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BOOK OF BARUCH

for ever. 14 learn where is wisdom, where is strength, where is understanding; that thou mayest know also where is length of days, and life, where is the light of the eyes, and peace. 15 who hath found out her place? or who hath come into her treasures? 16 where are the princes of the heathen become, and such as ruled the beasts upon the earth; 17 they that had their pastime with the fowls of the air, and they that hoarded up silver and gold, wherein men trust, and made no end of their getting? 18 for they that wrought in silver, and were so careful, and whose works are unsearchable, 19 they are vanished and gone down to the grave, and others are come up in their steads. 20 young men have seen light, and dwelt upon the earth: but the way of knowledge have they not known, 21 nor understood

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sensual world" hierophant (faces east, forms himself in a cross "glory be to thee, father of the undying for thy glory flows out rejoicing to the ends of the earth" hierophant (turns back around "the red cross above the white triangle represents the unfolding of light. at its east, south, west, and north angles are a rose, 36 fire, cup of wine, and bread and salt. these allude to the elements of, air, fire, water, and earth. the mystical words- khabs am pekht-are ancient egyptian and are the origin of the greek words- konx om pax- which was uttered at the eleusinian mysteries. a literal translation would be 'light rushing out in one ray, and they signify the same form of light as that symbolized by the staff of the kerux. east of the double cubical altar of created things are the pillars o

ow remains but to partake together in silence of the mystic repast composed of the symbols of the four elements, and to meditate on our pledge of devotion to secrecy (hierophant puts down sceptre and now goes to the west of altar facing east. he gives the saluting sign but not sign of silence. he picks up the rose) hierophant "i invite you to inhale with me the perfume of this rose as a symbol of air (smells the rose; to feel the warmth of the sacred fire (spreads hands over lamp; to eat with me this bread and salt as types of earth (breaks bread, dips it in the salt, and eat; and to drink with me this wine, the consecrated symbol of water (makes a cross with the wine and drinks it (after the hierophant, the new neophytes do the same. all other members may partake of the eucharist after th

l lead to more full, functioning, authorized golden dawn temples. our order handshake (the four fold handshake) is appropriate for work within the order and between members only. however, the grip, step, and grand word may be exchanged between members of various golden dawn orders the four elements of the ancients are duplicated conditions of the following: heat and dryness fire heat and moisture air cold and dryness earth cold and moisture water there are twelve zodiacal signs, and they are: 1 aries, the ram a 2 taurus, the bull _b 3 gemini, the twins c 4 cancer, the crab d 5 leo, the lion e 6 virgo, the virgin f 7 libra, the scales g 8 scorpio, the scorpion h 9 sagittarius, the archer i 10 capricorn, the goat j 11 aquarius, the water-bearer k 12 pisces, the fishes l these twelve signs ar

e archer i 10 capricorn, the goat j 11 aquarius, the water-bearer k 12 pisces, the fishes l these twelve signs are distributed among the four triplicities, or sets of three signs, each attributed to one of the four elements. they represent the operation of the elements in the zodiac. thus, to fire are attributed: aries a leo e sagittarius i to earth are attributed: taurus b virgo f capricorn j to air are attributed: gemini c libra g aquarius k to water are attributed: cancer d scorpio h pisces l 52 to the ancients, six planets besides the sun were known. they also assigned certain planetary values to the north and south nodes of the moon. that is the point where the moon's orbit touches that of the ecliptic. these were named: caput draconis head of the dragon p cauda draconis tail of the

d. we understand according to the legend of the birth of the hebrew alphabet that aleph is the beginning of all thought conceived, and all thought beyond conceiving. thought precedes all emotions and actions. action is the ends to the means of the thought. manifestation into the physical universe is comprised of the three letters aleph, mem and shin. these also correspond to the three elements of air, water and fire consecutively. these three united form earth, the final manifestation into physical existence. with these three elements we have two contending, opposite forces, fire and water, with air acting as the reconciler between them. the letter mem is the element of water, therefore is considered spirituality or consciousness. the letter shin represents the element of fire, symbolizing

0 0 INITIATION CEREMONY

ero: stands in the form of cross, saying: hiero: glory be to thee, father of the undying. for thy glory bows out rejoicing, to the ends of the earth! hiero: he reseats himself. hiero: the red cross above the white triangle, is an image of him who was unfolded in the light. at its east, south, west and north angles are a rose fire, cup of wine and bread and salt. these allude to the four elements, air, fire, water, earth. the mystical words- khabs am pekht- are ancient egyptian and are the origin of the greek konx om pax- which was uttered at the eleusinian mysteries. a literal translation would be light rushing out in one ray and they signify the same form of light as that symbolized by the staff of the kerux. east of the double cubical altar of created things, art the pillars of hermes an

to remember our pledge of secrecy. all are seated. hiero: puts down his sceptre and returns the banner of the east to its place. he goes to the west of the altar as hierophant goes to west of altar all turn west hierophant west of altar facing east gives the saluting sign but not the sign of silence taking up rose says hiero: i invite you to inhale with me the perfume of this rose, as a symbol of air. smells rose. to feel with me the warmth of this sacred fire. spreads his hands over it. to eat with me this bread and salt as types of earth. dips bread in salt and eats. and finally to drink with me this wine, the consecrated emblem of elemental water. makes a cross with the cup and drinks. hierophant puts down the cup between the cross and triangle. he comes east of the altar from south and

1 10 INITIATION CEREMONY

he right of hiero. heg: moves to left of hiero. stol: falls in behind hiereus. dad: falls in behind hegemon. all officers face north. hiero: makes sign in front of, and concentric with tablet of the north, an invoking pentagram of earth, saying: hiero: and the elohim said, let us make adam in our image, after our likeness and let him have dominion over the fish of the sea and over the fowl of the air and over the cattle and over all the earth, and over every creeping thing that creepeth over the earth. and the elohim created eth ha-adam in their own image, in the image of the elohim created they them. in the name of adonai melekh and the bride and queen of the kingdom, spirits of earth adore adonai! hiero: hands his sceptre to hiereus and, takes the sword of hiereus, makes the ox in center

nd queen of the kingdom, spirits of earth adore adonai! hiero: hands his sceptre to hiereus and, takes the sword of hiereus, makes the ox in center of pentagram, saying: hiero: in the name of auriel, the great archangel of earth, and by the sign of the head of the ox- spirits of earth, adore adonai! hiero: returns sword to hiereus and takes mitre-headed sceptre from hegemon and makes cross in the air, saying: hiero: in the names and letters of the great northern quadrangle, spirits of earth, adore adonai! hiero: returns sceptre to hegemon, and takes cup from stolistes, making cross, and sprinkling thrice to north, saying: hiero: in the three great secret names of god, borne upon the banners of the north- emor dial hectega- spirits of earth, adore adonai! hiero: returns cup to stolistes and

came out of the world to the gateway of hidden knowledge, so in this grade you pass through the gateway and come into the holy place. you are now in the court of the tabernacle, where stood the altar of burnt offering, whereon was offered the sacrifices of animals, which symbolized the qlippoth or evil demons who inhabit the plane contiguous to and below the material universe. dad: makes cross in air with censer, and censes neophyte in silence with three forward swings. hiero: between the altar and the entrance into the holy place, stood the laver of brass wherein the priests washed before entering the tabernacle. it was the symbol of the waters of creation. stol: makes cross with water on neophyte's forehead and sprinkles thrice in silence. hiero: having made offering at the altar of burn

before you represents its occult meaning. on it twelve leaves were laid as emblems of the bread of life, and it is an image of the mystery of the rose of creation. the 12 circles are the 12 signs of the zodiac, while the lamp in the center is symbolic of the sun, which is the source of heat and life. the four triangles whose twelve angles each touch one of the 12 circles are those of fire, earth, air, and water, and allude to the four triplicities of the zodiacal signs. the triangle inscribed within each of the 12 circles, alludes to the 3 decanates, or phases of ten degrees of each sign. on one side of each triangle is the permutation of the divine name yod heh vau heh, which is referred to that particular sign, while in the opposite side of it is the name of one of the 12 tribes which is

form of a double cube, thus representing material form as a reflection and duplication of that which is spiritual. the sides of the altar, together with the top and bottom, consist of ten squares, thus symbolizing the ten sephiroth of which the basal one is malkuth, the realization of the rest upon the material plane, behind which the others are 'concealed. for were this double cube raised in the air immediately above your head, you would but see the single square forming the lowest side, the others from their position being concealed from you. just so, behind the material universe, lies the concealed form of the majesty of god. the altar of incense was overlaid with gold to represent the highest degree of purity, but the altar before you is black to represent the terrestrial earth. learn

18276066 GRIMM JACOB TEUTONIC MYTHOLOGY VOL 1

igrs' fornm. sog. 4, 154. the formula sometimes runs' til arbotar (year's increase, or' til frisar ok vetrarfars goss (good wintertime. in a striking passage of the gutalagh, p. 108, the great national sacrifices are distinguished from the smaller offerings of cattle, food and drink' firi j?ann tima oc lengi eptir si];an tro];u menu a hult oc a hauga, vi ok staf-gar 7a, oc a haij^in gu? blotajm j?air synum oc dydrum sinum, oc fdcjyi mi? riiati oc tnundgcdi, jjat gier]?u j^air eptir vantro sinni. land alt hafj^i sir hoystu hlotan mi? fulki, ellar hafjn liuer jjrijjiungr sir. en smeri]?ing hafjju mindri hlotan med, jilepi mati oc mungati, sum haita siipnautar])i et j^air s%i]yu allir saman' uaster-jlrcs, mayday-fires, midsummer-fires, with their numerous ceremonies, carry us back to heathen

orum deum fuisse locutum, quem fanatici nominant wodanum (al. wisodano, a mere copyist's or reader's error for wuodano. tunc langobardi cum clamassent, qui instituerat nomen, conccdcrd victoriam, in hoc praelio chunos superant (bouquet 2, 406; according to pertz, all tli.e mss. read wodano) in this account, frea and her advice are nowhere; the voice of the god, giving the name, is heard up in the air. it was the custom for any one who bestowed a name, to follow it up with a gift^ wodan felt himself bound to confer the victory on those for whom he had found a new national name. in this consisted the favour of fortune, for the people, in dressing up their wives as men, had thought of nothing but swelling the apparent numbers of their warriors. i need scarcely remind the reader, that this myt

ing, who sends a thrill through nature; even so the on. has both an yggr standing for osinn, and an yggr for terror. the as. woma is no longer found as woma; in ohg. wuomo and wuomo are alike unknown. thorpe renders the wodan. 145' heofonwoman' above in a local sense by 'heaven's corners' i doubt if correctly; in both the passages coeli fragores are meant. we may liowever imagine onii, woma as an air-god, like the hindu indras, whose rush is heard in the sky at break of day, in the din of battle, and the tramp of the' furious host (see suppl. precisely as the souls of slain warriors arrive at indra's heaven^ the victory-dispensing god of our ancestors takes up the heroes that fall in fight, into his fellowship, into his army, into his heavenly dwelling. probably it has been the belief of a

ll, being guest at valholl, ib. 1, 106. among the christians, these were turned into curses: far p4 til o&ins! offins eigi j?ik! may osin's have thee (see suppl. here is shown the inversion of the kindly being, with whom one fain would dwell, into an evil one,2 whose abode inspires fear and dread. further on, we shall exhibit more in detail the way in which wuotan was pictured driving through the air at the head of the' furious (wtitende) host' named after him. valholl (aula optionis) and valkyrja obviously express the notion of wish and choice (germ, wahl, scotch wale. of the peculiarities of figure and outward appearance of this god, which are brought out in such bold relief in the northern 1 bopp's nalas, p. 264. 2 so wuotan's name of itself degenerates into the sense of hwy (wut) and a

me given him in the grimnismal, i should have supposed it was the intention of the christians to degrade the old god by mean clothing, or else that, wrapt in his mantle, he was trying to conceal himself from christians. have we a right here to bring in the pileati of jornandes? a saga in saxo, p. 12, tells prettily, how the mind old god takes up a proteg^ in his cloak, and carries him through the air, but hading, peeping through a hole in the garment, observes that the horse is stepping over the sea-waves. as for that heklumad'r of the hat with its rim turned up, he is our hakolberend at the head of the wild host, who can at once be turned into a gothic^ conf. tritas in the fountain, kulin in hofer 1, 290. ace. to the popiilar religion, you must not look into running water, because you loo

3 8 INITIATION CEREMONY

east. hiero (knocks) let us adore the lord and king of water. elohim tzabdoth, elohim of hosts, glory be unto the ruach elohim who moved upon the face of the waters of creation. amen all salute. hiero: quits his throne and proceeds to the west. gives one knock. all face west. hiero: standing before the tablet of water, he makes with his scepter the invoking circle and pentagrams before it in the air. hiero: and the elohim said, let us make adam in our image, after our likeness, and let them have dominion over the fish of the sea. in the name of el, strong and powerful, and in the name of elohim tzabaoth, spirits of water adore your creator. hiero: taking cup of water from before tablet and making therewith the sign of the eagle in the air before it. hiero: in the name of gabriel, the grea

clouds, delighting in unintelligible images, precipitous, winding, a black ever rolling abyss ever espousing a body unluminous, formless and void. nature persuadeth us that there are pure demons, and that even the evil germs of matter may alike become useful and good. but these are mysteries which are evoked in the profound abyss of the mind. such a fire existeth extending through the rushings of air or even a fire formless whence comes the image of a voice or even a flashing light abounding, revolving, whirling forth, crying aloud. also there is the vision of the fire flashing courser of light, or also a child borne aloft on the shoulders of the celestial steed, fiery or clothed with gold, or naked or shooting with the bow shafts of light, and standing on the shoulders of the horse. but i

n. the right hand figure below is anadl, the ruler of the astral light. she is also axiokersa, the third kabir, ceres and proserpina, isis and nephthys. she is therefore represented in a duplicate form and rising from the water. around both these figures dart flashes of lightning. these 3 principal figures form the fire triangle, and further represent fire operating in the other three elements of air, earth, and water. the central lower figure with his back turned and his arms extended in the sign of theoricus is arel the ruler of latent heat, he is rising from the earth, as if to receive and absorb the properties of the other three. he is also kasmillos the candidate in the samothracian mysteries, and the horus of egypt. he rises from the rock hewn cubical tomb, and also alludes to the ca

pramundane orders, for therein a solar world and endless light subsist. the sun more true measureth all things by time, for he is the time of time. and his disc is in the starless above, the inerratic sphere, and he is the center of the triple world. the sun is fire and the dispenser of fire. he is also the channel of the higher fire, aether, sun, and the spirit of the moon, ye are the leaders of air. and the great goddess bringeth forth the vast sun and the brilliant moon, and the wide air, and the lunar course and the solar pole. she collecteth it receiving the melody of ether, and of the sun, and of the moon, and of whatsoever is contained by air. unwearied doth nature rule over the worlds and works, so that the periods of all things may be accomplished. and above the shoulders of that

symbolizing the alternation of the masculine and feminine natures. these are again subdivided into 36 rays representing the 36 decanates or sets of 10 degrees in the zodiac, and these again into 72 typifying the 72 quinaries or sets of 5 degrees and the 72 fold name shem- ha-mephorasch. thus the sun itself embraces the whole creation in its rays. the 7 hebrew yods on each side falling through the air, refer to the solar influence descending. the wall is the circle of the zodiac and the stones are its various degrees and divisions. the two children standing respectively on water and earth, represent the generating influence of both brought into action by the rays of the sun. they are the two inferior or passive elements, as the sun and the air above them are the superior and active elements

4 7 INITIATION CEREMONY

the sphere of mars. hiero (knocks) all rise and face east. hiero: let us adore the lord and king of fire. hiero: tetragrammaton tzabaoth. blessed be thou, the leader of armies is thy name! amen. all salute. hiero: quits his throne and proceeds to south and knocks. all face south. hiero: stands before the tablet of fire. he makes with his scepter the invoking circle and pentagrams before it in the air. hiero: and elohim said, let us make adam in our image after our likeness, and let them have dominion. in the name of elohim, mighty and ruling, and in the name of tetragrammaton tzabaoth, spirits of fire, adore your creator. hiero: takes the incense from before the tablet, and making therewith the sign leo in the air before it. hiero: in the name of michael the great archangel of fire, and in

he fountain of fountain, and of all the fountains. the matrix containing all, thence abundantly springing forth the generation of multifarious matter. heg: conducts practicus to foot of the hierophant's throne and hands to the practicus the solid pyramid of the elements. hiero: this pyramid is attributed to the four elements. on the four triangles are their names, asch, fire; mayim, water; ruach, air; aretz, earth; on the apex is the word eth, composed of the first and last letters of the alphabet and implying essence. the square base represents the material universe, and on it is the word ohlam, meaning world (places pyramid aside) the 28th path of yetzirah, which answereth unto the letter tzaddi is called the natural intelligence, and it is so called because through it is consummated and

of hermes alights. and therefore does this key represent the restored world after the formless and the void and the darkness, the new adam, the countenance of the man which falls in the sign aquarius. and therefore doth the astronomical symbol of this sign represent as it were, the waves of water, the ripples of that river going forth out of eden. but therefore, also it is justly attributed unto air and not unto water, because it is the firmament dividing and containing the waters. hierophant and practicus go to east. hiero: before you is shown the manner of writing the holy name in each of the four worlds at length, by giving the spelling of each letter. you will note that the spelling of the letter yod alone alters not. it is a symbol of the unchangeableness of the first cause. the tota

of that world. thus, in atziluth the total is 72, and the secret name aub, in binah 63 seg, in yetzirah 45 mah and in assiah 52 ben (indicating the end tablet) in the tablet is shown the method of writing the hebrew words by the yetziratic attribution of the alphabet, whence result some curious hieroglyphic symbolism. thus, tetragrammaton will be written by virgo, aries, taurus, aries. eheieh by air, aries, virgo, aries; from yeheshuah, the qabalistic mode of spelling jesus. which is simply the tetragrammaton, with the letter shin placed therein, we obtain a very peculiar combination; virgo, aries, fire, taurus, aries; virgo born of a virgin, aries the sacrificial lamb; fire the fire of the holy spirit; taurus the ox of earth, in whose manger he was laid; and lastly aries, the flocks of s

c mode of spelling jesus. which is simply the tetragrammaton, with the letter shin placed therein, we obtain a very peculiar combination; virgo, aries, fire, taurus, aries; virgo born of a virgin, aries the sacrificial lamb; fire the fire of the holy spirit; taurus the ox of earth, in whose manger he was laid; and lastly aries, the flocks of sheep whose herdsmen came to worship him. elohim yields air, libra, aries; virgo, water; the firmament, the balanced force, the fire of the spirit (for aries is a fiery sign operating in the zodiac) the virgin goddess and the waters of creation. returning to the spelling of yeheshuah, it is easy to see that the lamb is an appropriate symbol of jesus, from the prevalence of the aries symbol, whose fire is subdued and modified by its other associations

A PRACTICAL GUIDE TO WITCHCRAFT AND MAGICK SPELLS

to thank the wizard or to ask for his aid. when i visited the tomb, prayers- written on scraps of paper or card- were squeezed into gaps in the stones or pinned to the tree that shelters the tomb. whatever the origins of the tomb, it has been transformed into a source of power. for this badly signposted spot, a short walk up a muddy track from a cramped, rough car park, had a tranquil, spiritual air that you might expect at a great cathedral or far more impressive stone circles. such spots unleash the magick inside us. but even if you never visit brittany or stonehenge at sunrise on midsummer's day, you can still make use of your own magick. this is a book about white magick and witchcraft as sources of wisdom, healing and positivity. like native american spirituality, to which true witch

to this first stage. the action this is the stage where you use actions to endow the symbol with magical energies. this is part of the continuous process of translating your magical thoughts and words from the first stage, the inner plan, to manifestation as the impetus for success or fulfilment in the everyday world. these energies amplify your own. for example, passing incense, representing the air element, over the symbol activates the innate power of rushing winds that cut through inertia and bring welcome change, harnessing the energies of wide skies in which there are no limits, soaring like eagles, carrying your wishes to the sun. you can unite other elemental forces by using the appropriate tools and substances. similarly, you might begin a chant, a medley of goddess names or a man

guish your candle of need, you may shout: it is free, the power is mine! or, at the point of release, you may throw your extended hands wide in an arc above your head. if the ceremony is formal and you are using an athame, you can at this moment bring it in front of you to mark the invisible cutting of the knot holding the power. pull your visualised or actual knots tight, cut them, leap into the air, shouting: the power is free! or it is done! sometimes there is just a sudden stillness, as the power leaves. afterwards, you need to ground the energies by sitting or lying on the ground and letting excess energies fade away into the earth as you press down with your hands and feet. the four elements i have mentioned the use of the elements in rituals. in magick, there are four elements- eart

, shouting: the power is free! or it is done! sometimes there is just a sudden stillness, as the power leaves. afterwards, you need to ground the energies by sitting or lying on the ground and letting excess energies fade away into the earth as you press down with your hands and feet. the four elements i have mentioned the use of the elements in rituals. in magick, there are four elements- earth, air, fire and water. they all contain symbolic qualities and powers that together form the energies used in rituals. each element controls a quadrant in the magical circle. earth, in the north, represents the stability, security and strength of old stone circles, mighty castle walls, tall craggy rocks and mountain peaks. it is also associated with the time of midnight and winter. salt is often use

ic qualities and powers that together form the energies used in rituals. each element controls a quadrant in the magical circle. earth, in the north, represents the stability, security and strength of old stone circles, mighty castle walls, tall craggy rocks and mountain peaks. it is also associated with the time of midnight and winter. salt is often used to represent earth in spells and rituals. air, in the east, is action, freshness and power for change, the winds blowing across plains, vast, cloudless skies stretching endlessly, storms and whirlwinds stirring stagnation but also bringing destruction of the old. air is also associated with the dawn and spring. incense is often used to represent air in spells and rituals. fire, in the south, is the quicksilver, inspirational energy and cl

ABRAMELIN1

vanity, low curiosity, and a pure deception of the demon, leading to no useful end imaginable, and tending to the loss of the soul. and when i had the veritable knowledge of the sacred magic, i both forgot them, and banished them from mine heart. that impious bohemian,24 with the aid and assistance of his associate, performed astounding feats. he rendered himself invisible, he used to fly in the air, he used to enter through the keyholes into locked-up rooms, he knew our greatest secrets, and once he told me things which god alone could know. but his art cost him too dear, for the devil had made him swear in the pact that he would use all his secrets to the dishonour of god, and to the prejudice of his neighbour. ultimately his body was found dragged through the streets, and his head with

ked with a young woman, who one evening invited me to go with her, assuring me that without any risk she would conduct me to a place where i greatly desired to find myself. i allowed myself to be persuaded by her promises. she then gave unto me an unguent, with which i rubbed the principal pulses of my feet and hands; the which she did also; and at first it appeared to me that i was flying in the air in the place which i wished, and which i had in no way mentioned to her. 7 of abramelin the mage 15 i pass over in silence and out of respect, that which i saw, which was admirable, and appearing to myself to have remained there a long while, i felt as if i were just awakening from a profound sleep, and i had great pain in my head and deep melancholy. i turned round and saw that she was seated

ABRAMELIN2

ologer, the enchanter, the sorceress, the idolater, and the sacrilegious, is called of the common people a magician! also he who draweth his magic whether from the sun, whether from the moon, whether from the evil spirits, whether from stones, herbs, animals, brutes, or lastly from thousand divers sources, so that the heaven itself is astonished thereat. there be certain who draw their magic from air, from earth, from fire, from water, from physiognomy, from the hand, from mirrors, from glasses, from birds, from bread, from wine, and even from the very excrements themselves; and yet, however, all this is reputed as science! i exhort you, ye who read, to have the fear of god, and to study justice, because infallibly unto you shall be opened the gate of the true wisdom which god gave unto no

ere, they say, we have the planetary hours, and the planet appropriate to each hour. o what planets! o what fine order! tell me, i pray you, what advantage you get by this division. you will reply: a very great one, because it shows us in all things, either good or bad fortune! i tell you, and i repeat absolutely, that this is in no way true; that they produce thus a change of the time and of the air, i in part concede; but do me the grace to tell me how ye do divide the planetary hours. i know that ye begin the first hour of the day with the planet which itself giveth the name unto the day, as sunday is ascribed to the sun, monday to the moon, tuesday to mars, wednesday to mercury, thursday to jupiter, friday to venus, and saturday to saturn; then ye divide the length of the day into twel

iving person would do, and this during a space of seven years by means of the spirits) chapter xiv (the twelve symbols for the twelve hours of the day and of the night, to render oneself invisible unto every person) of abramelin the mage 97 chapter xv (for the spirits to bring us anything we may wish to eat or to drink, and even all (kinds of food) that we can imagine) chapter xvii (to fly in the air, and travel any whither) chapter xix (for every description of affection and love) chapter xx (to excite every description of hatred and enmity, discords, quarrels, contentions, combats, battles, loss, and damage) chapter xxiv (to discover any theft that hath occurred) chapter xxvi (to open every kind of lock without a key, and without making any noise) chapter xxix (to cause armed men to appe

cause any spirit to appear, and take any form, such as of man, animal, bird, etc) chapter iv (for divers visions) chapters v (how we may retain the familiar spirits bond or free, in whatsoever form) chapter xiii (to cause a dead body to revive, and perform all the functions which a living person would do, and this during a space of seven years, by means of the spirits) chapter xvii (to fly in the air, and travel any whither) chapter xxvii (to cause visions to appear) chapter xxix (to cause armed men to appear) amaimon and ariton together perform: chapter xxvi (to open every kind of lock without key, and without making any noise) oriens alone performeth: chapter xxviii (to have as much gold and silver as one may wish, both to provide for one s necessities, and to live in opulence) paimon (a

, or after whatsoever fashion, it may be. then shall you place the symbol which is referable unto it thereon, and it will no longer be possible for it to disappear into the ground, nor for it to be carried away. furthermore, the sacred magic 104 the spirits destined unto the guard of this treasure will flee, and you can then dispose of it as you wish, and take it away. chapter xvii (to fly in the air and travel anywhere) name the place whitherunto you wish to travel, and place the symbol upon your head, under the bonnet or the hat; but take well heed lest the symbol fall from off you through negligence or want of caution. do not journey at night-time unless necessity or some pressing reason thereto compelleth you, but select the day-time, and that serene and calm. chapter xviii (to heal di

ABRAMELIN3

d. no. d is an acrostic of g e squares. leviatan from hebrew= the piercing or twisting serpent. this square should probably be numbered b. no. e is an acrostic of c f squares. satan from hebrew shtn= an adversary. adama from hebrew admh= reddish earth. the sacred magick 133 the fourth chapter. or divers visions (i) for mirrors of glass and crystal( c) in caverns and subterranean places( d) in the air( e) in rings and circlets( f) in wax( g) in fire( h) in the moon( i) in the water( j) in the hand (1) g i l i o n i n i l i o n i n (2) e t h a n i m t h a n i m (3) a p p a r e t p p a r e t (4) b e d s e r e l i e l e d i a p i s s e p p e d e l i e l e r e s d e b of abramelin the mage 134 notes to chapter iv (a) the symbols of this chapter are manifested only by the angels or by the guardi

quares. cahil means gathered together. no. b j is a square of d g squares. ariton is one of the i sub-princes of the evil spirits. no. c a is a square of d g squares. orimel is evidently here used as the name of a spirit. oirin is a chaldaic word meaning angelic watchers over the kingdoms of the earth. orion may also come from this word. the sacred magick 169 the seventeenth chapter. o fly in the air and travel any whither( b) in a black cloud( c) in a white cloud( d) in the form of an eagle( f)*in the form of a crow (or raven( e) in the form of a vulture( g) in the form of a crane. c notes to chapter xvii (a) the symbols of this chapter are manifested in part by the angels, and in part also by the evil spirits (b) oriens, paimon, ariton, and amaimon execute the operations hereof by means

without the loss of thine own soul. then it is by the virtue of that god who hath submitted them under thy feet, that thou shalt command them, as will be precisely ordained unto thee by thy holy angel. donec ponam inimicos tuos scabellum pedum tuorum. until i shall make thy foes thy footstool. also do not familiarise thyself with them; for they be not little pet dogs. adopt a serious tone and an air of authority, make them obey thee, and be well ware of accepting the least offer which they shall make unto thee of themselves; and treat them as their master, also without occasion thou shalt never molest them, and order them to execute thy commands from point to point without adding or diminishing in any way imaginable. and when thou canst employ inferior spirits (in a matter, thou shalt in

ng unto them thou shalt give them no title; but shalt address them sometimes as you, sometimes as 12. meaning apparently the four princes and eight sub-princes of the demons, before so often alluded to. 13. viz: lucifer, leviathan, satan, and belial. of abramelin the mage 218 thou; and thou shalt never seek out expressions to please them, and thou shalt always have with them a proud and imperious air.14 there be certain little terrestrial spirits that are simply detestable; sorcerers and necromantic magicians generally avail themselves of their services, for they operate only for evil, and in wicked and pernicious things, and they be of no use soever. he who operateth could, should he so wish, have a million such, but the sacred science which worketh otherwise than necromancy in no way per

ADDTLS

ately above each sephirotic cross. 4. servient squares, always in the color of the tablet, and consist of the 16 squares of each lesser angle beneath each sephirotic cross. the kerubic and servient squares on each tablet are colored in the elemental color with the letters drawn thereon in the complimentary color, on a subtle level, providing a spiritual force, even unto an elemental nature, thus: air tablet painted in yellow. lettering on a quarter mauve. water tablet painted in blue. lettering on c quarter orange. earth tablet painted in black. lettering on bquarter green. fire tablet painted in red. lettering on d quarter green. example of color (lesser angles) thou shall paint the letter on the appropriate color in the lesser angles. study well the example from the tablet of fire, the g

s from this cross that two vitally important divine names are derived. these two divine names serve to "call forth" and "command" the angels and spirits of the lesser angle. thou shall invoke these names when any lesser angle angel is invoked on a square within the lesser angles. the vertical line provideth on the sephirotic cross a name of six letters, reading from top to bottom. example: in the air lesser angle of the a tablet, thou shall find the name idoigo. thou shall invoke this angel to "call forth" sub-servient angels of the lesser angle. these angels of the lesser angle are under no obligation to respond to invocation without the correct method of calling them, utilizing the calling angel. reading the cross bar from left to right comes the angelic name of 5 letters. this is the co

gns. therefore to each of the decanate squares on the great cross will be attributed one of the small cards of the 17 tarot. 2, 3, and 4, of each of the four suits of tarot are referred to cardinal signs, 5, 6, and 7 to the kerubic or fixed signs; and 8, 9, and 10 to the mutable signs. thus in the a tablet, the great cross shows the tarot and decanate attributions as shown. the great cross of the air tablet showing tarot and decanate attributions diagram i the attribution of the sephiroth to the ten squares of the sephirotic cross is shown on the admission badge to the 27th path of p, and reproduced in one of the knowledge lectures. the planetary attributions to the sephirotic cross as used in the enochian system are rather different from those used on the tree of life. but the system that

ADEPTUS MINOR INITIATION

ore, the four elements are bound to each kerubic emblem counterchanged with the color of the element wherein they operate; even as in the vision of ezekiel each kerub had four faces and four wings. forget not therefore that the tablets and the \ybwrk are the guardians of the tomb of the adepti. let thy tongue keep silence on our mysteries. restrain even the thought of thy heart lest a bird of the air carry the matter" 18 temple set up at 2nd point of the 5=6 ritual third "upon more closely examining the door of the tomb, you will perceive, even as frater n.n, and those with him did perceive, that beneath the cxx in the inscription were placed the characters ix thus: post cxx annos patebo ix this being equivalent to post annos lux crucis patebo, at the end of 120 years, i, the light of the

ALEISTER CROWLEY EIGHT LECTURES ON YOGA

who would resent you bitterly if he could see you, and tick you off in no uncertain terms for being such a fool as to think you could dodge the difficulties of research by the aid of a set of conventions which have little or nothing to do with actual conditions. formidable indeed are the obstacles we have created by the simple process of destroying our fetters. the analogy of the conquest of the air holds excellently well. the things that worry the pedestrian worry us not at all; but to control a new element your yama must be that biological principle of adaptation to the new conditions, adjustment of the faculties to those conditions, and consequent success in those conditions, which were enunciated in respect of planetary evolution by herbert spencer and now generalised to cover all mod

ually start the practice of yoga, you cannot possibly imagine what constitutes a disturbance. you most of you think that you can sit perfectly still; you tell me what artists' models can do for over thirty-five minutes. they don't. you do not hear the ticking of the clock; perhaps you do not even know whether a typewriter is going in the room; for all i know, you could sleep peacefully through an air-raid. that has nothing to do with it. as soon as you start the practices you will find, if you are doing them properly, that you are hearing sounds which you never heard before in your life. you become hypersensitive. and as you have five external batteries bombarding you, you get little repose. you feel the air on your skin with about the same intensity as you would previously have felt a fis

the emergencies that are likely to arise. a good disciplinarian might carry on fairly well, at a pinch, in a suite in claridge's. but against this it may be urged that one has to reckon with unseen forces. the most impossible things begin to happen when once you get going. it is not really satisfactory to start serious yoga unless you are in a country where the climate is reliable, and where the air is not polluted by the stench of civilisation. it is extremely important, above all things important, unless one is an exceedingly rich man, to find a country where the inhabitants understand the yogin mode of life, where they are sympathetic with its practices, treat the aspirant with respect, and unobtrusively assist and protect him. in such circumstances, the exigency of yama and niyama is

a little alarming to the instructed alienist. there is a similar feeling which occurs in certain types of insanity. 27. the fourth state is levitation. the hindus claim that 'jumping about like a frog' implies a genuine loss of weight, and that the jumping is mainly lateral because you have not perfected the process. if you were absolutely balanced, they claim that you would rise quietly into the air. i do not know about this at all. i never saw it happen. on the other hand, i have often felt as if it were happening; and on three occasions at least comparatively reliable people have said that they saw it happening to me. i do not think it proves anything. these practices, asana and pranayama, are, to a certain extent, mechanical, and to that extent it is just possible for a man of extraord

take the deeper interpretation. tetragrammaton is so called from the four letters in the word: yod, he, vau, and he. this is compared with the relations of a family- yod, the father, he, the mother; vau, the son; and the final he, the daughter (in writing she is sometimes distinguished from her mother by inserting a small point in the letter) this is also a reference to the elements, fire, water, air, earth. i may go further, and say that all possible existing things are to be classed as related to one or more of these elements for convenience in certain operations. but these four letters, though in one sense they represent the eternal framework, are not, so to speak, original. for instance, when we place tetragrammaton on the tree of life, the ten sephiroth or numbers, we do not include t

ALEISTER CROWLEY ABSINTHE THE GREEN GODDESS

ncomprehending upon her fate. that which she did all to avoid confronts her: she does not realize that, had she faced it, it would have fled with all the other phantoms. for the sole reality of this universe is god. the old absinthe house is not a place. it is not bounded by four walls. it is headquarters to an army of philosophies. from this dim corner let me range, wafting thought through every air, salient against every problem of mankind: for it will always return like noah's dove to this ark, this strange little sanctuary of the green goddess which has been set down not upon ararat, but by the banks of the "father of waters" vi. ah! the green goddess! what is the fascination that makes her so adorable and so terrible? do you know that french sonnet "la legende de l'absinthe" he must h

es with singular force to the absintheur. so may he come victorious from the battle of life to be received with tender kisses by some green-robed archangel, and crowned with mystic vervain in the emerald gateway of the golden city of god. vii. and now the cafe is beginning to fill up. this little room with its dark green woodwork, its boarded ceiling, its sanded floor, its old pictures, its whole air of sympathy with time, is beginning to exert its magic spell. here comes a curious child, short and sturdy, with a long blonde pigtail, with a jolly little old man who looks as if he had stepped straight out of the pages of balzac. handsome and diminutive, with a fierce mustache almost as big as the rest of him, like a regular little spanish fighting cock--frank, the waiter, in his long white

ALEISTER CROWLEY ACROSS THE GULF

o heavy for me to wield with ease; yet i lifted it, an struck feebly at the claws of he bear. so much i wounded him that in his pain he dropped and withdrew and began to lick his paws. thus he forgot about me; and i, growing bolder, ran out upon him. he opened his mouth; but before he could rise, i thrust the sword down it. he tossed his head; and i, clinging to the swordhilt, was thrown into the air, and fell heavily upon my shoulder. my head too struck the ground; and i lay stunned. when i came to myself it was that a party of men and women had thrown water in my face and uttered the spells that revive from swoon. beside me, close beside me, lay mine enemy dead; and i, not forgetful of my quest, took page 6 gulf.txt the blade of the sword (for it was snapt) and cut off the secret parts o

me as i stood alone, half-defiant, in the midst of the temple while the priests and the people cowered and wailed afar off. it rent the massy roof as it had been a thatch of straw, whirling the blocks of granite far away into the nile. it descended, roaring and twisting, like a wounded serpent demon-king in his death-agony; it struck me and lifted me from the temple; it bore me through leagues of air into the desert; then it dissolved and flung me contemptuously on a hill of sand. breathless and dazed i lay, anger and anguish tearing at my heart. i rose to swear a mighty curse; exhaustion took me, and i fell in a swoon to the earth. when i came to myself it was nigh dawn. i went to the top of the hillock and looked about me. nothing but sand, sand all ways. just so was it within my heart!

t seemed with fierce intensity, with some passion that knotted up her muscles, so that her arms writhed like wounded snakes. also the veins of her forehead swelled, and foam came to her lips. we thought that she had died; her body swelled and shuddered; last of all a terrible cry burst from her throat, inarticulate, awful. yet all this while the veil glittered, though something sombrely. also the air was filled with a wild sweeping music, which rent our very ears with its uncouth magic. for it was like no music that i had ever heard before. at last the priestess tore herself away from the veil and reeled- as one drunken- down the temple. sighs and sobs tore her breast; and her nails made bloody grooves in her wet flanks. page 25 gulf.txt on a sudden she espied me and my companion; with one

build. and there i attained felicity; for uniting my consciousness with the gods, i obtained the expansion of that consciousness. is not the kingdom of the dead a mighty kingdom? so i perceived the universe as it were a single point of infinite nothingness yet of infinite extension; and becoming this universe, i became dissolved utterly therein. moreover, my body lifted itself up and rose in the air to a great height beyond the shadow of the earth, and the earth rolled beneath me; yet of all this i knew nothing, for that i was all these things and none of them. moreover i was united with isis the mother of osiris, being yet her brother and her lord. woe, woe to me! for all this was but partial and imperfect; nor did i truly understand that which occurred. only this i knew, that i should r

rming them in this, they agreed cheerfully and boasted themselves. now then did i swathe them one by one in the grave-clothes of osiris, binding upon the breast and image, truly consecrated, of the god, with a talisman against the four elements. then i set them one by one upon a narrow and lofty tower, balanced, so that the least breath of wind would blow them off into destruction. those whom the air spared i next threw into nile where most it foams and races. only a few the water gave back again. these, however, did i bury for three days in the earth without sepulchre or coffin, so that the element of earth might combat them. and the rare ones whom earth spared i cast upon a fire of charcoal. now who is prepared for these ordeals (being firstly attuned to the elements) findeth them easy

ALEISTER CROWLEY AD MEIORUM CTHULHI GLORIAM

are after budge's renderings) table vii [a.c] table xxv [s] 0. anu (tiamat) 1. sphere of the primum mobile enlil (absu) 2. sphere of the zodiac or fixed stars enki; lumashi (igigi) 3. sphere of saturn adar 4. sphere of jupiter marduk 5. sphere of mars nergal 6. sphere of the sun utu 7. sphere of venus inanna 8. sphere of mercury nebo 9. sphere of the moon nanna 10. sphere of the elements kia 11. air anna 12. mercury gudud 13. moon sin 14. venus dlibat 15. aries agru (xubur) 16. taurus kakkab u alap shame (kingu) 17. gemini re'u kinu shame u tu'ame rabuti (viper) 18. cancer shittu (snake) 19. leo kalbu rabu (lakhamu) 20. virgo shiru (whirlwind) 21. jupiter umunpaddu 22. libra zibanitum (ravening dog) 23. water badur 24. scorpio akrabu (scorpion-man) 25. sagittarius pa-bil-sag (hurricane) 2

eing about three hours from dawn, in the nineteenth of shabatu, i was awakened by the howl of a dog, perhaps of a wolf, uncommonly loud and close at hand. the fire had dies to its embers, and these red, glowing coals cast a faint, dancing shadow across the stone monument with the three carvings. i began to make haste to build another fire when, at once, the gray rock began to rise slowly into the air, as though it were a dove. i could not move or speak for the fear that seized upon my spine and wrapped cold fingers around my skull. the dik of azug-bel-ya was no stranger to me than this sight, though the former seemed to melt into my hands! presently, i heard a voice, softly, some distance away and a more practical fear, that of the possibility of robbers, took hold of me and i rolled behin

ngs on the stone monument were glowing a flame red colour, as though the rock were on fire. the figures were murmuring together in prayer or invocation, of which only a few words could be heard, and these in some unknown tongue; though, anu have mercy on my soul, these rituals are not unknown to me any longer. the figures, whose faces i could not see or recognise, began to make wild passes in the air with knives that glinted cold and sharp in the mountain night. from beneath the floating rock, out of the very ground where it had sat, came rising the tail of a serpent. this serpent was surely larger than any i had ever seen. the thinnest section thereof was fully that of the arms of two men, and as it rose from the earth it was followed by another, although the end of the first was not seen

hers, to see if the same fortune had also befallen them. walking back up the slope that i had so fearfully run down only moments ago, i came across yet another of the dark priests, in identical condition to the first. i kept walking, passing more of the robes as i went, not venturing to overturn them any longer. then, i finally came upon the grey stone monument that had risen unnaturally into the air at the command of the priests. it now upon the ground once more, but the carvings still glowed with supernatural light. the serpents, or what i had then though of as serpents, had disappeared. but in the dead embers of the fire, now cold and black, was a shining metal plate. i picked it up and saw that it also was carved, as the stone, but very intricately, after a fashion i could not understa

, then to the south, and to the west, the number of turns being equal to the special number of the star. seventh, thou must needs arrive back at the centre of the gate, before thine altar, at which time thou must fall to the ground, looking neither to the right no to the left at what may be moving there, for these operations attract many kinds of wandering demon and ghost to the gates, but in the air above the altar whereupon thou wilt presently see the gate opening for thee and the spirit-messenger of the sphere greeting thee in a clear voice, and giving thee a name, which thou must remember, for that is the name of thy passing the gate, which thou must use each time thou passeth thereby. the same spirit-messenger will meet thee and, if thou know not thy name, he will forbid thee entrance

ALEISTER CROWLEY BOOK OF LIES

y book for free on: www.abika.com 72 [75] 33 kappa-epsilon-phi-alpha-lambda-eta lambda-gamma baphomet a black two-headed eagle is god; even a black triangle is he. in his claws he beareth a sword; yea, a sharp sword is held therein. this eagle is burnt up in the great fire; yet not a feather is scorched. this eagle is swallowed up in the great sea; yet not a feather is wetted. so flieth he in the air, and lighteth upon the earth at his pleasure. so spake iacobus burgundus molensis(17) the grand master of the temple; and of the god that is ass-headed did he dare not speak. book of lies get any book for free on: www.abika.com 73 [76] commentary( lambda-gamma) 33 is the number of the last degree of masonry, which was conferred upon frater p. in the year 1900 of the vulgar era by don jesus de

apter is perfectly simple and needs no comment. book of lies get any book for free on: www.abika.com 178 [181] 86 kappa-epsilon-phi-alpha-lambda-eta pi-digamma ex nihilo n. i. h. i. l. fit. n. the fire that twisteth itself and burneth like a scorpion. i, the unsullied ever-flowing water. h. the interpenetrating spirit, without and within. is not its name abrahadabra? i. the unsullied ever-flowing air. l. the green fertile earth. fierce are the fires of the universe, and on their daggers they hold aloft the bleeding heart of earth. upon the earth lies water, sensuous and sleepy. above the water hangs air; and above air, but also below fire-and in all-the fabric of all being woven on its invisible design, is alpha-iota-theta-eta-rho [182] book of lies get any book for free on: www.abika.com

isible design, is alpha-iota-theta-eta-rho [182] book of lies get any book for free on: www.abika.com 179 commentary( pi-digamma) the number 86 refers to elohim, the name of the elemental forces. the title is the sanskrit for that, in its sense of "the existing. this chapter is an attempt to replace elohim by a more satisfactory hieroglyph of the elements. the best attribution of elohim is aleph, air; lamed, earth; he, spirit; yod, fire; mem, water. but the order is not good; lamed is not satisfactory for earth, and yod too spiritualised a form of fire (but see book 4, part iii) paragraphs 1-6. out of nothing, nothing is made. the word nihil is taken to affirm that the universe is nothing, and that is now to be analysed. the order of the element is that of jeheshua. the elements are taken

actory for earth, and yod too spiritualised a form of fire (but see book 4, part iii) paragraphs 1-6. out of nothing, nothing is made. the word nihil is taken to affirm that the universe is nothing, and that is now to be analysed. the order of the element is that of jeheshua. the elements are taken rather as in nature; n is easily fire, since mars is the ruler of scorpio: the virginity of i suits air and water, elements which in magick are closely interwoven: h, the letter of of breath, is suitable for spirit; abrahadabra is called the name of spirit, because it is cheth: l is earth, green and fertile, because venus, the greenness, fertility, and earthiness of things is the lady of libra, lamed. in paragraph 7 we turn to the so-called jetziratic attribution of pentagrammaton, that followed

eenness, fertility, and earthiness of things is the lady of libra, lamed. in paragraph 7 we turn to the so-called jetziratic attribution of pentagrammaton, that followed by dr. dee, and by the hindus, tibetans, chinese and japanese. fire is the foundation, the central core, of things; above this forms a crust, tormented from below, and upon this condenses the original steam. around this flows the air, created by earth and water through the action of vegetation. such is the globe; but all this is a mere strain in the aethyr, alpha-iota-theta-eta-rho. here is a new pentagrammaton, presumably suitable for another analysis of the elements; but after a different manner. alpha( alpha) is air; rho( rho) the sun; these are the spirit and the son of christian theology. in the midst is the father, e

ALEISTER CROWLEY LIBER 777

ns round n. pole. the princess of the waters. the rose of the palace of the floods. rules another quadrant 31 bis the root of the powers of fire (ace) the root of the powers of water. lxxiii. the court cards of the tarot, with the spheres of their celestial dominion swords. lxxiv. the court cards of the tarot, with the spheres of their celestial dominion pantacles. 11 the prince of the chariot of air. 20 j to 20 k the prince of the chariot of earth. 20 a to 20 b 23 the queen of the thrones of air. 20 f to 20 g the queen of the thrones of the earth. 20 i to 20 j 31 the lord of the winds and the breezes. the king of the spirits of air. 20 b to 20 c the lord of the wide and fertile land. the king of the spirits of earth. 20 e to 20 f 32 bis the princess of the rushing winds. the lotus of the

to 20 k the prince of the chariot of earth. 20 a to 20 b 23 the queen of the thrones of air. 20 f to 20 g the queen of the thrones of the earth. 20 i to 20 j 31 the lord of the winds and the breezes. the king of the spirits of air. 20 b to 20 c the lord of the wide and fertile land. the king of the spirits of earth. 20 e to 20 f 32 bis the princess of the rushing winds. the lotus of the palace of air. rules a 3rd quadrant. the princess of the echoing hills. the lotus of the palace of the earth. rules a 4th quadrant of the heavens about kether. 31 bis the root of the powers of air the root of the powers of water. lxxv. the five elements (tatwas. lxxvi. the five skandhas. clxxxviii. the body. clxxxix. cxc. bodily functions. 11 vayu the blue circle sankhara breath speaking though 23 apas the

hadad of avith 7 twmyruc shaarimoth gates of death yadmca hqrcm hlmnc samlah of masrekah 8 twmla tzelmoth shadow of death adramelek laylb tybhr lwac saul of reheboth 9 tylyl nh lub baal-hannan 10 \nhyg gehinnom hell hmun wup rdh hadar of pau cix (continued* the dukes of edom. cx. elements and quarters (sepher yetzirah. cxi. sephirothic colours (dr. jellinek. 0. 1 \yyj \yhla hwr concealed light 2. air sky blue 3. water and earth yellow 4 hmbylha aholibamah fire white 5 hla elah height red 6 kyp pinon depth white-red 7 znq kenaz east whitish-red 8 myt teman west reddish-white 9 laydgm and rxbm mibzar and magdiel south white-red-whitsh-red-reddish-white 10 \ryu eram north the light reflecting all colours cxii. alchemical tree of life (i. cxiii. alchemical metals (ii. cxiv. passwords of the gr

our$ h illusionary success [debauch] 8 hyaka layhk# i swiftness' l abandoned success [indolence] 9 layzh hydla= i great strength [strength& l material happiness [happiness] 10 hywal hyuhh' i oppression% l perfected success [satiety] cxxxv. titles and attributions of the sword suit [spades] cxxxvi. titles and attributions of the coin, disc or pantacle suit [diamonds] 0. 1 the root of the powers of air the root of the powers of earth 2= in g the lord of peace restored [peace& in j the lord of harmonious change [change] 3' g sorrow% j material works [works] 4& g rest from strife [truce! j earthly power [power] 5$ k defeat# b material trouble [worry] 6# k earned success [science= b material success [success] 7= k unstable effort [futility' b success unfulfilled [failure] 8& c shortened force [

his translation has been incorporated into some later mss and printed editions of the lemegeton. 5 in the book of the sacred magic of abramelin the mage (tom. ii cap. xix) are tabulated the names of various evil spirits: chief among these are the four princes and superior spirits, to wit lucifer, leviathan, satan and belial who may perhaps be referred to the elements (i would suggest fire, water, air, earth respectively; immediately below these are eight sub-princes, namely oriens, paimon, ariton, amaimon (vide 777 col. lxviii, astarot, magot, asmodee and belzebud (sic; a total of 316 named spirits are listed below the eight sub- princes, some subject to one of them, some shared between two or more. 6 the book of the concourse of the forces is the title of a collection of golden dawn paper

ALEISTER CROWLEY LIBER CHANOKH

e is also a black cross (or central tablet according to the arrangement shewn compare the black cross bordering the tablets in plate iii. with plate viii).6 plate iii gives the general view [the reversed letters which form the word paraoan are written in enochian for convenience, as our a and o are not distinguishable reverse from forward] plate iv. gives the complete attribution of the tablet of air. the 6th file is called linea patris. the 7th file is called linea filii. the 7th line is called linea spiritus sancti. this great cross divides the tablet into four lesser (sub-elemental) tablets, the left-hand top corner being air of air, the right-hand top corner water of air, the lefthand bottom corner earth of air, the remaining corner fire of air. each of these lesser tablets contains a

ch governs it. plates v, vi, and vii. are similar for the other elements. this is the way in which the names are drawn from the great tablets [examples taken from water tablet] 1. linea spiritus sancti gives the three holy names of god of 3, 4 and 5 letters respectively. mph. arsl. gaiol 2. a whorl around the centre of the tablet gives the name of the great elemental king, raagiosl [similarly for air bataivah, for earth iczhhcal, for fire edlprnaa. 3. the 3 lines of the central cross of father, son, and holy ghost give the names of 6 seniors [thus the 4 tablets hold 24 elders, as stated in the apocalypse] they are drawn of seven letters, each from the centre to the sides of the tablet. saiinov soaiznt linea patris laoazrp ligdisa linea filii slgaiol lsrahp linea s.s. these three sets of na

ablet. saiinov soaiznt linea patris laoazrp ligdisa linea filii slgaiol lsrahp linea s.s. these three sets of names rule the whole tablet, and must be invoked before specializing in the lesser angles of the sub-elements. liber lxxxiv 7 the four great watch-towers and the black cross within general view7 the symbolic representation of the universe 8 the great watch-tower of the east, attributed to air. plate iv. liber lxxxiv 9 the great watch-tower of the west, attributed to water. plate v. the symbolic representation of the universe 10 the great watch-tower of the north, attributed to earth. plate vi. liber lxxxiv 11 the great watch-tower of the south, attributed to fire. plate vii. the symbolic representation of the universe 12 the black cross, or table of union. attributed to spirit. pla

uted to earth. plate vi. liber lxxxiv 11 the great watch-tower of the south, attributed to fire. plate vii. the symbolic representation of the universe 12 the black cross, or table of union. attributed to spirit. plate viii. liber lxxxiv 13 4. the calvary crosses. the name upon the cross read vertically is the name which calls forth the powers of the lesser angle.8 nelapr (water of water) olgota (air of water) maladi (earth of water) iaaasd (fire of water) the name read horizontally on the cross is that which compels the evoked force to obedience. omebb (water of water) aalco (air of water) ocaad (earth of water) atapa (fire of water) 5. above the bar of the calvary cross remain in each case four squares. these are allotted to the kerubim, who must next be invoked.9 they aretdim dimt imtd

4 the following rules explain how the sides of the pyramids of which the squares are formed are attributed to the sephiroth, planets, elements and zodiacal signs.11 1. great central cross. this has 36 squares, for the decantes of the zodiac. on the left side of the pyramid, linea patris has the cardinal signs, the sign of the element itself at the top, in the order of tetragrammaton (fire, water, air, earth) going upwards. linea filii has the common signs in the same order. linea s.s. has the cherubic signs, that of the element on the left, in the same order, right to left. but the order of the decans in each sign is reverse, and thus the planets which fill the right-hand side of the pyramids go in the first two cases downwards, and in the third from left to right. the upper sides of the p

