimes described as the non-ego or not-i, the ayin being altogether beyond the i. in the zohar we read and there went forth, as a sealed secret, from the head of ain soph, a nebulous spark of matter without shape or form, a centre of a circle, neither white nor black, neither red nor green, in fact without any colour. 3 this is the ain soph aur- light, not as a contradistinction to darkness, but as a vibration. first, so the symbolism describes, the ain soph withdrew itself into itself to form an infinite space- the abyss. in this space appeared a point of light, or life-giving energy, which filled it. the ain soph aur is, consequently, pictured as contr

student of the occult it will be apparent that these two trees closely resemble the letter shin, also the caduceus of hermes with its central rod and its two entwined serpents, and also the ida, pingala, and central shushumna of hindu yoga. the whole scheme is symbolized in the temple of solomon, the temple itself being the central pillar, whilst its two pylons, yakhin and boaz, the white and the black, the right and the left, represent the tree of the knowledge of good and evil- the eternal complementary forces in life without which nothing can be. this symbolism is an excessively ancient one thus, in the norse mythology we find the mystic tree yggdrasil, the roots of which are in the material world and the branches of which reach up to asgard, the happy dwelling of the gods. again, among

. man therefore partakes of two regions, that of the external, visible, matter world, that of evil and darkness, and that of the internal spiritual higher world, that of goodness and light. the german philosopher hegel holds that a thing can only exist through its opposite, that the thing and its opposite must arise together, and that eternally, as the complements of a unity; white is not without black, nor black without white, good is not without, nor is evil without good. this is the doctrine of the siphrah d'tzinoothah and the sepher ye'tzeer-ah. at the very beginning of the life germ, dissolution and death oppose its vitality and endeavour to destroy it, and the whole existence of man in this world is a continual struggle to secret wisdom of the qabalah page 37 preserve his vitality. i

ron by a similar process becomes sammael in the yetziratic world. in this world sammael's clouds of angels are the horses of tetragrammaton which bring yhvh into egypt, that is into the assiatic world, for egypt typifies darkness. his chariot is the merkabah (throne of magic; tetragrammaton is the charioteer; and as his two horses (two categories of angels) typify good and evil (the white and the black or the white and the red) tetragrammaton himself represents the fall of yetziratic harmony. in fact, the symbolism here describes the descent of the tree of life into assiah, where it is reversed and changed from harmony into discord- that is into activity. why should this descent take place? the answer is gof necessity h. tetragrammaton must descend, because only by descending can he comple

uently 10+ 6+ 10= 26, and 26 is the numerical value of tetragrammaton. its symbols are also the swastika, fylfot, or gammadion (see plate vi on page 42) the redemption from satanic rule can only be attained by seeing god as he really is and not as he is in his reflection; for as eliphas levi writes: according to the kabalists, the true name of satan is that of jehovah reversed, for satan is not a black god but the negation of the deity. he is the personification of atheism and idolatry. the devil is not a personality for initiates, but a force created with a good object, though it can be applied to evil: it is really the instrument of liberty. 20 to god the reflection of himself is evil, but to man this reflection is good, so long as he does not attempt to emulate god by reflecting his own

GAMBLE ELIZA BURT THE GOD IDEA OF THE ANCIENTS OR SEX IN RELIGION

not the woman but the man who is the tempter, and a singular peculiarity observed in connection with this ancient female deity is that it is she and not her seed who is trampling on the serpent, thus proving that originally woman and not man was worshipped as the savior. another significant feature noticed in connection with this subject is that the oldest figures which represent this goddess are black, thus proving that she must have belonged to a dark skinned race. this image, although black, or dark skinned, had long hair, hence not a negress. the most ancient statue of ceres was black, and pausanias says that at a place called melangea in arcadia there was a black venus. in the netherlands only a few years ago, was a church dedicated to a black goddess. the virgin of the sphere who tre

attributes, and possibilities of human nature, it was portrayed by a pure virgin who was also a mother. according to herodotus, the worship of minerva was indigenous in lybia, whence it travelled to egypt and was carried from thence to greece. among the remnants of egyptian mythology, the figure of a mother and child is everywhere observed. it is thought by various writers that the worship of the black virgin and child found its way to italy from egypt. the change noted in the growth of the religious idea by which the male principle assumes the more important position in the deity may, by a close investigation of the facts at hand, be easily traced, and, as has before been expressed, this change will be found to correspond with that which in an earlier age of the world took place in the re

n inscription in de vogue, page 119, is that al-lat is mother of the gods. at petra the mother-goddess and her son were worshipped together, and there are sufficient traces of the same thing elsewhere to lead us to regard this as having been the general rule when a god and goddess were worshipped in one sanctuary"[38 [38] kinship and marriage in early arabia, ch. vi, p. 179. as the worship of the black virgin and child is connected with the earliest religion of which we may catch a glimpse, the exact locality in which it first appeared must be somewhat a matter of conjecture, but that this idea constituted the deity among the ethiopian or early cushite race, the people who doubtless carried civilization to egypt, india, and chaldea, is quite probable. if we bear in mind the fact that the g

smigrating from the human bodies occupied during a former incarnation; brahm or the unity appearing as the paternal menu of a new age, while the triad, brahma, vishnu, and siva, is exhibited in the person of his three sons. but the ark-preserved menu--satyavrata and his three sons are certainly noah and his three sons, shem, ham, and japhet" hesiod teaches that, after the flood, chaos, night, and black erebus first appeared.[45] at this time, when there was no earth, no heaven, and no air, an egg floated on the face of the deep, which, being parted, brought forth love, or cupid. out of chaos this god created or formed all things. now cupid is the same as the greek phanes, and phanes is noah, the egg being the ark or female principle from which he was produced. the greek god phanes is the s

le. it is stated that the name of a certain egyptian god appears first in connection with royalty, that "his name was substituted for some earlier divinity whose hieroglyphics were chiselled out of the monuments to make place for his" according to the testimony of rawlinson, the god hea is represented by the great serpent, which occupies a conspicuous position among the symbols of the gods on the black stones recording babylonian benefactions. now these flat black stones are themselves said to symbolize the female element in the deity, in contradistinction to the obelisks, which prefigure the male, while the serpent, for reasons which have already been explained, appeared for ages in connection with the figure of a woman. in later inscriptions "king" is everywhere attached to the name of t

GILBERT AE WAITE A MAGICIAN OF MANY PARTS

)'theclosing noteofwarningstruck deeply.intohis heart, and he sought to profit by the advice. a change inthedirectionofhis energies didnot,however,bringmuchprofitorhappiness';butagainstthismustbe set the imageofhis mannerofworkingdepicted in hisearlypoem,'thestudent':iworkin the midnight, seenonlyby stars,whichshine through the. darkness so mournfully sweet,whilethemoonsometimes looks through the black lattice-bars,andher pale beams falldownat my267 feet. forgotten, forgetting, and therefore content, behold meatworkonaworkofmy own, neither asking. nor seeking for. helpto.be.lent:whatidoiam. doing alone! clods of earth are piled above thee,dustisnowthy fair young form; wewhomournthee, wewholove thee, have consigned thee to the worm.roundthy grave the shadow creepeth,andthe summer breezes bl

to the order, as frater avallaunius, on 21 november1899-thelast member to have had the original form of the order's 'obligation' administered tohim-andprogressed to the grade ofpracticus, at which point he stopped.nothingwithin.theorderseemed of value to him and he found that it 'shed no ray of any kind on my path',butwaite had done hisworkwell: machen had pulled back from the destructive path of black magic and would soon leave allofoccultism for a new career on the stage.hehad also metwithinthe confines of the goldendawn'a dark young man,ofquiet and retiring aspect,whowore glasses' andwhotoldhim'a queer taleofthe manner in which his life was in daily jeopardy'(thingsnearandfar,p. 148: a living counterpart, to all intents, oftheyoung man in spectacleswhofigures so prominently inthethreeim

'bensonian magic is preposterous, for the operator is caused, despite all precedent&ignoring alldangers to stand outside the circle. plrater] avallanius burning to have the blackartperformed satisfactorilyhas set himself to remedy the mischief of all this ignorance, and hence this request' he added, complacently, that hisownconjuration 'has the merit of being much wickeder than the grimoires, for black magic, as i have already shown, isnotnearly so black as it is painted. it is doubtful if machen spoke the conjuration himself in 1901 as he isnotknownto have played the partofbolingbroke the conjuror until he took it up his final role before leaving the benson company in 1909. at that time, he told oliver stonor in 1932 'i wrote three or four pages of highclassincantation,withmattersnotgener

rge and submit themselves unconditionally to his authority.whenthey declined todoso, matherssentaleister. crowley-who.had supported mathers becausethelondon chiefs refused to admithimto the secondorderafter he had passedthroughthe outer grades-i-to enforce his demands.thesubsequent events were farcical. crowley arrived attheorder's premises in blythe road, hammersmith, attired'inhighland dress, a black mask over his face, and a plaidthrownover his head and shoulders, an enormous gold or gilt cross on his breast, and a dagger at his side (reportofe.a. hunter, quoted in howe,optcit, p. 225; he was promptly turfed out, his hired'chuckers-out' sent packing, mathers was suspended from hisownorder, and the r.r. eta.e.declared its independence. freed from mathers's. paranoid rule, the secondorder

u only in the latter capacity' he added that 'i happen to be the only practising lawyerintheorderand have been technically trained in formulating and criticizing statements and dealingwithevidence' as a consequence,'ithoughti might be able to help in getting the points so far threshed out that we might all knowwhatyou and your followers were driving at andwhatyou wanted and also that being all in black and white theremighthe no mistake from trusting to memory of interviews, the points may thus be clearly laid before the order. this he followedwitha long letteron8september, raising questions about the manifesto of 24 july.thequestions are phrased in a sarcastic manner and are all unnecessary given that the minority made it quite clear that they wishedforadivision intotwoindependent factions