ALEISTER CROWLEY MAGICK IN THEORY AND PRACTICE

ch thy wantonness weeping through the tangled grove, the gnarled bole of the living tree that is spirit and soul and body and brain- come over the sea (io pan! io pan) devil or god, to me, to me, my man! my man! come with trumpets sounding shrill over the hill! come with drums low muttering from the spring! come with flute and come with pipe! am i not ripe? i, who wait and writhe and wrestle with air that hath no boughs to nestle my body, weary of empty clasp, strong as a lion and sharp as an asp- come, o come! i am numb with the lonely lust of devildom. thrust the sword through the galling fetter, all-devourer, all-begetter; give me the sign of the open eye, and the token erect of thorny thigh, and the word of madness and mystery, o pan! io pan! io pan! io pan pan! pan pan! pan, i am a ma

ription is bottom to top and left to right "1. earth: the god set fighting" frontal figure. rt. foot pointed to the fore and angled slightly outward with weight on ball of foot. lf. heel almost touching rt. heel and foot pointed left. arms form a diagonal with body, right above head and in line with left at waist height. hands palmer and open with fingers outstretched and together. head erect "2. air: the god shu supporting the sky" frontal. heels together and slightly angled apart to the front, flat on floor. head down. arms angled up on either side of head about head 1.5 ft. from head to wrist and crooked as if supporting a ceiling just at head height with the finger tips. the palms face upward and the backs of the hands away from the head. thumbs closed to side of palms. fingers straigh

ctions even of wild animals. he has employed poetic genius for political purposes (15) every force in the universe is capable of being transformed into any other kind of force by using suitable means. there is thus an inexhaustible supply of any particular kind of force that we may need (illustration: heat may be transformed into light and power by using it to drive dynamos. the vibrations of the air may be used to kill men by so ordering them in speech as to inflame war-like passions. the hallucinations connected with the mysterious energies of sex result in the perpetuation of the species (16) the application of any given force affects all the orders of being which exist in the object to which it is applied, whichever of those orders is directly affected (illustration: if i strike a man

e else shall comply with one's own standards is to outrage, not only him, but oneself, since both parties are equally born of necessity (25) every man must do magick each time that he acts or even thinks, since a thought is an internal act whose influence ultimately affects action, thought it may not do so at the time (illustration: the least gesture causes a change in a man's own body and in the air around him; it disturbs the balance of the entire universe, and its effects continue eternally throughout all space. every thought, however swiftly suppressed, has its effect on the mind. it stands as one of the causes of every subsequent thought, and tends to influence every subsequent action. a golfer may lose a few yards on his drive, a few more with his second and third, he may lie on the

sion. below this abyss we find the moral qualities of man, of which there are six. the highest is symbolised by the number four. its nature is fatherly<venus; so that the mother-idea is included. again, the sephira of 4 is chesed, referred to water. 4 is ruled by jupiter, lord of the lightning (fire) yet ruler of air. each sephira is complete in its way; mercy and authority are the attributes of its dignity. the number five is balanced against it. the attributes of five are energy and justice. four and five are again combined and harmonized in the number six, whose nature is beauty and harmony, mortality and immortality. in the number seven the feminine nature is again predominant, 2 but it is the masculin

ALEISTER CROWLEY MAGICK WITHOUT TEARS

thout continual practice. no one can join with you- off you go again! no, no, a thousand times no: this is the practice par excellence where you have to do it all yourself. the vibration of godnames: that perhaps, i can at least test you in. but don't you dare come up for a test 20 until you've been at it- and hard- for at least 100 exercises. i think this is your trouble about being "left in the air" when i "present many new things" to you, the sting is in the tail- the practice that vitalizes it. doctrinal stuff is fine "lazily, lazily, drowsily, drowsily, in the noo-on-dye shaun" an ounce of your practice is worth a ton of my teaching. get that. it's all your hatred of hard work: magic without tears get any book for free on: www.abika.com 34 "go to the ant thou sluggard! consider her wa

ctions even of wild animals. he has employed poetic genius for political purposes) 15. every force in the universe is capable of being transformed into any other kind of force by using suitable means. there is thus an inexhaustible supply of any particular kind of force that we may need (illustration: heat may be transformed into light and power by using it to drive dynamos. the vibrations of the air may be used to kill men by so ordering them in speech as to inflame war-like passions. the hallucinations connected with the mysterious energies of sex result in the perpetuation of the species) 16. the application of any given force affects all the orders of being which exist in the object to which it is applied, whichever of those orders is directly affected (illustration: if i strike a man

e else shall comply with one's own standards is to outrage, not only him, but oneself, since both parties are equally born of necessity) 25. every man must do magick each time that he acts or even thinks, since a thought is an internal act whose influence ultimately affects action, thought it may not do so at the time (illustration: the least gesture causes a change in a man's own body and in the air around him: it disturbs the balance of the entire universe and its effects continue eternally throughout all space. every thought, however swiftly suppressed, has its effect on the mind. it stands as one of the causes of every subsequent thought, and tends to influence every subsequent action. a golfer may lose a few yards on his drive, a few more with his second and third, he may lie on the g

then took them three at a time, and got the eight kwa. these represent the development from the original oe s.b. cap "i" to the natural order of the elements. i shall call the male principle m, the female f. m.1- khien "heaven-father" f.1- khw n "earth-mother- m.2- loe the sun f.2- kh n the moon- m.3- k n fire f.3- tui water- magic without tears get any book for free on: www.abika.com 77 m.4- sun air f.4- k n earth- note how admirably they have preserved the idea of balance. m.1. and f.1. are perfection. m.2. and f.2. still keep balance in their lines. the four "elements" show imperfection; yet they are all balanced as against each other. note, too, how apt are the ideograms. m.3. shows the flames flickering on the hearth, f.3, the wave on the solid bottom of the sea; m.4, the mutable air

t itself (remember the practice of some hindu schools "not that, not that" to whatever it is the presents itself as tat sat- reality, truth. need i remind you how urgent the wish to escape will assuredly become, how fantastic are the mind's devices and excuses, amounting often to deliberate revolt? in kandy i broke away in a fury, and dashed down to colombo with the intention of painting the very air as red as the betelspittle on the pavements! but after three days of futile search for satisfying debauchery i came back to my horses, and, sure enough, it was merely that i had gone stale; the relaxation soothed and steadied me; i resumed the discipline with redoubled energy, and dhyana dawned before a week had elapsed. i mention this because it is the normal habit of the mind to organize the

ALEISTER CROWLEY MEDITATION

he body and the lower functions of the mind<air are assured. but some of the sedentary practice should be done, and combined with meditation. of course when actually "racing" to get results, walking is a distraction> and should be practised certainly never less than one hour daily by the serious student. four hours is a better period, a golden mean; sixteen hours is too much for most people. 22 chapter iii yama<
d to their crabbed ethics; but when they get on the subject of results of meditation, they completely lose their heads. they exhaust the possibilities of poetry to declare what is demonstrably untrue. for example, we find in the shiva sanhita that "he who daily contemplates on this lotus of the heart is eagerly desired by the daughters of gods, has clairaudience, clairvoyance, and can walk in the air" another person "can make gold, discover medicine for disease, and see hidden treasures" all this is filth. what is the curse upon religion that its tenets must always be associated with every kind of extravagance and falsehood? there is one exception; it is the a'.a, whose members are extremely careful to make no statement at all that cannot be verified in the usual manner; or where this is n

shows us that that evidence is normally accepted; but a man of science does nothing of the sort. he is so well aware that his senses constantly deceive him, that he invents elaborate instruments to correct them. and he is further aware that the universe which he can directly perceive through sense, is the minutest fraction of the universe which he knows indirectly. for example, four-fifths of the air is composed of nitrogen. if anyone were to bring a bottle of nitrogen into this room it would be exceedingly difficult to say what it was; nearly all the tests that one could apply to it would be negative. his senses tell him little or nothing. argon was only discovered at all by comparing the weight of chemically pure nitrogen with that of the nitrogen of the air. this had often been done, bu

e" is the description bhikku ananda metteya gives of it. the root of the tongue gives the "ideal sound; and the pharynx the "ideal sight<tiger, the student acquires that strength. conquer "the nerve udana" and you can walk on the water "samana" and you begin to flash with light; the "elements" fire, air, earth, and water, and you can do whatever in natural life they prevent you from doing. for instance, by conquering earth, one could take a short cut to australia; or by conquering water, one can live at the bottom of the ganges. they say there is a holy man at benares who does this, coming up only once a year to comfort and instruct his disciples. but nobody need believe this unless he wants

e scourge, the dagger, and the chain, represent the three alchemical principles of sulphur, mercury, and salt. these are not the substances which we now call by these names; they represent "principles" whose operations chemists have found it more convenient to explain in other ways. but sulphur represents the energy of things, mercury their fluidity, salt their fixity. they are analogous to fire, air and water; but they mean rather more, for they represent something deeper and subtler, and yet more truly active. an almost exact analogy is given by the three gunas of the hindus; sattvas, rajas, and tamas. sattvas is mercury, equable, calm, clear; rajas is sulphur, active, excitable, even fierce; tamas is salt, thick, sluggish, heavy, dark<
ALEISTER CROWLEY SEPHER SEPHIROTH

)y the fear (i.e. wonderment [of hwhy (cf. 611 )ry 212 great voice rwbd splendour; to enlighten rhz to spread out; harlot; golden hrz to enclose; a secret chamber rdx 213 strong, powerful, mighty; the almighty ryb) limestone; chalk ryg slaughter hgrh loaded rzw to be strange; a stranger rwz the supernal mercy of god l)d h)l( dsx a great cloud lwdg nn( 214 a girdle rwz) whiteness rwx came down dry air; spirit; wind; mind xwr 215 eminent; a prince (ps 8:1) ryd) a path, narrow way xrw) posterior; the reversed part rwx) a rising; to rise gas the sun h; to give light xrz to encompass rzx 216 geburah: strength; courage hrwbg leo: a lion hyr) the middle gate)(ycm )bb oracle (not from rbd, 206 q.v; sanctuary rybd taro (cf. 224, 280& 671) wr+ blood of grapes mybn( md dread, fear h)ry profound (ps

ps 8:1) ryd) a path, narrow way xrw) posterior; the reversed part rwx) a rising; to rise gas the sun h; to give light xrz to encompass rzx 216 geburah: strength; courage hrwbg leo: a lion hyr) the middle gate)(ycm )bb oracle (not from rbd, 206 q.v; sanctuary rybd taro (cf. 224, 280& 671) wr+ blood of grapes mybn( md dread, fear h)ry profound (ps. 92:5) qmw( anger, wrath zgwr latitude bxwr 217 the air ryw) temple, palace, castle, fortress, citadel hryb food hyrb a bee hrwbd the navel rwb+ strife, controversy [of the lord] hbyr bright, shining ryhb leanness; secret yzr 218 ayre, aethyr )ryw) briah: the creative world h)yrb the benignity of time mlw( dsx the moon (cf. 276; a month (cf. 312) xry multitude ywbr arcana )yzr odour, a smell xyr 219 cleansing; cleansings hrh+ 220 the number of vers

) gall, bile hrm spirit of god l) xwr 246 myrrh rwm vision, aspect h)rm height, altitude mwr gabriel: archangel of water (lit. gmighty one of god h) l)yrbg 247 to overwhelm (ps. 77:17; a flood mrz light, luminary rw)m the symbolic sense (i.e. of scripture, etc; see 400& 510) zmr 248 the three that bear witness, above and beneath, respectively (md) the spirit, the water, and the blood: aleph being air (spiritus, daleth standing for md blood, and mem being both water and the initial of mym, water. cf. 203& 447 )rb md) uriel or auriel: archangel of earth (lit. resp. gflame of el h and gmy light is el h) l)yrw) in vision h)rmb wine; bitumen; an ass (from gto disturb h) rmx mercy; womb; vulture mxr a lance xmr archangel of chokmah l)yzr 249 fear, terror rwgm 250 the living god of the worlds, or

x# 309 a leper rgswm a roar, bellow hg# field, soil, land hd# transgression# 310 to trample on, conquer #wd to govern, bind #bx formed rcyy the initials of idra rabba qadisha (each letter is half of each letter of rtk, kether)+b1523 qry is, are; essence, being #y a young lion rypk habitations nyrwdm gift, tribute y# 311 man: a title of tiphareth #y) archangel of binah l)yqpc raphael: archangel of air (lit. ghealing of god h) l)pr rod (ps. 23:4 +b# 312 to renew (hence a new moon, a month #dx west (hence our gmoor h: gperson living in the west h, as from the arabic gmaghrabi h> gk. gmauros h, etc) br(m 314 perfect praise (i.e. religious) rwmg llh metatron: the archangel of kether (cf. 224) nwr++m out of the way, remote qwxr shaddai, the almighty: a name of god yd# acacia wood h# 315 ice, hai

t. ggate of the gods h; see liber 418 *n(l)b)b zion *nwyc height, altitude *mwr 807 blasphemed *pdg the beard (s.d. cap. 2; lingam (qnz *nqz to overwhelm (ps. 77:17; a flood *mrz 808 the brazen serpent (ii kings 18:4; cf. 1121) nt#xn under txt pure, innocent *px balances (ch *nynz)m the three that bear witness, above and beneath, respectively (md) the spirit, the water, and the blood: aleph being air (spiritus, daleth standing for md blood, and mem being both water and the initial of mym, water. cf. 203& 447*)rb md) mercy; womb; vulture *mxr to steam; darkness *k#x 809 shut up; body *pwg children *p+ 810 cain *nyq the living god of the worlds, or of the ages *mymlw(h yxl) midday (the south *mwrd 812 son of the right hand *nymynb 813 signs, marks, tokens twtw) ararita: a name of god which i

ALEISTER CROWLEY TAO TEH KING

ome of the trigrams. these difficulties have been corrected by reference to the diagram crowley made on the blank page preceding the table of content in his copy of the legge yi king. see oto newsletter, v. i, no. 3, p. 15. the tao. the teh, the tao, source of the mother source of the father# heaven# ch'ien# had# water fire# li, this# tui water# is chen# usually is k'an sun# had chen# this is li# air# sun# earth# ken moon# k'an# earth# k'un# 1 chapter ii the energy- source of the self. 1. all men know that beauty and ugliness are correlatives, as are skill and clumsiness; one implies and suggests the other. 2. so also existence and non-existence pose the one the other((i.e, the thought of either implies its opposite) so also is it with ease and difficulty, length and shortness; height and

folk of good will. if we forget our machines and our business, there would be no knavery. 2. these new methods despised the olden way, inventing fine names to disguise their baneness. but simplicity in the doing of the will of every man would put an end to vain ambitions and desires((samuel butler in erewhon describes a people who had sense enough to forbid all machinery. wells, in the war in the air prophesies the results of not doing so; at the hour of writing, an xv sun in scorpio, we are facing the fulfilment of most of this prophecy. and still we make haste to arm) 23 chapter xx the withdrawal from the common way. 1. to forget learning is to end trouble. the smallest difference in words, such as 'yes' and 'yea, can make endless controversy for the scholar((consider the 'homoiousios- h

ALEISTER CROWLEY THE HEART OF THE MASTER

heel a serpent with the head of a sphinx, and toucheth the mouth of the master, so that his voice breaks into song: the word of the law is thelema (greek letters. then is all heaven aflame with a great blast of trumpets; and the world is alight with one flash that sundereth every spirit that liveth, branding this sign upon them: do what thou wilt shall be the whole of the law. aves. now the whole air is thrilled by the voices of birds: a swan, a phoenix, a raven, a hawk, a pelican, a dove, an ibis and a vulture: in his turn each one sang praises, even as it was given unto him to understand one part of the spirit of the master. the voice of the swan. aumgn: through the bornless, through the eternal, the thought of the master goeth, afloat in the aethyr. the voice of the phoenix. al: not to

l things live by it; yet nothing that knows itself knows it as it is. so now i, burning up, yet not burnt through, in the glory of that light, vibrating to, yet not vibrating altogether with, the vigour of that pulse, am just so far attuned to the heart of the master that was pure rapture in that sublime moment of union is translated into what seems a solemn music- born very far through the still air- a voice declaring the secret of the sanctuary to every ear in just such measure as that ear is able to receive it. the ten secret joys of the master. at first the music is as if muffled, a murmur of the wind behind impenetrable veils. 000. nothing only exists, and is all things. after a pause of deeply-rooted silence: 00. there is no limit. silence again, as if the very bowels of nature were

of all former voices and their music, so that the whole abyss is filled with their orchestration to one symphony. 6. the order of the universe is the expression of thy rapture of beauty. this fades away into a deep and tender tune, like nightingales beside a waterfall; and the voice comes twittering: 7. the sensibility of the universe is the triumph of thine imagination. quick thrills inform the air, the perpetual quire of myriads of young boys and girls: 8. the mutability of the universe is the splendour of thine ingenuity. and now again all sound is gathered into one, an endless the heart of the master get any book for free on: www.abika.com 10 monotone of power impregnable, like the trumpeting of an elephant in spring: 9. the stability of the universe is change, the assurance of thy tr

ALEISTER CROWLEY THE I CHING

he pi hexagram moon of yoni- pi: union. first examine, art thou right? then the restless join thee; woe the laggard's plight. sincerity of union is the key; from inward mind comes forth true unity. unite not with unworth's iniquity! there's one beyond thyself that yearns for thee. base well thy tower upon the people's power. thy first step missed? disaster shalt thou see. 9 the hsiao chu hexagram air of lingam- hsiao chu: shows small restraint. hence quick success. but clouds indeed, we ask rain's happiness. strayed- come thou back and follow thy own plan! by true attraction mete thy starry span! anger in wedlock or a car en panne! bloodshed and woe sincerity bids go. sincerity: here's help from all the clan. who wins too much may lose! repose, o man! 10 the li hexagram lingam of water- li

hexagram water of fire- sui: follow after; but in following checked by being firm, unwavering and correct. changing pursuit, seek friends beyond thy gate. should one leave old, and follow a young boy? wiselier leave youth, and age's wit employ. adherents hurt; make sure thy way is straight. follow all excellence with eager gait. the sincere king may sacrifice with joy. 18 the ku hexagram earth of air- ku: service. thou mayst cross the stream no doubt, if thou have fully thought thy purpose out. good son, repair thy sire's infirmity; be gentle with thy mother's frailty, son. yea, clear thy father's troubles, every one. restrain thy course; view them indulgently. thus gain the praise of thine utility. do what thou wilt, thyself, a slave to none! 19 the lin hexagram yoni of water- lin: great;

! 19 the lin hexagram yoni of water- lin: great; here's progress and success to firm correctness; but- more trouble at the term! now with thy comrade firmly force the pace! advance with him- alliance wins the race. be cautious, or advance may lead thee astray. go forward only in the noblest way. great rulers need great wisdom every day. honest, magnanimous, woo fortune's ray. 20 the kwan hexagram air of yoni- kwan: manifesting; contemplating; see thou be sincere, pure, just, with dignity. thoughtless and boyish: little shalt thou see! peep from thy door- a woman's modesty. consider thine whole course insistently. state's weal resolved, seek aid of majesty. consider thy life's course, lest action err, and criticise thy soul's true character. 21 the shih ho hexagram sun of fire- shih ho: uni

h of fire- i: nourishment; the matter and the mode, demand that thought should indicate the road. suffice thyself; else- how thy jaw shall quiver! look neither down nor up, the sages say. ill nourished, action merely means affray. but lo! below thee bleats the tiger's prey. improper method? firm and cautious stay! but thou, who nurturest all, mayst cross the river. 28 the ta kwo hexagram water of air- ta kwo: a weakened beam is under stress. to move in any manner spells success. place mats for things set down; then faults are few. dead willow shoots; old man young wife well wooing. the beam is weak; fate's busy with the brewing! the beam curves up- loyalty did the glueing. dead willow flowers; old wife young men pursuing! bold wader, thine head's wet- but thou wast true! 29 the khan hexagr

mutual influence; good fortune bless man's firm correctness with the tide, success. would'st walk? to move thy toes alone is a flaw; but calves 'twere surely better to withdraw. thigh's too? cling close to leaders? thou wilt rue it. insited plans? only thy friends pursue it. but shrug thy shoulders! god shall gladly view it. the wag not thy toungue, nor drop thy jaw! 32 the hang hexagram fire of air- hang: by persistance are great empires built. there is no law beyond do what thou wilt, lust of result mars will in every way; but steadfast purpose spans the vast abysm. maintain thy virtue- heed not criticism! seek not reward; thy work be its own chris, passion love wins, where active loses, fray; and violent efforts end in swift decay. 33 the thun hexagram lingam of earth- thun: a retireme

ALEISTER CROWLEY THE LOST CONTINENT

le, too, was the great quantity of turtle; also the giant oysters, the huge deep sea crabs, a kind of octopus whose flesh made a nutritious and elegant soup, and innumerable shell-fish, added to the table. the waterways were haunted by shoals of a small and poisonous fish* whose bite was immediate death to man, a fact which altogether cut off communication between one island and another except by air, as the hippopotamus-animal, although immune to its bite, was unable to swim. of the sleeping chambers i shall tell more particularly in the course of my remarks on zro .pa iii. of the aim of the magicians of atlas: of zro; and its properties and uses: of that which combined with it: and of black phosphorus. it was the most ancient tradition of the atlantean magicians that they were the surviv

given planet was therefore to overturn the laws of nature on that planet, thus mastering it sufficiently to enable him to make the leap to the next planet inward. exactly how and in what sense the leap was made remains obscure, even to the heirs of atlantis* the men of atlas could fly, it is true, and that by a method so simple that men will laugh outright when it is rediscovered; but they needed air to support them; they could not confront the cold and emptiness of space. was it in some subtler body that they conveyed the palladium? or, content to die, could they project some vehicle across so great a distance? the answer to such questions probably lies in the recovery by mankind of the knowledge of zro and its properties. beneath the labour mills* run troughs* in which the sweat of the w

rs repose, eight hours work, four hours rest and recreation. the mills never cease day or night. the basin is of polished silver and agate, and is set at an angle, facing two enormous spheres of crystal, encased in a sort of trellis made of a certain greenish metal, its optical focus at a point midway between the two. the only sign of activity is that out of this focus a spark crackles unless the air be dry, a condition difficult to secure in this part of the world, although fans blow air, dried over chloride of calcium and sulphuric acid, over the globes and their focus. these fans are worked by tidal power, human labour being appropriated solely to the one use. in the temple of the 'house' are two globes similar to those upon the plains, and the mysterious force generated below is transf

he plains, and the mysterious force generated below is transferred to those above, collecting within them. now the name of this substance is always zro, but in its first state the gesture is a twiddling of the thumbs. in its second, it is a rapid twittering of the fingers, and in its third state of distillation it is a screwing of the hands together. within the spheres it sublimes suddenly in the air as a snaky powder (4) of silver, which immediately turns to an iridescent fluid (5) that is forced up, by its own need of expansion, through a fountain into the temple, on whose floor it lies (6) in a semi-solid condition. expert priests gather this in their hands, and rapidly shape it into its seventh state, when it is a knife of diamond, but alive. an instrument like a mexican machete is use

ic south, and whose observations rendered possible the theory which resulted in the piercing of the earth by zro* there were also preparations of zro which increased the size of the user, and others which diminished it. in general use among the lower classes, until the very end, was that composition which made the body light. careful adjustment would equalize its weight with that of the displaced air, and movements of the limbs would then permit flying. in this way the overseers visited the plains and returned. the other and earlier art of flying needed no apparatus, but i am forbidden to disclose the method, except to hint that it is connected closely with the art of 'dreaming true. these are but a few of the magic powers so-called of the compounds of zro; but they will indicate the power

ALEISTER CROWLEY THE OLD AND NEW COMMENTARIES TO LIBER AL

entional sense. he represents the higher self, the holy guardian angel. the connexion is with the symbolism of the dwarf in mythology. he contains everything in himself, but is unmanifested. see ii:8. he is the first letter of the alphabet, aleph, whose number is one, and his card in the tarot is the fool, numbered zero. aleph is attributed to the "element (in the old classification of things) of air. now as "one" or aleph he represents the male principle, the first cause, and the free breath of life, the sound of the vowel a being made with the open throat and mouth. as zero he represents the female principle, the fertile mother (an old name for the card is mat, from the italian 'matto, fool, but earlier also from maut, the egyptian vulture-mother-goddess. fertile, for the 'egg of blue' i

ng wand and carrying a sack; his coat is motley. tigers and crocodiles follow him, thus linking this image with that of harpocrates. almost identical symbols are those of the secret god of the templars, the bi-sexual baphomet, and of zeus arrhenothelus, equally bi-sexual, the father-mother of all in one person (he is shown in this full form in the tarot trump xv "the devil) now zeus being lord of air, we are reminded that aleph is the letter of air. as air we find the "wandering fool" pure wanton breath, yet creative. wind was supposed of old to impregnate the vulture, which therefore was chosen to symbolize the mother-goddess. he is the wandering knight or prince of fairy tales who marries the king's daughter. this legend is derived from certain customs among exogamic tribes, for which se

andering fool" pure wanton breath, yet creative. wind was supposed of old to impregnate the vulture, which therefore was chosen to symbolize the mother-goddess. he is the wandering knight or prince of fairy tales who marries the king's daughter. this legend is derived from certain customs among exogamic tribes, for which see "the golden bough. thus one europa, semele and others claimed that zeus- air<<zeus obtained air for his kingdom in the partition with hades, who took fire, and poseidon, who took water. shu is the egyptian god of the firmament. there is a great difficulty here, etymologically. zeus is connected with iao, abrasax, and the dental sibilant gods of the great mysteries, with the south and hadit, ada, set, saturn, adonai, attis, adonis; he is even the "jesus, slain with the

d for convenience. it is indeed the task of this book to reduce theology to the interplay of the dyad nuith and hadith, these being themselves conceived as complementary, as two equivalent to naught "divided for lvoe's sake, for the chance of union- had enjoyed them in the form of a beast, bird, or what not; while later mary attributed her condition to the agency of a spirit- spiritus, breath, or air- in the shape of a dove. but the "small person" of hindu mysticism, the dwarf insane yet crafty of many legends in many lands, is also this same "holy ghost, or silent self of a man, or his holy guardian angel. he is almost the "unconscious" of freud, unknown, unaccountable, the silent spirit, blowing "whither it listeth, but thou canst not tell whence it cometh or whither it goeth. it command

er 93, but wished to express his nature by six letters (six being the number of the sun, the god-man, etc) whose value in greek should be a=1, i=10, f=6, a=1, s=200, s=200: total 418, the number of abrahadabra, the magical formula of the new aeon! note that i and v are the letters of the father and the son, also of the virgin and the bull (see "liber 418) protected on either side by the letter of air, and followed by the letter of fire twice over. al i,8 "the khabs is in the khu, not the khu in the khabs" the old comment 8. here beings the text. khabs is the secret light or l.v.x; the khu is the magical entity of a man. i find later (sun in virgo, an vii) that khabs means star. in which chase cf. v.5. the doctrine here taught is that that light is innermost, essential man. intra (not extra

ALEISTER CROWLEY THE OTO GNOSTIC MASS

cense and the font, faces east, and gives the step and sign of a man and a brother. all imitate him. the deacon and all the people: i believe in one secret and ineffable lord; and in one star in the company of stars of whose fire we are created, and to which we shall return; and in one father of life, mystery of mystery, in his name chaos, the sole viceregent of the sun upon the earth; and in one air the nourisher of all that breathes. and i believe in one earth, the mother of us all, and in one womb wherein all men are begotten, and wherein they shall rest, mystery of mystery, in her name babalon. and i believe in the serpent and the lion, mystery of mystery, in his name baphomet. and i believe in one gnostic and catholic church of light, life, love and liberty, the word of whose law is v

nt. the priestess: let the salt of earth admonish the water to bear the virtue of the great sea (genuflects) mother, be thou adored. she returns to the west. on priest with open hand doth she make, over his forehead, breast, and body. be the priest pure of body and soul! the priestess takes the censer from the child, and places it on the small altar. she puts incense therein. let the fire and the air make sweet the world (genuflects) father, be thou adored. she returns west, and makes with the censer before the priest, thrice as before. be the priest fervent of body and soul (the children resume their weapons as they are done with) the deacon now takes the consecrated robe from high altar, and brings it to her. she robes the priest in his robe of scarlet and gold. be the flame of the sun t

rd encausse, doctor theodor reuss, and sir aleister crowley--oh sons of the lion and the snake! with all thy saints we worthily commemorate them worthy that were and are and are to come. may their essence be here present, potent, puissant and paternal to perfect this feast! the people: so mote it be. the earth the deacon: mother of fertility on whose breast lieth water, whose cheek is caressed by air, and in whose heart is the sun's fire, womb of all life, recurring grace of seasons, answer favorably the prayer of labour, and to pastors and husbandmen be thou propitious. the people: so mote it be. the principles the deacon: mysterious energy, triform, mysterious matter, in fourfold and sevenfold division, the interplay of which things weave the dance of the veil of life upon the face of th

ALEISTER CROWLEY THE QABALAH

.s. liber lviii 6 fortunately, there is one science that can aid us, a science that, properly understood by the initiated mind, is as absolute as mathematics, more self-supporting than philosophy, a science of the spirit itself, whose teacher is god, whose method is simple as the divine light, and subtle as the divine fire, whose results are limpid as the divine water, all-embracing as the divine air, and solid as the divine earth. truth is the source, and economy the course, of that marvellous stream that pours its living waters into the ocean of apodeictic certainty, the truth that is infinite in its infinity as the primal truth which which it is identical is infinite in its unity. need we say that we speak of the holy qabalah? o science secret, subtle, and sublime, who shall name thee w

masons. 4. to the less important methods we may apply the same criticism. we may glance in passing at the yetziratic, tarot, and signifactory methods of investigating any word. but though frater p. was expert enough in these methods they are hardly pertinent to the pure numerical qabalah, and we therefore deal gently with them. the attributions are given in 777. thus a in the yetziratic world is air, by tarot the fool, and by signification an ox. thus we have the famous i.n.r.i= y. n. r. i= f, h, f; the virgin, the evil serpent, the sun, suggesting the story of genesis ii. and of the gospel. the initials of the egyptian names isis, apophis, osiris, which correspond, give in their turn the ineffable name iao; thus we say that the ineffable is concealed in and revealed by the birth, death a

easily read anm. to sacrifice to death is folly. lkt. thy kingdom shall be fortunate, for it is just. crp the tower of thy glory shall endure until the last days. there! that didn t take two minutes; and belshazzar would have exalted us above daniel. similarly al, god, may be interpreted his folly is justice, as it is written: the wisdom of this word is foolishness with god. or, by yetzirah, the air is his balance, as it is written: god made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament. 39 e is the base of natural logarithms; it is defined as the sum from 0 to infinity of 1 over n factorial; approximately 2.718281828 t.s. liber lviii 24 or by meaning: the ox and the goad, i.e. he is both matter and motion. we here appe

eaviness of malkuth. 41 \a, the mother, unfertilised as unenlightened. 42. ama, the mother, still dark. here are the 42 judges of the dead in amennti, and here is the 42-fold name of the creative god. see liber 418. 44 \d, blood. see part ii. here 4 11= the corruption of the created world. 45. hm, a secret title of yetzirah, the formative world \da, adam, man, the species (not the first man. a is air, the divine breath which stirs \d, blood, into being. 49. a number useful in the calculations of dr dee, and a mystic number of venus. 50. the number of the gates of binah, whose name is death (50= n= by tarot, death. 51. a, pain. an, failure \wda, the country of the demon kings. there is much in the qabalah about these kings and their dukes; it never meant much to me. but 51 is 1 short of 52

the trinity.52 206. rbd, speech, the word of power. 207. rwa, light. contrast with bwa, 9, the astral light, and dwa, 11, the magical light. aub is an illusory thing of witchcraft (cf. obi, obeah; aud is almost= the kundalini force( odic force. this illustrates well the difference between the sluggish, viscous 9, and the keen, ecstatic 11.53 210. pertains to part ii. see liber 418. 214. jwr, the air, the mind. 220. pertains to part ii. the number of verses in liber legis. 231. the sum of the first 22 numbers, 0 to 21; the sum of the key-numbers of the tarot cards; hence an extension of the idea of 22, q.v. 270. i.n.r.i. see 5= 6 ritual. 47 the installment of the temple of solomon the king in equinox i (3) contained an account of the g.d. adeptus minor ritual. see also regardie (ed, the go

ALEISTER CROWLEY THE SWORD OF SONG

edicate these my best words [this book is so full of recondite knowledge of various kinds that it seems quite ineffective to annotate every obscure passage. where references and explanations can be concisely given this has been done] the sword of song 2 i suppose! continued the knight, in a superior, but rather offended voice. if you would, please, sir! well, that, pronounced the knight, with the air of having thoroughly studied the question and reached a conclusion absolutely final and irreversible, that, goodness only knows. but i will sing it to you. preliminary invocation nothung* the crowns of gods and mortals wither; moons fade where constellations shone; numberless aeons brought us hither; numberless aeons beckon us on. the world is old, and i am strong awake, awake, o sword of song

oy has fed off the mantelpiece for less. there is yet another proof the proof by exclusion. i have shown, and metaphysicians practically admit, the falsity alike of dvaitism and advaitism. the third, the only remaining theory, this theory, must, however antecedently improbable, however difficult to assimilate, be true.1 my friend, my young friend, i think i hear some christian cleric say, with an air of profound wisdom, not untinged with pity, condescending to pose beardless and brainless impertinence: where is the cause for this truly remarkable change? that is exactly where the theory rears to heaven its stoutest bastion! there is not, and could not be, any cause. had 00 been extended in causality, no change could have taken place.2 here then, are we, finite beings in a finite universe

t to the stone. then suddenly the crystal grew a blank; and thereby the foiled wizard knew that which threatened his power, his very life, was so high and holy that the evil spirit could perceive it not. avaunt! he shrieked, false soul of darkness! and the crystal flashed up red, the swarthy red of hate in a man s cheek, and darkened utterly. foaming at the fouth the wretched jehjaour clutched at air and fell prone. iii. to what god should he appeal? his own, hanuman, was silent. sacrifice, prayer, all were in vain. so jehjaour gnashed his teeth, and his whole force went out in a mighty current of hate towards his former friend. 1 allan macgragor bennett (whose motto in the hermetic order of the golden dawn, was iehi aour, i.e. let there be light, now ananda metteya, to whom the volume in

e serpent should be his at last. none for the fool, they laughed back nay, even his maiden queen. for she would not any should know thereof. yet all were right, both he and they. but truth ran quickly about; for that was the house of truth; and mercury stood far from the sun. yet the suggler was ever in the sign of sorrow, and the fig tree was not far. so went our father to the fool s paradise of air. but it is not lawful that i should write to you, brethren, of what there came to him at that place and time; nor indeed is it true, if it were written. for alway doth this arcanum differ from itself on this wise, that the not and the amen,1 passing, are void either on the one side or the other, and who shall tell their ways? so our father, having won the serpent crown, the ur us of antient kh

him the sword and bade him smite withal: but he said: if countenance behold not countenance, then let the ten be five. and they wist that he but mocked them; for he did bend the sword fivefold and fashioned therefrom a star, and they all vanished in that light; yet the lotus abode nine-petalled and he cried, before the wheel, the axle. so he chained the sun,2 and slew the bull, and exhausted the air, breathing it deep into his lungs: then he broke down the ancient tower, that which he had made his home, will he nill he, for so long, and he slew the other bull, and he broke the arrow in twain; after that he was silent, for they grew again in sixfold order, so that this latter work was double: but unto the first three he laid not his hand, neither for the first time, nor for the second time

ALEISTER CROWLEY EQ I 1

; when, in short, you are perfectly steady and easy, you will be admitted for examination; and, should you pass, you will be instructed in more complex and difficult practices. 28 illustration facing next page: halftone: four photographs of a man (crowley) with face blanked out, dressed only in a gemmed cross on a chain about his neck and (upper panels only) a masonic apron. nipples and navel are air-brushed out. the postures shown are "the ibis "the god "the thunderbolt" and "the dragon. titled below to critique the examples "in the ibis the head is tilted very slightly too far back; in the thunderbolt the right foot might be a little higher and the right knee lower with advantage. iv "pranayama- regularisation of the breathing" 1. at rest in one of your positions, close the right nostril

ments cold of the witches wild and old. he had crucified a toad in the basilisk abode, muttering the runes averse mad with many a mocking curse. he had traced the serpent sigil in his ghastly virgin vigil "sursum cor" the elfin hill, where the wind blows deadly chill from the world that wails beneath death's black throat and lipless teeth. there he had stood- his bosom bare- tracing life upon the air with the crook and with the flail lashing forward on the gale, till its blade that wavereth like the flickering of death sank before his subtle fence to the starless sea of sense. now at last the man is come haply to his halidom. 39 surely as he waves his rod in a circle on the sod springs the emerald chaste and clean from the duller paler green. surely in the circle millions of immaculate pav

ere the stars are velvet soft! aleister crowley. 46 the magic glasses1 47 1 weh note: this frank harris story reads like a metaphor of crowley's subsequent career. biographers, consider the possible impact of this theme on crowley's attitude to public life. the magic glasses one raw november morning, i left my rooms near the british museum and turned down regent street. it was cold and misty: the air like shredded cotton-wool. before i reached the quadrant, the mist thickened to fog, with the colour of muddied water, and walking became difficult. as i had no particular object in view, i got into talk with a policeman, and, by his advice, went into the vine street police court, to pass an hour or two before lunch. inside the court, the atmosphere was comparatively clear, and i took my seat

s. his green tray, with leathern shoulder-straps, was on the solicitor's table. the charge of obstruction could not be sustained, the old man had moved on as soon as the police told him to, and the inspector had substituted a charge of fraud, on the complaint of a workman and a shopkeeper. a constable had just finished his evidence when i came into the court. he left the box with a self-satisfied air and the muttered remark that the culprit was "a rare bad 'un" i glanced about for the supposed criminal and found that he was seated near me on a cross-bench in the charge of a 49 sturdy policeman. he did not look like a criminal: he was tall, thin and badly dressed in a suit of rusty black, which seemed to float about his meagre person; his complexion was tallowy-white, like the sprouts of po

ations, i am afraid, were now tuned far above the ordinary. it was in chelsea, high up, in a rickety old house overlooking a dingy road and barges drawn up on the slimy, fetid mud-banks. and yet, even here, romance was present for the romantic; the fog-wreaths curling over the river clothed the houses opposite in soft mystery, as if they had been draped in blue samite, and through the water-laden air the sun glowed round and red as a fiery wheel of pha ton's chariot. the room was very bare; by the broad low window stood a large deal table crowded with instruments and glasses; strong electric lamps on the right and left testified to the prolonged labours of the optician. the roof of the garret ran up towards the centre, and by the wall there was a low truckle-bed, fenced off by a cheap japa

ALEISTER CROWLEY EQ I 5

n the transcendental trance the virgin of eternity lead the demi-gods to dance. has the tree of life its root in the soul or in the skin? is it god, or is it brute, that comes mystically in for the doves within the flute, the eagles on the violin? ah! the perfume's coiling tresses curl like veils upon the limbs of the dancer that caresses with her flying feet the hymns that flow and ripple in the air, bathing all the doves of prayer "the musicians" lingering, low, fingering slow, the tingling bows of the violins go. trembling, twittering, dissembling, the lips of the flute-players wander over the stops, fiercer and fonder than scorpions that writhe and curl in the fiery breast of an arab girl["the dancers issue from beyond the veil" 18 "the prophet" sway like the lilies, gentle girls! like

yield the promise, to unveil the lady of bliss and bale? i am old and blind; my vision hath the seer in derision. i would set my lips between those rose-tipped moons, just there where the deciduous green leaves the pearly rapture bare, 21 with its blue veins like rivulets jewelled with gentians and violets, wandering through fields of corn, under the first kiss of the morn in still and shimmering air "the queen of the dancers" no! no! the weird is woe. the law is this, most surely this! that who hath seen may never kiss. the soul is at war with the flesh and the mind. life is dumb, and love is blind "the prophet" i am the prophet of the gods. i have put these eyes out to attain to the crown of the pallid periods that pulse in the almighty brain! i have striven all my life for this; that i

pair its mate! thou dost not know how giant great is the grasp of fate "the dancers" vainly pursuing impossible things, the swamp-adder wooing the lark with her wings "the queen of the dancers" see how i glide- canst thou not hold me? in thine arms, at thy side- why not enfold me? wisdom, awaken! never, oh never, by wile or endeavour am i to be taken. will a wish or a word charm the hawk from the air? and am i a bird to be caught in a snare? will a word or a wish bring the trout from the brook? and am i a fish to snap at an hook "the prophet" ye let me to the holy place. all ye have mocked me to my face. 24 now ends the age of living breath; i am sworn henchman unto death. lead me to the obelisks that support the holy disks! i am here; my grasp is firm, we are come unto the term. temple, d

respectively. which caused it. by another effort of concentration, now removed from the memorising area and shifted to the speaking centre in the brain, the child's vocal chords tighten in the particular way requisite to the production of that sound; the muscles of lips and throat and tongue perform the necessary movements; the breathing apparatus is controlled, so that just the right quantity of air passes over the vocal chords; and as the child speaks it repeats the word it had formerly learnt to associate with the object of its present desire. such is the process of the formation of a sankh ra. the more frequently that idea recurs to the child, the more often does it have to go through the processes involved- the more often, in a word, has the mind of the child to perform mental concent

f venus hb:heh hb:gemel hb:vau hb:nun victory. hb:chet hb:tzaddi hb:nun 7 36 s. of mercury hb:bet hb:koph hb:vau hb:koph splendour. hb:dalet hb:vau hb:heh 8 45 s. of luna hb:heh hb:nun hb:bet hb:lamed foundation. hb:dalet hb:vau hb:samekh hb:yod 9 55 s. of the elements hb:taw hb:vau hb:dalet hb:vau hb:samekh hb:yod hb:mem-final hb:lamed hb:chet kingdom. hb:taw hb:vau hb:koph hb:lamed hb:mem 10 66 air hb:chet hb:vau hb:resh ox. hb:peh-final hb:lamed hb:aleph 11 78 mercury (planets follow house. hb:taw hb:yod hb:bet 12 91 luna sephiroth camel. hb:lamed hb:mem hb:gemel 13 105 venus corresponding) door. hb:taw hb:lamed hb:dalet 14 120 aries hb:heh hb:lamed hb:tet window. hb:heh hb:heh 15 136 taurus hb:resh hb:vau hb:shin nail. hb:vau hb:vau 16 153 gemini hb:mem-final hb:yod hb:mem hb:vau hb:al

ALEISTER CROWLEY EQ I 5

tolen the warmth of the bed of her mother? therefore is the great curse irrevocable. therefore there is neither wisdom nor understanding nor knowledge in this house, that hangeth upon the edge of hell. thou art not 4 but 2, o thou blasphemy spoken against 1! therefore whoso worshippeth thee is accursed. he shall be brayed in a mortar and the powder thereof cast to the winds, that the birds of the air may eat thereof and die; and he shall be dissolved in strong acid and the elixir poured into the sea, that the fishes of the sea may breathe thereof and die. and he shall be mingled with dung and spread upon the earth, so that the herbs of the earth may feed thereof and die; and he shall be burnt utterly with fire, and the ashes thereof shall calcine the children of flame, that even in hell ma

eadows thereof shall be covered with flowers. there shall we rest but a night, and in the morning we shall flee away, comforted. now, to myself, i have imagined the chariot of which the voice spake, and i looked to see who was with me in the chariot. it was an angel of golden hair and golden skin, whose eyes were bluer than the sea, whose mouth was redder than the fire, whose breath was ambrosial air. finer than a spider's web were her robes. and they were of the seven colours. all this i saw; and then the hidden voice went on low and sweet: come away! the price of the journey is little, though its name be death. thou shalt die to all that thou fearest and hopest and hatest and lovest and thinkest and art. yea! thou shalt die, even as thou must die. for all that thou hast, thou hast not; a

ceaselessly. and now there is a spider's web of silver covering the whole of the stone. behind the spider's web is a star of twelve rays; and behind that again, a black bull, furiously pawing up the ground. the flames from his mouth increase and whirl, and he cries: behold the mystery of toil, o thou who art taken in the toils of mystery. for i who trample the earth thereby make whirlpools in the air; be comforted, therefore, for though i be black, in the roof of my mouth is the sign of the beetle. bent are the backs of my brethren, yet shall they gore the lion with their horns. have i not the wings of the eagle, and the face of the man? and now he is turned into one of those winged assyrian bull-men. and he sayeth: the spade of the husbandman is the sceptre of the king. all the heavens be

s head is proud and beautiful; his headdress is of silver and red and blue and gold and black, like cascades of water, and in his left hand he has a pan-pipe of the seven holy metals, upon which he plays. i cannot tell you how wonderful 32 the music is, but it is so wonderful that one only lives in one's ears; one cannot see anything any more. now he stops playing and moves with his finger in the air. his finger leaves a trail of fire of every colour, so that the whole aire is become like a web of mingled lights. but through it all drops dew (i can't describe these things at all. dew doesn't represent what i mean in the least. for instance, these drops of dew are enormous globes, shining like the full moon, only perfectly transparent, as well as perfectly luminous) and now he shows the tab

no motion. for the infinite without filleth all and moveth not, and the infinite within goeth indeed; but it is no odds, else were the space-marks confounded. and now the angel is but a shining speck of blackness in the midst of a tremendous sphere of liquid and vibrating light, at first gold, then becoming green, and lastly pure blue. and i see that the green of libra is made up of the yellow of air and the blue of water, swords and cups, judgment and mercy. and this word tan meaneth mercy. and the feather of maat is blue because the truth of justice is mercy. and a 57 voice cometh, as it were the music of the ripples of the surface of the sphere: truth is delight (this means that the truth of the universe is delight) another voice cometh; it is the voice of a mighty angel, all in silver;

ALEISTER CROWLEY EQUINOX EQ I 1 2

and a peach. i shall try and describe ritual dclxxi; since its nature is important to this great ceremony of initiation. those who understand a little about the path of the wise may receive some hint of the method of operation of the l.v.x. and i think that a description will help me to collect myself for the proper adaptation of this ritual to the purpose of self- initiation. oh, how soft is the air, and how serene the sky, to one who has passed through the black rule of apophis! how infinitely musical are the voices of nature, those that are heard and those that are not heard! what understanding of the universe, what love is the prize of him that hath performed all things and endured all things! the first operation of ritual dclxxi is the preparation of the place. there are two forces; t

redemption. sorry if i seem pessimistic about them! a nasty one for me, by the way, if they suddenly started buying me! i should have, in mere consistency, to cut my throat! calm yourself, my friend! there is no danger. 7.40. at home again and robed. am both tired and oppressed, even in my peace; for the day has been, and the evening is, close and hot, with a little fog, and, one may suspect, the air is overcharged with electricity. i will rest quietly with my mantra as hanged man, and perhaps sleep for a little. 8.10. no sleep no rest for the wicked!'tis curious how totally independent is mantra-yoga of reverie. i can say my mantra vigorously while my thought wanders all over the world; yet i cannot write the simplest sentence without stopping it, unless with a very great effort, and the

minary to the jumping about like a frog i had omitted this, as one is so obviously the germ of the other. the hindus seem to lack a sense of proportion. when the yogi, by turning his tongue back for one half-minute, has conquered old age, disease and death; then instead of having good time he patiently (and rather pathetically, i think! devotes his youthful 46 immortality to trying to "drink the air through the crow-bill" in the hope of curing a consumption of the lungs which he probably never had and which was in any case cured by his former effort! 9.40. have been practising a number of these mudras and asanas. concerning the visuddi cakkr m which is "of brilliant gold or smoke colour and has sixteen petals corresponding to the sixteen vowel sounds, one might make a good mantra of the e

d that happen now and again.[p.s. this was not the case. the dream changed, too, to a liner; where japanese stole my pipe in a series of adventures of an annoying type every one acted as badly as he knew how, and as unexpectedly. waking just now, and instantly concentrating on adonai, i found my body seized with a little quivering, very curious and pleasant, like trembling leaves in a continuous air. i think i have heard this state of interior trembling described in some mystic books. i think the shakers and quakers had violent shudderings. abdullah haji of shiraz writes: just as the body shudders when the soul gives up to allah in its quick career itself. it is the tiniest, most intimate trembling, not unlike that of kambhakham or "vindu-siddhi"[see the shiva sanhita. ed. properly perfor

did all my little work, my little amusements, all the things that one does, very quietly and beatifically. about 10.30 the rapture began to carry me away; yet i withstood it and went on with my game of billiards, for politeness' sake. and even there in the caf du d me was the glory within me, and i therein; so that every time that i failed at a stroke and stood up and drank in that 138 ambrosial air, i was night falling for that intense sweetness that dissolved away the soul. even as a lover that swoons with excess of pleasure at the first kiss of the belov d, even so was i, oh my lord adonai! wherefore i am come hither to my chamber to enflame myself in praying at the altar that i have set up. and i am ready, robed, armed, anointed. 11.35. ardesco!"the thirteenth day. it is eight o'clock

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hold blindly of the world and the moon and slowly pull down upon him the house of man. dunsany. 208 the priestess of panormita hear me, lord of the stars! for thee i have worshipped ever with stains and sorrows and scars, with joyful, joyful endeavour. hear me, o lily-white goat! o crisp as a thicket of thorns, with a collar of gold for thy throat, a scarlet bow for thy horns! here, in the dusty air, i build thee a shrine of yew. all green is the garland i wear, but i feed it with blood for dew! after the orange bars that ribbed the green west dying are dead, o lord of the stars, i come to thee, come to thee crying. the ambrosial moon that arose with breasts slow heaving in splendour drops wine from her infinite snows. ineffably, utterly, tender. 209 o moon! ambrosial moon! arise on my de

all of us, nevertheless, whether we be teardrop or dead sea, sooner or later get back to the ever-rolling ocean; and there shall we once again be wooed by the bright beams of the sun, that relentless god who in his fierce embrace ever and again draws us up like some earthly concubine to his heavenly couch, only once more to be divorced by the malicious 226 winds and to weep through the storms of air. so the wheel of time runs on through birth, death, and rebirth; and as we realise this we sink down in despair; and through our tears more clouds arise still further to obscure our path. what is the use then of doing anything if we are but as drops of water which are splashed between the wanton hands of the sun, the wind, and the ocean- indeed the ways of god are inscrutable and past finding

terra; and mingling flatus, ignis, aqua, and terra, smote them with the cross of hidden mystery, and cried "fiat lux" youth strides on with hasty step, and by summer of this year- 1898- we find p. deep in consultation with the mystics, and drinking from the white chalice of mystery with st. john, boehme, tauler, eckart, molinos, levi, and blake "rintrah roars and shakes his fires in the burden'd air, hungry clouds swag on the deep" insatiable, he still pressed on, hungering for the knowledge of things outside; and in his struggle for the million he misses the unit, and heaps up chaos in the outer darkness of illusion. from the cloudless skies of mysticism he rushes down into the infernal darkness on winged thoughts "the fiery limbs, the flaming hair, shot like the sinking sun into the wes

e adept speaking "before you upon the altar is the diagram of the sephiroth and paths with which you are already well acquainted, having marked thereon the grade of the order corresponding to each sephira, and the tarot trumps appropriated to each path "you will further note that the first order includes: malkuth, answering to neophyte and zelator, and the element of earth. yesod to theoricus and air. hod to practicus and water. and netzach to philosophus and fire "of these the last three grades alone communicate with the second order, though cut off from it by a veil which may 242 illustration goes here. this is a tree of life with the sephiroth as circles, containing the information noted below on this approximation. the paths are straight lines, with the following data by number: 0. air

h. 16th. the veil of the abyss. 6 =5 7 =4 geburah babe of the abyss chesed adeptus..19th..adeptus major .exemptus. 17th. 15th. 13th. 23rd 22nd. 5 =6. 20th 21st. tipheret .adeptus. 26th. minor .24th .the veil. paroketh. 3 =8 4 =7 hod.lord of the paths.in the portal- netzach -of the vault of- practicus..27th..philosophus -the adepts water .dee. 25th. 31st .30th. 28th .29th. 2 =9 .yesod. theoricius .air. 32nd. 1 =10 malkuth zelator spirit 0 =0 neophyte diagram 2. the paths and grades. 243 only be drawn aside by invitation from the second order for the philosophus who has passed the five examinations symbolic of the five elements and the five paths leading from the first order thereto, and who has been duly approved of by the higher powers "the three grades of the second order are entitled: ad

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ion. it might have been an airship that took me away, independent of terrestrial laws, regardless of customs duties- who knows, perhaps hovering over london and scotland yard and my dear old house in which i was so happy- but "nec scire fas est omnia" the only thing i am certain of is that i was either planed to fit the coffin, or the coffin to fit me; and then i woke up. i was on board a sea- or air-ship. believe me, she was in great danger. however, this would prove a useless narrative. the floating machinery suffered, was nearly wrecked; the crew suffered, nearly perished; i suffered, and nearly died. after the storm was over i found myself on the shore of this island with the box; a small cage out of which two carrier- pigeons, almost dead with hunger, were struggling to escape; three

trees, cocoa-nut palms, bread-fruit trees, and the rest. beautiful birds are dwelling in the branches. all that is needed for life is abundant and easy to gather. the climate permits us 367 to spend night and day in the open, and when i retire to sleep on the box whose cover i have turned out to be, my companions sleep in the trees. no venomous or objectionable beast has yet dared to breathe the air of this balmy country. but it is not a deserted spot. the natives are black, but tame and pleasant, and one of my first steps will be to try and bring them into contact with the beauties of our civilisation. for this object the mighty box is of the utmost importance; and here i touch on the first difficulty which i encountered. the destiny of man being precarious and unsettled, my soul was oft

d not possibly add anything to that small pattern of our race. i decided, in consequence, to slay him, during his sleep, so that a useless impediment be done away with. as the four men, since the wreck of our ship, were sunk in a state of torpor and only stared at me with vacant looks, it proved easy to settle this slight matter. i removed the body; and left to time and the natural dryness of the air the care of dividing its various elements. the man-whose-nose-sings-at-will was the first to notice the absence of the sailor, but he said nothing to me. in fact, i believe him to be mad also. he is continually looking anxiously towards the east, and seems lost to this world, since his friend or master has disappeared in the wreck. from the middle of his face gushed a sad tune, and from his ey

his friend or master has disappeared in the wreck. from the middle of his face gushed a sad tune, and from his eyes many a bitter tear; but, as i said before, he addressed me not. i was not a little surprised, as he is the only one with me to know the secrets of the box. but i respected his silence. the two others were more suitable for my purpose. one was a strongly built fellow, with a certain air of intelligence 369 about him; but he was yet too besotted with fear or moral distress to be made the recipient of my plans. so i had only one expedient left to me, and turned all my faculties towards the last of my companions. he is not young by any means. his temples are already crowned with the grey silver of at least fifty years and his nose with the carmine of many gallons. but his remark

-pigeons have come to me. i am glad to say they look very happy. though there is still much to be published before we arrive at the part of the man-cover's adventures with which this last message is concerned, he informs me of such surprising news that i think it my duty to let the readers share it at once. the news is startling. having received my letter, he threatens to blow the island into the air, should any vessel approach within three miles. he informs me of his absolute decision never to leave the place, and never to allow any one to come within the distance mentioned. provided he receives my pledge never to reveal the situation of his new landed property, he promises to keep me informed of all his doings. for the sake of the tale, i have made myself an accomplice of his crimes and