GILBERT THE GOLDEN DAWN TWILIGHT OF THE MAGICIANS

tive, was the subjectofastral travelling by means of tattwa vision.thetattwas are coloured symbolsofthe elements asused-oras the golden dawn occultistsbelievedthem to beused-byhinduadepts, who recognized five elements rather than the four accepted inthewest.theyare: teias,aredequilateral triangle; apas, a horizon255 tal silver crescent; vayu, a blue circle; prithivi, a yellow square; and akasa, a black egg. by superimposing thesesymbolsupon each other in various waysitis possible to obtain thirty different symbols, eachofwhich produces a different typeofvision, appropriate to the elements concerned, when used as a focus for occult meditation. firstorderstudents learned the theoryofobtaining clair255 voyance through meditation upon these symbols,butastral travelling, or 'travelling in the s

behind which i hoped to see is (i remembered after) not sword symbolism. please send me any thoughts which any of you gather. 1 am very pleasediflcan join you inthis way,'thevision brings to mind the frontispiece of mathers' book,thebookofthesacredmagicof abra-melin themage(1898),which was widely known in the order.thisisrealmagic, but mathers makes clear in the introduction his own rejection of black magic, which he sets in opposition to the qabalistic magic that was practised in his order.healso reiterates his firm belief in the reality and malice of 'such fearful potencies as amaymon, egyn and beelzebub' and the necessity of right preparation 'pentacles and symbols are valuable as an equilibrated and fitting basis for the reception of magical force; but unless the operator canreallyatt

g the two. among ayton's papers is a short accountofthe alchemicaluseofthetablets.hisunsignedbutappears to be in mathers' hand:before commencing any alchemical process, and at the different stages of it, bring the cucurbite, retort, crucible, or other vessel containing the matter, place it in the centre of the table and range the66thegoldendawntablets round it thus: white tablet with head (north, black and grey tablet with white pentacle (east, tablet with crystal (south, coloured tablet with hexagram (west (the operator stands in the south .thenendeavour according to the directions to seeinthe crystal and go to the alchemical plane corresponding under the sephira of (chokmah) where ask the governor of hylechtosend down the divine light into the matter, the lvx. perform what other opera255

ed, possibly because ithadbecome, in1923,an independent temple (miss stoddart, however, claimed that sheandherfellow chiefshadmerely 'released them fromourauth255 ority; felkin had given them their independence by cable) in timedionfortuneset up atempleofherown atqueens255borough terrace, the headquartersofthe inner light, in whichherformerchiefofhermes(hope hughes) became convincedthatshe worked black magic. black or otherwise she continued writing about magic and became oneofthe few magicians to earn a successful living fromherbooks. in this she was equalled byherfellowhermesinitiate, israel regardie. as a young man regardiehadacted for a time as secretary to aleister crowley, whom he greatly admired; as a resultofcrowley's influence he produced his first two books,agardeno/pomegranates(

mongst them. she decided that she would go to bed early; she was not in the mood for sitting alone that night. she had yet to realize that she would never be alone any more" from such beginnings magical fiction slipped out of the handskmgmmof golden dawn magicians, to be treated well by some and dismallyby others, reaching its nadir in the lurid nonsense foisted on to the public in the guiseofthe black magic talesofdennis wheatley, a blow from which neither the genre itself nor the critical acumen of the public has ever recovered. but there were other and better writers more directly influenced by those offshootsofthe golden dawn to which they belonged.ofthese dion fortune, as violet firth preferred to be known, stuck most closely to magic proper. she further modelled her fictional charact

GILBERT THE MAGICAL MASON

ore, full of fine imagery, and replete with magical formulas. hishistoiredela magieis a storehouse of information relating to the secret sciences and secret fraternities of all times and among many nations, while in english the two volumes of the new edition of heckethorn'ssecretsocietiesshould be read as an introduction to deeper personal research.thework of franz hartmann, namedmagic, white and black,i can recommend to serious enquirers, for it elucidates the real aims of the higher magic, with which alone we are concerned, and it clears away many misconceptions which exist in the minds of the uninitiated. to such as desire to follow more closely the old testament religious element, i should advise a perusal of the commen255 taries ofdrallen barnes on daniel andthebook of revelation, and

of our senses, and the shadows of our materiality that hide us from the knowledge of the supernal.ifwe do become so pure, so refined, so strong in will, so perceptive by aspiration, astocatch some glimpses of the supernal, then practical magic is but the knowledge so attained, transferred into the sphere of action; and he who can attain tothiswisdom can never misuse it.ltis not to be denied that black magic exists, it is a terrible fact that a man may attain abnormal powers over others, and over events, by a concentration of will and earnestness of purpose towards an evil object.thesorcery of medieval europe was a fact, although it is the modern fashion to laugh at the credulity of our predecessors. times have changed since then, and evil still works, although with different tools. the ju

england, chess; perhaps from the chequered board on which it is played (germany, scach. in all forms the board used is quite similar, being square, and divided into 8 x 8=64 lesser squares.thechess men, too, have not varied in number, 16 pieces and 16 minor pieces or pawns. in the chaturanga these 32 were divided equally between four players, two partners against two partners: generally green and black against red and yellow. each player had 4 pieces and 4 pawns. dice were cast to determine which piece or pawn should be played.theearliest important change in the game was the alteration made by combining the forces of the partners. from that time the chaturanga out of india lost its chatur character, and was played by two persons each with 16 pieces and pawns. this change brought in other c

attractions of the lower principles and had joined itself to the heavenly powers.thenumberfourhas many other symbolic references to man, which may be traced by analogy in several directions; as, for example, let us considerthepack of playing cards, as now used. we find thefoursuits of diamonds and hearts, both red, representing the higher principles, with spades and162themagical masonclubs, both black, meaning the lower aspects. in the very old and curious tarocchi or tarot cards, to which court de gebelin, eliphaz levi and others grant an origin from the ancient egyptian myths, we find the four suits to be wands, cups, swords and pentacles of similar colours.thetarot pack has also four court cards, king, queen, knight and knave, which are suitable emblems of the four human principles. bo

e, and a bond-woman giving an heir to her mistress. 4 things little but exceeding wise; the ants, the rabbit, the locust, and the lizard you can seize with your hands. 4 things go stately along; a lion, a war-horse, a he-goat, and a king with his army. in the book of revelation we find mentioned four beasts (living beings, lion, calf, man and eagle) full of eyes, iv, 6-9: four horses, white, red, black and the pale horse called death, vi, 2-8: four hornsofthegolden altar before the eyes of god, ix, 13, and four angels who were bound in the river euphrates, ix, 14.theancient egyptians in their burials of notable men preserved the internal organs in four canopic jars, dedicated tothenumber four165amset,hapi,taumautefandquebsenuph,theso-called children ofhorus,asungod.thesewereguardedbyfourgo

GILBERT THE SORCERER AND HIS APPRENTICE

thatforthemdelphi represented<>o(lepot'ao,.tljt;yij'.alsothe 4 ancients preside over the four elements of air, fire, water and earth; or as the teaching of occultism would say, over air, fire, water, andtheir synthesis;and, therefore, are their robes of the 2673 primary colours, one the flame redoffire, the second the blue of water, the third the luminous yellow of air, and that of the fourth is black, signifying the earth; and which colour is obtained by the mixture of the three others. but the candidate is clad in the white robe, to point out to him that he should not be led aside by the attraction of the elements, but that he should steadfastly follow that path of spiritual purity which alone willleadhimto the divine light. now astrology points out that the signs of the zodiac partake

e four (babel, ionia, media, edom) are attributed four kingdoms, and they are also classed under the sephiroth as shewn.thetwelve princes of the qliphoth who are the heads of the months of the year these are the names of the twelve princes and tribes of the qliphoth who are the heads of the months of the year:(1)bairiron- so called because they are derived from the fourth evil, namely samael, the black. their colours are dull red and black, and their form is that of a dragon-lion.26thesorcerer and his apprentice"(2) adimiron'-whose colours are like blood mixed with water, a dull yellow and gray. their form.isthatof a lion255 lizard.(3)tzelladimironwhose colours are like limpid blood, bronze and, crimson. they arelikesavagetriangular-headeddogs (4) schechiriron, whose colours are, black, an

(8) necheshethironwhose colour is like copper, and their form like that' of a most devilish and almost human-headed insect.(9)nachashironwhose colours are/ like serpents" and their form like dog-headed serpents (10) dagdagiron whose colours are reddish and gleaming, and their form like vast and devouring flat-headed fishes.(11)behemiron- whose name is derived from behemoth, and their colours are black and brown, and their forms those of awful beasts like a, hippopota255 mus, and an elephant,butcrushed flat, or as if their skin was spread out flat over the body of a gigantic beetle or cockroach, crawling yet having vast strength (12 'neshimiron- whose colours are of a stagnant gleaming, watery hue, and their forms like hideous women, almost skeletons, united to the bodies of serpents and f

nce. at the north-east angle is aggerath,thedaughter of machalath, a fiendish witch with serpent hair enthroned in a chariot drawn by an ox and an ass. at the north-west angle is a gigantic scorpion with a fearful countenance,butstanding upright as it were, and formed of putrefying water. after .267him cometh. the un-nameable one (abaddon) and his appearance and symbol is that of a closely-veiled black gigantic figure, covered with whirling wheels and in his hand is avast wheel whence issue asitwhirls, multitudesofcal-like demons. behind comethmaamahlikeacrouching. woman with an animal's body, crawling along thegtoundandeating the earth. and at .the south-west angleare'a winged lion and a winged horse drawing in a chariotthe younger lilith, the wife of asmodai, she is dark, a woman to the

n animal's body, crawling along thegtoundandeating the earth. and at .the south-west angleare'a winged lion and a winged horse drawing in a chariotthe younger lilith, the wife of asmodai, she is dark, a woman to the waist and a man. below it,andsheappears as dragging down withherhands small figures of men into hell.ofthethreeevil forces before samaelthefirstisqematrielwhqse form is that of a vast black, man-headed dragon-serpent. and he uniteth under him the forceofketherofthe infernal and averse sephiroth. the second, a black, bloated man-dragon, belial, he. who denieth a god; and he uniterh the force of the aversechokmah.thethird is othiel or. gothiel. a black, bloatedwlan-insect, horrible of aspect, his breadth greater than his length: and he uniteth the force of averse binah. the fourt

GILBERT R A THE MASONIC CAREER OF A

the ritual is properly in four books- i enclose you the first, and you need only send me a short note that you 36[36] ibid, ff. 121 and 122 37[37] l. floquet, luciferianism or satanism in english freemasonry (montreal, cadieux and derome, 1898. quoted in light for 7 january 1899 38[38] the x-rays in freemasonry by 'a. cowan (effingham wilson, 1901. the cover design, free-style lettering in red on black boards, is consciously modelled on the cover of waite's devil- worship in france conform yourself entirely to carry out the ob. you can then proceed on your own account to form a non-masonic branch, and when you have done something i daresay you might get a charter from "papus" for a london body'39[39. waite was delighted at this response and sent his obligation by return, expressing at the

1 'robert fludd and freemasonry: a speculative excursion, vol. ll, pp.65-80 the masonic secretaries' journal 1918 'the rite of the strict observance, vol. 1, pp. 179-81 the master mason 1927 'the royal and masonic art, vol. 4, pp. 745-53 nocalore (transactions of the north carolina lodge of research) 1946 'an introduction to the c.b.c.s, vol. 16, pp. 62-91 the occult review 1907 'satanism and the black mass'by s. r (on leo taxil) vol. 5, pp. 318-21 1908 'the latin church and freemasonry, vol. 8, pp. 146-50 1911 'count cagliostro and freemasonry, vol. 13, pp. 48-50 'freemasonry and the french revolution, vol. 14, pp. 140-7 1913 'a master of the inward way (saint-martin& martines de pasqually, vol. 18, pp. 259-67 1915 'master building (review of j. fort newton, the builders, vol. 22, pp. 3 9

GLOBAL FREEMASONRY

that changed the way they saw the world. in addition, many researchers are of the same opinion. there must have been something that led the templars, despite the fact that they had previously been christian and came from a christian part of the world, to adopt a system of beliefs and a philosophy so completely different from that of christianity, celebrate heretical masses, and perform rituals of black magic. according to the common views of many researchers, this "something" was the kabbalah. the meaning of the word kabbalah is "oral tradition" encyclopedias and dictionaries define it as an esoteric, mystical branch of jewish religion. according to this definition, the kabbalah investigates the hidden meaning of the torah and other jewish religious writings. but, when we examine the matte

gn of england's king george iii, immensely powerful members of his majesty's government, important intellectuals, and influential artists could sometimes be seen travelling up the thames river by gondola to a ruined abbey near west wycombe. there, to the sonorous tolling of the deconsecrated cloister's bell, they dressed in monkish robes and indulged in every manner of depravity, culminating in a black mass celebrated on the naked body of a debauched noblewoman and presided over by that notorious rake sir francis dashwood. their diabolical devotions concluded, the inner circle would adjourn to plot the course of the british empire. this "unholy sodality" as it has been called, styled themselves, with suitably a depiction of strange ceremonies in an eighteenth century masonic lodge. global

GNOSTIC CATECHISM

the ritual is properly in four books- i enclose you the first, and you need only send me a short note that you 36[36] ibid, ff. 121 and 122 37[37] l. floquet, luciferianism or satanism in english freemasonry (montreal, cadieux and derome, 1898. quoted in light for 7 january 1899 38[38] the x-rays in freemasonry by 'a. cowan (effingham wilson, 1901. the cover design, free-style lettering in red on black boards, is consciously modelled on the cover of waite's devil- worship in france conform yourself entirely to carry out the ob. you can then proceed on your own account to form a non-masonic branch, and when you have done something i daresay you might get a charter from "papus" for a london body'39[39. waite was delighted at this response and sent his obligation by return, expressing at the

1 'robert fludd and freemasonry: a speculative excursion, vol. ll, pp.65-80 the masonic secretaries' journal 1918 'the rite of the strict observance, vol. 1, pp. 179-81 the master mason 1927 'the royal and masonic art, vol. 4, pp. 745-53 nocalore (transactions of the north carolina lodge of research) 1946 'an introduction to the c.b.c.s, vol. 16, pp. 62-91 the occult review 1907 'satanism and the black mass'by s. r (on leo taxil) vol. 5, pp. 318-21 1908 'the latin church and freemasonry, vol. 8, pp. 146-50 1911 'count cagliostro and freemasonry, vol. 13, pp. 48-50 'freemasonry and the french revolution, vol. 14, pp. 140-7 1913 'a master of the inward way (saint-martin& martines de pasqually, vol. 18, pp. 259-67 1915 'master building (review of j. fort newton, the builders, vol. 22, pp. 3 9

GNOSTIC HANDBOOK

he esoteric teachings while under persecution from the apostate church and transmitted them, via small sects and cults, to today's gnostics. the gnostic handbook page 109 wisdom from india to give an example from hinduism of the amoral path. we find in traditional hindu (tantric- vedic) tantra there are two distinct traditions, the right and left hand path. these have nothing to do with white and black magic as the ignorant suggest but are two distinct methodologies of redemption. the right hand path is symbolic and the images regarding sexuality are applied symbolically with strict moral codes enforced. the left hand path is literal and uses the very things that the right hand path condemns to achieve liberation. these two paths have many similarities to the terrestrial and celestial trad

GNOSTIC STUDIES THE GNOSTIC HANDBOOK II GNOSTIC THEURGY

rs of the israelite priesthood. dress and ritual materials the clothing of the ritualist can vary according to rite and to tradition. it can be very elaborate such as the ritual clothes worn in the temple of solomon or even nothing at all such as in the skyclad (naked) tradition of some schools of natural ritualism and wicca. in gnostic ritualism a white robe is normally worn by the psychic and a black robe by the pneumatic. in some rites a smaller over-robe is sometimes worn. it varies in colour depending on the ritual. other materials can include altar pieces, hangings and banners of the four elements. all of these help impress the mind that this is a special occasion, and that symbols need to be processed in a different manner. robes are important for they disassociate the wearer from e

let. greek: thor, aries and hades. stone: ruby plants: nettle, oak. perfume: tobacco. believe it or not, here he has all the information required to create his ritual. on the altar will be the five of swords, the major working will be to travel through this card and come back with a sense of power. he will place the tarot trumps of the related four centres in each elemental corner. he will wear a black robe with a bright scarlet overlay. he will burn tobacco and perhaps some nettle as his incense. he will play martial music (mars from holst s planets is effective) and use red throughout the temple scheme. he will research and find some prayers and invocations to mars in the various mythologies. after his primary working he will re-orient himself to each quarter and visualise each tarot tru

theurgy page 174 be used to expedite this, not to block it by sending out endless material requests. above all remember that if a thoughtform doesn t work, it is because it either was not programmed clearly; or given enough energy. only with clear programming and maximum energy can a thoughtform achieve its goal. x gnostic theurgy page 175 they re out there, moving stealthily in the darkness. the black magicians, the occult terrorists, satanists, mansonoids, mindwarpers, cattle mutilators. nights black agents as the bard called them. they re calling down curses on their enemies, sticking pins in voodoo dolls, summoning the mighty devil choronzon to fall upon the earth and afflict it with madness, chanting to invoke the 777 servitors of beelzebub. well, yes. but lets not lose our heads abou

they re calling down curses on their enemies, sticking pins in voodoo dolls, summoning the mighty devil choronzon to fall upon the earth and afflict it with madness, chanting to invoke the 777 servitors of beelzebub. well, yes. but lets not lose our heads about it. the first and foremost thing to learn about evil is that it generally exists only in your own alarmed imagination. don t be afraid of black magick. robert anton wilson in gnostica feb-march 1977. the above quote is a great place to start when talking about psychic self defence. too many people today are just plain paranoid and this is not, i repeat, not the state to start contemplating psychic self defence from. it is all too easy to stand in the position of being so self righteous, that we attribute psychic attack to all those

GOETIA LUCIFERIAN

of its blood one who may take the knowledge of the pages in the in-between worlds of dreams do come forth, that the seeker shall be transformed in new shadow to the presence of the emerald light. i charge thee with guarding this book by the dreams of those unwilling to grow and become in the light of the serpent-angel. by air and dream we enter the circle 4 5 the preliminary definition of magick& black magick it is significant to explain the definitions within the context of this book, to not only in some manner set the foundation but also the suggestion of a successful application of this grimoire. this book is not meant for the individual to develop profane behavior, antisocial actions nor abhorrent philosophy which may be defined as not-healthy for the self. the essence of this book is

tion of self. magick is the arte of the sun, which is fertile and beautiful, the very foundation built in gold brilliance. magick is the evolution of the spirit and the self, the very path of mediation between us and our gods. it is ultimately however the separation from us from all gods and the emerald crown of which we adopt we become as gods and goddesses individual and beautiful in many ways. black magick as revealed in current standards is the art of self-deification through antinomianian processes, that by the self separating from the natural order do we move in-between the world of waking and dreaming. in the art of primal sorcery this is defined as encircling/ensorcelling the self in the dragon s being. the circle in the modern context of magick and ceremonial workings is not desig

magician understands that no work may be successful is the intent is not pure and clear. if you seek to summon one of the djinn of the goetia, understand how the spirit relates to your mind, how it will manifest in yourself. do not summon something that which you are not comfortable in working with. do not on the other hand fear the very forces which you seek to command, be it angelic or demonic. black witchcraft is working with averse or black forces which are translated as shadow aspects of the sorcerers psyche. these shadows of the self are essential to our own selfdevelopment and becoming as individuals. it requires that the witch be well disciplined and also well balanced, save from the gates of failure and madness. to look into the eye of set and lilith-hecate or even ahriman is to f

as shadow aspects of the sorcerers psyche. these shadows of the self are essential to our own selfdevelopment and becoming as individuals. it requires that the witch be well disciplined and also well balanced, save from the gates of failure and madness. to look into the eye of set and lilith-hecate or even ahriman is to face off forces which would devour any not prepared to become bearers of the black flame, a luciferian spirit themselves. once this pact is made, when the sigillium diaboli is upon the mind, spirit and body, then there is no turning back only the ascension of the spirit as beyond the mortal clay. 6 in the modern world of magicians, sathan is our initiator and stimulator of the psyche. one should remember, in pre-islamic lore satan/azazel is considered the imagination sufis

being, that is, they resonate with the more developed aspects of the self i.e. communion with the initiatic guide/holy guardian angel. demons are spirits/fallen angels which proceed to grow in shadows and the darkness of the earth, but are as significant and beneficial as angelic spirits. in unity these djinn are of fire and air, thus enflame the very essence of self in the illumination of being (black flame self- perception and being. black magick is the development and refinement of the self on every level. it can be unpleasant such as questioning yourself and testing your limits, and it can be pleasure filled. it is necessary not to grow lazy while working with these spirits, as the work will then disintegrate and cause numerous problems. stay focused and resilient to the purpose of the

GOLDEN DAWN INVOKING PENTAGRAM RITUAL OF AIR

o the south (keep the right arm extended throughout; never let it drop) facing south, with the white end of the wand trace another large lesser invoking pentagram. charge the pentagram as before by thrusting the wand, through the center of the pentagram and vibrate "yhvh (yode-heh-vav-heh. keeping the arm extended, trace a line of white light as you turn or move to the west. facing west, with the black end of the wand trace again a large lesser invoking pentagram. charge the pentagram as before by thrusting the wand, through the center of the pentagram and vibrate "yhvh (yode-heh-vav-heh. keeping the arm extended, trace a line of white light as you turn or move to the north. facing north, with the black end of the wand trace a large lesser invoking pentagram. charge the pentagram as before

me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael (mee-chai-el. see another great archangel at your left, who rises up from the vegetation of the earth in robes of citrine, olive, russet, and black, holding stems of ripened wheat. say "on my left hand uriel (ur-ee-el (say "for about me flames the pentagram, and in the column shines the six-rayed star" give the adoration to the lord of the universe give the theoricus sign facing east recite the prayer of the sylphs: spirit of life, spirit of wisdom! whose breath giveth forth and withdraweth the form of all living things; thou, before wh