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he description is bottom to top and left to right "1. earth: the god set fighting" frontal figure. rt. foot pointed to the fore and angled slightly outward with weight on ball of foot. lf. heel touching rt. heel and foot pointed left. arms form a diagonal with body, right above head and in line with left at waist height. hands palmer and open with fingers outstretched and together. head erect "2. air: the god shu supporting the sky" frontal. heels together and slightly angled apart to the front, flat on floor. head down. arms angled up on either side of head about head 1.5 ft. from head to wrist and crooked as if supporting a ceiling just at head height with the finger tips. the palms face upward and the backs of the hands away from the head. thumbs closed to side of palms. fingers straigh

o touch the feet, quickly advance the left foot about 12 inches, throw forward the body, and let the hands (drawn back to the side of the eyes) shoot out, so that you are standing in the typical position of the god horus<"see" illustration in vol. i. no. 1 "blind force> and at the same time imagine the name as rushing up and through the body, while you breathe it out through the nostrils with the air which has been till then retained in the lungs. all this must be done with all the force of which you are capable("e) then withdraw the left foot, and place the right forefinger upon the lips, so that you are in the characteristic position of the god harpocrates<"see" illustration in vol. i. no. 1 "the silent watcher> 5. it is a sign that the student is performing this correctly when a single

o-wau, adonai, eheieh, agla (x) extending the arms in the form of a cross say (xi) before me raphael (xii) behind me gabriel (xiii) on my right hand michael (xiv) on my left hand auriel (xv) for about me flames the pentagram (xvi) and in the column stands the six-rayed star (xvii-xxi) repeat (i) to (v, the qabalistic cross. 19 "the greater ritual of the pentagram" the pentagrams are traced in the air with the sword or other weapon, the name spoken aloud, and the signs used, as illustrated. the pentagrams of spirit' equilibrium of actives\ name: a h i h (eheieh\ i\ b n\ a v* n o i k' s equilibrium of passives i\ h n# i name a g l a (agla. g/ n/ g* the signs of the portal("see" illustrations: extend the hands in front of you, palms outwards, separate them as if in the act of rending asunder

el with the shoulders, bring the hands across the chest, touching the thumbs and tips of fingers so as to form a triangle apex downwards("see" illustration (the grade of 3 degree= 8 square is particularly attributed to the element of water; it refers to the planet mercury; the paths of resh and shin are attributed to this degree. for other attributions "see "777, lines 8 and 23. the pentagrams of air. i' b n\ a v* n name: i h v h o- i (ye-ho-wau. k' s i\ h n\ i g n g the signs of 2 degree= 9 square: stretch both arms upwards and outwards, the elbows bent at right angles, the hands bent back, the palms upwards as if supporting a weight("see" illustration. 21 (the grade of 2 degree= 9 square is particularly attributed to the element air; it refers to the moon; the path of taw is attributed t

. begin at the top of the upper 23 triangle and trace it in a dextro-rotary direction. the top of the lower triangle should coincide with the central point of the upper triangle (ix) trace the hexagram of earth in the 2\ south, saying "ararita" this hexagram *1 has the apex of the lower triangle pointing- downwards, and it should be capable of/ inscription in a circle\ 1 (x) trace the hexagram of air in the 2/ west, saying "ararita" this hexagram/ is like that of earth; but the bases of the/ triangles coincide, forming a diamond (xi) trace the hexagram of water in the/ north, saying "ararita# this hexagram has the lower triangle placed\ above the upper, so that their apices coincide (xii) repeat (i-vii) the banishing ritual is identical, save that the direction of the hexagrams must be rev

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le censing, saying] and, when after all the phantasms are vanished, thou shalt see that holy and formless fire, that fire which darts and flashes through the hidden depths of the universe, hear thou the voice of the fire [he passes to the centre of the circle and censes towards the four quarters, saying] i consecrate with fire [he resumes his place in the south [chief magus takes fan, and fanning air says] i exorcise thee, creature of air, by these names, that all evil and impure spirits now immediately depart [circumambulates, saying] such a fire existeth extending through the rushing of the air, or even a fire formless whence cometh the image of a voice, or even a flashing light abounding, revolving, whirling forth, crying aloud [makes banishing air pentagram] creature of air, in the nam

rt [circumambulates, saying] such a fire existeth extending through the rushing of the air, or even a fire formless whence cometh the image of a voice, or even a flashing light abounding, revolving, whirling forth, crying aloud [makes banishing air pentagram] creature of air, in the names exarp11 oro ibah aozpi,12 i consecrate thee to the works of the magic of light [making invoking pentagrams in air. all face west [assistant magus then casts salt to all four quarters, all over the circle, and passes 175 to west, faces east, and describes with his chain the banishing pentagram of earth, saying] i exorcise thee, creature of earth, by and in the divine names adonai ha aretz, adonai melekh namen, and in the name of aurial, great archangel of earth, that every evil and impure spirit now depart

[circumambulates, saying] stoop not down unto the darkly splendid world, wherein lieth continually a faithless depth, and hades wrapt in gloom, delighting in unintelligible images, precipitous, winding, a black ever-rolling abyss, ever espousing a body unluminous, formless and void [making invoking pentagram] 9 see tablet of spirit. 10 see tablet of fire. 11 see tablet of spirit. 12 see tablet of air. creature of earth, in the names of nanta emor dial hectega,13 i consecrate thee to the service of the magic of light "chief magus" we invoke ye, great lords of the watch-towers of the universe!14 guard ye our magic circle, and let no evil or impure spirit enter therein: strengthen and inspire us in this our operation of the magic of light. let the mystic circumambulation take place in the pat

lords of the watch-towers of the universe!14 guard ye our magic circle, and let no evil or impure spirit enter therein: strengthen and inspire us in this our operation of the magic of light. let the mystic circumambulation take place in the path of light [assistant magus of art goes first, holding in his left the magic candle, and in his right the sword of art, with which latter he traces in the air the outer limits of the magic circle. all circumambulate thrice. he then, standing at east and facing east, says: holy art thou, lord of the universe! holy art thou, whom nature hath not formed! holy art thou, the vast and the mighty one! lord of the light and of the darkness "chief magus of art" magus of the fires, i command you to perform at the four quarters of the universe the invocation o

ging for ever, yet for ever the same! the sun is thy father! thy mother the moon! the wind hath borne thee in its bosom: and earth hath ever nourished the changeless godhead of thy youth. come thou forth i say, come thou forth, and make all spirits subject unto me! so that every spirit of the firmament, and of the ether of the earth, and under the earth, on dry land, and in the water, of whirling air, and of rushing fire, and every spell and scourge of god, may be obedient unto me [she binds a black cord thrice round the sigil of the spirit and veils it in black silk, saying] hear me, ye lords of truth in the hall of themis, hear ye my words, for i am made as ye! i now purpose with the divine aid, to call forth this day and hour the spirit of mercury, taphthartharath, whose magical sigil i

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, glow out the radiant skies. a cloud of huge hushed laughter shakes all the listening boughs, and a sudden hush comes after, dropped from the silent skies; a myriad laughing eyes flash in a still carouse, and shake with silent laughter the blue vault of the skies. 282 a breeze_ a leaf_ a shadow_ the falling of a bud_ the wind across the meadow_ a flash of light_ a call_ a patter on the wall_ the air is bright as blood; a moment stands a shadow, a moment sounds a call. awake! the spell is broken, and hushed the sense of noon; what silent word was spoken in answer to the call. hush! see the rose-leaves fall; ah! see the pathway strewn with tender rose-leaves, broken in answer to the call. how still it lies, the garden, now the red flash is gone; the brown soil seems to harden now the strang

of my book, when, without any opening of the door or of the window, i noticed a stranger seated in the opposite corner. his eyes were on me. he left me no time for much thinking, speaking almost immediately"'may i beg you to forgive a stranger, sir' he said 'but i cannot endure this temperature. will you allow me to open the windows" 1 underlined with red ink in the original letter "i like fresh air myself; but it was so very cold on that day that i had carefully shut both windows. something in his appearance and his look, intensely heavy on me, led me to refrain from answering. i merely nodded, grunted, gathered my rug higher around me, and resumed my reading "he thanked me profusely, opened the windows, both of them, as wide as they could be, and, without taking any notice of my evident

98 the stranger disappeared, seeming through the hole in the glass "when i had collected myself i tried hard to make out whether i had seen or hear any one. but i could not remember what had been said to me, save the few words of preamble about opening the windows and the ironical words of the parting 'good-bye for the present "i shut the windows, and presently arrived at my destination. the cold air on the platform finished waking me up. i dismissed the conversation as a dream due to the discomfort of the journey; and set out towards the hotel where i usually stay when in bristol "i must here remind you, sir, that i had no other recollection than a few words, which were so absurd, especially those about coming from the sky through a hole, that they must have been dreamt by me. such were m

ss thy lamb's breasts with the teeth of my soul, and drink of the milk and blood of thy subtlety and innocence. 9. o thou eternal river of chaotic law, in whose depths lie locked the secrets of creation; i swear to thee by the primal waters of the deep, to suck up the firmament of thy chaos, and as a volcano to belch forth a cosmos of coruscating suns. 10. o thou dragon-regent of the blue seas of air, as a chain of emeralds round the neck of space; i swear to thee by the hexagram of night and day, to be unto thee as the twin fish of time, which being set apart never divulge the secret of their unity. 11. o thou flame of the horn d storm-clouds, that 17 sunderest their desolation, that outroarest the winds; i swear to thee by the gleaming sandals of the stars, to climb beyond the summits of

bank of a fair river. 8. o thou sovran surging of wild felicity, whose love is as the overflowing of the seas, and who makest our bodies to laugh with beauty. i know thee! o thou outstrider of the sunset, who deckest the snow-capped mountains with red roses, and strewest white violets on the curling waves. 9. o thou sovran diadem of crown d wisdom, whose work knoweth the path of the sylphs of the air, and the black burrowings of the gnomes of the earth. i know thee! o thou master of the ways of life, in the palm of whose hand 20 all the arts lie bounden as a smoke-cloud betwixt the lips of the mountain. 10. o thou sovran lord of primaeval baresarkers, who huntest with dawn the dappled deer of twilight, and whose engines of war are blood-crested comets. i know thee! o thou flame-crowned sel

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ly significant. a person who had attained them all might be immeasurably the inferior of one who had attained none of them; it is spiritual experience alone that counts in the result; the rest is but method. yet it is important to possess knowledge and power, provided that it be devoted wholly to that one work] 8 aha! aha! the sevenfold mystery of the ineffable love; the coming of the lord in the air as king and judge of this corrupted world; wherein under the form of a discourse between marsyas an adept and olympas his pupil the whole secret of the way of initiation is laid open from the beginning to the end; for the instruction of the little children of the light. written in trembling and humility for the brethren of the a. a. by their very dutiful servant, an aspirant to their sublime o

es him forth. one crash splits the old tree. one rending roar- and night is darker than before. olympas. nay, master, master! terror hath so fierce an hold upon the path? life must lie crushed, a charred black swath, in that red harvest's aftermath! marsyas. life lives. storm passes. clouds dislimn. the night is clear. and now to him who hath endured is given the boon of an immeasurable moon. the air about the adept congeals to crystal; in his heart he feels one needle pang; then breaks that splendour infinitely pure and tender_ and the ice drags him down! 19 olympas. but may our trembling frame, our clumsy clay, endure such anguish? marsyas. in the worm lurks an unconquerable germ identical. a sparrow's fall were the destruction of the all! more; know that this surpasses skill to express

sooth, their brethren. there's the vision called the lion of the light, a brand of ruby flame and emerald 23 waved by the hermeneutic hand. there is the chalice, whence the flood of god's beatitude of blood flames. o to sing those starry tunes! o colder than a million moons! o vestal waters! wine of love wan as the lyric soul thereof! there is the wind, a whirling sword, the savage rapture of the air tossed beyond space and time. my lord, my lord, even now i see thee there in infinite motion! and beyond there is the disk, the wheel of things; like a black boundless diamond whirring with millions of wings! olympas. master! marsyas. know also that above these portents hangs no veil of love; but, guarded by unsleeping eyes of twice seven score severities, the veil that only rips apart when th

gles. marsyas. bitterly! and, mark! it must be strong to die! the weak and partial reason dips one edge, another springs, as when a melting iceberg reels and tips under the sun. be mighty then, a lord of thought, beyond wit and wonder balanced_ then push the whole mind under, sunk beyond chance of floating, blent rightly with its own element, not lifting jagged peaks and bare to the unsympathetic air! this is the second veil; and hence as first we slew the things of sense upon the altar of their god, so must the second period slay the ideas, to attain to that which is, beyond the brain. olympas. to that which is_ not thought? not sense? marsyas. knowledge is but experience made conscious of itself. the bee, 29 past master of geometry, hath not one word of all of it; for wisdom is not mothe

ed 31 told me so plain a truth. i see, inscrutable simplicity! crushed like a blind-worm by the heel of all i am, perceive, and feel, my truth was but the partial pang that chanced to strike me as i sang. marsyas. in the beginning, violence marks the extinction of the sense. anguish and rapture rack the soul. these are disruptions of control. self-poised, a brooding hawk, there hangs in the still air the adept. the bull on the firm earth goes not so smooth! so the first fine ecstatic pangs pass; balance comes. olympas. how wonderful are these tall avenues of truth! marsyas. so the first flash of light and terror is seen as shadow, known as error. next, light comes as light; as it grows the sense of peace still steadier glows; and the fierce lust, that linked the soul to its god, attains a

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l will be broken, just as the faintest zephyr, on a still evening, will throw out of the perpendicular an ascending column of smoke. but presently, as the will gains power, the sense of hearing, little by little, as it comes under control, is held back from hearing the lesser sounds, then the greater, and at length all sounds. the vibrations of the will having repelled the sound vibrations of the air, and brought the sense of hearing into equilibrium. now the upward mounting filament of smoke has become the ascending columns of a great volcano, there is a titanic blast behind it- a will to ascend. and as the smoke and flame is belched forth, so terrific is its strength, that even a hurricane cannot shake it or drive it from its course. as the five senses become subdued, fresh hosts of diff

. conventional buddhism is pre-eminently the "nice" religion of the bourgeoisie; it neither panders to the superstition of the masses nor palliates the gallantries of the the dogmatism of literal buddhism appalled him. the five precepts, which are the yama and niyama of buddhism, he at once saw, in spite of nagasena and prig milinda, must be broken by every arahat each time he inhaled a breath of air. they were as absurd as they were valueless. but behind all this tantalizing "frou-frou" this "lingerie de cocotte" beautifully designed to cover the narded limbs of foolish virgins, sits the buddha in silent meditation; so that p. soon discovered that by stripping his body of all these tawdry trappings, this feminine under-wear, and by utterly discarding the copy-book precepts of baptistical

m he that is sworn to endure- bring us the word of the lord! by the brood of the bysses of brightening, whose god was my sire; by the lord of the flame and lightning, the king of the spirits of fire; by the lord of the waves and the waters, the king of the hosts of the sea, the fairest of all of whose daughters was mother to me; by the lord of the winds and the breezes, the king of the spirits of air, in whose bosom the infinite ease is that cradled me there; by the lord of the fields and the mountains, the king of the spirits of earth that nurtured my life at his fountains from the hour of my birth; 199 by the wand and the cup i conjure; by the dagger and disk i constrain; i am he that is sworn to endure; make thy music again! i am lord of the star and the seal; i am lord of the snake and

that nurtured my life at his fountains from the hour of my birth; 199 by the wand and the cup i conjure; by the dagger and disk i constrain; i am he that is sworn to endure; make thy music again! i am lord of the star and the seal; i am lord of the snake and the sword; reveal us the riddle, reveal! bring us the word of the lord! as the flame of the sun, as the roar of the sea, as the storm of the air, as the quake of the earth- let it soar for a boon, for a bane, for a snare, for a lure, for a light, for a kiss, for a rod, for a scourge, for a sword- bring us thy burden of bliss- bring us the word of the lord! perdurabo. 200 the daughter of the horseleech a fable tria sunt insaturabilia, et quartum, quod nunquam dicit: sufficit. infernus, et os vulvae- prov. xxx. 16. the great white spirit

and jostled the twilight thro, shrilling to those behind. and ere the night had grown to noon we were under the bloody bowl, and then uprose a huge pale moon. behind the shivering trees; and so we found the mother troll well-skilled in mysteries. she heard our coming, and rose to the door, and we hurried eagerly through; we entered in with a breeze from the moor, and stood by the fading pyre. the air was smoky, the flame was blue, and the face of the troll like fire. and so we gave her the heart of the slain, that was slain for a dead man's sake; she chuckled low at each blackened vein gory an brown and torn; she wriggled her sides like a wounded snake as she squeezed the blood into a horn. 237 far into the fire she cast the blood, and the flames grew twisted and red; her breast heaved wit

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ode on sir palamede the saracen. ii behold! arabia's burning shore rings to the hoofs of many a steed. lord of a legion rides to war the indomitable palamede. the paynim fly; his troops delight in murder of many a myriad men, following exultant into fight sir palamede the saracen. now when a year and day are done sir palamedes is aware of blue pavilions in the sun, and bannerets fluttering in the air. forward he spurs; his armour gleams; then on his haunches rears the steed; above the lordly silk there streams the pennon of sir palamede! aflame, a bridegroom to his spouse, he rides to meet with galliard grace some scion of his holy house, or germane to his royal race. 6 but oh! the eyes of shame! beneath the tall pavilion's sapphire shade there sport a band with wand and wreath, languorous

horror rise and drench sir palamede the saracen. then, rising from the hideous meal, he plunges to the land of men with nerves renewed and limbs of steel. who is the naked man that rides yon tameless stallion on the plain, his face like hell's? what fury guides the maniac beast without a rein? 16 who is the naked man that spurs a charger into camelot, his face like christ's? what glory stirs the air around him, do ye wot? sir arthur arms him, makes array of seven times ten thousand men, and bids them follow and obey sir palamede the saracen. 17 vi sir palamede the saracen the earth from murder hath released, is hidden from the eyes of men. sir arthur sits again at feast. the holy order burns with zeal: its fame revives from west to east. now, following fortune's whirling-wheel, there come

are broke, and men to virtue turned: therefore i sit upon the scars amid my beard, even as the sun sits in the company of the stars" then lancelot bade this deed be done, the achievement of the questing beast. which when he spoke that holy one rose up, and gat him to the east with lancelot; when as they drew unto the palace and the feast he put his littlest finger to the dwarf, who rose to upper air, piercing the far eternal blue beyond the reach of song or prayer. then did sir palamede amend his nakedness, his horrent hair, 23 his nails, and made his penance end, clothing himself in steel and gold, arming himself, his life to spend in vigil cold and wandering bold, disdaining song and dalliance soft, seeking one purpose to behold, and holding ever that aloft, nor fearing god, nor heeding

tread tenderly, my merry men! for nothing is so void and vile as palamede the saracen" 72 xxviii sir palamede the saracen hath clad him in a sable robe; hath curses, writ by holy men from all the gardens of the globe. he standeth at an altar-stone; the blood drips from the slain babe's throat; his chant rolls in a magick moan; his head bows to the crown d goat. his wand makes curves and spires in air; the smoke of incense curls and quivers; his eyes fix in a glass-cold stare: the land of egypt rocks and shivers "lo! by thy gods, o god, i vow to burn the authentic bones and blood of curst osiris even now to the dark nile's upsurging flood! i cast thee down, oh crowned and throned! to black amennti's void profane. until mine anger be atoned thou shalt not ever rise again" 73 with firm red li

rribly. as if a thirty couple hounds are in his belly questeth he. beneath him? heareth he aright? he leaps to'sfeet- a wonder shews: steep dips a stairway from the light to what obscurity god knows. still never a tremor shakes his soul (god praise thee, knight of adamant; he plungers to that gruesome goal firm as an old bull-elephant! 78 the broad stair winds; he follows it; dark is the way; the air is blind; black, black the blackness of the pit, the light long blotted out behind! his sword sweeps out; his keen glance peers for some shape glimmering through the gloom: naught, naught in all that void appears; more still, more silent than the tomb! ye now the good knight is aware of some black force, of some dread throne, waiting beneath that awful stair, beneath that pit of slippery stone

ALEISTER CROWLEY EQUINOX EQ I 4

ances of many a feminine would-be initiator. vi1 the lover but he was not prompted by the wisdom of a master; merely by cowardice and self-consciousness. he could not command love and desires; the angels of love and desires therefore digged a deep trap before his feet. tabard was sitting in the verandah. the men had gone to bed, the women also. he lighted his pipe, the use of which a life in open air had permitted his lungs to tolerate. he was thinking, pondering, meditating upon the most important matter in life, the personal one. he looked at his hands, white, well shaped, well kept, but the left retaining a stiffer and curved appearance. lionel felt ashamed of himself. he took his watch in his hand and looked at the time of night. 31 twenty-one minutes past one o'clock- the day war marc

ower. in the space between the two eyebrows is the seed of shakti, brilliant as tens of millions of moons. these three seeds should be kept secret.45 these three mantras can only be learnt from a guru, and are not given in the above book. by repeating them a various number of times certain results happen. such as: after eighteen lacs, the body will rise from the ground and remain suspended in the air; after an hundred lacs "the great yogi is absorbed in the para-brahman.46 bhakta yoga. union by love. in bhakta yoga the aspirant usually devotes himself to some special deity, every action of his life being done in honour and glory of this deity, and, as vivek nanda tells us "he has not to suppress any single one of his emotions, he only strives to intensify them and direct them to god" thus

and the six chakkras which constitute the six stages of the hindu tau of life. the constitution of the human organism firstly, we have the atman, the self or knower, whose being consists in a trinity in unity of, sat, absolute existence; chit, wisdom; ananda, bliss. secondly, the anthak rana or the internal instrument, which has five attributes according to the five elements, thus: spirit. atma. air. manas.76 the mind or thought faculty. 1. spirit. fire. buddhi. the discriminating faculty. water. chittam.77 the thought-stuff. earth. ahank ra. egoity. 2. air. the five organs of knowledge. gnanendriyam. 3. fire. the five organs of action. karmendriyam. 4. water. the five subtle airs or pr nas. 5. earth. the five tatwas. 74 besides the 72,000 nerves or veins there are often 101 others mentio

a" this chakkra is situated in the heart, it is of a deep blood red colour, and has twelve petals. it is the seat of pr na and is a very pleasant spot; its adept is pinaki and its goddess is kakini. this chakkra is also the seat of the v yu tatwa. he who always contemplates on this lotus of the heart is eagerly desired by the daughters of gods. has clairaudience, clairvoyance, and can walk in the air. he sees the adepts and the goddesses. 89 5 "the vishuddha chakkra" this chakkra is situated in the throat directly below the larynx, it is of a brilliant gold 89 colour and has sixteen petals. it is the seat of the udana and the ak sa tatwa; its presiding adept is chhagalanda and its goddess sakini. 6 "the ajna chakkra" this chakkra is situated between the two eyebrows, in the place of the pi

halana mentioned the practice of kumbhaka or the retention of breath. such an exercise therefore partially falls under the heading of pr n y ma. it is a well-known physiological fact that the respiratory system, more so than any other, controls the motions of the body. without food or drink we can subsist many days, but stop a man's breathing but for a few minutes and life becomes extinct.123 the air oxydises the blood, and it is the clean red blood which supports in health the tissues, nerves, and brain. when we are agitated our breath comes and goes in gasps, when we are at rest it becomes regular and rhythmical. in the "hatha yoga pradipika" we read: he who suspends (restrains) the breath, restrains also the working of the mind. he who has controlled the mind, has also controlled the br

ALEISTER CROWLEY EQUINOX EQ I 6 2

ge closely curled like serpents in those halls of hate, palaces of the underworld. but in the hell-glow of those eyes the ashen skull of pharaoh shone white as the moonrays that surprise the invoking druse on lebanon. moreover pylon shouldered round to pylon an unearthly tune, like phantom priests that strike and sound sinister sistrons at the moon. and death's insufferable perfume beat the black air with golden fans as turkis rip a nubian's womb with damascened yataghans. also the taste of dust long dead of ancient queens corrupt and fair struck through the temple, subtly sped by demons dominant of the air. last, on the flesh there came a touch like sucking mouths and stroking hands that laid their foul alluring smutch even to the blood's mad sarabands. 8 so did the neophyte that would ga

s and supreme, whom we must curse for cursing us with life; whom we must curse because the life he gave could not be buried in the quiet grave, could not be killed by poison or by knife. this little life is all we must endure, the grave's most holy peace is ever sure, we fall asleep and never wake again; nothing is of us but the mouldering flesh, whose elements dissolve and merge afresh in earth, air, water, plants, and other men. we finish thus; and all our wretched race shall finish with its cycle, and give place to other beings, with their own time-doom infinite aeons are our kind began; infinite aeons after the last man has joined the mammoth in earth's tomb and womb. we bow down to the universal laws, which never had for man a special clause of cruelty or kindness, love or hate: if to

the drooping moon, dear, our roof, the stars that sing; the bed, of moss and roses; the night, as long as death! still, breath! life wakens and reposes, love ever quickeneth! sweet, sweet, when lion and maiden, the motley months of gold, swoop down with sunlight laden, and eyes are bright and bold. life-swelling breasts uncover their warm involving deep- love, sleep- and lover lies with lover on air's substantial steep. ah! sweeter was september- the amber rain of leaves, the harvest to remember, the load of sunny sheaves. in gardens deeply scented, in orchards heavily hung, love flung away the days demented with lips that curled and clung. 29 ah! sweeter still october, when russet leaves go grey, and sombre lovers and sober make twilight of the day. dark dreams and shadows tenser throb t

ng wine! ha! bromius, bromius! maenads. come, sweet god, come forth and lie with us! 36 autonoe. us, maidens now and then and ever afterwards! agave. chaste, chaste! our madness hath no touch of bitterness, no taste of foulness in the morning mouth. autonoe. o mouth of ripe red sunny grapes! god! god! evoe! dwell! abide! agave. i feel the wings of love, of mystery; they waft soft streams of night air to my heated breast and brow. maenads. he comes! he comes! agave. silence, o girls, and peace! the god's most holy presence asks the hymn, the solemn hymn, the hymn of agony, lest, in the air of glory that surrounds the child of semele, we lose the earth and corporal presence of the zeus-begot. autonoe. yea, sisters, raise the chant of riot! lift your wine-sweet voices, move your wine-stained

ry wave, her love and life she gave with one last kissing cry the unborn child to save. and thou, o zeus, the sire of bromius- hunter dire- didst snatch the unborn babe from that olympian fire: in thine own thigh most holy that offspring melancholy didst hide, didst feed, on light, ambrosia, and moly. ay! and with serpent hair and limbs divinely fair didst thou, dionysus, leap forth to the nectar air! ay! thus the dreams of fate we dare commemorate, twining in lovesome curls the spoil of mate and mate. o dionysys, hear! be close, be quick, be near, whispering enchanted words in every curving ear! o dionysys, start as the apollonian dart! bury thy horned head in every bleeding heart! 1st maenad. he is here! he is here! autonoe. tigers, appear! agave. to the clap of my hand and the whish of

ALEISTER CROWLEY EQUINOX EQ I 6

up with rubbish from the ages; rubble and clay and sediment and stone, delight of lizards and despair of sages. only the lightning from his hand that sits, and shall sit when the usurping tyrant falls, can purge that wilderness of wills and wits, let spring that fountain in eternal halls. 14. and this: 15. sulphur, salt, and mercury: which is master of the three? salt is lady of the sea; lord of air is mercury. now by god's grace here is salt fixed beneath the violet vault. now by god's love purge it through with our right hermetic dew. now by god wherein we trust be our sophic salt combust. then at last the eye shall see three in one and one in three, sulphur, salt, and mercury, crowned by heavenly alchemy! 14 to the one who sent the seven glory in the highest heaven! to the seven who ar

he bride of chaos, that rideth upon our lord the beast. 2. thou shalt drain out thy blood that is thy life into the golden cup of her fornication. 3. thou shalt mingle thy life with the universal life. thou shalt keep not back one drop. 4. then shall thy brain be dumb, and thy heart beat no more, and all thy life shall go from thee; and thou shalt be cast out upon the midden, and the birds of the air shall feast upon thy flesh, and thy bones shall whiten in the sun. 5. then shall the winds gather themselves together, and bear thee up as it were a little heap of dust in a sheet that hath four corners, and they shall give it unto the guardians of the abyss. 6. and because there is no life therein, the guardians of the abyss shall bid the angels of the winds pass by. and the angels shall lay

es for fools that lack the sense of cows- enough of the future tense, jeanne! for the end of love and the end of art is just- my ear against your heart! aleister crowley. 51 circe her mouth a rosebud of delight, low-laughing 'mid the languid curls, whose kissing cadence seems to cite the rhythmic melody of night. her hair a saraband where whirls a wanton witch, whose perfumes smite the shuddering air; a summer night where summer lightning darts and curls. her soul a parian marble shrine, centred in lily-cups that fold their carven petals, smooth and cold, far o'er a lake of frozen wine- yet deep within whose inmost fold sleepeth a snake: the crystal brine of endless sorrow seals his shrine; wiser than sin is he, so old! ethel archer. 52 the electric silence 53 the electric silence [this pa

t to set sail at dawn. but first the dark man my brother departed from us, and went his way. and then the old man of the tower took me aside and offered me a seat at the funeral feast of his master. and although i verily believe that this old man was a rogue, a very knavish fellow, and a sot, yet in that funeral i took great pleasure. for the gentlest perfume was 58 borne upon the breeze, and the air was lit with faint electric flames that gathered themselves into a hill of light. so i, being lifted up, and my heart overflowing, came into the funeral chamber that was exceeding bright, and there was the table for the feast, and beneath it the coffin wherein lay the body of the master. there too i saw barren wood bear roses, and i heard the voice of the master. after that i was shewn all the

mother snows. what is the gladness of the well to us who pine for citadel, and joyous burg, and christian feast? but we are vowed to christ to fight for god, our honour, and our right against the recreant east. 70 we have left our ladies, you and i, my brothers! to keep our castles, and to sigh! oh! could some holy hermit give one short day's dalliance fugitive! speed hither through the enchanted air our ladies, for our faith's reward! would it not sharpen every sword and perfume every prayer? love sharp as holly and pure as snow, and kisses beneath the moon for mistletoe! sir raymond. something ill sung, jocelyn, and too sadly, forsooth! here the hermits are foul and malicious. i would clear the land of them. sir james. spies, every one. and enchanters to boot. sir eustache. the maids are

ALEX SANDERS THE KING OF THE WITCHES

would ask to go to gran's for his lessons in welsh. hannah was sadly out of practice herself and was glad that her son was so keen to speak a second language. alex did in fact have welsh lessons-but only for half an hour. after that the witch regalia was brought out and the boy was taught the meaning of each item; the runic symbols dating back thousands of years when prophets cast sticks into the air and, from the pattern they made in landing, foretold the future; the inscriptions on the witches' dagger-the kneeling man, the kneeling woman, the bare breasts touching, the arrow speeding through the wheel of life down into the pointed blade, ready to strike at its owner's bidding; the is miniature whip, a harmless substitute for the earlier weapon with which members were scourged, sometimes

y. gran had no difficulty in persuading his mother to part with him for the night, for she was delighted with the progress he had made in welsh and grateful to her mother for having taught him. as the moon rose, gran opened the kitchen curtains and let its light flood the kitchen. she had banked up the fire with small coal to deaden its glow and now she led alex into the centre of the circle. the air was heavy with incense burning in four bowls placed at intervals round the perimeter. she handed him his own athame and told him she was going to consecrate it. the boy had to lie flat on his back, the dagger on his bare chest; then shelowered herselfon to him, muttering incantations he had never heard before. he felt peculiar, his bare body pressed close to hers, but she was deadly serious an

his visions spoke of sorrow and loneliness, there was no one he could turn to. when he asked his grandmother to interpret them she refused. it was his future; no one else could read it for him. 22 in 1939 david was born, the sixth and last of alex's brothers and sisters, and soon afterwards war broke out. alex, with most of the other children in manchester, was evacuated to the country to escape air raids. it was a wrench leaving his parents, and his sisters and brothers, who were sent to separate foster homes, but most ofall he hated leaving his grandmother 'remember your vows' she told him sternly 'keep your mouth shut and your honour clean. and don't be afraid' she tried to comfort the white-faced boy 'you'll ha.ve a good time in the country; there's a lovely home waiting for you, and

onouring their god, they feasted, drank and made love (the last was never performed communally, for that was considered obscene and a perversion of the witch law, but nevertheless white witches were reviled for their 'orgies' just as hysterically as black witches) there was so muchfor alex to learn, and all of it by heart, that he sometimes protested; he was still growing and, with the continuous air raids, was getting very little sleep at night. in addition his father was drinking heavily and the domestic tension was beginning to get alex down. once he asked if he could have a break from his apprenticeship 'i am a witch already, so why do i need to know so much more' his grandmother explained that he was still only a firstgrade witch and totally unprepared to handle the power he would dev

a circle and work to keep them alive' at this the old lady put away her mending and looked at him sternly 'we have the powers of vision and of bringing spirits to help us, but never imagine that we have the power of god. witchcraft isbasedon natural lawsso that everyone must die when their time comes. with that we cannot interfere' that december another of alex's early visions was fulfilled. the air raid came soon after dark and before long it was obvious that this was no ordinary attack. wave after wave of bombers droned over the city, dropping both incendiary and high-explosive bombs. for hour after hour there was no respite. huddled in the cellar with his parents, and with his brothers and sisters who had come home for christmas, alex worried about his grandmother. could she be the lov

ALEXANDRIAN BOOK OF SHADOWS OCCULT

wer wine blessing cake blessing ritual elements invocation to the horned god besom chant welcome to the public domain version of the alexandrian book of shadows compiled by sekhet sophia. layout& html by atho sabbats yule candlemas vernal equinox beltane midsummer lammas michaelmas (fall equinox) hallowmass various notes notes on earth element notes on water element notes on fire element notes on air element witches' wheel ways of making magic power properly prepared the meeting dance of calls the cone of power of the ordeal to get the sight to leave the body the working tools making tools to make anointing ointment various instructions the witches' round the laws the old law 1. the law was made and ordained of old. 2. the law was made for the wicca, to advise and help in their troubles. t

ok be found on you 'tis clear proof against you alone, you may be arraigned. persecution 61. keep all thoughts of the craft from your mind. if the torture be too great to bear, say "i will confess. i cannot bear this torture. what do you want me to say" 62. 63. if they try to make you speak of the brotherhood, do not. but if they try to make you speak of impossibilities such as flying through the air, consorting with a christian devil or sacrificing children, or eating men's flesh, 64. 65. to obtain relief from torture say "i had an evil dream, i was beside myself, i was crazed" 66. not all magistrates are bad, if there be an excuse, they may show mercy. if you have confessed aught, deny it afterwards, say you babbled under torture, say you knew not what you said. 67. 68. if you are condem

frightens me 'tis evil luck to speak of it" 80. for this reason, the christians have their spies everywhere. these speak as if they were well affected to us, as if they would come to our meetings, saying "my mother used to worship the old ones. i would i could go myself" 81. 82. to such as these, ever deny all knowledge. but to others, ever say"'tis foolish men talk of witches flying through the air. to do so they must be as light as thistledown. and men say that witches all be blear-eyed old crones, so what pleasure can there be at a witch meeting such as folks talk on" 83. 84. and say "many wise men now say there be no such creatures" ever make it jest) and in some future time perhaps, the persecution may die and we may worship our gods in safety again. 85. 86. let us all pray for that

idden to say as christians do "there be witchcraft in the land" because our oppressors of old make it a heresy not to believe in witchcraft and so a crime to deny it which thereby puts you under suspicion. 129. 130. but ever say "i know not of it here, perchance there may be but afar off, i know not where" 131. but ever speak of them as old crones, consorting with the devil and riding through the air. 132. and ever say "but how may many ride the air if they be not as light as thistledown" 133. but the curse of the goddess be on any who cast suspicion on any of the brotherhood. 134. or who speak of any real meeting-place or where they bide. wortcunning 135. the craft keep books with the names of all herbs which are good, and all cures so all may learn. but keep another book with all the bal

lastly r takes around the presence lamp (or a candle lit from the presence lamp and returned to it. calling the mighty ones: all stand and salute the east. r stands in front of group facing east. maiden stands at back of group with the bell. m rings bell. with athame, r draws three deosil circles and then an invoking earth pentagram, saying: r: ye lords of the watchtowers of the east, ye lords of air; i, n, do summon, stir and call you up, to witness our rites and guard the circle! all turn and face south. ritual leader and maiden move to corresponding positions; others just turn in place. m rings bell. with athame, r draws three deosil circles and then an invoking earth pentagram, saying: r: ye lords of the watchtowers of the south, ye lords of fire; i, n, do summon, stir and call you up

ALICE A BAILEY01 THE CONSCIOUSNESS OF THE ATOM

ure is beautifully co-ordinated, and nothing can be discovered or utilised before the right time. only as man becomes unselfish will this tremendous power be permitted to pass into his hands. nevertheless, we can, i believe, look to science to make tremendous strides in the comprehension of atomic energy. then paralleling the evolution of the human being again, we can look for man to dominate the air. there is a great vibratory sphere, or plane, in the solar system, called in some occult books the intuitional plane; it is called in the eastern literature the buddhic plane, and its symbol is the air. just as man is beginning to find his way through the development of the intuition on to that plane now, so science is beginning to discover how to dominate the air, and as the intuition in man

e, in the solar system, called in some occult books the intuitional plane; it is called in the eastern literature the buddhic plane, and its symbol is the air. just as man is beginning to find his way through the development of the intuition on to that plane now, so science is beginning to discover how to dominate the air, and as the intuition in man develops and grows, so will his control of the air be developed and grow. another thing we can look for (and it is already being recognised somewhat) is the development of the ability to- 47- the consciousness of the atom copyright 1998 lucis trust see in subtler matter. everywhere there are children being born who see more than you or i can. i am here referring to something that is based purely on material grounds, and concerns the physical e

ALICE A BAILEY02 INITIATION HUMAN AND SOLAR

bplane of the fifth plane, the mental, are found the causal bodies of the individual men and women. these bodies, which are the expression of the ego, or of the individualised self-consciousness, are gathered together into groups according to the ray or quality of the particular ego involved. elementals. the spirits of the elements; the creatures involved in the four kingdoms, or elements, earth, air,fire, and water. except a few of the higher kinds and their rulers they are forces of nature more than ethereal men and women. etheric body (etheric double) the physical body of a human being is, according to occult teaching, formed of two parts, the dense physical body, and the etheric body. the dense physical body is formed of matter of the lowest three subplanes of the physical plane. the e

ALICE A BAILEY04 A TREATISE ON COSMIC FIRE

nter and to fill. the builders responded to the sacred sound. in musical collaboration they attended to the work. they built in many spheres, beginning with the third. upon this plane their work commenced. they built the sheath of atma and strung it to its primary- 13- a treatise on cosmic fire copyright 1998 lucis trust "aum" said the mighty one "let now the work proceed. let the builders of the air continue with the plan" the deva-lord and builders upon the plane of air worked with the forms within that sphere which is reckoned mainly theirs. they wrought for union, each in his group assigned. the moulds grew fast beneath their hands. the sacred plane of juncture, the fourth great plane, became the sphere within the greater circle which marked the goal for man "aum" said the mighty one

the driving forward of material evolution. on the highest plane the combination of these three factors (active heat, latent heat and the primordial substance which they animate) is known as the 'sea of fire' of which akasha is the first differentiation of pregenetic matter. akasha, in manifestation, expresses itself as fohat, or divine energy, and fohat on the different planes is known as aether, air, fire, water, electricity, ether, prana and similar terms.9,(9)10,11(10) it is the sumtotal of that which is active, animated, or vitalized, and of all that concerns itself with the adaptation of the form to the needs of the inner flame of life. it might here be useful to point out that magnetism is the effect of the divine ray in manifestation in the same sense that electricity is the manifes

to escape beyond the limits of the dividing web (stop) physical sub-planes solar system planes 1. first ether. atomic plane..adi. divine. sea of fire. first cosmic ether. 2. second ether. sub-atomic..anupadaka. monadic plane. akasha. second cosmic ether. 3. third ether. super-etheric..atmic. spiritual plane. aether. third cosmic ether. 4. fourth ether. super-gaseous..b. uddhic. intuitional plane. air. fourth cosmic ether. dense physical planes of humanity 5. gaseous. sub-etheric..mental. fire. cosmic gaseous. 6. liquid..astral. emotional plane. water. cosmic liquid. 7. earthly. dense..physical plane. earth. cosmic dense. when the logos has expanded his consciousness on cosmic levels he can then transcend the logoic etheric web, and escape beyond the ring-pass-not of his objective manifesta

order, and of a golden hue. it is passed through their bodies and emitted as powerful radiations, which are applied direct through certain plexi in the uppermost part of the etheric body, the head and shoulders, and passed down to the etheric correspondence of the physical organ, the spleen, and from thence forcibly transmitted into the spleen itself. these golden hued pranic entities are in the air above us, and are specially active in such parts of the world as california, in those tropical countries where the air is pure and dry, and the rays of the sun are recognised as being specially beneficial. relations between man and this group of devas are very close, but fraught as yet with much danger to man. these devas are of a very powerful order, and, along their own line, are further evo

it is the means whereby evolution becomes possible, comprehension is achieved, and activity is generated and utilised. let us now consider how this question can be expressed in terms of fire: objectively subjectively 1. the sea of fire..1. our god is a consuming fire..e. nergising will 2. the akasha..2. the light of god..f.orm aspect. 3. the aether..3. the heat of matter..activity aspect. 4. the air..4. the illumination of the intuition- 156- a treatise on cosmic fire copyright 1998 lucis trust 5. fire..5. the fire of mind. 6. the astral light..6. the heat of the emotions. 7. physical plane electricity..7. kundalini and prana. spiritually. this is hid in a threefold mystery: 1. the mystery of electricity. 2. the mystery of the seven constellations. 3. the mystery of the one above the logo

ALICE A BAILEY05 THE LIGHT OF THE SOUL

elements among which the fire element of taste predominates. likewise the atom of fire is produced from the three fire elements, excluding the fire element of odour and of taste, and among which the fire element of colour predominates. likewise the atom of wind is produced from the two fire elements beginning with odour and of which two the fire element of touch predominates. likewise the atom of air from the fire element sound alone" if this idea is extended to the macrocosm, we will find that we can meditate upon the external form of god in nature both with and without judicial action of the mind. then, experience in meditation having been gained, and by an act of the will, the student can meditate on the subtle subjective nature of god as manifested under the great law of attraction, to

d to the fourfold aryan truths of things, and blind to see things as they really are, long was our journeying thro' divers births. gone is the cord of life when these are seen. no more becoming when ill's root is cut" the four elements have been stated for us in the following extract from the secret doctrine (i. 95 "the golden egg was surrounded by seven natural elements, four ready (ether, fire, air, water, three secret" 11. their activities are to be done away with through the meditation process. the "opposing mental attitude" referred to in the previous sutra has distinct reference to the seeds or the latent tendencies as they subsist in the mental body and in the body of desire. this mental attitude has to become one of active mental meditation and one-pointed thought if the activities

the light of the soul copyright 1998 lucis trust until he passes through the various gates of initiation out into the larger life of the cosmos. first inertia distinguishes him, and his forms are of so heavy and gross a nature that many and violent contacts are needed before he becomes aware of his surroundings and later intelligently appreciates them. the great elements of earth, water, fire and air play their part in the building of his forms and are incorporated into his very being. his various sense organs slowly become active; first, the five senses and then when the second quality of rajas or activity is firmly established, the sixth sense or the mind begins to develop also. later he begins to perceive in all around him in the phenomenal world, the same qualities and elements as in h

clusion of a great solar cycle. the lesser cycle of man is involved in the greater and his attainment and the nature of his liberation is only relative to the greater whole. 1. the specific division of the gunas. this specific or particularised division of the gunas is divided into sixteen parts which deal primarily with man's reaction to the tangible objective world. a. the five elements: ether, air, fire, water and earth. these are the directly involved effects of the unspecific or subjective sound or word. b. the five sense organs: the ear, the skin, the eye, the tongue and the nostrils, those physical organs or channels through which identification with the tangible world becomes possible. c. the five organs of action: voice, hands, feet, the excretory organs and the organs of generati

barriers are burned; the breath expands, and limitations disappear. the seven, hitherto quiescent, stir to life. the ten portals, sealed and closed or partially ajar, swing wide. the five great means of contact rush into activity. obstacles are overcome, and barriers no longer hinder. the purified one becomes the great receiver and the one is known" in these words the purification by fire and by air is dealt with and this is the purification- 116- the light of the soul copyright 1998 lucis trust undergone on the path of yoga. purification by water has been submitted to in the later stages of the life of the highly evolved man, prior to treading the path of discipleship, and is hinted at in the words "waters of sorrow" so often used. now the fiery ordeal is undergone and the entire lower n

ALICE A BAILEY08 A TREATISE ON WHITE MAGIC

sought are seen; the two paths face the solar angel; the poles vibrate. a choice confronts the one who meditates. rule eight the agnisuryans respond to the sound. the waters ebb and flow. let the magician guard himself from drowning at the point where land and water meet. the midway spot, which is neither dry nor wet, must provide the standing place whereon his feet are set. when water, land and air meet, there is the place for magic to be wrought- 2- a treatise on white magic copyright 1998 lucis trust rule nine condensation next ensues. the fire and waters meet, the form swells and grows. let the magician set his form upon the proper path. rule ten as the waters bathe the form created, they are absorbed and used. the form increases in its strength; let the magician thus continue until t

ds upon an attitude of mind; when the attitude is one of concrete materialism, of concentration upon form, and a desire for the things of the present moment, little progress can be made in apprehending the higher esoteric truth. a fourth hindrance is found in the physical body, which has been built up by the aid of meat and fermented foods and drinks, and nurtured in an environment in which fresh air and sunlight are not paramount factors. i am here generalising, and speaking for the masses of men, and not for the would-be earnest occult student. for long centuries food that has been decomposing, and hence in a condition of fermentation, has been the basic food of the occidental races; and the result can be seen in bodies unfitted for any strain such as occultism imposes, and which form a

this: for as the blood is oxygenated so is the life of the man in the three worlds permeated by spiritual energy. b. there is the imposition of a peculiar rhythm, brought about by the particular spacing and time limit of the breaths inhalation, retention, and exhalation and this will vary according to the counts. c. there is a subtle effect of prana (which is the subjective element underlying the air breathed in and out) which affects most potently the body of prana, the vital or etheric body. students should remember that subtle effects are more powerful than the physical effects. they produce results in two directions; on the physical body and on the etheric body. the entire vital body assumes a- 122- a treatise on white magic copyright 1998 lucis trust particular rhythm according to the

can be noted that all these three activities are dealt with in this rule. the third eye opens as the- 126- a treatise on white magic copyright 1998 lucis trust result of conscious development, right alignment and the inflow of soul life. then its magnetic controlling force makes itself felt, controlling the lives of the lower bodies, driving forth the lower four elementals (of earth, water, fire, air) and forcing the lunar lords to abdicate. the personality, which has hitherto been the master, no longer can control, and the soul comes into full domination in the three worlds. the elemental of earth, who is the sum total of the many lives which form the physical body, is controlled and feels the eye of the master (the one master in the head) upon it. the gross elements constituting that bod

it "one glance the soul doth cast upon the forms of mind. a ray of light streams out and darkness disappears; distortions and evil forms fade out, and all the little fires die out; the lesser lights are no more seen "the eye through light awakens into life the needed modes of being. to the disciple this will carry knowledge. to the ignorant no sense is seen for a sense lacks" the elemental of the air symbolically understood is that substratum of energy which works through the forms of the etheric body, which is dealt with through the breath, and handled through the science of pranayama. this elemental form is the intricate etheric structure, the nadis and centres, and all advanced students know well how these are controlled by the focused attention of the soul in contemplation, acting thro

ALICE A BAILEY09 A TREATISE ON THE SEVEN RAYS VOLUME I ESOTERIC PSYCHOLOGY I

spirant, the devotion to other human beings (the sublimation of domesticity, and the "shedding of blood" or the sacrifice of the life, the expression upon earth (the mineral kingdom) of the devotion and sex life of the vegetable kingdom, plus the sacrifice through blood of the animal kingdom, bring man to the portal of initiation. there the fire awaits him with its purifying uses, and thus earth, air, fire and water (the four elements) prepare him for the great liberation and for the release of that quality of synthetic apprehension of the underlying truth which we call the intuition. this is after all the response of the mechanism to the symbolic appeal of divine quality, expressed in the whole and seen as illumination. thus the qualities emerge and appear in their full glory as man devel

it is growth towards an ideal, or towards a divine prototype or archetype. here is where the secret of this kingdom appears. the secret is hidden in the word "transformation" for the rays 2.4.6 are the great transformers. the clue to the secret is to be found in the processes of assimilation and in the building forces that transmute the assimilated minerals, the absorbed moisture, the food in the air, and the proffered offering of the insect kingdoms into the manifested bodies, the radiant colours, the magnetic auras, and the distilled perfumes of this kingdom. much along this line has been the subject of investigation by the modern scientist, but until he recognises the fact of ray influences, and the part they play in the producing of these factors, he will fail to discover the true secr

d it is for him an adequate field of unfoldment; in the process of developing group consciousness he finds that multiplicity of contacts which is needed to awaken his response to his environment. this environment itself is part of the life and expression of deity, and through its means he arrives at a knowledge of some aspects of god's manifestation. using the five senses, and working with earth, air, fire and water, he thereby gathers to himself all that is available for his use, and works in, and with, and through the outer world of daily living. subjective agency: here we find the mind being employed as an organ of sense, as a synthetic or common sense, and as an instrument of discovery by means of which a man unfolds the truly human consciousness. through the use of the mind, he learns

s principle of creative mind is seen as seated in the throat- 262- a treatise on the seven rays- volume i: esoteric psychology i copyright 1998 lucis trust ray iv. intuition, harmony, beauty, art planet. mercury. day. wednesday. exoteric colour .c ream. esoteric colour. yellow. divine principle. buddhi. intuition. pure reason. human principle. understanding. vision. spiritual perception. element. air "thus is unity produced" instrument of sensation. eyes. right eye particularly. plane. the buddhic or intuitional plane. sense. sight. esoterically, this is the pure reason, seated in the ajna centre, between the eyes. functioning when the personality reaches a high stage of co-ordination. ray v. concrete knowledge of science planet. venus. the lords of mind came from venus. day. friday. esote

ALICE A BAILEY10 FROM BETHLEHEM TO CALVARY

god. its altar is the sun, whose four arms or rays typify the four corners or the cardinal cross of the universe, which have become the four fixed signs of the zodiac, and as the four powerful sacred animal signs, are both cosmical and spiritual. these four are known as the consecrated animals of the zodiac, while the signs themselves represent the basic fundamental elements of life, fire, earth, air and water."6 these four signs are taurus, leo, scorpio and aquarius, and they constitute pre-eminently the cross of the soul, the cross upon which the second person of the divine trinity is crucified. christ personified in his mission these four aspects, and as the cosmic christ he exemplified in his person the qualities for which each sign stood. even primitive man, unevolved and ignorant, wa

ALICE A BAILEY11 A TREATISE ON THE SEVEN RAYS VOLUME II ESOTERIC PSYCHOLOGY II

ends constantly to transcend time as we know it. 4. an expanding realisation of progress from one dimension to another, until today we talk in terms of a fourth dimensional state of consciousness and can grasp the fact that five or six dimensions are beautifully possible. 5. an increasingly scientific control of the elements in which we live, and of the forces of nature. today we talk in terms of air mastery just as five hundred years ago (when such a thing was deemed impossible) they talked in terms of the mastery of oceans. we are offsetting the gravitational pull of the earth so that we can "fly into the face of the sun" 6. from the instinctual life of sense consciousness in material forms, we have progressed to the intellectual life of self-conscious human beings and to the intuitive r

if one has passed further on the way, they will give one a command which, as a disciple with spiritual insight one will obey, because one is awakened; if one is an initiate, they will evoke the comment "this i know" the direction of ray i "the garden stands revealed. in ordered beauty live its flowers and trees. the murmur of the bees and insects on their winged flight is heard on every side. the air is rich with perfume. the colours riot to the blue of heaven. the wind of god, his breath divine, sweeps through the garden..low lie the flowers. bending, the trees are devastated by the wind. destruction of all beauty is followed by the rain. the sky is black. ruin is seen. then death. later, another garden! but the time seems far away. call for a gardener. the gardener, the soul, responds. c

vital condition of the entire race. this brings me to a point i would seek to touch upon: that of the widespread depression which is so seriously affecting the whole of humanity. the physical vitality of the races is low, or it is being whipped up into a better condition by the imposition of applied thought. instead of drawing upon the resources of vitality, stored up in the soil, in food, fresh air and outer environing conditions, men are beginning to draw it from the etheric body itself through the galvanising effect of two things: ideas, as they are presented to them, thereby aligning mind and brain and incidentally stimulating the etheric body; mass impetus or contact which swings the unit into line with mass intention and opens up to him therefore the vast resources of mass intention

ever again be broken. greater similar efforts can be launched during the next few years and they will embody the next great spiritual effort and expression of the men of good will for which the intermediate period is a preparation. it is desirable that there should be, if possible, a far wider use of the radio, so that sequentially and following the journey of the sun, there may go forth over the air this appeal to god at the time of the full moon. the day of appeal will be the expression of the spiritual attitude of humanity and will lead to a subjective spiritual synthesis between the men of good will and the new group of- 388- a treatise on the seven rays- volume ii: esoteric psychology ii copyright 1998 lucis trust world servers and the inner spiritual hierarchy which is working to bri

ALICE A BAILEY12 DISCIPLESHIP IN THE NEW AGE VOLUME I

l involve sacrifice but you can be depended upon to make it. your health is better and will continue to be so, if you watch with care and keep the earlier rules i gave you as to diet, etc. you may find that in the coming years, your hours of sleep will be less. this will be good, not bad, my brother, for too much sleep leads to diminished etheric force. a hint suffices for the wise disciple. more air and sun, less sleep and fewer human contacts are for you the rule in the future. into these words read their hidden meaning. clearer i may not speak for these words will be seen by others. but should you not with clarity understand, ask a.a.b. whose problem was in some points yours. i have told her certain things of value to you but she hesitates to speak and hopes you will comprehend without

te ones for they concern your home relations and your personal, physical health. these you must solve yourself in your own way and no outsider may do more than suggest and indicate. that, i have attempted to do. the physical weakness has its seat in a constant draining and leakage of the etheric body. this keeps you devitalised and hence the emphasis i have sought to lay upon the need for sun and air. too long hours of sleep increase the drainage of vitality. sleep recharges the tired body and fits it for the next day's work, but eight hours sleep each night suffices you. your true vitalisation must come from the soul. you will not get it from excessive sleep and this is surely proved to you, for you sleep much and yet are ever tired. forget not that a weakened etheric body is easily drain

ampered by etheric devitalisation, though the causes producing the existing condition differ. during the past years, i have many times conveyed to you a message the summation of which lies in the emphasis i lay on steadfastness in meditation. etheric vitalisation lies in meditation where you are concerned and the bringing in of energy to your physical body through its instrumentality. diet, fresh air and freedom from concern all aid the process but the main cure for you and the source of success in all your work lies in your persistence in meditation and your contemplative endurance. the conservation of energy is wise, yet you have untold reserves upon which to draw and as yet you use them not as you might. as before i have told you, you make not adequate use of the meditation period and y

n you have worked out that which you know, then more will be forthcoming. i can, however, teach you somewhat anent the newer aspects of group work and this i seek to do and you seek to know. one thing only would i say to you at this time of a personal nature: rest much this summer; be much out of doors and lay the foundations for work in the coming winter months by much quiet thinking in the open air. january 1937 brother of old- 207- discipleship in the new age- volume i copyright 1998 lucis trust again there is little that i feel the need of saying to you. you are responsive to much teaching upon the inner side and a form of definite reflective intercourse has been established between a. your inner, psychical nature. b. your soul. c. your brain. this should be gradually developed and cul

four injunctions which i gave you earlier have done their work, have they not? you see yourself more clearly now and know yourself, for you have the various aspects of yourself more definitely visioned the good, the bad, the true, the false, the real and the illusion. this clearer vision envisaging some aspects hitherto unrealised will necessitate your living on the mountain top, and in the clear air there to be found to see life true, your task and your- 209- discipleship in the new age- volume i copyright 1998 lucis trust co-disciples as they are. you have needed this more definite discovery of yourself in order to advance towards greater usefulness. some of this knowledge has come to you during the past year, awakening you to certain values, revealing to you many hidden things within yo