GOLDEN DAWN INVOKING PENTAGRAM RITUAL OF EARTH

rfould breath perform the qabalistic cross 1. touching the forehead, say atah. 2. touching the breast, say malkuth. 3. touching the right shoulder, say ve-geburah. 4. touching the left shoulder, say ve-gedulah. 5. clasping the hands upon the breast, say le-olam, amen. facing east, use the index finger of the right hand, a dagger, or the white end of the outer wand of double power to trace a large black lesser invoking pentagram. charge it with light by piercing either the dagger, wand tip or index finger through the center of the pentagram and vibrate "agla (ah-gah-lah. keep the arm extended while tracing a line of white light as you turn or move to the south (keep the right arm extended throughout; never let it drop) facing south, with the white end of the wand trace another large lesser

me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael (mee-chai-el. see another great archangel at your left, who rises up from the vegetation of the earth in robes of citrine, olive, russet, and black, holding stems of ripened wheat. say "on my left hand uriel (ur-ee-el (say "for about me flames the pentagram, and in the column shines the six-rayed star" give the adoration to the lord of the universe go to the north and give the zelator sign facing north recite the prayer of the gnomes: o invisible king who, taking the earth for foundation, didst hollow its depths to fill them with thy al

GOLDEN DAWN INVOKING PENTAGRAM RITUAL OF FIRE

me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael (mee-chai-el. see another great archangel at your left, who rises up from the vegetation of the earth in robes of citrine, olive, russet, and black, holding stems of ripened wheat. say "on my left hand uriel (ur-ee-el (say "for about me flames the pentagram, and in the column shines the six-rayed star" give the adoration to the lord of the universe go to the south facing south give the philosophus sign facing south recite the prayer of the salamenders: immortal, eternal, ineffable and uncreated father of all, borne upon the chariot of w

GOLDEN DAWN INVOKING PENTAGRAM RITUAL OF WATER

me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael (mee-chai-el. see another great archangel at your left, who rises up from the vegetation of the earth in robes of citrine, olive, russet, and black, holding stems of ripened wheat. say "on my left hand uriel (ur-ee-el (say "for about me flames the pentagram, and in the column shines the six-rayed star" give the adoration to the lord of the universe go to the west facing west give the practicus sign facing west recite the prayer of the undines: terrible king of the sea, thou who hast the keys of the cataracts of heaven, and who enclosest

GOLDEN DAWN LESSER BANISHING RITUAL OF THE PENTAGRAM LBRP

the pentagram ritual. the lesser bannishing ritual of the pentagram (lbrp) perform the qabalistic cross 1. touching the forehead, say atah. 2. touching the breast, say malkuth. 3. touching the right shoulder, say ve-geburah. 4. touching the left shoulder, say ve-gedulah. 5. clasping the hands upon the breast, say le-olam, amen. facing east, use the index finger of the right hand, a dagger, or the black end of the outer wand of double power to trace a large (flaming blue or brilliant white) banishing pentagram of earth. charge it with light by piercing either the dagger, wand tip or index finger through the center of the pentagram and vibrate "yhvh (yode-heh-vav-heh. keep the arm extended while tracing a line of white light as you turn or move to the south (keep the right arm extended throu

ace a large (flaming blue or brilliant white) banishing pentagram of earth. charge it with light by piercing either the dagger, wand tip or index finger through the center of the pentagram and vibrate "yhvh (yode-heh-vav-heh. keep the arm extended while tracing a line of white light as you turn or move to the south (keep the right arm extended throughout; never let it drop) facing south, with the black end of the wand trace another large bannishing the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 2 of 3 6/27/2004 7:51 am facing south, with the black end of the wand trace another large bannishing earth pentagram. charge the pentagram as before by thrusting the wand, through the center of the pentagram and vibrate "adni (ah

.ritual-magic.com/welcome/modules.php?name=content. 2 of 3 6/27/2004 7:51 am facing south, with the black end of the wand trace another large bannishing earth pentagram. charge the pentagram as before by thrusting the wand, through the center of the pentagram and vibrate "adni (ah-doh-nye. keeping the arm extended, trace a line of white light as you turn or move to the west. facing west, with the black end of the wand trace again a large bannishing pentagram of earth. charge the pentagram as before by thrusting the wand, through the center of the pentagram and vibrate "eheih (eh-hey-yay. keeping the arm extended, trace a line of white light as you turn or move to the north. facing north, with the black end of the wand trace a large bannishing earth pentagram. charge the pentagram as before

me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael (mee-chai-el. see another great archangel at your left, who rises up from the vegetation of the earth in robes of citrine, olive, russet, and black, holding stems of ripened wheat. say "on my left hand uriel (ur-ee-el (say "for about me flames the pentagram, and in the column shines the six-rayed star" repeat the qabalistic cross. note: the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 3 of 3 6/27/2004 7:51 am note: there are many people who will perform this ritual that

GOLDEN DAWN LESSER INVOKING RITUAL OF THE PENTAGRAM LIRP

me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael (mee-chai-el. see another great archangel at your left, who rises up from the vegetation of the earth in robes of citrine, olive, russet, and black, holding stems of ripened wheat. say "on my left hand uriel (ur-ee-el (say "for about me flames the pentagram, and in the column shines the six-rayed star" repeat the qabalistic cross. note: a few of the benefits that may be obtained from the l.i.r.p; it will aid in grounding mental and emotional conditions, it will allow the student to call forth the four elements within his circle, and the

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL AURIEL

he ritual for balancing, grounding and conversing with the archangels, it is usually not necessary to banish afterwar uthe sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 1 of 2 6/27/2004 8:01 am meditation with the archangel auriel meditation with the archangel auriel for the grade of zelator for this ritual the zelator will need a black robe, black and white striped nemyss,and the outer wand of double power. upon the altar should be a black candle, a paten of bread and salt, and a talismanic emblem with the archangel name of uriel painted white on a black background in hebrew. the temple is to be arranged in accordance with the zelator hall (as in the second part of the initiation ceremony) relax and perform the fourfould b

power. upon the altar should be a black candle, a paten of bread and salt, and a talismanic emblem with the archangel name of uriel painted white on a black background in hebrew. the temple is to be arranged in accordance with the zelator hall (as in the second part of the initiation ceremony) relax and perform the fourfould breath go to the northeast and say "hekas, hekas, este bebeloi" with the black end of the wand, perform the lbrp (say the following invocation) stoop not down into that darkly splendid world wherein continually lieth a faithless depth and hades wrapped in gloom, delighting in unintelligible images, precipitous, winding, a black ever-rolling abyss, ever espousing a body unluminous, formless and void. go clockwise to the east. with the white end of the wand, trace the le

the colors he may be wearing, the the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 2 of 2 6/27/2004 8:01 am as possible all the details of auriel. the colors he may be wearing, the clothes, the background, etc, but most importantly try to feel his presence. keep in mind that the usual colors of this archetype are citrine, olive, black and russet. once you have your visualization established, let go of your reasoning. merely be receptive; feel and allow your heart with your astral eyes to be your only senses. listen with your feelings to any words, inspirations or emotions that he may be communicating to you. you may stay in this state for as long as you wish. you may end the meditation here, simply thanking him for coming

read and salt. as you consume the repast of earth, meditate on the talismanic emblem for an extended period of time. take as much time as you need. perform the reverse circumambulation (go to the east and say "i now release any spirits that may have been imprisoned by this ceremony. depart in peace to your abodes and habitations. go with the blessings of adonai ha aretz! perform the lbrp with the black end of the wand. say: i now declare this temple duly closed. so mote it emthe sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 1 of 2 6/27/2004 8:03 am meditation with the archangel gabriel meditation with the archangel gabriel for the grade of practicus for this ritual the practicus will need a black robe, black and white strip

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL GABRIEL

ter wand of double power. upon the altar should be a blue candel, a cup of wine, and a talismanic emblem with the name of gabriel painted orange on a blue background in hebrew. the temple is to be arranged in accordance with the practicus hall (as in the second part of the initiation ceremony) relax and perform the fourfould breath go to the northeast and say "hekas, hekas, este bebeloi" with the black end of the wand, perform the lbrp (facing east, say the following invocation "so therfore first the priest who governs the works of fire must sprinkle with the lustral waters of the loud resounding sea. remain in the east. with the white end of the wand, trace the lesser invoking pentagram. thrust the wand through the center of the figure and vibrate "eheieh" do this also in the south, west

ide. drink the wine. as you partake of the element, meditate on the talismanic emblem for an extended period of time. take as much time as you need. perform the reverse circumambulation (go to the east and say "i now release any spirits that may have been imprisoned by this ceremony. depart in peace to your abodes and habitations. go with the blessings of elohim tzaboth! perform the lbrp with the black end of the wand. say: i now declare this temple duly closed. so mote it s the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 1 of 2 6/27/2004 8:02 am meditation with the archangel raphael meditation with the archangel raphael for the grade of theoricus for this ritual the theoricus will need a black robe, black and white strip

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL RAPHAEL

ules.php?name=content. 1 of 2 6/27/2004 8:02 am meditation with the archangel raphael meditation with the archangel raphael for the grade of theoricus for this ritual the theoricus will need a black robe, black and white striped nemyss,and the outer wand of double power. upon the altar should be a yellow candel, a rose, and a talismanic emblem with the archangel name of raphael painted white on a black background in hebrew. the temple is to be arranged in accordance with the theoricus hall (as in the second part of the initiation ceremony) relax and perform the fourfould breath go to the northeast and say "hekas, hekas, este bebeloi" with the black end of the wand, perform the lbrp (facing east, say the following invocation "such a fire existeth, extending through the rushings of air. or e

fragrance of the rose. as you partake of the rose, meditate on the talismanic emblem for an extended period of time. take as much time as you need. perform the reverse circumambulation (go to the east and say "i now release any spirits that may have been imprisoned by this ceremony. depart in peace to your abodes and habitations. go with the blessings of shaddai el chai! perform the lbrp with the black end of the wand. say: i now declare this temple duly closed. so mote it s the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 1 of 2 6/27/2004 7:59 am the prayers of the elementals from dogme et rituel de haute magie by eliphaz l vi translated by persons unknown the prayer of the gnomes or earth spirits. o invisible king, who

GOLDEN DAWN RITUALS A

s contrasted with hermeticism and the rosicrucian fraternity. the works of the lake harris school are better avoided: the hermetic brotherhood of luxor is condemned, as of course are luciferian or palladistic teachings: the so-called rose croix of sar peladan, is considered as an ignorant perversion of the name, containing no true knowledge and not even worthy of the title of an occult order: the black mass is naturally by its own confession of the evil magic school: the martinists, as long as they adhere to the teachings of their founder, should not be out of harmony with the r.r. et a.c (other schools to avoid are all thelemic schools) additional notes 1995 the chiefs of the second order now reside in america where we hold the lamp of the golden dawn and the r.r. et a.c. the current chie

GOLDEN DAWN RITUALS B

m of e, y, and to the wand. the color of this point is a bright scarlet. the two lines drawn at an angle to 3 formulate this point are attributed to the sephiroth of hrwbg and trapt. it is here that the o and m dependency is revealed. the pentagram under the presidency of the name hwchy is formulated in two ways in the hexagonal center. these letters should be painted in the white color of on the black background on which the entire pentagram symbol is painted. the top portion of the pentagram is symbolized by the scepter of hermes, the letter c, and the rays which issue forth from the five corner angles of the pentagram. the scepter of zeus, or jupiter, is emblematic of the left side, while the scepter of neptune and poseidon is emblematic of the right side of the pentagram. beyond the bo

e of the pentagram. beyond the bottom two feet of the pentagram are the scepter of pluto, dis, orphaus hades in the o angle, and the scepter of demeter or ceres in the l angle. the letters of the pentagrammaton are drawn in their appropriate colors over the white rays which issue forth from the five corner angles. study the diagram well and let the z.a.m. construct his own full color diagram on a black background. this way, each corridor of the pentagram may be explored by methods of traveling and skrying in the spirit vision. 4 the pentagram ritual 5 (s.b.r.p. and s.i.r.p) the pentagram is under the presidence of hwchy. the four elements form a cross in the pentagram and are governed by hwhy with the point uppermost. it is a fitting symbol of the microprosopic man stretched out in perfect

GOLDEN DAWN RITUALS C C1

am, let the z.a.m. study well the complete symbol of the hexagram. as of the time of this writing, the complete symbol of the hexagram, as taught by our order, remains unpublished and unavailable to the uninitiated. let the z.a.m. study well this lesson and not confuse the material herein with the current published material available. the z.a.m. should create the symbol in its various colors on a black background. this symbol then should be studied and utilized for "skrying in the spirit vision" it should also be utilized in all important magical operations in which the hexagram must be employed. the hexagram is a potent magical symbol that represents the operation of the seven planets under the presidency of the sephiroth and the letters of the seven lettered notarikon or name: atyrara. a

angle of the hexagram issueth a ray. these rays are the radiation from the divine. therefore, like the pentagram, the hexagram is called the "flaming hexagram" and also the six rayed signet star. in most cases, the hexagram is traced with a single point uppermost. the hexagram is not an evil symbol when traced with the two points upward. the diagram of the complete hexagram should be traced on a black background. thou shall make it in the colours already taught in earlier grades. uppermost point l indigo lowermost point y violet right upperhand k blue right lowerhand c green 3 left upperhand f scarlet left lowerhand b orange center of hexagram a golden yellow 4 5 the uppermost arm is indigo and touches tud. tud, being a non-sephira, has the planet of l attributed to it. in esoteric though

GOLDEN DAWN RITUALS D

not acceptable once a person has entered the second order to have their wand in anything other than in white silk or linen of some sort. this particular lesson will not emphasize the building of the wand, for information on that, you can look in the zelator grade manual. however, i will point out that the bands which separate the colors should be white. now, in the past, people have painted them black, gray, gold and any number of colors, but because we are talking about a rainbow of colors, it is important that the white be emphasized between the colors as the white permeates through all things. so, if your wand does not have the white stripes, please correct it as soon as possible (the lotus flower is taught in the zelator manual, and the center is orange or gold, or a brass bolt may be

t as soon as possible (the lotus flower is taught in the zelator manual, and the center is orange or gold, or a brass bolt may be used to hold it together. again, we will not emphasize the building of the wand itself as there are several different methods that people have employed and all of them are very good. when the adept wishes to banish in the microcosm as in the l.b.r.p. he should hold the black end, when you wish to banish in the macrocosm as in the b.r.h, hold the wand by the white end afterwards point the black end and draw the banishing forms thereof. in addition to the other symbology of the wand, the white end is more akin to the macrocosm, the black end is more akin to the microcosm. let us emphasize that the white portion of the lotus wand is generally for invoking, and the

ms thereof. in addition to the other symbology of the wand, the white end is more akin to the macrocosm, the black end is more akin to the microcosm. let us emphasize that the white portion of the lotus wand is generally for invoking, and the black portion is used for banishing, but this is not always the case and many immature adepts believe that the white end is always used for invoking and the black end is always used for banishing. a general rule, this will stand fast. the white end may be used to banish by tracing the opposing banishing symbol of the force of which you are trying to banish. so, for example, when banishing a tough elemental of o, the opposing elemental force would be that of n. let the adept also realize that the white portion is always pointed toward the direction or

e holding a or e, you then face their particular direction. if you are invoking the higher spiritual natures, it is important to hold the white band upwards. as a matter of fact, it is a sacrilege to hold the white band downwards, for that would provide the infiltration of evil forces through the lotus wand and into the adept's sphere of sensation. so, the white end must always be higher than the black end. when you are banishing, you would point the 3 black end to the quarter that you are banishing from. for example, even if you were to use your lotus wand in the lesser banishing ritual of the pentagram, you would use it to trace the particular pentagrams that are attributed. remember to always keep the white end a bit higher than the black end. this is why we emphasize a smaller wand of

hat the white portion be used for all divine and spiritual matters and for all sephirotic influences as well. let us never confuse a sephiroth with one of the heavens of assiah, or with a planet or a zodiacal. all sephirotic influences should be invoked with the white band held on high. the white band is also employed for rising in the planes. 4 when working with mundane matters, you will use the black portion of the lotus wand, as this deals with the material and the physical world. the symbology of the lotus the inner ten petals refer to the purity of the ten sephiroth. understanding the symbology of the lotus itself is very important. this is, of course, why we hold the white portion of the lotus wand when working with the nature of the sephiroth directly. the middle eight refer to the

GOLDEN DAWN RITUALS E

ound color is yellow on the m arm and represents the flowing philosophic mercurial nature without hinderance of mobility or movement. this alludes to the ever flowing nature of m. 3 l arm this is composed of the four colors of twklm, and shows the l being the receptive container of all the four elements. citrine is attributed to the airy aspect, olive to the watery, russet to the fiery aspect and black to the lowest earthy aspect. here, also, is the mercurial force chief (as in the m arm, but in twklm, it is hindered by the compound nature. thus, it is more germinative rather than mobile. the q and p are respective from the sides of n and on the l arm which almost neutralizes their function and operation. together, they bring about the fixedness and immobility of l. o arm here the color is

a yellow violet b yellow violet g blue orange d green red h red green w red-orange blue-green z orange blue j amber blue-violet f yellow violet y yellow-green red-violet k violet yellow l green red m blue orange n blue-green red-orange s blue orange u indigo yellow-orange p red green x violet yellow q crimson yellow-green r orange blue c red green t indigo yellow-orange the back portion should be black on white. the edges along the side may be gold. before moving on, it should be noted that the adept should have an understanding of the position of the letters on the petals (see the diagram with this lessoraenochian dictionary r. r. e t a. c. z e l a t o r a d e p t u s m i n o r this material is private and has been lent to me on trust, to return on demand. it contains nothing of pecuniary

GOLDEN DAWN RITUALS F

known to set an anniversary date and such as once a year, for example, on the solstice, to reconsecrate and re-empower their tools. others have been known to empower and reconsecrate their tools up to a hundred times and even more. it only makes sense that the more you empower a tool, the more effective it will be for you in your magical workings. the adept should have an altar that is draped in black. upon the altar is the red cross and the white triangle as in the neophyte grade in the hall of the neophyte. in addition to the cross and triangle upon the altar a rose is placed as a symbol of m, a lamp or small censer as a symbol of o a chalice to symbolize n, and bread and salt to represent types of l. the chalice filled with wine representing the element of n should be placed between th

in the south and north part of the temple or working area (our rosicrucian order highly recommends the use of a pure rose incense mixed with amber. it should be about a fifty/fifty blend) in addition to the tools mentioned, the adept will also need his or her consecrated lotus wand. step 1 the new unconsecrated rose cross lamen should be placed in the triangle on the altar. the adept, holding the black band of the lotus wand, goes to the northeast portion of the temple and says "hekas, hekas, este bebeloi" the adept will then circumambulate back to behind the altar in the center of the temple. step 2 perform the l.b.r.p. step 3 perform the b.r.h. at the conclusion of the b.r.h, the adept should place his lotus wand on the altar. 3 note: when the lotus wand is set on the altar, the lotus sh

GOLDEN DAWN RITUALS G

may be different. we used the revised version of lapr. this, in fact, was the correct set of tablets used by s.l. macgregor mathers of the golden dawn. it was only later that the stella matutina altered the tablet letter construction with multiple letters. so therefore, the names in this lesson will not match some of the public work. general opening step 1 let the adept hold the lotus wand by the black portion, move to the northeast section of the temple and vibrate "hekas, hekas, este bebeloi" 3 step 2 setting down the wand and picking up the magical sword of the art, the adept shall now perform the l.b.r.p. step 3 laying down the sword, let the adept take up the chalice of water and purify the temple in all four quarters by the formula of tracing a cross and sprinkling thrice in the form

e of l let the adept hold the magical sword of the art on high and recite the following "o thou glorious angel nroam, thou who governest the dense and solid l, i invocate thee to bestow upon this pantacle the magic powers of which thou art master, that with its help, i may govern the spirits of whom thou art lord, in all seriousness and steadfastness" holding the magical sword of the art over the black portion of the pantacle, trace within a circle the invoking passive spirit pentagram and the invoking earth pentagram with the kerub in the center. note: with using the magical sword of the art in this case, use the pommel and not the point to do the tracing. final notes let the adept take the newly consecrated implement and perform the s.i.r.p of its particular element in the four quarters

GOLDEN DAWN RITUALS J

may my rose be disintegrated and my power in magic cease" sacred oath as it relates to the tree of life let the adept, to the best of his ability, memorize and contemplate the sacred oath he or she took upon the cross of suffering. let the adept understand the relationship between the ten parts of the oath and their relationship to the tree of life. as a meditational aid, let the adept dress in a black robe with a twenty-two link chain about his or her neck, and in a dark room, recite the oath with this contemplation on the ten sephiroth. 4 rtk: let us bind ourselves to our "eternal" light- the light of purity and unity. hmkj: only through wisdom can we prove ourselves a devoted servant to our sacred order and fraternity. hnyb: through deep understanding of the inner mysteries, we become a