ALICE A BAILEY13 PROBLEMS OF HUMANITY

hat food, minerals, oil and other necessities are available for worldwide use upon just and equitable lines. but these commodities are reserved by the nations involved as "talking and bargaining points. the problem of distribution is no longer difficult once the food of the world is freed from politics and from capitalism; it must also be remembered that the means of distribution by sea, rail and air are adequate. none of this will, however, take place until the united nations begin to talk in terms of humanity as a whole and not in terms of boundaries, of technical objectives and fears, in terms of the bargaining value of oil, as in the near east, or in the language of mistrust and suspicion. russia distrusts the capitalism of the united states and to a lesser degree that of great britain

ALICE A BAILEY14 THE REAPPEARANCE OF THE CHRIST

words will evoke recognition in every department of human thinking. the symbolic prophecies found in all the world scriptures anent this imminent event will prove their veracity; their symbolism will nevertheless elicit re-interpretation; circumstances and happenings will not necessarily be exactly as the scriptures would appear to indicate. for instance, he will come indeed in the "clouds of the air (matt. xxvi.64, as the christian scriptures say, but of what great interest is that when millions come and go in the clouds, each hour of the day and of the night? i mention this as one of the outstanding prophecies and one of the most familiar; it is, however, one which means little in our modern civilisation. the fact of importance is that he will come. the wesak festival has been held down

ALICE A BAILEY15 THE DESTINY OF THE NATIONS

. incidentally i might point out here that the seventh ray influence will have three definite effects upon the fourth and third kingdoms in nature. these are as follows: 1. all animal bodies will be steadily refined and in the case of humanity consciously refined, and so brought to a higher and more specialised state of development. this is today proceeding with rapidity. diet and athletics, open air and sunshine are doing much for the race and in the next two generations fine bodies and sensitive natures will make their appearance and the soul will have far better instruments through which to work. 2. the relation between the human and the animal kingdoms will become increasingly close. the service of the animal to man is well recognised and of ceaseless expression. the service of man to

ALICE A BAILEY17 TELEPATHY AND THE ETHERIC VEHICLE

in the right understanding of modes of communication. there is an interesting parallel between the three modes of telepathic work and their three techniques of accomplishment, and the three major ways of communicating on earth: instinctual telepathy. train travel, stations everywhere..telegraph mental telepathy..o.cean travel, ports on the periphery of all lands..telephone intuitional telepathy..air travel, landing place..radio that which is going on in connection with the human consciousness is ever externalised or finds its analogy upon the physical plane, and so it is in connection with developed sensitivity to impression. there is still another way in which we can look at the entire subject of response between broadcasting areas of consciousness and the receiving areas of consciousnes

ALICE A BAILEY18 A TREATISE ON THE SEVEN RAYS VOLUME III ESOTERIC ASTROLOGY

troyed the form, released the soul and so the lesser self was killed (scorpio. the waters drowned the man. the fish was made to disappear. it then appeared again only to die or else to die and bring salvation (pisces. thus there are symbolically the death through fire, the death through earth and the death through water burning, suffocation and drowning but, in this world cycle, the death through air is not either known or understood. there are not therefore four deaths, as the goal of our system during manifestation is "initiation or release into the air" so that the bird of life out of time and space can fly free. the concept which the law of correspondence brings of the final death is covered by the words liberation, relinquishment and final initiation, and means little to humanity, for

quarius, the water carrier this constellation is one of supreme importance to our solar system at this time, for it is the sign into which our sun is rapidly moving and its influence is gaining in momentum and added potency with each vanishing decade. it is, therefore, largely responsible for the changes now being effected in our planetary life in all the kingdoms of nature, and, because it is an air sign, its influence is all pervasive and inter-penetrating. to many types of mind, this influence is intangible and must, therefore, be unable to produce the desired results; yet the fact is that these intangible pervasive results are of far greater potency and are far more extensive in their effects than the more concrete and spectacular happenings. it is not my intention here to deal with th

rom self-service, he proceeds to world service and yet is always the individualised son of god until after the third initiation. as one studies these twelve signs, it is interesting to trace the relation of consciousness to the preceding sign and to the succeeding sign. it is peculiarly so in connection with the sign aquarius. the material, earthly quality of capricorn becomes "dissolved into the air" in aquarius. the individual "fish" of the other sign becomes eventually the soul, and soul quality emerges, and on the reversed wheel it demonstrates as the pervasiveness of wisdom (pisces) and the universal love of the truly developed aquarian. on the wheel as it "rolls onward into illusion" the wheel of the personality, the superficiality and the airy nature of the undeveloped aquarian deep

lso in this sign, or under this sign when it is the rising sign, becoming "the lion who seeks his prey" that is the personality who becomes the captive of the soul. 3. in scorpio in this sign, the disciple undergoes those tests which will enable him to take the second initiation and demonstrate that the desire nature is subdued and conquered and that the lower nature is (by being lifted up in the air, i.e. into heaven) capable of reaching the goal for this world period, and that from the earthy foundations of scorpio the personality can be so tested that it shows fitness for the world service demanded in aquarius. this is beautifully expressed for us in the legend of hercules, the sun-god who overcomes the nine-headed hydra or serpent of desire by being forced to his knees and from that po

al for this world period, and that from the earthy foundations of scorpio the personality can be so tested that it shows fitness for the world service demanded in aquarius. this is beautifully expressed for us in the legend of hercules, the sun-god who overcomes the nine-headed hydra or serpent of desire by being forced to his knees and from that position of humility lifts up the serpent into the air, and then deliverance comes. 4. in aquarius in this sign, the long effort of the soul is consummated and concludes the- 86- a treatise on the seven rays- volume iii: esoteric astrology copyright 1998 lucis trust experience of the disciple upon the fixed cross. the man then takes the third initiation and becomes free from personality control, taking the next two initiations upon the cardinal cr

ALICE A BAILEY19 THE UNFINISHED AUTOBIOGRAPHY

as to skill in action. i was aghast, and realised that my marvellous, heroic, spiritual sacrifice for the sake of the work was being regarded as quite unnecessary. i felt let down. i faced a major anti-climax. i worked myself up during the day into a terrible state; i felt a fool or an idiot. then i left these two beloved, elderly ladies discussing me and my plans and went out into the cool night air to walk. i was so fed up, so discouraged, so utterly sick at heart that the next thing i remember was being picked up by a policeman. he set me on my feet and shook me (people always seemed to- 55- the unfinished autobiography copyright 1998 lucis trust be shaking me) and looking at me with the deepest suspicion, he said "don't you go around fainting in places like this. it is nine o'clock at

. the climate is really lovely, though very hot and dry in the summer. however, i felt completely isolated, culturally and mentally and spiritually. it seemed to me that there was no one for me to talk to. no one had seen anything or read anything and their sole topic of conversation seemed to rotate around children, crops, food and local gossip. for months i stuck my snooty little nose up in the air and decided there was nobody good enough for me to associate with. of course, i did my duty as the rector's wife and i am sure i was very nice and kind, but always i felt a barrier. i did not want to have much to do with the parishioners and i let them know it. i started a bible class, however, and that was a huge success. numerically it outnumbered my husband's sunday morning congregation, wh

ALICE A BAILEY20 A TREATISE ON THE SEVEN RAYS VOLUME IV ESOTERIC HEALING

o the solar plexus centre as the clearing house and the place of reorientation of the life force in the personality. bear this constantly in mind. c. the problems connected with the respiratory or breathing system are all related to the heart, and therefore concerned with the establishing of right rhythm and right contact with the environment. the drawing in of the life breath, the sharing of the air with all other human beings, denotes both an individual centre of life and participation also in the general life of all. to these problems of individual or separative existence and of its opposite, the sacred word, the om, is intimately related. it might be said in the words of an occult manual on healing, given to advanced disciples, that "he who lives under the sound of the aum knows himsel

they did in the early stages of their appearance, but now have involved the blood stream and consequently the entire organism of the human body. much has been done in the last fifty years to bring the great atlantean disease of tuberculosis- 140- a treatise on the seven rays- volume iv: esoteric healing copyright 1998 lucis trust under control by simplicity of living, pure and ample food and good air. much is being done to control, finally, the syphilitic diseases, and both will eventually be stamped out, not only by sound treatment and the discoveries of medical science, but because the race as it becomes more mentally polarised will itself deal with the problem from the angle of commonsense, will decide that the physical sins exact too heavy a penalty and that the possession of that whic

-called occult students. the human body, at the present time, is the recipient of such a vast amount of substance, extraneously precipitated into the interior of the body, that the whole subject is of vaster import, yet of lesser importance, than men think. such is the paradox which i present to you. wrong food of every kind, the inhalation of smoke down the centuries, the breathing in of tainted air, the taking of medicines and pills and tablets of every possible description, the rifling of the vegetable and mineral kingdoms in search of their ingredients, and the injection of mineral substances, of drugs and of serums, till one wonders sometimes at the remarkable assimilative powers of the human frame. in all fairness, however, i would remind you that, as far as the physical well-being o

influenza. through sanitation and other curative methods, carried out on a large scale, ancient diseases (inherited from old atlantis) such as bubonic plague and cholera, are being slowly stamped out. they still crop out in the east owing to the strength of the ancient civilisations, the lack of food, of sanitation, and the dense crowding. they are also climatic diseases and perish in the colder air of the north. certain diseases are the result of wrong diet, used over unnumbered centuries. one of the main reasons for the apparent difference (if there is any) may lie also in the greater age of the oriental races. the diseases of old age, and those of youth or middle age, have their variations, and asia and its peoples are very, very old. the body stock is wearing out fast. yet the japanes

and endeavoured to discover in my books, for. instance, or in the secret doctrine, those paragraphs which will throw occult light upon what he says, or which may negate his hypothesis. then they would be growing and using the analytical mind as a bridging factor between the world of human science and the occult sciences. on ions and radiation. scientists have made statements to the elect that the air we breathe contains electrified particles positively or negatively charged, and they are able to produce artificially electrified air; that even an open flame in a fireplace ionises the air; that with suitable apparatus one may extract either the negative or the positive ions, and that patients exposed to the positively electrified ions developed feelings of fatigue, dizziness and headache, wh

ALICE A BAILEY22 DISCIPLESHIP IN THE NEW AGE VOLUME II

on. members of all the ray types are to be found in the new group of world servers, either through the activity of the personality ray or of the soul ray; therefore, the energies of all the rays are being brought to bear upon this creative period in modern human history. it is interesting to have in mind the fact that through the medium of all the fighting forces of the world (naval, military and air) much needed hierarchical work is being accomplished; the energy of the fourth ray of harmony through conflict is making itself phenomenally felt this time in conjunction with the unusual activity of the first ray. therefore, through the forces of light, liberation into freedom will come and it will mean the freedom of all mankind. i make here no defence of war or of fighting, brother of mine

he new age- volume ii copyright 1998 lucis trust stream, between the two extremes, there floats the eye of vision a thread of light unites the two "deep in the tree, between the root and flowers, the eye again is seen. the eye that knows, the eye that sees, the directing eye one made of fire, one fluid as the sea, and two which look from here to there. fire, water and the earth all need the vital air. the air is life. the air is god" the significance of this formula is not difficult for the advanced student to grasp in connection with himself. the eye of knowledge, the eye of vision and the directing eye of deity are familiar to him. but it is the great and major esoteric implications which i ask you to consider. an extension of these concepts to a master and his ashram or his group of pra

ip in the new age- volume ii copyright 1998 lucis trust between the two extremes, there floats the eye of vision; a thread of light unites the two "deep in the tree, between the root and flowers, the eye again is seen. the eye that knows, the eye that sees, the directing eye one made of fire, one fluid as the sea, and two which look from here to there. fire, water and the earth all need the vital air. the air is life. the air is god" these formulas and their implications have caused some of you concern because of their extreme difficulty of interpretation. i would ask you to bear in mind that you are individually quite unable to grasp the extent of your own comprehension because the mind (the major conditioning factor in a disciple's life in the early stages of his training) knows far more

c "and two which look from here to there, the eye that knows" these are the eye of the disciple and the eye of the personality. there is a clue to this in a statement in the secret doctrine that the right eye is the eye of buddhi and the left eye the eye of manas these are the eyes of the high grade integrated personality, en rapport with the soul. d "fire, water and the earth all need the vital air. the air is life" the clue again to this is to be found in the secret doctrine, i.80, where we find the words "matter is the vehicle for the manifestation of soul on this plane of existence, and soul is the vehicle on a higher plane for the manifestation of spirit and these three are a trinity, synthesised by life, which pervades them all" you can see, therefore, upon careful reflection how si

within the ashram into ways which are, for that unit of life, the essential process for the immediate moment. in all breathing exercises, there are, as you know, the processes of inhalation and of exhalation, with two points intermediate between these two that of the interludes. beginners in the mechanics of right breathing seem inevitably engrossed with the processes involved, with the amount of air to be indrawn or out-breathed and with the consequent physiological effects and their etheric correspondence. knowers and disciples pay small attention to this dual activity. they are preoccupied with what is proceeding within their consciousness during the interludes between the fixed inhalations and exhalations. these phases of registered consciousness are in reality points of detachment. th

ALICE A BAILEY23 THE EXTERNALISATION OF THE HIERARCHY

great and beautiful cities, full of temples and great buildings (of which the chaldean and babylonian remains are the degenerate remnants, and the modern skyscraper the child) were everywhere to be found. most of our modern scientific knowledge was possessed by these priest-kings and constituted in the eyes of the masses a form of wonderful magic. sanitation, hygiene, means of transportation and air machines were developed and of a very high order; these were not the result however of man's achievement but gifts from the hierarchy, developed or constructed under a wise guidance. there was command of air and water because the guides of the race knew how to control and master the forces of nature and of the elements, but none of it was the result of human understanding, knowledge or effort

those engaged in magical work of any kind anent the use of invocation as it applies to elemental forces and subhuman agents, with the consequent evocation of active agents and responsible energies of some kind or another upon the physical plane. what is oft forgotten is that this process consists entirely of the production of contact and subsequent control of the forces of earth, water, fire and air. this is one of the aims of the magical workers but it concerns material nature and the control of substance and, in the realm of the lower occultism, is allied to the invocation and evocation of money, good health and the tangible material results as practised in the realm of mysticism by many schools of thought. note this, for it holds a clue to the relation of occultism and mysticism upon t

r upon the threshold of divinity and the angel of the presence then stand face to face. this is the situation today. tomorrow they will blend and synthesise and the glory of god will appear on earth. the second great approach will have been achieved- 111- the externalisation of the hierarchy copyright 1998 lucis trust call to a united act of service november 1939 the situation is serious. sea and air and land are arrayed against the forces of light; they are the agents of material substance and can be used potently against the spiritual forces. the forces of the air are, however, increasingly on our side. the members of the hierarchy are hard put to it to turn the tide in favour of that true and more spiritual civilisation which is on the way. this civilisation will be a combination of the

defenceless little nations are standing with their backs to the wall, facing the strongest display of human might that the world has ever seen. the nations which are not yet physically involved are preparing for some form of action and for defence defence against the dictator powers but not against the fighting democracies. the battle today is being fought out on the land, on the sea, and in the air. from the economic standpoint, every country is involved, and ruin stalks in the wake of war; the stopping of imports or of exports in many lands is bringing about the financial ruin of thousands; the pressure of economic disaster, the fear of famine and pestilence and the constant risk of becoming actively a part of the war faces every country not yet actually in the fighting line. the fear o

rule of hitler; russia, in her silence, cannot be trusted; japan is upsetting the balance of power in asia. such is the picture today. anarchy rules the world; famine stalks the inhabitants of europe; the civilian population of cities, the women and children, are in grave danger of injury and death and are forced to live underground; pestilence appears; there is no safety on land or sea or in the air; the nations are on the verge of financial ruin- 121- the externalisation of the hierarchy copyright 1998 lucis trust science has turned to the invention of the instruments of death; the populations of cities and entire districts are shifted from one part of a country to another; families and homes are broken up; there is intense fear, hopeless looking into the future, bewildered questioning

ALICE A BAILEY24 A TREATISE ON THE SEVEN RAYS VOLUME V THE RAYS AND THE INITIATIONS

lf from the realm of delusion, of fog, of mist and of glamour, and stands in the "clear cold light" of the buddhic or intuitional plane (the second or middle aspect of the spiritual triad, he arrives at a great and basic realisation. he knows that he must return (if such a foolish word can suffice) to the "seas" which he has left behind, and there dissipate the glamour. but he works now from "the air above and in the full light of day" no longer does he struggle in the waves or sink immersed in the deep waters. above the sea he hovers within the ocean of light, and pours that light into the depths. he carries thus the waters to the desert and the light divine into the world of fog. yet he never leaves the place of identification, and all that he now does is carried forward from the levels

the members of this group will, through the medium of the christ, pour- 61- a treatise on the seven rays- volume v: the rays and the initiations copyright 1998 lucis trust light and healing energy upon the earth and peculiarly into the consciousness of men. i am not able to express the effect of the outpouring from shamballa in clearer terms. we are told in the bible that christ will come in the air, and that he will bring the "healing of the nations" in his wings. i would call your attention to this thought and to its appositeness to this day and generation. i make no prophetical predictions, i only indicate possibility. when the avatar has made his appearance, then will the "sons of men who are now the sons of god withdraw their faces from the shining light and radiate that light upon t

e belongs to those who can move at will within the "precincts of the lord of life" in shamballa itself. all we can know about it is its lowest step. this enables us to study the impulse or instinct which enables all forms of life to function, which embodies the principles of responsiveness to contacts and to environment, and which embodies itself in the breath of life; this is also related to the air in some mysterious manner, and also to fire. more anent this subject it would be useless for me to say. 2. there is also the door of the will. this is a penetrating power which relates plan to purpose and which has in it the faculty of coherent persistence. the reason for this persistence is that it is not dependent upon the content of the form whether it is the form of an atom, of a man or of

ALICE BAILEY THE LABOURS OF HERCULES

sciousness of god. its altar is the sun, whose four arms or rays typify the four corners of the cardinal cross of the universe, which have become the four fixed signs of the zodiac, and as the four powerful sacred animal signs are both cosmical and spiritual, they represent the basic elements resembling our human principles. the sign leo represents fire or spirit; taurus, earth or body; aquarius, air or mind; and scorpio represents water likened to the soul. leo, as the lion, is the strength of the lower nature, and is the serpent of force which, if directed upward, overcomes. taurus, the bull, is always the symbol of creative force. aquarius, the man, is the light-bearer, or light-bringer. scorpio, the scorpion, is often transmuted with aquila, the eagle. which rises at the same time with

must break down his guard and, thus destroying him, break down and pluck the fruit" yet, wrestling with much strength, he conquered not "where lies my fault" said hercules "why can antaeus conquer me? e'en when an infant i destroyed a serpent in my cot. with my own hands i strangled it. why fail i now" wrestling again with all his might, he grasped the serpent with both hands, lifting it high in air, away from off the ground. and lo! the deed was done: antaeus, vanquished, spoke "i come again in different guise at the eighth gate. prepare again to wrestle" the teacher, gazing from afar, saw all that happened, and to the great presiding one who sits within the council chamber of the lord he spoke, reporting on the deed "the second test is passed. the danger is surmounted. success at this p

or and illusion; for in the carrying forward of spiritual aspiration, the disciple is very apt to be taken in by astralism and lower psychism in one form or another. as hercules wrestled with the serpent, he found he could not overcome it until he discovered that it was invincible only so long as it was in contact with the earth. just as soon as hercules lifted the serpent (antaeus) high into the air, it became utterly weak and unable to defeat him. gemini is an air sign, a mutable or common sign. glamor is ever changing, ever taking one form or another. it concerns appearance and not reality, and the earth stands for appearances. having vanquished the serpent that stood in his way, hercules passed on in his search. his next encounter was with glamor in another form. busiris was a son of p

d both the duality of gemini and its mental quality. when this sign is in evidence as it is now, being a powerful mutable sign, it inaugurates many changes; new ideas flood the world; new impulses make their presence felt; new and undeveloped lines of approach to spiritual truth emerge, and many teachers will arise everywhere to help lead the race into a new state of spiritual awareness. being an air sign, we find that the conquest of the air proceeds with speed, and also a constant effort is made to unify and coordinate the many and varied aspects of human endeavor. venus is the esoteric ruler of gemini and governs the second decanate; for venus makes at-one, and through its influence the law of attraction and the bringing together of the polar opposites takes place. but all these changes

and clairaudient, in due time we shall surely see or hear, if not in truth, yet through the power of that creative faculty which we all possess, a creative imagination. but in some form or another, the aspirant who has left nereus will meet the serpent and will have to wrestle with him. as the myth states, for a long time hercules could not conquer, but when he lifted the serpent high up into the air, he prevailed. there is a great truth underlying this symbolism. the air has always been regarded as the symbol or the element related to the christ plane, called in the theosophical terminology and in the east, the buddhic plane. the astral plane is the distorted reflection of the buddhic plane, and it is only when we carry glamor up into the clear light of the christ soul that we shall see t

AN INTRO TO STUDY OF THE KABALAH

al editions of an english translation by myself have been published. this work explains a most curious philosophical scheme of creation, drawing a parallel between the origin of the world, the sun, the planets, the elements, seasons, man and the twenty-two letters of the hebrew alphabet; dividing them into a triad, a heptad and a dodecad; three mother letters a, m, and sh are referred to primeval air, water and fire; seven double letters are referred to the planets and the sevenfold division of time, etc: and the twelve simple letters are referred to the months, zodiacal signs and human organs. modern criticism tends to the conclusion that the existing ancient versions were compiled about a.d. 200. the "sepher yetzirah" is mentioned in the talmuds, both of jerusalem and of babylon; it was

ARADIA GOSPEL OF THE WITCHES

in or injuring books, which always belong partly to posteri-ty, it is a sin of vulgarity as well as morality, and indicates what people aremore than they dream.only a cad as low as a thiefwould write in a book or turn down a leaf,since tis thievery, as well is known,t o make free with that which is not our own. page 48 thus it came to pass that t ana became thedeaor spirit of the moon.though the air be set to a different key, this is a poem of pure melody, and the same aswordsworths goody blake and harry gill. both tanaand the old dame are surprised and terrified;both pray to a power above: the cold, cold moon above her head,thus on her knees did goody pray;young harry heard what she had said,and icy cold he turned away.the dramatic centre is just the same in both. the english ballad sobe

ted may be found in the fact that, in such famous poems as the finding of the lyre, byjames russell lowell, and that on the invention of the pipe by pan, by mrs. browning, that whichformed the most exquisite and refined portion of the original myths is omitted by both authors, sim-ply because they missed or did not perceive it. for in the former we are not told that it was thebreathing of the god air(who was the inspiring soul of ancient music, and the bellariaof modernwitch-mythology) on the dried filament of the tortoise, which suggested to hermes the making aninstrument wherewith he made the music of the spheres and guided the course of the planets. as formrs. browning, she leaves out syrinxaltogether, that is to say, the voice of the nymph still lingeringin the pipe which had been her

when the fine wedding was to be,with many other jeers and sneers, that at last in a moment of madness she went to the top of a hightower, whence she cast herself; and to make it worse, there was below a terrible ravine (balza) intowhich she fell.yet she took no harm, for as she fell there appeared to her a very beautiful woman, truly not ofearth, who took her by the hand and bore her through the air to a safe place.then all the people round about who saw or heard of this thing cried out, lo, a miracle! and theycame and made a great festival, and would fain persuade rorasa that she had been saved by themadonna.but the lady who had saved her, coming to her secretly, said, if thou hast any desire, follow thegospel of diana, or what is called the gospel of the witches (il vangelo delle strege

rant to me the favour i implore!three things ive gathered in the garden here:a lemon, orange, and a mandarin;ive gathered them to bring good luck to me.two of them i do grasp here in my hand,and that which is to serve me for my fate,queen of the stars!then make that fruit remain firm in my grasp.[something is here omitted in the ms. i conjecture that the two are tossed without seeing them intothe air, and if the lemon remains, the ceremony proceeds as follows. this is evident, since in it theincantation is confused with a prose direction how to act.]saying this, one looks up at the sky, and i found the lemon in one hand, and a voice said to me t ake many pins, and carefully stick them in the lemons, pins of many colours; and as thou wilt havegood luck, and if thou desirest to give the lemo

BALANCE J

e and writhe in a semi-solid flux. there is a definite sense that these might represent orgasmic energies, the sexual charged stuff with which the magickian makes his magick. this stuff is a recurrent symbol in his work. in the illustrations to the powerful book of ugly ecstasy, this plasma is seen forming and reconstituting into winged serpents and tiny dragons and connecting the ground with the air. in the later more colourful pastels, the symbol of the tree seems to be linked in some way to ancestor worship. pictures such as trees present the viewer with a dark glimpse of plant forms as personalities, as if they were posing for a group photograph. and trees can also be used by the denizens of his more witchcraftbased sabbath pictures to symbolise the accumulation and generation of astra

BALANONES TEMPLE OF SET FAQ

pentagram is not central to all pagan beliefs, but there is still no need for this. all pagan faiths that i know of respect the symbols of other religions. agreed. so why do you turn the holy and glorious pentagram wrong side up? it's a symbol of dynamic balance, resting actively on one point. why do you have to turn it over with its all-important balance point pointing meaninglessly up into the air? there is additional discussion of initiation and the temple's degree system in the ref document. 2.3 satanism is the temple of set a satanic organization? the temple of set as an organization was founded in 1975 by dr. michael aquino, in san francisco. its initial membership came from the church of satan (that infamous "satanic" organization of the carny anton lavey, composed of cos members w

BAPHOMANTIS LUCIFERIAN SATANIC MASS

n, starting in the north and ending in the west. lucifer, ouyar, chameron, aliseon, mandousin, premy, oriet, naydru, esmay, eparinesont, estiot, dummoson, panochar, casmiel, hayras, fabelleronthou, sardirno, peatham, venite, venite, come lucifer, amen. come lucifer to witness this rite of dedication unto you, veni, omnipotens aeternae diabolus! after which turn back towards the alter, make in the air an inverted pentagram, using your left forefinger or w/ dagger, as you do so say: i bless this alter in the name of lucifer and satan. and i dedicate this rite unto thee oh infernal lord of the earth, he who gives me joy. may the blessings of darkness be with (me\us) this night "i shall go down to the alters of hell" after which one participant may say: i call upon thee oh mighty lord lucifer

and look foward to his ultimate reign and the pleasures that are to come. veni, omnipotens aeternae diabolus (mistress of temple kisses the temple keeper on the lips and says "may satan be with you (priest) then say: bringer of enlightenment, i greet you who cause us to seek the forbidden knowledge and find true light in darkness" then dip your finger in the wine in the chalice, construct in the air an inverted pentagram then say, blessed are the strong for they shall inherit the earth! blessed are the proud for they shall breed gods! let the humble and meek die in there misery! hail our father and lord of the earth! pick up the paten with host on it, hold it in front of you. and say: sancttissimi corporsis satanas, recieve this host lord lucifer which i, thy worthy servant offer to thee

is turning and your flock is learning the truth. in the name of lucifer, the daemons and legions. i condemn thee to the abyss and free the souls of all you have taken. this host is your filth that only your sheep will eat! take the wafer and burn in a special black candle and say "i take your worthless host and turn it into toast" after take up the chalice, with it in your hand, construct in the air, an inverted pentagram,while saying: veni, omnipotens aeternae diabolus! each drink from chalice and then say: so let there be ecstasy and darkness,and let there be chaos and laughter, let there be sacrifice and strife, but above all let us enjoy the gifts of life! hail satan, prince of life! then say: we have gained the blessings of our lord lucifer, may his protection and grace be with us in

BASIL VALENTINE TWELVE KEYS

way. a celestial influence descends from above, by the decree and ordinance of god, and mingles with the astral proper ties. when this union has taken place, the two bring forth a third namely, an earth vlike twelve keys of basil valentine 12 of 95 substance, which is the principle of our seed, of its first source, so that it can shew an ancestry, and from which three the elements, such as water, air, and earth, take their origin. these elements work underground in the form of fire, and there produce what hermes, and all who have preceded me, call the three first principles, viz, the internal soul, the impalpable spirit, and visible bodies, beyond which we can find no earlier beginning of our magistery. in the course of time these three unite, and are changed through the action of fire int

or diminution. but that in which death and life, destruction and resurrection dwell, is a round sphere, with which the goddess of fortune drives her chariot, and imparts the gift of wisdom to men of god. its proper name here upon earth, and for the human understanding, is all vin vall. let him who would know what this all vin vall is, give the earth great wings, and make it fly upward through the air to the heavenly regions. then singe its wings with fierce heat, and make it fall into the red sea, and there be drowned. then dry up the water twelve keys of basil valentine 22 of 95 with fire and air till the earth reappears, and you will have all vin vall. if you cannot find it in this way, look around upon the things that are in the world. then you will find the all vin vall, which is the a

able to afford nourishment to anything. for its sulphur or richness would lack the quickening spirit without which there can be neither life nor growth. two contrary spirits can scarcely dwell together, nor do they easily combine. for when a thunderbolt blazes amidst a tempest of rain, the two spirits, out of which it is formed, fly from one another with a great shock and noise, and circle in the air, so that no one can know or say whither they go, unless the same has been ascertained by experience as to the mode in which these spirits manifest. know then, gentle reader, that life is the only true spirit, and that that which the ignorant herd look upon as dead may be brought back to permanent, visible, twelve keys of basil valentine 41 of 95 and spiritual life, if but the spirit be restore

eration be hindered. for too much rain spoils the fruit, and too much drought stunts its growth. therefore, when neptune has prepared his bath, measure out carefully the exact quantity of permanent water needed, and let there be neither too little nor too much. the twofold fiery male must be fed with a snowy swan, and then they must mutually slay each other and restore each other to life; and the air of the imprisoned fiery male will occupy three of the four quarters of the world, and make up three parts of the imprisoned fiery male, that the death vsong of the swans may be distinctly heard; then the swan roasted twelve keys of basil valentine 46 of 95 will become food for the king, and the fiery king will be seized with great love towards the queen, and will take his fill of delight in em

queen, and will take his fill of delight in embracing her, until they both vanish and coalesce into one body. it is commonly said that two can overpower one, especially if they have sufficient room for putting forth their strength. know also that there must come a twofold wind, and a single wind, and that they must furiously blow from the east and from the south. lf, when they cease to rage, the air has become water, you may be confident that the spiritual will also be transmuted into a bodily form, and that our number shall prevail through the four seasons in the fourth part of the sky (after the seven planets have exercised power, and that its course will be perfected by the test of fire in the lowest chamber of our palace, when the two shall overpower and consume the third. for this pa

BELL CHRISTOPHER PAUL TSIU MARPO THE CAREER OF A TIBETAN PROTECTOR DEITY

ddhist influence, while the life-force retains its original, more intangible nature.23 the life-energy (srog) is perhaps more consistent with western notions of a soul as it resides within the body, specifically in the heart. the life-energy does not wander like the life-force, but it can be stolen by demonic forces, resulting in severe illness and death. the life-breath (dbugs) consists of vital air that travels through the subtle channels, as described above; it can also be stolen, resulting in the death of an individual. tucci conflates these latter forces to a 22 see samuel 1993, p. 237. see tucci 1988, p. 262 n.16; and samuel 1993, pp. 236-242 for more on the subtle body. 23 see samuel 1993, pp. 186-191. see tucci 1988, pp. 190-193; de nebesky-wojkowitz 1998, pp. 481-483; and karmay 1

t manual" are too awkward. therefore, establishing these terms now will prove to be efficient in the course of this study. important figures a short introduction to some central figures will help to understand the religious and historical context in which tsiu marpo and the protector deity tradition is based. not all of these figures are historical; those that are have come to be surrounded by an air of mythic importance. trisong deutsen (khri srong lde u btsan; 742-796) is the second in a triumvirate consisting of the most noble and revered tibetan buddhist kings of the yarlung dynasty (figure 3. the other two kings are the first buddhist king of tibet, songtsen gampo (srong btsan sgam po; 617-650, and relpacen (ral pa can; 815-841. the yarlung dynasty is the first and only grand dynasty

with each deity providing further insight into a communal crisis or prophetic declaration.158 when a deity descends into an oracle, it results in a trance state. this trance state of possession shows a marked contrast in the behavior of the oracle. as the deity begins to take over the body of the oracle, he will begin to shake and tremble, breathe faster and with heavy breaths, and even puff out air or wag the tongue. the oracle s complexion also changes, with his face turning red or yellow, depending on the disposition of the deity.159 the disposition of the deity is important, as an oracle can channel a wrathful or peaceful deity. an oracle possessed by a wrathful deity will grow red-faced and become very violent in his movements; a passive deity will cause an oracle to act more subdued

BLACK SERPENT1

e typical ritual body in which requests of concentration, knowledge, intellect, and purification are burned at the altar (i.e. a bowl, incense burner, or bonfire) the ashes must be crushed to a fine powder and later dispersed in the wind. some sects choose to sing hymns and go into longer durations of prayer before the ritual closing. the ritual is closed as thus "hail lucifer. lord and master of air. we thank thee for being present at our ritual. we bid you, go in peace" oleum and incense of the quarter: lucifer by j. thorp an oleum is a specialized oil made with herbs, flowers, roots, and resins that are used as offerings to the demons/deities. incense is an herbal mixture that is used in ritual for a purpose, adoration/worship, or meditation. it is made of whole herbs, flowers, roots, a

nce is a movement that is being called "dominionism" it is sometimes called "christian reconstructionism" and appears to have grown out of conservative presbyterianism during the early 1970's. dominionist beliefs are evidently derived from genesis 1:26 of the old testament "then god said 'let us make man in our image, in our likeness and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth and over all the creatures that move along the ground (niv) 12 dominionist theologians believe that it is their responsibility, as christians, to bring the entire world- all countries, societies, and governments- under the "word of god" they are also postmillennialists, meaning they believe jesus christ will only return to earth after most of the world h

BLAVATSKY H P ANTHROPOGENESIS

ns of our globe (b) the birth of the astral, before the physical body: the former being a model for the latter; and (c) that man, in this round, preceded every mammalian- the anthropoids included- in the animal kingdom[[footnote(s* see genesis ch. ii, v. 19. adam is formed in verse 7, and in verse 19 it is said "out of the ground the lord god formed every beast of the field, and every fowl of the air; and brought them unto adam to see what he would call them" thus man was created before the animals; for the animals mentioned in chapter i. are the signs of the zodiac, while the man "male and female" is not man, but the host of the sephiroth; forces, or angels "made in his (god's) image and after his likeness" the adam, man, is not made in that likeness, nor is it so asserted in the bible. m

the claim that physical man was originally a colossal pre-tertiary giant, and that he existed 18,000,000 years ago, must of course appear preposterous to admirers of, and believers in, modern learning. the whole posse comitatis of biologists will turn away from the conception of this third race titan of the secondary age, a being fit to fight as successfully with the then gigantic monsters of the air, sea, and land, as his forefathers- the ethereal prototype of the atlantean- had little need to fear that which could not hurt him. the modern anthropologist is quite welcome to laugh at our titans, as he laughs at the biblical adam, and as the theologian laughs at his pithecoid ancestor. the occultists and their severe critics may feel that they have pretty well mutually squared their account

from the drops of sweat; from the residue of the substance; matter from dead bodies of men and animals of the wheel before; and from cast-off dust, the first animals were produced. 29. animals with bones, dragons of the deep, and flying sarpas were added to the creeping things. they that creep on the ground got wings. they of the long necks in the water became the progenitors of the fowls of the air. 30. during the third race the boneless animals grew and changed: they became animals with bones, their chhayas became solid. 31. the animals separated the first. they began to breed. the two-fold man separated also. he said "let us as they; let us unite and make creatures" they did. 32. and those which had no spark took huge she-animals unto them. they begat upon them dumb races. dumb they we

agic. in the epic poem of finland, the kalewala* the origin of the serpent of evil is given: it is born from the "spittle of suoyatar. and endowed with a living soul by the principle of evil" hisi. a strife is described between the two, the "thing of evil (the serpent or sorcerer, and ahti, the dragon "magic lemminkainen" the latter is one of the seven sons of ilmatar, the virgin "daughter of the air" she "who fell from heaven into the sea" before creation, i.e, spirit transformed into the matter of sensuous life. there is a world of meaning and occult thought in these few lines, admirably rendered by dr. j. m. crawford, of cincinnati. the hero lemminkainen, the good magician "hews the wall with might of magic, breaks the palisade in pieces, hews to atoms seven pickets, chops the serpent w

eding meanwhile with our explanations of geological and racial cycles[[vol. 2, page] 75 the secret of the fall of the angels. stanza iii. attempts to create man (11) the descent of the demiurge (12) the lunar gods ordered to create (13) the higher gods refuse. 11. the lord of the lords came. from her body he separated the waters, and that was heaven above, the first heaven (the atmosphere, or the air, the firmament (a (a) here tradition falls again into the universal. as in the earliest version, repeated in the puranas, so in the latest, the mosaic account. in the first it is said "he the lord (the god who has the form of brahma "when the world had become one ocean (harivamsa i. 36) concluding that within the waters lay the earth, and desirous to raise it up" to separate it "created himsel

BLAVATSKY H P COSMOGENESIS

three such evidences are joined together the certitude will become 215/216. the agreement of ten persons giving each 1/2 of certitude will produce 1023/1024, etc, etc. the occultist may remain satisfied, and care for no more[[vol. 1, page xlviii[[blank[[vol. 1, page 1] proem- pages from a pre-historic period. an archaic manuscript- a collection of palm leaves made impermeable to water, fire, and air, by some specific unknown process- is before the writer's eye. on the first page is an immaculate white disk within a dull black ground. on the following page, the same disk, but with a central point. the first, the student knows to represent kosmos in eternity, before the re-awakening of still slumbering energy, the emanation of the word in later systems. the point in the hitherto immaculate

out of the material he found in his own small brain-fabric, and forced it upon mankind as a direct revelation from the one unrevealed space* the occultist[[footnote(s* see manu's account of brahma separating his body into male and female, the latter the female vach, in whom he creates viraj, and compare this with the esotericism of chapters ii, iii, and iv. of genesis* occultism is indeed in the air at the close of this our century. among many other works recently published, we would recommend one especially to students of theoretical occultism who would not venture beyond the realm of our special human plane. it is called "new aspects of life and religion" by henry pratt, m.d. it is full of esoteric dogmas and philosophy, the latter rather limited, in the concluding chapters, by what see

us. cool breath is the mother, who conceives, forms, brings forth, and receives them back into her bosom, to reform them at the dawn (of the day of brahma, or manvantara" for clearer understanding on the part of the general reader, it must be stated that occult science recognises seven cosmical elements- four entirely physical, and the fifth (ether) semi-material, as it will become visible in the air towards the end of our fourth round, to reign supreme over the others during the whole of the fifth. the remaining two are as yet absolutely beyond the range of human perception. these latter will, however, appear as presentments during the 6th and 7th races of this round, and will become known in the 6th and 7th rounds respectively* these seven elements with their numberless sub-elements[[foo

y particular moment, but is composed of the sum of all its various and changing conditions from its appearance in the material form to its disappearance from the earth. it is these "sum-totals" that exist from eternity in the "future" and pass by degrees through matter, to exist for eternity in the "past" no one could say that a bar of metal dropped into the sea came into existence as it left the air, and ceased to exist as it entered the water, and that the bar itself consisted only of that cross-section thereof which at any given moment coincided with the mathematical plane that separates, and, at the same time, joins, the atmosphere and the ocean. even so of persons and things, which, dropping out of the to-be into the has-been, out of the future into the past- present momentarily to ou

stly, the fact just mentioned, that the lotus-seed contains within itself a perfect miniature of the future plant, which typifies the fact that the spiritual prototypes of all things exist in the immaterial world before those things become materialised on earth. secondly, the fact that the lotus plant grows up through the water, having its root in the ilus, or mud, and spreading its flower in the air above. the lotus thus typifies the life of man and also that of the kosmos; for the secret doctrine teaches that the elements of both are the same, and that both are developing in the same direction. the root of the lotus sunk in the mud represents material life, the stalk passing up through the water typifies existence in the astral world, and the flower floating on the water and opening to t

BLUE EQUINOX

ess weeping through the tangled grove, the gnarled bole the equinox 6 of the living tree that is spirit and soul and body and brain- come over the sea (io pan! io pan) devil or god, to me, to me, my man! my man! come with trumpets sounding shrill over the hill! come with drums low muttering from the spring! come with flute and come with pipe! am i not ripe? i, who wait and writhe and wrestle with air that hath no boughs to nestle my body, weary of empty clasp, strong as a lion and sharp as an asp- come, o come! i am numb with the lonely lust of devildom. thrust the sword through the galling fetter, all-devourer, all-begetter; give me the sign of the open eye, and the token erect of thorny thigh, and the word of madness and mystery, o pan! io pan! io pan! io pan pan! pan pan! pan, i am a ma

st; in the secret places men shall meet with thee, and thou shalt overcome them. 30. i saw a pale sad boy that lay upon the marble in the sunlight, and wept. by his side was the forgotten lute. ah! but he wept. 31. then came an eagle from the abyss of glory and overshadowed him. so black was the shadow that he was no more visible. 32. but i heard the lute lively discoursing through the blue still air. 33. ah! messenger of the beloved one, let thy shadow be over me! the equinox 74 34. thy name is death, it may be, or shame, or love. so thou bringest me tidings of the beloved one, i shall not ask thy name. 35. where now is the master? cry the little crazy boys. he is dead! he is shamed! he is wedded! and their mockery shall ring around the world. 36. but the master shall have his reward. the

her; they decked me out as a bride; the mounted me for thy bridal chamber. 32. they fled away at thy coming; i was alone before thee. 33. i trembled at thy coming, o my god, for thy messenger was more terrible than the death-star. 34. on the threshold stood the fulminant figure of evil, the horror of emptiness, with his ghastly eyes like poisonous wells. he stood, and the chamber was corrupt; the air stank. he was an old and gnarled fish more hideous than the shells of abaddon. 35. he enveloped me with his demon tentacles; yea, the eight fears took hold upon me. 36. but i was anointed with the right sweet oil of the magister; i slipped from the embrace as a stone from the sling of a boy of the woodlands. 37. i was smooth and hard as ivory; the horror gat no hold. then at the noise of the w

r is .stablished in the void. 26. from the crown to the abyss, so goeth it single and erect. also the limitless sphere shall glow with the brilliance thereof. 27. thou shalt rejoice in the pools of adorable water; thou shalt bedeck thy damsels with pearls of fecundity; thou shalt light flame like licking tongues of liquor of the gods between the pools. 28. also thou shalt convert the all-sweeping air into the winds of pale water, thou shalt transmute the earth into a blue abyss of wine. 29. ruddy are the gleams of ruby and gold that sparkle therein; one drop shall intoxicate the lord of the gods my servant. 30. also adonai spake unto v.v.v.v.v. saying: o my little one, my tender one, my little amorous one, my gazelle, my beautiful, my boy, let us fill up the pillar of the infinite with an

izzard on a glacier. but you win..o.m] aug. 8. note. i begin to feel the fuller life again. these few pages of edward carpenter have acted like a draught of living water and revived me a great deal. i feel a secret joy to-night. the unaccountable inner joy which transforms everything and frees the soul from its shackles. all seems so good to-night, this simple life, the tent by the sea, the night air, the happy tired feeling after the day.s work, the presence of my two dear ones, the equinox 162 and all the dear ones of which i am a part, the presence of adonai within and without. it is good to have lived for this [this is dreadful! you must not mistake .feeling good. for a mystic state..o.m] aug. 9, 9:59 to 10:26 p.m. during this meditation a certain magical understanding arose whereby it

BOOK T

seven abodes which be in aushiah "and i saw in the right hand of him that sate upon the throne a book, sealed with seven seals "who is worthy to open the book, and to loose the seals thereof' the titles of the symbols 1. the ace of wands is called the root of the powers of fire. 2. the ace of cups is called the root of the powers of water. 3. the ace of swords is called the root of the powers of air. 4. the ace of pentacles is called the root of the powers of earth. 5. the knight of wands is "the lord of the flame and lighting: the king of the spirits of fire" 6. the queen of wands is "the queen of the thrones of flame" 7. the king of wands is "the prince of the chariot of fire" 8. the knave of wands is "the princess of the shining flame: the rose of the palace of fire" 9. the knight of c

the sea" 10. the queen of cups is "the queen of the thrones of the waters" book t page 1 of 26 http//www.private.org.il/gd/book-t.html 13/10/2002 11. the king of cups is "the prince of the chariot of the waters" 12. the knave of cups is "the princess of the waters: the lotus of the palace of the floods" 13. the knight of swords is "the lord of the wind and the breezes: the king of the spirits of air" 14. the queen of swords is "the queen of the thrones of air" 15. the king of swords is "the prince of the chariot of the winds" 16. the knave of swords is "the princess of the rushing winds: the lotus of the palace of air" 17. the knight of pentacles is "the lord of the wide and fertile land: the king of the spirits of earth" 18. the queen of pentacles is "the queen of the thrones of earth" 1

es success unfulfilled saturn taurus 51 8 of swords shortened force jupiter gemini 52 9 of swords despair and cruelty mars gemini 53 10 of swords ruin sun gemini 54 2 of cups love venus cancer 55 3 of cups abundance mercury cancer 56 4 of cups blended pleasure moon cancer no. card the twenty-two keys of the book letter attribution 57 the foolish man the spirit of gr:alpha-iota-theta-eta-rho aleph air 58 the magician the magus of power bet mercury book t page 2 of 26 http//www.private.org.il/gd/book-t.html 13/10/2002 such are the titles of the abodes or atouts of thooth; of the mansions of the house of my father. the descriptions of the seventy-eight symbols of this book "t" in a circle, composed of two white bars; together with their meanings. of the aces first in order and importance are

alm thereof a cup, resembling that of the stolistes. from it rises a fountain of clear and glistening water: and sprays falling on all sides into clear calm water below, in which grow lotuses and water-lilies. the great letter of the supernal mother is traced in the spray of the fountain. it symbolizes fertility- productiveness, beauty, pleasure, happiness, etc. iii. the root of the powers of the air ace of swords a white radiating angelic hand, issuing from clouds, and grasping the hilt of a sword, which supports a white radiant celestial crown; from which depend, on the right, the olive branch of peace; and on the left, the palm branch of suffering. six vaus fall from its point. it symbolizes "invoked" as contrasted with natural force: for it is the invocation of the sword. raised upward

ire-wand, somewhat similar to that of the zelator adeptus minor. beneath the chariot are flames, some waved, some salient. swift, strong, hasty; rather violent, yet just and generous; noble and scorning meanness. if ill dignified- cruel, intolerant, prejudiced and ill natured. he rules the heavens from above the last decan of cancer to the second decan of leo; hence he includes most of leo minor. air of fire prince and emperor of salamanders. viii. the princess of the shining flame; the rose of the palace of fire knave of wands a very strong and beautiful woman with flowing red-gold hair, attired like an amazon. her shoulders, arms, bosom and knees are bare. she wears a short kilt reaching to the knee. round her waist is a broad belt of scale-mail; narrow at the sides; broader in front and

BUCKLAND RAYMOND COMPLETE BOOK OF WITCHCRAFT

apparently stopped to think that if the witches really did what they were accused of, they would suffer equally themselves. after all, they too had to eat to live. an old ritual act for fertility was for the villagers to go to the fields in the light of the full moon and to dance around the field astride pitchforks, poles and broomsticks; riding them like hobby-horses. they would leap high in the air as they danced, to show the crops how high to grow. a harmless enough form of sympathetic magick. but the church claimed not only that they were working against the crops, but that they actually flew through the air on their poles. surely the work of the devil! in 1484 pope innocent viii produced his bull against witches. two years later two infamous german monks, heinrich institoris kramer an

w you have moved the blade through the heated it with plunged it into and showed it to the for the handle, take two pieces of wood. draw around the tang (the handle part of the blade) on each of the pieces of wood (see figure 3.3 and 3.4. then chisel out the marked sections, each one to half the thickness of the tang. when finished, the two pieces of wood should lay together figure 3.2 figure 3.1 air, fire water earth. figure 3.3 figure 3.4 lesson three: tools, clothing and names/ 31 perfectly with the tang inserted between them. when you are satisfied they fit well, slightly roughen the inside wood and then spread a good epoxy resin glue all over. put the tang in place, press the two wooden handle halves together and clamp. when clamping, put on the pressure slowly so as to give a better

be it known the temple is about to be erected; the circle is about to be cast. let those who desire attendance gather in the east and await the summons. let none be here but of their own free will" priest and priestess each take an altar candle and move around the altar, deosil, and across to the east. priestess lights the east candle from the one she carries. priestess "here do i bring light and air in at the east, to illuminate our temple and bring it the breath of life" time now to look at the opening and closing ceremonies, as performed by a coven, with the appropriate tools. in the saxon tradition we call these rites erecting the temple and clearing the temple. preferring these terms to others, such as "opening and closing the circle, i will use them here. the rituals in this workbook

they then return to the altar. the bell is rung three times. priest/ess "may you all be here in peace and in love. we bid you welcome. let now the quarters be saluted and the gods invited" the covener closest to the east turns outward and moves to stand facing the east candle, with her/his athame raised. s/he draws an invoking pentagram (see diagram) and says: covener "all hail to the element of air; watchtower of the east. may it stand in strength, ever watching over our circle" s/he kisses the blade of her/his athame and returns to the circle. the covener closest to the south then turns to face the south candle. with athame raised, s/he draws an invoking pentagram and says: covener "all hail to the element of fire; watchtower of the south. may it stand in strength, ever watching over ou

intakes until the lungs are full. hold it a moment, then suddenly exhale through mouth with a "hah" sound. do this three times. 8: breathe in slowly and fully, through the right nostril (hold the left one closed if necessary, feeling the stomach balloon out as you do so. hold it a moment, then exhale slowly through the mouth, flattening the stomach as you do so. this exercise moves all the stale air from the bottom of the lungs. do this three times. 9: repeat the last exercise, this time breathing in through the left nostril and out through the right nostril. do this three times. now, with your body relaxing and breathing normally but deeply, concentrate your thoughts until you can imagine your whole body encased in a globe of white light. feel the luminous energy charging your whole body

BUDGE E

ai mis la suite d'osiris pour le d fendre, pour escorter ses images, pour an antir ceux qui l'attaquent, si bien que le dieu hon est toi, osiris, derri re toi, pour te d fendre, pour escorter tes images, pour an antir ceux qui l'attaquent, si bien que hon est toi, osiris, que sa est toi, khontamentit, vous dont les formes sont stables, vous dont les rites assurent l'existence, vous qui respirez l'air [de vos narines, qui voyez] de vos faces, qui coutez de vos oreilles, qui tes coiff s de vos coufi h, qui tes v tus de vos bandelettes, qui avez des revenus d'offrandes vous sur terre par l'office des pr tres du dieu, qui avez des champs vous de votre propre domaine, vous dont les mes ne sont point renvers es, dont les corps ne sont point culbut s, ouvrez vos cercles et tenez-vous vos places

who have plunged themselves beneath the waters, and unto those who swim, and unto those who float in nu of the tuat 'o ye who have plunged yourselves beneath the waters, who shine in nu, o ye whose hands cover your faces, who swim with your faces turned towards the water in the tuat, whose cheeks are filled with water, o ye who paddle in the waters of nu, whose faces are turned up into p. 229 the air in the following of your souls, whose souls have been deprived of their heavenly air, and who beat the air with your hands in order to obtain it, o make ye your way in nu by means of your legs, and your thighs shall not be in any way impeded. come ye forth in this stream, descend ye on these waves, fill ye hap-ur, and arrive ye at its furrows, click to view hetemit. bekhkhit. tchetmit. senthes

CASE PAUL F THE BOOK OF TOKENS

h in my will, and by my will cometh at last to its appointed end. than this, indeed, there is no other will in all the universe, yet in it do all creatures have a part. 6 from my substance all things derive their substance, and all that hath form is built from my four-fold elemental manifestation. four are the subtle principles which the wise conceal from the uninitiate by the names: fire, water, air, and earth. in endless variety of mixture and proportion, directed by my will, these mingle together for the production of forms. they are transmutations of a single essence, and from their mingling are brought forth all things. watching thus the multiplicity of existences proceeding from my single essence, i understand them in all their relations. i perceive that their beginning, middle, and

of the meditation should be compared with the symbolism of the first tarot key. the magician is obviously the on-looker, and he corresponds to the "superior nature. the four subtle principles mentioned in the sixth section are also shown in the symbolism of this key, as the implements on the table. the wand is the element of fire. the cup stands for the element of water. the sword is a symbol of air. the coin or pentacle represents the element of earth. note well that the text says "the wise conceal" the true "principles" under the names of the elements of ancient physics. the meditation on gimel* 1. thou hast seen, o israel, how, for the sake of creation, the one life that i am seemeth to divide itself, becoming two. of these two, i have made known to thee my superior nature, the crown o

w. of whatsoever is, thou mayest say with truth" i t was" hence is the vision of the prophet which seemeth to pierce the veil between what is and what is yet to come, in truth a recollection of that which seemeth to belong to the past. my hand holdeth the whole circle of being and for me time is not [100] yod 5 i am the link between chesed and tiphareth, combining the waters of substance with the air of life. i measure and bound the ruach which hath its place in the path of mediating influence, because i am the intelligence of will which carrieth the water of mercy into the sphere of beauty. 6 i am ten, yet from me proceedeth the twenty, for i am ten ineffable and ten manifested in creation. therefore is yod both ten and twenty. and the ten made manifest are also seven, and these are the e

h all forms are developed. to commemorate this fourfold manifestation of life, the divine names in many languages are four-lettered. this is particularly true in hebrew, and of the divine names in that language the most important is the tetragrammaton, i h v h. each letter of this name represents one of the four aspects of life called "elements. i stands for fire; the first h for water; the v for air; and the second h for earth. since the numeral value of the character mem is 40, it represents 4 x 10, and this is an arithmetical symbol of what the text calls "the fourfold elemental division of my nature, working through the ten sephiroth" the great mother, aima, is also the great sea which is the root of all the waters. that sea is binah, the bringerforth and nourisher. here is the advice

nds to life, to the element of fire, to atziluth, the archetypal world, to yod in i h v h, and to the sephirah chokmah, root of fire. the eagle corresponds to mind, to the element of water, to briah, the creative world, to the first heh in i h v h, and to the sephirah [189] t h e book of t o k e n s binah, the root of water. the man corresponds to the third aspect, truth or law, to the element of air, to yetzirah, the formative world, to vav in i h vh, and to the sephirah tiphareth, attributed to air. the ox or bull corresponds to the fourth aspect, love, to the element of earth, to assiah, the material world, to the final heh in i h v h, and to the sephirah malkuth, attributed to earth. according to the qabalah, the life-power differentiates itself into ten lights of emanation, the sephir