GOLDEN DAWN RITUALS K

er shin. water is placed in the cup) chief adept "associate adeptus minor, see that the portal of the vault is closed and guarded (done) chief adept (advances to the altar, and lifts his wand on high "hekas hekas este bebeloi! associate adeptus minor, let the chamber be purified by the lesser banishing ritual of the pentagram (chief adept returns to place. third adept performs the ritual with the black end of the lotus wand; holds it by the white band afterwards and resumes position) chief adept "mighty adeptus major, let the place be purified by the lesser banishing ritual of the hexagram (second adept performs this with black end of wand, holding it by the white band. on completing the circle in the east, he gives the 5=6 signs, and the analysis of the keyword) chief adept (advances to t

stern quadrangle, i invoke ye, ye angels of the watchtower of the east (replaces the dagger on the head of the man. takes the chain, goes to the north, raises it on high, shakes thrice, circumambulates with sol and says "stoop not down into the darkly splendid world wherein lieth continually a faithless depth, and hades wrapped in gloom, delighting in unintelligible images, precipitous, winding a black, ever-rolling abyss, ever espousing a body unluminous, formless, and void (reaches north and facing it, shakes chain thrice and draws the invoking earth pentagram, saying "emor dial hectega. in the names and letters of the great northern quadrangle, i invoke ye, ye angels of the watchtower of the north (replaces the chain upon the ox head. takes the incense, goes to the west of altar, faces

ll give lvx signs) second adept "let the cross of the obligation be set in its place" second adept "it is written 'whosoever shall be great among you shall be your minister, and whosoever of you will be the chiefest, shall be the servant of all' i therefore, on behalf of the second order, do require of you to divest yourself of your robes and insignia as a chief adept, to clothe yourself with the black robe of mourning, and to put the chain of humility about your neck (chief adept disrobes, puts on the chain and is fastened to the cross by the fourth and fifth adepts) chief adept "upon this cross of obligation, i freely and unasked, on behalf of the second order, do hereby pledge myself to the due performance and fulfillment of the respective clauses of the oath taken by each member on the

perations of this secret wisdom, to strengthen and establish this order in its search for the mysteries of the divine light. increase the spiritual perception of the members and enable them to rise beyond that lower self-hood which is nothing, unto that highest self-hood which is in god the vast one (the three adepts disjoin their wands and lower them into the pastos, joining them together at the black ends, and directing them toward the center of the floor. they hold cruces as before) chief adept "and now, in the tremendous name of strength through sacrifice, yehashuah, yehovasha, i authorize and charge ye, ye forces of evil that be beneath the universe, that, should a member of this order, through will, forgetfulness, or weakness, act contrary to the obligation which he hath voluntarily

GOLDEN DAWN RITUALS SADD

ross 24 triangle no. 1 sign of the zodiac, small card of the tarot. triangle no. 2 m triangle no. 3 the planet of the decan triangle no. 4 element symbol of the tablet the no. 2 square of the great cross is always m and painted white, indicating the operation of m within the element. triangle no. 4 is to be colored in the element of the tablet, thus we have yellow for a, blue for c red for d, and black for b. thou shall color triangle no. 1 according to the triplicity of the sign attributed to it. in other words, earthy, firey, watery, or airy nature. triangle no. 3 is to be colored by that of the element ruled by the planet and attributed to it. let the adept take note that the elemental attributions are significantly different in the enochian system. here they are: a and k rule the eleme

GOLDEN DAWN RITUALS SCONTINUED

t cross triangle no. 1 sign of the zodiac, small card of the tarot. triangle no. 2 m triangle no. 3 the planet of the decan triangle no. 4 element symbol of the tablet the no. 2 square of the great cross is always m and painted white, indicating the operation of m within the element. triangle no. 4 is to be colored in the element of the tablet, thus we have yellow for a, blue for c red for d, and black for b. thou shall color triangle no. 1 according to the triplicity of the sign attributed to it. in other words, earthy, firey, watery, or airy nature. triangle no. 3 is to be colored by that of the element ruled by the planet and attributed to it. let the adept take note that the elemental attributions are significantly different in the enochian system. here they are: a and k rule the eleme

GOLDEN DAWN RITUALS U4

raveling in the spirit vision g.h. frater p.c.a. the first method explained in the paper by g.h. frater d.d.c.f. is the most common method. it is very effective when the adept has a specific location. this location may be pinpointed through the use of a specific set of names, color, and sigil. the sigil is the most effective. for the novice adept it may be more appropriate to utilize the sigil in black and white as it will tend to be less tiring to the adept. the flashing colors are most effective in that it attracts the spiritual essence, but it can become more fatiguing. this is especially true with skrying or clairvoyance. the second method mentioned is the advanced method. it is, in essence, the creation of the body of light as taught in the outer; create the vehicle and project into i

GOLDEN DAWN RITUALS U7

s tetragrammaton elements king twlyxa wands y (yod) d (fire) queen hayrb cups h (he) c (water) prince hryxy swords w (vau) a (air) princess hycu pentacles h (he) b (earth) king scale queen scale prince scale princess scale 1. uncolored brilliance white brilliance white brilliance white rayed golden 2. pure soft blue grey blue pearl grey mother of pearl white flecked red blue and yellow 3. crimson black with hidden red black& crimson= dull dark brown grey flecked pink 4. deep violet blue deep purple deep orange flecked yellow 5. orange scarlet red bright scarlet red flecked black 6. clear rose pink yellow (gold) rich salmon golden amber 7. amber emerald green bright yellow green olive flecked golden 8. violet purple orange red russet yellow brown flecked white 9. indigo violet very dark pur

ecked pink 4. deep violet blue deep purple deep orange flecked yellow 5. orange scarlet red bright scarlet red flecked black 6. clear rose pink yellow (gold) rich salmon golden amber 7. amber emerald green bright yellow green olive flecked golden 8. violet purple orange red russet yellow brown flecked white 9. indigo violet very dark purple citrine flecked azure 10. yellow citrine, olive, russet, black tertiaries flecked glowing gold black rayed yellow 11. bright pale yellow sky blue blue green emerald green flecked golden 12. yellow purple grey indigo rayed violet 13. blue silvery white very cold pale blue silver rayed sky blue 14. emerald green sky blue early spring green cerise rayed pale green 15. scarlet red brilliant flame glowing red 16. deep orange deep indigo deep warm olive rich

yellow green slate grey green grey violet or plum color 21. violet blue rich purple bright blue rayed yellow 22. emerald green blue deep blue green light pale green 23. deep blue white& dull sapphire green deep olive green white flecked purple like mother of pearl 24. greenish blue dull brown very dark brown vivid indigo brown, like back of lobster 25. blue yellow green dark vivid blue 26. indigo black blue black cold dark grey, near black. 27. scarlet red flame scarlet scarlet rayed amber 28. violet sky blue bluish mauve white tinged purple 29. crimson buff flecked silvery white light translucent brown with pink stone color 30. orange golden yellow rich amber amber rayed red 31. glowing orange scarlet vermillion red scarlet red flecked yellow vermillion flecked crimson& emerald 32. indigo

lack blue black cold dark grey, near black. 27. scarlet red flame scarlet scarlet rayed amber 28. violet sky blue bluish mauve white tinged purple 29. crimson buff flecked silvery white light translucent brown with pink stone color 30. orange golden yellow rich amber amber rayed red 31. glowing orange scarlet vermillion red scarlet red flecked yellow vermillion flecked crimson& emerald 32. indigo black blue black black rayed blue 31. black, citrine, olive& russet amber yellow dark brown black flecked yellow 32. white merging grey deep purple merging black 7 rainbow colours (purple outside) white, red, yellow, black, blue (outside) da fath: lavender grey white pure violet grey flecked gold the \yyjh u for the use of an adeptus minor is compounded of the first two scales. the sephiroth are i

ctical workings. let the z.a.m. of our sacred order study well this document and remember that gcolors are forces and the child of forces art thou. h addendum 1: collection of information on color by g.h. frater d.d.c.f. the 5 elements in the 4 scales of king, queen, prince, and princess. hm as an element: king: white merging into grey. sigil of m in king scale:h o queen: deep purple merging into black. sigil of m in queen scale: 8 prince: 7 rainbow colors with purple outermost. sigil of m in prince scale: princess: 5 colors: white, red, yellow, black and blue outermost. sigil of m in princess scale: h d as an element king: glowing orange scarlet. sigil of d in king scale: queen: vermilion red. sigil of d in queen scale: prince: scarlet red flecked with yellow (nota bene: flecks can be app

GOLDEN DAWN RITUALS VENUSZAM16

green mars c red 12 y moon g# blue sun d orange k jupiter a# violet venus e yellow l saturn a indigo f green-yelatconsecration ceremony for a venus talisman r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 the magus should be garbed in the regalia of the hierophant, and should in addition, wear a seal of k in the appropriate colors behind the lamen. the talisman of k should be wrapped in a black cloth and tied thrice with a cord. the temple furniture arranged as in the grade of neophyte. step 1 perform the banishing ritual of the pentagram and hexagram. step 2 open the temple by the ceremony of the watchtowers. step 3 after the adoration, perform the invoking hexagram ritual of the supernals, using ehieh and ararita. employ the vibratory formula of the middle pillar, and invoke keth

y human soul and that spirit of abundance and love and graciousness summed up in the name of netzach. to this end, i have formed and perfected a talisman bearing, the sigil of hagiel, the intelligence of nogah, and the geomantic symbols and sigils pertaining to venus. in addition this venusian bowl of desire has the many other symbols related to venus in flashing colors.this is now covered with a black veil, and bound thrice with a cord so that hagiel shall not see the light not move until he manifest unto me. i proclaim that this talisman shall be charged by the intelligence hagiel, in order that spiritual vision may be mine, and that it may assist us to overcome all obsticles of both a spiritual and material nature so that this order may grow with great rapidity and thus, may be enabled