CASSANDRA EASON A PRACTICAL GUIDE TO WITCHCRAFT AND MAGIC

to thank the wizard or to ask for his aid. when i visited the tomb, prayers- written on scraps of paper or card- were squeezed into gaps in the stones or pinned to the tree that shelters the tomb. whatever the origins of the tomb, it has been transformed into a source of power. for this badly signposted spot, a short walk up a muddy track from a cramped, rough car park, had a tranquil, spiritual air that you might expect at a great cathedral or far more impressive stone circles. such spots unleash the magick inside us. but even if you never visit brittany or stonehenge at sunrise on midsummer's day, you can still make use of your own magick. this is a book about white magick and witchcraft as sources of wisdom, healing and positivity. like native american spirituality, to which true witch

to this first stage. the action this is the stage where you use actions to endow the symbol with magical energies. this is part of the continuous process of translating your magical thoughts and words from the first stage, the inner plan, to manifestation as the impetus for success or fulfilment in the everyday world. these energies amplify your own. for example, passing incense, representing the air element, over the symbol activates the innate power of rushing winds that cut through inertia and bring welcome change, harnessing the energies of wide skies in which there are no limits, soaring like eagles, carrying your wishes to the sun. you can unite other elemental forces seite 20 wicca01.txt by using the appropriate tools and substances. similarly, you might begin a chant, a medley of g

guish your candle of need, you may shout: it is free, the power is mine! or, at the point of release, you may throw your extended hands wide in an arc above your head. if the ceremony is formal and you are using an athame, you can at this moment bring it in front of you to mark the invisible cutting of the knot holding the power. pull your visualised or actual knots tight, cut them, leap into the air, shouting: the power is free! or it is done! sometimes there is just a sudden stillness, as the power leaves. afterwards, you need to ground the energies by sitting or lying on the ground and letting excess energies fade away into the earth as you press down with your hands and feet. the four elements i have mentioned the use of the elements in rituals. in magick, there are four elements- eart

, shouting: the power is free! or it is done! sometimes there is just a sudden stillness, as the power leaves. afterwards, you need to ground the energies by sitting or lying on the ground and letting excess energies fade away into the earth as you press down with your hands and feet. the four elements i have mentioned the use of the elements in rituals. in magick, there are four elements- earth, air, fire and water. they all contain symbolic qualities and powers that together form the energies used in rituals. each element controls a quadrant in the magical circle. earth, in the north, represents the stability, security and strength of old stone circles, mighty castle walls, tall craggy rocks and mountain peaks. it is also associated with the time of midnight and winter. salt is often use

ic qualities and powers that together form the energies used in rituals. each element controls a quadrant in the magical circle. earth, in the north, represents the stability, security and strength of old stone circles, mighty castle walls, tall craggy rocks and mountain peaks. it is also associated with the time of midnight and winter. salt is often used to represent earth in spells and rituals. air, in the east, is action, freshness and power for change, the winds blowing across plains, vast, cloudless skies stretching endlessly, storms and whirlwinds stirring stagnation but also bringing destruction of the old. air is also associated with the dawn and spring. incense is often used to represent air in spells and rituals. fire, in the south, is the quicksilver, inspirational energy and cl

CHAOS MAGICK AND LUCIFERISM

in its holy state, what is called complete union with the hga (holy guardian angel. the activity of severing the ego, becoming beyond that and leaving the physical world is achieved via trance and the use of human bones as ritual tools. this represents that we are temporary and life ends, and that the spiritual paths may be ascended through desire and gnosis. lucifer is essentially the god of the air, or the astral plane. the luciferic powers are keys into the separation of the spiritual from the material, even though the luciferian may remain earth bound for some time. it is speculated that eventually something as this may grow boring and it would be time for the spirit to remain and move further into the astral. the tools of chaos magick are specifically anything which one would utilize

CHIREAU YVONNE BLACK MAGIC RELIGION AND THE AFRICAN AMERICAN CONJURING TRADITION

ys f time.[1] this brief episode in the life of one of the first english-speaking, african-born autobiographers sheds light on the convergence of "magical" and "religious" modes of thought in the eighteenth century. to olaudah equiano and his shipmates, the unexpected chaos of a violent squall possessed meanings that went beyond the apparent realities of the visible world. the elements of sea and air bore evidence of forces that were subject to both divine will and human intervention and manifested\ 36\ a wildly dangerous struggle for control over nature. it was an ancient conflict, one in which both africans and europeans had engaged for centuries and addressed in various theological debates and formulations. who governed the forces that could endanger and destroy life or preserve it? for

CHRONOLOGIA RORISPERGIUS

araimic alphabet. 550- the celts invade the island of britain. 535 bc pythagoras sets up esoteric colony near crotona in southern italy where scholars learn about numerology, astrology and the occult arts, which pythagoras learned during his 20 years of travels in babylon and egypt. 500 bce w.v. gensis, exodus, numbers (o.t) 475 bc empedocles of agrigentum introduces the 4 elements, fire, earth, air and water, into astrology, as the 4-fold root of all things. he discovered the idea that nothing can be destroyed (or created) only transformed. 427-347 plato 400 bce books of proverbs, job (o.t) 384-322 aristotle 370 bc eudoxus of cnidus devises calendars using zodiac with 12 equal zodiac signs. invents geometrical theory of proportion. 360 critias by plato: the origin of the atlantis story

or the hebrew apocalypse of enoch, supposedly written after his visionary ascension into heaven 132-5: bar kokhba rebellion in palestine. jerusalem is leveled and jews are forbidden to live there, removing any hope of establishing a third temple c.150 n.t. apocrypha. lotus sutra. cyranides(hermetica which catalogues the occult properties of birds, fishes, plants, and stones for the 4 elements of air,water,earth and fire. its first book has 24 chapters each beginning with a letter of the greek alphabet) ptolemy writes the tetrabiblos, the most comprehensive work on astrology to date. already aware of the precession of the equinoxes, ptolemy cautions astrologers to use the tropical spring equinox as the start of the first zodiac sign. other astrologers such as hephaestion of thebes and juli

l dies 1582 john dee -polar chart dedicated to sir humphrey gilbert. jean gosselin, a follower of postel, wrote "la signification de l'ancien jeu des chartes pythagorique et la d claration de deux doutes qui se trouvent en comptant au jeu de paume, lesquelles connaissances ont t longtemps cach es par cy devant: mais depuis peu de jours sont retrouv es et expliqu es par i.j hearts/cups to air and spades/swords to fire> 1583-1628 johan daniel mylius 1583 dr john dee and his associate edward kelley in prague, in the company of the emperor rudolph ii (the son of maximilian ii. william schaw was appointed master of works for all royal building projects for king james vi (later to become james i of england. 1584-1653 johann valentin andreae 1584 edward kelley's vision of four castles jo

CHYMICAL WEDDING OF CHRISTIAN ROSENKREUTZ

gh there is no great matter in it, yet i think it not impertinent to recount it. i thought i was upon a high mountain, and saw before me a great and large valley. in this valley were gathered together an unspeakable multitude of people, each of which had at his head a thread, by which he was hanged from heaven; now one hung high, another low, some stood even almost upon the earth. but through the air flew up and down an ancient man, who had in his hand a pair of shears, with which he cut here one s, there another s thread. now he that was close to the earth was so much more ready, and fell without noise, but when it happened to one of the high ones, he fell so that the earth quaked. to some it came to pass that their thread was so stretched that they came to the earth before the thread was

another s thread. now he that was close to the earth was so much more ready, and fell without noise, but when it happened to one of the high ones, he fell so that the earth quaked. to some it came to pass that their thread was so stretched that they came to the earth before the thread was cut. i took pleasure in this tumbling, and it gave my heart joy, when he who had over-exalted himself in the air about his wedding got so shameful a fall that it even carried some of his neighbours along with him. in a similar way it also made me rejoice that he who had all this while kept himself near the earth could come down so finely and gently that even the men next to him did not perceive it. but being now in my highest fit of jollity, i was jogged unawares by one of my fellow captives, upon which

as soon as every man had come forth, the virgin mounted up into her high throne, requesting us to sit down upon the steps, and to appear at the judgement; which we did not refuse, but left everything standing upon the table (except the goblet, which the virgin committed to the pages keeping) and went forth in our robes, upon the throne, which moved by itself as gently as if we passed through the air, till in this manner we came into the garden, where we all arose together. this garden was not extraordinarily curious, but it pleased me that the trees were planted in such good order. besides, there ran in it a most costly fountain, adorned with wonderful figures and inscriptions and strange charpage 31 acters (which, god willing, i shall mention in a future book. in this garden was raised a

erses, written in great letters. o. bli. to. bit. mi. li. on the second side were these three words: sanitas. nix. hasta (health, snow, lance) the third had only one word: f.i.a.t. but on the behind was an entire inscription running thus: quod. ignis: aer: aqua: terra: sanctis regum et reginarum nostr: cineribus. eripere non potuerunt fidelis chymicorum turba in hanc urnam contulit. a. what fire: air: water: earth were unable to rob from the holy ashes of our kings and queens page 72 was gathered by the faithful flock of alchemists in this urn a.d. 1459. now whether the egg were hereby meant, i leave to the learned to dispute; yet i do my part, and omit nothing undeclared. our egg being now ready was taken out, but it needed no cracking, for the bird that was in it soon freed himself, and

him in the bath. we therefore clapped a cover on the vessel, and allowed him to thrust his head out through a hole, till he had in this way lost all his feathers in the bath, and was as smooth as a new-born child; yet the heat did him no further harm, at which i much marveled, for the feathers were completely consumed in this bath, and the bath was thereby tinged blue. at length we gave the bird air, and he sprang out of the vessel of his own accord, and he was so glitteringly smooth that it was a pleasure to behold. but because he was still somewhat wild, we had to put a collar with a chain about his neck, and so led him up and down the room. meanwhile a strong fire was made under the vessel, and the bath boiled away till it all came down to a blue stone, which we took out, and having fi

COLLIER IRENE CHINESE MYTHOLOGY

so delighted with her handiwork that she wanted to make more. but she needed a quicker method. along the riverbanks, slender reeds arched their graceful stems over the water. nuwa rolled up her sleeves, cut a reed, and dipped it into the river mud like a spoon. expertly, she flicked her wrist and dropped blobs of mud chinese mythology 26 on the ground. when they dried, she breathed a huge puff of air into each blob, and instantly they became round, smiling creatures. the cheerful laughter of her creatures filled the goddess with happiness and pride. however, nuwa was tired. as much as she loved her new creations, she knew she could not watch over these humans every second. what would happen to these creatures when they grew old and died? nuwa did not relish making repairs, nor did she wish

taught the people how to make a chinese lute, a p pa. its melodic notes were a pleasure to hear, and its beautiful curves were a joy to behold. the p pa could mimic the sound of wind blowing against trees, water flowing over rocks, and horses hooves clopping forward in battle. fushi taught the people how to use the p pa to tell unforgettable stories. each time the people plucked a tune, the still air in the sound box of the p pa sprang to life. each time they strummed the strings, sleeping emotions and silent thoughts welled up in their hearts and minds. playing the p pa filled the people s bodies with joy, calmed their most savage feelings, and eased their deepest sorrows. when his time on earth was over, fushi bade goodbye to his people and ascended to the heavens, hoping that they would

rners) always appears much bigger than usual. it was customary to have moon-watching parties, and offerings are still made to the moon. and paper lanterns are in abundance. the autumn equinox marks the time of the year when nights become longer than the days, and as the moon symbolizes the yin, or feminine force, the rituals are performed by women, who offer incense and food at altars in the open air.3 mythology expert alexander eliot points out the universal fascination with lunar myths: lunar mythologies are often even more dramatic [than solar myths. for while the sun always remains the same, the moon waxes and wanes disappearing, only to come to life again after three moonless nights.4 hsi wang mu is a constant presence in chinese myths. professor anne birrell comments [s]he is polyfun

to marry him. one day, cheng undertook a long journey to a remote temple to pray for a child. her husband angrily refused to accompany her. the villagers all admired her bravery for attempting the journey to such an isolated place. the trail was steep and rocky. cheng felt alone in the world as she wound her way around the narrow, stony path. her chest hurt as she breathed the cold, thin mountain air. in her pocket quietly jingled a string of coins, her meager earnings from selling embroidery in the market. she hoped to buy prayers, incense, and fruit for the temple goddesses. cheng had to dodge branches and avoid disturbing the rocks in the road. she was careful to tread lightly on the 87 the unicorn s prophecy ground because she wanted to make as little noise as possible. she did not wan

the bellowing monkey. he put away his sword, and hurled himself at the skinny creature. the demon and monkey fought for hours, dealing each other glancing chinese mythology 98 blows, great jabs, and swift kicks. finally, monkey remembered one of the tricks he had learned from the immortal. quickly, he pulled out a clump of hair from his head, bit the hairs into small pieces, spat them out in the air, and shouted change! at once, the bits of hair turned into several hundred little monkeys, all of whom startled the demon with their piercing screams. the little monkeys pummeled the demon until they knocked him out. then monkey changed the little monkeys back into hair. he freed the imprisoned children and returned them to their parents. to celebrate their king s return, the cave monkeys feas

CONCERNING THE CEREMONY OF THE CONSECRATING THE VAULT

hwchy will not be invoked. the relationship between the four kerubs on the altar and the four enochian tablets which are visible in each quarter should be obvious. it is from the symbolism of the tablets that we call upon to charge the kerubic signs upon the altar. it is the chief adept of the second order who announces the beginning of the ceremony by holding the winged globe wand up high in the air and vibrating "hekas hekas este beh beloi" the chief is holding the wand by the white band. this is 3 symbolic of the equilibrated forces of over the governance of the four elements, beneath the divine wings of hwhy. through the chief adept holding the wand by the white band, he is symbolically forcing any and all negative energy down through the wand to the end of the black band and into the

e various calling of the elemental forces are now employed via the watchtower. all four watchtowers are activated through the four enochian tablets. this relates directly to the sun's cycle through the heavens and through the four elements which are held together by the tablet of union. this is the fifth principle, the element of. tools on the altar there are five tools on the altar. they are the air dagger (m, crucifix (o, chalice (n, chain (l, and the censer for the symbol of sitting on the letter c. as the tools are replaced on the altar after their use in the invocation of the watchtower, it begins the first magnetic re-charging of the ceremony. door of the vault the four kerubs on the door of the vault are also re-activated through the tablets of the watchtower and the invocation. thi

COSIMANO CHARLES ELEMENTARY PSIONICS

lose your temper and murder the poor wretch. once you have found your spot, sit rather quietly for about ten minutes at a time. that is how you start; just sitting quietly, doing nothing in particular. while sitting, try to notice how your body reacts. note that twitch in your right leg. you cannot help but feel an itch in your scalp, so do not hesitate to scratch it. fell your lungs filling with air, rising and falling, pushing out your rib cage and letting it fall back in. as you sit, you will notice all of these things. your body has certain places that are naturally tense. you will hear things you normally would ignore. now all of that is really not very strange when you think about it. we all have had the experience of trying to fall asleep only to be constantly reminded of some sligh

ons come to nothing because there is not enough energy behind them to hold them together. the thought message goes out and immediately dissipates into the ether. it is like a clump of dirt. when the clump is moist, it has a cohesion which will hold it together in a breeze. but, let it dry, and the wind pushes at it, pulling away small parts until there is nothing left but the dust floating in the air, capable of getting the neighbors' laundry dirty (why she can't buy a drier like a civilized human being is beyond me, but little else. so it is with the energy of our thoughts. it is only by being able to concentrate this energy that we are able to make it do any work. to use another analogy, there may be more kinetic energy in a good rainstorm than in a slow moving stream, but the stream can

t attract to you those things you desire. if, even after all this, you still have doubts about the existence of your etheric body, here is a simple experiment that you can do to prove to yourself that it does, in fact, exist. all that you have to do is to take your right hand and move it very slowly about an inch over the back of your left hand. did you notice a slight feeling as if there were an air current in between your two hands? that feeling was your etheric body. now walk over to a plant, any plant will do. hold your hand out over a leaf but do not touch it. now, very slowly, move your hand across the leaf. the leaf will move, following your hand. that was your etheric body again, this time moving against the etheric body of the plant. but you are going to do more than that. you are

thod for creating one. go through the procedure, but this time, as you program it to bring you the individual you are aiming at, give it a name, like egbert. it is actually best to give the thought-form a name that you are not likely to encounter in everyday life. that way you don't accidentally program the thought-form with qualities of a person. while you are visualizing the ball hanging in the air, instruct it very clearly and concisely in what it is supposed to do. then release it into the void and let it work. one little matter of some importance. never expect a thought-form to do more than one thing. they are not very bright and you will only confuse it and nothing will happen. it may be necessary to repeat the procedure as thought-forms do run out of gas after a while and sometimes

stand up straight. now, carefully push a hole in one spot on the straw, at the center, being careful not to penetrate the other side but large enough that the straw can turn with little friction. balance this on the pin, so that the straw can spin freely. be certain that you place the little device where there is no breeze blowing, and that means away from heat registers as well. you want as few air currents around as possible. now just sit and wait for the straw to stop moving. it will do so naturally so be a little patient. when it is perfectly still, slowly and carefully move your right hand to within a few inches of one end. now be very careful. you don't want to touch the straw because if you do you will knock it off balance and, as you have by now already discovered, it is a real pa

DAVID ICKE AND THE TRUTH SHALL SET YOU FREE

means they only have to keep a fraction (say, one-tenth) of their total deposits in the bank, or 'reserve. they count on it not being called for (demanded) by its customers all at the same time. in most countries where banks are regulated, there are rules or laws which allow a bank to shut its doors if too many people want their money out at the same time. the bank creates this money out of thin air by typing numbers onto a computer screen. a large slice of your taxes goes to the banks to pay interest on money created in this way when those taxes could be used to ease poverty and hunger, and create greater opportunity. indeed, if the money system was restructured to serve people and not banks, there is a good case for saying that all taxation could end. the con-trick is completed by the f

the standard oil vice-president to farish. it was dated october 12th 1939, and it said..in england i met by appointment the royal dutch [shell oil] gentleman from holland and..a general agreement was reached on the necessary changes in our relations with the i.g [farben, in view of the state of war..the royal dutch shell group is essentially british..i also had several meetings with the [british] air ministry "i required help to obtain the necessary permission to go to holland..after discussions with the [american] ambassador [joseph kennedy..the situation was cleared completely..the gentlemen in the air ministry..very kindly offered to assist me in re-entering england. 94..and the truth shall set you free "pursuant to these arrangements, i was able to keep my appointment in holland (havin

n the necessary permission to go to holland..after discussions with the [american] ambassador [joseph kennedy..the situation was cleared completely..the gentlemen in the air ministry..very kindly offered to assist me in re-entering england. 94..and the truth shall set you free "pursuant to these arrangements, i was able to keep my appointment in holland (having been flown there on a british royal air force bomber, where i had three days of discussion with the representatives of i.g. they delivered to me assignments of some 2,000 foreign patents and we did our best to work out complete plans for a modus vivendi which could operate through the term of the war, whether or not the us came in."20 [my emphasis] william s. farish refuelled nazi shipping and submarines in spain and latin america d

ail gorbachev, and so many more all parroted the party line on the environment, which, put succinctly, was global crisis= global solution. gorbachev, well-schooled the secret government 165 by his friends rockefeller and kissinger, suddenly began to speak passionately of the environment. he said "the ecological crisis we are experiencing today- from ozone depletion to deforestation and disastrous air pollution- is tragic but convincing proof that the world we all live in is interrelated and interdependent. this means that we need an appropriate international policy in the field of ecology. only if we formulate such a policy shall we be able to avert catastrophe. true, the elaboration of such a policy poses unconventional and difficult problems that will affect the sovereignty of states."56

ere blindfolded with a noose around their neck and a dagger held 184 .and the truth shall set you free to their heart. they had to swear to serve the order and keep its secrets, on pain of a grotesque ritual death. the penalty for divulging the secrets of the second degree (the fellow craft mason) is "having my left breast laid open, my heart torn therefrom, and given to the ravenous birds of the air, or devouring beasts of the field as a prey. in the third degree (master mason) it is "being severed in two, my bowels burnt to ashes, and those ashes scattered over the face of the earth and wafted by the four winds of heaven, that no trace of remembrance of so vile a wretch may longer be found among men, particularly master masons".4 charming. these are the sorts of ceremonies that conjure u

DAVID ICKE CHILDREN OF THE MATRIX

n underground city that could house a population of thousands in cappadocia, turkey, one of the centres of the phoenicians and the origin of george of cappadocia, who later became st george of england. thirty-six underground cities have been discovered in cappadocia so far and some are huge complexes going down eight levels. the ventilation systems are so efficient that even eight floors down the air is still fresh. thirty vast underground cities and tunnel complexes have also been found near derinkuya in turkey, also. it was the floodwaters and the need to survive them, which ensured that agriculture in the post-flood world began at altitudes above 10,000 feet and not, as you would expect, in the fertile plains. a study by the botanist, nikolai ivanovitch vavilov, revealed that the 50,000

s of the pharaohs and royal families in egypt.24 this is also why the egyptians and other cultures portrayed many of their gods, like osiris, with white skin and blue eyes- that's what the ruling race looked like. the twist was that their "royal" and "noble" bloodlines had interbred with the reptilian anunnaki. the very name, iran, another part of the sumer empire, comes from the word airy-ana or air-an, which means land of the aryas or aryans.25 there is still a race of white, often blue-eyed, people in kurdistan. the sumerian-phoenicians arrive in britain and ireland the phoenicians (sumerian empire) had landed in the british isles by at least 3000bc (figure 12 overleaf).26 this corresponds with the period when, it is claimed, the great stone circles like stonehenge and avebury were buil

ns, act out their subversive roles as 'reptilian agents' setting the stage of a reptilian-led et invasion."26 that last comment remains to be seen, but you will see revealed here the stream of evidence to show that the basis of what john rhodes suggests is true. i had a strange meeting with him in las vegas and his family background apparently connects into the cia airline during the vietnam war, air america. i am wary of his agenda to be honest, but his themes, as quoted, are supported by endless evidence. the fairy folk the tales of underground worlds inhabited by fairies, elves, goblins, demons, dragons, and other non-human communities abound in folklore across the world and they were often known as the "shining ones, the same as the anunnaki and the "gods" under other names in ancient

hile in india it was soma (the food of the gods) and in persia, haoma. they believed the menstrual blood was sacred and the life essence that could bring immortality. sir laurence gardner calls the anunnaki bloodlines the "dragon bloodlines, but claims that this derives only from the use of crocodile fat in the royal ceremonies of ancient egypt. right, larry, and i can hang by my willy from a hot air balloon. he dismisses any idea that these bloodlines are reptilian shape-shifters, although he acknowledges that such claims were made in ancient times. he said in a nexus magazine article that he found it hard to imagine that anyone (i.e. me) could still believe such stories in these more enlightened times. mmmm. the records of sumer, gardner says, reveal that the anunnaki had a "creation cha

as detailed in my other books. images of set and the set-wolf symbolism go back at least to 3200bc, the period of the battles between the nordics and the serpent cult recorded in the edda (figure 31. the temple of set website tells us "the great pyramid of giza is one of the last early monuments connected with the idea of a setian afterlife as well as a solar one. the great pyramid had a special air shaft for the king's akh to fly to the star alpha draconis, which is the star of set in the constellation of the thigh (today's 'big dipper."25 alpha draconis is the alleged base of the "draco" reptilian "royalty. it was known to the egyptians as thurban, an arabic word meaning dragon, and the pyramid builders aligned their structures with thurban/alpha draconis, which was the pole star around

DAVID ICKE THE BIGGEST SECRET

away its mind and itsresponsibility. humanity would rather do what it thinks is right for itself in the momentthan consider the wider consequences of its behaviour for human existence. ignorance isbliss, we say, and thats true- but only for a while. it may be bliss not to know a tornadois coming because you have no need to worry or take action. but while your head is inthe sand your bum is in the air, the tornado is still coming.if you looked up and faced it, disaster could beavoided, but ignorance and denial always ensure thatyou will get the full force and the most extremeconsequences, because it strikes when least expectedand you are least prepared. like i say, ignorance isbliss- but only for so long. we create our ownreality by our thoughts and actions. for every actionor non-action th

abuilder today and asking him to do that? you want me to do wha t? he would say,youre crazy. in peru are the mysterious nazca lines. the ancients scored away thetop surface of the land to reveal the white subsurface and through this method werecreated incredible depictions of animals, fish, insects and birds. some of them are solarge they can only be seen in their entirety from 1,000 feet in the air! the knowledgewhich allowed wonders like nazca, baalbek, the great pyramid at giza and otheramazing creations to be built with such precision and scale, came from an advancedrace who, in ancient times, lived among a far more primitive general population. thisrace is described as the gods in the old testament texts and other works and in oraltraditions of antiquity. i can hear followers of the

ised plants have shown. this would have been changed not only by the arrivalof the ice on the surface, but also by the destruction of a canopy of water vapour aroundthe earth, as described in genesis and other ancient texts. this canopy would haveensured a uniform tropical climate everywhere, but suddenly it was gone.the dramatic change in temperature at the poles would have collided with thewarm air and caused devastating winds, exactly as described by chinese folklore.the physicists said that the pressures created by the orbits of v enus around theearth would have produced a 10,000 foot tidal wave in the oceans and this againfits with the evidence that agriculture began at altitudes of 10,000 feet and higher.plato wrote in his work, laws, that agriculture began at high elevations after a

rom this region of iran, kurdistan, armenia, turkey and the caucasusmountains, that these reptile-human bloodlines emerged to take over the world. abrotherhood insider, a russian, said there was a massive vortex, an interdimensionalgateway, in the caucasus mountains where the extraterrestrials entered this dimension.that would explain a great deal. the name iran comes from the earlier airy-ana or air-an, which means land of the aryas or aryans.52 still today there are two distinct racesin kurdistan, the olive skinned of medium height with dark eyes, and the much taller,white skinned people, often with blue eyes. you will note that these traits wereconsidered the master race by the nazis and this was because the nazis knew thehistory and the connection with the reptilians. andrew collins in

prydi, are some ofthe other derivatives of barat. the original form was barat-ana or brithad-ana.36 thesuffix ana in hittite-sumerian (aryan) means one. ana in fact evolved into theenglish word one and the scottish ane. barat-ana or briton therefore means one ofthe barats (bruits. it is the same with many other countries occupied by this whiterace. the name iran comes from the earlier airy-ana or air-an, which means land ofthe arrays or aryans.37the indian v edas also acknowledge the goddess barati (belonging to the barats, andshe was known as brihad the divine. they say her special place was on the saras-vatiriver which happens to be the modern sarus river in the hittite-phoenician land of cilicia.the river entered the sea at tarsus, the alleged home of st paul in the new testament, awork

DAVID ICKE RELATED THE HIDDEN GEARS OF FREEMASONRY

re than just streets, roads, and buildings. he hid certain occultic magical symbols in the layout of u.s. governmental center. when these symbols are united they become one large luciferic, or occultic, symbol. washington d.c. an untrained eye might not see the luciferic connection in this map. the upper four points of the goathead represent the four elements of the world, fire, water, earth, and air. the bottom fifth point represents the spirit of lucifer. all of which are represented in washington d.c (the united states capital) many people have natural tendencies to want to disbelieve unpleasant or frightening truths. occultists take advantage of this "audacity, always audacity, is a saying the masters of the illuminati have always had. something shocking and so far out and considered t

tremendous power to the occultist while at the same time they hide the true meaning from nonoccultist. these symbols take on a life of their own, in the mind of the occultist, possessing great inherent power to accomplish the plans of the occultist. according to occultic/satanic doctrine, the upper four points of the goathead(left) represent the four elements of the world, fire, water, earth, and air. the bottom fifth point represents the spirit of lucifer. in the above photocopy of the goathead pentagram, the fifth point extends down into the mind of the goat, who represents lucifer. with all that as background, let us now begin our study of governmental center, washington, d.c. the satanic symbol& the masonic layout of washington d.c. in the street layout of washington d.c, the fifth poi

DAVIDSON DAN SHAPE POWER

fraud. they thought they found what they were looking for when they lifted the floorboards of a section of the laboratory and found a large cast-iron sphere from which protruded pieces of iron pipe, but the pipes were not connected to anything. the sphere was estimated to weigh 6,625 pounds and have a bursting strength of 28,000 pounds. this event revived the charge that keely had used compressed air to perform his miraculous feats; which, if true, would have earned keely a fortune from compressed air inventions. a friend of mine uncovered a newspaper article, written while keely was still living, which tells the story of how the iron sphere got under the floorboards. it seems the newsman who wrote the article had gone to see keely for possible newsworthy information. he found the inventor

o be charged with diamagnetism which in turn would cause the atoms of the fluids to collect an electrostatic charge. gravity was also found to be related to diamagnetism. by moving the aether in a vortical pattern, matter within the vortex would lose weight and levitate. this effect was the basis of his disc flying machines. schauberger experimented with various hydrodynamic fluids such as water, air, and sand as the basis for the material he ran through his levitation motors. healthful life-giving effects were also discovered to be associated with diamagnetism. viktor found that when foods and beverages were charged with diamagnetism they improved a person's health. 2.6 bibliography 1. keely and his discoveries. clara bloomfield moore, london, kegan paul, trench, trubner& co, ltd, 1893. 2

nd space, since it embodies scientific facts not discovered until many thousands of years after it was first constructed. table 4.1-1 some interesting facts about the great pyramid 4.2 great pyramid was not a tomb the great pyramid was never built or used as a tomb for some egyptian royalty or anyone else. nothing was ever found in the pyramid resembling egyptian tombs. the pyramid was built with air passages, no tomb or other pyramid was built with air passages for the dead to breath. the granite plug, a block 15 feet long, which was at the beginning of the ascending passage, was placed there when the construction reached that level. speculation abounds as to the great pyramid's true function. orthodox egyptologists cling to the belief that the great pyramid was used as a tomb for cheops

ex shaped, copper stove wire (with frayed ends) at the top, on the inside, of his big 30-foot pyramid to act as an antenna/collector. at the bottom of the pyramid he affixed a wire to a piece of 1/4" plywood wound in a clockwise (cw) flat spiral establishing the ground antenna. the center of the wire spiral was put through the plywood and grounded. the outer end of the flat spiral stuck up in the air so it could be attached to the wool thread coming from above. two inch staples went through the ground coil, and through the plywood further grounding the coil. from the apex antenna, he affixed a pure lamb's wool thread and dropped it down the center of the large pyramid. when he went to connect the thread to the spiral at the bottom of the pyramid, a high voltage charge (or whatever type of

antly charged with electricity by just holding it over his head. during a trip to egypt in the 1980s to conduct tests at the great pyramid, joe parr took measurements with an electrostatic voltmeter while he was on the top of the pyramid. joe was able to show that the pyramid is a huge generator of electrostatic energy, generating many thousands of volts. when a meter probe was stuck out into the air flow coming off the side of the pyramid the voltmeter quickly pegged at its maximum reading. this would suggest that the electrostatic energy is due to a triboelectric effect whereby the air moving up the side of the pyramid collects ions due to wind friction on the pyramid sides. 4.7.4 static pyramid electrostat ic power generation an experiment i performed is described in figure 4.7.4-1. use

DEITUS

storically has been attributed to the dark lord. the satanist recognizes that magic is magic, be it used to help or to hinder. the last page of the demonic bible is a diagram entitled the map of the spheres. the spheres illustrated are essentially archetypal. they have been described countless times in grimoires and magical treatises. in the physical world there are four elemental spheres: earth, air, fire, and water. there are also the four great watchtowers: north, east, south, and west. above the earth are the seven planetary spheres: the moon, mercury, venus, the sun, mars, jupiter, and saturn. beyond the planetary spheres are the fixed stars and the primum mobil, the twelve signs of the zodiac, and the heavenly spheres. beneath the earth lies the land of the dead (hades, the tartaran

minations of chaos. all spirits, demons, angels, and other beings of an archetypal nature are said to reside in one of the archetypal spheres. there are, for example, many ranks or orders of angels such as seraphim, cherubim, thrones, dominions, powers, virtues, archangels, etc. each angelic choir is said to reside in a particular heavenly sphere. similarly, the fallen angels may reside in earth, air, fire, water, or in the tartaric depths. spirits which dwell in the planetary spheres are often called olympic spirits. these include lunar, mercurial, venereal, solar, martial, jovial, and sanguine spirits. traditionally, all spirits may be invoked or summoned to appearance by the magician using certain formulas of invocation or evocation. magicians of the middle ages would fast for many days

DEMONIC BIBLE

urse material world. even the shells or husks (evil spirits) are manifestations of god s power. in jewish belief, god is infinite and therefore beyond description. yahweh, according to the cabalist, is not the name of god but the phonetic pronunciation of the word god spoke at the moment of creation. yhvh, called the divine tetragrammaton or sacred four letter word, represents the elements earth, air, fire, and water. the hebrew god was a god of physical manifestation who appeared to moses in a burning bush and to the israelites as a pillar of flame by night and cloud of vapor by day. it is likely that the hebrew mystical beliefs (which later formed the cabala) developed during the time the israelites lived among the egyptians. prior to the development of the cabala, the jewish religion wa

in candle holders. 4. high priest& high priestess enter the ritual chamber carrying the candle holders. 5. high priestess removes her robe and sits on the altar with her legs spread. 6. high priest lights the incense burner, places one of the candle holder in each of the high priestesses hands and places the chalice between her thighs. 7. high priest rings the bell nine times, thus purifying the air. 8. high priest walks counter-clockwise around the circle, swinging the incense burner while reciting the incantation i am satan, i am lucifer, i am the devil incarnate; i am belial, i am leviatan, i am the devil incarnate he drinks from the chalice. 9. high priest sprinkles unholy water to the south, the east, the north, and the west while saying, i have crossed the gates of hell and have bec

lf. open wide the gates of hell that i may cross and become like you. open wide thy gate that i may cross. come forth, satan, and manifest thyself. come forth, satan, and manifest thyself. consecrate me in thy name, satan. sanctify me in thy name, satan. bless me in thy name, satan. come forth, satan, and manifest thyself (drink from chalice) invocation of lucifer to the east i call, and into the air of enlightenment: lucifer, i invoke thee. lucifer, i summon thee. lucifer, i conjure thee. come forth, lucifer, and manifest thyself within this body, this temple which i have prepared and set apart to the dark lord. come forth, lucifer, and manifest thyself. come forth, lucifer, and manifest thyself. open wide the gates of hell that i may cross and become like you. open wide thy gate that i m

e in thy name, leviatan. bless me in thy name, leviatan. come forth, leviatan, and manifest thyself (drink from chalice) ritual to become the devil incarnate i am satan; i am lucifer; i am the devil incarnate. i am belial; i am leviatan; i am the devil incarnate. i am the south; i am the east; i am the devil incarnate. i am the north; i am the west; i am the devil incarnate. i am in fire; i am in air; i am the devil incarnate. i am in earth; i am in water; i am the devil incarnate. i am satan; i am lucifer; i am the devil incarnate. i am belial; i am leviatan; i am the devil incarnate. i am the devil incarnate (recite three times; then drink from chalice) the eight sub-princes of hell the formula of the demonic bible (as i preformed it) originally paralleled the sacred magic of abramelin t

this, since some of the demons are listed as both sub-princes of hell and as lords of the abyss, but the invocation of the eight sub-princes uses the classical names for these demons rather than the common names used today. it seems to me now that there are actually twelve gates of hell corresponding with the 4 crown princes and 8 sub-princes of hell. the first 4 gates are elemental gates (fire, air, earth, and water) and the other 8 are angular gates (south, south-east, east, north-east, north, north-west, west, and south-west) the 9 locks of the abyss may be seen to represent angles above the earth from the southern horizon to the northern horizon at increments of 20 degrees (making 180 degrees from the southern horizon to the northern horizon. multiplying 8 by 9 (to get the number of a

DIABOLUS

storm was the raging of ra at the thunder-cloud which [seth] sent forth against the right eye of ra (the sun. thoth removed the thunder-cloud from the eye of ra, and brought back the eye living, healthy, sound, and with no defect in it to its owner- from the papyrus of ani here we see that set was a sorcerer god, throwing filth and then thunder clouds, he controlled the elements of earth and the air. set although being injured, arose in might again after the battle, and later reached into obscurity to appear again in other cults outside of egypt under different names, all the while possessing the essence of which he created the adversary. set opened the paths of the two eyes (the sun and the moon- from the papyrus of ani the formula mentioned in the book of the dead refers to a magical fo

a force which strengthens by the desire of force. there is an example of a spell which implements infernal spirits and wax figures to obtain the love of a woman8 and was done through incantations of the infernal spirits. as witchcraft survived in medieval times it was said that through the divell the witches were able to effectuate by the power of their master 9. i invoke thee who art in the void air, terrible, invisible, almight god of gods, dealing destruction and making desolate, o thou that hatest i invoke thee, typhon-set, i perform the ceremonies of divination, for i invoke thee by the powerful name in which thou canst not refuse to hear: io erbeth, io pakerbeth, io bolkhoseth, io pathathnax, io soro, io neboutosoualeth, aktiophi, ereskhigal, neboposaleth, abermenthoou, lerthexanax

e manichaean myths of creation were rich in their lore of the underworld. according to mary boyce18 who wrote on the manichaean myths, hell was divided into five kingdoms. in details on the underworld she also wrote- hell is divided into five kingdoms, each of the substance of one of the five dark elements. thse are sometimes given the same names as the corresponding light elements (i.e. standing air also for dark air) or sometimes the exact opposite (i.e. darkness for light .the five infernal kingdoms are inhabited by five kinds of devils, two-legged, four-legged, winged, swimmings and crawling. each kind is divided into two sexes, and lives in perpetual lust and strife. the devil, or prince of darkness, king over all, combines in himself features of all five species of devil, namely demo

on and progression. in no mentioning of the black book is satan considered to be a negative force, rather a misunderstood power which can reside in each human being who can recognize what azazel is. 25 iblis, the the black light satanism in islam, published in gnosis magazine 23 then the lord descended to the holy land and commanded gabriel to take earth from the four corners of the world: earth, air, fire and water. he made it man, and endowed it with a soul by his power. then he commanded gabriel to place adam in paradise, where he might eat of the fruit of every green herb, only of wheat should he not eat. after a hundred years ta'us melek said to god "how shall adam increase and multiply, and where is his offspring" god said to him "into thy hand have i surrendered authority and admini

DICTIONARY GLOSSARY OF OCCULT TERMINOLOGY

f existence (q.v. a part of the of the ultimate, unknowable divinity. ain soph: hebrew for "without limit" one of the kabbalistic three so-called negative veils of existence (q.v. a description of the ultimate, unknowable divinity. ain soph aur: hebrew for "limitless light" one of the kabbalistic three so-called negative veils of existence (q.v. a part of the of the ultimate, unknowable divinity. air: one of the five magickal elements. it has the qualities of being warm and moist. the element of the direction of the east. the primary color is yellow. aiwass (aiwaz: the name of aleister crowley's (q.v) holy guardian angel (q.v. crowley spent many years trying to determine if aiwass was merely his higher self or was, in fact, a non-physical being. akasha: see azoth. also, the records of all

cosmic consciousness. the principle work of an "adeptus minor" in the hermetic order of the golden dawn. apport: from the french meaning "to bring. in spiritism (q.v, any object brought to a seance by a spirit (q.v) or entity from the spirit world or the astral plane (q.v. aquarius "the water-bearer" in astrology (q.v, the eleventh sign of the zodiac (q.v) having the qualities of fixed (q.v) and air (q.v) and is ruled by the planet uranus (q.v. on the rainbow wand (q.v) and on the lotus wand aries is represented by the color red. keywords include: unconventionally, rebelliously, humanitarianly, impersonally, with originality, with detachment, creatively. ararita: a hebrew, notarikon (q.v) for "eh-chahd rash, eh-chu-doh-toh rash, ye-chudoh- toh teh-mur-ah-toh eh-chahd" used in the lesser b

nscious mind through the unconscious mind of objects or scenes transmitted by an unknown entity. or 2) the visual perception by the conscious mind through the unconscious mind of objects or scenes as a natural function of the psychic (q.v) or sensitive (q.v) mind/ higher self. co, demon: a humorous reference to carbon monoxide. when charcoal for incense is burned, it can exhaust the oxygen in the air and replace it with carbon monoxide (chemical formula: co. a magician should always have plenty of air in a room when burning incense. conjure: from the old french language from the latin "com" meaning "together" and "jurare" meaning "to swear. thus to conjure literally means "to swear together" and implies "to swear with" conjuration: 1) to conjure (q.v. 2) the "swearing together or with" spi

sian demeter, whose torch symbolized her search for her daughter persephone, the spirit of youth and spring. in the order of the astral star, a junior officer of a stellar temple [s.t. a member of clergy (deacon/ deaconess (q.v) of a working lodge of the order who serves as the warden of the south. dagger: a cross hilted, double edged, short blade used as the magickal tool and weapon of elemental air. attributed to the direction of the east. deacon/ deaconess: from the late latin, from the greek "diakonos" meaning "servant. in the christian church, a lesser member of the clergy. one who ranks just below a priest/ priestess and is assigned the responsibility of assisting the priest/ priestess in religious services and in administrative matters. dee, dr. john: a mathematician, astronomer, sc

d to a tracing instrument, to track and show changes in electric patterns and potential in the brain. elemental: 1) a non-physical entity composed entirely of one of the magickal elements. these entities should actually be more properly called "elementaries (q.v) according to classic grimoires (q.v. 2) a spirit formed entirely from one of the four magickal elements (q.v) being: fire= salamanders; air= sylphs; water= undines; and earth= gnomes. these attributions were made by the ancient german occultist, paracelsus. 3) a "nature spirit" one of the living beings of the astral (q.v) world. less individuated than human beings, sub rational, highly sensitive, emotional, and imaginative creatures with the primary make up of one element (q.v) and that element's attributes. elemental, artificial:

DION FORTUNE MYSTICAL QABALA

as and render them thinkable; and though generations ef seers have given their lives to the task, the concepts still remain so abstract that it is only after a long course of discipline, called yoga in the east, that the mind is able to apprehend them at all. 6. the qabalist goes to work in a different way. he does not attempt to make the mind rise up on the wings of metaphysics into the rarefied air of abstract reality; he formulates a concrete symbol that the eye can see, and lets it represent the abstract reality that no untrained human mind can grasp. 7. it is exactly the same principle as algebra. let x represent the unknown quantity, let y represent the half of x, and let z represent something we know. if we begin to experiment with y; to find out its relation to z, and in what propo

ld system like theosophy; they are also valuable as indicating functional affiliations among the sephiroth themselves. 24. the final system of classification which we must note is under the presidency of the three mother letters of the hebrew alphabet: aleph, a; mem, m; and shin, sh. these three, according to the yetziratic attribution of the hebrew alphabet, are assigned to the three elements of air, water, and fire. under the presidency of aleph is the airy triad of kether, in which is the root of air, reflecting downward through tiphareth, the solar fire, into yesod, the lunar radiance. in binali is the root of water (marah, the great sea, reflected through chesed into hod, under the presidency of mem, the mother of watei. in chokmah is the root of fire, reflected downwards through gebu

to be the correct because the correspondences work out without discrepancies, a thing they do in none of the other systems. 8. according to this system, the four suits of the tarot pack are assigned to the four worlds of the qabalists and the four elements of the alchemists. the suit of wands is assigned to atziluth and fire. the suit of cups to briah and water. the suit of swords to yetzirah and air. the suit of pentacles or coins to assiah and earth. 9. the four aces are assigned to kether, the first sephirah; the four twos to chokmah, the second sephirah; and so on down the pack. the four tens being assigned to malkuth. it will thus be seen that the cards of the four suits of the tarot pack represent the action of the divine forces in each sphere and on each level of nature. equally, if

e holy names governing their sephirothic attributions only, and should not be confused with other pantheons; for although we may go to other systems for intellectual enlightenment, we are unwise to attempt to mix the methods of practical working and unfoldment of consciousness. 17. for instance, the seventeenth path, between tiphareth and binab, is assigned by the sepher yet rah to the element of air. we are far wiser to work it with the rite of the element of air and the holy names assigned thereto, and to approach it through the appropriate tattva, rather than confuse the issue with the associations of the assorted collection of deities, castor and pollux, janus, apollo, merti, and other incompatibles assigned to it by crowley, whose correspondences present an inextricable tangle of asso

6. in order to use the magical symbols effectually one has to make the contact of each individual symbol. it is of little use to make a list of symbols and proceed to the construction of a ritual. in magic, as in violin-playing, one has to "make one's notes; one does not find them ready-made as on the piano. the student of the violin has to learn to make each individual note before he can play an air. so it is with any occult operation, we must know how to construct and contact the magical images before we can work with them. 7. the sets of symbols associated with each of the thirty-two paths are used by the initiate to build up the magical images; it is necessary that he should know these symbols not only in theory, but also in practice; that is to say, he must not only have them thorough

DION FORTUNE PSYCHIC SELF DEFENSE

ightmares, and proceeded to exchange experiences. the effect of this upon miss l. was curious. she squirmed upon her chair as if it had suddenly become red-hot and said with much emphasis "these things should not be discussed, it is most unwholesome" out of deference to her feelings we desisted. but presently up to the open window came another member of our community, a woman who slept in an open-air shelter at some little distance from the house. we enquired after her health, as usual, and she replied that she was not feeling very well, as she had slept badly, and proceeded to recount the same nightmare as the rest of us. later on in the morning, another lady, who had a house a little way down the road, arrived, and she in her turn told of a similar nightmare. these nightmares continued

ever may be the rights and wrongs of the case, i had roused her resentment in good earnest. that night i was afflicted with the most 19 of 103 violent nightmare i have ever had in my life, waking from sleep with the terrible sense of oppression on my chest, as if someone were holding me down, or lying upon me. i saw distinctly the head of miss l, reduced to the size of an orange, floating in the air at the foot of my bed, and snapping its teeth at me. it was the most malignant thing i have ever seen. still not attaching any psychic significance to my experiences, and being firmly convinced that the local baker was responsible, i told no one of my dream, thinking it one of those things that are better kept to oneself; but when the members of the community came to talk matters over in the l

rouse myself are in vain, and although fully conscious i feel unable to move or call. usually after this i sink into some kind of sleep. i have all kinds of experiences. sometimes i visit strange places and talk with people i don't know. sometimes my experiences are beautiful beyond description; sometimes i am threatened with danger of drowning or falling, but in these cases i always rise in the air and travel for miles, it seems to me. sometimes i feel that i am just floating in the air. how long the dream lasts i cannot tell. when i wakeup, however, i have great difficulty in moving for some time; but gradually i regain the power to move about, and after a lot of stinging sensation in the limbs i get up, usually feeling very tired and unrefreshed, but sometimes i feel none the worse for

tide was in. she was cured of her fear in a curious way. she took initiation into co-masonry, and found to her surprise that from that day forth she was free from her fear of the sea. i am not a co-mason, and speak subject to correction, but i believe i am right in saying that co-masonry differs from other forms of masonry in that elemental invocations have been introduced into it. the element of air, as all occultists know, is a very tricky element to deal with. more initiates turn off the path in the grade of air than in any other, and it is rare to see a ritual of air worked without something being dropped or knocked over. it is a quarrelsome element; when it is being worked, the operators are apt to bicker and squabble. it is also intimately associated with sex, as is revealed by its s

worked, the operators are apt to bicker and squabble. it is also intimately associated with sex, as is revealed by its symbolism. if an occultist is making a magic circle, and for any reason wishes to seal it with the kerubim of the elements instead of the archangels, as is more commonly done, and feels himself unequal to the task of drawing a presentable eagle, the symbolic form of the kerub of air, he will use the zodiacal sign for scorpio. the evolutionary connection between the snake and the bird is well known to biologists; but long ages before darwin, initiates used the serpent and the eagle to represent the unsublimated and sublimated aspects of the life-force. the scorpion connects with the serpent through the dragon. i had a very curious experience myself in connection with the e

DONALDTYSON CHAKRAS

hich one of the heels is pressed against the perineum. in conjunction with this posture, breathing exercises in which the breath is held and compressed into the lower abdomen are used while the anus is rhythmically contracted. this causes a sheen of sweat over the entire surface of the body. also used to awaken kundalini is a technique known as pore breathing, during which the vital energy of the air is visualized to enter the body through the pores of the skin, and internal chanting of a mantra (word or phrase that embodies occult power. the visualization of power symbols such as yantras is also often used. most important of all in awakening kundalini is a technique that is almost never openly described. it involves the contemplation with love and desire of one of the primary forms of sha

DONALDTYSON CORONZON

e angelic language- the wellspring that fed understanding (binah) ceased to flow, and as a result, man lost the power of true and considered judgement (geburah. his judgement became unbalanced and reckless, and he fell prey to his lower emotions and impulses. the "four winds" mentioned by gabriel that surround wisdom are the four archangels of the elements, michael (fire, gabriel (water, raphael (air) and uriel (earth. they are winds because the speak with the angelic language, and its power and authority, and of course because they are winged. they are mentioned as a group in the book of enoch in connection with the fallen watchers who sin with the daughters of man, where these four archangels are primary servants and agents of god's judgement. it is clear from the words of gabriel to joh

zax. it is unique in that it is associated with the spirit names that lie upon the black cross of the great tablet of the watchtowers. all the other aethyrs are linked to spirit names that appear within one of the four watchtowers on the quarters of the great table- the names linked with zax lie outside the watchtowers. they are lexarph, comanan and tabitom. it is interesting that this particular air rules over the nation of germany, in view of the attempt by the nazis to exterminate the jews during the second world war. in 1909, while on a walking tour of algeria in northern africa, crowley took up a project he had begun in 1900 in mexico- the invocation of the thirty enochian aethyrs. while in mexico he had procured through ritual means psychic visions of the last two aethyrs, numbers th

y to leap, and for fear have missed. and a thousand times am i baulked by them of the city of the pyramids, that set snares for my feet. more knowledge have i than the most high, but my will is broken, and my fierceness is marred by fear, and i must speak, speak, speak, millions of mad voices in my brain. with a heart of furious fancies, whereof i am commander, with a burning spear and a horse of air to the wilderness i wander (the idea was to keep the scribe busy writing, so as to spring upon him. for, while the scribe talked, choronzon had thrown sand into the circle, and filled it up. but choronzon could not think fast and continuously, and so resorted to the device of quotation. the scribe had written two or three words of "tom o'bedlam" when choronzon sprang within the circle (that pa

DONALDTYSON ELEMENT

return hcehome resources demons bios fiction tyson the truth about elementals (salamanders were believed to be invulnerable to flames) elementals are spirits connected with the four elements of ancient philosophy and traditional western magic. the ancient greeks and romans thought that everything in the world was composed of a mixture of four fundamental qualities, which they called fire, water, air and earth. magicians assigned a class of elemental spirits to each of these elements. an elemental spirit partakes of the nature of its element, and is able to control the forces associated with its element. for example the elemental spirit of air is airy and controls the forces of the wind. do not confuse the elements with the physical materials fire, water, air and earth. these substances me

but in all things heavy, dry and cool. metals embody the earth element. so do crystals. so does wood, although wood also contains latent within it the element fire. no natural substance is a pure element. no heavy, cool, dry matter is composed solely of earth, with none of the other three elements added in. the four elements are perfect, but no physical substance is perfect. fire is hot and dry. air is hot and moist. water is cool and moist. earth is cool and dry. fire and air tend to rise upward, water and earth tend to fall downward. fire and water are opposites and are antagonistic, as are air and earth. fire and air are friendly to each other, as are water and earth. elementals are called by various names, but the set of four names applied to them by the german magician paracelsus is

nd earth tend to fall downward. fire and water are opposites and are antagonistic, as are air and earth. fire and air are friendly to each other, as are water and earth. elementals are called by various names, but the set of four names applied to them by the german magician paracelsus is most commonly used today. paracelsus called the fire elementals salamanders, the water elementals undines, the air elementals sylphs, and the earth elementals gnomes. salamanders are explosive and quick in their movements, very bright, with extreme and unstable emotions. they can assume many forms, but their forms usually reflect the appearance of a flame. they favor the male form. for example, were a salamander to put on the appearance of a man, its hair would be wavy and red, its complexion flushed, its

ch may be drawn in a variety of ways. there are five general ways to draw the pentagram, linked to the four elements and to the fifth element of spirit or light, also known as the quintessence. elemental light does not have its own class of elementals. each form of the pentagram linked with one of the four lower elements may be traced in two ways, to evoke or banish. for example, the pentagram of air, which controls the sylphs, may be drawn in one manner to invoke or call the spirit, and in another manner to banish or send away the spirit. i want to make this clear about the pentagram- there is only one pentagram, which is a star with five points and interlocking lines. it is traced by a single, continuous line that returns to itself. which element the pentagram belongs to is determined by

DONALDTYSON EVILEYE

which thou hast eaten shalt thou vomit up, and lose thy sweet words" the greek poet apollonius of rhodes, who lived in alexandria, egypt, at the end of the first century, wrote of how the sorceress medea destroyed the giant talos with nothing more than the malice of her gaze "then, with incantations, she invoked the spirits of death, the swift hounds of hades who feed on souls and haunt the lower air to pounce on living men. she sank to her knees and called upon them, three times in song, three times with spoken prayers. she steeled herself with their malignity and bewitched the eyes of talos with the evil in her own. she flung at him the full force of her malevolence, and in an ecstasy of rage she plied him with images of death" the roman historian pliny the elder, who also lived during t

DONALDTYSON GHOSTS

present when you see them. they are present in the astral world which always overlaps the physical world. you see a ghost when, for various reasons, the separation between the two levels of reality becomes very thin. from historical accounts, it appears that the perception of ghosts occurs most often at night, in relative or complete darkness, or at least in some shadowed place, usually when the air is still. certain localities are favorable for the appearance of ghosts- why is difficult to determine. one theory has it that a ghost is a kind of psychic recording of an event in the past that took place at that locality, and that the locality acts as some sort of recording medium, and periodically replays the event under the right conditions. ghosts are often described as shadowy or translu

tion, of course. some ghosts appear as real and as solid as a person of flesh and blood. some appear in full daylight, and are seen by numerous persons at the same time, or on numerous occasions. more rarely they interact with others, talking and even laughing with them, or touching them. however, as a broad rule of thumb, ghosts appear in haunted places, at night when the light is poor, when the air is quiet, to individuals who are frequently (but not always by any means) going to bed or waking from sleep. usually they do not speak, or take the least notice of their observer. they perform the same set of actions on successive occasions, as though performing a play, or in a trance state, or as though they were themselves projections of a cinema image. you may ask how a projected astral ima