GOLDEN DAWN RITUALS Z1

of a hierophant and a jewel of that lamen, but not a large collar lamen. immediate past hierophant may have a sceptre of a hierophant. the chiefs, or members asked to represent them on the dais, wear white gowns. the cords and tassels of all mantles of chiefs or officers should be white to symbolize spiritual purity and influence of the divine and shining light. members of the outer order wear a black gown or tunic with a sash indicating their grade across it. the black sash crosses from the left shoulder (from the side of the black pillar, as they first received it, and the white sash from the right shoulder. egyptian head-dresses, or nemysses are worn by the chiefs and officers with those of the chiefs being of the color of their mantles striped with the complementary color. those of th

dicating their grade across it. the black sash crosses from the left shoulder (from the side of the black pillar, as they first received it, and the white sash from the right shoulder. egyptian head-dresses, or nemysses are worn by the chiefs and officers with those of the chiefs being of the color of their mantles striped with the complementary color. those of the officers are striped equally in black and white or plain black squares of approved pattern. the key to the formation of the tunic and nemyss is the crux ansata, for the nemyss makes the oval, and the arms and body of the tunic, the cross. the symbolism of the temple the bases of the two pillars are respectively in jxn and dwh; the white pillar being in jxn and the black pillar in dwh. they represent the two pillars of mercy and

es of approved pattern. the key to the formation of the tunic and nemyss is the crux ansata, for the nemyss makes the oval, and the arms and body of the tunic, the cross. the symbolism of the temple the bases of the two pillars are respectively in jxn and dwh; the white pillar being in jxn and the black pillar in dwh. they represent the two pillars of mercy and severity. the bases are cubical and black to represent the l element in twklm. the columns are respectively black and white to represent the manifestation of the eternal balance of the scales of justice. upon them should be represented in counterchanged color any appropriate egyptian designs, emblematic of the soul. 5 the scarlet tetrahedronal capitals represent the o of test and trial, and between the pillars is the porchway of the

unterchanged color any appropriate egyptian designs, emblematic of the soul. 5 the scarlet tetrahedronal capitals represent the o of test and trial, and between the pillars is the porchway of the region immeasurable. the twin lights which burn on their summits are "the declarers of the eternal truth" the bases of the tetrahedra, being triangular, points east on the white pillar, while that on the black pillar points west. thus, they complete the hexagram of trapt, though separate, as is fitting in "the hall of the dual manifestation of truth" the altar, whose form is that of a double cube, is placed in the eastern part of twklm as far as the neophyte is concerned. but to the adeptus minor, its blackness will veil on the east, citrine, on the south, olive, on the north, russet, while the we

s, they complete the hexagram of trapt, though separate, as is fitting in "the hall of the dual manifestation of truth" the altar, whose form is that of a double cube, is placed in the eastern part of twklm as far as the neophyte is concerned. but to the adeptus minor, its blackness will veil on the east, citrine, on the south, olive, on the north, russet, while the west side and the base will be black, while the summit is of a brilliant whiteness. the symbols upon the altar represent the forces and manifestation of the divine light, concentrated in the white triangle of the three supernals as the synthesis. wherefore, upon this sacred and sublime symbol, is the obligation of the neophyte taken as calling therein to witness the forces of the divine light. the red cross of trapt (is here pl

GOLDEN DAWN RITUALS Z2

c, employed in the places properly allotted to them so as to represent the interior of a g.d. temple, and the purification and consecration of the actual piece of ground or place selected for the performance of the evocation. f. the invocation of the higher powers. pentacle formed of three concentric bands, name and sigil therein in proper colors is to be bound thrice with a cord, and shrouded in black, thus, bringing into action a blind force to be further 4 directed or differentiated in the process of the ceremony. announcement aloud of the object of the working; naming the spirit or spirits, which it is desired to evoke. this is pronounced standing in the center of the circle and turning towards the quarter from which the spirit will come. g. the name and sigil of the spirit, wrapped in

ck, thus, bringing into action a blind force to be further 4 directed or differentiated in the process of the ceremony. announcement aloud of the object of the working; naming the spirit or spirits, which it is desired to evoke. this is pronounced standing in the center of the circle and turning towards the quarter from which the spirit will come. g. the name and sigil of the spirit, wrapped in a black cloth or covering is now placed within the circle at the point corresponding to the west, thus, representing the candidate. the consecration of baptism by n and o of the sigil then takes place, and the proclamation in a loud, firm voice of the spirit (or spirits) to be evoked. h. the veiled sigil is now to be placed at the foot of the altar. the magician then calls aloud the name of the spir

ion of the matter to form the talisman; the preparation and arrangement of the place. the drawing and forming of the body of the talisman. in natural phenomena, the preparation of the operation; the formation of the circle, and the selection of the material basis, such as a piece of earth, a cup of n, a flame of o, a pentacle, or the like. f. the invocation of the highest divine forces, winding a black cord around the talisman or material basis covering the same with a black veil, and initiating the blind force therein. name aloud the nature of the talisman or operation. g. the talisman or material basis is now placed towards the west, and duly consecrated with n and o. the purpose of the operation, and the effect intended to be produced is then to be rehearsed in a loud and clear voice. h

or the shroud. h. the beginning of formulating mentally a shroud of concealment abut the operator. the affirmation aloud of the reason and object of the working. i. announcement that all is ready for the commencement of the operation. orator stands in the place of the hierophant at this stage, placing his left hand in the center of the white triangle and holding in his right the lotus wand by the black end in readiness to concentrate around him the shroud of darkness and mystery. 11 (in this operation as in the two others, under the dominion of s, a pentacle or telesmata suitable to the matter in hand, may be made use of, which is then treated as is directed for telesmata) j. the operator now recites an exorcism of a shroud of darkness to surround him and render him invisible. holding the

readiness to concentrate around him the shroud of darkness and mystery. 11 (in this operation as in the two others, under the dominion of s, a pentacle or telesmata suitable to the matter in hand, may be made use of, which is then treated as is directed for telesmata) j. the operator now recites an exorcism of a shroud of darkness to surround him and render him invisible. holding the wand by the black end, let him, turning round thrice completely, formulate a triple circle around him, saying, in the name of the lord of the universe, etc, i conjure thee, o shroud of darkness and of mystery, that thou encirclest me so that i may become invisible, so that seeing me, men see me not, neither understand, but that they may see the thing that they see not, and comprehend not the thing that they b

GOLDEN DAWN RITUALS Z3

of the hiereus to the aid of the candidate, so that he may more safely and resolutely combat the temptations of the evil persona. the hierophant has returned to his throne while the hegemon holds the insignia of the hiereus as he confers the signs, etc. she thus affirms the necessity of the force represented by the hiereus to the candidate. 7 the hierophant on the throne, the hiereus east of the black pillar and the hegemon east of the white pillar again form a triad which here represents the reflection of the three supernals. the higher soul is formulated between the pillars in the place of equilibrium. the candidate is in the place of the evil triad and the hiereus now advances to the place of harpocrates between the pillars to give the words. after the giving of the words and signs, th

of equilibrium. the candidate is in the place of the evil triad and the hiereus now advances to the place of harpocrates between the pillars to give the words. after the giving of the words and signs, the hiereus draws the candidate forward between the pillars and for the second time in the ceremony, the higher soul stands near and ready to touch him. the hiereus returns to his place east of the black pillar so that the three chief officers may formulate and draw down to the candidate, by their insignia, and the influence of their symbols, the forces of the supernal triad. it is important, therefore, that at this point, they should be in these places. the candidate now stands between the pillars, bound with a rope like the mummied form of osiris, between isis and nepthys. the final consec

GOLDEN DAWN RITUALS ZAM10

this my astral form with an egg of blue, the shroud of darkness. gather yourselves, ye flakes of astral light, and shroud my form in your substantial night. clothe me and hide me, but at my control. darken man's eyes that he see me not. gather at my word divine, for ye are the watchers, and my soul is the shrine" step 13 perform the analysis of the keyword and the qabalistic cross. formulate the black egg around you, and imagine the results of success. say" let the shroud of concealment encircle me at a distance of eighteen inches from the physical body. let the egg be consecrated with o and n (place the o and n on either side of you "o auramo-oth and thaum-aesh- neith, ye goddesses of the scales of the balance, i invoke and beseech you, that the vapors of this magical n and this consecra

e the o and n on either side of you "o auramo-oth and thaum-aesh- neith, ye goddesses of the scales of the balance, i invoke and beseech you, that the vapors of this magical n and this consecrating m be as a basis on the material plane for the foundation of this shroud of art" step 14 formulate the shroud mentally. say "i, of the rosea rubea et aurea crucis, do hereby formulate to myself the blue-black egg of hoorpokratist as a shroud of concealment that i may attain knowledge and power for the accomplishment of the great work, and to use the same in the service of the eternal genius. and i bind and obligate myself, even as i was bound to the cross of obligation, and do spiritually swear and affirm that i will use this power to a good purpose only, to 7 help me eventually to aid and serve

onceal me alike from men and spirits, that it shall be under my control, ready to disperse and to re-form at my command. by inscription on this parchment, i may conceal part of my nature, i being in the presence of a specific group or individual, so that i may remain in the light of day, yet remain hidden as if in the night to my enemies or those i choose not to see, feel, or know, as long as the black cord remains around the parchment. and i declare that all is now ready for the due fulfillment of this ceremony of the magic of light" step 15 go to the east of the altar, facing west, with the left hand on the triangle, and the right hand holding the black band of the lotus wand upright. say "come unto me, o shroud of darkness and of night, by the power of the name hwchy, hcwhy, formulate a

tion take place in the place of darkness go round, knock when passing east and west and east again. pass to the south, halt, formualte the pillars of fire and cloud, reaching from darkness to the heavens. formulate shroud between them, and pass to the west. invisible, i cannot pass by the gate of the invisible save by virtue of the name of darkness" step 18 formulate forcibly the egg of dark blue-black. say "darkness is my name, and concealment. i am the great one invisible of the paths of the shades. i am without fear, though veiled in darkness, for within me, though unseen, is the magic of the light divine" go round, knock as before, halt in north, formulate pillars, and the blueblack egg between them. then pass to east. step 19 do the rose cross, keeping your hands close to your body. d

nt. i am the great one invisible of the paths of the shades. i am without fear, though veiled in darkness, for within me, though unseen, is the magic of the light divine" go round, knock as before, halt in north, formulate pillars, and the blueblack egg between them. then pass to east. step 19 do the rose cross, keeping your hands close to your body. dedicate it to containing your aura within the black egg. say "invisible, i cannot pass by the gate of the invisible, save by the virtue of the name of light" step 20 formulate the shroud forcibly. say" i am the light shrouded in darkness. i am the wielder of the forces of the balance" 9 step 21 concentrate the shroud mentally. go to the west of the altar, and remain standing. say "o thou divine creature of the creative darkness of spirit, for

GOLDEN DAWN RITUALS ZAM11

ke sign of osiris risen. iao! let the divine light descend" see the divine light descend upon your spiritual body "buried within the light in a mystical death, rising again in a mystical resurrection, cleansed and purified through the brilliance of the light divine thou dweller of the invisible. like our master hast thou suffered tribulation, pain, poverty, torture, and sorrows that lead unto the black cross of obligation and death. these sorrows have not been nor will be in vain, but rather the purification of spiritual initiation leading to the pure gold. in the alembic of thy heart, through the athanor of thy affliction, seek ye always the true stone of the wise" step 7 pass to the east, face your self face to face and say "peace profound my brother/sister! come with peace in your spiri