DONALDTYSON NOMICON

ulhu waits dreaming" the old ones count among their number the blind idiot god azathoth; the all-in-one and one-in-all yog-sothoth who can travel between time and space; the hideously-piping nyarlathotep who is the unwelcome herald of the old ones; the octopus-like cthulhu who lies dreaming in r'lyeh beneath miles of ocean water; hastur the unspeakable, half-brother to cthulhu who dwells upon the air; and shub-niggureth, the ever-fertile black goat of the woodlands with a thousand young. these dreaded beings are dead in every normal human sense of the word, yet they cling to a strange super-dimensional vitality that seems to derive from the human unconscious mind. in forgotten backwaters of the world where degenerate and twisted tribes practice evil rituals, or among groups of decadent bla

DONALDTYSON PENTA

s center. the significant aspect of the pentagram is that it have five points, and can be drawn with a single continuous line that reflects from point to point until it joins back on itself. this makes it very useful in practical magic. the five points are associated with the five occult elements. because the pentagram can be drawn with a single line, it is simple and elegant to inscribe upon the air during ritual magic. the origins of this symbol are lost in prehistory. it is found on neolithic rock carvings, and was probably always regarded as a symbol of mystical power, along with a limited number of other simple symbols such as the circle, the cross, the spiral, the square, the zigzag, and so on. it was one of the earliest magic symbols for the jews- the seal of solomon in its earliest

or spirit is associated with the single upper point of the pentagram. the remaining four elements are assigned the lower points in the same pattern that is observed in the fixed signs of the zodiac, which are aquarius, scorpio, leo and taurus. each of these signs has an elemental attribution in astrology. the sign aquarius, located at the upper-left of the zodiac wheel, is linked with the element air, and consequently air is placed on the left arm of the pentagram. the sign scorpio, located at the upper-right of the zodiac, is linked with water, and so water is placed on the right arm of the pentagram. the sign leo, on the lower-right of the zodiac, is linked with fire, so fire is placed on the right leg of the pentagram. the sign taurus, on the lower-left of the zodiac, is linked with ear

ke or banish the powers and spirits of each element by inscribing the pentagram in different ways. the golden dawn system for invoking and banishing the elements is, in my opinion, unnecessarily complicated, but i will describe it here since it is employed almost universally in modern magic, and many readers will want to learn it. during rituals, it is customary to inscribe the pentagram upon the air in the direction that is associated with the element being invoked or banished. to invoke is to call forth, and to banish is to send away. pentagrams are inscribed with the right index finger, or more formally with a ritual instrument of projection such as the wand or sword. modern witches use a dagger called an athame. the correct way of drawing the pentagram is seldom taught, and perhaps is

ment of projection such as the wand or sword. modern witches use a dagger called an athame. the correct way of drawing the pentagram is seldom taught, and perhaps is not that widely known. it was described in one of her books by the late dion fortune, a member of the golden dawn, and later the founder of her own occult society known as the society of the inner light. inscribe the pentagram on the air in front of your body with strong strokes as though drawing it with chalk upon a blackboard. it is important that the figure be regular. regular symbols have a natural affinity with the spirits of light, and irregular symbols resonate with the spirits of darkness. it is also vital to make the pentagram large- at least several feet across its points. the most common error of beginning magicians

chalk upon a blackboard. it is important that the figure be regular. regular symbols have a natural affinity with the spirits of light, and irregular symbols resonate with the spirits of darkness. it is also vital to make the pentagram large- at least several feet across its points. the most common error of beginning magicians, according to dion fortune, is to draw the pentagram too small on the air. finally, be sure to connect the end of the continuous line that forms the pentagram with its starting point. the pentagram is a closed figure. there is a general rule for golden dawn invocation and banishing by the pentagram, which helps somewhat to remember the method "invoke towards, and banish from, the point to which the element is attributed" spirit is unique and separate from the other

DONALDTYSON POSSESS

man hand. it can also be felt inside the body on the internal organs. spirits can caress your heart, your brain, and other organs. they can also be perceived at times in the nerves of the teeth, which ache slightly when influenced by an incorporeal intelligence. when a spirit is in contact with your face, you may experience difficulty breathing. it is as though the body of the spirit thickens the air slightly. this can trigger mild asthma attacks in those who suffer from asthma. at a higher level of communication, spirits may be deliberately invoked or evoked. invocation is used to call a spiritual being into your body, or into the magic circle during rituals of invocation (the magic circle is an extension of the circle of your own skin. this is done when we wish to gain an intimate commun

DONALDTYSON UFO

os fiction tyson the truth about ufos (ufos seen over nuremberg on april 14th, 1561) the term ufo is an acronym for "unidentified flying object" throughout human history there have been sightings of things in the sky that could not be identified. most are astronomical, but some are atmospheric. the qualifier "flying" implies that ufos are objects unknown to their observers that travel through the air. stretching the term ufo, we can apply it to "near earth objects (neos) in orbit around our planet, or passing near the earth. an example of the first type would be sunlight reflected from the wings of a flock of birds. an example of the second type would be sunlight reflected from the aluminum skin of a man-made satellite. both have been classed as ufos on numerous occasions by puzzled observ

a flash. there are photographs of ufos that clearly show physical objects of an unknown kind. these objects are usually saucer or hubcap shaped. sometimes rivets, windows, doors, colored lights, and other details can be distinguished. in my own experience, i have yet to view one of these clear, detailed photos that was not an obvious fake. they are often based on miniature models suspended in the air on fine threads or wires. one enterprising photographer got his daughter to throw car wheel-disks into the air like frisbees while he snapped pictures of them. another hung models from the branches of trees and captured them on film. since these are actual photographs of physical objects in natural light, it can often be difficult to prove that they are fakes, but they usually have a hokey, na

EGYPTIAN BOOK OF THE DEAD PAPYRUS OF ANI MALESTROM

s heart; see also naville, todtenbuch, bd. i, bl. 42. 3# amihat] p. xxxv theban version: list of chapters. vignette: three serpents. chapter xxxvi. the chapter of repulsing the tortoise (apsai. vignette: the deceased spearing a beetle.[1] chapter xxxvii. the chapter of repulsing the two merti. vignette: two ur i, which represent the two eyes of ra. chapter xxxviiia. the chapter of living upon the air which is in the underworld. vignette: the deceased holding a sail, emblematic of air. chapter xxxviiib. the chapter of living upon air and of repulsing the two merti. vignette: the deceased attacking three serpents, a knife in his right hand and a sail in his left. chapter xxxix. the chapter of repulsing the serpent in the underworld. vignette: the deceased spearing a serpent. chapter xl. the

nding with his back to the block.[1] chapter li. the chapter of not walking upside down in the underworld. vignette: a man standing. chapter lii* the chapter of not eating filth in the underworld. this chapter has no vignette. chapter liii. the chapter of not allowing a man to eat filth and to drink polluted water in the underworld. this chapter has no vignette. chapter liv. the chapter of giving air in the underworld. this chapter has no vignette. the versions of the book of the dead. http//www.sacred-texts.com/egy/ebod/ebod03.htm (23 of 36 [8/10/2001 11:22:56 am] chapter lv. another chapter of giving air. vignette: the deceased holding a sail in each hand.[2] chapter lvi. the chapter of snuffing the air in the earth. vignette: the deceased kneeling, and holding a sail to his nose. chapte

has no vignette. the versions of the book of the dead. http//www.sacred-texts.com/egy/ebod/ebod03.htm (23 of 36 [8/10/2001 11:22:56 am] chapter lv. another chapter of giving air. vignette: the deceased holding a sail in each hand.[2] chapter lvi. the chapter of snuffing the air in the earth. vignette: the deceased kneeling, and holding a sail to his nose. chapter lvii. the chapter of snuffing the air and of gaining the mastery over the waters in the underworld. vignette: a man holding a sail, and standing in a running stream. chapter lviii* the chapter of snuffing the air and of gaining power over the water which is in the underworld. vignette: the deceased holding a sail. chapter lix. the chapter of snuffing the air and of gaining power over the water which is in the underworld. vignette:

40) 3. ibid, t. iv, p. 50 (l. 445. the allusion here is to the setting of the sun. 4. i.e, unas. 5. see page lix. 6. recueil de travaux, t. iv, p. 61 (ll. 520, 521] p. lvii 6. anx anx an mit-k live life, not shalt thou die.[1] the doctrine of eternal life in the xviiith dynasty. in the papyrus of ani the deceased is represented as having come to a place remote and far away, where there is neither air to breathe nor water to drink, but where he holds converse with tmu. in answer to his question "how long have i to live"[2, the great god of annu answers- auk er heh en heh aha en heh thou shalt exist for millions of millions of years, a period of millions of years. in the lxxxivth chapter, as given in the same papyrus, the infinite duration of the past and future existence of the soul, as wel

whose loins he has come forth.[3] to him "the earth is an abomination, and he will not enter into seb; for his soul hath burst for ever the bonds of his sleep in his house which is upon earth. his calamities are brought to an end, for unas hath been purified with the eye of horus; the calamities of unas have been done away by isis and nephthys. unas is in heaven, unas is in heaven, in the form of air, in the form of air; he perisheth not, neither doth anything which is in him perish.[4] he is firmly stablished in heaven, and he taketh his pure seat in the bows of the bark of ra. those who row ra up into the heavens row him also, and those who row ra beneath the horizon row him also"[5] the life which the deceased leads is said to be generally that of him "who entereth into the west of the

ELIPHAS LEVI THE CONJURATION OF THE FOUR ELEMENTS

lamanders; as long as we are subject to dizziness we must leave the sylphs in peace, and not irritate the gnomes; for inferior spirits only obey a power that is proved to them by showing itself their master even in their own element. when we have acquired by boldness and practice this incontestable power, we may impose upon the elements the mandate (verbe) of our will, by special consecrations of air, fire, water, and earth. this is the indispensable beginning of all magic operations. we exercise the air by blowing from the direction of the four cardinal points while saying: spiritus dei ferebatur super aquas, et inspiravit in facian hominis spiraculum vitae. sit michael dux meus, et sabtabiel servus meus, in luce etper lucem. fiat verbum halitus meus; et imperabo spiritibus aeris hujus, e

ucem. fiat verbum halitus meus; et imperabo spiritibus aeris hujus, et refraenabo equos solis voluntate cordis nei, et cogitatione mentis meae et nutu oculi dextri. erorciso igitur te, creatura aeris, per pentagrammaton et in nomine tetragrammaton, in quibus sunt voluntas firma et fides recta. amen. sela, fiat. qu'il en soit ainsi. 1 next we recite the prayer of the sylphs, after having traced in air their sign with the plume of an eagle. prayer of the sylphs spirit of light! spirit of wisdom! whose breath gives and takes away again the forms of all things! thou, in whose presence the life of being is a shadow which changes, and a vapor which passes away. thou who ascendest the clouds and movest on the wing of the winds. when thou breathes! forth, infinite spaces are peopled! when thou inh

ent in eternal stability, be thou eternally blest! we praise thee and bless thee in the changing empire of created light, of shadows, of reflections and of images; and we long unceasingly for thine immutable and imperishable light. let the ray of thy intelligence and the heat of thy love penetrate even to us; then what is movable will become fixed; the shadow will become a body; the spirit of the air will become a soul; the dream will become a thought, and we shall no longer be borne away by the tempest, but shall hold the bridle of the winged steeds of the morning, and shall direct the course of the evening winds that we may fly into thy presence. o spirit of spirits! o eternal soul of souls! o imperishable breath of life! o creative inspiration. 2 o mouth which inspires and respires the

perfumes proper for each day, and we say the prayer of the gnomes. invisible king who has taken the earth as a support, and who has dug abysses in order to fill them with the omnipotence! thou whose name makest the arches of the world tremble! thou who makest the seven metals circulate in the veins of stone; monarch of seven luminaries! rewarder of subterranean workmen! bring us to the desirable air and to the kingdom of light. we watch and work without respite. we seek and hope by the twelve stones of the holy city, for the talismans which are buried by the magnetic nail which passes through the center of the earth. lord! lord! lord! have pity upon those who suffer! enlarge our hearts! let us be free and raise up our heads! exalt us! o stability and movement! o day invested by night! o d

the sylphs, and we command them with the holy pentacles; finally with aquarius for the undines, and we evoke them with the cup of libations. their respective sovereigns are, gob for the gnomes, djiu for the salamanders, paralda for the sylphs, and nicksa for the undines. when an elementary spirit comes to torment, or at least to annoy the inhabitants of this world, we must conquer it by means of air, water, fire and earth, blowing, sprinkling, burning perfumes, and tracing on the earth the star of solomon and the sacred pentagram. these figures should be perfectly regular, and made either with coals from the consecrated fire, or with a reed dipped in diverse colors which we mix of pulverized magnet. then, while holding in the hand the pentacle of solomon, and taking by turns the sword, th

ELLIS LOW TWELVE 1907

o again whenever it is necessary" i raised the glass, which i carried slung about my neck, and levelled it at the elevations in the distance. brought out more clearly, i noted the high hill in the foreground, and the gray rocks and stunted pines. another lower peak rose to the right a little farther back, while the crown of a third showed faintly beyond. the intense heat caused a throbbing of the air, which made the objects flicker and dance in one's vision. naught that resembled animal life was discerned. it was as inert and dead as at the morn of creation. then i carefully studied the white, lumpy sand that stretched between. not even a rattlesnake or insect could be low twelve 37 seen wriggling at our feet. i lowered the glass and offered it to vikka. he shook his head. i never knew him

" it was then the dusky scout did a daring thing. he brought his rifle to his shoulder, and taking quick aim, let fly at the nearest hummock. a rasping screech followed, showing that the dusky desperado crouching beneath was hit hard. at the same instant, from every other sand heap a frowsy buck leaped upright, the grains streaming from his dirty clothes like rain, while their war shrieks cut the air. from each hideous exudation issued a tongue of flame and every bullet was aimed at us. but there had been no pause on our part. hardly had vikka pressed the trigger than he wheeled his pony and dashed off on a dead run. i was not a second behind in doing the same, and each threw himself forward on his animal, low twelve 39 else we could hardly have escaped the storm of bullets that whistled o

d better ride a part of the way back with you" mcgibbon had left his horse not far from where mine was tethered. we mounted and rode out of town together, chatcamping on his trail 11 7 ting over old baseball times and war matters as if never a cloud had come between us. it seemed to me that after we had ridden some way jim became more boisterous than ever. his laughter rang out in the still night air, and as he evidently intended, was identified by several of his sentinels, one of whom came forward from the darkness of the wood to learn the meaning of it all "it's all right, ben" he remarked offhand to the man, who saluted and withdrew into the gloom again. we rode on until we were close to where my men were impatiently awaiting my return. i invited mcgibbon to call on my company, but he r

ed, captain bliss was directed by major farrington to ride into waynesborough with orders to the provost guards to prevent soldiers from entering the houses, since the entire cavalry was about to pass through the town to water their horses in the shenandoah. it was a crisp, cool day in early autumn, and the captain was in high spirits. a few weeks before lie had been in the hospital, but the pure air, delicious spring water, good rations, and rough, out-door life had restored him to his usual perfect health. life never looked more attractive to the young patriot. the captain had in his charge about fifty prisoners, captured a day or so before. just before entering the town a sergeant was met with a large quantity of bread, which by orders of the captain had been baked in waynesborough for

ile "and was the first man you attacked in the ranks of the fourth virginia at waynesborough "but you were not hurt" remarked bliss "no; i was lucky enough to dodge that cut; if i hadn't, i shouldn't be here to shake you by the hand. no man ever tried harder to kill another than i tried to kill you, but your horse was too swift for me; as i followed, your sabre looked like a snake writhing in the air" by the middle of october, captain bliss's wounds had healed and he was sent to lynchburg, where he remained two days, going thence to libby prison, in richmond. the long, hard journey from charlottesville reopened his sabre wound, and he was placed in the hospital, which was located at the south end of libby. he recovered so rapidly that in little more than a week he was transferred to the re

EMPERORS NEW RELIGION CHURCH OF SATAN

i.e, magic] is used to attain, while a ceremony [i.e, a ritual] serves to sustain [15, p. 17] rituals serve as self-programming devices that maintain the follower s dedication to the religion, and they have a transfusing effect on the person s life. the satanic rituals includes the following rituals: 1. le messe noir a rite of passage intended to rid the follower of catholic christian dogma. 2. l air epais an initiation ritual in which the participant symbolically dies and is reborn as a satanist. 3. das tierdrama a reminder of one s animal heritage. 4. homage to tchort draws inspiration from russian folklore of various demons, which are summoned during the ritual. 5. the ceremony of the nine angles inspired by h. p. lovecraft, it is intended to emphasize potential. 6. the call to cthulhu

f satans (not necessarily including or limited to the organizations mentioned above) seem rather focused on being high priests and little else. finally, it is common to observe rebellious behavior against the original organization among break-out sects. it is easy to become a member of the church of satan and with the grapes thus within easy reach the church of satan s sour-grapes argument is not air-tight, however. furthermore, varying versions of the sour-grapes argument tend to be uncritically used against any hostile non-follower, ex-follower, or organization, indicating that perhaps this argument provides an explanation that is too simple. there may be other motivations behind some of the attacks against the church of satan. some doubt can be shed over the desire to be a copy of the c

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 1

mous with apollyon (rev. 9:11 (see also black magic) sources: barrett, francis. the magus. london, 1801. reprint, new hyde park, n.y: university books, 1967. 1 abadie, jeannette see jeannette d abadie abaris a scythian high priest of apollo and a renowned magician. he chanted the praises of apollo, his master, so flatteringly that the god gave him a golden arrow on which he could ride through the air like a bird. therefore, the greeks called him the aerobate. pythagoras, his pupil, stole this arrow from him and thus accomplished many wonderful feats. abaris foretold the future, pacified storms, banished disease, and lived without eating or drinking. with the bones of pelops, he made a statue of minerva, which he sold to the trojans as a talisman descended from heaven. this was the famous p

lin, and the author, ignoring theoretical matter as far as possible, gives information about the actual practice of magic. in the first place he tells how to procure divers visions, how one may retain the familiar spirits, bound or free, in whatsoever form, and how to excite tempests. in other chapters he discusses raising the dead, transforming oneself into divers shapes and forms, flying in the air, demolishing buildings, discovering thefts, and walking underwater. the author writes about the thaumaturgic healing of leprosy, dropsy, paralysis, and various common ailments such as fever and seasickness. he also offers advice on how to be beloved by a woman and how to command the favor of popes, emperors, and other influential people. he addresses the question of summoning visions in how to

htings of humanoid-like creatures associated with the ufos. apro membership peaked in 1967 with 1,500 members. then in 1969 it suffered two disasters. first, the university of colorado report of its study of ufos, popularly known as the condon report, struck ufology (the study of ufos) a significant blow with the conclusion that nothing was likely to be achieved by further study. as a result, the air force dropped its semipublic data collection effort, project blue book. then apro suffered a major schism when walt andrus, who led a regional office in illinois, broke away and founded the midwest ufo network (now the mutual ufo network. membership began a decline from which apro never recovered. jim lorenzen died in 1986, and coral followed two years later. the board voted to disband the org

were compiled from the various wire services and reproduced from original news sources. aeromancy the art of foretelling future events by the observation of atmospheric phenomena, as, for example, when the death of a great man is presaged by the appearance of a comet. francois de la tour blanche stated that aeromancy is the art of fortunetelling by means of specters that are made to appear in the air, or the representation by the aid of demons, of future events, which are projected on the clouds as a film is projected onto a screen. as for thunder and lightning, he adds, these are concerned with auguries, and the aspect of the sky and of the planets belonging to the science of astrology. sources: waite, arthur edward. the occult sciences. 1891. reprint, secaucus, n.j: university books, 197

isted up with twine until it ceased to have the appearance of hair and hung around the face like a thick fringe, dyed deep red. bent double and with a catlike gait, nozilwane came forward. every movement of her undulating body kept time to the beat of the girls hands and their low crooning chant. soon she pretended to find the thing she sought, and with a series of wild pirouettes leaped into the air, shaking her spears and brandishing her shield like a bacchante. nowamso, another of the party, was determined that her companion should not get all the applause, and she too, with a yell and a leap, sprang into the dance to the sound of louder grunts and harder handclaps. nowamso was anxious to display her back, where a magnificent snakeskin, studded in a regular pattern with brass-headed nai

ENCYCLOPEDIA OF OCCULTISM AND PARAPSYCHOLOGY VOL 2

e the effects of psychokinesis (paranormal movements) that, like table turning, are large enough to be observed by the naked eye. in contrast, micro-pk refers to psychokinetic effects so minute that they require statistical analysis or special methods to detect. the macroprosopus representing one of the four magical elements in the kabala and probably representing one of the four simple elements. air, water, earth, or fire. macroprosopus means creator of the great world. macumba african-derived brazilian religions that have spirit possession as a central feature. madonna ministry the madonna ministry is a new thought metaphysical ministry founded by bishop arnold michael, formerly a minister with the united church of religious science. as a young man, in 1947 he had written a book, blessed

lso mantra) the magician in early society the magic practitioner, a term that includes the shaman, medicine man, piage, and witch doctor, held his or her position by hereditary right; by an accident of birth, like being the seventh son of a seventh son; through revelation from the gods; or through his mastery of ritual. the shaman operated like a medium, for instead of summoning the powers of the air at his bidding, as did the magicians of medieval days, he found it necessary to throw himself into a trance and seek them in their own sphere (the magician is also often regarded as possessed by an animal or supernatural being) the duties of the priest and magician were often combined in tribal society. when one religion was superseded, however, the priests of the old cult were considered, in

the sign of solomon, is symbolic of the macrocosm, and is formed by the interlacement of two triangles: its points thus constitute the perfect number six. magicians wore it bound on their brows and breasts during ceremonies, and it was engraved on the silver reservoirs of magic lamps. the tetragram, symbolic of the four elements, was used in the conjuration of the elementary spirits.sylphs of the air, undines of the water, and the fire salamanders and gnomes of the earth. in alchemy it represented the magical elements salt, sulphur, mercury, and azoth; in mystic philosophy, the ideas spirit, matter, motion, and rest; in hieroglyphs, the man, eagle, lion, and bull. the pentagram, the sign of the microcosm, was held to be the most powerful means of conjuration in any rite. it might represent

occultism& parapsychology. 5th ed. 960 to the pythagoreans, one represented unity, therefore god; two was duality, the devil; four was sacred and holy, the number on which they swore their most solemn oaths; five was their symbol of marriage. they also attributed certain numbers to the gods, planets and elements; one represented the sun, two the moon; while five was fire, six the earth, eight the air, and twelve water (see also magic square) cornelius agrippa, in his work occult philosophy first published in latin (1531.33, discourses upon numbers as those characters by whose proportion all things are formed. he enumerates the virtues of numerals as displayed in nature, instancing the herb cinquefoil, which by the power of the number five exorcises devils, reduces fever, and forms an antid

at illusionist harry kellar witnessed a levitation of the medium william eglinton, in calcutta, india. kellar s account of this appeared in the proceedings of the society for psychical research (spr (vol. 9, p. 359: a circle having been formed, i was placed on mr. eglinton s left and seized his left hand firmly in my right. immediately on the extinction of the lights i felt him rise slowly in the air and as i retained firm hold of his hand, i was pulled to my feet, and subsequently compelled to jump on a chair and then on the table, in order to retain my hold of him. that his body did ascend into the air on that occasion with an apparently utter disregard to the law of gravity, there can be no doubt. what most excited my wonder was the fact, for i may speak of it as a fact without qualific

EVERBURNING LAMPS

shall narrate a few examples, premising that these are instances of different modes of obtaining the desired effect; besides these instances the ancient latin authors speak of the use as illuminants, not alone of lamps, but of natural lucent bodies, which would suffice to dispel the gloom to some slight extent. such were the diamond, the carbuncle, the glow-worm, the exposure of phosphorus to the air, the ignition of certain substances which burn alone without any wick or arrangement, such as camphor, which will burn even floating on water. the presence of a combustible gas, which issues from clefts in the rock in some mines and caverns, seems to have been known, and was probably taken advantage of by the ancient sages to enhance the mystery and majesty of their secret rites. it is very po

the zoroastrian magi had means of producing and directing electric power unknown to us "historie de la magie" p. 57. mediaeval scholars have fully debated several points in regard to ever-burning lamps, but in all cases without arriving at any definite result; much erudition has been expended on the question whether a lamp found burning on breaking open a tomb was not ignited by the admission of air, and had not been actually burning until it was disturbed; there is modern evidence in favor of this view, from the analogy of some chemical experiments, as, for example, phosphorised oil is invisible in the dark when enclosed in a sealed vial, when this is opened a light pours forth. on the other hand, evidence exists that some of the lamps actually paled and went out when the cavern in which

ities at leyden, in holland, there were two of these lamps, only partially destroyed. a lamp still burning was found during the papacy of paul iii, about 1540, in a tomb in the appian way at rome, supposed to be that of tulliola, the daughter of cicero. the tomb was inscribed "tulliolae filiae meae" she died b.c. 44; it had burned over 1550 years, and became extinguished as soon as exposed to the air; the whole body was in perfect preservation, and was found floating in a vessel of oil. see "pancirollus, rerum memorabilium deperditarum" vol. i, p. 115, franciscus maturantius, hermolaus, and scardeonius. such a lamp is stated to have been found in 1401, in the reign of hen. iii, king of castile, not far from rome, on the tiber, in the stone tomb of pallas, the arcadian, son of evander, slai

was 1500 years old; it fell to pieces when touched. this commentator does not follow his master in his denunciation of these lamps, but says they must have been made by men of the greatest skill and wisdom- see also "maiolus, episcopus, colloquies" at edessa, or antioch, in a recess over a gateway a burning lamp was found by the soldiers of chosroes, king of persia, elaborately closed in from the air. from a date inscribed it was known to have been placed there soon after the time of christ, or 500 years before. beside this lamp a crucifix was found fixed.-see "fortunius licetus" cap. vii, and citesius in his "abstinens consolentanea" in the volcanic island of nesis, near naples, in the year 600 a marble tomb was found, and when opened it contained a vase in which was a lamp still alight;

lary to dioscorides, speaks of a wondrous liquor to sustain combustion, known to democritus and trismegistus. jacobus mancinus wrote to licetus that he knew of a burning lamp dug up from the monte cavallo at rome; it was still burning when found, and within it was a bituminous substance. plutarch in his work "de defectu oraculorum" states that in a temple to jupiter ammon a lamp stood in the open air, and neither wind nor rain put it out, and the priests told him it had burned continually for years- see also "licetus" cap. v. herodotus tells us that the egyptians made a special and extensive use of lamps in the religious festivals, and that the temples of king mycerinus had many mysterious ones. strabo, and pausanias in his atticus, narrate that in the temple of minerva polias, at athens

EXTRAORDINARY ENCOUNTERS AN ENCYCLOPEDIA OF EXTRATERRESTRIALS AND OTHERWORLDY BEINGS

, affa replied, go to the window. lundahl saw nothing but clouds, though neasham seemed convinced that a 12 affa spaceship was hiding in them. neasham would also claim that radar operators at washington national airport told him that that particular portion of the sky was mysteriously blocked out. no independent evidence supported that allegation. neasham notified major robert friend, head of the air force s ufo-investigative agency, project blue book. for friend s benefit larsen even related telepathic messages from affa and other space people, but the aliens refused his request for a flyover. friend wrote a memo on the episode and sent it to his superiors. nothing further was done. the incident remained buried in pentagon, fbi, and cia files until the early 1970s, when friend shared his

geometric shape; its three points comprise the boundaries of a passage into a mysterious othe rworld. in the bermuda triangle, the laws of n a t u re are suspended, and ships, planes, and people disappear without a trace. a key event in the genesis of the legend was a real-life tragedy off the coast of florida on december 5, 1945. that afternoon, five avenger torpedo bombers flew out of the naval air station at fort lauderdale. flight 19, consisting of fourteen men (thirteen of them students in the last stage of training, headed on an eastern course toward the bahamas, intending to participate in a practice bombing at hens and chickens shoals, fiftysix miles away. after completing that part of the mission, the aircraft were to proceed to the east for another sixty-seven miles, turn north f

aircraft built for flight over large bodies of water was dispatched from a seaplane base in miami and sent on a blind search. soon other planes joined it and flew through the ever more turbulent weather. one of them, a martin mariner, also disappeared. none of the missing craft were ever found. the navy s investigation determined that taylor s confusion about his location, coupled with dangerous air and sea conditions, caused the planes under his command to run out of gas, crash, and get chewed up by the immense waves the storm had summoned. at 7:50 that evening, a ship s crew saw a plane explode. a search for survivors and bodies was unsuccessful, though the vessel passed through a large oil slick from the craft. the navy believed that the mariner, a notoriously dangerous aircraft that w

at underlay the legend, the bermuda triangle mystery solved, undercut the myth-making by documenting the prosaic explanations that would have been apparent if the pro-triangle writers had done original research and not simply rewritten each other s books. the silence of the writers whom kusche criticized effectively ended the discussion. see also: oints further reading begg, paul, 1979. into thin air: people who disap- pear. north pomfret, vt: david and charles. berlitz, charles, with j. manson valentine, 1974. the bermuda triangle. garden city, ny: doubleday and company. eckert, allan w, 1962. the mystery of the lost patrol. the american legion magazine (april: 12 23, 39 41. gaddis, vincent h, 1965. invisible horizons: true mysteries of the sea. philadelphia, pa: chilton books. kusche, la

had the manuscript in its possession since at least the early 1940s and showed it to chalker. chalker could find no evidence that it was a recent literary or historical hoax. birmingham wrote that on the evening of july 25, 1868, i had a wonderful dream, a vision, while standing under the verandah of the cottage he rented. looking up into the sky, he saw the lord bishop of syd n e y s head in the air looking intently upon me in a frow n i n g half laughing mood. as it passed in an easterly direction, it faded out, then re a p p e a re d b r i e fly twice more. i retraced the course the head had taken and just in the spot where i first saw the head i saw an a rk, he wrote. as he stood and studied it, he said aloud to hims e l f, well, that is a beautiful ve s s e l. 44 bird aliens at that m

FAUST

overing near, that ruling weave, twixt earth and heaven are rife, descend! come from the golden atmosphere and lead me hence to new and varied life! yea! were a magic mantle only mine, to bear me to strange lands at pleasure, i would not barter it for costliest treasure, not for the mantle of a king resign. wagner oh, call them not, the well-known swarms that streaming spread throughout the murky air; in every quarter they prepare a danger for mankind in a thousand forms, sharp spirit-fangs press from the north upon you here with arrow-pointed tongues; and from the east, now parching, they come forth and feast themselves upon your lungs; and when the south wind from the desert drives those that heap glow on glow upon your brain, the west wind brings the swarm that first revives, then drown

lungs; and when the south wind from the desert drives those that heap glow on glow upon your brain, the west wind brings the swarm that first revives, then drowns you and the field and plain. they like to hear, on mischief gaily bent, they like to hearken, for they like to try to fool us, pose as if from heaven sent, and lisp like angels when they lie. but let us go! the world s already grey, the air grows chill, the mists of evening fall! tis now we treasure home the most of allwhy do you stand and stare? what is the trouble? what in the gloaming seizes you in such a way? faust you see that black dog streaking through the grain and stubble? wagner i saw him long since; not important did he seem to me. faust observe him well! what do you take the beast to be? wagner why, just a poodle; in

the town. study faust [entering with the poodle. meadow and field have i forsaken, that deeps of night from sight enroll; a solemn awe the deeps awaken, rousing in us the better soul. no wild desires can longer win me, no stormy lust to dare and do; the love of all mankind stirs in me, the love of god is stirred anew. be quiet, poodle! don t make such a riot! why at the threshold do you sniff the air? lie down behind the stove in quiet! my best of cushions i will give you there. as on the hillside pathway, leaping and running about, you amused us best, so take now too from me your keeping, but as a welcome, silent guest. ah, when the friendly lamp is glowing again within our narrow cell, through heart and bosom light comes flowing if but the heart knows itself well. then reason once again

ken, it have i done no harm nor shaken with waves and storms, with earthquakes, fiery brand. calm, after all, remain both sea and land. and that accursed trash, the brood of beasts and men, a way to get at them i ve never found. how many now i ve buried in the ground! yet fresh, new blood forever circulates again. thus on and on- one could go mad in sheer despair! from earth, from water, and from air a thousand germs evolving start, in dryness, moisture, warmth, and cold! weren t it for fire which i withhold, i d have as mine not one thing set apart. faust so to that power never reposing, creative, healing, you re opposing your frigid devil s fist with might and main. it s clenched in spite and clenched in vain! seek something else to undertake, you, chaos odd, fantastic son! mephistophele

fitted in society at all. with other men i feel myself so small; i ll feel embarrassed constantly. mephistopheles for that, good friend, this is the remedy i give: just trust yourself, then you ll know how to live. faust we ll leave the house but how shall we set out? have you a horse, a servant, carriage, anywhere? mephistopheles we ll only spread this mantle out and have it bear us through the air. you ll take upon this daring flight no heavy luggage, only light. a bit of fiery air- i ll have it ready herewill lift us from this earth without ado, and if we re light, we ll go up swiftly too. i must congratulate you on your new career. auerbach s cellar in leipsic drinking-bout of jolly companions. frosch will no one drink? and no one laugh? i ll teach you how to look so wry! you re every

FELDMAN DANIEL QABALAH THE MYSTICAL HERITAGE OF THE CHILDREN OF ABRAHAM

the star as a three-dimensional, sixpointed form of the tree of life comprised of two interfacing pyramids. the sefer yetzirah provides one of the two vastly different sets of names commonly found in the qabalah for the spheres (called sefiroth) on the tree (the other set comes from the sefer hazohar. the names for the sefiroth in the sefer yetzirah are based on elements (spirit of living elohim, air, fire, water, on four celestial heads of messiah, and on the six directions. these and the other correspondences that the book gives for the spheres and gates on the tree will be discussed in detail later in the book like the three innermost core texts of the sefer hazohar, the sefer yetzirah stands out within primary qabalistic literature for the depth, terseness, and obscurity of its languag

t. the inner court of the tree, also known as the throne of glory of el shadai, generally refers to a grouping of four sefiroth in the center of the tree of perfection. the inner court is most clearly seen in the three-dimensional, double pyramid trees of the sefer yetzirah and the merkabah literature. in the sefer yetzirah, the four sefiroth of the inner court are called spirit of living elohim, air, water, and fire; and alternately, depth of first, or simply first (depth of) last (depth of) good, and (depth of) evil. in the zohar, they are the sefiroth knowledge, mercy, power, and beauty. each set of these four sefiroth corresponds respectively with the three mother letters alef a, mem m, and shin s, and the letter tav t of the holy temple. in the flat forms of the tree, the sefirah merc

ata chakra in the heart center. the sefer yetzirah also describes a flat, vertical version of the tree of perfection. as with other flat trees, two of the inner court sefiroth (water/good and fire/evil) are moved into the side columns, with the gates adjusted accordingly (see figure 3.5 on page 89. the names of the sefiroth in the sefer yetzirah are based on the elements (spirit of living elohim, air, water, fire, or alternately, on the four heads of celestial messiah (first, last, good, and evil, and the six directions (above, below, east, west, north, south. the six directions are sealed through permutations of the name vhy. the final heh h of the name hvhy is dropped due to the fact that the action is occurring in the astral world of yetzirah. there are ten intangible sefiroth whose mea

angible sefiroth whose measure is ten without end: depth of first and depth of last, depth of good and depth of evil, depth of above and depth of below, depth of east and depth of west, depth of north and depth of south. lord, only one, el, faithful king rules all of them from his holy dwelling place unto eternity. 3 (see figure 4.8) these ten intangible sefiroth are one- spirit of living elohim, air from spirit, water from air, fire from water, above and below, east and west, north and south. 4 :2% e= i2 0 2 f 3+ ten intangible sefiroth whose measure is without end (sefer yetzirah 1:5) 4' 8: h" 2: 2 2:e 8% the second chapter of the book is keyed to the root phrase: twenty-two letters are the foundation. it describes the letters as the basis for everything that is formed, and presents the

roth of the inner court of the tree (first, last, water, fire. these letters are discussed in relation to the universe x heaven, earth, and the space between them, the seasons of the year (hot, cold, temperate, and the body of male and female (head, belly, and the geviyah. verses in both the third and sixth chapters mention fathers born from the archetypal elements of the mother letters. from the air (ryva, avir) of alef a comes the father space; from the water(,ym, mayim) of mem m comes the father matter; and from the fire (sa, esh) of shin s comes the father energy or motion..and from him go out fire and water, dividing into male and female. three mothers alef a mem m shin s are their foundation, and from them are born fathers, from which everything is created. 7 :2% e= i2 2 f 3#5 ten in

FOCUS OF LIFE

ve an awful grimace and turned his back, snapping his teeth and howling like a dog. becoming larger and larger till of cosmic vastness, thus he disappeared. when aaos awoke, he muttered to himself "beyond time there is a sensation as of awaking from the utmost impossibility of existence from the mad dreams we call reality; the stupidities we call will" then aaos arose to fill his lungs with fresh air and have the good of motion. on the announcer of great events one night, aaos dreamed he was mournfully labouring his way uphill, through an endless ruin of cities. the streets were a chaos of debris-the air heavy with the stale stench of damp charred wood and mouldeing refuse. nowhere saw he a sign of life-the sky was dead and breathless. stumbling along till his body sicken ed. wearily he pa

FRANCIS A YATES GIORDANO BRUNO AND THE HERMETIC TRADITION

to know the nature of beings and to know god. pimander's aspect changes, and trismegistus sees a limitless vision which is all light. then a kind of obscurity or darkness appears, out of which comes a kind of fire in which is heard an indescribable sound, like a fiery groan, while from the light issues a holy word, and a fire without mixture leaps from the moist region up to the sublime, and the air, being light, follows the fiery breath "that light, says pimander "is i myself, nous, thy god. and the luminous word issuing from the nous is the son of god" trismegistus then sees within himself, in his own nous or mens, the light and an innumerable number of powers, a limitless world and the fire enveloped in an all powerful force. he asks pimander "whence then arise the elements of nature"

e lord of creation, the all, the one. open, oh heavens, winds retain your breath, let the immortal circle of god listen to my word. powers which are in me sing to the one, the all. i give thee thanks, father, energy of the powers; i give thee thanks, god, power of my energies. this is what the powers cry which are in me. this is what the man who belongs to thee cries through the fire, through the air, through the earth, through the water, through the breath, through all thy creatures" in his commentary on this treatise,3 ficino compares the driving out of the ultores and their replacement by the potestates dei with the christian experience of regeneration in christ, the word and the son of god. in fact, as festugiere points out,4 this gnostic experience does seem to be something like a gif

any gods, some intelligible, some sensible. the chief or principal gods are as follows (i here combine two passages on the principal gods. the ruler of heaven is jupiter; and through the intermediary of heaven he dispenses life to all beings (possibly an earlier statement that it is breath or spiritus which keeps life in all the beings of the world relates to this supremacy of jupiter, the god of air) jupiter occupies a place intermediary between heaven and earth. the sun, or light, for it is through the intermediary of the solar circle that light is spread to all. the sun illuminates the other stars not so much by the power of his light as by his divinity and sanctity. he must be held as the second god. the world is living and all things in it are alive and it is the sun which governs all

ns of ten degrees into' ibid, pp. 304-5. 2 see above, p. 7. 3 c.h, ii, p. 319. 36 ficino's "pimander" and the "asclepius" which the 360 degrees of the circle of the zodiac are divided' note in the egyptian theological system here presented the great importance of the sun and the zodiac with its decans) finally, in the list of gods come the seven spheres who have as their ruler fortune or destiny. air is the instrument or organ of all these gods. having spoken of the society which unites gods and men, you must know, o asclepius, the power and force of man. just as the lord and father is the creator of the gods of heaven, so man is the author of the gods who reside in the temples. not only does he receive life, but he gives it in his turn. not only does he progress towards god, but he makes

in wars, brigandage, frauds, and in everything which is contrary to the nature of the soul. then the earth will lose its equilibrium, the sea will no longer be navigable, the heaven will no longer be full of stars, the stars will stop their courses in the heaven. every divine voice will be silenced, and will be silent. the fruits of the earth will moulder, the soil will be no longer fertile, the air itself will grow thick with a lugubrious torpor. such will be the old age of the world, irreligion, disorder, confusion of all goods. when all these things have come to pass, o asclepius, then the lord and father, the god first in power and the demiurge of the one god, having considered these customs and voluntary crimes, endeavouring by his will, which is the divine will, to bar the way to vi

FRATER TENEBROUS CULTS OF CTHULHU

g references to crowley in one of lovecraft s letters, identifying him with a character in a story by h. r. wakefield6, it would appear unlikely that lovecraft knew much of the great beast, except by reputation. the elemental nature of shub-niggurath is that of earth, symbolized by the sign of taurus. his station is the north. hastur is the voice of the old ones an elemental deity assigned to the air, or the void of outer space. on earth, the station of hastur is the east, and his sign is aquarius. the god dagon was appropriated by lovecraft from ancient hebraic texts, in which he features as a god of the philistines. in the mythos, he is the progenitor of the seas, the watery equivalent to shub-niggurath and lord of the amphibious deep ones. his elemental attribution is water, and his num

FRATER U D PRACTICAL SIGIL MAGIC

in the following text, two non-sexual variants of the death posture, which have proved themselves well in practice, particularly for people who are new to magic and who have little or no training in magical trances, are described. the magical trance/ activating the sigils/ 33 longer. then, hortly before reaching the point of fainting, open wide our eyes and stare.while breathing in and out fresh air.a death posture (version 1) this version may be performed both in a standing or a sitting position. for your first attempts, i recommend sitting before a table on which you have placed the sigil. after a deep breath, block your eyes, ears, mouth and nose, using the fingers of both hands. concentrate on the internal tension in your body (do not think of the sigil or its aim, and hold your breat

ion that all these emotions and principles have their own sigils or glyphs le: d destruction noncategory/emotion= sex (generic term= lust noncategory/emotion= for further details, please refer to liber null itself. the above notes should illustrate the structure of human emotions. any number of other systems of order may be used and developed. for example, the four elements earth, water, fire and air may be employed as major categories, as well as the ten sephiroth, the 22 paths of the cabbalistic tree of life (an approach may be found in liber null, pp. 77 and 86, the 1 2 energy qualities of the zodiac, timothy leary fs an 68/ practical sigil magic s own, truly origin o the basic structures of the human psyche, i.e, rchetypal patterns which should always implement in agic anyway. in other

llowing the structuring method described above, you will have to figure out those elements which you want to include and which can personify the energies of your own psyche. just listing them is not good enough, however. you will have to find a proper framework for them. let us start with a modest example. for reasons of simplicity, we will experiment with the four elements earth, water, fire and air. this is a system with which most magicians will be at least somewhat familiar. as a further framework we will choose dualism for the reasons mentioned. looking for emotional and character qualities which form dualities, we assign them to the elements as follows (this, of course, is but one of many possible examples: 70/ practical sigil magic now i will discuss a sigil language, a canon of sym

you will observe that we are taking the basic symbol and combining it with the letters of the term. of course, these relationships are open to argument. for example, one could assign pain to the element of fire, which would imply a strong, nearly spastic feeling; pain within the element of earth would tend to be dull and lethargic, etc. one may also work with sub-elements such as earth of water, air of water, fire of water, etc. use your own intuition. you may also utilize the pictorial method. love, for example, might be or (symbols of gunion h, e the alphabet of desire/ 71 figure 23 72/ practical sigil magic but these symbols might equally stand for sex for the same reasons. this leads us a bit further into the area of philosophical and psychological cognition and evaluation. if, for ex

FREEMASON BLUEBOOK

the masterpiece of nature's work. feeling is that sense by which we distinguish the different qualities of bodies: such as heat and cold, hardness and softness ,roughness and smoothness, figure, solidity, motion and extension. smelling is that sense by which we distinguish odors, the various kinds of which convey different impressions to the mind. animal and vegetable bodies, while exposed to the air, continually send forth effluvia of vast subtilty, as well in the state of life and growth as in the state of fermentation and putrefaction. these effluvia, being drawn into the nostrils with the air, are the means by which all bodies are smelled. hence it is evident that there is a manifest appearance of design in the great creator's having planted the organ of smell in the inside of that can

forth effluvia of vast subtilty, as well in the state of life and growth as in the state of fermentation and putrefaction. these effluvia, being drawn into the nostrils with the air, are the means by which all bodies are smelled. hence it is evident that there is a manifest appearance of design in the great creator's having planted the organ of smell in the inside of that canal, through which the air continually passes in respiration. tasting enables us to make a proper distinction in the choice of our food. the organ of this sense guards the entrance of the alimentary canal, as that ofsmelling guards the entrance of the canal for respiration. from the situation of both these organs, it is plain that they were intended by nature to distinguish wholesome food from that which is nauseous. ev

FREEMASONRY AND CATHOLICISM BY MAX HEINDEL 2

t of drunkenness, covetousness, hatred, malice, immoral emotions, and disreputable vices, the easier it is for him to stay around low saloons, gambling houses, red-light districts, and kindred places. but the man of high ideals and lofty aspirations, who would be the one likely to seek the path of initiation, feels the impelling force of levitation drawing him outward into the purer strata of the air where the first heaven is located, and is thus effectually prevented from trespassing upon the path of initiation. stories are told of initiates having overcome the law of gravitation in order to rise in the air at certain times for a definite purpose while still in the dense body. initiates are also taught how to suspend the law of levitation when they are in their soul bodies, and how to pas

eaven and earth were not ready then, when he told his disciples "whither i go, you cannot now follow, but you shall follow afterwards; i go to prepare a place for you and will come again and receive you" later, john saw in a vision the new jerusalem descending from heaven, and paul taught the thessalonians by the word of the lord that those who are christ's at his coming shall be caught up in the air to meet him and be with him for the age. this is in line with the tendencies shown by past developments. the lemurians lived very close to the fiery core of the earth. the atlanteans inhabited the basins somewhat further away from the center. the aryans were driven by the flood to the hilltops where they are now living. and analogously, the citizens of the coming age will inhabit the air. but

nalogously, the citizens of the coming age will inhabit the air. but we know that our dense body gravitates towards the center of the earth, therefore, a change must take place; also paul tells us that flesh and blood cannot inherit the kingdom of heaven. but he also points out that we have a soma psuchicon (mistranslated natural body) a soul body, and this is made of ether, which is lighter than air and therefore capable of levitation. this is the golden wedding garment, the philosopher's stone, or the living stone, spoken of in some of the ancient philosophies as the diamond soul, for it is luminous, lustrous, and sparkling--a priceless gem. it was also called the astral body by the mediaeval alchemists, because of the ability it conferred upon the one who has it to traverse the starry r

FREEMASONRY AND CATHOLICISM BY MAX HEINDEL

station of the ever invisible fire, was the only element then manifest; embryonic mankind was mineral-like, the only lower kingdom of evolving life. unity was everywhere observable, and the lords of mind who were human then, were at one among themselves. in the western wisdom teaching we speak of the highest initiate of the saturn period as the father. in the sun period the root of a new element, air, was evolved, and coalesced with the true fire, which, mark again, is always invisible, and which manifested as heat in the saturn period. then fire burst into flames, and the dark world became a blazing ball of luminous firemist at the word of power "let there be light" let the student ponder well the relation of fire and flame; the former lies sleeping, invisible in everything, and is kindle

alem [peace] sects and peace hence there is war--oppression- prevailed slavery- saturn period unity and diversity vulcan period polarian epoch love and hate kingdom of god [1] heat [7- sun period venus period hyperborean epoch new galilee [2] fire [6] brotherhood- moon period [3] fire--male sex--state [5] jupiter period lemurian epoch water--female sex--church aryan epoch- earth period fire/male--air/nations atlantean epoch end of involution water/female--earth/races beginning of evolution [4- and the division of the rulership into state and church caused war and strife. the state espouses the cause of fatherhood and man and upholds the male ideal of arts, crafts and industry, embodied in hiram abiff. the church espouses the cause of motherhood and woman and holds aloft the female ideal of

e economic struggle, the war and the strife with which mankind is cursed and which make all long and pray for the reign of peace (3) the third age, when a divine christ, who, like melchisedec, shall fill the dual office of king and priest, and shall rule over a urged and glorified humanity, which has risen from sex-love to soul-love. part vi spiritual alchemy when we expose a piece of iron to the air, the oxygen contained in the latter element oxidizes the iron and in time disintegrates it. this process is commonly known as rusting. the blood comes in contact with the air every time it passes through the lungs, and as a needle is drawn to a magnet, so does the oxygen of the inspired air coalesce with the iron the blood. a process of combustion takes place, which is similar to the rusting o

dizes the iron and in time disintegrates it. this process is commonly known as rusting. the blood comes in contact with the air every time it passes through the lungs, and as a needle is drawn to a magnet, so does the oxygen of the inspired air coalesce with the iron the blood. a process of combustion takes place, which is similar to the rusting or oxidation we observed in the iron exposed to the air. the ether contained in the dense fiber of wood, after the latter has undergone combustion in a stove, passes outwards through the iron in the form of semi-invisible heat-waves vibrating at different velocities according to the degree of heat in the furnace. so the spiritual vibration generated by the combustion of oxygen and iron in our physical bodies, passes outwards and colors our invisibl

FREEMASONS SATANISM AND SYMBOLISM

ich is approximately what the latin around the circle means[ magic symbols, ibid] the pagan belief in reincarnation is spoken of within these statements. this second ouroboros depicts the whole world being surrounded and controlled by the serpent. this is the way the satanist views the entire created world. the bible states that satan is the "lord of this world" is the "prince of the power of the air" and is clearly in control of this wicked world until jesus christ returns. more and more satanism is uncover as time continues. freemasonry shares the belief in the serpent symbolizing time, as the second ouroboros indicates. listen to pike explain this briefly but clearly "a serpent-ring was a well-known symbol of time" ibid, p. 497] as pike is explaining the mason's spiritual belief about t

FULL MOON RITUALS

bed upon each of the quarter stones, and returns to his song. had anyone else been afoot, they might have noticed antlers- outlined in a faint bluish light, upon deer's forehead as he made his way first three turns out then three back in the spiral. each stone he pauses to touch, to hug, to kiss. and each stone becomes limned in the same faint blue light as his antlers before acquiring more of an air of solidity. back at the central stone, deer climbs upon it and drops to his right knee, both hands clasped upon his left. still deer sings- of hills and sky, grove and stones, lake and castle- ending only when the odd light and the faint acrid odor have been completely subsumed in the more usual qualities of this place. again he waits, knowing that no matter how well sung, this work will not

sky- bounding from stone to stone, turning about the outward spiral of this place before disappearing into the wood "blessed be, uncle, and a thousand thank you's" deer calls out cheerfully as he inwardly kicks himself for having been so inattentive to the comings and goings about him. however, had the uncle desired interaction, he would have initiated it. and deer was overjoyed with the seeming air of permanence and age which now seemed to emanate from the stones about him. taking his leave of the standing stones- and more than certain that he would return to celebrate a moon with old friends here- deer makes his way toward the lake where he picks up the western loop of a trail which circles its girth before branching off toward the old castle. passing by the heart of the old grove, deer

onward. dirt formed finally into animal and vegetable that we find palatable. but still dirt. dry dust rises in small clouds at each footfall. and eventually each of us in our fleshly form returns to dirt, becomes dirt once again. our matter becomes matter and our energy? maybe the hag knows where our energy goes, but she s not saying. at least not tonight. sharon breathes in the dry, dusty, cold air, feeling the membranes in her nose contract at the contact. she is very thirsty. the rock eventually gives way to more forgiving ground, covered with low pine trees and cushioned slightly with their shed needles. the smell of dust changes to the tang of pine. but the clean scent is undergirded with the stink of decay. sharon walks on past moldering corpses, creatures of the earth now returning

rth now returning in loathsome form to that earth. she gags, pressing a corner of her robe to her face to block out some of the sights and smells. yet she knows and acknowledges as she passes the horrifying mounds that she too will one day be as they are. her thirst increases. soon she passes through the charnel scene and reaches an area of taller pines and other trees bordering a lake. there the air is clear of corruption, sweet now with the scent of the water. sharon kneels on a narrow beach of cold mud and drinks deeply, bending to the life-giving liquid as a suppliant would to a god-form in a temple. water, as much an essence of life as the dirt and decay she passed over and by, refreshes her, renews her and strengthens her for the rest of her journey up the path to the castle. though

"as mother earth both elaborates and contains the energies of life, so may our circle" back to the altar and replacing the bone bowl, deer touches first the salt within it and then his forehead, lips and chest. finally, deer uses his athame to heap mounds of the amber and dragon's blood upon the now glowing coal within the censer, before beginning his third and final perambulation of the circle. air which had been redolent of scents from the great hall and from this room itself is suddenly stilled as the bittersweet smoke penetrates their entire ritual space. as deer censes the circle and those gathered, he sings "of fire and air is this circle cast. as the sweetness of amber reminds us of union with deity, so the bitterness of blood remembers our separation. ever joined, ever apart- we w

FULLER J F C SECRET WISDOM OF THE QABALAH

i am about to reveal to you can be revealed only to the masters, who know how to keep the balance because they have been initiated. 12 the shell, the white, and the yolk form the perfect egg. the shell protects the white and the yolk, and the yolk feeds upon the white; and when the white has vanished, the yolk, in the form of the fledged bird, breaks through the shell and presently soars into the air. thus does the static become the dynamic, the material the spiritual. if the shell is the exoteric principle and the yolk the esoteric, what then is the white? the white is the food of the second, the accumulated wisdom of the world centring round the mystery of growth, which each single individual must absorb before he can break the shell. the transmutation of the white, by the yolk, into the

visible world, man is the centre, just as god is the centre of the invisible world. god created man in his own image. adam was made of the same earth out of which was raised the sanctuary of the earth. and the earth on which was the sanctuary was the synthesis of the four cardinal points of the world. these cardinal points were united at the moment of creation with the four elements fire, water, air, and earth. 33 these elements being od, heh, vau, and heh of the name jehovah. man is consequently the synthesis of gall the holy names h, 34 therefore in man are genclosed all the worlds, both the upper and the lower h, and: since the form of man comprises all that is in the heavens above and on the earth beneath, god has chosen it as his own form. naught could exist before the formation of t

ference. this difference was thought, out of which the world was created. thoughts are expressed in words formed from the alphabet of 22 letters and the numerals 0 to 9. in thirty-two mysterious paths of wisdom did the lord write. he created his universe by the three forms of expression: numbers, letters, and words. ten ineffable sephiroth and twenty-two basal letters: three mothers [a (a, aleph, air; m (m, mem, water; w (sh, shin, fire, seven double [b g d k p r th, and twelve simple [letters [h v z ch t i l n s o tz q] 6 the gsingle point which was transmuted into a thought h is the first sephirah,7 kether or crown. git is the principle of all the principles, the mysterious wisdom, the crown of all that which there is of the most high, the diadem of the diadems. h8 the divine name in ket

page 27 isaac myer finds a remarkable similarity between the cosmos of the zohar and that of the ancient chaldeans. he writes: in ab, bc, ce, and eg [see plate iii on page 27, we have similarities to the four worlds. the three great heavens answer to the upper three sephiroth. i. that of the father abbah, or kether, the crown, to anu, afterwards ana; the place of the aether or highest sublimated air or atmosphere. ii. the son, bel, el or baal, the sublimated fire, answering to 'hokhmah, wisdom. iii. the mother, immah, to ea, the sublimated water, to binah, the comprehending intellect. above all these is ao, llu or el, the unknown ideal deity; which parallels the ain soph, endless, to man's comprehension no- thing. this unknown ideal deity held the highest place in the chaldean mythology

kether is also called the white head, the long face, macroprosopos, and adam qadmon or adam illaah- the supernal or primordial or heavenly adam. the remaining sephiroth are the short face. in the angelic order, kether is represented by the beasts of ezekiel, the holy living creatures of the chariot-throne, namely the four kerubim- the eagle, man, lion, and bull- which represent the four elements air (smell, water (taste, fire (sight, and earth (touch. also it includes in its mysterious nature the four letters of tetragrammaton as follows: y (lion, h (man, v (eagle, and h (bull. but as in itself kether is also the shekinah (the glory of god, in it is hidden the shin (w, which symbolizes spirit. as the ain soph is represented by the closed eye, so is kether represented by the open eye (comp

GAMBLE ELIZA BURT THE GOD IDEA OF THE ANCIENTS OR SEX IN RELIGION

power, and as from it were received all the bounties of life, it was female. it was the universal mother, and to her as to no other divinity worshipped by mankind, was offered a spontaneity of devotion and a willing acknowledgment of dependence. thus far in the history of mankind no temples dedicated to an undefined and undefinable god had been raised. the children of mother earth met in the open air, without the precincts of any man-made shrine, and under the aerial canopy of heaven, acknowledged the bounties of the great deity and their dependence upon her gifts. she was a beneficent and all-wise god, a tender and loving parent--a mother, who demanded no bleeding sacrifice to reconcile her to her children. the ceremonies observed at these festive seasons consisted for the most part in me

ature. the golden age had passed away. chapter ii. tree, plant, and fruit worship. when mankind first began to perceive the fact of an all-pervading agency throughout nature, by or through which everything is produced, and when they began to speculate on the origin of life and the final cause and destiny of things, it is not in the least remarkable that various objects and elements, such as fire, air, water, trees, etc, should in their turn have been venerated as in some special manner embodying the divine essence. neither is it surprising although this universal agency was regarded as one, or as a dual entity, they should have recognized its manifold expressions or manifestations. to primitive man, the visible sources whence proceeded his daily sustenance doubtless constituted the first o

eria. upon this subject the same writer remarks thus "agreeably to the mystical notion so familiar to the hindoos, that the self-triplicated great father yet remained but one in essence, the peruvians supposed their tanga-tanga to be one in three, and three in one: and in consequence of the union of hero worship with the astronomical and material systems of idolatry they venerated the sun and the air, each under three images and three names. the same opinions equally prevailed throughout the nations which lie to the west of hindostan. thus the persians had their ormuzd, mithras, and ahriman: or, as the matter was sometimes represented, their self-triplicating mithras. the syrians had their monimus, aziz, and ares. the egyptians had their emeph, eicton, and phtha. the greeks and romans had

appearing as the paternal menu of a new age, while the triad, brahma, vishnu, and siva, is exhibited in the person of his three sons. but the ark-preserved menu--satyavrata and his three sons are certainly noah and his three sons, shem, ham, and japhet" hesiod teaches that, after the flood, chaos, night, and black erebus first appeared.[45] at this time, when there was no earth, no heaven, and no air, an egg floated on the face of the deep, which, being parted, brought forth love, or cupid. out of chaos this god created or formed all things. now cupid is the same as the greek phanes, and phanes is noah, the egg being the ark or female principle from which he was produced. the greek god phanes is the same as the egyptian osiris, who was driven into the ark by the "wind that blasts" or by th

oking out found that it was stranded upon the side of some mountain, upon which he immediately quitted it with his wife, his daughter, and the pilot. xisuthrus then paid his adoration to the earth: and, having constructed an altar, offered sacrifices to the gods, and, with those who had come out of the vessel with him, disappeared. him they saw no more, but they could distinguish his voice in the air, and could hear him admonish them to pay due regard to the gods. he informed them that it was on account of his piety that he had been taken away to live with the gods, and that his wife and daughter had obtained the same honor" it is more than likely that this story, which as we have seen has extended to the remotest corners of the earth, has an esoteric meaning, and that it embodies the doct

GILBERT AE WAITE A MAGICIAN OF MANY PARTS

nothing else during his yearswithhorlick, waite at least brought the act of dissembling to a fine art. there was, however, one solid achievement.on17march1903waite wrote to horlick describing a visit he had received from a colonelwallace,whobroughtwithhim the proposals oftwounnamed ladies for establishing a magazine to be funded by james horlick.theidea of a magazine was evidently already in the air, for waite relatedhow'i pointed out to colonel wallace that our scheme is simply one of an advertising kind designed to replace certain newspaper advertisements in australia and that it would be beyond the scopeofa business house toruna ladies paperwitha view of making it profitable on its.ownmerits independently of the advertisement standpoint. but a literary magazine was another matter, andw

ember1916).butifhehad lost his garden, he hadalso-forthemoment-lostthe burdenoffinancial hardship. poverty, alas, was never far away.theproceeds from the house sale were invested on sybil's behalf in war loanstockthatreturned24385per annumininterest. there was little else save income from waite's267writing and more thanenoughproblemswiththe cottage. the. bomb-damagedroof(ramsgatehad suffered from air raids duringthewar) had been inadequately repaired, andwhenit was finally dealtwithin1923the rafters were found to be 'like powder' and renovation used upmostoftheyear's interest from the war loan.thedamp cellar was a perennial problem, and waite periodically spent many hours rescuingwhathe couldofthe papers he unwisely persisted in storing there. his solution to this problem was original, if

GILBERT THE GOLDEN DAWN TWILIGHT OF THE MAGICIANS

ription ofit was made public (without acknowledging its source)bydion fortune:in dealing with elementals or non-human entities the pentagram, or pentalpha, is the best weapon.thisis a five-pointed star drawn in a particular way. pointing the first and second fingers of the right hand, and folding the others into the palm and touching their tips with the thumb, proceed to draw the pentagram in the air, keeping the elbow stiffandswinging the arm at full length. start with the right arm across the body, the hand about the level of the left hip, the extended fingers pointing downwards and outwards. swing it upwards as if drawing a straight line in the air, until the fingers point straight upwards above the head at arm's length. now sweepitdown again, keeping the elbow stiff, until the hand occ

on so that, when encountered, they may be recognized.'7most magical work in the second order did not, however,involvethe risk of meeting with demons from the qlippoth and was a good deal more prosaic.itwas concerned with the making and consecration of the t\deptus minor's magical instruments: the lotus wand, lamen, sword and four elemental weapons, which were a wand (fire, a cup (water, a dagger (air, and a pantacle (earth, and which corresponded to the four suits of the tarot.theinstructions for making the instruments are detailed and precise; constructing them was a complicated affair and could be done by none save the adept himself. speaking of the lotus wand, the instructions say:'itis to be made by himself unassisted, and to be consecrated by himself alone.itis to be untouched by any

s found for the first time a language suited to its needs" and the ritual has worked, for the spirit has been trapped inside her being even though she is unaware ofits presence:'itwas evidently true, as eliphas levi had said, and the best modern occultists agreed, that magical opera255 tions did have some curious effect upon the mind. she could not recover her normal poise; things wore an unusual air, and she was an alien amongst them. she decided that she would go to bed early; she was not in the mood for sitting alone that night. she had yet to realize that she would never be alone any more" from such beginnings magical fiction slipped out of the handskmgmmof golden dawn magicians, to be treated well by some and dismallyby others, reaching its nadir in the lurid nonsense foisted on to th

GILBERT THE MAGICAL MASON

l narrate a few examples, premising that these are instances of different modes of obtaining the desired effect; besides these instances the ancient latin authors speak of the use as illumi255 nants, not alone of lamps, but of natural lucent bodies, which would suffice to dispel the gloom to some slight extent. such were the diamond, the carbuncle, the glow-worm, the exposure of phosphorus to the air, the ignition of certain substances whichbumalone without any wick or arrangement, such as camphor, which willbumeven floating on water. the presence of a combustible gas, which issues from clefts in the rock in some mines and caverns, seems to have been known, and was probably taken advantage of by the ancient sages to enhance thethoughts ontheever-burning lamps 57mystery and majesty of their

ain that the zoroastrian magi had means of producing and directing electric power unknown to us'(histonedelamagie,p. 57) medieval scholars have fully debated several points in regard to ever-burning lamps,butin all cases without arriving litany definite result; much erudition has been expended on the question whether a lamp found burning on breaking open a tomb was not ignited by the admission of air, and had not been actually burning until it was disturbed; there is modern evid255 ence in favour of this view, from the analogy of some chemical experiments, as, for example, phosphorised oil is invisible in the dark when enclosed in a sealed vial, when this is opened a light pours forth. on the other hand, evidence exists that some of the lamps actually paled and went out when the cavern in

rarities at leyden, in holland, there were two of these lamps, only partially destroyed. a lamp still burning was found during the papacy of pauliii,about 1540, in a tomb in the appian way at rome, supposed to be that of tulliola, the daughter of cicero. the tomb was inscribed:'tulliolee filieemere; she died 44 b.c; it had burned over 1550 years, and became extinguished as soon as exposed to the air; the whole body was in perfect preservation, and was found floating in a vessel of oil. see pancirollus,rerummemorabiliumdeperditarum,vol.i.,p. 115, franciscus matur255 antius, hermolaus, and scardeonius.thoughts on the ever-burning lamps 61such a lamp is stated to have been found in 1401, in the reign of hen.iii,king of castile, not far from rome, on the tiber, in the stone tomb of pallas, th

n was 1500 years old; it fell to pieces when touched. this commentator does not follow his master in his denunciation of these lamps, but says they must have been made by men of the greatest skill and wisdom. see also maiolus, episcopus, colloquies. at edessa, or antioch, in a recess over a gateway a burning lamp was found by the. soldiers of chosroes, king of persia, elaborately closedinfrom the air.froma date inscribed it was known to have been placed there soon after the time of christ, or 500 years before. beside this lamp a crucifix was found fixed. see fortunius licetus, cap. vii, and citesius in hisabstinensconsolentanea.in the volcanic island ofnesis, near naples,inthe year 600 a marble tomb was found, and when opened it contained a vase in which was a lamp still alight; the light

, in his corollary to dioscorides, speaks of a wondrous liquor to sustain combustion, known to democ255 ritusandtrismegistus. jacobus mancinus wrote to licetus that he knew of a burning lampdugup from the monte cavallo at rome;itwas still burningwhenfound, and within it was a bituminous substance. plutarch in his workdedefectuoraculorumstates thatina temple tojupiterammon a lamp stood in the open air, and neither windnorrainputitout,and the priests told him ithadburned continually for years. see also licetus, cap. v. herod255 otus tells usthatthe egyptians made a special and extensive use of lamps in the religious festivals, and that the temples of king mycerinushadmany mysterious ones. strabo, and pausaniasinhis atticus, narrate that in thetempleof minerva polias, at athens, there was a m

GILBERT THE SORCERER AND HIS APPRENTICE

a secret manner, some particular relations of thearmsofacrossto the aspirant, who standsin thecentreafthatcross,with his arms extended in the form of the same mystic symbol, and is made to say at the same time that he is then standing in the 'centre of the earth; just as the greeks were told thatforthemdelphi represented<>o(lepot'ao,.tljt;yij'.alsothe 4 ancients preside over the four elements of air, fire, water and earth; or as the teaching of occultism would say, over air, fire, water, andtheir synthesis;and, therefore, are their robes of the 2673 primary colours, one the flame redoffire, the second the blue of water, the third the luminous yellow of air, and that of the fourth is black, signifying the earth; and which colour is obtained by the mixture of the three others. but the candi

, in july, the fiery heat is mostthe symbolism of the 4 ancients 21fymbollsmofthecourseof thezelatorpastthe4aticiehtseastfire.it .july.,redwate:r.mi.,3ai.anr.imt.oeeritblueair.2!!lanl'ient;jan, 225yellowwest.nwnj.nv',u",vmz255.;u":u22thesorcerer and his apprenticeevident. in the scorpion,inoctober..come the water floods, andin.aquarius,injanuary, come the keen and biting winds,ofwhich the element air is the type. note that the aspirant is led, asitwere backwards,up theseasonsin his course past thefrom \vest toe.ast.i.,i. but the' hebrew rabbis said that the divine namej"nrrihvh rushesthroughthe.foreac.hletter presides oyer an element-yod over fire, he over water, vau over air, andhepvereltrth,andthattherefore he who could pronounce itwould make both heaven andearthtotterandquake,seeing tha

2 2binah kether chokmahl'h55 5 6 6 6 4 4 4geburahtlpherethchesed,n0i),mq,8 88 99 9 7 7 7hodyesod netzach:'1nramsecond form16. each of the 22 paths represents the equilibrium of the sephiroth it connects.theazoth lecture33tetrad oftheelements hexad of dimensions of spacei17.theyetziratic arrangement and attribution of the sephir255 oth is as follows:1.kether- the spirit of elohim chiim 2.chokmah- air 3.binah- water and earth 4.chesed- fire 5.geburah- height 6.tiphereth- depth 7.netzach- east 8. hod- west 9.yesod- north 10.malkuth- south 18. the ten sephiroth are thus united in seven palaces. 19. in each of the 4 worlds are the ten sephiroth of that world, and each sephira has its own ten sephiroth; thus there are 400 sephiroth in total number, the number of the letter, tau, the cross, the

ube and the altar of incense.theazoth lecture3741. the hexagram of tiphereth is formed from the pillars on each side. in chesed is the water, in geburah is the fire and tiphereth unites and reconciles them just asmforms the reconciliation betweeneandc'.42. this diagram (see below) represents the trinity operating through the sephiroth and reflected downwards in the four triangles of the elements. air is reflected from kether through tiphereth unto yesod, water is reflected from binah through chesed to hod, fire is reflected from chokmah through geburah into netzach. while malkuth is earth, the receptacle of the other three. 43. in the hegemon's badge on the tree of life, the cross embraces tiphereth, netzach, hod and yesod, and rests on malkuth. also the calvary cross of six squares refers

at once, by evident analogy, the ancient and religious origin of its bizarre symbolism.itconsists of thirty-three short sections (the thirty-third being merely recapitulatory) divided into five chapters, and elucidated by thirty-two occult paragraphs called the 'paths. in fact, it may be called a treatise on the ten and the twenty-two. the numbers from one to ten are said to symbolise the spirit, air, water, fire, height, depth, east, west, north, south. the twenty-two letters are divided into three mother letters, a, m, sh, referring to air, water, and fire; seven double letters, b, g, d, k, p, r, th, referring to the seven planets, etc; and twelve simple letters, h, v, z, ch, t, i, l, n, s,0,tz,q, referring to the twelve signs of the zodiac, etc. christian, the disciple of levi, in his r

GNOSTIC HANDBOOK

he conclusion that he is communicating with a weird selection of lines and points. from this conclusion he decides he is either quite mad or that he has had a little too much to drink from his flat bottle of gin. mr.jones is not happy, he does not like to be thought of as a weird and disjointed collection of lines and points. he grasps mr.square on his two dimensional shirt and lifts him into the air. mr.square is ecstatic and very confused, where is he? he has no idea of the dimension of up and hence cannot understand the experience, as he begins to hover above the ground he see his friends below, but they cannot see him. however, as he returns to his two-dimensional world, at the moment of contact he re-appears, seemingly out of nowhere. he tries to explain but how can they understand di

legends and vessels for the influx of energy which would occur at the changeover to the new cycle. the cycle itself encompasses four different co-ordinates, these can be related to the four letters of the divine name (yhvh, the four elements, the four canopic jars of mummification and the four phases of the temple. heraldic cycle element god- name pisces year initiation fire yod 1844 transmission air he 1904 consolidation water vau 1964 manifestation earth he 2024 horus son head neter contents direction duamutef jackal neith stomach north qebsennuf hawk selkit intestines south hapi baboon nephthys lungs east amset man isis liver west probably the most expressive image of the four elements of the heraldic cycle are seen reflected in egyptian temple architecture. the general style of egyptia

GNOSTIC STUDIES THE GNOSTIC HANDBOOK II GNOSTIC THEURGY

he conclusion that he is communicating with a weird selection of lines and points. from this conclusion he decides he is either quite mad or that he has had a little too much to drink from his flat bottle of gin. mr.jones is not happy, he does not like to be thought of as a weird and disjointed collection of lines and points. he grasps mr.square on his two dimensional shirt and lifts him into the air. mr.square is ecstatic and very confused, where is he? he has no gnostic theurgy page 26 idea of the dimension of up and hence cannot understand the experience, as he begins to hover above the ground he see his friends below, but they cannot see him. however, as he returns to his two-dimensional world, at the moment of contact he re-appears, seemingly out of nowhere. he tries to explain but ho

e four stages of the secret formula of the israelites, the tetragrammaton of yhvh. each symbolises a facet of the emanation process, in modern terms, they could be seen as initiation, transmission, fixation and manifestation or as archetypal, creative, formative and materials. they are also attributed to the four elements. atziluth. fire. yod. initiation. briah. water. he. transmission. yetzirah. air. vau. fixation. assiah. earth. he (final. manifestation. there a number of ways in which they can be related to the tree of life. the way we favour is to relate each world to the trinities of sephira, and assiah to malkuth. this can be extended so that there is a further tree of life in each world, thus formulating forty centres. in this second attribution the whole tree of life in atziluth is

er tree of life in each world, thus formulating forty centres. in this second attribution the whole tree of life in atziluth is the treasury of light, while the lower trees in briah, yetzirah and assiah are mixed. the supernals in the lower mixed trees are the more refined phases of the mixed worlds. atziluth. fire. kether, binah and chokmah. briah. water. chesed, geburah and tiphareth. yetzirah. air. netzach, hod and yesod. assiah. earth. malkuth. atziluth: the world of fire this is the world of the treasury of light, it is the pleroma, the source of initiative energy forces. in this realm each sephira reflects a facet or the divine energy of the invisible spirit. in this system of attribution malkuth represents the particles of light held captive within matter, rather than the physical s

se may seem a little archaic but they still communicate the forms of this world. each archangel has a description, nature, colour and form and embodies the light forms of briah. kether matraton. chokmah. raziel. binah. tsaphkiel. chesed. tsadkiel. geburah. kamael. tiphareth. michael. gnostic theurgy page 97 netzach. haniel. hod. raphael. yesod. gabriel. malkuth. sandalphon. yetzirah: the world of air yetzirah is the world of fixation, it is where forces take forms as intelligences, spirits, powers, archons and angels. there are many different descriptions of forces with this world, which is basically the astral planes. some of the more expressive are those of the hebrew hierarchy. kether. chaioth ha kodosh. holy living creatures. chokmah. orphanism. wheels. binah. aralism. thrones. chesed

: idea, word and word in form, which are in him one and the same. they consist of a decade out of nothing and twenty two fundamental letters (which) he divided into three holy divisions the three mother letters, fundamental or first elements,the seven double and the twelve single letters. sepher yetzirah. the mother letters are mem, shin and aleph. they are attributed to the three elements- fire, air and water. the double letters are nun, beth, resh, kaph, pe, daleth and tau. they are attributed to the seven planets of the hebraic astrological system, they are seen illustrated in the sevenfold candelabrum used in kabbalistic liturgy. the single letter are gimel, he, vau, zain, cheth, teth, yod, lamed, samekh, ayin, tzaddi and qoph. they are attributed to the twelve signs of the zodiac, the

GOETIA LUCIFERIAN

led as light. i charge thee to open the gates of this book to those who are of its blood one who may take the knowledge of the pages in the in-between worlds of dreams do come forth, that the seeker shall be transformed in new shadow to the presence of the emerald light. i charge thee with guarding this book by the dreams of those unwilling to grow and become in the light of the serpent-angel. by air and dream we enter the circle 4 5 the preliminary definition of magick& black magick it is significant to explain the definitions within the context of this book, to not only in some manner set the foundation but also the suggestion of a successful application of this grimoire. this book is not meant for the individual to develop profane behavior, antisocial actions nor abhorrent philosophy wh

nd strong. in this context, lucifer was creating order from chaos. this is a seeming model of the initiate, that we work towards recognizing our own sense of being, and to expand the circle of control. the daimons/djinn of the goetia are initiatory forces as well. consider the definitions of angel and demon. the significance is beneficial in the context of this grimoire. angelic spirits are solar/air based spirits who posses a higher articulation of being, that is, they resonate with the more developed aspects of the self i.e. communion with the initiatic guide/holy guardian angel. demons are spirits/fallen angels which proceed to grow in shadows and the darkness of the earth, but are as significant and beneficial as angelic spirits. in unity these djinn are of fire and air, thus enflame t

e four quarters. azazel i summon thee fire-djinn of the southern quarter, be the torch which would ignite me, immolate me in your presence, as your child on the path of shadow unto light. samael great dragon transformed, i summon thee as fulmino-lucifer, the morning star of the east, the serpent-angel of the emerald crown who fell to earth awaken now and open forth the gates of the imagination by air and dream. mahazael father of the witch spirit, who blesses and curses under the hidden and bright moon, i do summon thee forth unto me, initiator of flame and iron, come thou forth unto this circle. horned beast and angel perfected, awaken to my northern calls of the earth! in hearth and forest shall you walk with me; in shadowed valley shall you walk as me; in desert and mountain shall you c

grand grimoire of shadowed knowledge. our soul must be enflamed as the serpent and must work accordingly as the devil in flesh, the tester of the limits and the initiator upon earth. work always with a goal in mind and do not dabble with the spirits of the goetia. you have been warned. working with angelic spirits angelic(k) spirits are celestial or empyrean forces, based primarily in the element air. they are commonly associated with lucifer and are the higher articulated solar and lunar shadow forms of the initiatic guide, by one conjoined with the demonic spirit the self develops in balance, rather than repression and self-deception. such angels are fallen, and contain a demonic or infernal aspect to their character. approach this with respect and seek to become like the essence you so

under the spirit summoned. 13 such methods of invocation act not in mere possession in most cases, rather activates areas of perception according to the individuals associations of inspirational knowledge or impulses. angelic spirits are those which infuse us with the fire of lucifer, that which fell from heaven. this is the gnosis of the celestial sabbat knowledge gained from the spirits of the air. the luciferian spirits (the spirits of air) are often celestial, white shades or blackened shapes, depending on the lower or higher nature of their being. it is the goal of the magician to be able to in an astral sense shape shift into either an illuminated or shadowed aspect of being, as is the reflection of the being. simplicity in ceremonial magick and sorcery is significant to achieve a s

GOLDEN DAWN INVOKING PENTAGRAM RITUAL OF AIR

.49 asmodeus by e.i. ford pg.51 gaap by e.i. ford pg.52 andrealphus by e.i. ford pg. 68 belial by e.i. ford pg.70 sigils of crowley edition with accents by e.i. ford pg.74 satan cube from abramelin accented by e.i. ford pg. bthe sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 1 of 2 6/27/2004 7:54 am the invoking pentagram ritual of air relax and perform the fourfold breath perform the qabalistic cross 1. touching the forehead, say atah. 2. touching the breast, say malkuth. 3. touching the right shoulder, say ve-geburah. 4. touching the left shoulder, say ve-gedulah. 5. clasping the hands upon the breast, say le-olam, amen. facing east, use the index finger of the right hand, a dagger, or the white end of the outer wand of do

you turn or move back to the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 2 of 2 6/27/2004 7:54 am the arm extended, trace a line of white light as you turn or move back to the east. facing to the east extend both arms out in the form of a cross and say "before me raphael (rah-fahy-el. visualize before you the great archangel of air rising out of the clouds in flowing yellow and violet robes, carrying a caduceus wand. behind you visualize another figure and say "behind me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael

ity, be thou eternally blessed! we praise thee and we bless thee in the changless empire of created light, of shades, of reflections, and of images- and we aspire without cessation unto thy immutable and imperishable brilliance. let the ray of thine intelligence and the warmth of thy love penetrate even unto us! then that which is volatile shall be fixed, the shadow shall be a body, the spirit of air shall be a soul, the dream shall be a thought. and no longer shall we be swept away by the tempest, but we shall hold the bridles of the winged steeds of dawn. and we shall direct the course of the evening breeze to fly before thee. o spirit of spirits! o eternal soul of souls! o imperishable breath of life! o creative sigh! o mouth which breathest forth and withdrawest the life of all beings

the lesser rituals of the pentagram, or commonly called lesser banishing ritual of the pentagram, and the lesser invoking ritual of the pentagram (lbrp/lirp) were the only actual rituals taught to and used by the outer order of the traditional golden dawn. however, here at the sanctuary of ma'at we have incorporated this lesser invoking pentagram ritual as an introduction ritual to the elemental air principle of nature, while still adhering to principles set forth by the founders. this lesser invoking ritual should be used as a daily ritual which will help invoke the energy and call the spiritual forces into ones temple or ritual space. it is recommended to be perfomed in the mornings for as long as one is in the theoricus grafothe sanctuary of maat order of the golden dawn- content http/

GOLDEN DAWN INVOKING PENTAGRAM RITUAL OF EARTH

?name=content. 2 of 2 6/27/2004 8:00 am charge the pentagram as before by thrusting the wand, through the center of the pentagram and vibrate "agla (ah-gah-la. keeping the arm extended, trace a line of white light as you turn or move back to the east. facing to the east extend both arms out in the form of a cross and say "before me raphael (rah-fahy-el. visualize before you the great archangel of air rising out of the clouds in flowing yellow and violet robes, carrying a caduceus wand. behind you visualize another figure and say "behind me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael

give the zelator sign facing north recite the prayer of the gnomes: o invisible king who, taking the earth for foundation, didst hollow its depths to fill them with thy almighty power. thou whose name shaketh the arches of the world! thou who causest the seven metals to flow through the veins of the rocks! king of the seven lights! rewarder of the subterranean workers! lead us into the desirable air and into the realm of splendor. we watch and we labor unceasingly, we seek and we hope, by the twelve stones of the holy city, by the buried talismans, by the axis of the lodestone which passes through the center of the earth. o lord, o lord, o lord! have pity upon those who suffer. expand our hearts, detach and upraise our minds, enlarge our natures. o stability and motion! o darkness veiled

GOLDEN DAWN INVOKING PENTAGRAM RITUAL OF FIRE

ou turn or move back to the east. the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 2 of 3 6/27/2004 8:05 am extended, trace a line of white light as you turn or move back to the east. facing to the east extend both arms out in the form of a cross and say "before me raphael (rah-fahy-el. visualize before you the great archangel of air rising out of the clouds in flowing yellow and violet robes, carrying a caduceus wand. behind you visualize another figure and say "behind me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael

GOLDEN DAWN INVOKING PENTAGRAM RITUAL OF WATER

ou turn or move back to the east. the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 2 of 2 6/27/2004 8:04 am extended, trace a line of white light as you turn or move back to the east. facing to the east extend both arms out in the form of a cross and say "before me raphael (rah-fahy-el. visualize before you the great archangel of air rising out of the clouds in flowing yellow and violet robes, carrying a caduceus wand. behind you visualize another figure and say "behind me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael

GOLDEN DAWN LESSER BANISHING RITUAL OF THE HEXAGRAM

pting to consecrate any magical weapons both the supreme ritual of the pentagram and hexagram should be learned. however, with this ritual and the lbrp, rituals such as israel regardie's middle pillar exercise can be performed -frater p.a.l. face east. perform the qabalistic cross as in the lbrp. perform the analysis of the keyword. trace the banishing hexagram of fire, in gold, before you in the air vibrate ararita and end in the sign of silence. turn to the south. trace the banishing hexagram of earth. vibrate ararita turn to the west. trace the banishing hexagram of air. vibrate ararita. turn to the north. trace the banishing hexagram of water. vibrate ararita. turn to the east. perform the analysis of the keyword. perform the rdthe sanctuary of maat order of the golden dawn- content ht

GOLDEN DAWN LESSER BANISHING RITUAL OF THE PENTAGRAM LBRP

ace a large bannishing earth pentagram. charge the pentagram as before by thrusting the wand, through the center of the pentagram and vibrate "agla (ah-gah-la. keeping the arm extended, trace a line of white light as you turn or move back to the east. facing to the east extend both arms out in the form of a cross and say "before me raphael (rah-fahy-el. visualize before you the great archangel of air rising out of the clouds in flowing yellow and violet robes, carrying a caduceus wand. behind you visualize another figure and say "behind me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael

multaneously, should be stimulated to create these pentagrams about the magician on the astral plane in glowing figures of fire, so that through the streaming lines of light and power, representative of the spiritual being, no lesser entity of any kind dare make its way. it is necessary that the magician make certain that he does not lower the elemental weapon after formulating a pentagram in mid-air. the circle must be complete, continuing in an unbroken line from pentagram to pentagram. the blazing five-pointed star is like the flaming sword which debarred adam from the edenic paradise. the four archangels, the spiritual regents of the four elements, are then invoked to give legitimacy to the working, and spiritual power and protection to both the surrounding pentagrams and the circle wh

GOLDEN DAWN LESSER INVOKING RITUAL OF THE PENTAGRAM LIRP

?name=content. 2 of 2 6/27/2004 7:53 am charge the pentagram as before by thrusting the wand, through the center of the pentagram and vibrate "agla (ah-gah-la. keeping the arm extended, trace a line of white light as you turn or move back to the east. facing to the east extend both arms out in the form of a cross and say "before me raphael (rah-fahy-el. visualize before you the great archangel of air rising out of the clouds in flowing yellow and violet robes, carrying a caduceus wand. behind you visualize another figure and say "behind me gabriel (gah-bree-el. see the archangel stepping out of the sea like the goddess venus, dressed in robes of blue and orange, with cup in hand. see to your right another figure in flaming red and green robes carrying a sword say "on my right hand michael

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL AURIEL

neophyte signs when passing the east. go to the west and face east. give the adoration to the lord of the universe: holy art thou, lord of the universe (projection sign) holy art thou, whom nature hath not formed (ps) holy art thou, the vast and the mighty one (ps) lord of the light, and of the darkness (sign of silence) stand in one place, pivot clockwise and bow to each of the other archangels, air, fire, then water. go to the north and give the zelator sign (see the archangel auriel respond by making the sign in return) begin meditation with the archangel auriel "facing north standing or sitting with your eyes closed, visualize as clearly as possible all the details of auriel. the colors he may be wearing, the the sanctuary of maat order of the golden dawn- content http//www.ritual-magi

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL GABRIEL

n passing the east. go to the west and face east. give the adoration to the lord of the universe: holy art thou, lord of the universe (projection sign) holy art thou, whom nature hath not formed (ps) holy art thou, the vast and the mighty one (ps) lord of the light, and of the darkness (sign of silence) stand in one place, pivot clockwise and bow to each of the other archangels, fire, earth, then air. go to the west and give the practicus sign (see the archangel gabrriel respond by making the sign in return) begin meditation with the archangel gabriel "facing west standing or sitting with your eyes closed, visualize the archangel stepping out of the sea like the goddess venus. as clearly as possible visualize all the details of gabriel. the colors she may be the sanctuary of maat order of

GOLDEN DAWN MEDITATION WITH THE ARCHANGEL RAPHAEL

ite on a black background in hebrew. the temple is to be arranged in accordance with the theoricus hall (as in the second part of the initiation ceremony) relax and perform the fourfould breath go to the northeast and say "hekas, hekas, este bebeloi" with the black end of the wand, perform the lbrp (facing east, say the following invocation "such a fire existeth, extending through the rushings of air. or even a fire formless, whence cometh the image of a voice. or even a flahing light, abounding, revolving, whirling forth, crying aloud. remain in the east. with the white end of the wand, trace the lesser invoking pentagram. thrust the wand through the center of the figure and vibrate "yod heh vav heh" do this also in the south, west, and finally in the north; drawing the same pentagram and

changel raphael look with favor upon this ceremony! may the angel chassan and the ruler aral be also in attendance! i have gained admission in this temple through the badge of the caduceus of hermes. hear me! i arn one who has received the mystic title of poraios de rejecttis and the symbol of ruach. i have been brought from amoung rejected. as a lord/lady of the 32nd path, i invoke the powers of air to bear witness to my spiritual endeavor. grant me the knowledge of the element of air and the astral realm, so that i may obtain greater understanding of hidden things and thereby advance in the great work" circumambulate the temple three times, saluting with the neophyte signs when passing the east. go to the west and face east. give the adoration to the lord of the universe: holy art thou

GOLDEN DAWN PRAYERS OF THE ELEMENTALS

translated by persons unknown the prayer of the gnomes or earth spirits. o invisible king, who, taking the earth for foundation, didst hollow its depths to fill them with thy almighty power. thou whose name shaketh the arches of the world, thou who causest the seven metals to flow in the veins of the rocks, king of the seven lights, rewarder of the subterranean workers, lead us into the desirable air and into the realm of splendour. we watch and we labour unceasingly, we seek and we hope, by the twelve stones of the holy city, by the buried talismans, by the axis of the lodestone which passes through the centre of the earth o lord, o lord, o lord! have pity upon those who suffer. expand our hearts, unbind and upraise our minds, enlarge our natures. o stability and motion! o darkness veiled

wages of thy workmen! o silver whiteness o golden splendour! o crown of living and harmonious diamond! thou who wearest the heavens on thy finger like a ring of sapphire! thou who hidest beneath the earth in the kingdom of gems, the marvellous seed of the stars! live, reign, and be thou the eternal dispenser of the treasures whereof thou hast made us the wardens. amen. the prayer of the sylphs or air spirits. spirit of life! spirit of wisdom! whose breath giveth forth and withdraweth the form of all things: thou before whom the life of beings is but a shadow which changeth, and a vapour which passeth; thou who mountest upon the clouds, and who walkest upon the wings of the wind. thou who breathest forth thy breath, and endless space is peopled; thou who drawest in thy breath, and all that

ility, be thou eternally blessed! we praise thee and we bless thee in the changelss empire of created light, of shades, of reflections, and of images, and we aspire without cessation unto thy immutable and imperishable brilliance. let the ray of thy intelligence and the warmth of thy love penetrate even unto us! then that which is volatile shall be fixed; the shadow shall be a body; the spirit of air shall be a soul; the dream shall be a thought. and no more shall we be swept away by the tempest, but we shall hold the bridles of the winged steeds of dawn. and we shall direct the course of the evening breeze to fly before thee! o spirit of spirits! o eternal soul of souls! o imperishable breath of life! o creative sigh! o mouth which breathest forth and withdrawest the life of all beings, i

GOLDEN DAWN SUPREME BANISHING RITUAL OF THE PENTAGRAM

ises, the sword of vengeance can be employed with much success. if you are banishing a room which is to be re-dedicated as a temple space, clear the area of all objects and furniture. 1 face the east. with sword in hand, perform the qabalistic cross (hold the sword with point up while performing the qabalistic cross) trace the banishing pentagram of spirit active, with the tip of the sword in the air before you. vibrate the name "exarp" draw the spirit sigil in the center and vibrate "eheieh" give the lvx signs. draw the banishing pentagram of air and intone the name "oro ibah aozpi" trace the sigil of aquarius in the center and vibrate "yhvh" give the sign of theoricus. then raise the hands above the head as if to touch kether. step forward with the left foot while simultaneously bringing

onally, advanced rituals of this type were performed only by initiates in the grade of adeptus minor (or higher. the lvx signs are the grade signs of an adeptus minor, not necessarily the grade sign of the element of spirit. the fifth element is conferred on an initiate in the portal grade, and therefore the grade signs of spirit are the opening and closing of the veil, just as the grade sign for air is that of the theoricus. it is therefore apropriate for the portal initiate to freely substitute the portal signs for the lvx signs [rendering for the sirp, closing for the sbrp. we realize, however, that many students have already been performing these rituals with the traditional lvx signs, and may be reluctant to switch to the portal signs. therefore we have presented the rituals in this c

the portal signs. therefore we have presented the rituals in this course with the traditional lvx signs, and leave the option open for the individual to choose" excerpted from the "self-initiation into the golden dawn tradition" chic and tabatha cicero, 1998, llewellyn publications, st. paul, min. pentagrams used for the supreme banishing ritual pentagram (sbrp) banishing spirit active banishing air the sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 3 of 3 6/27/2004 7:55 am banishing spirit active banishing fire banishing spirit active banishing water banishing spirit active banishing ea wthe sanctuary of maat order of the golden dawn- content http//www.ritual-magic.com/welcome/modules.php?name=content. 1 of 2 6/27/2004 7:5

GOLDEN DAWN SUPREME INVOKING RITUAL OF THE PENTAGRAM

and, the lotus wand, the chief adept's wand in the portal, the ur-uatchti, or the four elemental weapons. 1 stand and face east. perform the qabalistic cross. facing east, trace a large invoking pentagram of spirit active. thrust through the center of the pentagram and vibrate "exarp" trace the spirit sigil in the center and intone "eheieh" give the lvx signs. then trace the invoking pentagram of air and vibrate "oro ibah aozpi" draw the sigil of aquarius in the center of the pentagram and intone "yhvh" give the sign of the theoricus. turn to the south and trace a large invoking pentagram of spirit active. thrust through the center of the pentagram and vibrate "bitom" trace the spirit sigil in the center and intone "eheieh" give the lvx signs. then trace the invoking pentagram of fire and

tionally, advanced rituals of is type were performed only by initiates in the grade of adeptus minor (or higher. the lvx signs are the grade signs of an adeptus minor, not necessarily the grade sign of the element of spirit. the fifth element is conferred on an initiate in the portal grade, and therefore the grade signs of spirit are the opening and closing of the veil, just as the grade sign for air is that of the theoricus. it is therefore apropriate for the portal initiate to freely substitute the portal signs for the lvx signs [rendering for the sirp, closing for the sbrp. we realize, however, that many students have already been performing these rituals with the traditional lvx signs, and may be reluctant to switch to the portal signs. therefore we have presented the rituals in this c

GOLDEN DAWN RITUALS B

hwhy la la 9 observe that the currents descendeth from the to the l in the invoking pentagram of l. in the banishing pentagram, the current is reversed. the kerubic sigil of b should be drawn in the center of the pentagram. let the adept be aware that the banishing pentagram of l may be traced as a potent symbol of protection between thee and any opposing astral force by simply tracing it in the air before the opposing force. let the adept take due care, to in all cases make certain the pentagram is proportional, and the ends fully closed. observe that the invoking pentagram of m begins from n and n begins from the angle of m. o, like l, begins with. the adept should take notice that an active-passive elemental relationship exists within the symbol of the pentagram. trace the kerubic sign

welve altogether. this is contributing two pentagrams to each element. refer to the diagram. it should be noted that in using the s.b.r.p./s.i.r.p, the adept is dealing with stronger energies than those used in the l.b.r.p. once again, this ritual is suggested to be practiced only if the adept is fully competent in the l.b.r.p. in the l.b.r.p, only one figure, the earth pentagram, is drawn in the air. however, in the s.b.r.p./s.i.r.p. four figures in each quadrant are drawn in consecutive order. for example, using the s.b.r.p: 1) the closing passive pentagram. 2) the spirit wheel. 3) the banishing elemental pentagram of that quadrant. 4) the kerub of the element. each of the figures are drawn one on top of the other. the spirit wheel and the kerub both are drawn in the center of the pentag

e center of the closing active spirit pentagram while vibrating "hyha" stab it at the center on the last syllable. perform the 5=6 signs. c) draw the banishing pentagram of m. visualize the pentagram bright yellow while vibrating "oro ibah aozpi (oh-row ee-ba-ha ah-oh-zoad-pee. stab the center on the last syllable. d) draw the sign of k, visualizing it bright purple in the center of the banishing air pentagram. as you do this, vibrate "hwhy" again, stab at the center on the last syllable. perform the theoricus grade sign. step 3 a) move to the south, drawing the white connecting line as done in the l.b.r.p. draw the closing active spirit pentagram and vibrate "bitom (pronounced bee-tohem) while stabbing the pentagram on the last syllable. b) draw the spirit wheel in the center of the penta

GOLDEN DAWN RITUALS C C1

n reverse it by throwing the lunar angle up to the top from being lowest. l k y f b c the second form is the classical hexagram with the attribution of the angles as usual. the hexagram has an affinity with earth and is traced in the southern quarter. this is the position of earth in the zodiac, and the sun at noon when it is at its culmination. 16 l b c y f k the third form has its affinity with air and is in the western quarter. this is in the position of air in the zodiac. l k y f b c this is water in the position of the zodiac. it has an affinity with the northern quarter. with each of these forms, the name atyrara is to be pronounced. the adept must be aware that there are six modes or ways of tracing each of these four forms. this will be determined by the particular planet that you

of tracing for each form. also, trace the planetary symbol within the center of each, and then vibrate the name atyrara. 8. then, after the above planetary work has been done, turn unto the quarter of the planet of the heavens and trace the invoking hexagram and pronounce the proper names. also, thou may invoke what angels and forces of that nature that may be required. trace their sigils in the air in the center of the supreme hexagram. 9. when thou art finished, perform the banishing ritual of that planet, and give them the license to depart. 10. if you are charging a talisman, remove the talisman from the working space before banishing so as not to dis-empower the talisman. 11. in the case where you may wish to invoke all the planetary forces, perform the l.i.r.h. using l, then turn to

h wyhh nesher aryeh shor adam michael auriel gab riel gad ephraim manasseh issachar j udah naphtal i asher dan benjamin zebulon reuben simeon raphael in the macrocosm in the east is a, which is. in the south j, which is. in the west is g, which is. in the north is d, which is. 23 now look at the inside angles and observe these as the angles of the four elements in the microcosm. k, the kerubic of air in the east, e, the kerubic of fire in the south, h, the kerubic of water in the west, and b, the kerubic of earth in the nor od tools of the inner order r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 the lotus wand should be carried by the zelator adeptus minor at all meetings of the second order in which he has the right to be present. the lotus wand must be consecrated by himself a

GOLDEN DAWN RITUALS D

you come to the east and purify in the east saying "i purify thee with water" and facing west and doing the same. then you take the incenser and perform the same procedure with o. another method may be done by purifying each elemental quarter with n and o, beginning in the east and ending in the east. so, as you go to the east, sprinkle or swing to the left, right, center, and draw a cross in the air with the tool and say "i purify/consecrate thee with n/o" then move on to each of the other quarters repeating the same. after you have performed these banishings and purification's with n and o, you will then say the call from the chaldean oracles. for nit is "so therefore first, the priest who governeth the works of fire must sprinkle with the lustral waters of the loud resounding sea" for o

e angel (angelic name) to bestow this present day and hour and confirm their mystical and potent influence upon the color (zodiacal color) of this lotus wand which i hereby dedicate to purity and occult work. may my grasp upon it strengthen me in the work of the nature and attributes of (zodiacal sign. note: as you are reciting the invocation at each quarter, it is important that you trace in the air with your lotus wand, the invoking pentagram of the sign required. so, if you are dealing with a, you will use the invoking pentagram of o. after you have sufficiently charged all twelve bands, then you will lay your wand on your altar with the lotus facing east, you will stand in the west, raise both of your hands, and enflame yourself with the following prayer "oh isis, great goddess of the

GOLDEN DAWN RITUALS ENOCHALL

turn the same at once, unread and unopened, to g.h. frater p.c.a, at 14050 cherry avenue, suite r- 159, fontana, california, 92337. 2 enochian a: in/ of/ on/ the/ with. a babalond: of a harlot. a boapri: let them serve you. a cocasb: the time. a cro odzi: hast thy beginning. aaan: kerubic angel of water angle of fire tablet. aab: cacodemon of fire angle of earth tablet. aabco: commanding angel of air angle of water tablet. aacc: subservient angel of fire angle of air tablet. aadt: kerubic angel of air angle of water tablet. aaetpio: senior of mars on the fire tablet. aaf or aao: amongst/ among aai: amongst you/ cacodemon of fire angle of earth tablet. aai grosb: amongst you a bitter sting. aaiom: amongst us. aair: subservient angel of air angle of earth tablet. aal: cacodemon of earth angl

ngle of water tablet. aacc: subservient angel of fire angle of air tablet. aadt: kerubic angel of air angle of water tablet. aaetpio: senior of mars on the fire tablet. aaf or aao: amongst/ among aai: amongst you/ cacodemon of fire angle of earth tablet. aai grosb: amongst you a bitter sting. aaiom: amongst us. aair: subservient angel of air angle of earth tablet. aal: cacodemon of earth angle of air tablet. aala/ ala: placed you. aala: put/ place (v) aana: kerubic angel of water angle of fire tablet. aanaa: kerubic name of water angle of fire tablet. aao ial pir gah: amongst the flames of first glory. aao: aaf/ among/ cacodemon of water angle of air tablet. aaodt: angel, also known as aadt. aaoth: name of mercury perimeter. aaozaif: senior of jupiter on the air tablet. aapdoce: senior of

gah: amongst the flames of first glory. aao: aaf/ among/ cacodemon of water angle of air tablet. aaodt: angel, also known as aadt. aaoth: name of mercury perimeter. aaozaif: senior of jupiter on the air tablet. aapdoce: senior of venus, on the fire tablet. aavan: angel, also known as aaan. aavna: angel, also known as aana. aax: cacodemon, counterpart of the angel axir. aaxp: subservient angel of air angle of water tablet. ab: angel (filia filarum lucis) associated with luna. ab: name of jupiter heptagon 2. aba: cacodemon of fire angle of earth tablet. ababalond: of an harlot. abai: stooping. subservient angel of fire angle of earth. abaiond: governor of the second division of the aethyr pop (56. abaiuonin: to the stooping dragon. 3 abaivoninu: abai vovin. stooping dragon. abalpt: calling

of earth tablet. ababalond: of an harlot. abai: stooping. subservient angel of fire angle of earth. abaiond: governor of the second division of the aethyr pop (56. abaiuonin: to the stooping dragon. 3 abaivoninu: abai vovin. stooping dragon. abalpt: calling angel of earth angle of earth tablet. abamo: angel, also known as abmo. abaramig: abramg, prepare. abmo: subservient angel of earth angle of air tablet, also known as abamo. aboapri: serve, also see booapis. aboz: kerubic angel of air angle of earth tablet. aboza: kerubic name of air angle of earth tablet. abraasa/ abraassa: provide/ provided. abramg: abrang/ i prepare/ i have prepared. abramig: prepare/ are prepared. acam: 7699. acar: subservient angel of fire angle of fire tablet, also known as acrar. acca: subservient angel of fire

t, also known as abamo. aboapri: serve, also see booapis. aboz: kerubic angel of air angle of earth tablet. aboza: kerubic name of air angle of earth tablet. abraasa/ abraassa: provide/ provided. abramg: abrang/ i prepare/ i have prepared. abramig: prepare/ are prepared. acam: 7699. acar: subservient angel of fire angle of fire tablet, also known as acrar. acca: subservient angel of fire angle of air tablet. also known as acuca. achildao: with diamonds. acl: cacodemon of water angle of water tablet. aclondoh: in thy kingdom. acmbicu: senior of mercury on the earth tablet. acocasb: time. acon: subservient angel of earth angle of air tablet. acop: subservient angel of earth angle of water tablet. acp: cacodemon of water angle of air tablet. acps: kerubic angel of earth angle of fire tablet

GOLDEN DAWN RITUALS F

he proper grade sign in each quarter. let the adept be certain, that when using the lotus wand, to hold it by the white portion when performing the qabalistic cross, and in addition, holding the kerubic bands that apply to each of the elements. 4 step 8 upon completion of the s.i.r.p, let the adept move to the west of the altar and face east, holding the lotus wand by the white band. trace in the air over the rose cross, as if one was standing in the center of the rose, the symbol of the circle and the cross (this is a solar cross with a circle around it. at the same time, invoke all of the divine and angelic names of trapt, saying the following (while reciting the prayer, raise your hands and eyes skyward, and lower them as you finish "o thou most sublime majesty on high, who art at certa

GOLDEN DAWN RITUALS G

nt that is being used. end with the qabalistic cross, holding the lotus wand by the white band. step 8 as the adept begins to consecrate each individual tool after the opening, he or she shall stand facing the altar and the quarter of the element whose implement is being consecrated and empowered. step 9 let the adept hold the lotus wand by the appropriate corresponding kerubic band. trace in the air over the implement that is being consecrated a circle followed by the appropriate spirit pentagram and the appropriate invoking pentagram for that particular element. this should almost be an imaginary astral type of experience, as if you were standing in the center of that tool itself. step 10 now invoke the divine and angelic names already engraven or painted upon the implement. be certain t

ropriate invoking pentagram for that particular element. this should almost be an imaginary astral type of experience, as if you were standing in the center of that tool itself. step 10 now invoke the divine and angelic names already engraven or painted upon the implement. be certain to vibrate the names with full meaning and intensity. draw the hebrew letters and sigils over the implement in the air with the lotus wand, holding the wand by the appropriate band (it is appropriate for the adept to place the names of the divine, the angelic names, and the hebrew spelling on a separate 3x5 card so that as you are reciting the script, you may simply look at the 3x5 card of the element that you are consecrating. at the end of this lesson, see the chart with the divine and angelic names in hebre

element that you are consecrating. at the end of this lesson, see the chart with the divine and angelic names in hebrew) recite the following and insert the proper divine or angelic name in the space provided "o thou who art from everlasting, thou who hast created all things, and doth clothe thyself with the forces of nature as with a garment. by the holy and divine name (trace the letters in the air while vibrating appropriate divine name, whereby thou art known especially in the quarter we name (trace the letters in the air while vibrating appropriate quarter. i beseech thee to grant unto me the strength and insight for my search after the hidden light and wisdom. i entreat thee to cause thy powerful archangel (trace the letters in the air while vibrating the appropriate archangelic name

ing appropriate quarter. i beseech thee to grant unto me the strength and insight for my search after the hidden light and wisdom. i entreat thee to cause thy powerful archangel (trace the letters in the air while vibrating the appropriate archangelic name, who governeth the works of (name of the element, to guide me in the pathway and furthermore to direct 5 thine angel (trace the letters in the air while vibrating the appropriate angelic name) to watch over my footstep therein. may the ruler of (name of the element, the powerful prince (trace the letters in the air while vibrating the appropriate name of the prince, by the gracious permission of the infinite supreme, increase and strengthen the hidden force and occult virtue of this (name of the implement, that i may be enabled with it t

ating the appropriate name of the prince, by the gracious permission of the infinite supreme, increase and strengthen the hidden force and occult virtue of this (name of the implement, that i may be enabled with it to perform those magical operations for which it has been fashioned for which purpose i now perform this mystic rite of consecration in the divine presence of (trace the letters in the air while vibrating the appropriate divine name. step 11 lay aside the lotus wand and take up the magical sword of the art. recite the invocation to the king while tracing in the air the appropriate invoking spirit pentagram followed by the invoking pentagram of the element involved "in the three great secret names of god borne upon the banner of the (state the quarter and vibrate the three secret

GOLDEN DAWN RITUALS K

aching west, he faces west, and makes the invoking pentagram of water with the cup, saying "empeh arsel gaiol. in the names and letters of the great western quadrangle, i invoke ye, ye angels of the watchtower of the west (replaces the cup on eagle's head. takes the dagger and strikes forward with it, then circumambulates with sol, repeating "such a fire existeth, extending through the rushing of air, or even a fire formless, whence cometh the image of a voice, or even a flashing light, abounding, revolving, whirling forth, crying aloud (on reaching the east, he strikes forward with the dagger, makes invoking air pentagram, and repeats "oro ibah aozpi. in the names and letters of the great eastern quadrangle, i invoke ye, ye angels of the watchtower of the east (replaces the dagger on the

GOLDEN DAWN RITUALS SADD

rical fashion (letter ascending in an upward direction) to the bottom of both lines. each tablet begins on the top with the appropriate letter of the tetragrammaton, ascribed to the elemental tablet: d= y c= h a= w b= h thou shalt read the linea spiritus sancti beginning in the left, and again, commencing with the letter of the tetragrammaton appropriate to the tablet, reading from right to left. air tablet 15 tetragrammaton as applied to the kerubic ranks of each tablet (hands indicate the direction of the letters are to be read) air tablet" whyh (f) yh(f)wh h(f)yhw hwh(f)y" water tablet" whyh(f) yh(f)wh h(f)yhw hwh(f)y" earth tablet" wh(f)yh wh(f)yh h(f)why h(f)why" fire tablet" wh(f)yh wh(f)yh h(f)why h(f)why! do not confuse same tetragrammaton allocation with very different natures of

te squares from the sephirotic cross. thou shall observe the following rule when attributing the letter of the tetragrammaton to the servient squares: the columns (reading from above downward) follow the identical order of the kerubic square above. this order is followed downward for the ranks. thou shall read from right to left. consider the following illustrations from the a lesser angle of the air tablet. kerubic rank w h y h h* y* h* w* the order of the planets as applied to the decanates (squares) follow the order of the tree of life beginning with yafbc and ending with hnbl. book t provides us with the 36 small cards of the tarot and their attributions to the decanates of the 12 signs. following is the illustrational diagram of all four great crosses, with the appropriate attribution

GOLDEN DAWN RITUALS U1

in during that incarnation, facing that particular point in his sphere of sensation. that is to say, this sphere does not revolve about the physical body. from dsj and hrwbg are formed the arms. therein exists the faculties of operative action, and at their extremities are the symbols of the four elements and the spirit. thus: thumb- spirit, third finger- fire, index finger- water, little finger- air, second finger- earth. the arms are the manifestors of the executive power of the ruach, and therein are the faculties of touch strongly expressed. 3 from trapt is formed the trunk of the body, free from the members, and therein as a receptacle of influences, are situated the vital organs. the blood is spirit mingled with and governing the watery principle. the lungs are the receptacles of air

ormed the trunk of the body, free from the members, and therein as a receptacle of influences, are situated the vital organs. the blood is spirit mingled with and governing the watery principle. the lungs are the receptacles of air which temperate the blood as the wind does the waves of the sea the mephitic impurities of the blood in its traversal of the body requiring the dispersing force of the air, even as the sea under a calm, does putrefy and become mephitic. the heart is the great center of the action of fire leading its terrible energy as an impulse under the others. thence cometh from the fiery nature the red color of blood. the part above the heart is the chief abode of the ruach, as there receiving and concentrating the other expressions of its sephiroth. this part is the central

faculty which reasoneth, which worketh with and combineth the faculties reflected into it. the reasoning mind, therefore, is that which useth and combineth the principia of hmkj and hnyb so that the parts of hmkj and hnyb which touch the ruach are the initiators of the reasoning power. the reasoning itself is a process and a simulacrum of the action of the higher wisdom and understanding. for the air is not the light, only the translator of the light. yet, without the air, the operation of the light could not so well be carried out. the words ruach, and spirit, also meaneth air. it is like a thing that goeth out though knowest not wither, and cometh in though knowest not whence "the wind bloweth where it listeth, and thou hearest the sounds thereof, but canst not tell whence it cometh nor

out the air, the operation of the light could not so well be carried out. the words ruach, and spirit, also meaneth air. it is like a thing that goeth out though knowest not wither, and cometh in though knowest not whence "the wind bloweth where it listeth, and thou hearest the sounds thereof, but canst not tell whence it cometh nor whether it goeth. so is everyone that is born of the spirit" the air, the ruach, permeatith the whole physical body, but its concentrated influences are about the heart. yet, were it not for the boundary force of hmkj and hnyb above of the sphere of sensation surrounding it, and of twklm below, the ruach could not concentrate under the presidency of the name, and the life of the body would cease. thus far concerning the ruach as a whole, it is the action of the

onsciousness must descend into the nephesch before the image of the sphere of sensation can be perceived. this so because it is only the rays of the ruach permeating the ruach that can take cognizance thereof. this faculty of the spiritual consciousness is the seat of thought. thought is a light proceeding from the radiation of this spiritual consciousness, traversing the ruach as light traverses air, and encountering thereafter the symbols reflecting in the sphere of sensation, or "magical mirror of the universe" these symbols are, by its radiation (i.e. that of thought, reflected again into the spiritual consciousness where they are subjected unto the action of the reasoning mind and the lower will. that is, in the ordinary, natural man, when awake, the thought acteth through the ruach a