GOLDEN DAWN RITUALS ZAM15

om among us. to obtain real force implanted in any magical weapon by consecration, the adept requires to be healthy, pure, strong in mind, free from anxiety and apart from disturbances. he requires also to have mastered the details of the ceremony and to be familiar with the proper pentagrams and other symbols. the consecration ritual of the sword prepare: the chamber, the central altar draped in black, red cross and white triangle, rose and incense, cup and n, lamp, plate and salt, white robe, sash, consecrated rose cross and lotus wand, new sword, red cloak, hierophant's lamen, an invocation to f and hrwbg. in addition, prepare an astrological figure to show the position of f at the time. in wording and in formulating the invocation to the forces of hrwbg, force and strength are to be sp

t's lamen, an invocation to f and hrwbg. in addition, prepare an astrological figure to show the position of f at the time. in wording and in formulating the invocation to the forces of hrwbg, force and strength are to be specially requested. step 1 place the sword upon the central altar with the hilt toward the east near the incense, pointing west near the n. step 2 take up the lotus wand by the black end. stand at the west of the altar facing east. step 3 say "hekas hekas este bebeloi" step 4 take up the cup and purify with n, sprinkling to the east, south, west, and north. say "so therefore first, the priest who governeth the works of fire must sprinkle with the lustral waters of the loud, resounding sea" put down the cup on the altar. 4 step 5 take up the incense and wave it as you pas

GOLDEN DAWN RITUALS ZAM16

e else may touch it. rwbg \yhla lamk \yprc 7 rwbg \yhla \yprc lamk 8 lamz \ydm rwbg \yhla lamk \yprc \ydm lwbconsecration ceremony for a jupiter(k) talisman r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 the magus should be garbed in the regalia of the hierophant, and should in addition, wear a seal of k in the appropriate colors behind the lamen. the talisman of k should be wrapped in a black cloth and tied thrice with a cord. the temple furniture arranged as in the grade of neophyte. step 1 perform the banishing ritual of the pentagram and hexagram. step 2 open the temple by the ceremony of the watchtowers. step 3 after the adoration, perform the invoking hexagram ritual of the supernals, using hyha and atyrara. employ the vibratory formula of the middle pillar, and invoke rtk

and potent link between my human soul and that spirit of abundance and love and graciousness summed up in the name of dsj. to this end, i have formed and perfected a talisman bearing upon one side, the sigil of layphy, the intelligence of qdx, and the geomantic symbols and sigils pertaining to k. on the other side is a seal referred to k, represented in flashing colors. this is now covered with a black veil, and bound thrice with a cord so that layphy shall not see the light not move until he manifest unto me. i proclaim that this talisman shall be charged by the intelligence layphy, in order that spiritual vision may be mine, and that it may assist me to overcome all obsticles of both a spiritual and material nature so that i may be enabled to perform the great work" step 14 pick up the t

GOLDEN DAWN RITUALS ZAM20

nd salt, rose, fire incenser! lotus wand! fire wand! cup! air dagger! earth pantacle! sigils for: layqpx, yatbc \ylara \yhla hwhy! banishing sword! incenser! large cauldron on the altar with fire burning in it! four watchtower tablets! tablet of union step 1 "hekas, hekas, este bebeloi" 3 face east, perform qabalistic cross, and perform the lesser banishing ritual of the pentagram, then, with the black end of the lotus wand, but holding by the white band, perform the lesser banishing ritual of the hexagram. perform the full lvx signs. step 2 advance to the altar without the wand and take therefrom the fire wand. face south, raise the wand above your head, and slowly circumambulate in the path of a, saying "and when, after all the phantoms have vanished, thou shalt see that holy and formles

air pentagram and the sign of the head of the man. say "oro ibah aozpi. in the names and letters of the great eastern quadrangle, i invoke ye, ye angels of the watchtower of the east" step 8 replace dagger. take pantacle, go to the north, shake thrice, and circumambulate in the path of a, saying "stoop not down into that darkly splendid world where in gloom, delighting in unintelligible images, a black, ever rolling abyss, ever espousing a body unluminous, formless and void" step 9 reaching the north, shake pantacle thrice and with it make invoking earth pentagram and trace the sign of the head of the bull. say "mor dial hctga. in the names and letters of the great northern quadrangle i invoke ye, ye angels of the watchtower of the north. step 10 go to the center altar and face east. repla

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ss in the air "in the name of adonai ha aretz and adonai melekh and in the name of the great archangel of earth, auriel, i cleanse thee through the power of earth (tosses a pinch of salt (circumambulates around the temple, starting in the east, sprinkling the salt around the circle while saying "stoop not down into that darkly splendid world, where in gloom, delighting in unintelligible images, a black ever rolling abyss ever espousing a body unluminous, formless and void" 5 chief adept (moves to the west of the altar of the universe and draws both invoking spirit pentagrams, active and passive, in the air with the spirit wheel in the center, vibrating "exarp, bitom, eheieh, hcoma, nanta, agla. in the sign of the head of the man (draws aquarius symbol. before us raphael. in the sign of the

GOLDEN DAWN RITUALS ZAM22

sun is the visible dispenser of light to our world, yet, too much exposure can burn beyond repair. therefore, the adept will do well not to over expose him/herself to the potency of the solar talisman for too great a period at a time. temple furniture is to be arranged in 0=0 with the addition of the tablet of union and the four watchtower tablets. talismans to be consecrated are to be wrapped in black and thrice bound. step 1 let the adept banish by means of pentagram and hexagram. step 2 perform the supreme invoking ritual of the pentagram with enochian call of the portal followed by three circumambulations (desoil (thou mayest utilize the ceremony of the watchtowers. step 3 perform the adoration to the lord of the universe. step 4 3 let the z.a.m. now meditate upon the divine white bril

ligence of cmc, and the geomantic sigils that pertain to a. on the other side are the sigils and divine names referred to trapt and a, which are all represented in brilliant flashing colors. in addition, other sigils and symbols have been placed therein to act as a potent link between this talisman and the force that has been called to live within it. i proclaim that this talisman, covered with a black veil and bound thrice with a cord, shall blind the force of laykn so that he shall not see the light move until he manifest unto me. i proclaim that this talisman shall be charged by the intelligence, laykn, and that the power of trws shall live there in conformity with my will under the mastery of laykn. i proclaim that through the help of laykn, the spiritual vision of a shall be mine, and

f the light. i am the light that ariseth in the darkness. i am the exorcist in the midst of exorcism. therefore, take on manifestation before me, for i am the wielder of the forces of the balance. thou hast known me, pass thou on to the cubical altar of the universe. step 6 cover the talisman, bring to the cubical altar, and place it within the white triangle. leave the cord bound, but remove the black cover. move to the east, place left hand on the talisman with right hand holding sword. retrace all sigils (point upward, pommel downward. say: thou intelligence, laykn, i invoke thee in the divine names tudw hwla hwhy, in the letters i.n.r.i, in the grand word hwchy, and the concealed word lvx. thou who art the holy one, blessed be he, the reflected light of rtk, the beauty of the divine, t

he intelligence of cmc, and the geomantic sigils that pertain to a. on the other side are the sigils and divine names referred to trapt and a, all represented in brilliant flashing colors. in addition, other sigils and symbols have been placed therein to act as a potent link between this talisman and the force that has been 14 called to live within it. i proclaim that this talisman covered with a black veil and bound thrice with a cord, shall blind the force of laykn so that he shall not see the light move until he manifest unto me. i proclaim that this talisman, shall be charged by the intelligence laykn, and that the power of trws shall live there in conformity with my will under the mastery of laykn. i proclaim that through the help of laykn, the spiritual vision of a shall be mine and

GOLDEN DAWN RITUALS ZAM4

egin deep middle pillar breathing until your nephesch is filled with divine white brilliance, and you feel elevated to an integration with the neschamah. no part of you should feel crude, gross or mundane. you should be flashing and glowing with divine white brilliance. step 3 formulate the following in white, flashing brilliance: a d r a h n y n d a y h a r rah ynda 3 this can also be painted on black poster board in white letters or the poster board may be in the four elemental colors. this will require much more work, but will give you more elemental control, whereas the white letters on black will elevate you spiritually and be of great service to the zelator adeptus minor in the overall achievement of the great work. step 4 pronounce the name slowly, vibrating it a minimum of seven ti

GOLDEN DAWN RITUALS ZAM5

l.b.r.p. and b.r.anthe bornless middle pillar r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 notes on the bornless middle pillar exercise by g. h. frater p. c. a. the bornless middle pillar is designed to equilibrate the elements within the sphere of sensation under the divine rulership of spirit. in the bornless middle pillar exercise, the letter c glowing above the head is depicted as black. let this not be confused with the blackness of evil and of ignorance. this is the light of the holy spirit, shining so intensely and so brilliantly that it appears as black to the naked eye. it is divine brilliance. at any given moment in one's sphere of sensation, there shines a pentagram. when the mind and heart is focused on the spiritual in every aspect of life, the pentagram points upw

continual effort for union with the higher genius. for maximum effectiveness, the ritual should be memorized. the ritual of the bornless middle pillar part 1 step 1 holding the lotus wand by the white band, perform the l.b.r.p. and the s.i.r.p. step 2 formulate the divine white brilliance above your head and vibrate hyha (minimum of four times, maximum of twenty-one times. step 3 3 visualize the black fire of utter brilliance beyond comprehension, forming the letter c superimposed upon the divine white brilliance in rtk. step 4 vibrate alga (four to twenty-one times. step 5 your mind should be totally focused on the divine white brilliance, the letter c, and your higher spiritual self (the divine genius therein. now say the following "i am the resurrection and the life, he that believeth

may now circulate the light through the body and end the exercise early, or you may continue on with the exercise to completion. part 2 4 step 1 hold your lotus wand by the k band. the shaft of light is now connected from your rtk sphere down through your skull, your neck, the center of your body, and down to your feet. continuing to visualize the divine white brilliance above your head with the black fire of c within, formulate a bright yellow ball of light that covers your entire head and neck. superimpose the k symbol in the flashing color of brilliant purple on top of the ball of yellow light. step 2 vibrate hwhy and the angelic names lapr and cj. each name should be vibrated a minimum of four times. when you feel the power of the divine and angelic names coming to an apex, recite the

er living be thy name. ever magnified in the life of all. we praise and we bless thee in the changeless empire of created light; and we aspire without cessation unto thy imperishable and immutable brilliance. amen" part 3 step 1 hold the lotus wand by the e band. continue to visualize the brilliant yellow sphere with the purple k symbol as well as the rtk sphere's divine white brilliance with the black fire of c. now bring the divine light down from above and formulate a brilliant scarlet red ball of light covering the heart/solar plexus area. superimpose the e symbol in the flashing color of brilliant emerald green on top of the ball of scarlet red. step 2 vibrate \yhla and the angelic names lakym and lara. when you feel the power of the names filling you with the force of, recite the fol

to unite with thy spirit in the silence for the attainment of thy understanding. amen" part 5 step 1 hold the lotus