GOLDEN DAWN RITUALS U7

and reveal it not unto the profane, for many and great are its mysteries. the colors differ according to the world or aspect of the great names they represent. there are four scales of color which correspond to the four kabbalistic worlds. they are: scales worlds tarot suits tetragrammaton elements king twlyxa wands y (yod) d (fire) queen hayrb cups h (he) c (water) prince hryxy swords w (vau) a (air) princess hycu pentacles h (he) b (earth) king scale queen scale prince scale princess scale 1. uncolored brilliance white brilliance white brilliance white rayed golden 2. pure soft blue grey blue pearl grey mother of pearl white flecked red blue and yellow 3. crimson black with hidden red black& crimson= dull dark brown grey flecked pink 4. deep violet blue deep purple deep orange flecked ye

GOLDEN DAWN RITUALS VENUSZAM16

emony. let a ray from thy perfection descend upon me, to awaken within my 4 being that which shall prove a channel for the working of thine abundant power. may this venus talisman which i have made be a focus of thy light and life and love so that it may awaken within my soul a clear vision and a stronger aspiration to the light" step 9 draw the letters yhvh tzboath in hebrew and its sigil in the air. then, trace the same over the heart region and vibrate la several times "grant unto me, thou great and lord of hosts netzach, the presence and power of thy holy archangel haniel that he may aid me with his power" step 10 draw the invoking hexagram of venus and in it the sigil of haniel. vibrate the name strongly "o ye gods of netzach, i conjure ye by the mighty name of yhvh tzboath lord of ho

sunder. it is the veil of the four elements of the body of man which was offered upon the cross for the service of man. i heard the voice of the holy one proclaim 'thou art my son. this day have i begotten thee. thou shalt rule the nations with a rod of iron. thou shalt break them in pieces as a potter's vessel' let therefore the elements obey the voice of yhvh. o ye spirits of flashing fire, and air, spirits of water and earth, even ye legions of demons who dwell in the land of twilight, recognize in me your master and in this creature of talismans one whom ye are powerless to hurt or touch. turn ye, o ye creatures of night and the darkness. come and obey my will. serve and fear me. i bind even ye to help me in the works of the magic of light. i bind ye by the curse of elohim gibor, by th

GOLDEN DAWN RITUALS Z2

ation to induce the natural phenomena. place a good talisman or material basis within the white triangle 8 on the altar. place bad to the west of same, holding the sword erect in the right hand for a good purpose, or its point upon the center of the triangle for evil. j. now follows the performance of an invocation to attract the desired spirit to the talisman or material basis, describing in the air above it the lineal figures and sigils, etc, with the appropriate instrument. then, taking up the talisman in the left hand, let him smite it thrice with the flat of the blade of the sword of art. then, raise it in the left hand (holding erect and aloft the sword in the right hand and stamping thrice upon the earth with the right foot. k. the talisman or material basis is to be placed towards

uired. the material basis should be preserved wrapped in white linen or silk all the time that the phenomena is intended to act. when it is time for it to cease, the material basis, if n, is to be poured away. if l, ground to powder and scattered abroad. if a hard substance as a metal, it must be decharged, banished and thrown aside. if a flame of o, it shall be extinguished. if a vial containing air, it shall be opened, and after that, well rinsed out with pure n. c invisibility o a. the shroud of concealment. b. the magician. c. the guards of concealment. d. the astral light to be molded into the shroud. e. the equation of the symbols in the sphere of sensation. f. the invocation of the higher; the placing of a barrier without the astral form; the clothing of the same with obscurity thro

divine guidance, kneels at the west of the altar in the position of the candidate in the enterer, and at the same time astrally projects his consciousness to the east of the altar, and turns, facing his body to the west, holding astrally his own left hand with his astral left. he raises his astral right hand holding the presentment of his lotus and by the white portion thereof, and raised in the air erect. j. let the aspirant now slowly recite an oration unto the gods and unto the higher self (as that of the second adept in the entering of the vault, but as if with his astral consciousness which is projected to the east of the altar. note: if at this point the aspirant should feel a sensation as of faintness coming on, let him at once withdraw the projected aura and properly master himsel

e a band (for in a is the beginning of the life of the year) ready to commence the general invocation of the forces of the divine light to operate in the work. j. the pronouncing aloud of the invocation of the requisite general forces, answering to the class of alchemical work to be performed. the conjuring of the necessary forces to act in the curcurbite for the work required. the tracing in the air above it with appropriate weapon the necessary lineal figures signs, sigils and the like. then, let the alchemist say: so help me the lord of the universe and my own higher soul. let him raise the curcurbite in the air with both hands saying, arise herein to action, o ye forces of the light divine. k. now, let the matter putrefy in the balneum mariae in a very gentle heat, until darkness begin

GOLDEN DAWN RITUALS ZAM1

er half: h w c h y for the upper half: h c w h y step 14 return to the center of the room, and visualize the six crosses (six is the number of tiphareth) in a network of light around you. step 15 stand in your work area facing east with your arms out to your sides, so that your body forms a cross, with your palms facing forward. step 16 say with meaning "i. n. r. i" draw the hebrew letters in the air from right to left, visualizing them flaming in bright blue, as you are saying them. 6 y r n y step 17 raise your right arm straight up with your palm facing to the left, keeping your left arm straight out with your palm facing forward. tilt your head slightly to the left. you are forming the letter "l, and saying with meaning "l. the sign of the mourning of isis" step 18 raise both arms to fo

steps without any vibration or drawing the crosses. addendum the rose cross ritual is based on the power of the tetragrammaton infused with the fires of life, the ruach elohim, through the letter c. when placed in the center it unites the masculine with feminine, the macrocosm with the microcosm, as in hwchy. when placed after the letters (chwhy) it unites the three principles of fire, water, and air with the final principal of earth. its sealing properties come from a fiery wall of c infused within the elements of the microprosop..ritual i r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 3 step 1 perform the l.b.r.p. step 2 perform the b.r.h. step 3 perform the s.i.r.p. step 4 create a vortex. perform the adoration to the lord of the universe. step 5 stand west of the altar, face e

GOLDEN DAWN RITUALS ZAM10

ty and love. therefore, i say unto thee, bring me unto thine abode in the silence unutterable, all wisdom, all light, all power. hoorpokratist, thou art the nameless child of eternity. bring me to thee, that i may be defended in this work of art. thou, the center and the silence; light shrouded in darkness is thy name. the celestial fire is thy father, thy mother is the heavenly sea. thou art the air of life, the harmony of all, and lord against the face of the dwellers within the waters! bring me, i say, bring me to thy abode of everlasting silence, that i may awake to the glory of my godhead, that i may go invisible, so that every spirit created, and every soul of man and beast, and everything of sight and sense, and every spell and scourge of god, may see me not nor understand! and now

GOLDEN DAWN RITUALS ZAM11

6 close the vortex. step 27 perform the l.b.r.p. 11 step 28 perform the b.r.tespiritual initiation of the body of light r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 step 1 arrange the temple as in the neophyte grade. step 2 perform the opening by watchtower. step 3 (go to the east, with lotus wand held by the white band and perform the s.i.r.h. of the supernals. trace the sigils in the air as they are vibrated) say "supernal splendor which dwellest in the light to which no human can approach, wherein is mystery and depth unthinkable and awful silence, i beseech thee who art shekinah and aima elohim. look down upon me in this ceremony which i perform not in my honor, but in thy honor, for your kind and generous assistance in aiding me in my understanding of my true will, in the g

GOLDEN DAWN RITUALS ZAM12

second adept "let us draw upon the elements the holy symbols of spirit, for by names and images are all powers awakened and re-awakened (third adept draws invoking pentagrams of spirit, both passive and active, using the lotus wand held by the white band) chief adept "i invite you brothers and sisters of the red rose upon the golden cross, to inhale with me the perfume of this rose as a symbol of air (smell the rose. to feel with me the warmth of this sacred lamp as a symbol of fire (waves hand over the lamp. 5 to eat with me this bread and salt as types of earth (dips the bread into the salt and eats it. and finally, to drink with me this wine, the consecrated emblem of the element of water (makes a cross with the cup then drinks it (the chief adept then looks to the first adept, makes th

GOLDEN DAWN RITUALS ZAM13

hower of the life of the earth. i am he, whose mouth ever flameth. i am he, the begetter and the manifester unto the light. i am he, the grace of the world. the heart girt with a serpent is my name. come thou forth and follow me and make all spirits subject unto me so that every spirit of the firmament and of the ether, upon the earth and under the earth, on dry land and in the water, of whirling air and of rushing fire and every spell and scourge of god the vast one may be obedient unto me. iao. such are the words "i am the resurrection and the life, he who believeth in me though he were dead yet shall he live, and he who believeth in me who liveth shall never die. i am the first and the last, i am he who liveth and was dead, and behold, i am alive evermore. i am the way, the truth and th

GOLDEN DAWN RITUALS ZAM14

ah morimer" chief adept "per spiritum sanctum reviviscimus (the bell rings twenty-one timederequiem r. r. e t a. c. z e l a t o r a d e p t u s m i n o r step 1 2 perform the l.b.r.p. step 2 perform the b.r.h. step 3 opening by watchtower. step 4 go to the east and perform the invoking ritual of the supernals by the hexagram while holding your lotus wand by the white band. trace the sigils in the air as they are vibrated. step 6 say "supernal splendor which dwellest in the light to which no man can approach, wherein is mystery and depth unthinkable, and awful silence. i beseech thee who art shekinah and aimah elohim, to look down upon me in this ceremony which i perform to thine honor, and for the assistance of those who have passed through the veil. grant thine aid unto the highest aspira

GOLDEN DAWN RITUALS ZAM15

and disciplined individual to advance a bit faster. it is our belief, that with all the published material available on magic and the art thereof, this will not pose an undo strain on the adept. the natural order of consecration is as follows: 1. lotus wand 2. rose cross lamen 3. magical sword (this is necessary to consecrate the elemental tools) 4. four elemental tools in the following order: 1. air dagger 2. fire wand 3. water chalice 4. earth pantacle one final note, it is best to consecrate the magical sword and all tools more than once. experience teaches that "by names and images are all powers awakened and re-awakened" l.v.x. the magical sword is to be used in all cases where great force and strength are to be used and are required, but primarily, it is utalized for banishing and fo

vast and mighty one, ruler of the light and of the darkness" step 7 perform the lesser invoking ritual of the hexagram of f, holding the wand by white band. give the 5=6 signs and the analysis of the keyword. step 8 return to the west of the altar. turn to face the direction in which you have found f to be, standing so that the altar is between yourself and f for convenience. step 9 trace in the air the invoking pentagram of the sign that f is in. step 10 trace the invoking hexagram of f, vibrating "rwbg \yhla" step 11 then, still holding the wand by the white band, recite your invocation to the power of hrwbg and the forces of f, tracing the sigil of each as you read it. 5 "o mighty power who governeth hrwbg, thou strong and terrible divine rwbg \yhla, i beseech thee to bestow upon this

evil and weakness i may encounter. in the fiery sphere of \ydm, may it be welded and tempered to unswerving strength and fidelity. may thy great archangel lamk bestow upon me courage wherewith to use it aright, and may the powerful angels of the order of the \yprc scorch with their flames the feebleness of purpose which would hinder my search for the true light" step 12 then, slowly trace in the air above the sword as if standing upon it, the invoking hexagram of f. do this with the lotus end, still holding the white band. step 13 next, trace over the sword the letters of the names in the invocation and their several sigils. step 14 put down the wand. take up the cup and purify the new sword with n, making the cross upon it. put down the cup. step 15 take up the incense and wave it over t

GOLDEN DAWN RITUALS ZAM16

nsecration ceremony. let a ray from thy perfection descend upon me, to awaken within my being that which shall prove a channel for the working of thine 4 abundant power. may this k talisman which i have made be a focus of thy light and life and love so that it may awaken within my soul a clear vision and a stronger aspiration to the light" step 9 draw the letters la in hebrew and its sigil in the air. then, trace the same over the heart region and vibrate la several times "grant unto me, thou great and merciful king of dsj, the presence and power of thy holy archangel layqdx that he may aid me with his power" step 10 draw the invoking hexagram of jupiter and in it the sigil of layqdx. vibrate the name strongly "o ye brilliant ones of dsj, i conjure ye by the mighty name of la strong and mi

GOLDEN DAWN RITUALS ZAM2

er of yanda which translates into "my lord" lvx= 65= my lord and divinity follow closely the steps, and let the adept commit to memory the analysis of the keyword. it is of equal importance, that with each step, we meditate on the alchemical formula of spiritual transformation into the light of adonai. the analysis of the keyword step 1 say with meaning "i. n. r. i" draw the hebrew letters in the air from right to left, visualizing them flaming in bright blue as you are saying them. 6 y r n y step 2 form the "l" while saying "virgo, isis, mighty mother" form the "v" while saying "scorpio, apophis, destroyer" form the "cross" then "x" while saying "sol, osiris, slain and risen" form the "l" while saying "isis" form the "v" while saying "apophis" form the "x" while saying "osiris" step 3 slo

GOLDEN DAWN RITUALS ZAM20

the outer should place themselves on a regular schedule of performing this ritual. this allows the divine genius to lead in the process of initiation rather than the mundane ego where little, if any initiating force can be projected and maintained. g.h. frater p.c.a. 7= 4 chief adept r.r. et. a.c. items needed! four elements: wine, bread and salt, rose, fire incenser! lotus wand! fire wand! cup! air dagger! earth pantacle! sigils for: layqpx, yatbc \ylara \yhla hwhy! banishing sword! incenser! large cauldron on the altar with fire burning in it! four watchtower tablets! tablet of union step 1 "hekas, hekas, este bebeloi" 3 face east, perform qabalistic cross, and perform the lesser banishing ritual of the pentagram, then, with the black end of the lotus wand, but holding by the white band

angels of the watchtower of the west" step 6 replace cup, take dagger, strike towards east, and circumambulate in the path of a, saying: 4 "such a o existeth, extending through the rushings of m, or even a o formless, whence cometh the image of a voice; or even a flashing light, abounding, revolving, whirling forth, crying aloud" step 7 on reaching east, strike forward with dagger, make invoking air pentagram and the sign of the head of the man. say "oro ibah aozpi. in the names and letters of the great eastern quadrangle, i invoke ye, ye angels of the watchtower of the east" step 8 replace dagger. take pantacle, go to the north, shake thrice, and circumambulate in the path of a, saying "stoop not down into that darkly splendid world where in gloom, delighting in unintelligible images, a

GOLDEN DAWN RITUALS ZAM21

. magus of water, i command thee to perform the lesser banishing ritual of the pentagram and to purify this hall and all members with the element of water" magus of water "mighty chief, all thy commands shall be obeyed (magus of water performs l. b. r. p. and then takes water chalice off west altar and brings it to the east facing chief adept) magus of water (draws invoking water pentagram in the air and swings "in the name of hcoma and by the name of mph arsl gaiol, i purify thee with water (magus of water stands in the east facing west, draws cross in air with chalice and sprinkles) magus of water "in the name of el, strong and mighty, and in the name of gabriel, the great archangel of water, i purify thee with water" magus of water (scatters water around the edges of the circle beginnin

chief, all thy commands shall be obeyed (magus of fire performs the b. r. h. with lotus wand. he then takes red incenser of the south altar and brings it to the east facing chief) magus of fire (draws the invoking pentagram of fire, then swings "in the name of bitom and by the names oip teaa pdoce, i consecrate thee with the magic fires of light" 4 (faces west, swings/ and draws the cross in the air with the incenser "in the name of yhvh tzabaoth, and in the name of the great archangel of fire michael, i consecrate thee with fire" magus of fire (he then lights the four red lamps at the edge of the circle, starting in the east and ending at the fifth lamp sitting on the center altar, while saying at the beginning of the lighting "and when all the phantoms have vanished, thou shalt see that

the edge of the circle, starting in the east and ending at the fifth lamp sitting on the center altar, while saying at the beginning of the lighting "and when all the phantoms have vanished, thou shalt see that holy and formless fire, that fire which darts and flashes through the hidden depths of the universe. hear thou the voice of fire (returns to position) chief adept (moves to the east, takes air dagger and draws the invoking pentagram of air "i exorcise all evil and impure spirits by the powers of air and in the name of exarp and oro ibah aozpi (faces west, swings/ and makes a cross in the air and says "in the name of shaddai el chai, all mighty and everlasting god, and in the name of the great archangel of air, raphael, i exorcise thee through the power of air (circumambulates once a

air and in the name of exarp and oro ibah aozpi (faces west, swings/ and makes a cross in the air and says "in the name of shaddai el chai, all mighty and everlasting god, and in the name of the great archangel of air, raphael, i exorcise thee through the power of air (circumambulates once around the temple starting in the east while saying "such a fire existeth, extending through the rushing of air, or even a fire formless, whence cometh the image of a voice or even a flashing light abounding, revolving, whirling forth, crying aloud" second adept (moves over to the north, picks up pantacle and salt, moves to the east facing east, and draws the invoking pentagram of earth "i exorcise all evil and impure spirits by the powers of earth and in the name of nanta and mor dial hctga (now faces

cometh the image of a voice or even a flashing light abounding, revolving, whirling forth, crying aloud" second adept (moves over to the north, picks up pantacle and salt, moves to the east facing east, and draws the invoking pentagram of earth "i exorcise all evil and impure spirits by the powers of earth and in the name of nanta and mor dial hctga (now faces west, swings/ and draws cross in the air "in the name of adonai ha aretz and adonai melekh and in the name of the great archangel of earth, auriel, i cleanse thee through the power of earth (tosses a pinch of salt (circumambulates around the temple, starting in the east, sprinkling the salt around the circle while saying "stoop not down into that darkly splendid world, where in gloom, delighting in unintelligible images, a black ever

GOLDEN DAWN RITUALS ZAM22

perfection descend upon me, to awaken within my being that which shall prove a channel for the working of thine abundant power and beauty. may this talisman of a which i have made, be a focus of thy light, life, and love and beauty, so that it may awaken within my soul a clear vision and a stronger aspiration to the light divine. step 3 trace letters and rose cross sigil of tudw hwla hwhy in the air, and visualize these letters like flames burning before you and within your heart. vibrate the divine name one time for each letter. say: grant unto me thou great and beautiful king of trapt the presence and power of thy holy archangel lapr that he may aid me with his power and might! step 4 using the lotus wand held by the band of e, let the adept draw before him the invoking hexagram of a an

mambulate. say: o lord of the universe, thou art in all things, and thy name is in all things. before thee the shadows of the night roll back and the darkness hasteneth away. step 8 circumambulate once, stop in the east, and face east. say: before thou canst be a means for the manifestation of the divine light, thy body must be formed from the swift-flowing m. step 9 place the talisman before the air tablet, and make the invoking circle and pentagram of active spirit with the spirit wheel, and the air pentagram with the k kerub. say: in the name of hwhy, in the name of yjla ydc, and in the name of lapr, your archangel, spirits of m, ye i command. bind unto this creature of talismans the substance of your element of m (make cross) in the three great secret holy names of god borne upon the b

GOLDEN DAWN RITUALS ZAM24

of the very honored hierophant, i proclaim that the autumnal equinox is here and that the password_ is abrogated (kerux returns to place. members stand facing toward the altar and follow the officers in making the signs toward it) hierophant "let us consecrate according to ancient custom, the return of the equinox" hierophant "light" hiereus "darkness" hierophant "east" hiereus "west" hierophant "air" hiereus "water" hegemon (knocks "i am the reconciler between them. all make the neophyte sign toward the altar" dadouchos "heat" stolistes "cold" dadouchos "south" 3 stolistes "north" dadouchos "fire" stolistes "water" hegemon (knocks "i am the reconciler between them. all make signs toward the altar" hierophant "one creator" dadouchos "one preserver" hiereus "one destroyer" stolistes "one re

altar and lays down censer "with the password_ i lay down my censer (dadouchos takes the red lamp from the altar and returns with the sun to his place) 4 (kerux passes to the northeast to begin his circumambulation. kerux moves to the east and halts before the hierophant) all face east. hierophant (holding up the rose, faces east "let us adore the lord of the universe. holy art thou, lord of the air, who hast created the firmament (hierophant makes a cross in the air with the rose and salutes) all give theoricus grade sign or the sign of your grade" kerux (passes to the south and faces the dadouchos who turns south holding up the lamp "all face south" dadouchos "let us adore the lord of the universe. holy art thou, lord of fire, wherein thou hast shown forth the throne of thy glory (makes

thou, who art in all things, in whom are all things. if i climb to heaven, thou art there, and if i go down to hell, thou art there also. if i take the wings of the morning and flee unto the uttermost parts of the sea, even there shall thy hand lead me and thy right hand shall hold me. if i say peradventure the darkness shall cover me, even the night shall be turned light unto thee! thine is the air with its movement! thine is the fire with its flashing flame! thine is the water with ebb and flow! thine is the earth with its enduring stability (makes a cross over the altar with the lamp. hegemon keeps the lamp "all give the neophyte grade sign toward the altar" imperator "by the power and authority vested in me, i confer the new password. it is" 5 (hierophant, taking the rose, quits his t

GOLDEN DAWN RITUALS ZAM3

s the shower of the life of earth. i am he, whose mouth ever flameth. i am he, the begetter and manifester unto the light. i am he, the grace of the world. the heart girt with a serpent is my name. come thou forth and follow me and make all spirits subject unto me, so that every spirit of the firmament and of the ether, upon the earth and under the earth, on dry land and in the water, of whirling air, and of rushing fire, and every spell and scourge of god, the vast one be made obedient unto me" step 12 feeling surrounded and empowered by the divine white brilliance and filled with the rose colored glow of trapt of atziluth, let the adept now astrally look at the luna 5 far below him and the earth below luna. let him descend to the sphere of dwsy and unto the heaven of levanah. while doing

GOLDEN DAWN RITUALS ZAM5

of light that covers your entire head and neck. superimpose the k symbol in the flashing color of brilliant purple on top of the ball of yellow light. step 2 vibrate hwhy and the angelic names lapr and cj. each name should be vibrated a minimum of four times. when you feel the power of the divine and angelic names coming to an apex, recite the following prayer to the sylphs "holy art thou lord of air, who has created the firmament, ydc yjla. almighty and everlasting, ever living be thy name. ever magnified in the life of all. we praise and we bless thee in the changeless empire of created light; and we aspire without cessation unto thy imperishable and immutable brilliance. amen" part 3 step 1 hold the lotus wand by the e band. continue to visualize the brilliant yellow sphere with the pur

the shower of the life of the earth! i am he whose mouth ever floweth! i am he the begetter and manifester unto the light! i am he, the grace of the world! the heart girt with a serpent is my name. come thou forth and follow me and make all spirits subject unto me so that every spirit of the firmament and of the ether, upon the earth and under the earth, on dry land and in the water, of whirling air, and of rushing fire, and every spell and scourge of god the vast one may be obedient unto me" step 4 meditate on whatever communication you can obtain from your higher genius. when you are finished communing with your higher genius, simply say "be my mind open to the higher! be my heart the center of the light! be my body a temple of the rose and crospltablet of hermes r. r. e t a. c. z e l a

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d the darkness, rising, descending, changing ever, yet ever the same. the sun is thy father; thy mother the moon. the wind hath borne thee in its bosom, and the earth hath ever nourished the changeless god head of thy youth. come thou forth i say, come thou forth, and make every spirit of the firmament and of the ether, upon the earth and under the earth, on dry land and in the water, of whirling air and of rushing fire, and every spell and scourge of god, the vast one, obedient unto mtolineal figures r. r. e t a. c. z e l a t o r a d e p t u s m i n o r 2 examine the number of hebrew letters in the sephirotic names on the qabalistic tree of life. rtk consists of three letters. this could be equated to the triangle that has three sides. in addition, rtk is pure unity, and thus, the triangl

GOLDEN CHAIN AND THE LONELY ROAD

which flash forth in sudden ardour and goad a man to heights of inspiration; these and an infinity of others are the gateways of liliya's wisdom. ii. the lineal transmission of word- the breath which carries the password in the formal rite of induction is literally considered to be the same breath carried down through the bodies of each successive master or mistress; it is the 'pneuma, the vital air of illuminative life; it is the 'one breath, the hyperborean insufflation from cain to his kin. in attenuation, this mystery is conveyed through every word- every act of speech, whether in waking, vision, imagination or dreaming- which conveys the gnosis of the arte magical to the individual aspirant. iii. the lineal transmission of deed- every action is an interaction between self and other

GRAHAM HANCOCK FINGERPRINTS OF THE GODS

gy in creating maps and charts. 21 strachan s impression that the maps, through generations of copyists, revealed the handiwork of an ancient, mysterious and technologically advanced civilization, was shared by reconnaissance experts from the us airforce to whom hapgood submitted the evidence. lorenzo burroughs, chief of the 8th reconnaissance technical squadron s cartographic section at westover air base, made a particularly close study of the oronteus finaeus map. he concluded that some of the sources upon which it was based must have been drawn up by means of a projection similar to the modern cordiform projection. this, said burroughs: suggests the use of advanced mathematics. further, the shape given to the antarctic continent suggests the possibility, if not the probability, that the

al condor this time, haughty as a fallen angel riding a thermal back to heaven. my pilot gasps and tries to follow him. for a moment i catch a glimpse of a bright, dispassionate eye that seems to weigh us up and find us wanting. then, like a vision from some ancient myth, the creature banks and glides contemptuously backwards into the sun leaving our single-engined cessna floundering in the lower air. below us now there s a pair of parallel lines almost two miles long, arrow straight all the way to vanishing point. and there, off to the right, a series of abstract shapes on a scale so vast and yet so precisely executed that it seems inconceivable they could have been the work of men. the people around here say that they were not the work of men, but of demigods, the viracochas,1 who also l

as, with 200 square miles of uninterrupted tableland and the certainty that your masterwork won t be carried away on the desert breeze or covered by drifting sand. it s true that high winds do blow here, but by a happy accident of physics they are robbed of their sting at ground level: the pebbles that litter the pampa absorb and retain the sun s heat, throwing up a protective force-field of warm air. in addition, the soil contains enough gypsum to glue small stones to the subsurface, an adhesive regularly renewed by the moistening effect of early morning dews. once things are drawn here, therefore, they tend to stay drawn. there s hardly any rain; indeed, with less than half an hour of miserly drizzle every decade, nazca is among the driest places on earth. if you are an artist, therefore

r, and lean. he walked with a staff and addressed the natives with love, calling them his sons and daughters. as he traversed all the land he worked miracles. he healed the sick by touch. he spoke every tongue even better than the natives. they called him thunupa or tarpaca, viracocha-rapacha or pachaccan..8 in one legend thunupa-viracocha was said to have been a white man of large stature, whose air and person aroused great respect and veneration .9 in another he was described as a white man of august appearance, blue-eyed, bearded, without headgear and wearing a cusma, a jerkin or sleeveless shirt reaching to the knees. in yet another, which seemed to refer to a later phase of his life, he was revered as a wise counsellor in matters of state and depicted as an old man with a beard and lo

ns it must have seemed that he had materialized from nowhere. ancient traditions we were now more than two hours into our journey to machu picchu and the panorama had changed. huge black mountains, upon which not a trace of snow remained to reflect the sunlight, towered darkly above us and we seemed to be running through a rocky defile at the end of a narrow valley filled with sombre shadows. the air was cold and so were my feet. i shivered and resumed reading. one thing was obvious amid the confused web of legends i had reviewed, legends which supplemented one another but also at times conflicted. all the scholars agreed that the incas had borrowed, absorbed and passed on the traditions of many of the different civilized peoples over whom they had extended their control during the centuri

GREENFIELD ALLEN SECRET CIPHER OF THE UFONAUTS

lchemist church and 11, i see to learn this writing, i.e, to decode the cipher of the ufonauts. also that lie that thou must die and, our having not forgotten that mohammed and alexander were higher men as well, law of the battle of conquest. carry to the alien nest the law of the adepti and the knowledge of the portal and, as andrews puts it..in the golden dawn enochian system, the great king of air is the appropriate intermediary to be called upon as a benign go-between in negotiations between earthlings and extra-terrestrials. the great king of air, in the enochian language, is called bataivah and is invoked by the 2= 9 grade opening in the system of the a.a. all adepti know this. but a 9mm pistol in your pocket wouldn t hurt either. aleister crowley used to say that the correct magical

GRERALD SCHUELER AN ADVANCED GUIDE TO ENOCHIAN MAGICK

spect of yourself or your world in order to achieve success in the ultimate ritual. successful completion of the ultimate ritual is the great work of the true magician. enochian magick is nothing less than a path of spiritual development. the rise upward through the thirty aethyrs is a progressive, spiritual journey toward the essential nature of all things.it is a climb from earth through water, air, and fire finto indescribable spiritual realms and beyond. along the way you, the magician, will learn to see through illusion and deception.the innerbeing of your self and of 12 others will slowly unveil before you. as you approach the uitimate ritual, you will discover your true purpose in life (called your true will) arad can then set about to express it in your daily life. those who seek p

ecause they are composed of matter that is so tenuous that our eyes cannot see it. there are many degrees of matter's density. the most dense is the physical plane. the next, more ethereal and very close to the physical plane, is the etheric plane symbolized by the element earth. the next more ethereal world is the astral plane which is usually divided into a lower half, symbolized by the element air, anda higher half symbol ized by the element fi re. the highest plane conceivable to human consciousness is the spiritual plane symbolized by the element spirit (the enochian system uses spirit as a fifth element. aboye this is the divine piane which is inconceivable to the human mirad and no descriptions are possible. there are seven cosmic planes in all. little can be raid of the highest two

ng spheres, not separate levels like the skins of an onion. the astral plane is not up in the sky somewhere. it interpenetrates the earth plane. however, its extension is larger than that of the earth and so it is shown in the diagram as a larger sphere. 14 the hermetic axiom "as aboye so below" is used in enochian magick to explain how each cosmic plane can be divided into subplanes. there is an air of water subplane, and an earth of fire subplane, and so on. in addition, at the outer boundary of each cosmic plane is located a ring-passnot. this effectively prohibits passage of a lower cosmic element frito a higher sphere. earth can not pass finto water, nor air finto fire. these are outlined in figure 2. you must take care not to confuse the cosmic element earth with physical earth. nor

ilarities can only be stretched so far. the golden dawn taught the qabalistic doctrine of four worlds or planes as follows: 1. atziluth, the divine world of archetypal ideas. 2. briah, the creative world of the archangels. 3. yetzirah, the astral world of angels and demons. 4. assiah, the physical world, the lowest and most material. these bear striking sinnilarities to the enochian earth, water, air, and fire tablets. you must always remember that the earth tabeet refers to the etheric plane rather than to our physical world. in the same way, the hebrew qabalah equates the lowest sephira, malkuth, with our planet earth. the lowest of the enochian aethyrs, however, is just aboye (i.e, less dense than) the earth and thus does not precisely equate wi th malkuth. correspondences between the e

e (microscopic) and whose circumference is everywhere (infinite. enochian magick represents this center by the god hadit. the circumference is represented by the goddess nuit. 19 the five elements "the earth is an element, and whatever is produced from it. so is the water and all produced there from. so then that is an element which produces. andan element is a mother, and there are four of them, air, eire, water, earth. from there four matrices everything in the whole world is produced" paracelsus figure 1 shows that the cosmic elements of earth, water, air, fire, and spirit are not to be taken as chemical elements but as quantifiers of density. physical matter is the grossest or most dense cosmic elementin our world-system. spirit is the leastdense (most ethereal) cosmic element. the oth

GREY W G CONDENSATION OF KABBALAH

s is the finishing process in the womb, and where we get our imagination from. after nine months, everything is projected into: 10 thekingdomof thisworld.originated by thegod-aspect of adonaiha-aretz (lord of the earth/land. created by archangel sandalfon (co-brother) who is the other end of metatron. formed by the angel order of the keruvim (winged bulls. expressed by the life-elements of earth, air, fire and water( olam ha- yesodot- the sphere of the elements, the opposite numbers of the holy living creatures at keter. humanly of course we are here as concrete creations of cosmic consciousness going through incarnate lifetimes of experience. all this is but a surface-scratch on the study of kabbalah from a god to man viewpoint. if you need to go deeper, you must know more deeply, and thi

GRIFFIN DAVID MAGICAL EVOCATION OF THE AVERSE FORCES

epared for the ritual, is generally quite sufficient. the adept may nonetheless wish to experiment with polygons other than a triangle for use as constrainment devices, since there exists historical precedent in the rosicrucian tradition for this variation. place the triangle of art in the east of the temple or in the direction usually associated with the force. for example, to evoke the demon of air, set up the triangle of art in the west, the quarter toward which the magician should face to skry to the plane of air. one line of tradition then suggests the use of vast amounts of thick, smoky incense for the entity to use as a material basis to appear. in recent decades, however, research has suggested that the smoke method is but a blind, or "smokescreen" for the actual procedure, which i

GRIMM JACOB TEUTONIC MYTHOLOGY VOL 3

as the north named another part' lilf-lisr' wolf-lith, after the god t^r. unexpectedly our 13th centuiy has preserved for us vol. 111. b xviil peeface. one of his names [wish, which lies in abeyance even in the norse system, yet is the one that stands in the closest contact with the women that do the god's bidding, with the wand that unlocks his hoard, with the mantle that carries him through the air, nay, is the only one that puts all these in the true light. the norse name omi is not quite so clearly explained by the as. woma, though the word marks unmistakably the stormful god whom we know more certainly through our legend of the' furious host: the wide cloak and low hat are retained in the name hackelbernd, which i venture to trace back to a gothic hakul-baii-ands (p. 146-7. as longbea

nt stately wuotan, we see about donar something plebeian, boorish and uncouth. he seems the more primitive deity, displaced in the course of ages (yet not everywhere) by a kindred but more comprehensive one. if wuotan and donar are to be regarded as exalted deities of heaven, much more may zio, tins, be accepted as such, whose name expresses literally the notion of sky, while wuotan signifies the air, and donar the thunderstorm. and as wuotan turns the tide of battle, zio presents himself as the special god of war; as donar flings the hammer and wuotan the spear, he is god of the sword, as exhibited in the names sahsnot and heru. but here much remains dark to us, because our legend has lost sight of zio altoo-ether. like wuotan, he also seems to rush down from the sky in the form of tempes

ing framework of mythology; where such pillars stand, any amount of superstructure and decoration may be taken for granted. considered in and for themselves, almost all tlie individual deities appear emanations and branches of a single one; the gods as heaven, the goddesses as earth, the one as fathers, the other as mothers, the former creating, governing, guiding, loi'ds of victory and bliss, of air, fire and water, the goddesses nourishing, spinning, tilling, beautiful, bedizened, loving. as all the sounds of language are reducible to a few, from whose simplicity the rest can be derived the vowels by broadening, narrowing, and combination into diphthongs, the mute consonants by subdivision of their three groups each into three stages, while particular dialects shift them from one stage t

trays itself in the indians as well as celts, which in the fulness of greek and german myth falls more into the background. it seems worthy of notice, that to the indian gods and goddesses are assigned celestial dwellings with proper names, as in the edda. among the gods themselves, brahma's creative power resembles wuotan's, indra is akin to donar, being the wielder of lightning and the ruler of air and winds, so that as god of the sky he can also be compared to zio. the unison of our wish with the notion embodied in manoratha (p. 870) deserves attention. nerthus answers to bhavani (p. 255, halja to kali, and mannus to manus (p. 578, the last two examples being letter for letter the same; but one thing that must not be 'overlooked is, that the same myth of man's creation out of eight mate

examples being letter for letter the same; but one thing that must not be 'overlooked is, that the same myth of man's creation out of eight materials (pp. 564 7) which has already turned up five times, appears in a portion of the vedas, the aitareya aranya, from which an excerpt is given in colebrooke's misc. essays, lend. 1837, vol. 1, p. 47 seq; here also eight ingredients are enumerated: fire, air, sun, space, herb, moon, death, and water. naturally the details vary again, though even the five european accounts are not without a certain indian colouring. still more interesting perhaps is an echo that reaches the very heart of our hero-legend. putraka (in somadeva i. 19) comes upon two men who are fighting for some magic gifts, a cup, a staff, and a pair of shoes; he cheats them into run

GRIMM TEUTONIC MYTHOLOGY VOL 2 1883 COMPLETE

dwarfs (p. 444) and the devil, though the half-black hel (p. 312) was of giant kin. hrungnir, a giant in the edda, has a head of stone (seem. 76b, sn. 109, another in the fornald. sog. 3, 573 is called larnliaus, iron skull. but giants as a rule appear well-shaped and symmetrical; their daughters are capable of the highest beauty, e.g. geroy, whose gleaming arms, as she shuts the house-door, make air and water shine again, sasm. 82a, sn. 39 (see suppl. in the giants as a whole, an untamed natural force has full swing, entailing their excessive bodily size, their overbearing in solence, that is to say, abuse of corporal and mental power, and finally sinking under its own weight. hence the iotunn in the edda is called skrautgiarn (fastosus, saem. 11 7b; sa inn dmdttki (praspotens) 41 b 82h;

bly our still surviving compound steinalt, old as stone (gramm. 2, 555, is to be ex plained by the great age of giants, approaching that of rocks and hills; gifur rata (gigantes pedes illidunt saxis) is what they say in the north. stones and rocks are weapons of the giant race; they use only stone clubs and stone shields, no swords. hrungni s weapon is called hei)i (hone; when it was flung in mid air and came in collision with thor s hammer, it broke, and a part fell on the ground; hence come all the heinberg/ whinstone rocks, sn. 108-9. later legends add to their armament stahelstangen (steel bars) 24 yards long, eoth. 687. 1662. hiirn. sifr. 62, 2. 68, 2. sigenot (lassb) 14 (hag) 69. 75. iwein 5022(-mote, rod 5058 -kolbe, club 6682. 6726. trist. 15980. 16146; foenstange, nib. 460, 1. vel

him. in upper hesse i was told as follows: between gossfelden and wetter there was once a village that has now disappeared, elbringhausen; the farmers in it lived so luxuriously that the devil got power over them, and resolved to shift them from their good soil to a sandy flat which is flooded every year by the overflowing lahn. so he took the village up in his basket, and carried it through the air to where sarenau stands: he began picking out the houses one by one, and setting them up side by side; by some accident the basket tipped over, and the whole lot tumbled pellmell on the ground; so it came about, that the first six houses at sarenau stand in a straight row, and all the others anyhow. near saalfeld in thuringia lies a village, langenschade, numbering but 54 houses, and yet a cou

de by side; by some accident the basket tipped over, and the whole lot tumbled pellmell on the ground; so it came about, that the first six houses at sarenau stand in a straight row, and all the others anyhow. near saalfeld in thuringia lies a village, langenschade, numbering but 54 houses, and yet a couple of miles long, because they stand scattered and in single file. the devil flew through the air, carrying houses in an apron, but a hole in it let the houses drop out one by one. on looking back, he noticed it and cried there s a pity (schade (see suppl. the pretty fable of the giant s daughter picking up the plough ing husbandman and taking him home to her father in her apron is widely known, but is best told in the alsace legend of nideck castle: irn waldscliloss dort am wasserfall in

were the giants on weissenstein and remberg in upper hesse; they had a baking-oven in common, that stood midway in the field, and when one was kneading his dough, he threw a stone over as a sign that wood was to be fetched from his neighbour s fort to heat the oven. once they both happened to be throwing at the 1 redeker s westfiilische sagen, no. 36. 544 giants. same time, the stones met in the air, 1 and fell where they now lie in the middle of the field above michelbach, each with the marks of a big giant hand stamped on it. another way of signalling was for the giant to scratch his body, which was done so loud that the other heard it distinctly. the three very ancient chapels by sachsenheim, oberwittighausen and griinfeldhausen were built by giants, who fetched the great heavy stones

H SPENCER LEWIS ROSICRUCIAN MANUAL AMORC 1990

al convocation and formal study of god's works. it is, therefore, the "inner" or "middle" chamber, the soul of the temple, the first circle within the great circle.the holy sanctum, the "abiding place of the presence of god" our lodges also represent the surface of the earth, with four cardinal points or horizons.east, south, west, and north, with [33] earth, fire, and water beneath our feet, and air and "nous" overhead, beyond which are the "stars and sky".the immaterial world. the lodge is arranged so that it serves its purpose and performs its functions symbolically and practically. its appointments are such as to make for efficiency in the work to be done, and regularity in practices performed therein. these arrangements and appointments are explained hereinafter. the furnishings of a

igure is a symbolic rep [75] resentation of the rosy cross itself: the victory of the quintessence over the four alchemical elements. the wheel at the top of each pentagram represents the quintessence; the small triangle on the left, with the point downward and a line parallel to the base, symbolizes earth; the triangle above, with a line parallel to the base but with the point upward, represents air; the upper triangle on the right of the pentagram, with the point downward, symbolizes water; the lower small triangle on the right, with the point upward, represents fire. on the lower arm of the figure, below the large rose, is a hexagram. symbol of the macrocosm.composed of two interlaced triangles. at its points are inscribed the six planets, according to the ancient astrological tradition

, and stand for the twenty-two letters of the hebrew kabalistic alphabet. the outer circle of twelve petals represents the twelve single letters of this alphabet, and in particular the twelve signs of the zodiac. the next circle of seven petals symbolizes the seven double letters.in particular the seven astrological planets. the innermost circle of three petals represents the three mother-letters.air, fire, and water. at the center of the large rose is the microcosmic rose cross, an unfolded cube with a five-petaled rose at its center. four barbs emerge from behind this cross, pointing into the four directions in space. the complete symbol or "encyclopedic" rose cross symbolizes all the majesty, power, beauty, and protection of the rosicrucian order [76] the rosy cross mechanically and sym

breathing, or what we should call subnormal breathing, we merely take in a small amount of the positive, which reaches the negative cells of the blood and charges only a small portion of the negative with the positive. by deeper breathing, or by holding the breath, as explained in our monographs, we cause more of the negative cells of the blood to become charged with the positive vitality of the air and thereby make our blood stronger or greater in its vitality. other breathing exercises show us in our lessons how we can take on an additional amount of positive energy for psychic experiments and for special healing work. all of this, of course, is explained in detail in the monographs [86] chart 3 [87] explanation of chart 3 principal arteries in our use of the blood for healing purposes

ice that by having the atoms touch each other, as they do in this diagram, atom no. 5 makes contact only with four other atoms.nos. 2, 4, 6, and 8. we note also that there is a considerable space between these nine atoms. if we consider each layer of atoms in this square space as being a [119] stratum, we have three strata in figure a. between these layers or strata we have the large openings or "air" space. this means that in any such arrangement of atoms there will be a great amount of space between the atoms, and this space is occupied by what we shall simply call "air. now if we take these nine atoms and arrange them as shown in figure d, we change the square to a rhomboidal form. by arranging the atoms in this wise we do several things of considerable importance. dr. dalton, in his pa

HAMIL THE ROSICRUCIAN SEER

write to him or hear from him 'he can't tell: all he can say is "i am in mexico: i am not dead: they will see me again'"themother melted into tears as she recognized the truthful255 ness of each detail given her by adele. she had not a word to retrench from this description; the character, the instruction, and the departure of her son, were precisely such as described by adele. but what gives an air of greater probability to the clairvoyant's recital as to the country he lives in is, that some of his relatives entertained the idea that he had enlisted into don pedro's army, and took steps, at the time, to acquire a certainty of it. m. lucas furnished me with this particular some time after, when on a visit to paris. no information, however, could be obtained in this respect. but what asto

that the latter declared even the very gestures true to life. a few days later, m. lucas and the mother of the man had a second sitting. adele once asleep, said 'i see him' where do you see him 'here present' give us, once more, a description of him, as also of the place where he is.'heis a fair man, browned by the heat of the sun; very corpulent, features pretty regular, hazel eyes, mouth large; air sombre and meditative. he is in the garb of a workingman-asort of small blouse. he is at work, gathering seeds like peppercorns, but i don't think they are, as they seem bigger. this seed is found in small shrubs about three feet high. i see a negro near him, who is doing the same thing' try and obtain an answer to-day: let him tell you the name of the country where you see him.'hewon't answer

rapidly they lose consciousness of it in the atmosphere and hades, but none (of those who attain hades) through that are doomed to any punishment, further than their own thoughts.thesoul, for the first time after being disembodied on earth, will take a material shape. it will have the appearance of the human body, withallgrossness,alldeformity removed.itwillbe spiritual,-angelical,-light, even as air,-swift as thought-s-trans255parent,-andyet have a humanform,-theform ofitscreator, and nothing can be morelovelythan that. angels know thattobe perfection; and manhasalwaysthe blessing of this. a spirit, even in his first stage, is so different from mortal, that i cannot give any idea of his occupation. he does all that he wishes; and he wishes to do nothing that he knows will not advance him

hrobertowen151c.a.-heis right. all things are predestined, and one arises from another.'2.-thattherefore something has eternally existed.'c.a.-ithad. this world was created from a mass, without shape and without form.'3.-thatthat something is the elements of the universe.'c.a.-itwasearth andair,-nothingmore. i mean that the world was created out of something, and that that something was earth and air.'4.-thatthese elements possess inherent unchangeable qualities' c.a.-heis right.'5.-thatsome notion of the almighty power of these combined elements may be conjectured from observing the extent of motion, life, and instinct or mind, in one of the minute beings seen through a glass of great magnifying power in a drop of water' c.a.-heis right in that conclusion, but not in using the wordmind.'6

f importance in any way. for these offences there are very few others that are not punished everlastingly and yet so lastingly that to those who bear them, they appear everlasting, until the time cometh that they shall be released from their suffering.122therosicrucianseercompare, and in this water live many monsters-monsters out ofnumber-theentire space covering the city and joining the walls is air that which immediately joins the waters and rises a considerable distance above the level of the waters is inhabited by beings exactly similar to those in thecity-theyare clothed the same, eat the same, go through the same actions however minute, have the same friends, in fact entirely live over again the life of those in the city but spiritually. although they do thus live the same-e-and love

HANDBOOK OF EGYPTIAN MYTHOLOGY

kness and it found me. this eye is usually called the daughter of ra, rather than of atum, because she is part of the creator s solar aspect.10 the sole eye is the disk of the sun envisaged as a goddess. she can function separately from the sun god but remains a part of him. the search for the lost children in coffin texts spell 76 is one of the many myths about the first sunrise. shu, the god of air, creates a void in the primeval waters so that the solar eye can shine for the first time.11 a fuller version of this myth found in the bremner-rhind papyrus has a different emphasis. the lord of all recounts how shu and tefnut were nurtured by the god of the primeval waters, with my eye (following) after them from the time they became separated from me. when the creator came fully into existe

arched body of nut (see figure 42. this arm position was the hieroglyphic symbol that wrote the word ka (life force or vital essence, which helps to emphasize that shu is making life possible. many other beings, including the entities known as the heh gods, can be shown assisting shu to support the sky above the earth. shu created a space between earth and sky in which creatures could breathe the air that gives life. in this space, the sun could rise for the first time and drive away the primeval darkness. this first sunrise is the perfect moment celebrated in numerous egyptian texts and images. from this moment the creator was chiefly manifest in the world as the sun god ra. the boundaries of the physical world became fixed, though the upper sky (nut, the atmosphere (shu, and the earth (g

e separation of geb and nut by their father shu was one of the most important cosmic events in egyptian myth. geb was nearly always shown in human form. his skin could be painted green, probably to symbolize the plants that come forth from the body of geb. living creatures were said to crawl on the back of geb. none of these life-forms could come into being until shu separated geb and nut so that air and light could exist between them. after their separation, geb and nut became the parents of five divine children: osiris, horus the elder, seth, isis, and nephthys. as a sky goddess, nut was also considered to be the mother of all heavenly bodies, so geb was sometimes called the father of the sun god ra. in the book of nut, geb is said to be appalled by nut s habit of eating her children. he

ddess of the west, hathor welcomes the setting sun into her outstretched arms. for both gods and people, hathor eased the transition from 138 handbook of egyptian mythology death to new life. the time and manner of a person s death was decreed by a sevenfold form of hathor. as lady of the necropolis, she opened the gates of the underworld. as a tree goddess, she revived the newly dead with shade, air, water, and food. the spirits of the dead could imbibe eternal life from the milk of the seven hathor cows. the coffin texts and the book of the dead have spells to help the deceased live forever as a follower of hathor. in a late period story, hathor rules the underworld, emerging to punish those who behave unjustly on earth. by the greco-roman period, dead women in the afterlife identified t

ly (scala/art resource, new york) from the old kingdom onward, maat s presence was thought to be vital to the daily regeneration of the sun god. in underworld books she is often shown standing close to ra in both the day and night boats of the sun. this, or the dual nature of egypt as two kingdoms, may explain why maat can appear as two identical goddesses. maat shares her feather emblem with the air god shu. she was sometimes equated with shu s sister, tefnut. the gods were said to live on maat, and the goddess was identified with the basics of life: air to breathe, bread to eat, and beer to drink. from the fourteenth century bce onward, maat was often shown as a winged goddess. like isis, she could revive the dead with the air generated by her beating wings. another emblem of maat was a

HEAVEN HELL

xt 1 in which the deceased is made to pray for power of generation similar to that possessed by the god beba, and for the will and opportunity of overcoming women, and it was to be written on a bandlet which was to be attached to the right arm. moreover, the soul which had knowledge of certain sections of the work would "live among the living ones" and would "see osiris every day" and would have "air in his nostrils, and death would never draw nigh unto him" 2 the illustrations which accompany the texts on the coffins from al-barsha make it evident that under the xith dynasty the egyptian theologian had not only divided the under-world in his mind into sections, with doors &c, but that he was prepared to describe that portion of it which belonged to the blessed dead, and to supply a plan o

if he is hindered in any way, he threatens that the progress of ra himself shall be hindered, and that the god shall suffer the loss of his heart with its word of power. the cow-goddess hathor is said to endue him with the protection of her magical power, and the earth-god seb to supply him with all he needs, and the guardian of the staff [of life] promises that he shall be supplied with food and air in the great field, because the ancestors of the deceased who are already living there have given orders to this effect. these same ancestors, it is declared, shall come out to meet him, and as it is possible that some attempt may be made to stop or injure him by seb, nut, shu and tefnut, they shall bring their sticks, and staves, and clubs, and other weapons in their hands, so that they may b

im a crew of seven gods and one goddess; one of these acts as guide (ap-uat, another as steersman, another as the "look out" and the goddess, or "lady of the boat" is there as representative of the division through which they are about to pass. besides these we have ka-shu, i.e, the "double of shu" the god of the atmosphere of this world, who is present in the boat in order to supply the god with air; heru-hekenu, who recites magical formulae; and sa and hu, who represent the knowledge and intelligence necessary for the due performance of the journey. we may note that the boat moves by itself, and that the gods who form a procession in front of it do not tow it. as we have already described these in vol. i (see pp. 4-8, it is needless to say here more than that they are all forms of the su

the grain-god personified. all four boats contain either forms or symbols of osiris, in his different aspects, as the god of ploughing, sowing, and reaping, and of the p. 112 grain from the time when it germinates to the season of harvest. when afu-ra has come into urnes, he addresses the gods of the region, who are called "baiu-tuatiu" and tells them to open their doors so that they may receive air, and fresh food, and fresh water, in return for the deeds of valour which they have done on behalf of afu-ra. it seems that at one portion of this division the followers of osiris and ra had to do battle against apep and his friends, and that in return for their services the god gave them places here in which to dwell, with an abundance of wheat and barley, etc. the gods in reply welcome afu-r

thrown wide open; they are guarded by a huge serpent called seti. these gods are in mummied form, and represent a large class of the beatified dead which exists in the realm of osiris. according to the text which refers to them afu-ra finds the shrines closed when he appears, and the gods within weeping and lamenting; at his word the doors fly open, and the occupants of the p. 128 shrines obtain air and food and adore him, but when he has passed on the doors of the shrines close again, and the gods betake themselves to lamentations until he reappears on the following night. thus another class of the dead owes its revivification, light, and food to the beneficence of afu-ra rather than to osiris. a little beyond the twelve shrines is a group of twelve gods, who are partially immersed in th

HELENA BLAVATSKY NIGHTMARE TALES

e bundle, after which she flung the whole into the water "it must not be left here" she firmly added "these are the st. john's plants, and they might attract thewandering ones" meanwhile the night had come, and the moon illuminated the landscape with a pale, ghostly light. the nightsin the banat are nearly as beautiful as in the east, and the frenchman had to go on with his experiments in theopen air, as the priest of the church had prohibited such in the tower, which was used as the parsonage, forfear of filling the holy precincts with the heretical devils of the mesmerizer, which, the priest remarked, hewould be unable to exorcise on account of their being foreigners. the old gentleman had thrown off his travelling blouse, rolled up his shirt sleeves, and now, striking atheatrical attitu

apidly in the girl's bosom. the action was so quick that themesmerizer, absorbed in his work, had not remarked it, as he afterwards told me. a few minutes elapsed in adead silence. we seemed a group of petrified persons. suddenly a thrilling and transpiercing cry burst fromthe entranced girl's lips, she bent forward, and snatching the stiletto from her bosom, plunged it furiouslyround her, in the air, as if pursuing imaginary foes. her mouth foamed, and incoherent, wild exclamationsbroke from her lips, among which discordant sounds i discerned, several times two familiar christian namesof men. the mesmerizer was so terrified that he lost all control over himself, and instead of withdrawing thefluid he loaded the girl with it still more "take care" exclaimed i "stop! you will kill her, or s

command you "i did. but what she. whom you ordered me to obey. commanded me to do" answered the girl infrench, to my amazement "what did the old witch command you" irreverently asked he "to find them.